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Repository upload dates are not substituted for it.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"The recording venue is not given; the performer’s residence or institutional affiliation is not used as a session place.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No label identifying the original carrier is supplied.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take, side or original recording-medium identification is supplied; inapplicability is not inferred from a digital file.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is named. The repository uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is established; publication and repository upload dates are distinct from transfer dates.","transfer.processing.value":"Ogg Vorbis source; Wikimedia supplies an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Embedded metadata names Xiph.Org libVorbis I 20050304. This describes digital encoding, not original session equipment, editing or mastering.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/4/43/JOHN_MICHEL_CELLO-J_S_BACH_CELLO_SUITE_1_in_G_Prelude.ogg/JOHN_MICHEL_CELLO-J_S_BACH_CELLO_SUITE_1_in_G_Prelude.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons","digital.durationSeconds":130.272653061225,"rights.composition.value":"Underlying composition is public domain under ordinary life-plus-70 terms.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\"]","rights.composition.note":"Bach died in 1750. This does not clear a separately protected modern performing edition.","rights.recording.value":"Rule 1 — sound-recording licence: Creative Commons Attribution-ShareAlike 3.0 Unported.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The file has explicit permission from the copyright holder, confirmed by Wikimedia’s Volunteer Response Team under ticket 2007090610014151. The licence covers John Michel’s recording, not only Bach’s composition; the private ticket itself was not inspected.","rights.creditLine":"Johann Sebastian Bach, Cello Suite No. 1 in G major, Prelude; John Michel, cello. Source: the performer’s GarageBand page, as documented by Wikimedia Commons. CC BY-SA 3.0; recording date and place unknown. Streamed without editorial audio edits.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Cello Suite No. 1 in G major, I. 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Used for musical commentary, not attributed as Michel’s edition.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Netherlands Bach Society — BWV 1007\",\"url\":\"https://www.bachvereniging.nl/en/bwv/bwv-1007\",\"locator\":\"Movement order, broad Köthen-period date range, Anna Magdalena manuscript and questions of bowing.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 3 documented; 1 inferred"},{"id":"bach-goldberg-aria","composer":"Johann Sebastian Bach","title":"Goldberg Variations, BWV 988","movement":"Aria","work.title":"Goldberg Variations","work.catalogue":"BWV 988","work.movement":"Opening Aria","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording source.","performers.value":"[{\"name\":\"Shelley Katz\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"The named performer and instrument are explicitly credited in the recording description.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"archive\"]","session.date.note":"Commons supplies 2012, while the upstream collection describes completion of the Musopen public-domain release project in 2012. No Katz session date is separately established; the release year is not relabelled as a recording date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"The recording venue is not given; the performer’s residence or institutional affiliation is not used as a session place.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"archive\"]","carrier.label.note":"Musopen is the recording-release project; no original commercial carrier label is established.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take, side or original recording-medium identification is supplied; inapplicability is not inferred from a digital file.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is named. The repository uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is established; publication and repository upload dates are distinct from transfer dates.","transfer.processing.value":"FLAC collection redistributed through Commons, with a Wikimedia MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"The upstream item describes FLAC encoding at 32 bits per sample; this is an encoding claim, not evidence of 32-bit original capture. Editing and mastering history are not identified.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/e/e6/Bach%2C_J_S_-_Goldberg_Variations%2C_BWV988_-_01._Aria_%28Shelley_Katz%29.flac/Bach%2C_J_S_-_Goldberg_Variations%2C_BWV988_-_01._Aria_%28Shelley_Katz%29.flac.mp3","digital.sourceChain":"[\"archive\",\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source FLAC","digital.durationSeconds":292.4,"rights.composition.value":"Underlying composition is public domain under ordinary life-plus-70 terms.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\"]","rights.composition.note":"Bach died in 1750. This does not clear a separately protected modern performing edition.","rights.recording.value":"Rule 1 — explicit public-domain recording release by Musopen (Commons PD-author).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"archive\"]","rights.recording.note":"The opened file-description wikitext distinguishes recording={{PD-author|Musopen}} from the separate composition-only PD-old-auto-expired tag. The upstream collection explicitly says the project purchased and released recordings to the public domain, including the Goldberg Variations; its Public Domain Mark alone is not the basis.","rights.creditLine":"Johann Sebastian Bach, Goldberg Variations, opening Aria; Shelley Katz, piano. Musopen public-domain recording release, distributed through Internet Archive and Wikimedia Commons. Session date and place unknown; streamed without editorial audio edits.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-author","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Goldberg Variations, Opening Aria\",\"url\":\"https://commons.wikimedia.org/w/index.php?title=File:Bach%2C_J_S_-_Goldberg_Variations%2C_BWV988_-_01._Aria_(Shelley_Katz).flac&action=raw\",\"locator\":\"File description, performer attribution, original source, sound-recording licensing and transcode information.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Bach-Archiv Leipzig — Johann Sebastian Bach: a chronology\",\"url\":\"https://www.bach-leipzig.de/en/neutral/johann-sebastian-bach-%E2%94%80-chronology\",\"locator\":\"Composer’s life dates and the cited career chronology.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Musopen Collection as FLAC\",\"url\":\"https://archive.org/metadata/MusopenCollectionAsFlac/metadata\",\"locator\":\"Description explicitly states the purchase and public-domain release of recordings and lists Goldberg Variations; completion in 2012, not a documented Katz session date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Mutopia 979 — Goldberg Variations, Aria\",\"url\":\"https://www.mutopiaproject.org/ftp/BachJS/BWV988/bwv-988-aria/bwv-988-aria.ly\",\"locator\":\"JD Erickson engraving from Bach-Gesellschaft, CC BY-SA 3.0; two repeated sixteen-bar halves, independent bass and ornamented upper line.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Netherlands Bach Society — BWV 988\",\"url\":\"https://www.bachvereniging.nl/en/bwv/bwv-988\",\"locator\":\"Publication in 1741, bass foundation of the thirty variations and caution about the Goldberg commission legend.\",\"accessed\":\"2026-10-17\"},{\"id\":\"publication\",\"title\":\"Goldberg Variations — publication and surviving sources\",\"url\":\"https://en.wikipedia.org/wiki/Goldberg_Variations\",\"locator\":\"Original title-page specification, Nuremberg publisher Balthasar Schmid, Forkel’s 1802 account, and distinction between the 1725 notebook and Anna Magdalena’s later Aria entry.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 3 documented; 1 inferred"},{"id":"bach-partita-2-chaconne","composer":"Johann Sebastian Bach","title":"Partita No. 2, BWV 1004","movement":"V. Ciaccona","work.title":"Partita No. 2 in D minor","work.catalogue":"BWV 1004","work.movement":"V. Ciaccona","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording source.","performers.value":"[{\"name\":\"Jascha Heifetz\",\"role\":\"violin\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\",\"sleeve-front\",\"sleeve-back\"]","performers.note":"The named performer and instrument are explicitly credited in the recording description.","session.date.value":"1952, as dated by the source","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"archive\"]","session.date.note":"The Archive description explicitly says “rec. 1952”. Commons’ 1 January 1952 is not accepted as an independently established day; no session ledger or precise date is supplied.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"archive\",\"sleeve-back\"]","session.place.note":"The source description and sleeve scans do not identify a session location.","carrier.label.value":"RCA Red Seal","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve-front\"]","carrier.label.note":"The photographed sleeve identifies RCA Red Seal and 45 Extended Play; this is not a 78-rpm carrier.","carrier.catalogue.value":"ERA 9544","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"sleeve-front\",\"sleeve-back\"]","carrier.catalogue.note":"The catalogue number appears on both sleeve photographs. Its issue date is not independently established.","carrier.matrixTakeSides.value":"Two record sides joined for the digital track; matrix and take numbers unknown.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"The item description explicitly states that the two sides were put together. The scans show the sleeve, not readable disc labels or runouts; no matrix or take identification is invented.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"No transfer or restoration engineer is identified. An uploader account is present but is not expanded into an engineering credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\",\"commons\"]","transfer.date.note":"The Archive item was uploaded in May 2020 and Commons in January 2021; neither is established as the transfer date.","transfer.processing.value":"Both sides of a 45-rpm EP combined; WAV source converted to FLAC and MP3 access derivatives.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The Archive file manifest traces the FLAC to the WAV and its SHA-1 matches the Commons source. The side-join location, equalisation, speed correction and noise processing are not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/3/34/Bach%3B_Chaconne_d-moll_Heifetz.flac/Bach%3B_Chaconne_d-moll_Heifetz.flac.mp3","digital.sourceChain":"[\"sleeve-front\",\"archive\",\"archive-files\",\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded FLAC derived from the Archive WAV transfer","digital.durationSeconds":782.2533333333333,"rights.composition.value":"Underlying composition is public domain under ordinary life-plus-70 terms.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\"]","rights.composition.note":"Bach died in 1750. This does not clear a separately protected modern performing edition.","rights.recording.value":"Rule 1 — Commons PD-EU-audio recording tag; territorial European public-domain basis.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The file-description Licensing section explicitly applies PD-EU-audio to this sound recording. US public-domain status and the carrier’s first publication year are not independently established. The generic structured-data CC0 claim is not treated as a rights-holder dedication, and the Archive Public Domain Mark is not treated as a licence.","rights.creditLine":"Johann Sebastian Bach, Partita No. 2 in D minor, Chaconne; Jascha Heifetz, violin. RCA Red Seal ERA 9544, 45-rpm EP, two sides combined; Internet Archive transfer via Wikimedia Commons. Commons states PD-EU-audio (territorial); US status unestablished.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Partita No. 2 in D minor, V. Ciaccona\",\"url\":\"https://commons.wikimedia.org/wiki/File:Bach;_Chaconne_d-moll_Heifetz.flac\",\"locator\":\"File description, performer attribution, original source, sound-recording licensing and transcode information.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Bach-Archiv Leipzig — Johann Sebastian Bach: a chronology\",\"url\":\"https://www.bach-leipzig.de/en/neutral/johann-sebastian-bach-%E2%94%80-chronology\",\"locator\":\"Composer’s life dates and the cited career chronology.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Bach: Chaconne d-moll (Jascha Heifetz)\",\"url\":\"https://archive.org/metadata/chaconne-d-moll-heifetz/metadata\",\"locator\":\"Description: RCA ERA 9544, two sides joined, solo violin, “rec. 1952”; repository dates separate from session and transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — Chaconne file manifest\",\"url\":\"https://archive.org/metadata/chaconne-d-moll-heifetz/files\",\"locator\":\"WAV original, FLAC and MP3 derivatives; FLAC SHA-1 8df66a38985c4577d8748f7343f2c35d4c3dd6d6 matches the Commons source.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-front\",\"title\":\"RCA ERA 9544 — photographed sleeve front\",\"url\":\"https://archive.org/download/chaconne-d-moll-heifetz/Heifetz%20Bach%20%283%29.jpg\",\"locator\":\"RCA Red Seal, catalogue ERA 9544, 45 Extended Play, Jascha Heifetz. No publication date printed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-back\",\"title\":\"RCA ERA 9544 — photographed sleeve back\",\"url\":\"https://archive.org/download/chaconne-d-moll-heifetz/Heifetz%20Bach%20%284%29.jpg\",\"locator\":\"Work and catalogue identification; performer explicitly named as solo violinist. Historical analytical claims about special bows are not adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Mutopia 1426 — BWV 1004 Chaconne\",\"url\":\"https://www.mutopiaproject.org/ftp/BachJS/BWV1004/bwv-1004_5/bwv-1004_5.ly\",\"locator\":\"Bach-Gesellschaft 1879, volume 27.1; Hajo Dezelski engraving, CC BY-SA 3.0. D major at bar 133, return to D minor at 209, closing thematic recovery around 249.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Netherlands Bach Society — BWV 1004\",\"url\":\"https://www.bachvereniging.nl/en/bwv/bwv-1004\",\"locator\":\"Manuscript date, five-movement order and large minor–major–minor design. Conditional memorial interpretation is not adopted as a documented intention.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"4 unknown; 7 documented; 1 inferred"},{"id":"bach-st-matthew-erbarme-dich","composer":"Johann Sebastian Bach","title":"St Matthew Passion, BWV 244","movement":"No. 47. Erbarme dich, mein Gott","work.title":"St Matthew Passion","work.catalogue":"BWV 244","work.movement":"No. 47 (New Bach Edition No. 39). Erbarme dich, mein Gott — aria for alto; a selected highlight from a complete recording, not the complete Passion","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"booklet\",\"archive-data\"]","work.version.note":"The performing edition is not identified. The booklet numbers the aria 47 (the Bach-Gesellschaft and BWV numbering) while the Internet Archive and retail track titles number it 39 (the New Bach Edition). The file contains the aria alone: the preceding chorus and recitative ‘Wahrlich, du bist auch einer von denen — Da hub er an’ (booklet No. 46) is the previous track and the chorale ‘Bin ich gleich von dir gewichen’ is the next. The booklet gives the composition as Leipzig 1729 or earlier, revised 1736.","performers.value":"[{\"name\":\"Hertha Töpper\",\"role\":\"alto\"},{\"name\":\"Otto Büchner\",\"role\":\"solo violin\"},{\"name\":\"Münchener Bach-Orchester\",\"role\":\"orchestra\"},{\"name\":\"Karl Richter\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"booklet\",\"lp-rip\",\"discogs\"]","performers.note":"The booklet lists Hertha Töpper for the alto arias and Otto Büchner as the violinist. The label of the LP side that carries Nos. 42–53 credits both and does not assign Büchner to a single number; his identification as this aria’s solo violinist rests on that label and on the booklet naming no other violinist. The booklet also names continuo players for the whole Passion (organ Ekkehard Tietze and Hedwig Bilgram; double bass Franz Ortner; bassoon Karl Kolbinger; viola da gamba Oswald Uhl, whom Discogs also lists on continuo cello); which of them play in this aria is not stated, so they are not listed here.","session.date.value":"23 June – 21 August 1958 (sessions 23 June–6 July, 11–12 August and 21 August)","session.date.status":"documented","session.date.sourceIds":"[\"lp-rip\",\"hra\",\"booklet\"]","session.date.note":"The Archiv Produktion LP labels print the recording dates as 6/23–7/6, 8/11–12 and 21/1958; the retail page gives 23 June–6 July, 11–12 and 21 August 1958; the booklet essay gives 22 sessions between 23 June and 21 August 1958. Which session produced this aria is not stated.","session.date.precision":"range","session.place.value":"Herkulessaal, Munich","session.place.status":"documented","session.place.sourceIds":"[\"booklet\",\"hra\"]","session.place.note":"The booklet credit reads ‘München, Herkules-Saal’.","carrier.label.value":"Archiv Produktion (Deutsche Grammophon Gesellschaft, History of Music Division)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"lp-rip\",\"discogs\"]","carrier.label.note":"The labels read ‘Archive Production — History of Music Division Deutsche Grammophon Ges.’ and ‘Stereo’.","carrier.catalogue.value":"SAPM 198 009/012 (first stereo edition, four LPs); the scanned export pressing carries ARC 73 125–73 128 / SAPM 198 625–628, with this aria on the side labelled ARC 73 128 b / SAPM 198 628 b","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"discogs\",\"wiki-richter\",\"lp-rip\"]","carrier.catalogue.note":"First release year is disputed in the sources: the booklet and Wikipedia say 1959 (the booklet reads ‘LPs released/veröffentlicht/paru 1959’ and prints ℗ 1959 Deutsche Grammophon); Discogs and the Internet Archive LP catalogue give 1958, which is the recording year. Both dates precede 1963. The digital file used here is a later remaster, not the LP.","carrier.matrixTakeSides.value":"First stereo edition: fifth programme side of the set (Discogs side E), track E6 (7:44 on the LP); matrix and take numbers not read","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"discogs\",\"lp-rip\"]","carrier.matrixTakeSides.note":"The side and position come from the Discogs tracklist, whose first edition is automatically coupled, so the programme side is not the physical side of a particular LP; the scanned export label for ‘No. 42–53 Trial in the Presence of Kaiphas and Pilate (24’26)’ is numbered 5 (ARC 73 128 b / SAPM 198 628 b). No run-out inscription was seen, so matrix and take are unknown.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive-item\",\"hra\"]","transfer.credits.note":"No remastering engineer or studio is credited in the item metadata or the booklet. The booklet’s © 2001 Deutsche Grammophon notice and the retail page’s ‘Digitally remastered’ line show only that commercial digital releases exist. The upload is a private Internet Archive upload in the hifidelity collection.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer date is established. The Internet Archive item was created on 16 February 2026; that upload date is not a transfer date.","transfer.processing.value":"24-bit/192 kHz FLAC (item description ‘1959 [FLAC 24-192]’), digitally remastered according to the retail page; streamed here through the Internet Archive’s VBR MP3 derivative.","transfer.processing.status":"inferred","transfer.processing.sourceIds":"[\"archive-item\",\"archive-data\",\"hra\"]","transfer.processing.note":"The item’s track titles and durations (7:46 for this track) match the retail page’s 2016 hi-res listing, so the file is probably that release, but the item names no source. No speed correction, noise reduction or restoration settings are stated.","digital.streamUrl":"https://archive.org/download/munchener-bach-chor-munchener-bach-orchester-karl-richter-johann-sebastian-b/47.%20Matth%C3%A4us-Passion%2C%20BWV%20244%2C%20Pt.%202%20-%20No.%2039%2C%20Aria.%20Erbarme%20dich%20(Alto).mp3","digital.sourceChain":"[\"archive-item\",\"archive-data\",\"booklet\",\"hra\"]","digital.format":"Internet Archive VBR MP3 derivative (11,386,076 bytes) of the uploaded 24-bit FLAC (465.67 s); the FLAC itself is over 100 MB and was not downloaded","digital.durationSeconds":465.67,"rights.composition.value":"Bach’s composition (d. 1750) and the Bach-Gesellschaft edition used for the orchestra view (Breitkopf & Härtel, 1854) are public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score\"]","rights.composition.note":"IMSLP catalogues the Bach-Gesellschaft volume as Public Domain. This does not clear the sound recording, the later remaster or the booklet’s prose.","rights.recording.value":"territorial — European recording-rights expiry; first publication documented before 1963 (Archiv Produktion stereo LP edition, 1958 or 1959).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"booklet\",\"discogs\",\"wiki-richter\",\"lp-rip\",\"archive-item\"]","rights.recording.note":"Programme rule 3. The recording was made in June–August 1958 and first issued on four stereo LPs; the booklet states 1959 and quotes a critic’s review of the four LPs from May 1959. Whether the first issue fell in 1958 or 1959, a recording published by 1959 had exhausted the ordinary EU 50-year phonogram term (to the end of 2009) before the extension that applied from 1 November 2013. This is territorial, not a licence: the Internet Archive item carries no licence URL and no Public Domain Mark. US status is not established and no US public-domain claim is made. The audio file is a later commercial digital remaster; this dossier relies on the first publication of the recording and does not separately clear any rights claimed in the remastering, which is a point for the integration lead.","rights.creditLine":"J. S. Bach, St Matthew Passion, BWV 244: No. 47, Erbarme dich, mein Gott. Hertha Töpper, alto; Otto Büchner, solo violin; Münchener Bach-Orchester; Karl Richter. Recorded June–August 1958, Herkulessaal, Munich. Archiv Produktion SAPM 198 009/012, first issued 1958–59. Digital remaster via the Internet Archive. European recording-rights expiry only; US status unestablished.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive-item\",\"title\":\"Internet Archive — Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter — Matthäus-Passion (1959) [24-192]\",\"url\":\"https://archive.org/details/munchener-bach-chor-munchener-bach-orchester-karl-richter-johann-sebastian-b\",\"locator\":\"Item page: title and description ‘1959 [FLAC 24-192]’, hifidelity collection, item created 2026-02-16, no licence URL.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive — item metadata and file list\",\"url\":\"https://archive.org/metadata/munchener-bach-chor-munchener-bach-orchester-karl-richter-johann-sebastian-b\",\"locator\":\"Track 47 ‘Matthäus-Passion, BWV 244, Pt. 2 - No. 39, Aria. Erbarme dich (Alto)’: FLAC 465.67 s (305,989,239 bytes) and VBR MP3 07:46 (11,386,076 bytes); track 46 is the chorus and recitative ‘Wahrlich, du bist auch einer von denen — Da hub er an’ (1:40) and track 48 the chorale ‘Bin ich gleich von dir gewichen’ (1:10).\",\"accessed\":\"2026-10-17\"},{\"id\":\"booklet\",\"title\":\"Booklet.pdf in the same Internet Archive item (Deutsche Grammophon / Archiv Produktion)\",\"url\":\"https://archive.org/download/munchener-bach-chor-munchener-bach-orchester-karl-richter-johann-sebastian-b/Booklet.pdf\",\"locator\":\"Cast (Hertha Töpper, alto arias) and instrumental soloists (Otto Büchner, violin); track list ‘47. Arie (Alt): Erbarme dich, mein Gott (Chor I)’; text of Nos. 46–47; essay on 22 sessions between 23 June and 21 August 1958, stereo recording and the May 1959 review; credits: ‘LPs released/veröffentlicht/paru 1959’, ‘München, Herkules-Saal, 6–8/1958’, producers Karl-Heinz Schneider and Otto Gerdes, balance engineer Werner Wolf, ℗ 1959 and © 2001 Deutsche Grammophon.\",\"accessed\":\"2026-10-17\"},{\"id\":\"hra\",\"title\":\"HIGHRESAUDIO — Bach, J.S.: St. Matthew Passion, BWV 244 (Münchener Bach-Orchester & Karl Richter)\",\"url\":\"https://www.highresaudio.com/en/album/view/hr7jqe/munchener-bach-orchester-karl-richter-bach-j-s-st-matthew-passion-bwv-244\",\"locator\":\"Album release 2016, label Archiv Produktion; ‘Recorded 23 June – 6 July, 11-12 & 21 August, 1958, Herkulessaal, München’; ‘Digitally remastered’; track 47 No.39 Aria: Erbarme dich 07:46; total 03:17:15.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs\",\"title\":\"Discogs — Johann Sebastian Bach / Karl Richter — Passio Secundum Matthæum (Matthäus-Passion), Archiv Produktion 198 009/012 SAPM\",\"url\":\"https://www.discogs.com/release/5148677-Johann-Sebastian-Bach-Karl-Richter-Passio-Secundum-Matth%C3%A6um-Matth%C3%A4us-Passion\",\"locator\":\"Four stereo LPs, first edition, year 1958; tracklist E6 ‘Aria: Erbarme Dich, Mein Gott’ 7:44, preceded by E5 ‘Da Hub Er An, Sich Zu Verfluchen’; credits (Töpper, Büchner and others), producer Karl-Heinz Schneider, engineer Werner Wolf.\",\"accessed\":\"2026-10-17\"},{\"id\":\"lp-rip\",\"title\":\"Internet Archive — Passio Secundum Matthæum (Matthäus-Passion) BWV 244, Karl Richter (Archive Production LP rip, sleeve and label scans)\",\"url\":\"https://archive.org/details/lp_passio-secundum-matthum-matthuspassion-bwv_johann-sebastian-bach-karl-richter\",\"locator\":\"Scanned label ‘No. 42 - 53 Trial in the Presence of Kaiphas and Pilate (24’26)’, ARC 73 128 b / SAPM 198 628 b, side 5: ‘Date of recording 6/23-7/6, 8/11-12 and 21/1958’, production Karl-Heinz Schneider, recording Werner Wolf, performance ‘Hertha Töpper, Alto … Otto Büchner, Violin … Munich Bach-Orchestra, Conductor: Karl Richter’. The item’s own date field (1958) is catalogue metadata.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wiki-richter\",\"title\":\"Wikipedia — Karl Richter (conductor), discography\",\"url\":\"https://en.wikipedia.org/wiki/Karl_Richter_(conductor)\",\"locator\":\"Four-LP set, Archiv Produktion, 1959, catalogue SAPM 198 009/012 (secondary source).\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"IMSLP — Matthäus-Passion, BWV 244: Bach-Gesellschaft Ausgabe, vol. 4 (ed. Julius Rietz; Breitkopf & Härtel, 1854)\",\"url\":\"https://imslp.org/wiki/St._Matthew_Passion,_BWV_244_(Bach,_Johann_Sebastian)\",\"locator\":\"Part 2 file #00935 (PDF opened; No. 47 on printed pp. 168–172): Aria, Coro I, for Violino solo, violins I–II, viola, alto and continuo, ending Dal Segno; listed as Public Domain. The same page catalogues the autograph Mus. ms. Bach P 25 (Staatsbibliothek zu Berlin).\",\"accessed\":\"2026-10-17\"},{\"id\":\"bach-society\",\"title\":\"Netherlands Bach Society — St Matthew Passion (BWV 244)\",\"url\":\"https://www.bachvereniging.nl/en/bwv/bwv-244\",\"locator\":\"Text of the recitative and of No. 39 ‘Erbarme dich’ (Arie, Alt I); note that the manuscript of 1736 has been handed down; Coro I ‘provides the most important emotional reactions, as in the arias Erbarme dich and Aus Liebe’.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 8 documented; 1 inferred"},{"id":"bach-st-matthew-opening","composer":"Johann Sebastian Bach","title":"St Matthew Passion, BWV 244","movement":"No. 1. Kommt, ihr Töchter, helft mir klagen","work.title":"St Matthew Passion","work.catalogue":"BWV 244","work.movement":"No. 1. Kommt, ihr Töchter, helft mir klagen — opening chorus; a selected highlight from a complete recording, not the complete Passion","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"booklet\",\"archive-data\"]","work.version.note":"The performing edition is not identified. The booklet gives the composition as Leipzig 1729 or earlier, revised 1736, and cites the autograph score Mus. ms. Bach P 25 and the parts St 110. The booklet and the Bach-Gesellschaft score number this chorus No. 1; the New Bach Edition also numbers it 1.","performers.value":"[{\"name\":\"Münchener Bach-Chor\",\"role\":\"chorus (Chorus I and II)\"},{\"name\":\"Münchener Chorknaben\",\"role\":\"boys’ choir, ripieno soprano (chorale ‘O Lamm Gottes, unschuldig’)\"},{\"name\":\"Münchener Bach-Orchester\",\"role\":\"orchestra\"},{\"name\":\"Karl Richter\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"booklet\",\"lp-rip\",\"discogs\"]","performers.note":"The booklet track list gives the chorale to the Knabenchor. The booklet also names instrumental soloists for the whole Passion (flutes Walther Theurer and Wolfgang Haag; oboes Edgar Shann and Kurt Hausmann; organ Ekkehard Tietze and Hedwig Bilgram; double bass Franz Ortner; bassoon Karl Kolbinger; viola da gamba Oswald Uhl), and Fritz Rothschuh as chorus master. Their assignment to this number is not stated, so they are not listed as performers of it.","session.date.value":"23 June – 21 August 1958 (sessions 23 June–6 July, 11–12 August and 21 August)","session.date.status":"documented","session.date.sourceIds":"[\"lp-rip\",\"hra\",\"booklet\"]","session.date.note":"The Archiv Produktion LP labels print the recording dates as 6/23–7/6, 8/11–12 and 21/1958; the retail page gives 23 June–6 July, 11–12 and 21 August 1958; the booklet essay gives 22 sessions between 23 June and 21 August 1958 and its credit line gives 6–8/1958. Which session produced No. 1 is not stated.","session.date.precision":"range","session.place.value":"Herkulessaal, Munich","session.place.status":"documented","session.place.sourceIds":"[\"booklet\",\"hra\"]","session.place.note":"The booklet credit reads ‘München, Herkules-Saal’.","carrier.label.value":"Archiv Produktion (Deutsche Grammophon Gesellschaft, History of Music Division)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"lp-rip\",\"discogs\"]","carrier.label.note":"The labels read ‘Archive Production — History of Music Division Deutsche Grammophon Ges.’ and ‘Stereo’.","carrier.catalogue.value":"SAPM 198 009/012 (first stereo edition, four LPs); the scanned export pressing carries ARC 73 125–73 128 / SAPM 198 625–628","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"discogs\",\"wiki-richter\",\"lp-rip\"]","carrier.catalogue.note":"First release year is disputed in the sources: the booklet and Wikipedia say 1959 (the booklet reads ‘LPs released/veröffentlicht/paru 1959’ and prints ℗ 1959 Deutsche Grammophon); Discogs and the Internet Archive LP catalogue give 1958, which is the recording year. Both dates precede 1963. The digital file used here is a later remaster, not the LP.","carrier.matrixTakeSides.value":"First stereo edition: first programme side of the set (Discogs side A), first track (9:50 on the LP); matrix and take numbers not read","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"discogs\"]","carrier.matrixTakeSides.note":"The side and position come from the Discogs tracklist only, whose first edition is automatically coupled, so the programme side is not the physical side of a particular LP. No run-out inscription was seen, so matrix and take are unknown.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive-item\",\"hra\"]","transfer.credits.note":"No remastering engineer or studio is credited in the item metadata or the booklet. The booklet’s © 2001 Deutsche Grammophon notice and the retail page’s ‘Digitally remastered’ line show only that commercial digital releases exist. The upload is a private Internet Archive upload in the hifidelity collection.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer date is established. The Internet Archive item was created on 16 February 2026; that upload date is not a transfer date.","transfer.processing.value":"24-bit/192 kHz FLAC (item description ‘1959 [FLAC 24-192]’), digitally remastered according to the retail page; streamed here through the Internet Archive’s VBR MP3 derivative.","transfer.processing.status":"inferred","transfer.processing.sourceIds":"[\"archive-item\",\"archive-data\",\"hra\"]","transfer.processing.note":"The item’s track titles and durations (9:49 for this track) match the retail page’s 2016 hi-res listing, so the file is probably that release, but the item names no source. No speed correction, noise reduction or restoration settings are stated.","digital.streamUrl":"https://archive.org/download/munchener-bach-chor-munchener-bach-orchester-karl-richter-johann-sebastian-b/01.%20Matth%C3%A4us-Passion%2C%20BWV%20244%2C%20Pt.%201%20-%20No.%201%2C%20Chorus.%20Kommt%2C%20ihr%20T%C3%B6chter%2C%20helft%20mir%20klagen%20(Chorus%20III).mp3","digital.sourceChain":"[\"archive-item\",\"archive-data\",\"booklet\",\"hra\"]","digital.format":"Internet Archive VBR MP3 derivative (14,109,635 bytes) of the uploaded 24-bit FLAC (589.35 s); the FLAC itself is over 100 MB and was not downloaded","digital.durationSeconds":589.35,"rights.composition.value":"Bach’s composition (d. 1750) and the Bach-Gesellschaft edition used for the orchestra view (Breitkopf & Härtel, 1854) are public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score\"]","rights.composition.note":"IMSLP catalogues the Bach-Gesellschaft volume as Public Domain. This does not clear the sound recording, the later remaster or the booklet’s prose.","rights.recording.value":"territorial — European recording-rights expiry; first publication documented before 1963 (Archiv Produktion stereo LP edition, 1958 or 1959).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"booklet\",\"discogs\",\"wiki-richter\",\"lp-rip\",\"archive-item\"]","rights.recording.note":"Programme rule 3. The recording was made in June–August 1958 and first issued on four stereo LPs; the booklet states 1959 and quotes a critic’s review of the four LPs from May 1959. Whether the first issue fell in 1958 or 1959, a recording published by 1959 had exhausted the ordinary EU 50-year phonogram term (to the end of 2009) before the extension that applied from 1 November 2013. This is territorial, not a licence: the Internet Archive item carries no licence URL and no Public Domain Mark. US status is not established and no US public-domain claim is made. The audio file is a later commercial digital remaster; this dossier relies on the first publication of the recording and does not separately clear any rights claimed in the remastering, which is a point for the integration lead.","rights.creditLine":"J. S. Bach, St Matthew Passion, BWV 244: No. 1, Kommt, ihr Töchter, helft mir klagen. Münchener Bach-Chor, Münchener Chorknaben, Münchener Bach-Orchester; Karl Richter. Recorded June–August 1958, Herkulessaal, Munich. Archiv Produktion SAPM 198 009/012, first issued 1958–59. Digital remaster via the Internet Archive. European recording-rights expiry only; US status unestablished.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive-item\",\"title\":\"Internet Archive — Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter — Matthäus-Passion (1959) [24-192]\",\"url\":\"https://archive.org/details/munchener-bach-chor-munchener-bach-orchester-karl-richter-johann-sebastian-b\",\"locator\":\"Item page: title and description ‘1959 [FLAC 24-192]’, hifidelity collection, item created 2026-02-16, no licence URL.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive — item metadata and file list\",\"url\":\"https://archive.org/metadata/munchener-bach-chor-munchener-bach-orchester-karl-richter-johann-sebastian-b\",\"locator\":\"Track 01 ‘Matthäus-Passion, BWV 244, Pt. 1 - No. 1, Chorus. Kommt, ihr Töchter, helft mir klagen’: FLAC 589.35 s (394,294,941 bytes) and VBR MP3 09:49 (14,109,635 bytes); the next track is the Evangelist’s recitative.\",\"accessed\":\"2026-10-17\"},{\"id\":\"booklet\",\"title\":\"Booklet.pdf in the same Internet Archive item (Deutsche Grammophon / Archiv Produktion)\",\"url\":\"https://archive.org/download/munchener-bach-chor-munchener-bach-orchester-karl-richter-johann-sebastian-b/Booklet.pdf\",\"locator\":\"Cast and instrumental soloists; track list (No. 1 ‘mit Choral: O Lamm Gottes, unschuldig (Knabenchor)’); essay on 22 sessions between 23 June and 21 August 1958, stereo recording and the May 1959 review; credits: ‘LPs released/veröffentlicht/paru 1959’, ‘München, Herkules-Saal, 6–8/1958’, producers Karl-Heinz Schneider and Otto Gerdes, balance engineer Werner Wolf, ℗ 1959 and © 2001 Deutsche Grammophon.\",\"accessed\":\"2026-10-17\"},{\"id\":\"hra\",\"title\":\"HIGHRESAUDIO — Bach, J.S.: St. Matthew Passion, BWV 244 (Münchener Bach-Orchester & Karl Richter)\",\"url\":\"https://www.highresaudio.com/en/album/view/hr7jqe/munchener-bach-orchester-karl-richter-bach-j-s-st-matthew-passion-bwv-244\",\"locator\":\"Album release 2016, label Archiv Produktion; ‘Recorded 23 June – 6 July, 11-12 & 21 August, 1958, Herkulessaal, München’; ‘Digitally remastered’; track 1 No.1 Chorus 09:49; total 03:17:15.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs\",\"title\":\"Discogs — Johann Sebastian Bach / Karl Richter — Passio Secundum Matthæum (Matthäus-Passion), Archiv Produktion 198 009/012 SAPM\",\"url\":\"https://www.discogs.com/release/5148677-Johann-Sebastian-Bach-Karl-Richter-Passio-Secundum-Matth%C3%A6um-Matth%C3%A4us-Passion\",\"locator\":\"Four stereo LPs, first edition, year 1958; tracklist A1 Chorus ‘Kommt, Ihr Töchter’ 9:50; credits (Töpper, Büchner, Tietze, Bilgram and others), producer Karl-Heinz Schneider, engineer Werner Wolf.\",\"accessed\":\"2026-10-17\"},{\"id\":\"lp-rip\",\"title\":\"Internet Archive — Passio Secundum Matthæum (Matthäus-Passion) BWV 244, Karl Richter (Archive Production LP rip, sleeve and label scans)\",\"url\":\"https://archive.org/details/lp_passio-secundum-matthum-matthuspassion-bwv_johann-sebastian-bach-karl-richter\",\"locator\":\"Scanned labels (ARC 73 125–73 128 / SAPM 198 625–628): ‘Date of recording 6/23-7/6, 8/11-12 and 21/1958’, production Karl-Heinz Schneider, recording Werner Wolf, ‘Munich Bach-Chorus, Munich Choir-Boys, Munich Bach-Orchestra, Conductor: Karl Richter’. The item’s own date field (1958) is catalogue metadata.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wiki-richter\",\"title\":\"Wikipedia — Karl Richter (conductor), discography\",\"url\":\"https://en.wikipedia.org/wiki/Karl_Richter_(conductor)\",\"locator\":\"Four-LP set, Archiv Produktion, 1959, catalogue SAPM 198 009/012 (secondary source).\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"IMSLP — Matthäus-Passion, BWV 244: Bach-Gesellschaft Ausgabe, vol. 4 (ed. Julius Rietz; Breitkopf & Härtel, 1854)\",\"url\":\"https://imslp.org/wiki/St._Matthew_Passion,_BWV_244_(Bach,_Johann_Sebastian)\",\"locator\":\"Part 1 file #00934 (PDF opened; No. 1 on printed pp. 1–21): double-choir score with a Soprano ripieno staff; listed as Public Domain.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 8 documented; 1 inferred"},{"id":"bach-wtc1-fugue-b-minor","composer":"Johann Sebastian Bach","title":"The Well-Tempered Clavier, Book I · BWV 869","movement":"Fugue in B minor","work.title":"The Well-Tempered Clavier, Book I","work.catalogue":"BWV 869","work.movement":"Fugue No. 24 in B minor","work.version.value":"Keyboard work performed on a Bösendorfer 280 piano.","work.version.status":"documented","work.version.sourceIds":"[\"session-record\"]","work.version.note":"The instrument is identified; the performing score edition is not.","performers.value":"[{\"name\":\"Kimiko Ishizaka\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"session-record\"]","performers.note":"","session.date.value":"4–9 July 2014","session.date.status":"documented","session.date.sourceIds":"[\"session-record\",\"project\"]","session.date.note":"Album-wide session range; the particular day used for this fugue is not specified. Commons and embedded metadata give the 2015 release year, not the session.","session.date.precision":"range","session.place.value":"Teldex Studio, Berlin, Germany","session.place.status":"documented","session.place.sourceIds":"[\"session-record\"]","session.place.note":"","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The label or imprint of the carrier used for this digital file is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No catalogue number identifying the transferred carrier is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":"Anne-Marie Sylvestre — recording producer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"session-record\"]","transfer.credits.note":"This is the documented production credit, not a separate historical-carrier transfer credit. A mastering engineer is not identified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":"Ogg Vorbis encoding; embedded software tag: Xiph.Org libVorbis I 20101101.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons-data\"]","transfer.processing.note":"The software tag does not document mastering, equalisation or noise reduction.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/5d/Kimiko_Ishizaka_-_Bach_-_Well-Tempered_Clavier%2C_Book_1_-_48_Fugue_No._24_in_B_minor%2C_BWV_869.ogg/Kimiko_Ishizaka_-_Bach_-_Well-Tempered_Clavier%2C_Book_1_-_48_Fugue_No._24_in_B_minor%2C_BWV_869.ogg.mp3","digital.sourceChain":"[\"commons\",\"project\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":482.17334375,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"The composer died in 1750. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 1 — recording licence/release: CC0 1.0 Universal.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons applies cc-zero to Kimiko Ishizaka’s recording; the file description dates the digital release to 19 March 2015. This is a recording dedication, not an inference from Bach’s death.","rights.creditLine":"Johann Sebastian Bach, Fugue in B minor, BWV 869; Kimiko Ishizaka, piano. Produced by Anne-Marie Sylvestre. Open Well-Tempered Clavier; recording released under CC0 1.0 Universal; streamed from Wikimedia Commons.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 48 Fugue No. 24 in B minor, BWV 869.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Kimiko_Ishizaka_-_Bach_-_Well-Tempered_Clavier,_Book_1_-_48_Fugue_No._24_in_B_minor,_BWV_869.ogg?oldid=1029369215\",\"locator\":\"File-description wikitext: work identification, Summary, Source and Licensing; file format, duration and Transcode status.\",\"accessed\":\"2026-10-16\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Kimiko_Ishizaka_-_Bach_-_Well-Tempered_Clavier,_Book_1_-_48_Fugue_No._24_in_B_minor,_BWV_869.ogg#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"project\",\"title\":\"Open Well-Tempered Clavier — release announcement\",\"url\":\"https://welltemperedclavier.org/kimiko-ishizaka-releases-open-well-tempered-clavier.html\",\"locator\":\"Announcement dated 19 March 2015: studio recording released into the public domain; this is the release date, not the session.\",\"accessed\":\"2026-10-16\"},{\"id\":\"session-record\",\"title\":\"Internet Archive — Open Well-Tempered Clavier project metadata\",\"url\":\"https://archive.org/metadata/OpenWell-TemperedClavier_Book_I/metadata\",\"locator\":\"description: all tracks recorded 4–9 July 2014, Teldex Studio, Berlin; Bösendorfer 280; producer Anne-Marie Sylvestre. The item title’s BWV endpoint is erroneous; track identification follows Commons.\",\"accessed\":\"2026-10-16\"},{\"id\":\"album-metadata\",\"title\":\"Internet Archive — Bach: Well-Tempered Clavier, Book 1\",\"url\":\"https://archive.org/metadata/bach-well-tempered-clavier-book-1/metadata\",\"locator\":\"rights: Released under CC0 1.0 Universal; source links to the artist’s album page. This later mirror is corroboration, not a claimed intermediate in the Commons upload.\",\"accessed\":\"2026-10-16\"},{\"id\":\"composer\",\"title\":\"Johann Sebastian Bach — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Johann_Sebastian_Bach\",\"locator\":\"Lead paragraph: composer’s death year.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 48 Fugue No. 24 in B minor, BWV 869.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&prop=revisions&rvprop=content%7Cids&rvslots=main&revids=1048736444%7C1029369215%7C1259318927%7C1146394215%7C658946491%7C1190184410%7C848584084%7C1126687476%7C1030746393%7C1055787249\",\"locator\":\"Opened file-description wikitext for File:Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 48 Fugue No. 24 in B minor, BWV 869.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"7 documented; 4 unknown; 1 inferred"},{"id":"bartok-concerto-orchestra-coppie","composer":"Béla Bartók","title":"Concerto for Orchestra, Sz. 116","movement":"II. Giuoco delle coppie — Allegretto scherzando","work.title":"Concerto for Orchestra","work.catalogue":"Sz. 116 · BB 123","work.movement":"II. Giuoco delle coppie","work.version.value":"Orchestral version; Reiner’s corrected conducting score, with Bartók’s revised finale ending.","work.version.status":"documented","work.version.sourceIds":"[\"critical\",\"score\"]","work.version.note":"Móricz identifies the performing source as Reiner’s tissue proof CR, corrected by Bartók, and explicitly associates the 1946 recording with the new ending. The 1946 printed score is consulted for broad orchestration, not represented as Reiner’s exact performing copy; minor textual differences are not timed here. The Archive description mistakenly gives BB 127, which belongs to Piano Concerto No. 3.","performers.value":"[{\"name\":\"Pittsburgh Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Fritz Reiner\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"critical\",\"fingerprint\",\"chicago\"]","performers.note":"The Archive explicitly identifies Pittsburgh, 1946. Its stored AcoustID resolves to a Pittsburgh/Reiner recording, corroborating that attribution rather than merely comparing durations. This is not the Chicago Symphony/RCA recording of 22 October 1955. The fingerprint database is supplementary, community-maintained evidence, not a fresh comparison performed here.","session.date.value":"4–5 February 1946","session.date.status":"documented","session.date.sourceIds":"[\"critical\",\"columbia\"]","session.date.note":"The critical edition identifies this range for the complete recording. The Sony discographical transcription gives 5 February for CD 5 tracks 1–5; individual movement/session allocation is not established. Neither the 1948 issue nor 2010 upload is a session date.","session.date.precision":"range","session.place.value":"Syria Mosque, Pittsburgh, Pennsylvania, USA","session.place.status":"documented","session.place.sourceIds":"[\"columbia\"]","session.place.note":"Venue stated in the reproduced Columbia session discography. No microphone position or engineer is established for the selected transfer.","carrier.label.value":"Columbia Masterworks (original issue)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"columbia\",\"review\"]","carrier.label.note":"This identifies the original commercial recording, not the unidentified physical or digital carrier from which the Archive MP3 was copied.","carrier.catalogue.value":"MM-793, discs 12918–12923-D; LP reissue ML 4102","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"columbia\",\"review\"]","carrier.catalogue.note":"The discographical transcription dates MM-793 to 22 November 1948 and ML 4102 to 7 February 1949. Douglas Watt’s March 1949 review independently identifies Columbia set 793 and ML-4102 as the same Pittsburgh/Reiner performance. The exact carrier used by public-domain-archive.com remains unknown; no sleeve or label scans accompany the selected Archive item.","carrier.matrixTakeSides.value":"Complete set: XCO 35800–35811, take 1; LP matrices xLP 539 (I–II), xLP 540 (III–V)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"columbia\",\"dahr\"]","carrier.matrixTakeSides.note":"These are complete-recording identifiers transcribed from Sony’s discography, not an asserted side-by-side mapping for this MP3. Individual movement matrix boundaries, transfer-side joins and the transferred pressing are unknown. DAHR’s opened Reiner listing does not include these Columbia masters; no DAHR matrix record is fabricated.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Archive says only that the files were taken from public-domain-archive.com. Neither transfer engineer nor restoration producer is named. The uploader is not treated as the transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The Archive public date, 8 August 2010, and file modification dates describe repository activity, not the date of analogue transfer or mastering.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Original digitisation, equalisation, noise reduction, editing, speed correction and the source carrier are unestablished. The item calls the selected file an original VBR MP3 and supplies Ogg derivatives; this does not identify how the historical master was transferred.","digital.streamUrl":"https://archive.org/download/BelaBartok-ConcertoForOrchestra/2.GiuocoDelleCoppie.mp3","digital.sourceChain":"[\"archive\",\"fingerprint\"]","digital.format":"Internet Archive original MP3; selected file 2.GiuocoDelleCoppie.mp3","digital.durationSeconds":350.2,"rights.composition.value":"Public domain in the EU under the ordinary life-plus-70 term; not a worldwide clearance.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score-catalogue\",\"critical\"]","rights.composition.note":"Bartók died in 1945; IMSLP identifies this score as public domain in life-plus-70 countries and explicitly warns of continuing US protection. The critical-edition commentary is cited as scholarship, not redistributed as a public-domain score.","rights.recording.value":"Rule 3 — territorial EU public domain: first lawful publication in 1948, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"critical\",\"columbia\",\"review\",\"eu-term\"]","rights.recording.note":"Móricz’s source RecR states first released in 1948; the Columbia discography identifies MM-793 and its 22 November 1948 issue. A contemporary March 1949 review independently establishes that the recording was commercially available as Columbia set 793 and ML-4102. This is a publication basis anywhere, not an assumption from the 1946 session. Its former 50-year term had expired before the 2013 extension. US sound-recording status is not established. The Archive’s legacy public-domain URL alone is not relied upon; it is an uploader declaration, not proof of the performers’ release.","rights.creditLine":"Béla Bartók, II. Giuoco delle coppie from Concerto for Orchestra, Sz. 116; Pittsburgh Symphony Orchestra, Fritz Reiner. Recorded February 1946; first issued by Columbia in 1948. Internet Archive item BelaBartok-ConcertoForOrchestra, via public-domain-archive.com; transfer credits unknown. Territorial EU basis; US status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Bela Bartok, Concerto for Orchestra: metadata and file inventory\",\"url\":\"https://archive.org/metadata/BelaBartok-ConcertoForOrchestra\",\"locator\":\"metadata.description, licenseurl, publicdate; file 2.GiuocoDelleCoppie.mp3 and its external-identifier. No sleeve/label scans in the file inventory.\",\"accessed\":\"2026-10-17\"},{\"id\":\"critical\",\"title\":\"Klára Móricz — Concerto for Orchestra, critical-edition Comments (Henle HN 7001, 2019)\",\"url\":\"https://www.henle.de/media/7c/05/ab/1697725629/7001-1697725628-sync.pdf\",\"locator\":\"Printed pp. 158–159 (PDF pp. 5–6): CR, A-endR, E and RecR; identifies Pittsburgh/Reiner, recording dates, first release in 1948 and revised ending. Printed p. 160 addresses duration and bar-number errors.\",\"accessed\":\"2026-10-17\"},{\"id\":\"columbia\",\"title\":\"Fritz Reiner — The Complete Columbia Album Collection: reproduced Sony discographical notes\",\"url\":\"https://musicbase.net/the-complete-columbia-album-collection-1xfda0q\",\"locator\":\"CD 5, Original Releases and Recording: MM-793, ML 4102, XCO 35800–11-1, xLP 539–540, Syria Mosque. Secondary transcription of 2020 Sony booklet, not an inspected physical label.\",\"accessed\":\"2026-10-17\"},{\"id\":\"review\",\"title\":\"Douglas Watt — Concert Records, The New Yorker, 12 March 1949 issue\",\"url\":\"https://www.newyorker.com/magazine/1949/03/12/concert-records\",\"locator\":\"Paragraph beginning “An admirable rendition”: Columbia set 793 and ML-4102, Pittsburgh Symphony under Fritz Reiner, same performance on both carriers. Contemporary publication witness.\",\"accessed\":\"2026-10-17\"},{\"id\":\"fingerprint\",\"title\":\"AcoustID — selected Archive file’s stored fingerprint identity\",\"url\":\"https://acoustid.org/track/cd3a8774-09a8-417b-8e9d-6829699fb193\",\"locator\":\"Linked MusicBrainz recording and submitted metadata attribute this movement to Pittsburgh Symphony Orchestra and Fritz Reiner; supplementary corroboration only.\",\"accessed\":\"2026-10-17\"},{\"id\":\"chicago\",\"title\":\"Frank Villella — 125 Moments: 011 First Grammy Awards, Chicago Symphony Rosenthal Archives\",\"url\":\"https://chicagosymphony.org/inside-the-music/article/8311/125-moments-011-first-grammy-awards\",\"locator\":\"Distinguishes Reiner’s Chicago recording of the Concerto, 22 October 1955, from the selected Pittsburgh performance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Bartók — Concerto for Orchestra, Boosey & Hawkes, plate B. & H. 9009 (1946 edition, later impression)\",\"url\":\"https://www.imslp.eu/autoindex/index.php?dir=euimg/c/c4/&file=IMSLP19114-PMLP04854-Bart%C3%B3k_-_Concerto_for_Orchestra_%28orch._score%29.pdf\",\"locator\":\"pp. 29–46. Viewed scan. The imprint of the inspected impression reads 2-55; copyright 1946. The erroneous New York premiere statement is not adopted. Stage maps are approximate score-based passage snapshots, not audio source separation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Concerto for Orchestra, Sz. 116\",\"url\":\"https://imslp.org/wiki/Concerto_for_Orchestra%2C_Sz.116_%28Bart%C3%B3k%2C_B%C3%A9la%29\",\"locator\":\"Work identification BB 123; score #19114, public-domain territorial warning, instrumentation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pso\",\"title\":\"Richard E. Rodda — Pittsburgh Symphony programme notes, 17–19 January 2020\",\"url\":\"https://culturaldistrict-prod.s3.amazonaws.com/culturaldistrict/system/assets/29105/original/Jan._17-19__2020.pdf\",\"locator\":\"PDF pp. 2–3: commission, exile, Boston premiere, Pittsburgh performances and Bartók’s own explanation of five-movement design.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bassoon\",\"title\":\"Brett Van Gansbeke — The Orchestral Bassoon: Bartók, Concerto for Orchestra\",\"url\":\"https://www.orchestralbassoon.com/bartok-concerto\",\"locator\":\"History, manuscript title Presentando le coppie, intervallic pair design, quotation of Bartók’s programme note with bibliography.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"Discography of American Historical Recordings — Fritz Reiner\",\"url\":\"https://adp.library.ucsb.edu/names/339665\",\"locator\":\"Opened performer listing; no entry for the Columbia XCO 35800–35811 series. Negative search is not used to imply that no matrices exist.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — term of protection of sound recordings\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(3), adding Article 10(5): extension applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 3 unknown"},{"id":"bartok-concerto-orchestra-elegia","composer":"Béla Bartók","title":"Concerto for Orchestra, Sz. 116","movement":"III. Elegia — Andante non troppo","work.title":"Concerto for Orchestra","work.catalogue":"Sz. 116 · BB 123","work.movement":"III. Elegia","work.version.value":"Orchestral version; Reiner’s corrected conducting score, with Bartók’s revised finale ending.","work.version.status":"documented","work.version.sourceIds":"[\"critical\",\"score\"]","work.version.note":"Móricz identifies the performing source as Reiner’s tissue proof CR, corrected by Bartók, and explicitly associates the 1946 recording with the new ending. The 1946 printed score is consulted for broad orchestration, not represented as Reiner’s exact performing copy; minor textual differences are not timed here. The Archive description mistakenly gives BB 127, which belongs to Piano Concerto No. 3.","performers.value":"[{\"name\":\"Pittsburgh Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Fritz Reiner\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"critical\",\"fingerprint\",\"chicago\"]","performers.note":"The Archive explicitly identifies Pittsburgh, 1946. Its stored AcoustID resolves to a Pittsburgh/Reiner recording, corroborating that attribution rather than merely comparing durations. This is not the Chicago Symphony/RCA recording of 22 October 1955. The fingerprint database is supplementary, community-maintained evidence, not a fresh comparison performed here.","session.date.value":"4–5 February 1946","session.date.status":"documented","session.date.sourceIds":"[\"critical\",\"columbia\"]","session.date.note":"The critical edition identifies this range for the complete recording. The Sony discographical transcription gives 5 February for CD 5 tracks 1–5; individual movement/session allocation is not established. Neither the 1948 issue nor 2010 upload is a session date.","session.date.precision":"range","session.place.value":"Syria Mosque, Pittsburgh, Pennsylvania, USA","session.place.status":"documented","session.place.sourceIds":"[\"columbia\"]","session.place.note":"Venue stated in the reproduced Columbia session discography. No microphone position or engineer is established for the selected transfer.","carrier.label.value":"Columbia Masterworks (original issue)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"columbia\",\"review\"]","carrier.label.note":"This identifies the original commercial recording, not the unidentified physical or digital carrier from which the Archive MP3 was copied.","carrier.catalogue.value":"MM-793, discs 12918–12923-D; LP reissue ML 4102","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"columbia\",\"review\"]","carrier.catalogue.note":"The discographical transcription dates MM-793 to 22 November 1948 and ML 4102 to 7 February 1949. Douglas Watt’s March 1949 review independently identifies Columbia set 793 and ML-4102 as the same Pittsburgh/Reiner performance. The exact carrier used by public-domain-archive.com remains unknown; no sleeve or label scans accompany the selected Archive item.","carrier.matrixTakeSides.value":"Complete set: XCO 35800–35811, take 1; LP matrices xLP 539 (I–II), xLP 540 (III–V)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"columbia\",\"dahr\"]","carrier.matrixTakeSides.note":"These are complete-recording identifiers transcribed from Sony’s discography, not an asserted side-by-side mapping for this MP3. Individual movement matrix boundaries, transfer-side joins and the transferred pressing are unknown. DAHR’s opened Reiner listing does not include these Columbia masters; no DAHR matrix record is fabricated.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Archive says only that the files were taken from public-domain-archive.com. Neither transfer engineer nor restoration producer is named. The uploader is not treated as the transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The Archive public date, 8 August 2010, and file modification dates describe repository activity, not the date of analogue transfer or mastering.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Original digitisation, equalisation, noise reduction, editing, speed correction and the source carrier are unestablished. The item calls the selected file an original VBR MP3 and supplies Ogg derivatives; this does not identify how the historical master was transferred.","digital.streamUrl":"https://archive.org/download/BelaBartok-ConcertoForOrchestra/3.Elegia.mp3","digital.sourceChain":"[\"archive\",\"fingerprint\"]","digital.format":"Internet Archive original MP3; selected file 3.Elegia.mp3; analysis uses a PCM working decode resampled to 22050 Hz, mono, without manual trimming, after libsndfile could not read the MP3; playback source is unchanged","digital.durationSeconds":470.3,"rights.composition.value":"Public domain in the EU under the ordinary life-plus-70 term; not a worldwide clearance.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score-catalogue\",\"critical\"]","rights.composition.note":"Bartók died in 1945; IMSLP identifies this score as public domain in life-plus-70 countries and explicitly warns of continuing US protection. The critical-edition commentary is cited as scholarship, not redistributed as a public-domain score.","rights.recording.value":"Rule 3 — territorial EU public domain: first lawful publication in 1948, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"critical\",\"columbia\",\"review\",\"eu-term\"]","rights.recording.note":"Móricz’s source RecR states first released in 1948; the Columbia discography identifies MM-793 and its 22 November 1948 issue. A contemporary March 1949 review independently establishes that the recording was commercially available as Columbia set 793 and ML-4102. This is a publication basis anywhere, not an assumption from the 1946 session. Its former 50-year term had expired before the 2013 extension. US sound-recording status is not established. The Archive’s legacy public-domain URL alone is not relied upon; it is an uploader declaration, not proof of the performers’ release.","rights.creditLine":"Béla Bartók, III. Elegia from Concerto for Orchestra, Sz. 116; Pittsburgh Symphony Orchestra, Fritz Reiner. Recorded February 1946; first issued by Columbia in 1948. Internet Archive item BelaBartok-ConcertoForOrchestra, via public-domain-archive.com; transfer credits unknown. Territorial EU basis; US status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Bela Bartok, Concerto for Orchestra: metadata and file inventory\",\"url\":\"https://archive.org/metadata/BelaBartok-ConcertoForOrchestra\",\"locator\":\"metadata.description, licenseurl, publicdate; file 3.Elegia.mp3 and its external-identifier. No sleeve/label scans in the file inventory.\",\"accessed\":\"2026-10-17\"},{\"id\":\"critical\",\"title\":\"Klára Móricz — Concerto for Orchestra, critical-edition Comments (Henle HN 7001, 2019)\",\"url\":\"https://www.henle.de/media/7c/05/ab/1697725629/7001-1697725628-sync.pdf\",\"locator\":\"Printed pp. 158–159 (PDF pp. 5–6): CR, A-endR, E and RecR; identifies Pittsburgh/Reiner, recording dates, first release in 1948 and revised ending. Printed p. 160 addresses duration and bar-number errors.\",\"accessed\":\"2026-10-17\"},{\"id\":\"columbia\",\"title\":\"Fritz Reiner — The Complete Columbia Album Collection: reproduced Sony discographical notes\",\"url\":\"https://musicbase.net/the-complete-columbia-album-collection-1xfda0q\",\"locator\":\"CD 5, Original Releases and Recording: MM-793, ML 4102, XCO 35800–11-1, xLP 539–540, Syria Mosque. Secondary transcription of 2020 Sony booklet, not an inspected physical label.\",\"accessed\":\"2026-10-17\"},{\"id\":\"review\",\"title\":\"Douglas Watt — Concert Records, The New Yorker, 12 March 1949 issue\",\"url\":\"https://www.newyorker.com/magazine/1949/03/12/concert-records\",\"locator\":\"Paragraph beginning “An admirable rendition”: Columbia set 793 and ML-4102, Pittsburgh Symphony under Fritz Reiner, same performance on both carriers. Contemporary publication witness.\",\"accessed\":\"2026-10-17\"},{\"id\":\"fingerprint\",\"title\":\"AcoustID — selected Archive file’s stored fingerprint identity\",\"url\":\"https://acoustid.org/track/30630ee9-ac0f-48f1-a52e-f6dd101e42b1\",\"locator\":\"Linked MusicBrainz recording and submitted metadata attribute this movement to Pittsburgh Symphony Orchestra and Fritz Reiner; supplementary corroboration only.\",\"accessed\":\"2026-10-17\"},{\"id\":\"chicago\",\"title\":\"Frank Villella — 125 Moments: 011 First Grammy Awards, Chicago Symphony Rosenthal Archives\",\"url\":\"https://chicagosymphony.org/inside-the-music/article/8311/125-moments-011-first-grammy-awards\",\"locator\":\"Distinguishes Reiner’s Chicago recording of the Concerto, 22 October 1955, from the selected Pittsburgh performance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Bartók — Concerto for Orchestra, Boosey & Hawkes, plate B. & H. 9009 (1946 edition, later impression)\",\"url\":\"https://www.imslp.eu/autoindex/index.php?dir=euimg/c/c4/&file=IMSLP19114-PMLP04854-Bart%C3%B3k_-_Concerto_for_Orchestra_%28orch._score%29.pdf\",\"locator\":\"pp. 47–67. Viewed scan. The imprint of the inspected impression reads 2-55; copyright 1946. The erroneous New York premiere statement is not adopted. Stage maps are approximate score-based passage snapshots, not audio source separation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Concerto for Orchestra, Sz. 116\",\"url\":\"https://imslp.org/wiki/Concerto_for_Orchestra%2C_Sz.116_%28Bart%C3%B3k%2C_B%C3%A9la%29\",\"locator\":\"Work identification BB 123; score #19114, public-domain territorial warning, instrumentation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pso\",\"title\":\"Richard E. Rodda — Pittsburgh Symphony programme notes, 17–19 January 2020\",\"url\":\"https://culturaldistrict-prod.s3.amazonaws.com/culturaldistrict/system/assets/29105/original/Jan._17-19__2020.pdf\",\"locator\":\"PDF pp. 2–3: commission, exile, Boston premiere, Pittsburgh performances and Bartók’s own explanation of five-movement design.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bassoon\",\"title\":\"Brett Van Gansbeke — The Orchestral Bassoon: Bartók, Concerto for Orchestra\",\"url\":\"https://www.orchestralbassoon.com/bartok-concerto\",\"locator\":\"History, manuscript title Presentando le coppie, intervallic pair design, quotation of Bartók’s programme note with bibliography.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"Discography of American Historical Recordings — Fritz Reiner\",\"url\":\"https://adp.library.ucsb.edu/names/339665\",\"locator\":\"Opened performer listing; no entry for the Columbia XCO 35800–35811 series. Negative search is not used to imply that no matrices exist.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — term of protection of sound recordings\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(3), adding Article 10(5): extension applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 3 unknown"},{"id":"bartok-concerto-orchestra-finale","composer":"Béla Bartók","title":"Concerto for Orchestra, Sz. 116","movement":"V. Finale — Pesante; Presto","work.title":"Concerto for Orchestra","work.catalogue":"Sz. 116 · BB 123","work.movement":"V. Finale","work.version.value":"Orchestral version; Reiner’s corrected conducting score, with Bartók’s revised finale ending.","work.version.status":"documented","work.version.sourceIds":"[\"critical\",\"score\"]","work.version.note":"Móricz identifies the performing source as Reiner’s tissue proof CR, corrected by Bartók, and explicitly associates the 1946 recording with the new ending. The 1946 printed score is consulted for broad orchestration, not represented as Reiner’s exact performing copy; minor textual differences are not timed here. The Archive description mistakenly gives BB 127, which belongs to Piano Concerto No. 3.","performers.value":"[{\"name\":\"Pittsburgh Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Fritz Reiner\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"critical\",\"fingerprint\",\"chicago\"]","performers.note":"The Archive explicitly identifies Pittsburgh, 1946. Its stored AcoustID resolves to a Pittsburgh/Reiner recording, corroborating that attribution rather than merely comparing durations. This is not the Chicago Symphony/RCA recording of 22 October 1955. The fingerprint database is supplementary, community-maintained evidence, not a fresh comparison performed here.","session.date.value":"4–5 February 1946","session.date.status":"documented","session.date.sourceIds":"[\"critical\",\"columbia\"]","session.date.note":"The critical edition identifies this range for the complete recording. The Sony discographical transcription gives 5 February for CD 5 tracks 1–5; individual movement/session allocation is not established. Neither the 1948 issue nor 2010 upload is a session date.","session.date.precision":"range","session.place.value":"Syria Mosque, Pittsburgh, Pennsylvania, USA","session.place.status":"documented","session.place.sourceIds":"[\"columbia\"]","session.place.note":"Venue stated in the reproduced Columbia session discography. No microphone position or engineer is established for the selected transfer.","carrier.label.value":"Columbia Masterworks (original issue)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"columbia\",\"review\"]","carrier.label.note":"This identifies the original commercial recording, not the unidentified physical or digital carrier from which the Archive MP3 was copied.","carrier.catalogue.value":"MM-793, discs 12918–12923-D; LP reissue ML 4102","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"columbia\",\"review\"]","carrier.catalogue.note":"The discographical transcription dates MM-793 to 22 November 1948 and ML 4102 to 7 February 1949. Douglas Watt’s March 1949 review independently identifies Columbia set 793 and ML-4102 as the same Pittsburgh/Reiner performance. The exact carrier used by public-domain-archive.com remains unknown; no sleeve or label scans accompany the selected Archive item.","carrier.matrixTakeSides.value":"Complete set: XCO 35800–35811, take 1; LP matrices xLP 539 (I–II), xLP 540 (III–V)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"columbia\",\"dahr\"]","carrier.matrixTakeSides.note":"These are complete-recording identifiers transcribed from Sony’s discography, not an asserted side-by-side mapping for this MP3. Individual movement matrix boundaries, transfer-side joins and the transferred pressing are unknown. DAHR’s opened Reiner listing does not include these Columbia masters; no DAHR matrix record is fabricated.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Archive says only that the files were taken from public-domain-archive.com. Neither transfer engineer nor restoration producer is named. The uploader is not treated as the transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The Archive public date, 8 August 2010, and file modification dates describe repository activity, not the date of analogue transfer or mastering.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Original digitisation, equalisation, noise reduction, editing, speed correction and the source carrier are unestablished. The item calls the selected file an original VBR MP3 and supplies Ogg derivatives; this does not identify how the historical master was transferred.","digital.streamUrl":"https://archive.org/download/BelaBartok-ConcertoForOrchestra/5.Finale.mp3","digital.sourceChain":"[\"archive\",\"fingerprint\"]","digital.format":"Internet Archive original MP3; selected file 5.Finale.mp3","digital.durationSeconds":543.3,"rights.composition.value":"Public domain in the EU under the ordinary life-plus-70 term; not a worldwide clearance.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score-catalogue\",\"critical\"]","rights.composition.note":"Bartók died in 1945; IMSLP identifies this score as public domain in life-plus-70 countries and explicitly warns of continuing US protection. The critical-edition commentary is cited as scholarship, not redistributed as a public-domain score.","rights.recording.value":"Rule 3 — territorial EU public domain: first lawful publication in 1948, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"critical\",\"columbia\",\"review\",\"eu-term\"]","rights.recording.note":"Móricz’s source RecR states first released in 1948; the Columbia discography identifies MM-793 and its 22 November 1948 issue. A contemporary March 1949 review independently establishes that the recording was commercially available as Columbia set 793 and ML-4102. This is a publication basis anywhere, not an assumption from the 1946 session. Its former 50-year term had expired before the 2013 extension. US sound-recording status is not established. The Archive’s legacy public-domain URL alone is not relied upon; it is an uploader declaration, not proof of the performers’ release.","rights.creditLine":"Béla Bartók, V. Finale from Concerto for Orchestra, Sz. 116; Pittsburgh Symphony Orchestra, Fritz Reiner. Recorded February 1946; first issued by Columbia in 1948. Internet Archive item BelaBartok-ConcertoForOrchestra, via public-domain-archive.com; transfer credits unknown. Territorial EU basis; US status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Bela Bartok, Concerto for Orchestra: metadata and file inventory\",\"url\":\"https://archive.org/metadata/BelaBartok-ConcertoForOrchestra\",\"locator\":\"metadata.description, licenseurl, publicdate; file 5.Finale.mp3 and its external-identifier. No sleeve/label scans in the file inventory.\",\"accessed\":\"2026-10-17\"},{\"id\":\"critical\",\"title\":\"Klára Móricz — Concerto for Orchestra, critical-edition Comments (Henle HN 7001, 2019)\",\"url\":\"https://www.henle.de/media/7c/05/ab/1697725629/7001-1697725628-sync.pdf\",\"locator\":\"Printed pp. 158–159 (PDF pp. 5–6): CR, A-endR, E and RecR; identifies Pittsburgh/Reiner, recording dates, first release in 1948 and revised ending. Printed p. 160 addresses duration and bar-number errors.\",\"accessed\":\"2026-10-17\"},{\"id\":\"columbia\",\"title\":\"Fritz Reiner — The Complete Columbia Album Collection: reproduced Sony discographical notes\",\"url\":\"https://musicbase.net/the-complete-columbia-album-collection-1xfda0q\",\"locator\":\"CD 5, Original Releases and Recording: MM-793, ML 4102, XCO 35800–11-1, xLP 539–540, Syria Mosque. 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Contemporary publication witness.\",\"accessed\":\"2026-10-17\"},{\"id\":\"fingerprint\",\"title\":\"AcoustID — selected Archive file’s stored fingerprint identity\",\"url\":\"https://acoustid.org/track/00962e85-6523-48e4-b173-1e867c70d765\",\"locator\":\"Linked MusicBrainz recording and submitted metadata attribute this movement to Pittsburgh Symphony Orchestra and Fritz Reiner; supplementary corroboration only.\",\"accessed\":\"2026-10-17\"},{\"id\":\"chicago\",\"title\":\"Frank Villella — 125 Moments: 011 First Grammy Awards, Chicago Symphony Rosenthal Archives\",\"url\":\"https://chicagosymphony.org/inside-the-music/article/8311/125-moments-011-first-grammy-awards\",\"locator\":\"Distinguishes Reiner’s Chicago recording of the Concerto, 22 October 1955, from the selected Pittsburgh performance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Bartók — Concerto for Orchestra, Boosey & Hawkes, plate B. & H. 9009 (1946 edition, later impression)\",\"url\":\"https://www.imslp.eu/autoindex/index.php?dir=euimg/c/c4/&file=IMSLP19114-PMLP04854-Bart%C3%B3k_-_Concerto_for_Orchestra_%28orch._score%29.pdf\",\"locator\":\"pp. 79–147, including alternative ending. Viewed scan. The imprint of the inspected impression reads 2-55; copyright 1946. The erroneous New York premiere statement is not adopted. Stage maps are approximate score-based passage snapshots, not audio source separation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Concerto for Orchestra, Sz. 116\",\"url\":\"https://imslp.org/wiki/Concerto_for_Orchestra%2C_Sz.116_%28Bart%C3%B3k%2C_B%C3%A9la%29\",\"locator\":\"Work identification BB 123; score #19114, public-domain territorial warning, instrumentation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pso\",\"title\":\"Richard E. 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Negative search is not used to imply that no matrices exist.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — term of protection of sound recordings\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(3), adding Article 10(5): extension applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 3 unknown"},{"id":"bartok-concerto-orchestra-intermezzo","composer":"Béla Bartók","title":"Concerto for Orchestra, Sz. 116","movement":"IV. Intermezzo interrotto — Allegretto","work.title":"Concerto for Orchestra","work.catalogue":"Sz. 116 · BB 123","work.movement":"IV. 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Its stored AcoustID resolves to a Pittsburgh/Reiner recording, corroborating that attribution rather than merely comparing durations. This is not the Chicago Symphony/RCA recording of 22 October 1955. The fingerprint database is supplementary, community-maintained evidence, not a fresh comparison performed here.","session.date.value":"4–5 February 1946","session.date.status":"documented","session.date.sourceIds":"[\"critical\",\"columbia\"]","session.date.note":"The critical edition identifies this range for the complete recording. The Sony discographical transcription gives 5 February for CD 5 tracks 1–5; individual movement/session allocation is not established. Neither the 1948 issue nor 2010 upload is a session date.","session.date.precision":"range","session.place.value":"Syria Mosque, Pittsburgh, Pennsylvania, USA","session.place.status":"documented","session.place.sourceIds":"[\"columbia\"]","session.place.note":"Venue stated in the reproduced Columbia session discography. No microphone position or engineer is established for the selected transfer.","carrier.label.value":"Columbia Masterworks (original issue)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"columbia\",\"review\"]","carrier.label.note":"This identifies the original commercial recording, not the unidentified physical or digital carrier from which the Archive MP3 was copied.","carrier.catalogue.value":"MM-793, discs 12918–12923-D; LP reissue ML 4102","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"columbia\",\"review\"]","carrier.catalogue.note":"The discographical transcription dates MM-793 to 22 November 1948 and ML 4102 to 7 February 1949. Douglas Watt’s March 1949 review independently identifies Columbia set 793 and ML-4102 as the same Pittsburgh/Reiner performance. The exact carrier used by public-domain-archive.com remains unknown; no sleeve or label scans accompany the selected Archive item.","carrier.matrixTakeSides.value":"Complete set: XCO 35800–35811, take 1; LP matrices xLP 539 (I–II), xLP 540 (III–V)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"columbia\",\"dahr\"]","carrier.matrixTakeSides.note":"These are complete-recording identifiers transcribed from Sony’s discography, not an asserted side-by-side mapping for this MP3. Individual movement matrix boundaries, transfer-side joins and the transferred pressing are unknown. DAHR’s opened Reiner listing does not include these Columbia masters; no DAHR matrix record is fabricated.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Archive says only that the files were taken from public-domain-archive.com. Neither transfer engineer nor restoration producer is named. The uploader is not treated as the transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The Archive public date, 8 August 2010, and file modification dates describe repository activity, not the date of analogue transfer or mastering.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Original digitisation, equalisation, noise reduction, editing, speed correction and the source carrier are unestablished. The item calls the selected file an original VBR MP3 and supplies Ogg derivatives; this does not identify how the historical master was transferred.","digital.streamUrl":"https://archive.org/download/BelaBartok-ConcertoForOrchestra/4.IntermezzoInterrotto.mp3","digital.sourceChain":"[\"archive\",\"fingerprint\"]","digital.format":"Internet Archive original MP3; selected file 4.IntermezzoInterrotto.mp3","digital.durationSeconds":269.1,"rights.composition.value":"Public domain in the EU under the ordinary life-plus-70 term; not a worldwide clearance.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score-catalogue\",\"critical\"]","rights.composition.note":"Bartók died in 1945; IMSLP identifies this score as public domain in life-plus-70 countries and explicitly warns of continuing US protection. The critical-edition commentary is cited as scholarship, not redistributed as a public-domain score.","rights.recording.value":"Rule 3 — territorial EU public domain: first lawful publication in 1948, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"critical\",\"columbia\",\"review\",\"eu-term\"]","rights.recording.note":"Móricz’s source RecR states first released in 1948; the Columbia discography identifies MM-793 and its 22 November 1948 issue. A contemporary March 1949 review independently establishes that the recording was commercially available as Columbia set 793 and ML-4102. This is a publication basis anywhere, not an assumption from the 1946 session. Its former 50-year term had expired before the 2013 extension. US sound-recording status is not established. The Archive’s legacy public-domain URL alone is not relied upon; it is an uploader declaration, not proof of the performers’ release.","rights.creditLine":"Béla Bartók, IV. Intermezzo interrotto from Concerto for Orchestra, Sz. 116; Pittsburgh Symphony Orchestra, Fritz Reiner. Recorded February 1946; first issued by Columbia in 1948. Internet Archive item BelaBartok-ConcertoForOrchestra, via public-domain-archive.com; transfer credits unknown. Territorial EU basis; US status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Bela Bartok, Concerto for Orchestra: metadata and file inventory\",\"url\":\"https://archive.org/metadata/BelaBartok-ConcertoForOrchestra\",\"locator\":\"metadata.description, licenseurl, publicdate; file 4.IntermezzoInterrotto.mp3 and its external-identifier. No sleeve/label scans in the file inventory.\",\"accessed\":\"2026-10-17\"},{\"id\":\"critical\",\"title\":\"Klára Móricz — Concerto for Orchestra, critical-edition Comments (Henle HN 7001, 2019)\",\"url\":\"https://www.henle.de/media/7c/05/ab/1697725629/7001-1697725628-sync.pdf\",\"locator\":\"Printed pp. 158–159 (PDF pp. 5–6): CR, A-endR, E and RecR; identifies Pittsburgh/Reiner, recording dates, first release in 1948 and revised ending. Printed p. 160 addresses duration and bar-number errors.\",\"accessed\":\"2026-10-17\"},{\"id\":\"columbia\",\"title\":\"Fritz Reiner — The Complete Columbia Album Collection: reproduced Sony discographical notes\",\"url\":\"https://musicbase.net/the-complete-columbia-album-collection-1xfda0q\",\"locator\":\"CD 5, Original Releases and Recording: MM-793, ML 4102, XCO 35800–11-1, xLP 539–540, Syria Mosque. 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Contemporary publication witness.\",\"accessed\":\"2026-10-17\"},{\"id\":\"fingerprint\",\"title\":\"AcoustID — selected Archive file’s stored fingerprint identity\",\"url\":\"https://acoustid.org/track/7922120e-3d6d-4016-bdc3-8385a3ea6de3\",\"locator\":\"Linked MusicBrainz recording and submitted metadata attribute this movement to Pittsburgh Symphony Orchestra and Fritz Reiner; supplementary corroboration only.\",\"accessed\":\"2026-10-17\"},{\"id\":\"chicago\",\"title\":\"Frank Villella — 125 Moments: 011 First Grammy Awards, Chicago Symphony Rosenthal Archives\",\"url\":\"https://chicagosymphony.org/inside-the-music/article/8311/125-moments-011-first-grammy-awards\",\"locator\":\"Distinguishes Reiner’s Chicago recording of the Concerto, 22 October 1955, from the selected Pittsburgh performance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Bartók — Concerto for Orchestra, Boosey & Hawkes, plate B. & H. 9009 (1946 edition, later impression)\",\"url\":\"https://www.imslp.eu/autoindex/index.php?dir=euimg/c/c4/&file=IMSLP19114-PMLP04854-Bart%C3%B3k_-_Concerto_for_Orchestra_%28orch._score%29.pdf\",\"locator\":\"pp. 68–78. Viewed scan. The imprint of the inspected impression reads 2-55; copyright 1946. The erroneous New York premiere statement is not adopted. Stage maps are approximate score-based passage snapshots, not audio source separation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Concerto for Orchestra, Sz. 116\",\"url\":\"https://imslp.org/wiki/Concerto_for_Orchestra%2C_Sz.116_%28Bart%C3%B3k%2C_B%C3%A9la%29\",\"locator\":\"Work identification BB 123; score #19114, public-domain territorial warning, instrumentation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pso\",\"title\":\"Richard E. 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Negative search is not used to imply that no matrices exist.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — term of protection of sound recordings\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(3), adding Article 10(5): extension applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 3 unknown"},{"id":"bartok-concerto-orchestra-introduzione","composer":"Béla Bartók","title":"Concerto for Orchestra, Sz. 116","movement":"I. Introduzione — Andante non troppo; Allegro vivace","work.title":"Concerto for Orchestra","work.catalogue":"Sz. 116 · BB 123","work.movement":"I. Introduzione","work.version.value":"Orchestral version; Reiner’s corrected conducting score, with Bartók’s revised finale ending.","work.version.status":"documented","work.version.sourceIds":"[\"critical\",\"score\"]","work.version.note":"Móricz identifies the performing source as Reiner’s tissue proof CR, corrected by Bartók, and explicitly associates the 1946 recording with the new ending. The 1946 printed score is consulted for broad orchestration, not represented as Reiner’s exact performing copy; minor textual differences are not timed here. The Archive description mistakenly gives BB 127, which belongs to Piano Concerto No. 3.","performers.value":"[{\"name\":\"Pittsburgh Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Fritz Reiner\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"critical\",\"fingerprint\",\"chicago\"]","performers.note":"The Archive explicitly identifies Pittsburgh, 1946. Its stored AcoustID resolves to a Pittsburgh/Reiner recording, corroborating that attribution rather than merely comparing durations. This is not the Chicago Symphony/RCA recording of 22 October 1955. The fingerprint database is supplementary, community-maintained evidence, not a fresh comparison performed here.","session.date.value":"4–5 February 1946","session.date.status":"documented","session.date.sourceIds":"[\"critical\",\"columbia\"]","session.date.note":"The critical edition identifies this range for the complete recording. The Sony discographical transcription gives 5 February for CD 5 tracks 1–5; individual movement/session allocation is not established. Neither the 1948 issue nor 2010 upload is a session date.","session.date.precision":"range","session.place.value":"Syria Mosque, Pittsburgh, Pennsylvania, USA","session.place.status":"documented","session.place.sourceIds":"[\"columbia\"]","session.place.note":"Venue stated in the reproduced Columbia session discography. No microphone position or engineer is established for the selected transfer.","carrier.label.value":"Columbia Masterworks (original issue)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"columbia\",\"review\"]","carrier.label.note":"This identifies the original commercial recording, not the unidentified physical or digital carrier from which the Archive MP3 was copied.","carrier.catalogue.value":"MM-793, discs 12918–12923-D; LP reissue ML 4102","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"columbia\",\"review\"]","carrier.catalogue.note":"The discographical transcription dates MM-793 to 22 November 1948 and ML 4102 to 7 February 1949. Douglas Watt’s March 1949 review independently identifies Columbia set 793 and ML-4102 as the same Pittsburgh/Reiner performance. The exact carrier used by public-domain-archive.com remains unknown; no sleeve or label scans accompany the selected Archive item.","carrier.matrixTakeSides.value":"Complete set: XCO 35800–35811, take 1; LP matrices xLP 539 (I–II), xLP 540 (III–V)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"columbia\",\"dahr\"]","carrier.matrixTakeSides.note":"These are complete-recording identifiers transcribed from Sony’s discography, not an asserted side-by-side mapping for this MP3. Individual movement matrix boundaries, transfer-side joins and the transferred pressing are unknown. DAHR’s opened Reiner listing does not include these Columbia masters; no DAHR matrix record is fabricated.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Archive says only that the files were taken from public-domain-archive.com. Neither transfer engineer nor restoration producer is named. The uploader is not treated as the transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The Archive public date, 8 August 2010, and file modification dates describe repository activity, not the date of analogue transfer or mastering.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Original digitisation, equalisation, noise reduction, editing, speed correction and the source carrier are unestablished. The item calls the selected file an original VBR MP3 and supplies Ogg derivatives; this does not identify how the historical master was transferred.","digital.streamUrl":"https://archive.org/download/BelaBartok-ConcertoForOrchestra/1.Introduzione.mp3","digital.sourceChain":"[\"archive\",\"fingerprint\"]","digital.format":"Internet Archive original MP3; selected file 1.Introduzione.mp3","digital.durationSeconds":595.2,"rights.composition.value":"Public domain in the EU under the ordinary life-plus-70 term; not a worldwide clearance.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score-catalogue\",\"critical\"]","rights.composition.note":"Bartók died in 1945; IMSLP identifies this score as public domain in life-plus-70 countries and explicitly warns of continuing US protection. The critical-edition commentary is cited as scholarship, not redistributed as a public-domain score.","rights.recording.value":"Rule 3 — territorial EU public domain: first lawful publication in 1948, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"critical\",\"columbia\",\"review\",\"eu-term\"]","rights.recording.note":"Móricz’s source RecR states first released in 1948; the Columbia discography identifies MM-793 and its 22 November 1948 issue. A contemporary March 1949 review independently establishes that the recording was commercially available as Columbia set 793 and ML-4102. This is a publication basis anywhere, not an assumption from the 1946 session. Its former 50-year term had expired before the 2013 extension. US sound-recording status is not established. The Archive’s legacy public-domain URL alone is not relied upon; it is an uploader declaration, not proof of the performers’ release.","rights.creditLine":"Béla Bartók, I. Introduzione from Concerto for Orchestra, Sz. 116; Pittsburgh Symphony Orchestra, Fritz Reiner. Recorded February 1946; first issued by Columbia in 1948. Internet Archive item BelaBartok-ConcertoForOrchestra, via public-domain-archive.com; transfer credits unknown. Territorial EU basis; US status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Bela Bartok, Concerto for Orchestra: metadata and file inventory\",\"url\":\"https://archive.org/metadata/BelaBartok-ConcertoForOrchestra\",\"locator\":\"metadata.description, licenseurl, publicdate; file 1.Introduzione.mp3 and its external-identifier. No sleeve/label scans in the file inventory.\",\"accessed\":\"2026-10-17\"},{\"id\":\"critical\",\"title\":\"Klára Móricz — Concerto for Orchestra, critical-edition Comments (Henle HN 7001, 2019)\",\"url\":\"https://www.henle.de/media/7c/05/ab/1697725629/7001-1697725628-sync.pdf\",\"locator\":\"Printed pp. 158–159 (PDF pp. 5–6): CR, A-endR, E and RecR; identifies Pittsburgh/Reiner, recording dates, first release in 1948 and revised ending. Printed p. 160 addresses duration and bar-number errors.\",\"accessed\":\"2026-10-17\"},{\"id\":\"columbia\",\"title\":\"Fritz Reiner — The Complete Columbia Album Collection: reproduced Sony discographical notes\",\"url\":\"https://musicbase.net/the-complete-columbia-album-collection-1xfda0q\",\"locator\":\"CD 5, Original Releases and Recording: MM-793, ML 4102, XCO 35800–11-1, xLP 539–540, Syria Mosque. Secondary transcription of 2020 Sony booklet, not an inspected physical label.\",\"accessed\":\"2026-10-17\"},{\"id\":\"review\",\"title\":\"Douglas Watt — Concert Records, The New Yorker, 12 March 1949 issue\",\"url\":\"https://www.newyorker.com/magazine/1949/03/12/concert-records\",\"locator\":\"Paragraph beginning “An admirable rendition”: Columbia set 793 and ML-4102, Pittsburgh Symphony under Fritz Reiner, same performance on both carriers. Contemporary publication witness.\",\"accessed\":\"2026-10-17\"},{\"id\":\"fingerprint\",\"title\":\"AcoustID — selected Archive file’s stored fingerprint identity\",\"url\":\"https://acoustid.org/track/b8fae331-f366-4440-a599-e9f7e08c92c8\",\"locator\":\"Linked MusicBrainz recording and submitted metadata attribute this movement to Pittsburgh Symphony Orchestra and Fritz Reiner; supplementary corroboration only.\",\"accessed\":\"2026-10-17\"},{\"id\":\"chicago\",\"title\":\"Frank Villella — 125 Moments: 011 First Grammy Awards, Chicago Symphony Rosenthal Archives\",\"url\":\"https://chicagosymphony.org/inside-the-music/article/8311/125-moments-011-first-grammy-awards\",\"locator\":\"Distinguishes Reiner’s Chicago recording of the Concerto, 22 October 1955, from the selected Pittsburgh performance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Bartók — Concerto for Orchestra, Boosey & Hawkes, plate B. & H. 9009 (1946 edition, later impression)\",\"url\":\"https://www.imslp.eu/autoindex/index.php?dir=euimg/c/c4/&file=IMSLP19114-PMLP04854-Bart%C3%B3k_-_Concerto_for_Orchestra_%28orch._score%29.pdf\",\"locator\":\"pp. 1–28. Viewed scan. The imprint of the inspected impression reads 2-55; copyright 1946. The erroneous New York premiere statement is not adopted. Stage maps are approximate score-based passage snapshots, not audio source separation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Concerto for Orchestra, Sz. 116\",\"url\":\"https://imslp.org/wiki/Concerto_for_Orchestra%2C_Sz.116_%28Bart%C3%B3k%2C_B%C3%A9la%29\",\"locator\":\"Work identification BB 123; score #19114, public-domain territorial warning, instrumentation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pso\",\"title\":\"Richard E. Rodda — Pittsburgh Symphony programme notes, 17–19 January 2020\",\"url\":\"https://culturaldistrict-prod.s3.amazonaws.com/culturaldistrict/system/assets/29105/original/Jan._17-19__2020.pdf\",\"locator\":\"PDF pp. 2–3: commission, exile, Boston premiere, Pittsburgh performances and Bartók’s own explanation of five-movement design.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bassoon\",\"title\":\"Brett Van Gansbeke — The Orchestral Bassoon: Bartók, Concerto for Orchestra\",\"url\":\"https://www.orchestralbassoon.com/bartok-concerto\",\"locator\":\"History, manuscript title Presentando le coppie, intervallic pair design, quotation of Bartók’s programme note with bibliography.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"Discography of American Historical Recordings — Fritz Reiner\",\"url\":\"https://adp.library.ucsb.edu/names/339665\",\"locator\":\"Opened performer listing; no entry for the Columbia XCO 35800–35811 series. Negative search is not used to imply that no matrices exist.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — term of protection of sound recordings\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(3), adding Article 10(5): extension applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 3 unknown"},{"id":"bartok-quartet-2-allegro","composer":"Béla Bartók","title":"String Quartet No. 2, Op. 17","movement":"II. Allegro molto capriccioso","work.title":"String Quartet No. 2","work.catalogue":"Op. 17","work.movement":"II. Allegro molto capriccioso","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The recording source does not identify a performing edition or arrangement.","performers.value":"[{\"name\":\"Carmel Quartet\",\"role\":\"string quartet\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"The source names the ensemble, not its individual players for this recording.","session.date.value":"2007","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"Year attributed to the recording in the Commons Summary; no day or month is supplied.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the consulted source.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original release label is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or disc-side identifiers are supplied; the digital file format does not establish the original carrier.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or restoration engineer is identified; an uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. The access-file encoding is recorded separately.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/94/Bartok_Op._17%2C_Second_Movement.OGG/Bartok_Op._17%2C_Second_Movement.OGG.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative of the Wikimedia Commons Ogg Vorbis file","digital.durationSeconds":453.439,"rights.composition.value":"Public domain in jurisdictions applying an unextended life-plus-70-year term","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Béla Bartók died in 1945. This assessment concerns the original composition, not a later edition, arrangement or this recording; it is not a worldwide rights clearance.","rights.recording.value":"Rule 1 — recording licence/release: CC BY 3.0 Unported.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"The Commons Permission field explicitly says the Carmel Quartet releases this 2007 recording under Creative Commons; the licence template is cc-by-3.0. Retain performer attribution and licence notice.","rights.creditLine":"Béla Bartók: String Quartet No. 2, Op. 17, II. Allegro molto capriccioso — Carmel Quartet (2007). Recording: CC BY 3.0, via Wikimedia Commons; MP3 access derivative.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Bartok Op. 17, Second Movement.OGG\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=1259318927\",\"locator\":\"Summary: description, date, source, author and permission; Licensing; File history; embedded metadata. The source revision is fixed; current file metadata was retrieved on the access date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3ABartok+Op.+17%2C+Second+Movement.OGG&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 URL; source for digital.durationSeconds, digital.format and digital.streamUrl.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Bartok Op. 17, Second Movement.OGG\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&prop=revisions&rvprop=content%7Cids&rvslots=main&revids=1048736444%7C1029369215%7C1259318927%7C1146394215%7C658946491%7C1190184410%7C848584084%7C1126687476%7C1030746393%7C1055787249\",\"locator\":\"Opened file-description wikitext for File:Bartok Op. 17, Second Movement.OGG; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"8 unknown; 3 documented; 1 inferred"},{"id":"beach-years-at-the-spring-eames-1905","composer":"Amy Beach","title":"The Year’s at the Spring","movement":"","work.title":"The Year’s at the Spring","work.catalogue":"Op. 44, No. 1","work.movement":"","work.version.value":"Beach’s Browning setting, complete: both settings of the opening lines, then the rest of the poem. It is the second of two songs on one 12-inch Victor side, after Reynaldo Hahn’s “L’Incrédule” (sung in French). The label gives the key of the Beach song as D♭.","work.version.status":"inferred","work.version.sourceIds":"[\"dahr-matrix\",\"catalogue-1908\",\"booklet\",\"score\"]","work.version.note":"The pairing, the languages and the key D♭ are documented: the Discography of American Historical Recordings notes that the original label of Victor 85057 shows the Beach song in D flat, and the May 1908 catalogue lists the same pairing. That the track is the whole song is inferred by comparing its sung pitches with the vocal part of the 1900 edition (B♭ version, read in D♭): the leaps to E♭, F and G♭ of the first setting fall in the first twelve seconds, and the restart on p. 4 follows at about fifteen seconds. No source states it, and the D♭ version of the edition has not been seen.","performers.value":"[{\"name\":\"Emma Eames\",\"role\":\"soprano\"}]","performers.status":"documented","performers.sourceIds":"[\"dahr-matrix\",\"booklet\",\"archive\"]","performers.note":"The Discography of American Historical Recordings describes the matrix as “Soprano vocal solo, with piano” and names no pianist; the Romophone booklet lists this track among those with piano and gives no accompanist.","session.date.value":"1905-03-16","session.date.status":"documented","session.date.sourceIds":"[\"dahr-matrix\",\"booklet\",\"archive\"]","session.date.note":"Matrix C-2314, take 2 (the master). Take 1, of 20 February 1905, was destroyed.","session.date.precision":"day","session.place.value":"New York, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"dahr-matrix\"]","session.place.note":"Recording place from the Discography of American Historical Recordings; no studio address is given.","carrier.label.value":"Victor Talking Machine Company, Red Seal (12-inch single-faced)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr-object\",\"catalogue-1908\"]","carrier.label.note":"The May 1908 catalogue lists the disc on the Emma Eames page at $3.00.","carrier.catalogue.value":"Victor 85057; also numbered Victor 88008","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr-matrix\",\"dahr-object-85057\",\"catalogue-1908\",\"booklet\"]","carrier.catalogue.note":"The Discography of American Historical Recordings lists this matrix under 85057 and under 88008, and the May 1908 catalogue lists the pairing with “L’Incrédule” as 88008. The July 1909 catalogue gives 88008 to Eames’s 1908 remake of the song. The Romophone booklet gives 85057.","carrier.matrixTakeSides.value":"C-2314, take 2","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr-matrix\",\"booklet\"]","carrier.matrixTakeSides.note":"Both songs are on one matrix, which the Discography of American Historical Recordings titles “L’Incrédule” with “The year’s at the spring” as an additional title and which it notes was “Also recorded as C-6203”, the 1908 remake. The Romophone booklet gives C 2314-2.","transfer.credits.value":"Ward Marston, transfers and audio restoration; Ward Marston, producer; Virginia Barder, executive producer. Romophone 81001-2, CD 1, track 5.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"booklet\",\"archive\"]","transfer.credits.note":"These credits are printed for the whole set. The Internet Archive item (whose own text gives the set number as 81000-2) names the set and the track but no separate engineer for the file; the person who ripped and uploaded it is not credited as an engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"booklet\",\"archive-data\",\"beach-discography\"]","transfer.date.note":"The Archive descriptions date the set to 1993; a Beach discography gives 1995, and the booklet scan prints no year. The dates of the disc transfer and the restoration are not stated. The Internet Archive upload of 8 April 2025 is a copying event, not a transfer date.","transfer.processing.value":"Restoration by Ward Marston for the Romophone CD, with no settings stated; the Internet Archive derives its VBR MP3 from an uploaded WAV or FLAC rip of the CD.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"booklet\",\"archive\",\"archive-data\"]","transfer.processing.note":"The closing chord of this track is D♭ major at concert pitch, within about a tenth of a semitone of A = 440 Hz, which agrees with the key on the original label. Stylus, equalisation and noise reduction are not documented. About five seconds of silence follow the last chord.","digital.streamUrl":"https://archive.org/download/emma-eames-cd-1/05%20-%20Emma%20Eames%20-%20CD%201%20-%20The%20Year's%20at%20the%20Spring%20(Beach)%20Mx.%20C-2314-2%20(part)%2C%20Victor%2085057%20(16.III.1905).mp3","digital.sourceChain":"[\"dahr-matrix\",\"booklet\",\"archive\",\"archive-data\"]","digital.format":"Internet Archive VBR MP3 derivative of one track of a Romophone CD reissue; one file, no concatenation or edits by Contrapunctus","digital.durationSeconds":59.04,"rights.composition.value":"Out of copyright: Beach died in 1944 and Browning in 1889.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"score\"]","rights.composition.note":"Life-plus-70 terms have run out for both; the first edition was published in the United States in 1900. This covers the song, not modern editions.","rights.recording.value":"US public domain: first published by May 1908 as Victor 88008 (recorded 16 March 1905, issued as Victor 85057). The Archive item carries the Public Domain Mark.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"catalogue-1908\",\"dahr-matrix\",\"dahr-object-85057\",\"us-term\",\"archive\",\"booklet\",\"abs-cbs\",\"pdm\"]","rights.recording.note":"Selected under the project’s us-published-before-cutoff rule: a recording first published before 1923 had exhausted its federal term by 31 December 2021. The Discography of American Historical Recordings gives a publication year of [1905] for Victor 85057; the dated catalogue is the source relied on for 1908 as the latest year. The audio is the Romophone restoration by Ward Marston. The Public Domain Mark was applied by the uploader, is a statement by the person who identified the work, and is not the basis for publication. The scanned booklet carries no copyright notice for the transfers (its only © line is for the essay; the tray insert is not in the scan), and the track is one continuous performance in score order. The Ninth Circuit held in ABS Entertainment v. CBS (2018) that a remaster distinguished only by change of medium, declicking or noise reduction generally lacks the originality needed for a new copyright. No source consulted shows Romophone or Marston dedicating the restoration to the public domain, and a claim outside the United States has not been ruled out; the booklet’s text and the set’s compilation are not claimed as public domain.","rights.creditLine":"Amy Beach, The Year’s at the Spring, Op. 44 No. 1. Emma Eames, soprano, with piano. Victor 85057 (later 88008), matrix C-2314 take 2, New York, 16 March 1905. Transfer and restoration by Ward Marston, Romophone 81001-2, via the Internet Archive. Recording: US public domain (published by 1908).","rights.licenseUrl":"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Emma Eames, The Complete Victor Recordings (1905–1911), CD 1\",\"url\":\"https://archive.org/details/emma-eames-cd-1\",\"locator\":\"Track 5, The Year's at the Spring (Beach), Mx. C-2314-2 (part), Victor 85057 (16.III.1905); Transfers by Ward Marston; Public Domain Mark\",\"accessed\":\"2026-10-19\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive item metadata and file manifest, emma-eames-cd-1\",\"url\":\"https://archive.org/metadata/emma-eames-cd-1\",\"locator\":\"Track 5 MP3 length 59.04 s; licence URL; upload date 8 April 2025\",\"accessed\":\"2026-10-19\"},{\"id\":\"booklet\",\"title\":\"Emma Eames, Complete Victor Recordings 1905–1911, Romophone 81001-2, booklet scan\",\"url\":\"https://archive.org/details/eames-complete-victor-recordings-1905-1911-romophone-81001-2-1993\",\"locator\":\"Track list: L’Incrédule (Hahn) and The Year's at the Spring (Beach), 16 iii 1905, C 2314-2 (Victor 85057); CD 1 tracks 1–15 with piano; “Transfers and audio restoration by Ward Marston”\",\"accessed\":\"2026-10-19\"},{\"id\":\"dahr-matrix\",\"title\":\"Discography of American Historical Recordings: Victor matrix C-2314, L’Incrédule / Emma Eames\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/200003689\",\"locator\":\"Take 1, 20 February 1905, destroyed; take 2, 16 March 1905, master, Victor 85057; label key D flat for the second selection; sung in English; “Also recorded as C-6203”\",\"accessed\":\"2026-10-19\"},{\"id\":\"dahr-object\",\"title\":\"Discography of American Historical Recordings: Victor 88008 (Red Seal 12-in. single-faced)\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/55891\",\"locator\":\"Matrices C-2314 (1905) and C-6203 (1908) released under this number\",\"accessed\":\"2026-10-19\"},{\"id\":\"dahr-object-85057\",\"title\":\"Discography of American Historical Recordings: Victor 85057 (Red Seal 12-in. single-faced)\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/55071\",\"locator\":\"Matrix C-2314, take 2; MARC publication date [1905]\",\"accessed\":\"2026-10-19\"},{\"id\":\"catalogue-1908\",\"title\":\"New Victor Record Catalogue (May 1908), Internet Archive\",\"url\":\"https://archive.org/details/newvictorrecordc00vict_0\",\"locator\":\"p. 45, Emma Eames: 88008, L’Incrédule (French, Reynaldo Hahn) and The Year’s at the Spring (English, Beach), twelve-inch, $3.00\",\"accessed\":\"2026-10-19\"},{\"id\":\"score\",\"title\":\"Three Browning Songs, Op. 44, A. P. Schmidt, 1900, Internet Archive\",\"url\":\"https://archive.org/details/per_women-composers-collection_the-years-at-the-spring_1900\",\"locator\":\"No. 1, pp. 3–5: title-page incipits in B♭ and D♭, Allegro di molto, first statement on p. 3, a tempo restart on p. 4, climax and close on p. 5\",\"accessed\":\"2026-10-19\"},{\"id\":\"us-term\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term section: recordings first published before 1923, additional period ended 31 December 2021\",\"accessed\":\"2026-10-19\"},{\"id\":\"abs-cbs\",\"title\":\"ABS Entertainment, Inc. v. CBS Corp., No. 16-55917 (9th Cir., amended opinion, 31 October 2018)\",\"url\":\"https://cdn.ca9.uscourts.gov/datastore/opinions/2018/10/31/16-55917.pdf\",\"locator\":\"Part IV.A: remastering, originality and derivative sound recordings; quotes Copyright Office Circular 56 on declicking and noise reduction\",\"accessed\":\"2026-10-19\"},{\"id\":\"pdm\",\"title\":\"Creative Commons: Public Domain Mark 1.0 deed\",\"url\":\"https://creativecommons.org/publicdomain/mark/1.0/\",\"locator\":\"Other Information: the work may not be free of known copyright restrictions in all jurisdictions; no warranties by the person who identified the work\",\"accessed\":\"2026-10-19\"},{\"id\":\"beach-discography\",\"title\":\"AMY BEACH (1867–1944): Discography\",\"url\":\"https://www.amybeach.org/music/discography/\",\"locator\":\"“The year’s at the spring”: Emma Eames: The Complete Victor Recordings (1905–1911), Romophone #81001, 1995\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 inferred; 9 documented; 1 unknown"},{"id":"beach-years-at-the-spring-eames-1908","composer":"Amy Beach","title":"The Year’s at the Spring","movement":"","work.title":"The Year’s at the Spring","work.catalogue":"Op. 44, No. 1","work.movement":"","work.version.value":"Beach’s Browning setting, complete: both settings of the opening lines, then the rest of the poem. It is the second of two songs on one 12-inch Victor side, after George Henschel’s “Spring”. The key is D♭ major.","work.version.status":"inferred","work.version.sourceIds":"[\"dahr-matrix\",\"catalogue-1909\",\"booklet\",\"score\"]","work.version.note":"The pairing with Henschel’s “Spring” is documented by the Discography of American Historical Recordings and the July 1909 catalogue, and the Romophone track list gives “Spring” and “The Year’s at the Spring” as parts of one matrix. That the track is the whole song is inferred by comparing its sung pitches with the vocal part of the 1900 edition (B♭ version, read in D♭): the leaps to E♭, F and G♭ of the first setting fall in the first eleven seconds, and the restart on p. 4 follows at about fifteen seconds. No source states it. The key is inferred from the closing chord and from the key printed on the label of Eames’s 1905 recording of the song. The edition she sang from (the 1900 print offers B♭ and D♭ versions) has not been seen.","performers.value":"[{\"name\":\"Emma Eames\",\"role\":\"soprano\"}]","performers.status":"documented","performers.sourceIds":"[\"dahr-matrix\",\"booklet\",\"archive\"]","performers.note":"The Discography of American Historical Recordings describes the matrix as “Soprano vocal solo, with piano” and names no pianist; the Romophone booklet lists this track among those with piano and gives no accompanist.","session.date.value":"1908-05-18","session.date.status":"documented","session.date.sourceIds":"[\"dahr-matrix\",\"booklet\",\"archive\"]","session.date.note":"Matrix C-6203, take 1. The Archive file name and the Romophone track list give the same date.","session.date.precision":"day","session.place.value":"New York, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"dahr-matrix\"]","session.place.note":"Recording place from the Discography of American Historical Recordings; no studio address is given.","carrier.label.value":"Victor Talking Machine Company, Red Seal (12-inch single-faced)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr-object\",\"catalogue-1909\"]","carrier.label.note":"The July 1909 catalogue lists the disc on the Emma Eames page at $3.00.","carrier.catalogue.value":"Victor 88008","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr-matrix\",\"dahr-object\",\"catalogue-1909\",\"booklet\"]","carrier.catalogue.note":"The same number had carried Eames’s 1905 recording of the song with Hahn’s “L’Incrédule” (listed in the May 1908 catalogue); the July 1909 catalogue lists the 1908 pairing under it. The Discography of American Historical Recordings also lists IRCC-194 and AGSB-22 reissues of this matrix.","carrier.matrixTakeSides.value":"C-6203, take 1","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr-matrix\",\"booklet\"]","carrier.matrixTakeSides.note":"Both songs are on one matrix, which the Discography of American Historical Recordings titles “Spring” with “Year’s at the spring” as an additional title, and which it notes was “Also recorded as C-2314”, the 1905 recording. The Romophone booklet gives C 6203-1.","transfer.credits.value":"Ward Marston, transfers and audio restoration; Ward Marston, producer; Virginia Barder, executive producer. Romophone 81001-2, CD 2, track 13.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"booklet\",\"archive\"]","transfer.credits.note":"These credits are printed for the whole set. The Internet Archive item (whose own text gives the set number as 81000-2) names the set and the track but no separate engineer for the file; the person who ripped and uploaded it is not credited as an engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"booklet\",\"archive-data\",\"beach-discography\"]","transfer.date.note":"The Archive descriptions date the set to 1993; a Beach discography gives 1995, and the booklet scan prints no year. The dates of the disc transfer and the restoration are not stated. The Internet Archive upload of 8 April 2025 is a copying event, not a transfer date.","transfer.processing.value":"Restoration by Ward Marston for the Romophone CD, with no settings stated; the Internet Archive derives its VBR MP3 from an uploaded WAV or FLAC rip of the CD.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"booklet\",\"archive\",\"archive-data\"]","transfer.processing.note":"The closing chord of this track is D♭ major at concert pitch, within about a tenth of a semitone of A = 440 Hz. Two other Internet Archive transfers of the same disc (item 78_springbyearofthespring_146_06, the second labelled IRCC 194-A) play about three per cent faster, half a semitone sharp of this file. Stylus, equalisation and noise reduction are not documented. About five seconds of silence follow the last chord.","digital.streamUrl":"https://archive.org/download/emma-eames-cd-2/13%20-%20Emma%20Eames%20-%20CD%202%20-%20The%20Year's%20at%20the%20Spring%20(Beach)%20Mx.%20C-6203-1%20(Part)%2C%20Victor%2088008%20(18.V.1908).mp3","digital.sourceChain":"[\"dahr-matrix\",\"booklet\",\"archive\",\"archive-data\"]","digital.format":"Internet Archive VBR MP3 derivative of one track of a Romophone CD reissue; one file, no concatenation or edits by Contrapunctus","digital.durationSeconds":55.07,"rights.composition.value":"Out of copyright: Beach died in 1944 and Browning in 1889.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"score\"]","rights.composition.note":"Life-plus-70 terms have run out for both; the first edition was published in the United States in 1900. This covers the song, not modern editions.","rights.recording.value":"US public domain: first published by July 1909 on Victor 88008 (recorded 18 May 1908). The Archive item carries the Public Domain Mark.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"catalogue-1909\",\"dahr-matrix\",\"us-term\",\"archive\",\"booklet\",\"abs-cbs\",\"pdm\"]","rights.recording.note":"Selected under the project’s us-published-before-cutoff rule: a recording first published before 1923 had exhausted its federal term by 31 December 2021. The July 1909 catalogue is the dated source for 1909 as the latest year of first publication. The audio is the Romophone restoration by Ward Marston. The Public Domain Mark was applied by the uploader, is a statement by the person who identified the work, and is not the basis for publication. The scanned booklet carries no copyright notice for the transfers (its only © line is for the essay; the tray insert is not in the scan), and the track is one continuous performance in score order. The Ninth Circuit held in ABS Entertainment v. CBS (2018) that a remaster distinguished only by change of medium, declicking or noise reduction generally lacks the originality needed for a new copyright. No source consulted shows Romophone or Marston dedicating the restoration to the public domain, and a claim outside the United States has not been ruled out; the booklet’s text and the set’s compilation are not claimed as public domain.","rights.creditLine":"Amy Beach, The Year’s at the Spring, Op. 44 No. 1. Emma Eames, soprano, with piano. Victor 88008, matrix C-6203 take 1, New York, 18 May 1908. Transfer and restoration by Ward Marston, Romophone 81001-2, via the Internet Archive. Recording: US public domain (published by 1909).","rights.licenseUrl":"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Emma Eames, The Complete Victor Recordings (1905–1911), CD 2\",\"url\":\"https://archive.org/details/emma-eames-cd-2\",\"locator\":\"Track 13, The Year's at the Spring (Beach), Mx. C-6203-1 (Part), Victor 88008 (18.V.1908); Transfers by Ward Marston; Public Domain Mark\",\"accessed\":\"2026-10-19\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive item metadata and file manifest, emma-eames-cd-2\",\"url\":\"https://archive.org/metadata/emma-eames-cd-2\",\"locator\":\"Track 13 MP3 length 55.07 s; licence URL; upload date 8 April 2025\",\"accessed\":\"2026-10-19\"},{\"id\":\"booklet\",\"title\":\"Emma Eames, Complete Victor Recordings 1905–1911, Romophone 81001-2, booklet scan\",\"url\":\"https://archive.org/details/eames-complete-victor-recordings-1905-1911-romophone-81001-2-1993\",\"locator\":\"Track list: Spring (Henschel) and The Year's at the Spring (Beach), 18 v 1908, C 6203-1 (Victor 88008); CD 2 tracks 8–14 with piano; “Transfers and audio restoration by Ward Marston”\",\"accessed\":\"2026-10-19\"},{\"id\":\"dahr-matrix\",\"title\":\"Discography of American Historical Recordings: Victor matrix C-6203, Spring / Emma Eames\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/200007142\",\"locator\":\"Take 1, 18 May 1908, New York, master, Victor 88008; soprano vocal solo, with piano; “Also recorded as C-2314”\",\"accessed\":\"2026-10-19\"},{\"id\":\"dahr-object\",\"title\":\"Discography of American Historical Recordings: Victor 88008 (Red Seal 12-in. single-faced)\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/55891\",\"locator\":\"Matrices C-2314 (1905) and C-6203 (1908) released under this number\",\"accessed\":\"2026-10-19\"},{\"id\":\"catalogue-1909\",\"title\":\"New Victor Record Catalogue (July 1909), Internet Archive\",\"url\":\"https://archive.org/details/newvictorrecordc00vict\",\"locator\":\"p. 55, Emma Eames: 88008, Spring (English, Henschel) and The Year’s at the Spring (English, Beach), twelve-inch, $3.00\",\"accessed\":\"2026-10-19\"},{\"id\":\"score\",\"title\":\"Three Browning Songs, Op. 44, A. P. Schmidt, 1900, Internet Archive\",\"url\":\"https://archive.org/details/per_women-composers-collection_the-years-at-the-spring_1900\",\"locator\":\"No. 1, pp. 3–5: title-page incipits in B♭ and D♭, Allegro di molto, first statement on p. 3, a tempo restart on p. 4, climax and close on p. 5\",\"accessed\":\"2026-10-19\"},{\"id\":\"us-term\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term section: recordings first published before 1923, additional period ended 31 December 2021\",\"accessed\":\"2026-10-19\"},{\"id\":\"abs-cbs\",\"title\":\"ABS Entertainment, Inc. v. CBS Corp., No. 16-55917 (9th Cir., amended opinion, 31 October 2018)\",\"url\":\"https://cdn.ca9.uscourts.gov/datastore/opinions/2018/10/31/16-55917.pdf\",\"locator\":\"Part IV.A: remastering, originality and derivative sound recordings; quotes Copyright Office Circular 56 on declicking and noise reduction\",\"accessed\":\"2026-10-19\"},{\"id\":\"pdm\",\"title\":\"Creative Commons: Public Domain Mark 1.0 deed\",\"url\":\"https://creativecommons.org/publicdomain/mark/1.0/\",\"locator\":\"Other Information: the work may not be free of known copyright restrictions in all jurisdictions; no warranties by the person who identified the work\",\"accessed\":\"2026-10-19\"},{\"id\":\"beach-discography\",\"title\":\"AMY BEACH (1867–1944): Discography\",\"url\":\"https://www.amybeach.org/music/discography/\",\"locator\":\"“The year’s at the spring”: Emma Eames: The Complete Victor Recordings (1905–1911), Romophone #81001, 1995\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 inferred; 9 documented; 1 unknown"},{"id":"beach-years-at-the-spring","composer":"Amy Beach","title":"The Year’s at the Spring","movement":"","work.title":"The Year’s at the Spring","work.catalogue":"Op. 44, No. 1","work.movement":"","work.version.value":"Beach’s Browning setting, recorded as the second song on a single-faced 10-inch side, after Frank La Forge’s “How Much I Love You”","work.version.status":"documented","work.version.sourceIds":"[\"label\",\"dahr\",\"catalogue\"]","work.version.note":"The label lists both songs, (a) La Forge and (b) Beach. The key sung and any cuts or changes to the printed song are not established.","performers.value":"[{\"name\":\"Johanna Gadski\",\"role\":\"soprano\"},{\"name\":\"Frank La Forge\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"label\",\"dahr\"]","performers.note":"The label reads ‘Soprano with pianoforte’ and names Johanna Gadski; the Discography of American Historical Recordings names La Forge as pianist.","session.date.value":"1908-01-14","session.date.status":"documented","session.date.sourceIds":"[\"dahr\",\"label\"]","session.date.note":"Matrix B-5018, take 2; the date is also handwritten on the label.","session.date.precision":"day","session.place.value":"New York, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"dahr\"]","session.place.note":"Recording place from the Discography of American Historical Recordings; no studio address is given.","carrier.label.value":"Victor Talking Machine Company, Red Seal","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label\",\"dahr-object\"]","carrier.label.note":"Single-faced 10-inch disc.","carrier.catalogue.value":"Victor 87026","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label\",\"dahr-object\",\"catalogue\"]","carrier.catalogue.note":"Listed on the Gadski page of the Victor catalogue of July 1909.","carrier.matrixTakeSides.value":"B-5018, take 2","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr\",\"archive\"]","carrier.matrixTakeSides.note":"Take 1 was held; take 2 was the master issued as 87026.","transfer.credits.value":"Library of Congress Packard Campus for Audio Visual Conservation; National Jukebox MP3 mirrored by Hessel Digital Library","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Credits as stated in the Internet Archive item, which links to the National Jukebox record and notes Sony Music Entertainment or EMI Music as the source of the disc.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The digitisation date is not given. The mirror was added to the Internet Archive on 18 October 2026, a copying event.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Playback speed, stylus, equalisation and noise reduction are not stated. A separate Great 78 Project transfer of the same disc is about seven per cent longer, so the speed of the Library’s copy is not certain.","digital.streamUrl":"https://archive.org/download/loc-jukebox-125920-how-much-i-love-you/jukebox-125920_how-much-i-love-you.mp3","digital.sourceChain":"[\"label\",\"archive\"]","digital.format":"VBR MP3 mirror of a Library of Congress National Jukebox disc transfer","digital.durationSeconds":114.36,"rights.composition.value":"Out of copyright: Beach died in 1944, Browning in 1889 and La Forge in 1953.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"dahr\"]","rights.composition.note":"Life-plus-70 terms have run out for all three; the 1900 edition was published in the United States. This covers the historical songs, not modern editions.","rights.recording.value":"US public domain: first published 1908 or 1909 on Victor 87026; the mirror carries the Public Domain Mark.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"catalogue\",\"dahr\"]","rights.recording.note":"Selected under the project’s us-published-before-cutoff rule. The July 1909 Victor catalogue lists the disc; the Library of Congress gives 1908. The Public Domain Mark is a status declaration, not a new licence.","rights.creditLine":"Amy Beach, The Year’s at the Spring, Op. 44 No. 1, with Frank La Forge’s How Much I Love You. Johanna Gadski, soprano; Frank La Forge, piano. Victor 87026 (matrix B-5018-2, 14 January 1908). Library of Congress National Jukebox transfer, mirrored by Hessel Digital Library on Internet Archive.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: How much I love you — National Jukebox 125920 mirror metadata\",\"url\":\"https://archive.org/metadata/loc-jukebox-125920-how-much-i-love-you/metadata\",\"locator\":\"Matrix B-5018/2; recording date 1908-01-14; first-publication statement; Public Domain Mark; Library of Congress credit\",\"accessed\":\"2026-10-18\"},{\"id\":\"label\",\"title\":\"Victor 87026 label image accompanying National Jukebox 125920\",\"url\":\"https://archive.org/download/loc-jukebox-125920-how-much-i-love-you/jukebox-125920_label.jpg\",\"locator\":\"(a) How Much I Love You (La Forge); (b) The Year’s at the Spring (Beach); Johanna Gadski; Soprano with pianoforte, in English; 87026\",\"accessed\":\"2026-10-18\"},{\"id\":\"dahr\",\"title\":\"Discography of American Historical Recordings: Victor matrix B-5018\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/200006832\",\"locator\":\"Take 2, 14 January 1908, New York; Johanna Gadski and Frank La Forge; composers H. H. A. Beach and Frank La Forge; issued as Victor 87026\",\"accessed\":\"2026-10-18\"},{\"id\":\"dahr-object\",\"title\":\"Discography of American Historical Recordings: Victor 87026\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/55368\",\"locator\":\"Red Seal 10-inch single-faced disc; B-5018 take 2\",\"accessed\":\"2026-10-18\"},{\"id\":\"catalogue\",\"title\":\"New Victor Record Catalogue (July 1909), Internet Archive\",\"url\":\"https://archive.org/details/newvictorrecordc00vict\",\"locator\":\"Gadski page: 87026, How Much I Love You (La Forge) and The Year’s at the Spring (Beach), accompanied by Frank La Forge\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Three Browning Songs, Op. 44, A. P. Schmidt, 1900, Internet Archive\",\"url\":\"https://archive.org/details/per_women-composers-collection_the-years-at-the-spring_1900\",\"locator\":\"No. 1, pp. 3–5: dedication, Allegro di molto, text layout\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"beethoven-109-prestissimo","composer":"Ludwig van Beethoven","title":"Piano Sonata No. 30, Op. 109","movement":"II. Prestissimo","work.title":"Piano Sonata No. 30 in E major","work.catalogue":"Op. 109","work.movement":"II. Prestissimo","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The edition Schnabel played from is not identified in the recording sources.","performers.value":"[{\"name\":\"Artur Schnabel\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"upstream\",\"discography\"]","performers.note":"","session.date.value":"22 March 1932","session.date.status":"documented","session.date.sourceIds":"[\"upstream\",\"discography\"]","session.date.note":"The Internet Archive description gives “recorded 22.III.1932” for the Op. 109 sonata and the Naxos Historical review gives 22 March 1932 for the same session; the Commons date field says only 1932.","session.date.precision":"day","session.place.value":"Abbey Road Studio No. 3, London","session.place.status":"documented","session.place.sourceIds":"[\"discography\"]","session.place.note":"Given for the whole sonata in the review of the Naxos Historical reissue.","carrier.label.value":"His Master’s Voice (HMV)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"upstream\",\"discography\"]","carrier.label.note":"","carrier.catalogue.value":"DB 1822–24","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"discography\"]","carrier.catalogue.note":"The catalogue span identifies the original complete-sonata issue (the sonata runs about twenty minutes). Which sides carry this movement is not established, and the span is not shown to be the physical source of the Internet Archive MP3.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established for this movement.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"upstream\",\"discography\"]","transfer.credits.note":"The transfer engineer of the Internet Archive MP3 is not identified. Mark Obert-Thorn is credited for the separate Naxos reissue, not for this transfer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"upstream\"]","transfer.date.note":"No transfer date is documented; the Internet Archive item was added in March 2020 and the Commons file in January 2021, which are upload dates.","transfer.processing.value":"Internet Archive original: 256 kbps MP3, track 095 of Beethoven Piano Sonatas vol. 8; Commons holds an Ogg Vorbis conversion and supplies an MP3 derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"upstream\",\"commons\"]","transfer.processing.note":"No restoration settings or original transfer chain are documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/76/Klaviersonate_Nr._30_E-Dur_op._109_-_II._Prestissimo.ogg/Klaviersonate_Nr._30_E-Dur_op._109_-_II._Prestissimo.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":139.70285714285714,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Beethoven died in 1827. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"eu-audio\",\"eu-extension\",\"upstream\"]","rights.recording.note":"Commons applies PD-EU-audio to Schnabel’s 1932 HMV recording and the Internet Archive item carries a Public Domain Mark 1.0 licence URL. The programme’s pre-1963 European rule applies because the 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. The exact first-publication date is not independently documented.","rights.recording.alternatives":"[{\"value\":\"PD-EU-audio — European performers’ and producers’ rights claimed expired.\",\"sourceIds\":[\"commons\",\"eu-audio\"]},{\"value\":\"Public Domain Mark 1.0 — licence URL on the Internet Archive item.\",\"sourceIds\":[\"upstream\"]}]","rights.creditLine":"Ludwig van Beethoven, Piano Sonata No. 30, Op. 109, II. Prestissimo; Artur Schnabel, piano, HMV, Abbey Road Studio No. 3, 22 March 1932. Internet Archive (Beethoven Piano Sonatas vol. 8) via Wikimedia Commons. Commons asserts EU public-domain recording status (PD-EU-audio); rights elsewhere are not established.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Klaviersonate Nr. 30 E-Dur op. 109 - II. Prestissimo.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Klaviersonate_Nr._30_E-Dur_op._109_-_II._Prestissimo.ogg\",\"locator\":\"File-description wikitext: Description, Date 1932, Source (Internet Archive items beethovenschnabel4–8), Author, and licence template PD-EU-audio.\",\"accessed\":\"2026-10-17\"},{\"id\":\"upstream\",\"title\":\"Internet Archive — Artur Schnabel, Beethoven Piano Sonatas vol. 8\",\"url\":\"https://archive.org/metadata/beethovenschnabel8\",\"locator\":\"metadata.description: “Nr. 30 op. 109: recorded 22.III.1932”; “first complete recording … by Artur Schnabel between 1932 and 1935 … His Master’s Voice”; file 095 - Klaviersonate Nr. 30 E-Dur op. 109 - II. Prestissimo.mp3; licenseurl Public Domain Mark 1.0; added 27 March 2020.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"MusicWeb International — Colin Clarke, review of Naxos Historical 8.110763\",\"url\":\"https://musicweb-international.com/classrev/2005/Mar05/Beethoven_schnable9_8110763.htm\",\"locator\":\"Heading: Op. 109, HMV DB 1822–24, recorded Abbey Road Studio No. 3 on 22 March 1932; sonata timing 20:21. The review concerns a separate Naxos transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Wikipedia — Ludwig van Beethoven\",\"url\":\"https://en.wikipedia.org/wiki/Ludwig_van_Beethoven\",\"locator\":\"Lead paragraph: baptised 17 December 1770 – 26 March 1827.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights; the underlying composition requires a separate basis; territorial.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"4 unknown; 7 documented; 1 inferred"},{"id":"beethoven-109-variations","composer":"Ludwig van Beethoven","title":"Piano Sonata No. 30, Op. 109","movement":"III. Gesangvoll, mit innigster Empfindung","work.title":"Piano Sonata No. 30 in E major","work.catalogue":"Op. 109","work.movement":"III. Gesangvoll, mit innigster Empfindung","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition, revision and any editorial interventions are not identified in the consulted recording documentation.","performers.value":"[{\"name\":\"Artur Schnabel\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"structured\",\"upstream\",\"discography\"]","performers.note":"","session.date.value":"22 March 1932; conflicting Commons structured date","session.date.status":"disputed","session.date.sourceIds":"[\"upstream\",\"discography\",\"structured\"]","session.date.note":"The upstream item and the Naxos discographic review agree on 22 March. Commons wikitext says only 1932, but its structured inception supplies 1 January at day precision; that day is unsupported by the session documentation.","session.date.alternatives":"[{\"value\":\"22 March 1932\",\"sourceIds\":[\"upstream\",\"discography\"]},{\"value\":\"1 January 1932\",\"sourceIds\":[\"structured\"]}]","session.date.precision":"day","session.place.value":"Abbey Road Studio No. 3, London","session.place.status":"documented","session.place.sourceIds":"[\"discography\"]","session.place.note":"","carrier.label.value":"His Master’s Voice (HMV)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"upstream\",\"discography\"]","carrier.label.note":"","carrier.catalogue.value":"DB 1822–24","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"discography\"]","carrier.catalogue.note":"The catalogue span identifies the original complete-sonata issue, not a proven physical source for the Internet Archive MP3.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"upstream\",\"embedded\",\"discography\"]","transfer.credits.note":"The source MP3’s transfer engineer is not identified. Mark Obert-Thorn is credited for the separate Naxos reissue, not for this Commons/Internet Archive transfer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Internet Archive source is an MP3; Commons holds an Ogg Vorbis conversion and supplies an MP3 derivative. Embedded Vorbis encoder: Lavc58.35.100 libvorbis.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"upstream\",\"embedded\"]","transfer.processing.note":"No restoration settings or original transfer chain are documented. The embedded DATE=2001 is not the 1932 session date.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/b3/Klaviersonate_Nr._30_E-Dur_op._109_-_III._Andante.ogg/Klaviersonate_Nr._30_E-Dur_op._109_-_III._Andante.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis, 44.1 kHz, 2 channels","digital.durationSeconds":844.4604081632654,"rights.composition.value":"Original composition is public domain in ordinary life-plus-70 jurisdictions.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"discography\",\"author-term\"]","rights.composition.note":"The review identifies Beethoven as 1770–1827. This conclusion does not extend to Schnabel’s sound recording.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\"]","rights.recording.note":"Commons applies PD-EU-audio to Schnabel’s 1932 HMV recording. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. A recording date alone is not represented as an independently verified first-publication date.","rights.creditLine":"Artur Schnabel, piano. HMV recording, sourced from Internet Archive via Wikimedia Commons. Commons asserts EU public-domain recording status (PD-EU-audio); rights elsewhere are not established.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Klaviersonate Nr. 30 E-Dur op. 109 - III. Andante.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Klaviersonate_Nr._30_E-Dur_op._109_-_III._Andante.ogg?oldid=1146394215\",\"locator\":\"File-description wikitext revision 1146394215; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M98650020\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M98650020&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 1146394215. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3AKlaviersonate+Nr.+30+E-Dur+op.+109+-+III.+Andante.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"upstream\",\"title\":\"Internet Archive: Artur Schnabel — Beethoven Piano Sonatas, volume 8\",\"url\":\"https://archive.org/metadata/beethovenschnabel8\",\"locator\":\"metadata.description: Op. 109 recorded 22.III.1932, HMV; files: 096 - Klaviersonate Nr. 30 E-Dur op. 109 - III. 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The review concerns a separate Naxos transfer.\",\"accessed\":\"2026-10-16\"},{\"id\":\"author-term\",\"title\":\"Directive 2006/116/EC: authors’ copyright terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from 1 January after the relevant event; this citation concerns authors, not the later amended recording term.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-recording\",\"title\":\"Commons: scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template text and documentation: performers’ and producers’ rights in the EU; explicitly not a composition-rights tag.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-recording-law\",\"title\":\"17 U.S.C. § 1401: pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Section (a)(2): terms depend on first publication, with separate periods for 1923–1946, 1947–1956 and later recordings.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Klaviersonate Nr. 30 E-Dur op. 109 - III. Andante.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&prop=revisions&rvprop=content%7Cids&rvslots=main&revids=1048736444%7C1029369215%7C1259318927%7C1146394215%7C658946491%7C1190184410%7C848584084%7C1126687476%7C1030746393%7C1055787249\",\"locator\":\"Opened file-description wikitext for File:Klaviersonate Nr. 30 E-Dur op. 109 - III. Andante.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3), inserting Article 10(5): extension applies to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-audio\",\"title\":\"Wikimedia Commons — recording-specific scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation concern performers’ and producers’ rights, not merely composition copyright; territorial European expiry.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"4 unknown; 6 documented; 1 disputed; 1 inferred"},{"id":"beethoven-109-vivace","composer":"Ludwig van Beethoven","title":"Piano Sonata No. 30, Op. 109","movement":"I. Vivace, ma non troppo — Adagio espressivo","work.title":"Piano Sonata No. 30 in E major","work.catalogue":"Op. 109","work.movement":"I. Vivace, ma non troppo — Adagio espressivo","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The edition Schnabel played from is not identified in the recording sources.","performers.value":"[{\"name\":\"Artur Schnabel\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"upstream\",\"discography\"]","performers.note":"","session.date.value":"22 March 1932","session.date.status":"documented","session.date.sourceIds":"[\"upstream\",\"discography\"]","session.date.note":"The Internet Archive description gives “recorded 22.III.1932” for the Op. 109 sonata and the Naxos Historical review gives 22 March 1932 for the same session; the Commons date field says only 1932.","session.date.precision":"day","session.place.value":"Abbey Road Studio No. 3, London","session.place.status":"documented","session.place.sourceIds":"[\"discography\"]","session.place.note":"Given for the whole sonata in the review of the Naxos Historical reissue.","carrier.label.value":"His Master’s Voice (HMV)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"upstream\",\"discography\"]","carrier.label.note":"","carrier.catalogue.value":"DB 1822–24","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"discography\"]","carrier.catalogue.note":"The catalogue span identifies the original complete-sonata issue (the sonata runs about twenty minutes). Which sides carry this movement is not established, and the span is not shown to be the physical source of the Internet Archive MP3.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established for this movement.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"upstream\",\"discography\"]","transfer.credits.note":"The transfer engineer of the Internet Archive MP3 is not identified. Mark Obert-Thorn is credited for the separate Naxos reissue, not for this transfer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"upstream\"]","transfer.date.note":"No transfer date is documented; the Internet Archive item was added in March 2020 and the Commons file in January 2021, which are upload dates.","transfer.processing.value":"Internet Archive original: 256 kbps MP3, track 094 of Beethoven Piano Sonatas vol. 8; Commons holds an Ogg Vorbis conversion and supplies an MP3 derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"upstream\",\"commons\"]","transfer.processing.note":"No restoration settings or original transfer chain are documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/c1/Klaviersonate_Nr._30_E-Dur_op._109_-_I._Vivace%2C_ma_non_troppo.ogg/Klaviersonate_Nr._30_E-Dur_op._109_-_I._Vivace%2C_ma_non_troppo.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":230.66122448979593,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Beethoven died in 1827. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"eu-audio\",\"eu-extension\",\"upstream\"]","rights.recording.note":"Commons applies PD-EU-audio to Schnabel’s 1932 HMV recording and the Internet Archive item carries a Public Domain Mark 1.0 licence URL. The programme’s pre-1963 European rule applies because the 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. The exact first-publication date is not independently documented.","rights.recording.alternatives":"[{\"value\":\"PD-EU-audio — European performers’ and producers’ rights claimed expired.\",\"sourceIds\":[\"commons\",\"eu-audio\"]},{\"value\":\"Public Domain Mark 1.0 — licence URL on the Internet Archive item.\",\"sourceIds\":[\"upstream\"]}]","rights.creditLine":"Ludwig van Beethoven, Piano Sonata No. 30, Op. 109, I. Vivace, ma non troppo — Adagio espressivo; Artur Schnabel, piano, HMV, Abbey Road Studio No. 3, 22 March 1932. Internet Archive (Beethoven Piano Sonatas vol. 8) via Wikimedia Commons. Commons asserts EU public-domain recording status (PD-EU-audio); rights elsewhere are not established.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Klaviersonate Nr. 30 E-Dur op. 109 - I. Vivace, ma non troppo.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Klaviersonate_Nr._30_E-Dur_op._109_-_I._Vivace,_ma_non_troppo.ogg\",\"locator\":\"File-description wikitext: Description, Date 1932, Source (Internet Archive items beethovenschnabel4–8), Author, and licence template PD-EU-audio.\",\"accessed\":\"2026-10-17\"},{\"id\":\"upstream\",\"title\":\"Internet Archive — Artur Schnabel, Beethoven Piano Sonatas vol. 8\",\"url\":\"https://archive.org/metadata/beethovenschnabel8\",\"locator\":\"metadata.description: “Nr. 30 op. 109: recorded 22.III.1932”; “first complete recording … by Artur Schnabel between 1932 and 1935 … His Master’s Voice”; file 094 - Klaviersonate Nr. 30 E-Dur op. 109 - I. Vivace, ma non troppo.mp3; licenseurl Public Domain Mark 1.0; added 27 March 2020.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"MusicWeb International — Colin Clarke, review of Naxos Historical 8.110763\",\"url\":\"https://musicweb-international.com/classrev/2005/Mar05/Beethoven_schnable9_8110763.htm\",\"locator\":\"Heading: Op. 109, HMV DB 1822–24, recorded Abbey Road Studio No. 3 on 22 March 1932; sonata timing 20:21. The review concerns a separate Naxos transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Wikipedia — Ludwig van Beethoven\",\"url\":\"https://en.wikipedia.org/wiki/Ludwig_van_Beethoven\",\"locator\":\"Lead paragraph: baptised 17 December 1770 – 26 March 1827.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights; the underlying composition requires a separate basis; territorial.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"4 unknown; 7 documented; 1 inferred"},{"id":"beethoven-131-lener","composer":"Ludwig van Beethoven","title":"String Quartet No. 14 in C♯ minor, Op. 131","movement":"I–VII. Complete quartet — seven linked movements","work.title":"String Quartet No. 14 in C♯ minor","work.catalogue":"Op. 131","work.movement":"I–VII. Complete quartet — seven linked movements in one archival file","work.version.value":"Original quartet scoring; all seven numbered movements presented in a single joined transfer.","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"score\"]","work.version.note":"The item explicitly presents the complete work in one file. This establishes the intended movement coverage, not a bar-by-bar audit: the performing edition, cuts, repeat observance and any material removed at side joins remain unknown. The public-domain score used for commentary is not identified as the players’ edition.","performers.value":"[{\"name\":\"Léner String Quartet\",\"role\":\"string quartet\"},{\"name\":\"Jenö Léner\",\"role\":\"first violin\"},{\"name\":\"Joszef Smilovits\",\"role\":\"second violin\"},{\"name\":\"Sándor Roth\",\"role\":\"viola\"},{\"name\":\"Imre Hartman\",\"role\":\"cello\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"dahr-ax301\",\"label\"]","performers.note":"The item assigns first and second violin; DAHR confirms the four names and instruments. The photographed label uses the spellings Lener, Smilovits, Roth and Hartmann.","session.date.value":"11, 21 and 22 February; 25 August 1924","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"dahr-set\",\"dahr-ax301\",\"dahr-ax302\",\"dahr-ax332\"]","session.date.note":"These are four session dates for the issued masters, not one continuous performance. AX300–301: 11 February; AX323–328: 21 February; AX332: 22 February; issued AX302 take 4: 25 August. DAHR marks some unissued AX302 dates unconfirmed; that qualification is not attached to its issued take-4 row. The item’s short February/August summary must not erase the two additional February dates in its own side list.","session.date.precision":"range","session.place.value":"Columbia’s Petty France Studios, London, England","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"dahr-ax301\",\"dahr-ax302\",\"dahr-ax332\"]","session.place.note":"The studio is named by the transfer author on the Archive item. The consulted individual DAHR master records independently give London, not the studio.","carrier.label.value":"Columbia Graphophone Co., Ltd. (British issue)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"label\"]","carrier.label.note":"The item explicitly says the transfer derives from the British issue. The photographed L1581 label reads Columbia Graphophone Co. Limited, London and Made in England.","carrier.catalogue.value":"Columbia (UK) L1581–L1585; corresponding US issue 67021-D–67025-D, Masterworks Set 6","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"label\",\"dahr-set\",\"dahr-ax301\",\"dahr-ax302\",\"dahr-ax332\"]","carrier.catalogue.note":"Five double-sided 12-inch discs. The Archive description dates both British and US publication to November 1924. DAHR identifies the set as M-6 but notes that pre-CBS pressings may lack the M prefix; M-6 is therefore a discographic identifier, not a claim about the original album’s typography.","carrier.matrixTakeSides.value":"[\"Side 1: AX300-1 — I, first part — 11 February 1924\",\"Side 2: AX301-1 — I, second part — 11 February 1924\",\"Side 3: AX302-4 — II and III — 25 August 1924\",\"Side 4: AX323-3 — IV, first part — 21 February 1924\",\"Side 5: AX324-2 — IV, second part — 21 February 1924\",\"Side 6: AX325-2 — IV, third part — 21 February 1924\",\"Side 7: AX326-1 — IV, fourth part; V, first part — 21 February 1924\",\"Side 8: AX327-2 — V, second part — 21 February 1924\",\"Side 9: AX328-2 — VI; VII, first part — 21 February 1924\",\"Final side: AX332-2 — VII, second part — 22 February 1924\"]","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"dahr-set\",\"dahr-ax301\",\"dahr-ax302\",\"dahr-ax332\",\"label\"]","carrier.matrixTakeSides.note":"All ten matrix/take pairs and session dates agree with the DAHR set listing. Movement-to-side allocation comes from the Archive description, with AX301, AX302 and AX332 individually corroborated by DAHR part titles. The item calls the last entry ‘Side 19’; it is retained here as ‘Final side’, not treated as evidence of nineteen sides. The label photograph establishes AX300 and L1581 but does not make the take suffix legible. No physical run-out inspection or digital join-to-matrix alignment has been made.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\",\"archive-data\"]","transfer.credits.note":"The description says ‘My transfer’ and identifies the British source discs, but does not name the transfer engineer. The uploader account and shellackophile-recordings collection are not expanded into a personal mastering credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive-data\"]","transfer.date.note":"27 February 2022 is the item’s added/public date and a digital-file timestamp, not an established date of the analogue transfer.","transfer.processing.value":"Ten acoustic-era disc sides joined into one file; Internet Archive VBR MP3 access derivative of an uploaded FLAC.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-data\",\"label\"]","transfer.processing.note":"The item describes the acoustic-era recording and continuous presentation; its file list names the FLAC parent of the selected MP3. The photographed label specifies ‘Speed 80’, not a demonstrated playback speed of this transfer. Stylus, equalisation, de-clicking, noise reduction, join edits, speed adjustment and absolute pitch calibration are unestablished. No tuning value is inferred from automatic key estimates, and no portamento or tempo habit is asserted as an audited feature of this performance.","digital.streamUrl":"https://archive.org/download/l-1581-5-beethoven-quartet-op-131/L1581-5%20Beethoven%20Quartet%20op131.mp3","digital.sourceChain":"[\"archive\",\"archive-data\",\"label\",\"dahr-set\"]","digital.format":"Internet Archive VBR MP3 derivative (listed average 105 kbps), parent L1581-5 Beethoven Quartet op131.flac","digital.durationSeconds":2441.55,"rights.composition.value":"Underlying composition and the nineteenth-century Breitkopf & Härtel score are public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"imslp\",\"score\",\"work-history\",\"eu-original\"]","rights.composition.note":"Op. 131 dates from 1826 and was published after Beethoven’s death in 1827. IMSLP identifies the consulted engraving as the 1863 collected edition, plate B.50, and marks it Public Domain. This is not clearance of any unidentified later performing edition.","rights.recording.value":"United States public-domain basis: first published in 1924, before the project’s 1926 cutoff.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"label\",\"dahr-set\",\"dahr-ax301\",\"us-term\"]","rights.recording.note":"The transfer author expressly dates Columbia L1581–L1585 and US 67021-D–67025-D/Set 6 to November 1924; DAHR corroborates their identity with the 1924 masters, not independently the November publication month. Under the Copyright Office’s stated 95-plus-5-year term for recordings first published in 1923–1946, a 1924 publication has exhausted that term. The Archive metadata supplies no separate Creative Commons recording licence. Admission rests on the historical recording’s US term, not Beethoven’s death, the upload date, an uploader licence or a blanket worldwide clearance. No separate restoration rights claim was identified in the consulted item.","rights.creditLine":"Ludwig van Beethoven, String Quartet No. 14, Op. 131; Léner String Quartet, London, February and August 1924. Columbia (UK) L1581–L1585; anonymous transfer author, Internet Archive item l-1581-5-beethoven-quartet-op-131. Historical recording: US public-domain publication-term basis.","rights.licenseUrl":"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Beethoven Quartet Op. 131 (Lener Quartet, 1924)\",\"url\":\"https://archive.org/details/l-1581-5-beethoven-quartet-op-131\",\"locator\":\"Description: personnel, Petty France studio, November 1924 British and US issues, British transfer source, ten matrix/take entries and complete single-file presentation. Final-side numbering typo is not silently adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive — item and file metadata\",\"url\":\"https://archive.org/metadata/l-1581-5-beethoven-quartet-op-131\",\"locator\":\"Selected file L1581-5 Beethoven Quartet op131.mp3: derivative, VBR MP3, length 2441.55, original FLAC; FLAC length 2441.49. Added/public date and uploader are digital provenance only.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Columbia L1581 — photographed British label\",\"url\":\"https://archive.org/download/l-1581-5-beethoven-quartet-op-131/L1581.JPG\",\"locator\":\"Viewed label: Quartet in C sharp minor in ten parts, part 1, Op.131, Léner quartet surnames, AX300, L1581, Speed 80, Made in England.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-set\",\"title\":\"DAHR — Columbia M-6, Léner Quartet Op.131\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/595384\",\"locator\":\"Ten issued matrix/take/date rows AX300–AX332; note about the M prefix on pre-CBS pressings. Matrix records cite Ronald Taylor’s Columbia twelve-inch discography (1994).\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-ax301\",\"title\":\"DAHR — Columbia (UK) AX301, Adagio part 2\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/2000714494/AX301-Quartet_in_c_minor_op._131\",\"locator\":\"Personnel; master take 1, 11 February 1924, London; L1581, 67021-D and M-6 issue identities.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-ax302\",\"title\":\"DAHR — Columbia (UK) AX302, Allegro molto vivace; Allegro moderato\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/2000714495\",\"locator\":\"Issued take 4, 25 August 1924, London; L1582, 67022-D and M-6. Other take dates carry explicit qualifications.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-ax332\",\"title\":\"DAHR — Columbia (UK) AX332, Allegro part 2\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/2000714525\",\"locator\":\"Issued take 2, 22 February 1924, London; L1585, 67025-D and M-6.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Beethoven, Op.131 — Breitkopf & Härtel collected-edition score, plate B.50\",\"url\":\"https://www.lvbeethoven.it/wp-content/uploads/2016/11/Opus131.pdf\",\"locator\":\"Viewed original quartet engraving, printed pp.119–158 (PDF pp.1–40). Movement joins at printed pp.122, 126–127, 137–138 and 147–148; closing page 158. Score evidence, not the recording’s performing-edition provenance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Op.131 edition catalogue\",\"url\":\"https://imslp.org/wiki/String_Quartet_No.14,_Op.131_(Beethoven,_Ludwig_van)\",\"locator\":\"Complete-score listing: Beethovens Werke, Serie 6, Band 2, No.50, 1863, plate B.50, Public Domain. Direct IMSLP PDF access was challenged; the same engraving was viewed at the score mirror.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-history\",\"title\":\"Beethoven Music Research Center — Opus 131\",\"url\":\"https://www.lvbeethoven.org/opus131/\",\"locator\":\"Documentary creation/publication section: 1825–26 sketches, August 1826 engraver’s copy, 1827 parts and 1828 full score; letters to Schott, changed dedication, posthumous public performance. Speculative Hamlet/Pergolesi programmes are not adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"museum\",\"title\":\"Beethoven-Haus — The string quartets of Beethoven\",\"url\":\"https://internet.beethoven.de/pdf-sonderausstellung/Beethovens-Streichquartette-Brief-Guide.pdf\",\"locator\":\"Exhibition guide, pp.6–8 and 11–12: Galitzin commission, Schuppanzigh’s players, Op.131 dedication, seven pieces and attacca, sul ponticello, engraver’s copy. Text extraction has damaged characters; uncertain numeric details were not reused.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"US Copyright Office — Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: 95 years after first-publication year plus five for 1923–1946 recordings.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-original\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1 and 8: composition term and calendar-year calculation.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 documented; 2 unknown"},{"id":"beethoven-132-dankgesang","composer":"Ludwig van Beethoven","title":"String Quartet No. 15 in A minor, Op. 132","movement":"III. Molto adagio — Heiliger Dankgesang","work.title":"String Quartet No. 15 in A minor","work.catalogue":"Op. 132","work.movement":"III. Molto adagio (Heiliger Dankgesang); the source’s III–IV combined title is disputed","work.version.value":"Original quartet scoring; movement III. The Archive’s combined III–IV designation is disputed.","work.version.status":"disputed","work.version.sourceIds":"[\"archive\",\"archive-data\",\"segments\",\"selected-audio\",\"score\"]","work.version.note":"The exact selected 1092.62-second MP3 is retained without truncation or substitution. Its analysed structure supports the five alternating spans of III, at approximately 0, 214, 340, 558 and 686 seconds, followed by slow music through the endpoint. The required report does not establish an A major march or the IV–V link. Supplementary upper-band inspection finds an F-centred ending; verifier VerH independently checked the selected file’s final37.6s against the score and also found the F ending of III, not IV’s dominant recitative. These are score/audio-feature correspondences, not an aural or complete bar-aligned certification. No IV boundary or IV listening prose is invented. Performing edition, cuts, repeat observance and the completeness of the final played release remain unestablished.","work.version.alternatives":"[{\"value\":\"III–IV combined, as asserted by the Archive filename and catalogue metadata\",\"sourceIds\":[\"archive\",\"archive-data\",\"disc-metadata\",\"segments\"]},{\"value\":\"III only, supported by the selected file’s five-span design and independently checked F-centred endpoint\",\"sourceIds\":[\"selected-audio\",\"score\"]}]","performers.value":"[{\"name\":\"The Griller String Quartet\",\"role\":\"string quartet\"},{\"name\":\"Sidney Griller\",\"role\":\"violin\"},{\"name\":\"Jack O’Brien\",\"role\":\"violin\"},{\"name\":\"Philip Burton\",\"role\":\"viola\"},{\"name\":\"Colin Hampton\",\"role\":\"cello\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"sleeve\"]","performers.note":"The two photographed disc labels explicitly name all four players and their instruments. They do not label the violin chairs first and second; the dossier does not expand their order into a chair attribution.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"archive\",\"archive-data\",\"sleeve\"]","session.date.note":"1952 is the Archive’s catalogue/publication year, not an established session year. The sleeve’s 1951 copyright notice is for the printed package and does not date the session. No dated session ledger or independently matched master history was found in the consulted sources.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive-data\",\"sleeve\"]","session.place.note":"Made in England on the labels establishes manufacture, not recording location. The Archive’s Cebu scan/rip station and the ensemble’s name do not identify a session venue.","carrier.label.value":"London Records, ffrr long-playing microgroove issue","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"archive-data\",\"sleeve\"]","carrier.label.note":"London, ffrr and 33⅓ rpm are visible on the labels. The sleeve names The London Gramophone Corporation, New York.","carrier.catalogue.value":"LLP 318","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"archive-data\",\"sleeve\",\"disc-metadata\"]","carrier.catalogue.note":"The Archive and its Discogs-derived catalogue metadata give 1952. The viewed rear sleeve reads Copyright 1951 by The London Gramophone Corporation. A sleeve copyright year is not proof of first sound-recording publication in that year; 1952 is retained as the source’s catalogue year rather than silently resolving the difference. Both are earlier than 1963.","carrier.matrixTakeSides.value":"[\"Side 1, label No.1: ABL.597 — movements I and II, not selected\",\"Side 2, label No.2: ABL.598 — movements III, IV and V; the selected digital track is labelled III–IV, but its combined-movement identity is disputed\"]","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"sleeve\",\"archive-data\",\"disc-metadata\"]","carrier.matrixTakeSides.note":"The ABL identifiers were read on the photographed labels, where they are printed upside down below the personnel. They are label master identifiers, not inspected run-out inscriptions. Take numbers, stamper suffixes and session-master correspondence remain unknown.","transfer.credits.value":"Internet Archive LP digitisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive-data\"]","transfer.credits.note":"This account is explicitly credited in ripping_operator. The separate catalogue/uploader account is not credited as the audio transfer engineer. Collection membership identifies the Boston Public Library vinyl collection; it does not establish the original recording venue. No personal-name expansion or mastering credit is inferred.","transfer.date.value":"23 September 2021","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive-data\"]","transfer.date.note":"The explicit ripping_date field is 20210923105311. This is an analogue-disc digitisation date, unlike the August catalogue scan date, September added date or August 2023 derivative timestamp. Time zone is not established.","transfer.processing.value":"Technics SL1200MK5 turntable and Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; ArchiveCD 2.2.57lp; VBR MP3 segment derived from side-2 FLAC.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive-data\"]","transfer.processing.note":"The lineage and ripping-software fields state the hardware/software chain. The side-2 FLAC carries ‘Processed by SoX’; the item’s final segmentation is 7.434–1100.006 seconds of that side capture for III–IV. That is a digital cut range, not score alignment. Stylus calibration beyond the named cartridge, equalisation settings, restoration, de-clicking and pitch/speed correction are not documented; no tuning value is supplied.","digital.streamUrl":"https://archive.org/download/lp_beethoven-string-quartet-no-15-in-a-minor_the-griller-string-quartet/disc1/02.01.%203rd%20Movement%3A%20Molto%20Adagio%20-%20Andante%3B%204th%20Movement%3A%20Alla%20Marcia%2C%20Assal%20Vivace.mp3","digital.sourceChain":"[\"archive\",\"archive-data\",\"sleeve\",\"disc-metadata\"]","digital.format":"Internet Archive VBR MP3 derivative (listed average 185 kbps), side-2 segment labelled III–IV; that movement allocation is disputed","digital.durationSeconds":1092.62,"rights.composition.value":"Underlying composition and the nineteenth-century Breitkopf & Härtel quartet score are public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"imslp\",\"score\",\"museum\",\"eu-original\"]","rights.composition.note":"The quartet was composed in 1825; Beethoven died in 1827. The consulted Beethovens Werke engraving, plate B.51, is catalogued as the 1863 edition and Public Domain. This does not clear an unidentified later performing edition or the sleeve author’s prose.","rights.recording.value":"Territorial EU public-domain basis only: the recording was published before 1963; US status is not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"archive-data\",\"sleeve\",\"eu-original\",\"eu-extension\",\"us-term\"]","rights.recording.note":"The admitted basis is eu-published-before-1963, using the Archive’s 1952 catalogue date for this identified London LLP318 issue. The printed sleeve carries a 1951 copyright notice, corroborating an early-1950s package but not independently establishing the first publication year of the sound recording. A recording published by 1952 had exhausted the ordinary EU 50-year phonogram term before 1 November 2013; the 2011 extension applies to recordings still protected on that date. This is territorial, not a Creative Commons grant or worldwide clearance. The US 1947–1956 term is longer, and no US public-domain claim is made. The Archive item supplies no separate recording licence; availability online and Beethoven’s public-domain composition are not the admission basis.","rights.creditLine":"Ludwig van Beethoven, String Quartet No.15, Op.132, III; Archive filename’s III–IV combined designation disputed. The Griller String Quartet. London Records LLP318, catalogued 1952; session date and place unknown. Internet Archive/Boston Public Library vinyl collection, digitised 23 September 2021. Territorial EU public-domain recording basis; US status unestablished.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Beethoven: String Quartet No.15 in A minor, Op.132\",\"url\":\"https://archive.org/details/lp_beethoven-string-quartet-no-15-in-a-minor_the-griller-string-quartet\",\"locator\":\"The Griller String Quartet; London Records LLP318; publication date 1952; four-track listing with III and IV combined. Does not identify a session date or venue.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive — Griller item metadata, files and segmentation\",\"url\":\"https://archive.org/metadata/lp_beethoven-string-quartet-no-15-in-a-minor_the-griller-string-quartet\",\"locator\":\"date 1952, publisher-catalog-number, source-id discogs.com, lineage, ripping_operator, ripping_date, side-2 FLAC, selected MP3 length 1092.62 and final side-2 track-1 segment 7434–1100006 ms. Uploader, scanner and original session are kept separate.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"London LLP318 — scanned sleeve and labels\",\"url\":\"https://archive.org/download/lp_beethoven-string-quartet-no-15-in-a-minor_the-griller-string-quartet/lp_beethoven-string-quartet-no-15-in-a-minor_the-griller-string-quartet.pdf\",\"locator\":\"All four pages viewed: front and rear sleeve; labels No.1/No.2, ABL.597/ABL.598, personnel and movement contents. Rear sleeve: Copyright 1951 by The London Gramophone Corporation, Printed in USA. Labels: Made in England. E.C. Stone’s interpretative sleeve text is not used as session documentation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"disc-metadata\",\"title\":\"Internet Archive — disc-metadata.json\",\"url\":\"https://archive.org/download/lp_beethoven-string-quartet-no-15-in-a-minor_the-griller-string-quartet/disc-metadata.json\",\"locator\":\"Album date 1952; side2 ordinal1 is labelled III–IV and ordinal2 is labelled V. These are catalogue assertions, not an independent musical-content identification or publication corroboration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"segments\",\"title\":\"Internet Archive — final track segmentation\",\"url\":\"https://archive.org/download/lp_beethoven-string-quartet-no-15-in-a-minor_the-griller-string-quartet/lp_beethoven-string-quartet-no-15-in-a-minor_the-griller-string-quartet_segments.json\",\"locator\":\"Side2 track1 final start7434/end1100006/duration1092572 ms, titled III–IV; track2 starts at1100006 ms and is titled V. Initial automatic ranges differ substantially. Digital segmentation is not a score-based identity check.\",\"accessed\":\"2026-10-17\"},{\"id\":\"selected-audio\",\"title\":\"Selected Griller MP3 — musical-content research\",\"url\":\"https://archive.org/download/lp_beethoven-string-quartet-no-15-in-a-minor_the-griller-string-quartet/disc1/02.01.%203rd%20Movement%3A%20Molto%20Adagio%20-%20Andante%3B%204th%20Movement%3A%20Alla%20Marcia%2C%20Assal%20Vivace.mp3\",\"locator\":\"Required report: cache/analysis/beethoven-132-dankgesang.txt, duration1092.6s; boundaries3:34,5:40,9:18,11:26 match III’s five-part design. VerH independently measured the final37.6s in the150–2000Hz band: F predominates at1070–1085s, with chiefly noise by1089s; score printed179 ends III on fermata unison F, whereas IV ends in a dominant recitative. This supports III-only identity without claiming aural review or full score alignment. Provider’s combined title remains disputed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Beethoven, Op.132 — Breitkopf & Härtel collected-edition score, plate B.51\",\"url\":\"https://www.lvbeethoven.it/wp-content/uploads/2020/10/Opus132.pdf\",\"locator\":\"Viewed original quartet engraving: printed pp.173–180 (PDF pp.15–22), complete III and IV. Slow/Andante alternation, final Mit innigster Empfindung, march and written link into V. The recording’s performing edition is not identified.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Op.132 edition catalogue\",\"url\":\"https://imslp.org/wiki/String_Quartet_No.15,_Op.132_(Beethoven,_Ludwig_van)\",\"locator\":\"Complete-score listing: Beethovens Werke, Serie6, Band2, No.51, Breitkopf & Härtel, 1863, plate B.51, Public Domain. Score mirror used for visual inspection because direct IMSLP download was challenged.\",\"accessed\":\"2026-10-17\"},{\"id\":\"museum\",\"title\":\"Beethoven-Haus — The string quartets of Beethoven\",\"url\":\"https://internet.beethoven.de/pdf-sonderausstellung/Beethovens-Streichquartette-Brief-Guide.pdf\",\"locator\":\"Exhibition guide pp.6–8: Galitzin’s 1822 commission; illness interrupting Op.132; July1825 completion; Linke and Holz copying parts; private hearings and Schlesinger’s engraver’s copy. Damaged PDF text extraction limits reuse of numeric details.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-history\",\"title\":\"Beethoven Music Research Center — Opus132 documentary history\",\"url\":\"https://www.lvbeethoven.org/opus132/\",\"locator\":\"Documentary section: 1825 chronology, copying, September private hearings, November1825 public performances and contemporary reviews with AmZ/conversation-book references. The introductory essay’s erroneous April1824 illness date and speculative Faust programme are not adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-original\",\"title\":\"Directive 2006/116/EC — original term provisions\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles1, 3 and 8: composition and original 50-year related-rights terms, calendar-year calculation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — extension and temporal application\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article1(3), adding Article10(5): extended term applies to fixations still protected as at 1 November2013; Article2 transposition date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"US Copyright Office — pre-1972 sound recording terms\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: recordings first published in 1947–1956 have 95 years plus15; this territorial EU package asserts no US clearance.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"1 disputed; 9 documented; 2 unknown"},{"id":"beethoven-5-andante","composer":"Ludwig van Beethoven","title":"Symphony No. 5, Op. 67","movement":"II. Andante con moto","work.title":"Symphony No. 5 in C minor","work.catalogue":"Op. 67","work.movement":"II. Andante con moto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The recording source does not identify its performing edition. The public-domain Breitkopf score is used for musical commentary, not asserted to be the players’ edition.","performers.value":"[{\"name\":\"Skidmore College orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Named in Commons’ separate recording-rights statement. No conductor or individual players are identified.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"The date 22 December 1808 concerns the premiere of the composition, not the recording; 30 October 2007 is the original upload date. No recording date is established.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No session venue is documented. The ensemble’s institutional location does not establish where this performance was recorded.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No original recording label is identified; Musopen is the credited online source, not an established original record label.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side numbers are supplied; the original recording medium is not established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Raul654 is the original Commons uploader; no original transfer or mastering engineer is established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No original transfer date is supplied; upload and MP3 transcoding dates are not session or transfer dates.","transfer.processing.value":"Uploaded Ogg Vorbis; Wikimedia supplies an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"commons-data\"]","transfer.processing.note":"Embedded encoder: Xiph.Org libVorbis I 20050304. No earlier editing, equalisation or noise treatment is documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/c0/Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor%2C_op._67_-_ii._andante_con_moto.ogg/Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor%2C_op._67_-_ii._andante_con_moto.ogg.mp3","digital.sourceChain":"[\"commons\",\"musopen\"]","digital.format":"MP3 access derivative; uploaded source: Ogg Vorbis","digital.durationSeconds":598.7,"rights.composition.value":"Commons identifies Beethoven’s composition as public domain (PD-old-100).","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The composition’s status is separate from the rights in this orchestral performance.","rights.recording.value":"Commons records a public-domain dedication by Skidmore College orchestra, with unrestricted fallback permission.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"commons-data\"]","rights.recording.note":"Programme rule 1: the page’s Recording subsection applies PD-author to the performance, not merely PD-old-100 to the composition. Commons also carries an attribution-only permission; orchestra and Musopen credit are retained.","rights.creditLine":"Ludwig van Beethoven, Symphony No. 5, Op. 67, II. Andante con moto; Skidmore College orchestra. Source: Musopen (https://musopen.org/) via Wikimedia Commons. Public-domain dedication by the performer; attribution retained.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor,_op._67_-_ii._andante_con_moto.ogg#Licensing","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Symphony No. 5, II. Andante con moto\",\"url\":\"https://commons.wikimedia.org/wiki/File:Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor,_op._67_-_ii._andante_con_moto.ogg?oldid=658946501\",\"locator\":\"Summary, Recording subsection of Licensing, file history, and Transcode status. \",\"accessed\":\"2026-10-17\"},{\"id\":\"commons-data\",\"title\":\"Commons — embedded and structured metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor,_op._67_-_ii._andante_con_moto.ogg#structureddata\",\"locator\":\"Encoder, recording rights, and (where supplied) duration and VRT ticket. Structured data is not independent confirmation of the file description.\",\"accessed\":\"2026-10-17\"},{\"id\":\"musopen\",\"title\":\"Musopen — upstream page named by Commons\",\"url\":\"https://musopen.org/music/113/ludwig-van-beethoven/symphony-no-5-in-cm-op-67/\",\"locator\":\"Linked in Commons’ recording-rights statement; direct access returned HTTP 403. No further session metadata is claimed from this unavailable page.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Beethoven, Symphony No. 5, full score, Breitkopf & Härtel, plate B.5\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/0/0c/IMSLP52624-PMLP01586-Beethoven_Werke_Breitkopf_Serie_1_No_5_Op_67.pdf\",\"locator\":\"Printed pp. 22–36: Andante con moto.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eastman\",\"title\":\"Eastman School of Music — Beethoven Symphony Basics, Symphony No. 5\",\"url\":\"https://www.esm.rochester.edu/beethoven/symphony-no-5/\",\"locator\":\"Composition history, dedication, instrumentation and movement structure. The illustrated video’s timings are not used for this recording.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 4 documented"},{"id":"beethoven-5-finale","composer":"Ludwig van Beethoven","title":"Symphony No. 5, Op. 67","movement":"IV. Allegro — Presto","work.title":"Symphony No. 5 in C minor","work.catalogue":"Op. 67","work.movement":"IV. Allegro — Presto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The recording source does not identify its performing edition. The public-domain Breitkopf score is used for musical commentary, not asserted to be the players’ edition.","performers.value":"[{\"name\":\"Skidmore College orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Named in Commons’ separate recording-rights statement. No conductor or individual players are identified.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"The date 22 December 1808 concerns the premiere of the composition, not the recording; 30 October 2007 is the original upload date. No recording date is established.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No session venue is documented. The ensemble’s institutional location does not establish where this performance was recorded.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No original recording label is identified; Musopen is the credited online source, not an established original record label.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side numbers are supplied; the original recording medium is not established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Raul654 is the original Commons uploader; no original transfer or mastering engineer is established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No original transfer date is supplied; upload and MP3 transcoding dates are not session or transfer dates.","transfer.processing.value":"Uploaded Ogg Vorbis; Wikimedia supplies an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"commons-data\"]","transfer.processing.note":"Embedded encoder: Xiph.Org libVorbis I 20050304. 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Allegro","work.title":"Symphony No. 5 in C minor","work.catalogue":"Op. 67","work.movement":"III. Allegro","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The recording source does not identify its performing edition. The public-domain Breitkopf score is used for musical commentary, not asserted to be the players’ edition.","performers.value":"[{\"name\":\"Skidmore College orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Named in Commons’ separate recording-rights statement. No conductor or individual players are identified.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"The date 22 December 1808 concerns the premiere of the composition, not the recording; 30 October 2007 is the original upload date. No recording date is established.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No session venue is documented. The ensemble’s institutional location does not establish where this performance was recorded.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No original recording label is identified; Musopen is the credited online source, not an established original record label.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side numbers are supplied; the original recording medium is not established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Raul654 is the original Commons uploader; no original transfer or mastering engineer is established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No original transfer date is supplied; upload and MP3 transcoding dates are not session or transfer dates.","transfer.processing.value":"Uploaded Ogg Vorbis; Wikimedia supplies an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"commons-data\"]","transfer.processing.note":"Embedded encoder: Lavf55.19.104. Commons’ 30 October 2014 upload comment documents removing finale material that had been incorrectly included after movement III. The separately hosted finale is retained as its own track; no new splice is made here.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/5b/Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor%2C_op._67_-_iii._allegro.ogg/Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor%2C_op._67_-_iii._allegro.ogg.mp3","digital.sourceChain":"[\"commons\",\"musopen\"]","digital.format":"MP3 access derivative; uploaded source: Ogg Vorbis","digital.durationSeconds":336,"rights.composition.value":"Commons identifies Beethoven’s composition as public domain (PD-old-100).","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The composition’s status is separate from the rights in this orchestral performance.","rights.recording.value":"Commons records a public-domain dedication by Skidmore College orchestra, with unrestricted fallback permission.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"commons-data\"]","rights.recording.note":"Programme rule 1: the page’s Recording subsection applies PD-author to the performance, not merely PD-old-100 to the composition. The public VRT notice records permission ticket 2008012110017088. Its private correspondence has not been inspected. An attribution-only tag and Musopen’s request for in-line URL credit are also retained.","rights.creditLine":"Ludwig van Beethoven, Symphony No. 5, Op. 67, III. Allegro; Skidmore College orchestra. Source: Musopen (https://musopen.org/) via Wikimedia Commons. Public-domain dedication by the performer; attribution retained.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor,_op._67_-_iii._allegro.ogg#Licensing","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Symphony No. 5, III. Allegro\",\"url\":\"https://commons.wikimedia.org/wiki/File:Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor,_op._67_-_iii._allegro.ogg?oldid=1053117032\",\"locator\":\"Summary, Recording subsection of Licensing, file history, and Transcode status. The 2014 file-history comment documents correction of the movement boundary.\",\"accessed\":\"2026-10-17\"},{\"id\":\"commons-data\",\"title\":\"Commons — embedded and structured metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Ludwig_van_Beethoven_-_symphony_no._5_in_c_minor,_op._67_-_iii._allegro.ogg#structureddata\",\"locator\":\"Encoder, recording rights, and (where supplied) duration and VRT ticket. Structured data is not independent confirmation of the file description.\",\"accessed\":\"2026-10-17\"},{\"id\":\"musopen\",\"title\":\"Musopen — upstream page named by Commons\",\"url\":\"https://musopen.org/music/113/ludwig-van-beethoven/symphony-no-5-in-cm-op-67/\",\"locator\":\"Linked in Commons’ recording-rights statement; direct access returned HTTP 403. No further session metadata is claimed from this unavailable page.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Beethoven, Symphony No. 5, full score, Breitkopf & Härtel, plate B.5\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/0/0c/IMSLP52624-PMLP01586-Beethoven_Werke_Breitkopf_Serie_1_No_5_Op_67.pdf\",\"locator\":\"Printed pp. 37–51: Allegro, trio, altered return and link to finale.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eastman\",\"title\":\"Eastman School of Music — Beethoven Symphony Basics, Symphony No. 5\",\"url\":\"https://www.esm.rochester.edu/beethoven/symphony-no-5/\",\"locator\":\"Composition history, dedication, instrumentation and movement structure. The illustrated video’s timings are not used for this recording.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 4 documented"},{"id":"beethoven-appassionata-andante","composer":"Ludwig van Beethoven","title":"Piano Sonata No. 23, Op. 57 “Appassionata”","movement":"II. Andante con moto","work.title":"Piano Sonata No. 23 in F minor, ‘Appassionata’","work.catalogue":"Op. 57","work.movement":"II. Andante con moto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"bloesch\",\"score\"]","work.version.note":"The original solo-piano movement is identified, but Schnabel’s performing edition and editorial alterations are not documented. The listening commentary uses the viewable original edition, plate 521; that does not establish the score used in 1933. The musical attacca into movement III is distinguished from the spacing of the separately hosted MP3 files.","performers.value":"[{\"name\":\"Artur Schnabel\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"bloesch\",\"digital-file\"]","performers.note":"Archive description, embedded artist tag and discography agree. Bloesch identifies a Bechstein piano in Studio No. 3 for the session; no instrument serial number is established.","session.date.value":"1933-04-11","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"bloesch\",\"pristine\"]","session.date.note":"The Archive’s sonata-specific description gives 11.IV.1933, corroborated by Bloesch and the reissue documentation. The compilation-level date 1932 is not adopted for this movement. Neither the embedded 2001 tag nor the 2020 repository upload establishes a session or transfer date.","session.date.precision":"day","session.place.value":"Abbey Road Studios, Studio No. 3, London, England","session.place.status":"documented","session.place.sourceIds":"[\"bloesch\",\"pristine\"]","session.place.note":"The chronological session list identifies Studio No. 3 and a Bechstein; the work entry identifies Abbey Road Studios, London.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"archive\",\"bloesch\",\"digital-file\"]","carrier.label.note":"The historical original issue was on His Master’s Voice, but the carrier or later reissue actually transferred for this MP3 is not named. The original label is not substituted for that missing link.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"archive\",\"bloesch\",\"publication\"]","carrier.catalogue.note":"The original complete-sonata issue was HMV DB 2215–2217 in Beethoven Sonata Society Volume 5, within set DB 2211–2217. The selected digital file does not identify the pressing or reissue from which it was made; its source-carrier catalogue number remains unknown.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"bloesch\",\"publication\"]","carrier.matrixTakeSides.note":"Bloesch assigns the Andante to historical sides 2B 6607 and 2B 6608; the issued takes are listed as 1, matching catalogue entries 2B 6607I and 2B 6608I. Bloesch also records a change in the selection history of 2B 6608. The MP3’s actual take selection and side-join location have not independently been established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\",\"archive-page\",\"digital-file\",\"pristine\"]","transfer.credits.note":"No engineer is credited for the selected MP3. The uploader recordplayer78 is not identified as the transfer engineer or rights owner. Andrew Rose’s credit belongs to the separately documented Pristine reissue, not automatically to this file. No upstream link between the two transfers is established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\",\"digital-file\"]","transfer.date.note":"Archive added/public date: 27 March 2020. Embedded date tag: 2001, with no documented release or transfer referent. Neither is used as the analogue-transfer date.","transfer.processing.value":"The embedded encoder tag states ‘Audiograbber 1.83.01, LAME dll 3.99, 256 Kbit/s, Joint Stereo, Normal quality’.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"digital-file\",\"archive\"]","transfer.processing.note":"The downloaded selected stream has MP3 audio at 44,100 Hz, two channels and 256,000 bit/s, with an attached JPEG image. Two-channel encoding is not evidence of an original stereo recording. Analogue equipment, equalisation, restoration, noise reduction, speed/pitch correction and edit history are unknown. Archive’s generic ‘VBR MP3’ inventory label is kept separate from the inspected stream and encoder tag.","digital.streamUrl":"https://archive.org/download/beethovenschnabel6/75%20-%20Klaviersonate%20Nr.%2023%20f-moll%20op.%2057%20Appassionata%20%20-%20II.%20Andante%20con%20moto.mp3","digital.sourceChain":"[\"archive-page\",\"archive\",\"digital-file\"]","digital.format":"MP3; inspected audio 256 kb/s, 44.1 kHz, two channels; Archive format label VBR MP3","digital.durationSeconds":360.128067,"rights.composition.value":"The underlying Beethoven composition is public domain under the ordinary EU life-plus-70 term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"publication\",\"eu-term\",\"score\"]","rights.composition.note":"Beethoven died in 1827. The historical score is distinct from any unidentified modern performing edition. The composition’s term does not establish the rights in Schnabel’s recording.","rights.recording.value":"Rule 3 — territorial EU public domain: original sound recording first published in 1934.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"publication\",\"bloesch\",\"eu-term\",\"eu-extension\",\"archive\",\"pd-mark\",\"us-law\"]","rights.recording.note":"The Public Domain Project release-set catalogue explicitly dates first release of HMV DB 2211–2217 to 1934. Bloesch identifies the Appassionata issue as DB 2215–2217, matrices 2B 6605–6610, establishing publication separately from the 11 April 1933 recording date. Under the programme’s territorial EU rule, the earlier 50-year term expired before the 2013 extension. US status is not established; no worldwide clearance is claimed. Archive’s Public Domain Mark is not an ownership release, and the Public Domain Project’s worldwide/US expiry table is not relied upon. No CC licence or independently established additional rights in an unidentified modern transfer are asserted.","rights.creditLine":"Ludwig van Beethoven, Piano Sonata No. 23, Op. 57, II. Andante con moto — Artur Schnabel, piano; recorded 11 April 1933, Abbey Road Studio No. 3, London. Originally issued by HMV in Beethoven Sonata Society Volume 5; selected MP3 through Internet Archive item beethovenschnabel6. Transferred carrier and engineer unknown. Territorial EU recording basis; US status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — beethovenschnabel6 metadata and file inventory\",\"url\":\"https://archive.org/metadata/beethovenschnabel6\",\"locator\":\"Op. 57 description gives 11.IV.1933. Selected original MP3: ‘75 - Klaviersonate Nr. 23 f-moll op. 57 Appassionata  - II. Andante con moto.mp3’ (two spaces before the movement separator), track 75, length 360.13, MD5 7622321a308de4fa759179798e46bd91. Compilation date 1932, repository dates and uploader inspected separately; no transferred carrier or engineer identified.\",\"accessed\":\"2026-10-16\"},{\"id\":\"archive-page\",\"title\":\"Internet Archive — Beethoven: Piano Sonatas, Artur Schnabel, volume 6\",\"url\":\"https://archive.org/details/beethovenschnabel6\",\"locator\":\"Item description, track selection and Public Domain Mark link. The item-level Publication date 1932 is not the Op. 57 first-publication evidence.\",\"accessed\":\"2026-10-16\"},{\"id\":\"digital-file\",\"title\":\"Selected Archive MP3 — movement II, embedded metadata and stream inspection\",\"url\":\"https://archive.org/download/beethovenschnabel6/75%20-%20Klaviersonate%20Nr.%2023%20f-moll%20op.%2057%20Appassionata%20%20-%20II.%20Andante%20con%20moto.mp3\",\"locator\":\"Downloaded by node tools/audio.mjs analyze; cache/analysis/beethoven-appassionata-andante.txt inspected before writing timestamps. ffprobe: duration 360.128067 s, MP3 44,100 Hz, 2 channels, 256,000 bit/s; artist Artur Schnabel, album Beethoven: Sämtliche Klaviersonaten, track 75, date 2001 and Audiograbber/LAME encoder tag. These tags do not identify an analogue source or engineer.\",\"accessed\":\"2026-10-16\"},{\"id\":\"bloesch\",\"title\":\"David Bloesch — Artur Schnabel: A Discography (1987), Schnabel Music Foundation reproduction\",\"url\":\"https://schnabelmusicfoundation.org/comceptr/uploads/Artur-Schnabel-A-Discography-by-David-Bloesch.pdf\",\"locator\":\"Printed p. 47, entry 49: Op. 57, HMV, matrices 2B 6605/10, Abbey Road Studios, 11 April 1933, original DB 2215/7 in Volume 5. Printed p. 89: Studio No. 3, Bechstein; Andante sides 2B 6607 and 6608 and take-selection history. Introductory acknowledgements credit EMI recording logs. Relevant scan pages inspected visually.\",\"accessed\":\"2026-10-16\"},{\"id\":\"pristine\",\"title\":\"Pristine Classical PAKM043 — Schnabel Beethoven Piano Sonatas, volume 7\",\"url\":\"https://www.pristineclassical.com/products/pakm043\",\"locator\":\"Op. 57 session 11 April 1933, Abbey Road Studio 3, original HMV DB 2215–17 and matrices 2B 6605–10. Corroborates the historical recording; its engineer and track timings are not attributed to the selected Archive file.\",\"accessed\":\"2026-10-16\"},{\"id\":\"publication\",\"title\":\"Public Domain Project Mediapool — HMV DB 2211–2217 release set\",\"url\":\"https://pool.publicdomainproject.org/index.php/HMV_DB_2211-2217\",\"locator\":\"Explicit first release date 1934; HMV, DB 2211–2217, Op. 57 and matrix series 2B 6605II–2B 6610I. The listed 12 April 1933 recording reference concerns the coupled Op. 22, not this sonata. Worldwide/US copyright-expiry claims are not adopted.\",\"accessed\":\"2026-10-16\"},{\"id\":\"score\",\"title\":\"Beethoven-Haus — Op. 57 original edition, Bureau des Arts et d’Industrie, plate 521\",\"url\":\"https://www.beethoven.de/en/media/view/6661552451092480?page=0\",\"locator\":\"Sammlung Jean Van der Spek, J. Van der Spek C op. 57. Printed pp. 14–16: complete Andante, theme repeats, variations, unrepeated return and diminished-seventh fermatas; p. 17 supplies the finale continuation. Viewable historical score inspected directly. Listening boundaries are analysis-supported passage estimates, not reviewed bar alignment.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work-history\",\"title\":\"Beethoven-Haus — Sonata for piano in F minor, Op. 57\",\"url\":\"https://www.beethoven.de/en/work/view/5292968940404736\",\"locator\":\"Dedication to Franz Brunsvik; composition chronology 1804–first half 1806; autograph’s ownership by Marie Bigot and present BnF location. The storm story is not repeated as independently established fact.\",\"accessed\":\"2026-10-16\"},{\"id\":\"schnabel-biography\",\"title\":\"Schnabel Music Foundation — Artur Schnabel\",\"url\":\"https://schnabelmusicfoundation.org/musicians/artur-schnabel/\",\"locator\":\"Marriage to Therese Behr in 1905, their song collaboration and Berlin Schubert programmes in 1928. No inference about the engineering or expressive intent of this recording is drawn from these facts.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — term of protection\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1, 3 and 8: underlying composition, former performer/phonogram terms and calculation from the following 1 January; read with the subsequent extension’s transitional provision.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram-term extension and transitional provision\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Article 1 amendments to Articles 3 and 10 of Directive 2006/116/EC: extension for protection still subsisting on 1 November 2013. This supplies a territorial term basis, not a worldwide licence.\",\"accessed\":\"2026-10-16\"},{\"id\":\"pd-mark\",\"title\":\"Creative Commons — Public Domain Mark 1.0\",\"url\":\"https://creativecommons.org/publicdomain/mark/1.0/\",\"locator\":\"Identification of a public-domain assertion without warranty; not a rights-holder release or proof of the uploader’s ownership.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-law\",\"title\":\"17 U.S.C. § 1401 — pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"US terms for historical sound recordings differ from the EU basis. US public-domain status is not established in this dossier.\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"6 unknown; 5 documented; 1 inferred"},{"id":"beethoven-appassionata-finale","composer":"Ludwig van Beethoven","title":"Piano Sonata No. 23, Op. 57 “Appassionata”","movement":"III. Allegro ma non troppo — Presto","work.title":"Piano Sonata No. 23 in F minor, ‘Appassionata’","work.catalogue":"Op. 57","work.movement":"III. Allegro ma non troppo — Presto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"bloesch\",\"score\"]","work.version.note":"The original solo-piano finale is identified, but the performing edition and editorial alterations are not documented. Commentary uses the original edition, plate 521. Its repeat of development plus recapitulation is supported by recurring contours in this recording’s analysis; this does not identify Schnabel’s score or establish an edit/take-splice history. The source’s attacca from movement II is distinct from separate-file playback spacing.","performers.value":"[{\"name\":\"Artur Schnabel\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"bloesch\",\"digital-file\"]","performers.note":"The selected file’s artist tag, Archive description and Bloesch agree. The session list records a Bechstein piano, without an established serial number.","session.date.value":"1933-04-11","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"bloesch\",\"pristine\"]","session.date.note":"The Archive’s specific Op. 57 description gives 11.IV.1933, corroborated by the discography and reissue documentation. The general compilation date 1932 is not used for this sonata. The embedded date tag 2001 and repository upload in 2020 do not establish a session or transfer date.","session.date.precision":"day","session.place.value":"Abbey Road Studios, Studio No. 3, London, England","session.place.status":"documented","session.place.sourceIds":"[\"bloesch\",\"pristine\"]","session.place.note":"Bloesch’s work entry identifies Abbey Road Studios, London, and the chronological session list specifies Studio No. 3 and a Bechstein piano.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"archive\",\"bloesch\",\"digital-file\"]","carrier.label.note":"His Master’s Voice issued the original recording. The actual pressing or subsequent reissue used to produce the selected MP3 is not identified, so its source-carrier label remains unknown.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"archive\",\"bloesch\",\"publication\"]","carrier.catalogue.note":"The historical complete-sonata issue was HMV DB 2215–2217 in Beethoven Sonata Society Volume 5, part of set DB 2211–2217. That original catalogue is documented, but no source-carrier or reissue catalogue is established for this digital file.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"bloesch\",\"publication\"]","carrier.matrixTakeSides.note":"Bloesch assigns the finale to historical sides 2B 6609 and 2B 6610, takes 1; the release-set catalogue lists 2B 6609I and 2B 6610I. Those original issued-side identifiers do not independently establish the take identities, source pressing or side-join location in this MP3.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\",\"archive-page\",\"digital-file\",\"pristine\"]","transfer.credits.note":"No transfer or restoration engineer is identified for the selected file. Archive uploader recordplayer78 is not assumed to be its engineer or owner. The independently consulted Pristine transfer credits Andrew Rose, but no upstream relationship with this MP3 is documented; that credit is not imported.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\",\"digital-file\"]","transfer.date.note":"The item was added/public on 27 March 2020. Its MP3 carries date tag 2001 without identifying the event or release represented. Neither date is accepted as the analogue-transfer date.","transfer.processing.value":"The embedded encoder tag states ‘Audiograbber 1.83.01, LAME dll 3.99, 256 Kbit/s, Joint Stereo, Normal quality’.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"digital-file\",\"archive\"]","transfer.processing.note":"The inspected selected stream contains MP3 audio at 44,100 Hz, two channels and 256,000 bit/s, with an attached JPEG image. Joint-stereo encoding is not evidence of an original stereo session. Analogue equipment, equalisation, restoration, noise reduction, speed/pitch correction and edit history remain unknown. Archive’s inventory calls the file ‘VBR MP3’; that repository label is distinguished from the stream and embedded encoder information.","digital.streamUrl":"https://archive.org/download/beethovenschnabel6/76%20-%20Klaviersonate%20Nr.%2023%20f-moll%20op.%2057%20Appassionata%20%20-%20III.%20Allegro%20ma%20non%20troppo.mp3","digital.sourceChain":"[\"archive-page\",\"archive\",\"digital-file\"]","digital.format":"MP3; inspected audio 256 kb/s, 44.1 kHz, two channels; Archive format label VBR MP3","digital.durationSeconds":430.946033,"rights.composition.value":"The underlying Beethoven composition is public domain under the ordinary EU life-plus-70 term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"publication\",\"eu-term\",\"score\"]","rights.composition.note":"Beethoven died in 1827. The viewable original score supplies historical musical evidence, not clearance of an unidentified modern performing edition. The composition’s term is separate from the recording’s rights.","rights.recording.value":"Rule 3 — territorial EU public domain: original sound recording first published in 1934.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"publication\",\"bloesch\",\"eu-term\",\"eu-extension\",\"archive\",\"pd-mark\",\"us-law\"]","rights.recording.note":"The Public Domain Project release-set catalogue explicitly states first release in 1934 for HMV DB 2211–2217. Bloesch identifies Op. 57 as DB 2215–2217, matrices 2B 6605–6610, distinguishing publication evidence from the 11 April 1933 session. Under the programme’s territorial EU rule, the earlier 50-year term expired before the 2013 extension. US status is not established and no worldwide clearance is claimed. The Archive Public Domain Mark is not an ownership release; the Public Domain Project’s worldwide/US expiry table is not adopted. No CC licence or independently established additional rights in an unidentified modern transfer are asserted.","rights.creditLine":"Ludwig van Beethoven, Piano Sonata No. 23, Op. 57, III. Allegro ma non troppo — Presto; Artur Schnabel, piano. Recorded 11 April 1933, Abbey Road Studio No. 3, London; original HMV issue in Beethoven Sonata Society Volume 5. Selected MP3 from Internet Archive item beethovenschnabel6; transferred carrier and engineer unknown. Territorial EU recording basis; US status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — beethovenschnabel6 metadata and file inventory\",\"url\":\"https://archive.org/metadata/beethovenschnabel6\",\"locator\":\"Op. 57 description gives 11.IV.1933. Selected original MP3: ‘76 - Klaviersonate Nr. 23 f-moll op. 57 Appassionata  - III. Allegro ma non troppo.mp3’ (two spaces before the movement separator), track 76, length 430.95, MD5 cd6f6f5538855e691757be3fbcf19053. General date 1932, uploader and repository dates are separate compilation metadata; no transfer credit or source carrier is given.\",\"accessed\":\"2026-10-16\"},{\"id\":\"archive-page\",\"title\":\"Internet Archive — Beethoven: Piano Sonatas, Artur Schnabel, volume 6\",\"url\":\"https://archive.org/details/beethovenschnabel6\",\"locator\":\"Description and selected playlist entry; Public Domain Mark link. Compilation-level Publication date 1932 is not adopted as this sonata’s publication date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"digital-file\",\"title\":\"Selected Archive MP3 — movement III, embedded metadata and stream inspection\",\"url\":\"https://archive.org/download/beethovenschnabel6/76%20-%20Klaviersonate%20Nr.%2023%20f-moll%20op.%2057%20Appassionata%20%20-%20III.%20Allegro%20ma%20non%20troppo.mp3\",\"locator\":\"Downloaded with node tools/audio.mjs analyze; cache/analysis/beethoven-appassionata-finale.txt read before writing timestamps. ffprobe: duration 430.946033 s, MP3 44,100 Hz, 2 channels, 256,000 bit/s; artist Artur Schnabel, album Beethoven: Sämtliche Klaviersonaten, track 76, date tag 2001 and Audiograbber/LAME encoder tag. No analogue source or restoration engineer is identified by these tags.\",\"accessed\":\"2026-10-16\"},{\"id\":\"bloesch\",\"title\":\"David Bloesch — Artur Schnabel: A Discography (1987), Schnabel Music Foundation reproduction\",\"url\":\"https://schnabelmusicfoundation.org/comceptr/uploads/Artur-Schnabel-A-Discography-by-David-Bloesch.pdf\",\"locator\":\"Printed p. 47, entry 49: Op. 57, matrices 2B 6605/10, Abbey Road Studios, 11 April 1933, original HMV DB 2215/7 in Volume 5. Printed p. 89: Studio No. 3, Bechstein; finale sides 2B 6609 and 6610, takes 1. The introduction credits access to EMI recording logs; relevant scan pages inspected visually.\",\"accessed\":\"2026-10-16\"},{\"id\":\"pristine\",\"title\":\"Pristine Classical PAKM043 — Schnabel Beethoven Piano Sonatas, volume 7\",\"url\":\"https://www.pristineclassical.com/products/pakm043\",\"locator\":\"Op. 57 session 11 April 1933, Abbey Road Studio 3, HMV DB 2215–17, matrices 2B 6605–10. This separate reissue corroborates the historical recording only; its durations and engineer are not assigned to the selected MP3.\",\"accessed\":\"2026-10-16\"},{\"id\":\"publication\",\"title\":\"Public Domain Project Mediapool — HMV DB 2211–2217 release set\",\"url\":\"https://pool.publicdomainproject.org/index.php/HMV_DB_2211-2217\",\"locator\":\"Release set information explicitly gives first release date 1934, HMV, DB 2211–2217, Op. 57, and matrices 2B 6605II through 2B 6610I. The 12 April 1933 recording reference is for the coupled Op. 22, not Op. 57. The page’s worldwide/US copyright-expiry table is not relied upon.\",\"accessed\":\"2026-10-16\"},{\"id\":\"score\",\"title\":\"Beethoven-Haus — Op. 57 original edition, Bureau des Arts et d’Industrie, plate 521\",\"url\":\"https://www.beethoven.de/en/media/view/6661552451092480?page=0\",\"locator\":\"Sammlung Jean Van der Spek, J. Van der Spek C op. 57. Complete finale printed pp. 17–25 inspected, with the Andante join on p. 16. Start-repeat at the development and alternative endings after recapitulation; p. 24 includes sempre più allegro and Presto. Timing estimates combine this score order with the analysed recording; no reviewed bar-level alignment is claimed.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work-history\",\"title\":\"Beethoven-Haus — Sonata for piano in F minor, Op. 57\",\"url\":\"https://www.beethoven.de/en/work/view/5292968940404736\",\"locator\":\"Composition chronology 1804–first half 1806, dedication and original-edition identification. The nickname’s later history is kept separate from the composition’s original title.\",\"accessed\":\"2026-10-16\"},{\"id\":\"imslp-catalogue\",\"title\":\"IMSLP — Piano Sonata No. 23, Op. 57, catalogue information\",\"url\":\"https://imslp.org/wiki/Piano_Sonata_No.23%2C_Op.57_%28Beethoven%2C_Ludwig_van%29\",\"locator\":\"General Information: first publication 1807, Vienna, Bureau des Arts et d’Industrie; work dates and solo-piano movements. The Beethoven-Haus first-edition scan, not a blocked IMSLP PDF download, supplies the inspected notation.\",\"accessed\":\"2026-10-16\"},{\"id\":\"schnabel-biography\",\"title\":\"Schnabel Music Foundation — Artur Schnabel\",\"url\":\"https://schnabelmusicfoundation.org/musicians/artur-schnabel/\",\"locator\":\"Complete Berlin Beethoven sonata cycles in 1927 and January–April 1933. No claim that these were the first complete cycles by any pianist is adopted.\",\"accessed\":\"2026-10-16\"},{\"id\":\"radio-programme\",\"title\":\"Radio Record — Sunday programmes, issue of 28 December 1934\",\"url\":\"https://paperspast.natlib.govt.nz/periodicals/RADREC19341228.2.42\",\"locator\":\"Volume VIII, issue 25, p. 22, Sunday 30 December: alternative programme 1YX, 8 p.m., ‘An Hour with Beethoven’, featuring Schnabel playing the Appassionata. This is contemporary public-presence evidence, not a matrix/catalogue identification or first-release day. The unrelated BBC recorded programme elsewhere in the listing is not attributed to this sonata.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — term of protection\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1, 3 and 8: composition term, former performer/phonogram terms and calculation from the following 1 January; considered with the amendment’s transitional provision.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram-term extension and transitional provision\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Article 1 amendments to Articles 3 and 10 of Directive 2006/116/EC, including protection subsisting on 1 November 2013. Territorial EU term basis, not a worldwide licence.\",\"accessed\":\"2026-10-16\"},{\"id\":\"pd-mark\",\"title\":\"Creative Commons — Public Domain Mark 1.0\",\"url\":\"https://creativecommons.org/publicdomain/mark/1.0/\",\"locator\":\"The mark identifies a public-domain assertion and supplies no warranty; it is not a rights-holder dedication or ownership clearance.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-law\",\"title\":\"17 U.S.C. § 1401 — pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Different US protection periods for pre-1972 recordings prevent the EU territorial basis being described as US or worldwide clearance.\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"6 unknown; 5 documented; 1 inferred"},{"id":"beethoven-appassionata-first","composer":"Ludwig van Beethoven","title":"Piano Sonata No. 23, Op. 57 “Appassionata”","movement":"I. Allegro assai","work.title":"Piano Sonata No. 23 in F minor, ‘Appassionata’","work.catalogue":"Op. 57","work.movement":"I. Allegro assai","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"bloesch\",\"score\"]","work.version.note":"The solo-piano work is identified, but Schnabel’s performing edition and any editorial alterations are not. The listening commentary uses the viewable original edition, plate 521, as a score source, not as a claimed identification of the edition used in the session. No cut or take-splice history is supplied for this MP3.","performers.value":"[{\"name\":\"Artur Schnabel\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"bloesch\",\"digital-file\"]","performers.note":"The Archive description, selected file’s artist tag and Bloesch’s discography agree. Bloesch’s session list identifies a Bechstein piano; no instrument serial number is established.","session.date.value":"1933-04-11","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"bloesch\",\"pristine\"]","session.date.note":"The Op. 57 description specifies 11.IV.1933, corroborated by the discography and reissue documentation. The Archive item’s general date of 1932 covers the compilation and is not this sonata’s session date. The embedded date tag 2001 is not treated as a session or transfer date.","session.date.precision":"day","session.place.value":"Abbey Road Studios, Studio No. 3, London, England","session.place.status":"documented","session.place.sourceIds":"[\"bloesch\",\"pristine\"]","session.place.note":"Bloesch’s chronological session list gives Studio No. 3 and a Bechstein piano; the alphabetical work entry gives Abbey Road Studios, London.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"archive\",\"bloesch\",\"digital-file\"]","carrier.label.note":"The original commercial issue was His Master’s Voice. The label of the physical carrier or later reissue actually used to make this MP3 is not identified; original-issue information is not substituted for transfer provenance.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"bloesch\",\"publication\",\"archive\"]","carrier.catalogue.note":"Bloesch identifies the original complete-sonata issue as HMV DB 2215–2217 in Beethoven Sonata Society Volume 5, part of set DB 2211–2217. The transferred pressing or reissue catalogue number is unknown. The embedded portrait contains no readable carrier identification.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"bloesch\",\"publication\",\"archive\"]","carrier.matrixTakeSides.note":"Original session documentation assigns movement I to two sides, 2B 6605 and 2B 6606, with takes 2 listed as the issued masters; the catalogue lists 2B 6605II and 2B 6606II. These identify the historical issued recording, not an independently verified take selection or side-join position in the selected MP3.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\",\"archive-page\",\"digital-file\",\"pristine\"]","transfer.credits.note":"No transfer or restoration engineer is credited for this file. The Archive uploader recordplayer78 is not equated with an engineer or owner. Andrew Rose’s credit on the separately consulted Pristine reissue is not transferred to this MP3; no upstream link to that reissue is established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\",\"digital-file\"]","transfer.date.note":"The Archive added/public date is 27 March 2020. The embedded date tag is 2001, without an identified release or transfer to which it refers. Neither date establishes when the analogue source was transferred or restored.","transfer.processing.value":"The MP3’s encoder tag states ‘Audiograbber 1.83.01, LAME dll 3.99, 256 Kbit/s, Joint Stereo, Normal quality’.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"digital-file\",\"archive\"]","transfer.processing.note":"Inspection of the downloaded selected stream found MP3 audio at 44,100 Hz, two channels and 256,000 bit/s, plus an attached JPEG portrait. Two-channel encoding is not evidence of an original stereo session. Analogue transfer equipment, equalisation, noise reduction, pitch/speed correction, restoration and edit history remain unknown. Archive calls the file ‘VBR MP3’; that repository format label is distinct from the inspected stream and encoder tag.","digital.streamUrl":"https://archive.org/download/beethovenschnabel6/74%20-%20Klaviersonate%20Nr.%2023%20f-moll%20op.%2057%20Appassionata%20-%20I.%20Allegro%20assai.mp3","digital.sourceChain":"[\"archive-page\",\"archive\",\"digital-file\"]","digital.format":"MP3; inspected audio 256 kb/s, 44.1 kHz, two channels; Archive format label VBR MP3","digital.durationSeconds":539.354189,"rights.composition.value":"The underlying Beethoven composition is public domain under the ordinary EU life-plus-70 term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"publication\",\"eu-term\",\"score\"]","rights.composition.note":"Beethoven died in 1827. The cited original score contains the historical composition; no unidentified modern performing edition is cleared by this term calculation. Composition rights are separate from the rights in Schnabel’s recording.","rights.recording.value":"Rule 3 — territorial EU public domain: original sound recording first published in 1934.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"publication\",\"bloesch\",\"eu-term\",\"eu-extension\",\"archive\",\"pd-mark\",\"us-law\"]","rights.recording.note":"The Public Domain Project release-set catalogue explicitly gives 1934 as the first release of HMV DB 2211–2217; Bloesch identifies Op. 57 within that issue as DB 2215–2217, matrices 2B 6605–6610. Publication is thus documented separately from the 11 April 1933 session. Under the programme’s territorial EU rule, the earlier 50-year term had expired before the 2013 extension. US status is not established and no worldwide clearance is claimed. The Archive’s Public Domain Mark is an assertion, not an ownership release; the Public Domain Project’s worldwide/US expiry table is not relied upon. No CC licence or independently established additional rights in an unidentified modern transfer are asserted.","rights.creditLine":"Ludwig van Beethoven, Piano Sonata No. 23, Op. 57, I. Allegro assai — Artur Schnabel, piano; recorded 11 April 1933, Abbey Road Studio No. 3, London. Originally issued by HMV in Beethoven Sonata Society Volume 5; selected MP3 supplied through Internet Archive item beethovenschnabel6. Transfer engineer and transferred carrier unknown. Territorial EU recording basis; US status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — beethovenschnabel6 metadata and file inventory\",\"url\":\"https://archive.org/metadata/beethovenschnabel6\",\"locator\":\"Description entry for Sonata No. 23: 11.IV.1933. Exact selected original MP3 is track 74, ‘74 - Klaviersonate Nr. 23 f-moll op. 57 Appassionata - I. Allegro assai.mp3’; file length 539.35, MD5 c7600e99e24e16ab41544f8a214ee6e0. General compilation date 1932, uploader and added/public dates inspected separately from the track description. No transfer credit or source pressing is supplied.\",\"accessed\":\"2026-10-16\"},{\"id\":\"archive-page\",\"title\":\"Internet Archive — Beethoven: Piano Sonatas, Artur Schnabel, volume 6\",\"url\":\"https://archive.org/details/beethovenschnabel6\",\"locator\":\"Item description, selected playlist entry and Public Domain Mark link. The compilation-level Publication date 1932 is not adopted as the Op. 57 publication date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"digital-file\",\"title\":\"Selected Archive MP3 — movement I, embedded metadata and stream inspection\",\"url\":\"https://archive.org/download/beethovenschnabel6/74%20-%20Klaviersonate%20Nr.%2023%20f-moll%20op.%2057%20Appassionata%20-%20I.%20Allegro%20assai.mp3\",\"locator\":\"Downloaded by node tools/audio.mjs analyze; cache/analysis/beethoven-appassionata-first.txt read before authoring timestamps. ffprobe inspection: duration 539.354189 s, MP3 44,100 Hz, 2 channels, 256,000 bit/s; artist Artur Schnabel, album Beethoven: Sämtliche Klaviersonaten, track 74, date tag 2001, Audiograbber/LAME encoder tag. Attached image inspected: Schnabel portrait, no catalogue or label text.\",\"accessed\":\"2026-10-16\"},{\"id\":\"bloesch\",\"title\":\"David Bloesch — Artur Schnabel: A Discography (1987), Schnabel Music Foundation reproduction\",\"url\":\"https://schnabelmusicfoundation.org/comceptr/uploads/Artur-Schnabel-A-Discography-by-David-Bloesch.pdf\",\"locator\":\"Printed p. 47, entry 49: Op. 57, HMV, 2B 6605/10, Abbey Road Studios, London, 11 April 1933, original HMV DB 2215/7 in Volume 5. Printed p. 89: chronological session, Studio No. 3, Bechstein; movement I sides 2B 6605 and 6606, take histories. The introduction credits access to EMI recording logs. Scan pages were inspected visually.\",\"accessed\":\"2026-10-16\"},{\"id\":\"pristine\",\"title\":\"Pristine Classical PAKM043 — Schnabel Beethoven Piano Sonatas, volume 7\",\"url\":\"https://www.pristineclassical.com/products/pakm043\",\"locator\":\"Op. 57 track list: recorded 11 April 1933, matrices 2B 6605–10, issued HMV DB 2215–17; overview places sessions at Abbey Road Studio 3. Used only to corroborate historical session/issue data, not to identify the selected Archive transfer or its durations.\",\"accessed\":\"2026-10-16\"},{\"id\":\"publication\",\"title\":\"Public Domain Project Mediapool — HMV DB 2211–2217 release set\",\"url\":\"https://pool.publicdomainproject.org/index.php/HMV_DB_2211-2217\",\"locator\":\"Release set information: first release date 1934, label HMV, catalogue DB 2211–2217, Op. 57 and matrices 2B 6605II through 2B 6610I. The page’s 12 April 1933 recording reference concerns the coupled Op. 22, not Op. 57. Its worldwide/US copyright-expiry table is not accepted as clearance.\",\"accessed\":\"2026-10-16\"},{\"id\":\"score\",\"title\":\"Beethoven-Haus — Op. 57 original edition, Bureau des Arts et d’Industrie, plate 521\",\"url\":\"https://www.beethoven.de/en/media/view/6661552451092480?page=0\",\"locator\":\"Sammlung Jean Van der Spek, J. Van der Spek C op. 57. Viewable historical score, movement I printed pp. 2–13, inspected throughout. Used for musical structure and joins; not identified as Schnabel’s performing edition. Analysis-based passage estimates, not bar-aligned timings, are used in the listening file.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work-history\",\"title\":\"Beethoven-Haus — Sonata for piano in F minor, Op. 57\",\"url\":\"https://www.beethoven.de/en/work/view/5292968940404736\",\"locator\":\"Composition 1804 to first half of 1806, most sketches 1805; dedication to Franz Brunsvik; Marie Bigot autograph history; nickname first found on Cranz’s 1838 four-hand arrangement.\",\"accessed\":\"2026-10-16\"},{\"id\":\"schnabel-biography\",\"title\":\"Schnabel Music Foundation — Artur Schnabel\",\"url\":\"https://schnabelmusicfoundation.org/musicians/artur-schnabel/\",\"locator\":\"Berlin Beethoven cycles; departure from Germany in 1933, first Italy then the United States in 1939. Biographical events are not used to infer this recording’s production history.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — term of protection\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1, 3 and 8: composition term, former performer/phonogram terms and calculation from the following 1 January; considered with the 2011 amendment’s transitional rule.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram-term extension and transitional provision\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Article 1 amendments to Articles 3 and 10 of Directive 2006/116/EC, including protection still subsisting on 1 November 2013. Territorial EU basis, not a worldwide licence.\",\"accessed\":\"2026-10-16\"},{\"id\":\"pd-mark\",\"title\":\"Creative Commons — Public Domain Mark 1.0\",\"url\":\"https://creativecommons.org/publicdomain/mark/1.0/\",\"locator\":\"The mark identifies a public-domain assertion and provides no warranty; it is not a rights-holder dedication or ownership clearance for this transfer.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-law\",\"title\":\"17 U.S.C. § 1401 — pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Different US protection periods for pre-1972 recordings; used to prevent an EU territorial conclusion being described as worldwide or US clearance.\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"6 unknown; 5 documented; 1 inferred"},{"id":"berg-lyric-suite-allegro-misterioso","composer":"Alban Berg","title":"Lyric Suite","movement":"III. Allegro misterioso — Trio estatico","work.title":"Lyric Suite","work.catalogue":"","work.movement":"III. Allegro misterioso — Trio estatico","work.version.value":"Berg’s Lyric Suite for string quartet (the 1926 quartet version); the edition used by the performers is not stated.","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"arg37\"]","work.version.note":"The Internet Archive description gives the title and “for string quartet (1926)”; the advertisement of 1937 gives “Suite Lyrique. For String Quartet”. The movement is the third of six; the file runs 3:42 and carries the whole movement.","performers.value":"[{\"name\":\"Felix Galimir\",\"role\":\"violin I\"},{\"name\":\"Adrienne Galimir (spelled “Adrielle” in the item description)\",\"role\":\"violin II\"},{\"name\":\"Renée Galimir\",\"role\":\"viola\"},{\"name\":\"Marguerite Galimir\",\"role\":\"cello\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"arg37\",\"bso\"]","performers.note":"The advertisement names the “Galimir String Quartet of Vienna”. The item description lists the four players. The second violinist’s name is “Adrielle” there and Adrienne in the Boston Symphony Orchestra note, which says the quartet consisted of a brother and three sisters.","session.date.value":"c. 1935–36","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"wiki\"]","session.date.note":"Stated in the item description (“Recorded c. 1935-36”). Wikipedia’s list of recordings gives “ca. 1935”; no session ledger was seen.","session.date.precision":"approximate","session.place.value":"Paris","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"label\"]","session.place.note":"Stated in the item description, which says the recording was made “for French Polydor”. The label of the American disc 95007 reads “Recorded in France”.","carrier.label.value":"Polydor (France); Decca (Great Britain); Brunswick-Polydor (United States)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"arg37\"]","carrier.label.note":"The item description lists the three issues and adds a reissue by Vox in July 1948. The March 1937 advertisement shows the American issue by Brunswick-Polydor.","carrier.catalogue.value":"Brunswick-Polydor set BP No. 2 (records 95006–95009; slide-automatic set BP-2A, 95010–95013); earlier issues Polydor 516.659–516.662 and Decca CA-8244–8247 as given in the item description","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"arg37\",\"label\"]","carrier.catalogue.note":"The set number BP No. 2 is confirmed by the March 1937 advertisement and by the label photograph of disc 95007; the Polydor and Decca numbers and the British issue date (December 1936) are from the item description only. Wikipedia’s list of recordings gives the first issue as Polydor 595.135–595.138; the two sets of numbers were not reconciled.","carrier.matrixTakeSides.value":"Brunswick-Polydor 95007, “In 8 Parts”, Part III, with the third movement named on the label; matrix and take numbers are not given","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label\"]","carrier.matrixTakeSides.note":"Read from the label photograph in the Internet Archive item (“Part III … Set No. BP-2 … Third Movement: Allegro misterioso”). The item description and the label give no matrix or take numbers. The files are labelled (i) to (vi), one for each movement.","transfer.credits.value":"Internet Archive collection shellackophile-recordings; no individual transfer credit","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item names a collection but no transfer engineer.","transfer.date.value":"Not stated; the item was made public on 13 March 2022","transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The public date of the item is an upload date, not the date of the transfer.","transfer.processing.value":"Each movement is one file, uploaded as FLAC with an MP3 derivative; equalisation and noise reduction are not described.","transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The published MP3 is the Internet Archive derivative.","digital.streamUrl":"https://archive.org/download/bp-2-berg-suite-lyrique-iv/BP2%20Berg%20Suite%20Lyrique%20%28iii%29.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive derivative VBR MP3 from an uploaded FLAC","digital.durationSeconds":222.09,"rights.composition.value":"Berg died in 1935, so the work has been in the public domain in the EU and other life-plus-70 countries since 2006. Its United States status is not assessed here.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"bso\"]","rights.composition.note":"Rights in the composition are stated separately from rights in the recording.","rights.recording.value":"Rule 3 — territorial EU public domain: first published before 1963; the American issue was advertised by March 1937.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"arg37\"]","rights.recording.note":"The item description gives earlier French and British issues, which were not checked in a second source. The United States status of a recording made in France in the 1930s is not established.","rights.creditLine":"Alban Berg, Lyric Suite, III. Galimir String Quartet of Vienna. Recorded c. 1935–36; issued as Brunswick-Polydor set BP No. 2, advertised in March 1937. Internet Archive item bp-2-berg-suite-lyrique-iv (collection shellackophile-recordings). Territorial EU basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/bp-2-berg-suite-lyrique-iv","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Berg Lyric Suite (Galimir Quartet, 1935): metadata and file inventory\",\"url\":\"https://archive.org/metadata/bp-2-berg-suite-lyrique-iv\",\"locator\":\"metadata.description (players, c. 1935–36, Paris, Polydor 516.659–662, Decca CA-8244–8247, Brunswick-Polydor BP-2, records 95006–95009, Vox reissue 1948); file BP2 Berg Suite Lyrique (iii).mp3 (3:42)\",\"accessed\":\"2026-10-19\"},{\"id\":\"arg37\",\"title\":\"The American Music Lover (later The American Record Guide), vol. 2 no. 11, March 1937 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_american-record-guide_1937-03_2_11\",\"locator\":\"Brunswick-Polydor advertisement listing “Set BP No. 2. ALBAN BERG: Suite Lyrique. For String Quartet. Galimir String Quartet of Vienna”\",\"accessed\":\"2026-10-19\"},{\"id\":\"bso\",\"title\":\"Michael Steinberg — programme note on Berg’s Violin Concerto, Boston Symphony Orchestra\",\"url\":\"https://www.bso.org/works/berg-violin-concerto\",\"locator\":\"Krasner and the Galimir Quartet; the secret dedication of the Lyric Suite; Berg’s death on 24 December 1935\",\"accessed\":\"2026-10-19\"},{\"id\":\"wiki\",\"title\":\"Wikipedia — Lyric Suite (Berg)\",\"url\":\"https://en.wikipedia.org/wiki/Lyric_Suite_(Berg)\",\"locator\":\"Dedications; the A–B–H–F motif; the form of the third movement; the list of recordings (Galimir Quartet, ca. 1935; Polydor 595.135–595.138; Brunswick Polydor BP-2, 1937)\",\"accessed\":\"2026-10-19\"},{\"id\":\"label\",\"title\":\"Internet Archive — label photograph “BP2 label 3.JPG” in the item bp-2-berg-suite-lyrique-iv\",\"url\":\"https://archive.org/download/bp-2-berg-suite-lyrique-iv/BP2%20label%203.JPG\",\"locator\":\"Brunswick Polydor 95007: “Made in U.S.A.”, “Recorded in France”, “In 8 Parts, Part III, Set No. BP-2”, “Third Movement: Allegro misterioso”, Galimir String Quartet of Vienna; label copy 1937 by Brunswick Record Corp.\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"10 documented; 2 unknown"},{"id":"berg-three-pieces-prelude","composer":"Alban Berg","title":"Three Pieces for Orchestra, Op. 6","movement":"I. Präludium","work.title":"Three Pieces for Orchestra","work.catalogue":"Op. 6","work.movement":"I. Präludium","work.version.value":"1929 revised orchestral version","work.version.status":"inferred","work.version.sourceIds":"[\"archive\",\"score\",\"work-catalogue\"]","work.version.note":"The track and original label identify the complete first piece. The notes use the revised full score; the LP labels do not identify Craft’s edition or orchestral parts. Passage landmarks are provisional, established from the score and the transfer, without aural review.","performers.value":"[{\"name\":\"Columbia Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Robert Craft\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"label-scan\",\"audio-review\"]","performers.note":"Both the original labels and the contemporary review name the orchestra and conductor. Individual orchestral players are not identified.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"archive\",\"label-scan\"]","session.date.note":"The sources establish a historical commercial issue but do not state this track’s session date. The item’s date 1960 is not promoted to a recording-session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"label-scan\"]","session.place.note":"The transfer metadata and original labels do not name the recording venue.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label-scan\"]","carrier.label.note":"Original stereo LP imprint.","carrier.catalogue.value":"MS 6216","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label-scan\",\"archive\",\"audio-review\"]","carrier.catalogue.note":"Internet Archive dates this US stereo LP to 1960. Audio magazine reviewed MS 6216 in August 1961 and separately identified mono ML 5616. The rights assessment uses the conservative publication bound of 1961.","carrier.matrixTakeSides.value":"Side 1, band 1; label matrix XSM 51682","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label-scan\",\"archive-files\"]","carrier.matrixTakeSides.note":"The matrix is printed on the label. No session take or stamper suffix is asserted.","transfer.credits.value":"Internet Archive LP transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The transfer institution is identified; no personal mastering credit is inferred from an operator account.","transfer.date.value":"2021-07-30","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The ripping_date field is 20210730073437. The separate scan date is 9 July 2021.","transfer.processing.value":"Technics SL1200MK5 with Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 → Focusrite Scarlett 2i2; segmented VBR MP3 derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The item documents the playback chain and derives tracks from a 24-bit FLAC side transfer. Equalisation settings, noise reduction and pitch correction are not established.","digital.streamUrl":"https://archive.org/download/lp_three-pieces-for-orchestra-op6-begleitung_robert-craft-columbia-symphony-orchestra-a/disc1/01.01.%20Three%20Pieces%20For%20Orchestra%2C%20Op.6%3A%20Praeludium.mp3","digital.sourceChain":"[\"label-scan\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a stereo vinyl LP transfer","digital.durationSeconds":241.44,"rights.composition.value":"Underlying Berg composition is out of copyright under ordinary life-plus-70 terms.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"programme-note\",\"work-catalogue\",\"score\"]","rights.composition.note":"Berg died in 1935. This assessment concerns the composition in life-plus-70 territories; it is not worldwide clearance for every edition or jurisdiction. The score consulted is a later printing of the revised orchestration.","rights.recording.value":"Territorial EU public-domain basis: commercial publication no later than 1961, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"audio-review\",\"archive\",\"label-scan\",\"eu-term\"]","rights.recording.note":"Audio’s August 1961 review establishes commercial availability of the exact LP. The Archive’s 1960 date may identify an earlier issue; the conservative 1961 bound is sufficient for the project’s former 50-year phonogram-term rule. This is not a Creative Commons licence; US recording status is not established.","rights.creditLine":"Alban Berg, Three Pieces for Orchestra, Op. 6: I. Präludium; Columbia Symphony Orchestra, Robert Craft. Columbia Masterworks MS 6216, commercially available by 1961; Internet Archive LP transfer. Territorial EU public-domain phonogram basis; US recording status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Columbia MS 6216 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_three-pieces-for-orchestra-op6-begleitung_robert-craft-columbia-symphony-orchestra-a/metadata\",\"locator\":\"Date 1960; publisher Columbia Masterworks; catalogue MS 6216; United States; artists; equipment lineage; ripping_date 20210730073437.\",\"accessed\":\"2026-10-19\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — Präludium access derivative\",\"url\":\"https://archive.org/metadata/lp_three-pieces-for-orchestra-op6-begleitung_robert-craft-columbia-symphony-orchestra-a/files\",\"locator\":\"disc1/01.01. Three Pieces For Orchestra, Op.6: Praeludium.mp3, 241.44 seconds; VBR MP3; 24-bit FLAC side transfer also listed.\",\"accessed\":\"2026-10-19\"},{\"id\":\"label-scan\",\"title\":\"Columbia Masterworks MS 6216 — original stereo labels\",\"url\":\"https://archive.org/download/lp_three-pieces-for-orchestra-op6-begleitung_robert-craft-columbia-symphony-orchestra-a/lp_three-pieces-for-orchestra-op6-begleitung_robert-craft-columbia-symphony-orchestra-a.pdf\",\"locator\":\"PDF pp. 1 and 3, side 1: Robert Craft conducting the Columbia Symphony Orchestra; Berg's three movements; MS 6216 and label matrix XSM 51682. Labels inspected visually.\",\"accessed\":\"2026-10-19\"},{\"id\":\"audio-review\",\"title\":\"Audio, August 1961 — review of Columbia MS 6216\",\"url\":\"https://www.worldradiohistory.com/Archive-All-Audio/Archive-Audio/60s/Audio-1961-Aug.pdf\",\"locator\":\"PDF p. 71: Berg Three Pieces, Schoenberg Begleitungsmusik and Webern Six Pieces; Columbia Symphony, Robert Craft; MS 6216 stereo, ML 5616 mono. Establishes publication by August 1961.\",\"accessed\":\"2026-10-19\"},{\"id\":\"score\",\"title\":\"Berg — Three Pieces for Orchestra, revised full score\",\"url\":\"https://imslp.eu/files/imglnks/euimg/1/1e/IMSLP21305-PMLP49158-Berg-OrchesterstuckeOp06fs.pdf\",\"locator\":\"Universal Edition, UE 12194 / W.Ph.V. 432; first music page states second version, composed 1929, copyright 1954. Präludium pp. 1, 5–6 and 12–17 inspected visually for the opening, central development and return.\",\"accessed\":\"2026-10-19\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Three Pieces for Orchestra, Op. 6\",\"url\":\"https://imslp.org/wiki/3_Orchesterst%C3%BCcke%2C_Op.6_%28Berg%2C_Alban%29\",\"locator\":\"1914–15 composition, revised version, movement titles and orchestral forces.\",\"accessed\":\"2026-10-19\"},{\"id\":\"programme-note\",\"title\":\"Mark DeVoto — Boston Symphony note on Berg's Three Pieces\",\"url\":\"https://www.bso.org/works/berg-three-pieces-for-orchestra\",\"locator\":\"Berg's death year, the Prelude's arch form, emergence of pitches and final tam-tam stroke. No exact performance date is used from the page's differing première chronology.\",\"accessed\":\"2026-10-19\"},{\"id\":\"devoto\",\"title\":\"Mark DeVoto — Form and thematic structure of Berg's Three Pieces\",\"url\":\"https://sites.tufts.edu/markdevoto/files/2015/10/DreiOrch-English.pdf\",\"locator\":\"PDF pp. 3–6: percussion opening, transformations from bar 16, climax at bar 36 and the return from bar 42 to the last tam-tam stroke.\",\"accessed\":\"2026-10-19\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(2)–(3): former 50-year phonogram term and extension for recordings still protected on 1 November 2013.\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 inferred; 8 documented; 2 unknown"},{"id":"berg-violin-concerto-first","composer":"Alban Berg","title":"Violin Concerto","movement":"I. Andante — Allegretto","work.title":"Violin Concerto","work.catalogue":"","work.movement":"I. Andante — Allegretto","work.version.value":"Berg’s score for solo violin and orchestra; the edition the performers used is not stated.","work.version.status":"unknown","work.version.sourceIds":"[\"archive\"]","work.version.note":"The item description and the 1941 review name the work and the performers but not the printed or manuscript material.","performers.value":"[{\"name\":\"Louis Krasner\",\"role\":\"violin\"},{\"name\":\"The Cleveland Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Artur Rodzinski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"amlover\"]","performers.note":"Named in the item description and in the 1941 review, which also states that Krasner suggested the concerto to Berg.","session.date.value":"15 December 1940","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"sonybox\",\"oron\"]","session.date.note":"Stated in the description written by the transferring collector, in the Sony Classical box-set listing (Discogs, “Cleveland, Severance Hall, December 15, 1940”) and in the Bach Cantatas Website discography; no session ledger was seen.","session.date.precision":"day","session.place.value":"Severance Hall, Cleveland","session.place.status":"documented","session.place.sourceIds":"[\"sonybox\",\"oron\"]","session.place.note":"Named in the Sony Classical box-set listing and in the Bach Cantatas Website discography; the Internet Archive description does not name the hall. That discography heads the entry “recorded live”; the issue is the commercial six-side Columbia set, and each file begins and ends in silence, with no applause.","carrier.label.value":"Columbia Masterworks, set M-465 (written MM 465 in the Internet Archive description)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"amlover\",\"catalog\"]","carrier.label.note":"The item description reads “Columbia 78rpm Set MM 465”; the 1941 review and the 1942 catalogue give “set M-465”. The review gives three discs at $3.50.","carrier.catalogue.value":"Columbia Masterworks set M-465; discs 11589-D to 11591-D","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"catalog\",\"amlover\"]","carrier.catalogue.note":"The disc numbers are read from the OCR text of the 1942 catalogue, which lists the set as 6 sides with Krasner, the Cleveland Orchestra and Rodzinski; the page image was not checked.","carrier.matrixTakeSides.value":"XCO 29764 to XCO 29769 (six sides); the take numbers are not given","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"As given in the item description. Which sides carry the first movement is not stated.","transfer.credits.value":"Digital transfer by F. Reeder","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Named in the item description, which adds “High bit rate”.","transfer.date.value":"Not stated; the item was added to the Internet Archive on 17 September 2013","transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The public date of the item is an upload date, not the date of the transfer.","transfer.processing.value":"Digital transfer of the 78 rpm discs, described as high bit rate; equalisation and noise reduction are not described.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item carries one MP3 for each movement, uploaded as the original file.","digital.streamUrl":"https://archive.org/download/BERGViolinConcerto-NEWTRANSFER/01.I.AndanteAllegretto.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive MP3 (uploaded original)","digital.durationSeconds":631.04,"rights.composition.value":"Berg died in 1935, so the work has been in the public domain in the EU and other life-plus-70 countries since 2006; IMSLP also marks it public domain in Canada and in life-plus-50 countries. IMSLP considers it probably still protected in the United States.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"imslp\"]","rights.composition.note":"Rights in the composition are stated separately from rights in the recording.","rights.recording.value":"Rule 3 — territorial EU public domain: first published before 1963; reviewed in September 1941 and listed in Columbia’s catalogue of 1942.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"amlover\",\"catalog\"]","rights.recording.note":"The Internet Archive item carries a CC BY-NC-SA 3.0 licence label from the uploader. That label does not meet the site’s licence rules and is not relied on. The United States status of a 1940 recording is not established.","rights.creditLine":"Alban Berg, Violin Concerto, I. Louis Krasner, violin; The Cleveland Orchestra; Artur Rodzinski, conductor. Recorded 15 December 1940; Columbia Masterworks set M-465, reviewed in September 1941. Digital transfer by F. Reeder; Internet Archive item BERGViolinConcerto-NEWTRANSFER. Territorial EU basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/BERGViolinConcerto-NEWTRANSFER","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — BERG: Violin Concerto (Krasner, Cleveland Orchestra, Rodzinski): metadata and file inventory\",\"url\":\"https://archive.org/metadata/BERGViolinConcerto-NEWTRANSFER\",\"locator\":\"metadata.description (performers, set number, matrices XCO 29764–29769, recording date, transfer credit); files 01.I.AndanteAllegretto.mp3 (10:31) and 02.Ii.AllegroAdagioCoda.mp3; licenseurl\",\"accessed\":\"2026-10-19\"},{\"id\":\"amlover\",\"title\":\"The American Music Lover (later The American Record Guide), vol. 8 no. 1, September 1941 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_american-record-guide_1941-09_8_1\",\"locator\":\"Record reviews, pp. 17–18: “BERG: Concerto for Violin and Orchestra … Columbia set M-465, three discs, price $3.50”\",\"accessed\":\"2026-10-19\"},{\"id\":\"catalog\",\"title\":\"Columbia Record Catalog (1942) (Internet Archive, Media History Digital Library)\",\"url\":\"https://archive.org/details/columbiarecordca00colu_5\",\"locator\":\"General list, Berg: Concerto, Krasner and the Cleveland Orchestra, Rodzinski, 6 sides, set M-465, 11589-D to 11591-D (OCR text)\",\"accessed\":\"2026-10-19\"},{\"id\":\"bso\",\"title\":\"Michael Steinberg — programme note on Berg’s Violin Concerto, Boston Symphony Orchestra\",\"url\":\"https://www.bso.org/works/berg-violin-concerto\",\"locator\":\"Commission, Krasner’s visit to Berg in June 1935, description of the first movement and its folk song\",\"accessed\":\"2026-10-19\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Violin Concerto (Berg, Alban)\",\"url\":\"https://imslp.org/wiki/Violin_Concerto_(Berg,_Alban)\",\"locator\":\"Public-domain notice (Canada, life-plus-50 and life-plus-70 countries; probably still protected in the United States); first publication 1936\",\"accessed\":\"2026-10-19\"},{\"id\":\"sonybox\",\"title\":\"Artur Rodziński, The Cleveland Orchestra — The Complete Columbia Album Collection (Sony Classical, 2023), listing on Discogs\",\"url\":\"https://www.discogs.com/release/28988224-Artur-Rodzi%C5%84skiCleveland-Orchestra-The-Complete-Columbia-Album-Collection\",\"locator\":\"CD 13: “Recorded: … Cleveland, Severance Hall, December 15, 1940” for the Berg concerto tracks\",\"accessed\":\"2026-10-19\"},{\"id\":\"oron\",\"title\":\"Bach Cantatas Website — Berg, Violin Concerto: discography, part 1 (1900–1949)\",\"url\":\"https://www.bach-cantatas.com/Arran/OT-Berg-VC-Rec1.htm\",\"locator\":\"Entry 3: Krasner, Rodziński, Cleveland Orchestra, Dec 15, 1940, Severance Hall; Columbia ML-4857; Naxos CD total 22:52\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 unknown; 10 documented"},{"id":"berg-violin-concerto-second","composer":"Alban Berg","title":"Violin Concerto","movement":"II. Allegro — Adagio — Coda","work.title":"Violin Concerto","work.catalogue":"","work.movement":"II. Allegro — Adagio — Coda","work.version.value":"Berg’s score for solo violin and orchestra; the edition the performers used is not stated.","work.version.status":"unknown","work.version.sourceIds":"[\"archive\"]","work.version.note":"The item description and the 1941 review name the work and the performers but not the printed or manuscript material.","performers.value":"[{\"name\":\"Louis Krasner\",\"role\":\"violin\"},{\"name\":\"The Cleveland Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Artur Rodzinski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"amlover\"]","performers.note":"Named in the item description and in the 1941 review, which also states that Krasner suggested the concerto to Berg.","session.date.value":"15 December 1940","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"sonybox\",\"oron\"]","session.date.note":"Stated in the description written by the transferring collector, in the Sony Classical box-set listing (Discogs, “Cleveland, Severance Hall, December 15, 1940”) and in the Bach Cantatas Website discography; no session ledger was seen.","session.date.precision":"day","session.place.value":"Severance Hall, Cleveland","session.place.status":"documented","session.place.sourceIds":"[\"sonybox\",\"oron\"]","session.place.note":"Named in the Sony Classical box-set listing and in the Bach Cantatas Website discography; the Internet Archive description does not name the hall. That discography heads the entry “recorded live”; the issue is the commercial six-side Columbia set, and each file begins and ends in silence, with no applause.","carrier.label.value":"Columbia Masterworks, set M-465 (written MM 465 in the Internet Archive description)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"amlover\",\"catalog\"]","carrier.label.note":"The item description reads “Columbia 78rpm Set MM 465”; the 1941 review and the 1942 catalogue give “set M-465”. The review gives three discs at $3.50.","carrier.catalogue.value":"Columbia Masterworks set M-465; discs 11589-D to 11591-D","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"catalog\",\"amlover\"]","carrier.catalogue.note":"The disc numbers are read from the OCR text of the 1942 catalogue, which lists the set as 6 sides with Krasner, the Cleveland Orchestra and Rodzinski; the page image was not checked.","carrier.matrixTakeSides.value":"XCO 29764 to XCO 29769 (six sides); the take numbers are not given","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"As given in the item description. Which sides carry the second movement is not stated.","transfer.credits.value":"Digital transfer by F. Reeder","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Named in the item description, which adds “High bit rate”.","transfer.date.value":"Not stated; the item was added to the Internet Archive on 17 September 2013","transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The public date of the item is an upload date, not the date of the transfer.","transfer.processing.value":"Digital transfer of the 78 rpm discs, described as high bit rate; equalisation and noise reduction are not described.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item carries one MP3 for each movement, uploaded as the original file.","digital.streamUrl":"https://archive.org/download/BERGViolinConcerto-NEWTRANSFER/02.Ii.AllegroAdagioCoda.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive MP3 (uploaded original)","digital.durationSeconds":739.34,"rights.composition.value":"Berg died in 1935, so the work has been in the public domain in the EU and other life-plus-70 countries since 2006; IMSLP also marks it public domain in Canada and in life-plus-50 countries. IMSLP considers it probably still protected in the United States.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"imslp\"]","rights.composition.note":"Rights in the composition are stated separately from rights in the recording.","rights.recording.value":"Rule 3 — territorial EU public domain: first published before 1963; reviewed in September 1941 and listed in Columbia’s catalogue of 1942.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"amlover\",\"catalog\"]","rights.recording.note":"The Internet Archive item carries a CC BY-NC-SA 3.0 licence label from the uploader. That label does not meet the site’s licence rules and is not relied on. The United States status of a 1940 recording is not established.","rights.creditLine":"Alban Berg, Violin Concerto, II. Louis Krasner, violin; The Cleveland Orchestra; Artur Rodzinski, conductor. Recorded 15 December 1940; Columbia Masterworks set M-465, reviewed in September 1941. Digital transfer by F. Reeder; Internet Archive item BERGViolinConcerto-NEWTRANSFER. Territorial EU basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/BERGViolinConcerto-NEWTRANSFER","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — BERG: Violin Concerto (Krasner, Cleveland Orchestra, Rodzinski): metadata and file inventory\",\"url\":\"https://archive.org/metadata/BERGViolinConcerto-NEWTRANSFER\",\"locator\":\"metadata.description (performers, set number, matrices XCO 29764–29769, recording date, transfer credit); files 01.I.AndanteAllegretto.mp3 and 02.Ii.AllegroAdagioCoda.mp3 (12:19); licenseurl\",\"accessed\":\"2026-10-19\"},{\"id\":\"amlover\",\"title\":\"The American Music Lover (later The American Record Guide), vol. 8 no. 1, September 1941 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_american-record-guide_1941-09_8_1\",\"locator\":\"Record reviews, pp. 17–18: “BERG: Concerto for Violin and Orchestra … Columbia set M-465, three discs, price $3.50”\",\"accessed\":\"2026-10-19\"},{\"id\":\"catalog\",\"title\":\"Columbia Record Catalog (1942) (Internet Archive, Media History Digital Library)\",\"url\":\"https://archive.org/details/columbiarecordca00colu_5\",\"locator\":\"General list, Berg: Concerto, Krasner and the Cleveland Orchestra, Rodzinski, 6 sides, set M-465, 11589-D to 11591-D (OCR text)\",\"accessed\":\"2026-10-19\"},{\"id\":\"bso\",\"title\":\"Michael Steinberg — programme note on Berg’s Violin Concerto, Boston Symphony Orchestra\",\"url\":\"https://www.bso.org/works/berg-violin-concerto\",\"locator\":\"Commission, première on 19 April 1936, Manon Gropius, description of the second movement and of the chorale variations\",\"accessed\":\"2026-10-19\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Violin Concerto (Berg, Alban)\",\"url\":\"https://imslp.org/wiki/Violin_Concerto_(Berg,_Alban)\",\"locator\":\"Public-domain notice (Canada, life-plus-50 and life-plus-70 countries; probably still protected in the United States); first publication 1936\",\"accessed\":\"2026-10-19\"},{\"id\":\"sonybox\",\"title\":\"Artur Rodziński, The Cleveland Orchestra — The Complete Columbia Album Collection (Sony Classical, 2023), listing on Discogs\",\"url\":\"https://www.discogs.com/release/28988224-Artur-Rodzi%C5%84skiCleveland-Orchestra-The-Complete-Columbia-Album-Collection\",\"locator\":\"CD 13: “Recorded: … Cleveland, Severance Hall, December 15, 1940” for the Berg concerto tracks\",\"accessed\":\"2026-10-19\"},{\"id\":\"oron\",\"title\":\"Bach Cantatas Website — Berg, Violin Concerto: discography, part 1 (1900–1949)\",\"url\":\"https://www.bach-cantatas.com/Arran/OT-Berg-VC-Rec1.htm\",\"locator\":\"Entry 3: Krasner, Rodziński, Cleveland Orchestra, Dec 15, 1940, Severance Hall; Columbia ML-4857; Naxos CD total 22:52\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 unknown; 10 documented"},{"id":"berlioz-fantastique-march","composer":"Hector Berlioz","title":"Symphonie fantastique, Op. 14","movement":"IV. Marche au supplice — Allegretto non troppo","work.title":"Symphonie fantastique","work.catalogue":"Op. 14","work.movement":"IV. Marche au supplice — Allegretto non troppo","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The recording source does not identify a performing edition or arrangement.","performers.value":"[{\"name\":\"Igor Markevitch\",\"role\":\"conductor\"},{\"name\":\"Orchestre Lamoureux\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\"]","performers.note":"The Archive description spells the orchestra’s name ‘Lamoreux’; Commons gives ‘Lamoureux’.","session.date.value":"11–17 January 1961","session.date.status":"documented","session.date.sourceIds":"[\"label\"]","session.date.note":"The original label’s reissue session table documents this date range. The Commons filename and upstream Archive item instead give 1962; that conflicting date is retained below, not treated as an exact session date.","session.date.precision":"range","session.date.alternatives":"[{\"value\":\"1962 (disputed)\",\"sourceIds\":[\"commons\",\"archive\"]}]","session.place.value":"Salle de la Mutualité, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"label\"]","session.place.note":"CD 9 recording-location table for the Markevitch/Lamoureux performance.","carrier.label.value":"Deutsche Grammophon","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label\"]","carrier.label.note":"Original label identified in the reissue session table. 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Benjamin Miller uploaded the FLAC in 2018; upload authorship is not evidence of who made the transfer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"Neither the upload date nor the later MP3 transcoding date establishes the transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No transfer chain, restoration, pitch correction or processing information is documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/7b/Hector_Berlioz_-_Symphonie_fantastique%2C_op._14_-_2._Un_bal_%28Igor_Markevitch%2C_Orchestre_Lamoureux%2C_1962%29.flac/Hector_Berlioz_-_Symphonie_fantastique%2C_op._14_-_2._Un_bal_%28Igor_Markevitch%2C_Orchestre_Lamoureux%2C_1962%29.flac.mp3","digital.sourceChain":"[\"label\",\"commons\"]","digital.format":"Wikimedia Commons MP3 derivative of the uploaded FLAC","digital.durationSeconds":368,"rights.composition.value":"Public-domain composition","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score\",\"commons\"]","rights.composition.note":"Berlioz died in 1869; the nineteenth-century composition is distinct from the recording and from modern editorial material.","rights.recording.value":"Public domain under the Commons PD-EU-audio assessment","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"Territorial recording-rights assessment, not a claim of worldwide public-domain status. The template covers sound recordings, not merely the composition.","rights.creditLine":"Hector Berlioz; Igor Markevitch and Orchestre Lamoureux. Deutsche Grammophon recording, supplied via Wikimedia Commons; uploaded by D. Benjamin Miller. Commons marks the sound recording PD-EU-audio.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — selected movement, source, file history and licence\",\"url\":\"https://commons.wikimedia.org/wiki/File:Hector_Berlioz_-_Symphonie_fantastique,_op._14_-_2._Un_bal_(Igor_Markevitch,_Orchestre_Lamoureux,_1962).flac\",\"locator\":\"Summary, licensing, file history and transcoding status\",\"accessed\":\"2026-10-16\"},{\"id\":\"label\",\"title\":\"Eloquence / Deutsche Grammophon — Igor Markevitch: The Deutsche Grammophon Legacy\",\"url\":\"https://www.eloquenceclassics.com/releases/igor-markevitch-the-deutsche-grammophon-legacy/\",\"locator\":\"CD 9 repertoire and recording details: Salle de la Mutualité, 11–17 January 1961; original DG issue 138712\",\"accessed\":\"2026-10-16\"},{\"id\":\"score\",\"title\":\"Berlioz, Symphonie fantastique — full score, Breitkopf & Härtel, 1900\",\"url\":\"https://ks15.imslp.org/files/imglnks/usimg/e/e8/IMSLP24830-PMLP03653-berlioz_symphonie_fantastique.pdf\",\"locator\":\"Full orchestral score; underlying work and movement headings\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"5 unknown; 7 documented"},{"id":"bernstein-age-of-anxiety-part-1","composer":"Leonard Bernstein","title":"Symphony No. 2, The Age of Anxiety","movement":"Part I: Prologue; The Seven Ages; The Seven Stages","work.title":"Symphony No. 2, The Age of Anxiety","work.catalogue":"","work.movement":"Part I: Prologue; The Seven Ages; The Seven Stages","work.version.value":"Original 1949 version; Bernstein revised the finale in 1965","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"shell\",\"office\"]","work.version.note":"The Internet Archive note and the Shellackophile post identify this recording as the original version, made before the 1965 revision of the Epilogue.","performers.value":"[{\"name\":\"Lukas Foss\",\"role\":\"piano\"},{\"name\":\"Philharmonic-Symphony Orchestra of New York\",\"role\":\"orchestra\"},{\"name\":\"Leonard Bernstein\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"discogs\"]","performers.note":"The Internet Archive note, the Shellackophile post and the Discogs credits agree. Individual players are not identified.","session.date.value":"1950-02-27","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"shell\"]","session.date.note":"Recording date given in the Internet Archive note and in the Shellackophile post, which are by the same transferor. The Leonard Bernstein Office confirms the month (February 1950) but not the day.","session.date.precision":"day","session.place.value":"Columbia’s 30th Street Studio, New York City","session.place.status":"documented","session.place.sourceIds":"[\"archive\"]","session.place.note":"Named in the Internet Archive note.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"discogs\"]","carrier.label.note":"Mono vinyl LP; the Discogs entry for the US mono LP is a blue-label early pressing.","carrier.catalogue.value":"ML 4325 (LP); the 78-rpm set MM-946, records 13121-D to 13124-D, was issued at the same time","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\"]","carrier.catalogue.note":"The transferred copy is described as a c. 1960 pressing of the LP, not the 78-rpm set.","carrier.matrixTakeSides.value":"LP side A (Part I). The 78-rpm issue carried this music on sides 1 to 4, matrices XCO 42387 to 42390","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"discogs\"]","carrier.matrixTakeSides.note":"The 78-rpm matrices are those listed in the Internet Archive note. LP matrix, take and stamper numbers are not given.","transfer.credits.value":"Transfer by Bryan of The Shellackophile, from a mono LP","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\",\"shell\"]","transfer.credits.note":"The Internet Archive note refers to ‘my copy’ of the LP; the blog post is signed Bryan. Individual mastering credits are not stated.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\",\"shell\"]","transfer.date.note":"The Shellackophile blog post offering this transfer is dated 8 October 2012 and the Internet Archive item was added on 11 April 2022. Neither date is established as the date of transfer.","transfer.date.precision":null,"transfer.processing.value":"FLAC and VBR MP3 derivatives of a mono LP transfer","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"files\"]","transfer.processing.note":"Equalisation, noise reduction and speed correction are not documented. The research desk measured the pitch of the file at about A = 441 Hz, which is consistent with normal LP speed (inference from the audio).","digital.streamUrl":"https://archive.org/download/ml-4325-bernstein-sym-2-ii/ML4325%20Bernstein%20Sym%202%20%28i%29.mp3","digital.sourceChain":"[\"archive\",\"files\"]","digital.format":"VBR MP3 derivative of a mono LP transfer","digital.durationSeconds":996.68,"rights.composition.value":"Copyrighted Bernstein composition; performance licences through Boosey & Hawkes, according to the Leonard Bernstein Office","rights.composition.status":"documented","rights.composition.sourceIds":"[\"office\"]","rights.composition.note":"A phonogram term assessment does not clear the composition, an arrangement or a modern score edition.","rights.recording.value":"Territorial EU phonogram public-domain basis: commercial publication before 1963; the LP ML 4325 was reviewed in The American Record Guide of January 1951","rights.recording.status":"documented","rights.recording.sourceIds":"[\"arg\",\"tnr\",\"archive\",\"discogs\",\"eu-term\"]","rights.recording.note":"The American Record Guide, January 1951, reviews Columbia ML 4325 at $4.85, and The New Records, March 1951, reviews both the LP and the 78-rpm album MM-946. The Internet Archive note gives first issue in March 1951, which the January 1951 review shows to be too late for the LP; Discogs dates the US LP to 1950. Any of these years is before 1963. The project’s eu-published-before-1963 rule applies: the former 50-year phonogram term had expired before the 2013 extension. This is not US or worldwide clearance, not a Creative Commons licence and not a US-government recording. Rights in the composition are separate.","rights.creditLine":"Bernstein, Symphony No. 2, The Age of Anxiety, Part I; Lukas Foss, piano; Philharmonic-Symphony Orchestra of New York, Leonard Bernstein. Columbia ML 4325 (reviewed January 1951), Internet Archive LP transfer. Territorial EU phonogram basis only; Bernstein’s composition remains copyrighted.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Bernstein Age of Anxiety (Foss/Bernstein, 1950), item metadata\",\"url\":\"https://archive.org/details/ml-4325-bernstein-sym-2-ii\",\"locator\":\"Description: recording of 27 February 1950 at Columbia’s 30th Street Studio; first issued March 1951 as ML-4325 and 78-rpm set MM-946; 78-rpm matrices XCO 42387 to 42394; ‘my copy dates from c. 1960’; original version before the 1965 revision; section list with approximate start times.\",\"accessed\":\"2026-10-19\"},{\"id\":\"files\",\"title\":\"Internet Archive: file inventory for the same item\",\"url\":\"https://archive.org/metadata/ml-4325-bernstein-sym-2-ii/files\",\"locator\":\"ML4325 Bernstein Sym 2 (i).mp3; VBR MP3; 996.68 seconds; MD5 24d316cf1a844d232ee72d9a0a5b2cad.\",\"accessed\":\"2026-10-19\"},{\"id\":\"shell\",\"title\":\"The Shellackophile: Bernstein: Age of Anxiety (Original Version), 8 October 2012\",\"url\":\"http://shellackophile.blogspot.com/2012/10/bernstein-age-of-anxiety-original.html\",\"locator\":\"Mono LP ML-4325; recorded 27 February 1950; the recording as the only one of the original version; the 1965 revision of the finale.\",\"accessed\":\"2026-10-19\"},{\"id\":\"discogs\",\"title\":\"Discogs: Columbia Masterworks ML 4325, release 5727420 and master 1089430\",\"url\":\"https://www.discogs.com/release/5727420\",\"locator\":\"US mono LP, year 1950; credits Bernstein, Lukas Foss and the Philharmonic-Symphony Orchestra of New York; track list Part I (side A) and Part II (side B).\",\"accessed\":\"2026-10-19\"},{\"id\":\"office\",\"title\":\"Leonard Bernstein Office: Symphony No. 2: The Age of Anxiety (1949)\",\"url\":\"https://leonardbernstein.com/works/view/16/symphony-no-2-the-age-of-anxiety\",\"locator\":\"Commission, dedication, première on 8 April 1949, programme notes, the 1965 revision and the licensing line naming Boosey & Hawkes.\",\"accessed\":\"2026-10-19\"},{\"id\":\"arg\",\"title\":\"The American Record Guide, vol. 17 no. 5, January 1951 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_american-record-guide_1951-01_17_5\",\"locator\":\"Record review of Bernstein, Symphony No. 2, Lukas Foss and the Philharmonic-Symphony Orchestra of New York, Columbia LP ML 4325, $4.85\",\"accessed\":\"2026-10-19\"},{\"id\":\"tnr\",\"title\":\"The New Records, vol. 19 no. 1, March 1951, H. Royer Smith Company (Internet Archive scan)\",\"url\":\"https://archive.org/details/TNR19\",\"locator\":\"Review of Bernstein, The Age of Anxiety, listing the 78-rpm album MM-946 at $6.19 and the LP ML 4325 at $4.85\",\"accessed\":\"2026-10-19\"},{\"id\":\"hyperion\",\"title\":\"Hyperion booklet for CDA67170: Bernstein, The Age of Anxiety; Bolcom, Piano Concerto (Hamelin, Ulster Orchestra, Sitkovetsky)\",\"url\":\"https://www.hyperion-records.co.uk/notes/67170-B.pdf\",\"locator\":\"Track list with tempo marks of the variations; note on Variations 1–14\",\"accessed\":\"2026-10-19\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU: phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX%3A32011L0077\",\"locator\":\"Recitals 1–3 and 7; Article 1(2) and Article 1(3): the former 50-year term, extended to 70 years only for phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"11 documented; 1 unknown"},{"id":"bernstein-age-of-anxiety-part-2","composer":"Leonard Bernstein","title":"Symphony No. 2, The Age of Anxiety","movement":"Part II: The Dirge; The Masque; The Epilogue","work.title":"Symphony No. 2, The Age of Anxiety","work.catalogue":"","work.movement":"Part II: The Dirge; The Masque; The Epilogue","work.version.value":"Original 1949 version; Bernstein revised the finale in 1965","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"shell\",\"office\"]","work.version.note":"The Internet Archive note and the Shellackophile post identify this recording as the original version, made before the 1965 revision of the Epilogue.","performers.value":"[{\"name\":\"Lukas Foss\",\"role\":\"piano\"},{\"name\":\"Philharmonic-Symphony Orchestra of New York\",\"role\":\"orchestra\"},{\"name\":\"Leonard Bernstein\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"discogs\"]","performers.note":"The Internet Archive note, the Shellackophile post and the Discogs credits agree. Individual players are not identified.","session.date.value":"1950-02-27","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"shell\"]","session.date.note":"Recording date given in the Internet Archive note and in the Shellackophile post, which are by the same transferor. The Leonard Bernstein Office confirms the month (February 1950) but not the day.","session.date.precision":"day","session.place.value":"Columbia’s 30th Street Studio, New York City","session.place.status":"documented","session.place.sourceIds":"[\"archive\"]","session.place.note":"Named in the Internet Archive note.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"discogs\"]","carrier.label.note":"Mono vinyl LP; the Discogs entry for the US mono LP is a blue-label early pressing.","carrier.catalogue.value":"ML 4325 (LP); the 78-rpm set MM-946, records 13121-D to 13124-D, was issued at the same time","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\"]","carrier.catalogue.note":"The transferred copy is described as a c. 1960 pressing of the LP, not the 78-rpm set.","carrier.matrixTakeSides.value":"LP side B (Part II). The 78-rpm issue carried this music on sides 5 to 8, matrices XCO 42391 to 42394","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"discogs\"]","carrier.matrixTakeSides.note":"The 78-rpm matrices are those listed in the Internet Archive note. LP matrix, take and stamper numbers are not given.","transfer.credits.value":"Transfer by Bryan of The Shellackophile, from a mono LP","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\",\"shell\"]","transfer.credits.note":"The Internet Archive note refers to ‘my copy’ of the LP; the blog post is signed Bryan. Individual mastering credits are not stated.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\",\"shell\"]","transfer.date.note":"The Shellackophile blog post offering this transfer is dated 8 October 2012 and the Internet Archive item was added on 11 April 2022. Neither date is established as the date of transfer.","transfer.date.precision":null,"transfer.processing.value":"FLAC and VBR MP3 derivatives of a mono LP transfer","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"files\"]","transfer.processing.note":"Equalisation, noise reduction and speed correction are not documented. The research desk measured the pitch of the file at about A = 441 Hz, which is consistent with normal LP speed (inference from the audio).","digital.streamUrl":"https://archive.org/download/ml-4325-bernstein-sym-2-ii/ML4325%20Bernstein%20Sym%202%20%28ii%29.mp3","digital.sourceChain":"[\"archive\",\"files\"]","digital.format":"VBR MP3 derivative of a mono LP transfer","digital.durationSeconds":935.29,"rights.composition.value":"Copyrighted Bernstein composition; performance licences through Boosey & Hawkes, according to the Leonard Bernstein Office","rights.composition.status":"documented","rights.composition.sourceIds":"[\"office\"]","rights.composition.note":"A phonogram term assessment does not clear the composition, an arrangement or a modern score edition.","rights.recording.value":"Territorial EU phonogram public-domain basis: commercial publication before 1963; the LP ML 4325 was reviewed in The American Record Guide of January 1951","rights.recording.status":"documented","rights.recording.sourceIds":"[\"arg\",\"tnr\",\"archive\",\"discogs\",\"eu-term\"]","rights.recording.note":"The American Record Guide, January 1951, reviews Columbia ML 4325 at $4.85, and The New Records, March 1951, reviews both the LP and the 78-rpm album MM-946. The Internet Archive note gives first issue in March 1951, which the January 1951 review shows to be too late for the LP; Discogs dates the US LP to 1950. Any of these years is before 1963. The project’s eu-published-before-1963 rule applies: the former 50-year phonogram term had expired before the 2013 extension. This is not US or worldwide clearance, not a Creative Commons licence and not a US-government recording. Rights in the composition are separate.","rights.creditLine":"Bernstein, Symphony No. 2, The Age of Anxiety, Part II; Lukas Foss, piano; Philharmonic-Symphony Orchestra of New York, Leonard Bernstein. Columbia ML 4325 (reviewed January 1951), Internet Archive LP transfer. Territorial EU phonogram basis only; Bernstein’s composition remains copyrighted.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Bernstein Age of Anxiety (Foss/Bernstein, 1950), item metadata\",\"url\":\"https://archive.org/details/ml-4325-bernstein-sym-2-ii\",\"locator\":\"Description: recording of 27 February 1950 at Columbia’s 30th Street Studio; first issued March 1951 as ML-4325 and 78-rpm set MM-946; 78-rpm matrices XCO 42387 to 42394; ‘my copy dates from c. 1960’; original version before the 1965 revision; section list with approximate start times.\",\"accessed\":\"2026-10-19\"},{\"id\":\"files\",\"title\":\"Internet Archive: file inventory for the same item\",\"url\":\"https://archive.org/metadata/ml-4325-bernstein-sym-2-ii/files\",\"locator\":\"ML4325 Bernstein Sym 2 (ii).mp3; VBR MP3; 935.29 seconds; MD5 05ecca05e9756f829f75d06f90f84a37.\",\"accessed\":\"2026-10-19\"},{\"id\":\"shell\",\"title\":\"The Shellackophile: Bernstein: Age of Anxiety (Original Version), 8 October 2012\",\"url\":\"http://shellackophile.blogspot.com/2012/10/bernstein-age-of-anxiety-original.html\",\"locator\":\"Mono LP ML-4325; recorded 27 February 1950; the recording as the only one of the original version; the 1965 revision of the finale.\",\"accessed\":\"2026-10-19\"},{\"id\":\"discogs\",\"title\":\"Discogs: Columbia Masterworks ML 4325, release 5727420 and master 1089430\",\"url\":\"https://www.discogs.com/release/5727420\",\"locator\":\"US mono LP, year 1950; credits Bernstein, Lukas Foss and the Philharmonic-Symphony Orchestra of New York; track list Part I (side A) and Part II (side B).\",\"accessed\":\"2026-10-19\"},{\"id\":\"office\",\"title\":\"Leonard Bernstein Office: Symphony No. 2: The Age of Anxiety (1949)\",\"url\":\"https://leonardbernstein.com/works/view/16/symphony-no-2-the-age-of-anxiety\",\"locator\":\"Commission, dedication, première on 8 April 1949, programme notes, the 1965 revision and the licensing line naming Boosey & Hawkes.\",\"accessed\":\"2026-10-19\"},{\"id\":\"arg\",\"title\":\"The American Record Guide, vol. 17 no. 5, January 1951 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_american-record-guide_1951-01_17_5\",\"locator\":\"Record review of Bernstein, Symphony No. 2, Lukas Foss and the Philharmonic-Symphony Orchestra of New York, Columbia LP ML 4325, $4.85\",\"accessed\":\"2026-10-19\"},{\"id\":\"tnr\",\"title\":\"The New Records, vol. 19 no. 1, March 1951, H. Royer Smith Company (Internet Archive scan)\",\"url\":\"https://archive.org/details/TNR19\",\"locator\":\"Review of Bernstein, The Age of Anxiety, listing the 78-rpm album MM-946 at $6.19 and the LP ML 4325 at $4.85\",\"accessed\":\"2026-10-19\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU: phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX%3A32011L0077\",\"locator\":\"Recitals 1–3 and 7; Article 1(2) and Article 1(3): the former 50-year term, extended to 70 years only for phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"11 documented; 1 unknown"},{"id":"bernstein-serenade-phaedrus-pausanias","composer":"Leonard Bernstein","title":"Serenade (after Plato’s Symposium)","movement":"I. Phaedrus; Pausanias — Lento; Allegro marcato","work.title":"Serenade (after Plato’s Symposium)","work.catalogue":"","work.movement":"I. Phaedrus; Pausanias — Lento; Allegro marcato","work.version.value":"Complete first movement of the 1954 score for solo violin, strings, harp and percussion","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"office\"]","work.version.note":"The Internet Archive file is the first band of the LP; it contains the whole movement, Phaedrus and Pausanias together.","performers.value":"[{\"name\":\"Isaac Stern\",\"role\":\"violin\"},{\"name\":\"Symphony of the Air\",\"role\":\"orchestra\"},{\"name\":\"Leonard Bernstein\",\"role\":\"conductor\"}]","performers.status":"disputed","performers.sourceIds":"[\"archive\",\"discogs\"]","performers.note":"The LP’s credit, in the Internet Archive record, Discogs and a Columbia advertisement of November 1956, names the Symphony of the Air; a December 1956 article in The American Record Guide says “members of the Symphony of the Air”. Sony’s 2014 upload of the Eryximachus movement names the New York Philharmonic. The carrier credit is used here.","performers.alternatives":"[{\"value\":[{\"name\":\"Isaac Stern\",\"role\":\"violin\"},{\"name\":\"Symphony of the Air\",\"role\":\"orchestra\"},{\"name\":\"Leonard Bernstein\",\"role\":\"conductor\"}],\"sourceIds\":[\"archive\",\"discogs\"]},{\"value\":[{\"name\":\"Isaac Stern\",\"role\":\"violin\"},{\"name\":\"New York Philharmonic\",\"role\":\"orchestra\"},{\"name\":\"Leonard Bernstein\",\"role\":\"conductor\"}],\"sourceIds\":[\"sony\"]}]","session.date.value":"1956-04-19","session.date.status":"documented","session.date.sourceIds":"[\"sony\"]","session.date.note":"Given in the description of Sony’s upload of the Eryximachus movement, which also states a mono recording; the date is taken to apply to the whole Serenade. A Library of Congress photograph on the Bernstein Office page is captioned “recording session for Serenade, 1955”, which this record does not explain.","session.date.precision":"day","session.place.value":"New York City (venue not stated)","session.place.status":"documented","session.place.sourceIds":"[\"sony\"]","session.place.note":"The description names the city only.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"discogs\"]","carrier.label.note":"Mono vinyl LP with a grey six-eye label, per Discogs.","carrier.catalogue.value":"ML 5144","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"discogs\"]","carrier.catalogue.note":"Discogs lists the US mono LP as ML 5144, 1956.","carrier.matrixTakeSides.value":"Side 1, first band","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"files\"]","carrier.matrixTakeSides.note":"The first of three MP3 files, 420.94 seconds, precedes the 350.83-second file for movements II and III; the side-1 FLAC runs 806.2 seconds, about the length of the two files together. Matrix, take and stamper numbers are not given.","transfer.credits.value":"Internet Archive LP digitisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Institutional transfer credit; no individual mastering credit is stated.","transfer.date.value":"2021-01-05","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"From the ripping_date field, 20210105093750. The item’s addeddate is 5 January 2021 as well.","transfer.date.precision":"day","transfer.processing.value":"24-bit FLAC side transfers with VBR MP3 derivatives split by band","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"files\"]","transfer.processing.note":"Equalisation, noise reduction and speed correction are not documented. The research desk measured the pitch of the file at about A = 442 Hz, which is consistent with normal LP speed (inference from the audio).","digital.streamUrl":"https://archive.org/download/lp_serenade-for-violin-solo-strings-and-percu_leonard-bernstein-symphony-of-the-air-isaa/disc1/01.01.%20Serenade%20For%20Violin%20Solo%2C%20Strings%20And%20Percussion%3A%20I%20-%20Phaedrus%3A%20Pausanias.mp3","digital.sourceChain":"[\"archive\",\"files\"]","digital.format":"VBR MP3 derivative of a mono LP transfer","digital.durationSeconds":420.94,"rights.composition.value":"Copyrighted Bernstein composition; performance licences through Boosey & Hawkes, according to the Leonard Bernstein Office","rights.composition.status":"documented","rights.composition.sourceIds":"[\"office\"]","rights.composition.note":"A phonogram term assessment does not clear the composition, an arrangement or a modern score edition.","rights.recording.value":"Territorial EU phonogram public-domain basis: commercial publication in 1956, before 1963; Columbia advertised ML 5144 as newly issued in The American Record Guide of November 1956","rights.recording.status":"documented","rights.recording.sourceIds":"[\"arg\",\"archive\",\"discogs\",\"sony\",\"eu-term\"]","rights.recording.note":"The American Record Guide for November 1956 carries a Columbia advertisement listing the Serenade, ML 5144, at $3.98 among five Bernstein recordings “issued for the first time”, and the December 1956 issue lists it again. Discogs and the Internet Archive date the LP to 1956, and Sony’s reissue note says ‘Originally released 1956’. The project’s eu-published-before-1963 rule applies: the former 50-year phonogram term had expired before the 2013 extension. This is not US or worldwide clearance, not a Creative Commons licence and not a US-government recording. Rights in the composition are separate.","rights.creditLine":"Bernstein, Serenade (after Plato’s Symposium), I. Phaedrus; Pausanias; Isaac Stern, violin; Symphony of the Air, Leonard Bernstein. Columbia ML 5144 (advertised November 1956), Internet Archive LP transfer. Territorial EU phonogram basis only; Bernstein’s composition remains copyrighted.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Serenade For Violin Solo, Strings And Percussion (Columbia Masterworks LP), item metadata\",\"url\":\"https://archive.org/details/lp_serenade-for-violin-solo-strings-and-percu_leonard-bernstein-symphony-of-the-air-isaa\",\"locator\":\"Creators Leonard Bernstein, Symphony Of The Air, Isaac Stern; date 1956; publisher Columbia Masterworks; source vinyl LP; ripping_date 20210105093750; track list.\",\"accessed\":\"2026-10-19\"},{\"id\":\"files\",\"title\":\"Internet Archive: file inventory for the same item\",\"url\":\"https://archive.org/metadata/lp_serenade-for-violin-solo-strings-and-percu_leonard-bernstein-symphony-of-the-air-isaa/files\",\"locator\":\"disc1/01.01. Serenade For Violin Solo, Strings And Percussion: I - Phaedrus: Pausanias.mp3; VBR MP3; 420.94 seconds; MD5 b3ccbc51e53d77bd50bd5fd5c3c79e32. Side FLACs: side 1, 806.2 seconds; side 2, 1133 seconds.\",\"accessed\":\"2026-10-19\"},{\"id\":\"discogs\",\"title\":\"Discogs: Leonard Bernstein Conducting The Symphony Of The Air, Isaac Stern — Serenade For Violin Solo, Strings And Percussion\",\"url\":\"https://www.discogs.com/release/5995545\",\"locator\":\"Columbia Masterworks ML 5144; US, 1956; vinyl LP, mono; credits Bernstein, Symphony Of The Air, Isaac Stern.\",\"accessed\":\"2026-10-19\"},{\"id\":\"sony\",\"title\":\"YouTube: Bernstein: Serenade — 3. Eryximachus (Presto), Leonard Bernstein official channel\",\"url\":\"https://www.youtube.com/watch?v=vZ6lhjkhZk0\",\"locator\":\"Description: recorded on 19 April 1956 in New York City; mono recording; ‘Originally released 1956 Sony Music Entertainment Inc.’; names the New York Philharmonic.\",\"accessed\":\"2026-10-19\"},{\"id\":\"office\",\"title\":\"Leonard Bernstein Office: Serenade (after Plato’s Symposium) (1954)\",\"url\":\"https://leonardbernstein.com/works/view/23/serenade-after-platos-symposium\",\"locator\":\"Première on 12 September 1954 at Teatro La Fenice with Isaac Stern; Bernstein’s movement guideposts of 8 August 1954; licensing line naming Boosey & Hawkes.\",\"accessed\":\"2026-10-19\"},{\"id\":\"arg\",\"title\":\"The American Record Guide, vol. 23 no. 3 (November 1956) and no. 4 (December 1956) (Internet Archive scans)\",\"url\":\"https://archive.org/details/sim_american-record-guide_1956-11_23_3\",\"locator\":\"November 1956: Columbia advertisement for five Bernstein recordings “issued for the first time”, including the Serenade, Isaac Stern and the Symphony of the Air, ML 5144, $3.98. December 1956 (https://archive.org/details/sim_american-record-guide_1956-12_23_4): James Lyons, “Leonard Bernstein: Musician and Narrator”, listing ML-5144 with members of the Symphony of the Air.\",\"accessed\":\"2026-10-19\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU: phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX%3A32011L0077\",\"locator\":\"Recitals 1–3 and 7; Article 1(2) and Article 1(3): the former 50-year term, extended to 70 years only for phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"10 documented; 1 disputed; 1 inferred"},{"id":"bizet-carmen-habanera","composer":"Georges Bizet","title":"Carmen","movement":"Act I · Habanera — L’amour est un oiseau rebelle","work.title":"Carmen","work.catalogue":"Macdonald catalogue 9","work.movement":"Act I: Habanera — L’amour est un oiseau rebelle","work.version.value":"French-language solo recording of the Habanera, with orchestral accompaniment; both verses and the closing refrain","work.version.status":"documented","work.version.sourceIds":"[\"ia\",\"fau\",\"score\"]","work.version.note":"A complete commercial aria side, not a recording of the surrounding stage scene. The English title on the disc describes the aria; the performance is in French. Ensemble participation in the stage score is not claimed for this solo recording.","performers.value":"[{\"name\":\"Geraldine Farrar\",\"role\":\"Carmen, soprano\"},{\"name\":\"Walter B. Rogers\",\"role\":\"conductor\"},{\"name\":\"Orchestra, players not individually identified\",\"role\":\"orchestral accompaniment\"}]","performers.status":"documented","performers.sourceIds":"[\"ia\",\"loc\",\"fau\"]","performers.note":"The Library of Congress supplies the conductor for matrix B-15474, take 2. Its catalogued issue is Victor 621; FAU connects the same matrix and take to Victor 87210, the issue digitised here.","session.date.value":"1914-12-09","session.date.precision":"day","session.date.status":"documented","session.date.sourceIds":"[\"loc\",\"fau\"]","session.date.note":"Recording date, distinct from the February 1915 release bulletin and the 2021 Archive accession.","session.place.value":"New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"loc\"]","session.place.note":"No particular studio address is asserted.","carrier.label.value":"Victor / Victrola","carrier.label.status":"documented","carrier.label.sourceIds":"[\"ia\",\"fau\",\"release\"]","carrier.label.note":"The digitised pressing is labelled Victrola; the contemporary release bulletin lists it under the Victor Talking Machine Company.","carrier.catalogue.value":"87210","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"ia\",\"fau\",\"release\"]","carrier.catalogue.note":"Ten-inch, single-sided Red Seal issue, announced in the February 1915 list.","carrier.matrixTakeSides.value":"B-15474, take 2; single side","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"fau\",\"loc\"]","carrier.matrixTakeSides.note":"IA transcribes an inscription as 3L87210. That inscription is retained as transfer metadata, not substituted for the recording matrix identified by FAU and the Library of Congress.","transfer.credits.value":"George Blood L.P.; digitisation and metadata: Nicholas Hoffman; cleaning: Kevin Coupe","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"ia\"]","transfer.credits.note":"Credits reproduced from the Great 78 Project item metadata.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"ia\"]","transfer.date.note":"The item became public on 19 October 2021. The exact digitisation date is not established and is not replaced by that upload date.","transfer.processing.value":"Four stylus transfers were made; the selected friendly-filename transfer was preferred by the digitising engineer. Flat and equalised versions are described, with 500 Hz turnover for the latter.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"ia\",\"ia-files\"]","transfer.processing.note":"The notes name 3.8, 2.3, 2.8 and 3.3 mil truncated-conical styli but do not unambiguously identify the chosen stylus or equalisation for the friendly-filename MP3. Surface noise, distortion and small pops are noted by the archive; no site-side restoration is added.","digital.streamUrl":"https://archive.org/download/78_carmen-love-is-like-a-wood-bird-act-1_geraldine-farrar-bizet_gbia0354066a/Carmen%20(%22Love%20is%20Like%20a%20Wood%20Bird%22)%20(Ac%20-%20Geraldine%20Farrar.mp3","digital.sourceChain":"[\"ia\",\"ia-files\"]","digital.format":"Internet Archive VBR MP3 derivative of the preferred FLAC transfer","digital.durationSeconds":198.66,"rights.composition.value":"Public domain: Bizet’s 1875 score and the nineteenth-century French text","rights.composition.status":"documented","rights.composition.sourceIds":"[\"catalogue\",\"score\"]","rights.composition.note":"Bizet died in 1875; the Habanera’s text is his own. This is the original French aria, not a modern translation or arrangement.","rights.recording.value":"Public domain in the United States: commercially published in 1915, before the 1923 statutory boundary","rights.recording.status":"documented","rights.recording.sourceIds":"[\"release\",\"us-law\"]","rights.recording.note":"The Talking Machine World, January 1915, p. 62, lists Victor 87210 under ‘The February Red Seal Records’. This establishes publication independently of the December 1914 session and the Archive’s generic 1914 date. Under the Classics Protection and Access Act, protection for pre-1923 publications ended on 31 December 2021. No worldwide-rights claim is made.","rights.creditLine":"Georges Bizet: Carmen, Habanera. Geraldine Farrar; Walter B. Rogers, conductor. Victor 87210, matrix B-15474-2, recorded 9 December 1914. Great 78 Project / George Blood L.P.; transfer Nicholas Hoffman, cleaning Kevin Coupe. Public domain in the United States.","rights.licenseUrl":"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/","sources":"[{\"id\":\"ia\",\"title\":\"Internet Archive / Great 78 Project — Carmen (Love Is Like a Wood Bird), Geraldine Farrar, GBIA0354066A\",\"url\":\"https://archive.org/metadata/78_carmen-love-is-like-a-wood-bird-act-1_geraldine-farrar-bizet_gbia0354066a/metadata\",\"locator\":\"Performer, French-language description, catalogue, transfer credits, technical notes and accession date\",\"accessed\":\"2026-10-19\"},{\"id\":\"ia-files\",\"title\":\"Internet Archive — GBIA0354066A file manifest\",\"url\":\"https://archive.org/metadata/78_carmen-love-is-like-a-wood-bird-act-1_geraldine-farrar-bizet_gbia0354066a/files\",\"locator\":\"Preferred friendly-filename FLAC and VBR MP3, derivative chain and durations\",\"accessed\":\"2026-10-19\"},{\"id\":\"fau\",\"title\":\"Florida Atlantic University Recorded Sound Archives — Habanera, Victor 87210\",\"url\":\"https://rsa.fau.edu/album/7640\",\"locator\":\"Catalogue 87210, matrix B-15474-2, date recorded 9 December 1914, ten-inch single-sided disc\",\"accessed\":\"2026-10-19\"},{\"id\":\"loc\",\"title\":\"Library of Congress National Jukebox — Habanera, matrix B-15474, take 2\",\"url\":\"https://www.loc.gov/item/jukebox-11762/?fo=json\",\"locator\":\"9 December 1914, New York; Farrar and Walter B. Rogers; Victor 621 reissue of the same matrix\",\"accessed\":\"2026-10-19\"},{\"id\":\"release\",\"title\":\"The Talking Machine World, January 1915 — Record Bulletins for February 1915\",\"url\":\"https://www.worldradiohistory.com/Archive-Talking-Machine/10s/Talking-Machine-1915-01.pdf\",\"locator\":\"Printed p. 62, PDF p. 62: ‘The February Red Seal Records’, Victor 87210, Carmen–Habañera, Geraldine Farrar, soprano solo in French\",\"accessed\":\"2026-10-19\"},{\"id\":\"catalogue\",\"title\":\"Hugh Macdonald — Bizet Catalogue: Carmen\",\"url\":\"https://hdwlabs.artsci.wustl.edu/bizet/works/Carmen.html\",\"locator\":\"Catalogue 9; composition, Habanera text and Iradier borrowing\",\"accessed\":\"2026-10-19\"},{\"id\":\"score\",\"title\":\"Carmen, vocal score arranged by the composer — Choudens, Paris (archive.org copy catalogued 1883)\",\"url\":\"https://archive.org/details/carmenopracomi00bize\",\"locator\":\"No. 5, Habanera, printed pp. 49–59, with the footnote on p. 49 acknowledging the Spanish source; digitised copy from the University of North Carolina. The archive catalogues this copy as 1883, not as the 1875 first edition.\",\"accessed\":\"2026-10-19\"},{\"id\":\"us-law\",\"title\":\"U.S. Copyright Office — Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: protection for recordings first published before 1923 ended on 31 December 2021\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"11 documented; 1 unknown"},{"id":"bizet-carmen-toreador","composer":"Georges Bizet","title":"Carmen","movement":"Act II · Toreador Song — sung in Italian","work.title":"Carmen","work.catalogue":"Macdonald catalogue 9","work.movement":"Act II: Escamillo’s couplets — Toreador Song","work.version.value":"Italian-language solo recording, beginning Con voi ber affè mi fia caro, with orchestral accompaniment","work.version.status":"documented","work.version.sourceIds":"[\"discography\",\"commons\",\"loc\",\"score\"]","work.version.note":"Both verses belong to a self-contained commercial aria side. The stage number’s ensemble responses are not represented as a complete recording of the tavern scene. The Italian translator and the precise performing edition used in the session have not been established.","performers.value":"[{\"name\":\"Pasquale Amato\",\"role\":\"Escamillo, baritone\"},{\"name\":\"Victor orchestra\",\"role\":\"orchestral accompaniment\"},{\"name\":\"Francis J. Lapitino\",\"role\":\"harp\"},{\"name\":\"Walter B. Rogers\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"discography\",\"loc\"]","performers.note":"Truesound Transfers identifies the accompaniment and conductor for Victor 88327, matrix C11213-1; the Library of Congress National Jukebox lists the same performers and adds Francis J. Lapitino on harp; Commons identifies the same matrix and singer.","session.date.value":"1911","session.date.precision":"year","session.date.status":"disputed","session.date.sourceIds":"[\"commons\",\"discography\",\"loc\"]","session.date.note":"The year agrees. Commons writes 11 September; the specialist discography prints 09.11.1911 in day-month-year order, meaning 9 November, and the Library of Congress National Jukebox dates the recording 1911-11-09. Only the agreed year is used in the listening header.","session.date.alternatives":"[{\"value\":\"1911-09-11\",\"sourceIds\":[\"commons\"]},{\"value\":\"1911-11-09\",\"sourceIds\":[\"discography\",\"loc\"]}]","session.place.value":"Camden, New Jersey, United States","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"discography\"]","session.place.note":"No particular studio address is asserted.","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"discography\",\"loc\"]","carrier.label.note":"The recording circulated on several issues; no physical pressing used for the original transfer is identified.","carrier.catalogue.value":"88327","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"discography\",\"commons\",\"loc\"]","carrier.catalogue.note":"Victor issue identified by the specialist discography and by the Archive item title cited on Commons.","carrier.matrixTakeSides.value":"C-11213, take 1; one side","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"discography\",\"loc\"]","carrier.matrixTakeSides.note":"The sources agree on C11213-1 despite their disagreement about the session’s day and month.","transfer.credits.value":"Original transfer unidentified; noise-reduced restoration uploaded by Adam Cuerden","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Commons traces its source to Internet Archive item VrsAcoustics-88327-PasqualeAmato. That source item did not return usable metadata when consulted; no original transfer engineer is invented.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The current restored Ogg was uploaded on 16 January 2009; this is not an established date for the original disc-to-digital transfer.","transfer.processing.value":"General noise reduction, followed by more selective noise removal","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The description and revision history document these operations. Stylus, playback equalisation, original sampling format and any pitch correction are not supplied. Commons also links an unrestored version.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/4/46/Pasquale_Amato%2C_Georges_Bizet%2C_Chanson_du_tor%C3%A9ador%2C_Carmen.ogg/Pasquale_Amato%2C_Georges_Bizet%2C_Chanson_du_tor%C3%A9ador%2C_Carmen.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia Commons MP3 transcode of a restored Ogg Vorbis transfer","digital.durationSeconds":208.03,"rights.composition.value":"Public-domain nineteenth-century work and historical Italian-language version","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"catalogue\",\"score\"]","rights.composition.note":"Commons separately marks the underlying work public domain, using 1908 as the last author’s death year. Bizet’s score was published in 1875. The particular Italian translator is not identified by the recording sources; this is a historical 1911 performance, not a modern translation.","rights.recording.value":"Public domain in the United States; Commons marks the commercial acoustic recording as an expired pre-cutoff sound recording","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"discography\",\"loc\",\"us-law\"]","rights.recording.note":"Commons explicitly carries PD-US-record-expired and identifies a 1911 Victor recording. The identification is corroborated by the specialist discography. The licence statement does not amount to an assertion that rights are identical in every jurisdiction.","rights.creditLine":"Georges Bizet: Carmen, Toreador Song, sung in Italian. Pasquale Amato; Victor orchestra, Walter B. Rogers. Victor 88327, matrix C-11213-1, Camden, 1911. Original transfer via Internet Archive; noise-reduced restoration by Adam Cuerden, Wikimedia Commons. Public domain in the United States.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:Pasquale_Amato,_Georges_Bizet,_Chanson_du_tor%C3%A9ador,_Carmen.ogg","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Pasquale Amato, Chanson du toréador, Carmen\",\"url\":\"https://commons.wikimedia.org/wiki/File:Pasquale_Amato,_Georges_Bizet,_Chanson_du_tor%C3%A9ador,_Carmen.ogg\",\"locator\":\"Description, matrix, Camden session, original Archive provenance, licensing, noise reduction, file history and MP3 transcode\",\"accessed\":\"2026-10-19\"},{\"id\":\"discography\",\"title\":\"Truesound Transfers TT-3080 — Pasquale Amato 4\",\"url\":\"https://www.truesoundtransfers.de/Titellisten/TT3080.htm\",\"locator\":\"Track 3: Italian incipit, Amato, Victor orchestra, Walter B. Rogers, Victor 88327, C11213-1, Camden, 09.11.1911\",\"accessed\":\"2026-10-19\"},{\"id\":\"loc\",\"title\":\"Library of Congress National Jukebox — Canzone del toreador, Victor 88327, matrix C-11213, take 1\",\"url\":\"https://www.loc.gov/item/jukebox-131050/?fo=json\",\"locator\":\"Italian-language baritone solo with harp and orchestra; Amato, Victor Orchestra, Walter B. Rogers, Francis J. Lapitino (harp); Camden, New Jersey; recording date 1911-11-09; rights statement on recordings published before 1923\",\"accessed\":\"2026-10-18\"},{\"id\":\"catalogue\",\"title\":\"Hugh Macdonald — Bizet Catalogue: Carmen\",\"url\":\"https://hdwlabs.artsci.wustl.edu/bizet/works/Carmen.html\",\"locator\":\"Catalogue 9; work identity, original version, publications and later translations\",\"accessed\":\"2026-10-19\"},{\"id\":\"score\",\"title\":\"Carmen, vocal score arranged by the composer — Choudens, Paris (archive.org copy catalogued 1883)\",\"url\":\"https://archive.org/details/carmenopracomi00bize\",\"locator\":\"No. 14, Couplets, printed p. 128 and pp. 131–143; the digitised copy lacks pp. 129–130. Refrain’s F-major key and ‘avec fatuité’ marking on p. 131; chorus refrain at the close of no. 27, p. 350. The archive catalogues this copy as 1883, described as the 1875 version with certain cuts, not as the 1875 first edition.\",\"accessed\":\"2026-10-19\"},{\"id\":\"us-law\",\"title\":\"U.S. Copyright Office — Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: protection for recordings first published before 1923 ended on 31 December 2021\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"10 documented; 1 disputed; 1 unknown"},{"id":"borodin-quartet-2-notturno","composer":"Alexander Borodin","title":"String Quartet No. 2 in D major","movement":"III. Notturno — Andante","work.title":"String Quartet No. 2 in D major","work.catalogue":"No opus number","work.movement":"III. Notturno — Andante","work.version.value":"Complete third movement; edition not identified","work.version.status":"inferred","work.version.sourceIds":"[\"commons\",\"musopen-ia\"]","work.version.note":"The Commons description gives only the title and movement. The cues cite the Belaieff first edition of the parts (1888) for markings.","performers.value":"[{\"name\":\"Musopen String Quartet (as credited on Commons)\",\"role\":\"string quartet\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Commons credits “Musopen String Quartet” as the artist. The individual players are not named in the sources consulted.","session.date.value":"2012","session.date.status":"inferred","session.date.sourceIds":"[\"commons\",\"musopen-ia\"]","session.date.note":"Commons dates the file 2012, and the Internet Archive’s Musopen collection lists Borodin’s two string quartets among the music released to the public domain by the project that completed in 2012. Whether 2012 is the session, release or upload date is not stated, so only the year is used.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"musopen-ia\"]","session.place.note":"No venue or city is given.","carrier.label.value":"Musopen (Kickstarter-funded recording project)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"musopen-ia\"]","carrier.label.note":"Musopen is a non-profit that raised money to record music and release it to the public domain.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"musopen-ia\"]","carrier.catalogue.note":"The Internet Archive collection has no catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"A born-digital session has no matrix or take numbers.","transfer.credits.value":"Uploaded to Wikimedia Commons by user Kcx36","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Commons file history; the upload comment names the Internet Archive’s Musopen collection as the source. No mastering engineer is named.","transfer.date.value":"2024-11-12","transfer.date.status":"documented","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"Commons upload date, not a session date.","transfer.processing.value":"FLAC file on Commons; MP3 access derivative generated by Commons","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No editing or normalisation by Contrapunctus; one complete source stream.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/5a/Borodin_-_String_Quartet_No._2_in_D_major_-_III._Notturno._Andante_%28Musopen_String_Quartet%29.flac/Borodin_-_String_Quartet_No._2_in_D_major_-_III._Notturno._Andante_%28Musopen_String_Quartet%29.flac.mp3","digital.sourceChain":"[\"musopen-ia\",\"commons\"]","digital.format":"MP3 access derivative of a FLAC file; one source file, no concatenation or audio edits by Contrapunctus","digital.durationSeconds":547.4,"rights.composition.value":"Public domain under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"bso\"]","rights.composition.note":"Borodin died on 27 February 1887. This says nothing about any modern edition.","rights.recording.value":"Public domain by Musopen’s release (Creative Commons Public Domain Mark); Commons tags the recording {{PD-author}} for Musopen","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"musopen-ia\"]","rights.recording.note":"The Internet Archive collection of the Musopen Kickstarter recordings carries the Public Domain Mark and lists Borodin’s String Quartets Nos. 1 and 2. Commons quotes Musopen’s requirement that uploaders warrant that content is in the public domain.","rights.creditLine":"Alexander Borodin, String Quartet No. 2 in D major, III. Notturno; Musopen String Quartet, Musopen Kickstarter Project, 2012. Public domain; via Wikimedia Commons. No audio edits.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Borodin, String Quartet No. 2, III. Notturno (Musopen String Quartet)\",\"url\":\"https://commons.wikimedia.org/wiki/File:Borodin_-_String_Quartet_No._2_in_D_major_-_III._Notturno._Andante_(Musopen_String_Quartet).flac\",\"locator\":\"Artists: Musopen String Quartet; date 2012; recording tag PD-author (Musopen); composition tag PD-old-auto-expired, death year 1887; uploaded 12 November 2024 by Kcx36 from the Internet Archive’s Musopen collection.\",\"accessed\":\"2026-10-19\"},{\"id\":\"musopen-ia\",\"title\":\"Internet Archive — Musopen Collection as FLAC\",\"url\":\"https://archive.org/details/MusopenCollectionAsFlac\",\"locator\":\"Description: Musopen Kickstarter music, project completed in 2012; lists “Borodin String Quartet No 1” and “No 2” under String Quartets; licence URL: Public Domain Mark 1.0.\",\"accessed\":\"2026-10-19\"},{\"id\":\"bso\",\"title\":\"Boston Symphony Orchestra — Overture to Prince Igor (Harlow Robinson)\",\"url\":\"https://www.bso.org/works/overture-to-prince-igor\",\"locator\":\"Quick facts: Borodin died in Saint Petersburg on 27 February 1887.\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"3 inferred; 6 documented; 2 unknown; 1 not applicable"},{"id":"borodin-steppes","composer":"Alexander Borodin","title":"In the Steppes of Central Asia","movement":"","work.title":"In the Steppes of Central Asia","work.catalogue":"No opus number","work.movement":"","work.version.value":"Orchestral tableau in one continuous movement; edition not identified","work.version.status":"inferred","work.version.sourceIds":"[\"commons\",\"musopen-ia\"]","work.version.note":"The Commons description gives only the title. The Musopen listing is for the orchestral piece.","performers.value":"[{\"name\":\"Musopen Symphony (as credited on Commons)\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Commons credits “Musopen Symphony” as the artist. No conductor and no orchestra other than this credit are named in the sources consulted.","session.date.value":"2012","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"musopen-ia\"]","session.date.note":"Commons dates the file 2012; the Musopen Kickstarter project that released the piece to the public domain completed in 2012. Whether 2012 is the session, release or upload date is not stated, so only the year is used.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"musopen-ia\"]","session.place.note":"No venue or city is given.","carrier.label.value":"Musopen (Kickstarter-funded recording project)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"musopen-ia\"]","carrier.label.note":"Musopen is a non-profit that raised money to record music and release it to the public domain.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"musopen-ia\"]","carrier.catalogue.note":"The Internet Archive collection has no catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"A born-digital session has no matrix or take numbers.","transfer.credits.value":"Uploaded to Wikimedia Commons by user Kcx36","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Commons file history; the upload comment names the Internet Archive’s Musopen collection as the source. No mastering engineer is named.","transfer.date.value":"2024-11-12","transfer.date.status":"documented","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"Commons upload date, not a session date.","transfer.processing.value":"FLAC file on Commons; MP3 access derivative generated by Commons","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No editing or normalisation by Contrapunctus; one complete source stream. The Internet Archive collection also holds a duplicate of the file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/c6/Borodin_-_In_the_Steppes_of_Central_Asia_%28Musopen_Symphony%29.flac/Borodin_-_In_the_Steppes_of_Central_Asia_%28Musopen_Symphony%29.flac.mp3","digital.sourceChain":"[\"musopen-ia\",\"commons\"]","digital.format":"MP3 access derivative of a FLAC file; one source file, no concatenation or audio edits by Contrapunctus","digital.durationSeconds":458.2,"rights.composition.value":"Public domain under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"bso\"]","rights.composition.note":"Borodin died on 27 February 1887. This says nothing about any modern edition.","rights.recording.value":"Public domain by Musopen’s release (Creative Commons Public Domain Mark); Commons tags the recording {{PD-author}} for Musopen","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"musopen-ia\"]","rights.recording.note":"The Internet Archive collection of the Musopen Kickstarter recordings carries the Public Domain Mark and lists Borodin’s In the Steppes of Central Asia. Commons quotes Musopen’s requirement that uploaders warrant that content is in the public domain.","rights.creditLine":"Alexander Borodin, In the Steppes of Central Asia; Musopen Symphony, Musopen Kickstarter Project, 2012. Public domain; via Wikimedia Commons. No audio edits.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Borodin, In the Steppes of Central Asia (Musopen Symphony)\",\"url\":\"https://commons.wikimedia.org/wiki/File:Borodin_-_In_the_Steppes_of_Central_Asia_(Musopen_Symphony).flac\",\"locator\":\"Artists: Musopen Symphony; date 2012; recording tag PD-author (Musopen); composition tag PD-old-auto-expired, death year 1887; uploaded 12 November 2024 by Kcx36 from the Internet Archive’s Musopen collection.\",\"accessed\":\"2026-10-19\"},{\"id\":\"musopen-ia\",\"title\":\"Internet Archive — Musopen Collection as FLAC\",\"url\":\"https://archive.org/details/MusopenCollectionAsFlac\",\"locator\":\"Description: Musopen Kickstarter music, project completed in 2012; lists “Borodin - In The Steppes Of Central Asia”; licence URL: Public Domain Mark 1.0.\",\"accessed\":\"2026-10-19\"},{\"id\":\"bso\",\"title\":\"Boston Symphony Orchestra — Overture to Prince Igor (Harlow Robinson)\",\"url\":\"https://www.bso.org/works/overture-to-prince-igor\",\"locator\":\"Quick facts: Borodin died in Saint Petersburg on 27 February 1887.\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 inferred; 7 documented; 2 unknown; 1 not applicable"},{"id":"boulez-marteau-1","composer":"Pierre Boulez","title":"Le Marteau sans maître","movement":"I–V. First half, to “Bel édifice et les pressentiments”, first version","work.title":"Le Marteau sans maître","work.catalogue":"","work.movement":"I–V. Avant “L’Artisanat furieux”; Commentaire I de “Bourreaux de solitude”; “L’Artisanat furieux”; Commentaire II de “Bourreaux de solitude”; “Bel édifice et les pressentiments”, version première","work.version.value":"Nine-movement version as performed in the 1956 season, before Boulez’s revision of 1957; first of two files, holding movements I–V.","work.version.status":"inferred","work.version.sourceIds":"[\"wikipedia\",\"sleeve\",\"bio\",\"musicweb\"]","work.version.note":"The sleeve lists nine movements in the final order. The Wikipedia article and the archival biography place Boulez’s further revision, and the engraved Universal Edition score (UE 12450), in 1957, after this recording. MusicWeb’s review of the Accord reissue labels a 1956 recording by Cahn and Boulez, 30 min 44 s long, as the “1955 version”. The sleeve does not name an edition.","performers.value":"[{\"name\":\"Marie-Thérèse Cahn\",\"role\":\"voice (alto)\"},{\"name\":\"J. Tiberge\",\"role\":\"flute\"},{\"name\":\"Collot\",\"role\":\"viola\"},{\"name\":\"A. Stingl\",\"role\":\"guitar\"},{\"name\":\"J. Delecluse\",\"role\":\"vibraphone\"},{\"name\":\"P. Naudin\",\"role\":\"xylorimba\"},{\"name\":\"A. Cavaille\",\"role\":\"percussion\"},{\"name\":\"Pierre Boulez\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve\",\"bio\"]","performers.note":"Names as printed on the Vega sleeve, where each instrumentalist is preceded by “M.” (Monsieur) and not all have a first name. The Internet Archive description reads “Stingj” and “Cabaille”, which are misreadings of “Stingl” and “Cavaille” on the sleeve. The archival biography names Marie-Thérèse Cahn as the mezzo-soprano of the Domaine musical performance of 21 March 1956.","session.date.value":"1956, season of the Domaine musical (fourth concert)","session.date.status":"documented","session.date.sourceIds":"[\"sleeve\",\"penser\"]","session.date.note":"The sleeve reads “Les Concerts du Domaine musical, 4me concert – saison 1956”, and Boulez’s 1963 discography reads “Enregistrement saison 1956”. Neither gives a day, and neither says whether the disc was made at a concert or in a studio session. The archival biography dates the French première, the first Domaine musical concert Boulez conducted in full, to 21 March 1956; the sources do not say that this is the fourth concert of the sleeve. A Discogs entry for the LP carries a contributor’s note “Recorded live in 1956” and names the Petit Théâtre Marigny as the place; the sleeve says neither, and the silences between the movements in this file contain only low-level noise.","session.date.precision":"approximate","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"sleeve\"]","session.place.note":"No venue or studio is named on the sleeve. The Domaine musical gave its concerts at the Petit Marigny in 1956, but that does not establish where the disc was recorded.","carrier.label.value":"Vega, 25 cm 33⅓ rpm LP, series “Présence de la musique contemporaine”","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"sleeve\"]","carrier.label.note":"The item description reads “C 35 A 67, disque microsillon 25 cm Véga”. The sleeve adds that the recording was made “sous les auspices du Conseil International de la Musique avec le concours de l’UNESCO”.","carrier.catalogue.value":"Vega C 35 A 67","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"sleeve\",\"express\",\"penser\"]","carrier.catalogue.note":"L’Express of 12 November 1959 and Boulez’s 1963 discography both give C 35 A 67 as the “version intégrale”. The extracts disc, Vega C 30 A 66, is a different issue.","carrier.matrixTakeSides.value":"Side 1 (file f1): movements I–V; side 2 (file f2, labelled “fin”): movements VI–IX","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"discogs\",\"musicbrainz\"]","carrier.matrixTakeSides.note":"The item description lists f1 as “Le Marteau sans maître” and f2 as “Le Marteau sans maître (fin)” and does not list movements per side; Discogs lists A1–A5 as movements I–V and B1–B4 as VI–IX. In this file four silences of about 3.5 to 9 seconds end at 1:32, 5:25, 7:38 and 10:57, and the sound ends at about 14:07. They divide the side into five pieces of about 1:26, 3:50, 2:05, 3:12 and 3:10, which agree with the lengths of movements I–V in the 1956 recording as listed by MusicBrainz for a later reissue (1:30, 3:52, 2:06, 3:14, 3:10; 13 min 52 s in all). The side ends with the last movement of the first half, and the second side begins with “Bourreaux de solitude”. Matrix numbers are not shown.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item is in the Internet Archive’s Hifidelity collection. Its description ends with a shelf mark (“Localisation: Af-10”), which suggests a library catalogue entry; no transfer engineer or institution is named. The uploader’s account is an email address, which is not reproduced.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item became public on 2 July 2021; that is an upload date, not a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item offers FLAC, WAV and MP3 files for each side. Equalisation, noise reduction and speed correction are not described. The MP3 has about one second of digital silence at the start and about three at the end.","digital.streamUrl":"https://archive.org/download/c-35-a-67-boulez-o-le-marteau-sans-maitre-pierre-boulez/C%2035%20A%2067%E2%80%A2f1.mp3","digital.sourceChain":"[\"archive\",\"sleeve\"]","digital.format":"Internet Archive VBR MP3 derivative of an uploaded FLAC (one LP side)","digital.durationSeconds":850.23,"rights.composition.value":"Boulez died in 2016, so the work is in copyright in the EU, under the life-plus-70 term, until the end of 2086.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"bio\"]","rights.composition.note":"Boulez’s death on 5 January 2016 is recorded in the archival biography; the term is our calculation. The poems are by René Char, who died in 1988 and whose texts are also in copyright. Rights in the composition and in the poems are separate from rights in the recording. No United States status is claimed.","rights.recording.value":"Territorial EU public-domain basis: first published in 1956 (before 1963); US status not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"bio\",\"express\",\"penser\"]","rights.recording.note":"The archival biography lists the Véga record release of the work under 1956; L’Express lists the disc on 12 November 1959; Boulez’s 1963 book lists it. A French phonogram published in 1956 had run its 50-year term by the end of 2006 and was not revived by the 2011 extension, which applies to fixations still protected on 1 November 2013. No United States clearance is claimed. The Internet Archive item carries no licence and no litigation or restriction marker. The sleeve does not say whether the recording was made at a concert; a Discogs contributor’s note says it was recorded live. The basis here is publication of the commercial Vega LP, which L’Express documents by November 1959.","rights.creditLine":"Pierre Boulez, Le Marteau sans maître, movements I–V. Marie-Thérèse Cahn and members of the Domaine musical, Pierre Boulez, conductor. Vega C 35 A 67, side 1; Les Concerts du Domaine musical, fourth concert, 1956 season; session date and place unknown. Internet Archive item c-35-a-67-boulez-o-le-marteau-sans-maitre-pierre-boulez, uploaded 2021. Territorial EU public-domain recording basis; US status not established.","rights.licenseUrl":"https://archive.org/details/c-35-a-67-boulez-o-le-marteau-sans-maitre-pierre-boulez","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Boulez • Le Marteau sans maître (Pierre Boulez), Vega C 35 A 67: item record and file list\",\"url\":\"https://archive.org/metadata/c-35-a-67-boulez-o-le-marteau-sans-maitre-pierre-boulez\",\"locator\":\"description (C 35 A 67 f1 and f2 “fin”; text by René Char; performers; “Les Concerts du Domaine musical, 4e Concert – Saison 1956”; “disque microsillon 25 cm Véga”; shelf mark); files C 35 A 67•f1.mp3 (850.23 s) and •f2.mp3 (1020.06 s); public 2 July 2021\",\"accessed\":\"2026-10-19\"},{\"id\":\"sleeve\",\"title\":\"Vega C 35 A 67 — scanned sleeve (Internet Archive image container and OCR text)\",\"url\":\"https://archive.org/details/c-35-a-67-boulez-o-le-marteau-sans-maitre-pierre-boulez\",\"locator\":\"Sleeve: “Les Concerts du Domaine musical, 4me concert – saison 1956 (Enregistré sous les auspices du Conseil International de la Musique avec le concours de l’UNESCO)”; note by Pierre Souvtchinsky (nine parts separated by silences of unequal length; list of the nine movements; scoring; Char’s texts); “Les interprètes”\",\"accessed\":\"2026-10-19\"},{\"id\":\"bio\",\"title\":\"Philharmonie de Paris and French Ministry of Culture — Pierre Boulez archival biography\",\"url\":\"https://www.pierreboulez.org/default/biographie.aspx?_lg=en-US\",\"locator\":\"1955: 18 June, Rosbaud conducts the première in Baden-Baden with Sybilla Plate. 1956: 21 March, Boulez conducts the French première at the Domaine musical with Marie-Thérèse Cahn; “Record release: Boulez: Le Marteau sans maître · Domaine musical, Pierre Boulez (conducting), Marie-Thérèse Cahn (voice) [Véga]”. 1957: revises the work. 2016: death on 5 January\",\"accessed\":\"2026-10-19\"},{\"id\":\"express\",\"title\":\"L’Express, 12 November 1959 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_express_1959-11-12_439\",\"locator\":\"“Quelques disques de musique contemporaine”: Boulez, Le Marteau sans maître, version intégrale, chant M. T. Cahn, dir. Pierre Boulez, Grand Prix du Disque, Académie Charles-Cros, Vega C 35 A 67; extracts on Vega C 30 A 66\",\"accessed\":\"2026-10-19\"},{\"id\":\"penser\",\"title\":\"Pierre Boulez, Penser la musique aujourd’hui (Paris: Gonthier, 1963), discography of recordings (Internet Archive scan, searched by full text)\",\"url\":\"https://archive.org/details/bwb_P9-ECH-472\",\"locator\":\"“Le Marteau sans Maître. Vega n° C 35 A 67 version intégrale. (Enregistrement saison 1956. Direction: Pierre Boulez.)” and “Vega n° C 30 A 66 extraits avec Incontri”; seen as search snippets, the borrowable scan not opened\",\"accessed\":\"2026-10-19\"},{\"id\":\"ircam\",\"title\":\"IRCAM — Le Marteau sans maître, work record with Jacques-Marie Lonchampt’s programme note\",\"url\":\"https://ressources.ircam.fr/fr/works/work/6981\",\"locator\":\"Movement-by-movement description; the three cycles (2.4.6.8; 1.3.7; 5.9); selection struggle before the Baden-Baden première\",\"accessed\":\"2026-10-19\"},{\"id\":\"distler\",\"title\":\"Jed Distler — interview with Pierre Boulez, London, August 2000 (republished 6 January 2016)\",\"url\":\"https://jdistlerblog.wordpress.com/2016/01/06/an-interview-with-pierre-boulez-1925-2016/\",\"locator\":\"Answer on Le Marteau sans maître: influence of Balinese and African music; the beginning of the second piece and central African wood percussion and xylophone\",\"accessed\":\"2026-10-19\"},{\"id\":\"wikipedia\",\"title\":\"Wikipedia — Le Marteau sans maître\",\"url\":\"https://en.wikipedia.org/wiki/Le_marteau_sans_ma%C3%AEtre\",\"locator\":\"History: six-movement version of 1954, nine movements in 1955, engraved score UE 12450 in 1957; first performance 18 June 1955\",\"accessed\":\"2026-10-19\"},{\"id\":\"musicbrainz\",\"title\":\"MusicBrainz — recordings of Le Marteau sans maître by Marie-Thérèse Cahn and Pierre Boulez (1956), reissue “Le Domaine musical: 1956…1967”\",\"url\":\"https://musicbrainz.org/work/058f2fc5-a8cd-4e09-a275-6782c7187c7f\",\"locator\":\"Movement lengths of the 1956 recording: 1:30, 3:52, 2:06, 3:14, 3:10, 3:09, 1:01, 5:41, 6:58; used only to place the side break\",\"accessed\":\"2026-10-19\"},{\"id\":\"discogs\",\"title\":\"Discogs — René Char / Pierre Boulez, Le Marteau sans maître (Vega C 35 A 67)\",\"url\":\"https://www.discogs.com/release/8629413-Ren%C3%A9-Char-Pierre-Boulez-Le-Marteau-Sans-Maitre\",\"locator\":\"Tracklist A1–A5 (movements I–V) and B1–B4 (VI–IX); credits; contributor’s note “Recorded live in 1956”; user-contributed data\",\"accessed\":\"2026-10-19\"},{\"id\":\"musicweb\",\"title\":\"MusicWeb International — review of Accord, Le Domaine musical 1956–1967, volumes 1 and 2 (December 2006)\",\"url\":\"https://musicweb-international.com/classrev//2006/Dec06/Boulez_Domaine_4769209_4768862.htm\",\"locator\":\"Volume 1 bonus disc: Le Marteau sans maître, 1955 version [30:44], Marie-Thérèse Cahn, Solistes du Domaine musical, Pierre Boulez, “rec. 1956”\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 inferred; 6 documented; 4 unknown"},{"id":"boulez-marteau-2","composer":"Pierre Boulez","title":"Le Marteau sans maître","movement":"VI–IX. Second half, from “Bourreaux de solitude” to “Bel édifice et les pressentiments”, second version","work.title":"Le Marteau sans maître","work.catalogue":"","work.movement":"VI–IX. “Bourreaux de solitude”; Après “L’Artisanat furieux”; Commentaire III de “Bourreaux de solitude”; “Bel édifice et les pressentiments”, double","work.version.value":"Nine-movement version as performed in the 1956 season, before Boulez’s revision of 1957; second of two files, holding movements VI–IX.","work.version.status":"inferred","work.version.sourceIds":"[\"wikipedia\",\"sleeve\",\"bio\",\"musicweb\"]","work.version.note":"The sleeve lists nine movements in the final order. The Wikipedia article and the archival biography place Boulez’s further revision, and the engraved Universal Edition score (UE 12450), in 1957, after this recording. MusicWeb’s review of the Accord reissue labels a 1956 recording by Cahn and Boulez, 30 min 44 s long, as the “1955 version”. The sleeve does not name an edition.","performers.value":"[{\"name\":\"Marie-Thérèse Cahn\",\"role\":\"voice (alto)\"},{\"name\":\"J. Tiberge\",\"role\":\"flute\"},{\"name\":\"Collot\",\"role\":\"viola\"},{\"name\":\"A. Stingl\",\"role\":\"guitar\"},{\"name\":\"J. Delecluse\",\"role\":\"vibraphone\"},{\"name\":\"P. Naudin\",\"role\":\"xylorimba\"},{\"name\":\"A. Cavaille\",\"role\":\"percussion\"},{\"name\":\"Pierre Boulez\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve\",\"bio\"]","performers.note":"Names as printed on the Vega sleeve, where each instrumentalist is preceded by “M.” (Monsieur) and not all have a first name. The Internet Archive description reads “Stingj” and “Cabaille”, which are misreadings of “Stingl” and “Cavaille” on the sleeve. The archival biography names Marie-Thérèse Cahn as the mezzo-soprano of the Domaine musical performance of 21 March 1956.","session.date.value":"1956, season of the Domaine musical (fourth concert)","session.date.status":"documented","session.date.sourceIds":"[\"sleeve\",\"penser\"]","session.date.note":"The sleeve reads “Les Concerts du Domaine musical, 4me concert – saison 1956”, and Boulez’s 1963 discography reads “Enregistrement saison 1956”. Neither gives a day, and neither says whether the disc was made at a concert or in a studio session. The archival biography dates the French première, the first Domaine musical concert Boulez conducted in full, to 21 March 1956; the sources do not say that this is the fourth concert of the sleeve. A Discogs entry for the LP carries a contributor’s note “Recorded live in 1956” and names the Petit Théâtre Marigny as the place; the sleeve says neither, and the silences between the movements in this file contain only low-level noise.","session.date.precision":"approximate","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"sleeve\"]","session.place.note":"No venue or studio is named on the sleeve. The Domaine musical gave its concerts at the Petit Marigny in 1956, but that does not establish where the disc was recorded.","carrier.label.value":"Vega, 25 cm 33⅓ rpm LP, series “Présence de la musique contemporaine”","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"sleeve\"]","carrier.label.note":"The item description reads “C 35 A 67, disque microsillon 25 cm Véga”. The sleeve adds that the recording was made “sous les auspices du Conseil International de la Musique avec le concours de l’UNESCO”.","carrier.catalogue.value":"Vega C 35 A 67","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"sleeve\",\"express\",\"penser\"]","carrier.catalogue.note":"L’Express of 12 November 1959 and Boulez’s 1963 discography both give C 35 A 67 as the “version intégrale”. The extracts disc, Vega C 30 A 66, is a different issue.","carrier.matrixTakeSides.value":"Side 2 (file f2, labelled “fin”): movements VI–IX; side 1 (file f1): movements I–V","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"discogs\",\"musicbrainz\"]","carrier.matrixTakeSides.note":"The item description lists f1 as “Le Marteau sans maître” and f2 as “Le Marteau sans maître (fin)” and does not list movements per side; Discogs lists A1–A5 as movements I–V and B1–B4 as VI–IX. In this file the music begins after about one second of digital silence and three silences of about 4 to 7 seconds end at 3:12, 4:13 and 9:59; the sound ends at about 16:57. They divide the side into four pieces of about 3:07, 0:56, 5:40 and 6:58, which agree with the lengths of movements VI–IX in the 1956 recording as listed by MusicBrainz for a later reissue (3:09, 1:01, 5:41, 6:58; 16 min 49 s in all). The side begins with “Bourreaux de solitude”, the movement after the one that ends side 1. Matrix numbers are not shown.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item is in the Internet Archive’s Hifidelity collection. Its description ends with a shelf mark (“Localisation: Af-10”), which suggests a library catalogue entry; no transfer engineer or institution is named. The uploader’s account is an email address, which is not reproduced.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item became public on 2 July 2021; that is an upload date, not a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item offers FLAC, WAV and MP3 files for each side. Equalisation, noise reduction and speed correction are not described. The MP3 has about one second of digital silence at the start and about three at the end.","digital.streamUrl":"https://archive.org/download/c-35-a-67-boulez-o-le-marteau-sans-maitre-pierre-boulez/C%2035%20A%2067%E2%80%A2f2.mp3","digital.sourceChain":"[\"archive\",\"sleeve\"]","digital.format":"Internet Archive VBR MP3 derivative of an uploaded FLAC (one LP side)","digital.durationSeconds":1020.06,"rights.composition.value":"Boulez died in 2016, so the work is in copyright in the EU, under the life-plus-70 term, until the end of 2086.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"bio\"]","rights.composition.note":"Boulez’s death on 5 January 2016 is recorded in the archival biography; the term is our calculation. The poems are by René Char (1907–1988) and are also in copyright. Rights in the composition and in the poems are separate from rights in the recording. No United States status is claimed.","rights.recording.value":"Territorial EU public-domain basis: first published in 1956 (before 1963); US status not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"bio\",\"express\",\"penser\"]","rights.recording.note":"The archival biography lists the Véga record release of the work under 1956; L’Express lists the disc on 12 November 1959; Boulez’s 1963 book lists it. A French phonogram published in 1956 had run its 50-year term by the end of 2006 and was not revived by the 2011 extension, which applies to fixations still protected on 1 November 2013. No United States clearance is claimed. The Internet Archive item carries no licence and no litigation or restriction marker. The sleeve does not say whether the recording was made at a concert; a Discogs contributor’s note says it was recorded live. The basis here is publication of the commercial Vega LP, which L’Express documents by November 1959.","rights.creditLine":"Pierre Boulez, Le Marteau sans maître, movements VI–IX. Marie-Thérèse Cahn and members of the Domaine musical, Pierre Boulez, conductor. Vega C 35 A 67, side 2; Les Concerts du Domaine musical, fourth concert, 1956 season; session date and place unknown. Internet Archive item c-35-a-67-boulez-o-le-marteau-sans-maitre-pierre-boulez, uploaded 2021. Territorial EU public-domain recording basis; US status not established.","rights.licenseUrl":"https://archive.org/details/c-35-a-67-boulez-o-le-marteau-sans-maitre-pierre-boulez","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Boulez • Le Marteau sans maître (Pierre Boulez), Vega C 35 A 67: item record and file list\",\"url\":\"https://archive.org/metadata/c-35-a-67-boulez-o-le-marteau-sans-maitre-pierre-boulez\",\"locator\":\"description (C 35 A 67 f1 and f2 “fin”; text by René Char; performers; “Les Concerts du Domaine musical, 4e Concert – Saison 1956”; “disque microsillon 25 cm Véga”; shelf mark); files C 35 A 67•f1.mp3 (850.23 s) and •f2.mp3 (1020.06 s); public 2 July 2021\",\"accessed\":\"2026-10-19\"},{\"id\":\"sleeve\",\"title\":\"Vega C 35 A 67 — scanned sleeve (Internet Archive image container and OCR text)\",\"url\":\"https://archive.org/details/c-35-a-67-boulez-o-le-marteau-sans-maitre-pierre-boulez\",\"locator\":\"Sleeve: “Les Concerts du Domaine musical, 4me concert – saison 1956 (Enregistré sous les auspices du Conseil International de la Musique avec le concours de l’UNESCO)”; note by Pierre Souvtchinsky (nine parts separated by silences of unequal length; list of the nine movements; scoring; Char’s texts); “Les interprètes”\",\"accessed\":\"2026-10-19\"},{\"id\":\"bio\",\"title\":\"Philharmonie de Paris and French Ministry of Culture — Pierre Boulez archival biography\",\"url\":\"https://www.pierreboulez.org/default/biographie.aspx?_lg=en-US\",\"locator\":\"1955: 18 June, Rosbaud conducts the première in Baden-Baden with Sybilla Plate. 1956: 21 March, Boulez conducts the French première at the Domaine musical with Marie-Thérèse Cahn; “Record release: Boulez: Le Marteau sans maître · Domaine musical, Pierre Boulez (conducting), Marie-Thérèse Cahn (voice) [Véga]”. 1957: revises the work. 2016: death on 5 January\",\"accessed\":\"2026-10-19\"},{\"id\":\"express\",\"title\":\"L’Express, 12 November 1959 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_express_1959-11-12_439\",\"locator\":\"“Quelques disques de musique contemporaine”: Boulez, Le Marteau sans maître, version intégrale, chant M. T. Cahn, dir. Pierre Boulez, Grand Prix du Disque, Académie Charles-Cros, Vega C 35 A 67; extracts on Vega C 30 A 66 with Nono, Stockhausen and Webern\",\"accessed\":\"2026-10-19\"},{\"id\":\"penser\",\"title\":\"Pierre Boulez, Penser la musique aujourd’hui (Paris: Gonthier, 1963), discography of recordings (Internet Archive scan, searched by full text)\",\"url\":\"https://archive.org/details/bwb_P9-ECH-472\",\"locator\":\"“Le Marteau sans Maître. Vega n° C 35 A 67 version intégrale. (Enregistrement saison 1956. Direction: Pierre Boulez.)” and “Vega n° C 30 A 66 extraits avec Incontri”; seen as search snippets, the borrowable scan not opened\",\"accessed\":\"2026-10-19\"},{\"id\":\"ircam\",\"title\":\"IRCAM — Le Marteau sans maître, work record with Jacques-Marie Lonchampt’s programme note\",\"url\":\"https://ressources.ircam.fr/fr/works/work/6981\",\"locator\":\"Movement-by-movement description; the three cycles (2.4.6.8; 1.3.7; 5.9); Char’s poems and Boulez’s earlier Char settings; the whole ensemble heard together only in the last piece\",\"accessed\":\"2026-10-19\"},{\"id\":\"companion\",\"title\":\"Internet Archive — Les Concerts Du Domaine Musical, IVe Concert 1956 (Vega)\",\"url\":\"https://archive.org/details/lp_les-concerts-du-domaine-musical-ive-conc_anton-webern-luigi-nono-karlheinz-stockhau\",\"locator\":\"Track list: Webern Symphony Op. 21 and Lieder Op. 8 and 13, Nono Incontri, Stockhausen Kontrapunkte, Boulez Le Marteau sans maître (extracts of movements 3, 6 and 9)\",\"accessed\":\"2026-10-19\"},{\"id\":\"wikipedia\",\"title\":\"Wikipedia — Le Marteau sans maître\",\"url\":\"https://en.wikipedia.org/wiki/Le_marteau_sans_ma%C3%AEtre\",\"locator\":\"History: six-movement version of 1954, nine movements in 1955, engraved score UE 12450 in 1957; first performance 18 June 1955\",\"accessed\":\"2026-10-19\"},{\"id\":\"musicbrainz\",\"title\":\"MusicBrainz — recordings of Le Marteau sans maître by Marie-Thérèse Cahn and Pierre Boulez (1956), reissue “Le Domaine musical: 1956…1967”\",\"url\":\"https://musicbrainz.org/work/058f2fc5-a8cd-4e09-a275-6782c7187c7f\",\"locator\":\"Movement lengths of the 1956 recording: 1:30, 3:52, 2:06, 3:14, 3:10, 3:09, 1:01, 5:41, 6:58; used only to place the side break\",\"accessed\":\"2026-10-19\"},{\"id\":\"discogs\",\"title\":\"Discogs — René Char / Pierre Boulez, Le Marteau sans maître (Vega C 35 A 67)\",\"url\":\"https://www.discogs.com/release/8629413-Ren%C3%A9-Char-Pierre-Boulez-Le-Marteau-Sans-Maitre\",\"locator\":\"Tracklist A1–A5 (movements I–V) and B1–B4 (VI–IX); credits; contributor’s note “Recorded live in 1956”; user-contributed data\",\"accessed\":\"2026-10-19\"},{\"id\":\"musicweb\",\"title\":\"MusicWeb International — review of Accord, Le Domaine musical 1956–1967, volumes 1 and 2 (December 2006)\",\"url\":\"https://musicweb-international.com/classrev//2006/Dec06/Boulez_Domaine_4769209_4768862.htm\",\"locator\":\"Volume 1 bonus disc: Le Marteau sans maître, 1955 version [30:44], Marie-Thérèse Cahn, Solistes du Domaine musical, Pierre Boulez, “rec. 1956”\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 inferred; 6 documented; 4 unknown"},{"id":"brahms-3-poco-allegretto","composer":"Johannes Brahms","title":"Symphony No. 3 in F major, Op. 90","movement":"III. Poco allegretto","work.title":"Symphony No. 3 in F major","work.catalogue":"Op. 90","work.movement":"III. Poco allegretto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition, revision and any editorial interventions are not identified in the consulted recording documentation.","performers.value":"[{\"name\":\"Musopen Symphony\",\"role\":\"orchestra, as named on the Commons description\"}]","performers.status":"disputed","performers.sourceIds":"[\"commons\",\"embedded\",\"upstream\"]","performers.note":"The Commons description says Musopen Symphony; the embedded FLAC artist and albumartist, and the upstream Archive file entry, say Czech National Symphony Orchestra. A project-name/ensemble-name relationship is possible but not explicitly explained in the sources. No conductor is identified.","performers.alternatives":"[{\"value\":[{\"name\":\"Musopen Symphony\",\"role\":\"orchestra\"}],\"sourceIds\":[\"commons\"]},{\"value\":[{\"name\":\"Czech National Symphony Orchestra\",\"role\":\"orchestra\"}],\"sourceIds\":[\"embedded\",\"upstream\"]}]","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"structured\",\"embedded\",\"upstream\"]","session.date.note":"2012 is the date on Commons and in the file tags, and the year the upstream Kickstarter project was completed and released. A recording-session date is not separately documented.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":"Musopen — digital Kickstarter project","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"upstream\"]","carrier.label.note":"This identifies the publisher/project, not an original physical record label.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"upstream\"]","carrier.catalogue.note":"The project has a digital collection title but no carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"upstream\",\"embedded\"]","transfer.credits.note":"The Archive account supplies the FLAC collection but names no transfer engineer or restoration staff. An uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"The Commons FLAC master is 24-bit; the upstream collection description says 32-bit.","transfer.processing.status":"disputed","transfer.processing.sourceIds":"[\"embedded\",\"upstream\"]","transfer.processing.note":"The file-specific metadata is used for digital.format: 48 kHz, stereo, libFLAC 1.2.1 20070917. The collection-wide 32-bit statement is retained as a conflicting source claim, not silently substituted for the file metadata. Restoration settings are unknown.","transfer.processing.alternatives":"[{\"value\":\"24 bits per sample in the actual Commons FLAC metadata.\",\"sourceIds\":[\"embedded\"]},{\"value\":\"32 bits per sample, as stated in the upstream collection description.\",\"sourceIds\":[\"upstream\"]}]","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/1/1f/Brahms_-_Symphony_No._3_in_F_major%2C_Op._90_-_III._Poco_allegretto_%28Musopen_Symphony%29.flac/Brahms_-_Symphony_No._3_in_F_major%2C_Op._90_-_III._Poco_allegretto_%28Musopen_Symphony%29.flac.mp3","digital.sourceChain":"[\"commons\",\"upstream\",\"musopen\"]","digital.format":"MP3 access derivative; Commons master: FLAC, 24-bit, 48 kHz, 2 channels","digital.durationSeconds":370.0792916666667,"rights.composition.value":"Public-domain original composition, as asserted by Commons.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The musical-composition tag is PD-old-auto-expired, deathyear=1897. This does not license a later edition, arrangement or recording.","rights.recording.value":"Rule 1 — recording release: PD-author public-domain dedication by Musopen.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons explicitly applies PD-author by Musopen to the recording, separately from the composition. This is the programme’s explicit Musopen recording-release route, not an age-based inference or a claim that a Public Domain Mark is itself a licence. The session date is not needed for this route.","rights.creditLine":"Musopen Symphony (Commons credit); Czech National Symphony Orchestra (embedded and upstream credit; attribution unresolved). Musopen Kickstarter Project / Internet Archive, via Wikimedia Commons. Public-domain dedication attributed to Musopen.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Brahms - Symphony No. 3 in F major, Op. 90 - III. Poco allegretto (Musopen Symphony).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Brahms_-_Symphony_No._3_in_F_major,_Op._90_-_III._Poco_allegretto_(Musopen_Symphony).flac?oldid=963505199\",\"locator\":\"File-description wikitext revision 963505199; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M155094938\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M155094938&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 963505199. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3ABrahms+-+Symphony+No.+3+in+F+major%2C+Op.+90+-+III.+Poco+allegretto+%28Musopen+Symphony%29.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"upstream\",\"title\":\"Internet Archive: Musopen Collection as FLAC\",\"url\":\"https://archive.org/metadata/MusopenCollectionAsFlac\",\"locator\":\"metadata.description identifies the completed 2012 Kickstarter project and public-domain release; files entry Brahms_SymphonyNo.3inFMajor/JohannesBrahms-SymphonyNo.3InFMajorOp.90-03-PocoAllegretto.flac names Czech National Symphony Orchestra.\",\"accessed\":\"2026-10-16\"},{\"id\":\"musopen\",\"title\":\"Musopen work and recording page\",\"url\":\"https://musopen.org/music/66-symphony-no-3-in-f-major-op-90/\",\"locator\":\"Linked by Commons; retrieval returned HTTP 403. No additional session or performer evidence was obtained from this page.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Brahms - Symphony No. 3 in F major, Op. 90 - III. Poco allegretto (Musopen Symphony).flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=963505199&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Brahms - Symphony No. 3 in F major, Op. 90 - III. Poco allegretto (Musopen Symphony).flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"7 unknown; 2 disputed; 3 documented"},{"id":"brahms-4-finale","composer":"Johannes Brahms","title":"Symphony No. 4 in E minor, Op. 98","movement":"IV. Allegro energico e passionato","work.title":"Symphony No. 4 in E minor","work.catalogue":"Op. 98","work.movement":"IV. Allegro energico e passionato — Più allegro","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording sources.","performers.value":"[{\"name\":\"Musopen Symphony\",\"role\":\"orchestra — Commons page credit\"},{\"name\":\"Czech National Symphony Orchestra\",\"role\":\"orchestra — embedded FLAC credit\"}]","performers.status":"disputed","performers.sourceIds":"[\"commons\",\"file-metadata\"]","performers.note":"The display name and the embedded artist tag differ. It is not established whether ‘Musopen Symphony’ is a project credit for this orchestra or a mistaken attribution. No conductor is identified.","performers.alternatives":"[{\"value\":[{\"name\":\"Musopen Symphony\",\"role\":\"orchestra\"}],\"sourceIds\":[\"commons\"]},{\"value\":[{\"name\":\"Czech National Symphony Orchestra\",\"role\":\"orchestra\"}],\"sourceIds\":[\"file-metadata\"]}]","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"archive\"]","session.date.note":"Commons gives 2012, while the upstream collection documents project completion and public release in 2012. Neither identifies a recording session; 2012 is not promoted to a session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the sources consulted.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The label or imprint of the carrier used for this digital file is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No catalogue number identifying the transferred carrier is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":"Commons file: 24-bit FLAC; upstream collection description: 32-bit conversion.","transfer.processing.status":"disputed","transfer.processing.sourceIds":"[\"archive\",\"file-metadata\"]","transfer.processing.note":"Commons’ file metadata documents a 48 kHz stereo 24-bit FLAC encoded with libFLAC 1.2.1. The Internet Archive’s collection-wide description says 32 bits per sample. The records do not establish whether an intervening conversion explains the difference; no mastering or noise treatment is documented.","transfer.processing.alternatives":"[{\"value\":\"24-bit, 48 kHz stereo FLAC in Commons file metadata.\",\"sourceIds\":[\"file-metadata\"]},{\"value\":\"32-bit FLAC conversion claimed in the upstream collection description.\",\"sourceIds\":[\"archive\"]}]","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/7c/Brahms_-_Symphony_No._4_in_E_minor%2C_Op._98_-_IV._Allegro_energico_e_passionato_-_Pi%C3%B9_allegro_%28Musopen_Symphony%29.flac/Brahms_-_Symphony_No._4_in_E_minor%2C_Op._98_-_IV._Allegro_energico_e_passionato_-_Pi%C3%B9_allegro_%28Musopen_Symphony%29.flac.mp3","digital.sourceChain":"[\"commons\",\"archive\",\"musopen\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: FLAC","digital.durationSeconds":667.7011875,"rights.composition.value":"Commons applies PD-old-auto-expired, with Brahms’s death year 1897.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The tag addresses the musical composition, including its pre-1931 publication basis in the United States; it is separate from the new recording.","rights.recording.value":"Rule 1 — recording release: PD-author public-domain dedication by Musopen.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons explicitly applies PD-author by Musopen to the recording, separately from the composition. This is the programme’s explicit Musopen recording-release route, not an age-based inference or a claim that a Public Domain Mark is itself a licence. The session date is not needed for this route.","rights.creditLine":"Johannes Brahms, Symphony No. 4, Op. 98, IV. Orchestra attribution differs: Musopen Symphony on the Commons page / Czech National Symphony Orchestra in the file tags. Musopen public-domain recording; Internet Archive Musopen Collection as FLAC → Wikimedia Commons.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-author","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Brahms - Symphony No. 4 in E minor, Op. 98 - IV. 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FLAC STREAMINFO: 48,000 Hz, stereo, 24 bits per sample.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Brahms - Symphony No. 4 in E minor, Op. 98 - IV. Allegro energico e passionato - Più allegro (Musopen Symphony).flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=963505268&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Brahms - Symphony No. 4 in E minor, Op. 98 - IV. Allegro energico e passionato - Più allegro (Musopen Symphony).flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"8 unknown; 2 disputed; 2 documented"},{"id":"brahms-symphony-1-allegretto","composer":"Johannes Brahms","title":"Symphony No. 1 in C minor, Op. 68","movement":"III. Un poco allegretto e grazioso","work.title":"Symphony No. 1 in C minor","work.catalogue":"Op. 68","work.movement":"III. Un poco allegretto e grazioso","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"archive\"]","work.version.note":"The sources identify the orchestral movement but do not name the performing edition, any revisions adopted, or the treatment of written repeats. The 1877 Simrock score is a reference for the guide, not an identified performance material.","performers.value":"[{\"name\":\"Czech National Symphony Orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\"]","performers.note":"The Commons artist credit and the upstream FLAC artist tag agree. The filename’s parenthetical “Musopen Symphony” is not substituted for this ensemble credit. No conductor or individual player is named.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"commons-data\",\"archive\"]","session.date.note":"Commons gives 2012 as the file’s date and inception year. The upstream collection says the Kickstarter project was completed in 2012, with an added date of 28 August 2012 and public date of 29 August 2012. 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The Internet Archive item identifier and file track number are digital collection metadata, not a verified carrier catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied. The digital file does not establish whether any earlier carrier or session identifier existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"No transfer, editing or mastering engineer is identified. 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This is the composition rights statement; it is not being used to clear the modern sound recording or an unidentified modern edition.","rights.recording.value":"Commons explicitly states that Musopen released this sound recording into the public domain worldwide, with an unrestricted-use fallback where dedication is not legally possible.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"archive\"]","rights.recording.note":"The file’s Licensing section separates “Recording” from “Musical composition”. The recording-specific Musopen release is the eligibility basis, not the composition’s age. The upstream collection also links to the Public Domain Mark; no non-commercial restriction is stated there. This reports the source’s express release and does not independently audit contractual ownership.","rights.creditLine":"Johannes Brahms, Symphony No. 1 in C minor, Op. 68, IV. Adagio — Più andante — Allegro non troppo, ma con brio — Più allegro; Czech National Symphony Orchestra. Conductor and session date unestablished. Musopen Kickstarter Project / Internet Archive, via Wikimedia Commons; explicit Musopen public-domain recording release.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Brahms Symphony No. 1, movement 4 (Musopen Symphony), FLAC\",\"url\":\"https://commons.wikimedia.org/wiki/File:Brahms_-_Symphony_No._1_in_C_minor,_Op._68_-_IV._Adagio_-_Piu_andante_-_Allegro_non_troppo,_ma_con_brio_-_Piu_allegro_(Musopen_Symphony).flac?oldid=1096311460\",\"locator\":\"Summary: work, artist credit, date and Musopen/Internet Archive sources. Licensing: separate Recording release by Musopen and Musical composition status. File history and Transcode status: upload and derivative dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured metadata for Brahms Symphony No. 1, movement 4\",\"url\":\"https://commons.wikimedia.org/wiki/File:Brahms_-_Symphony_No._1_in_C_minor,_Op._68_-_IV._Adagio_-_Piu_andante_-_Allegro_non_troppo,_ma_con_brio_-_Piu_allegro_(Musopen_Symphony).flac#structureddata\",\"locator\":\"Structured data: inception 2012, audio/flac, duration 1016.884375 seconds, SHA-1 3d146c073ab6016ae2da7b80334444dbf03d17c9. These are the host’s metadata statements, not independent session documentation.\",\"accessed\":\"2026-10-16\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Musopen Collection as FLAC\",\"url\":\"https://archive.org/metadata/MusopenCollectionAsFlac\",\"locator\":\"metadata.description identifies the completed 2012 Kickstarter project; licenseurl is the Public Domain Mark; addeddate/publicdate are August 2012. File Brahms_SymphonyNo.1inCMinor/JohannesBrahms-SymphonyNo.1InCMinorOp.68-04-Adagio-PiAndante-AllegroNonTroppoMaConBrio.flac: artist Czech National Symphony Orchestra, album Musopen Kickstarter Project, track 55, SHA-1 3d146c073ab6016ae2da7b80334444dbf03d17c9. No conductor, session venue or session date is supplied.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work-catalogue\",\"title\":\"Brahms-Institut — Symphony No. 1, Op. 68: work catalogue and first edition\",\"url\":\"https://brahmsinstitut.de/Archiv/web/bihl_digital/jb_werkekatalog/op_068.html\",\"locator\":\"Composition history 1862–1876; premiere 4 November 1876 under Otto Dessoff; first-edition full score, Simrock, October 1877, plate 7957. The first edition is the guide’s score reference, not a documented edition used in this session.\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"7 unknown; 5 documented"},{"id":"britten-serenade-dirge","composer":"Benjamin Britten","title":"Serenade for Tenor, Horn and Strings","movement":"V. Dirge","work.title":"Serenade for Tenor, Horn and Strings","work.catalogue":"Op. 31","work.movement":"V. Dirge (“This ae nighte”, anonymous, 15th century)","work.version.value":"The Dirge alone, on one side of the six-side Decca set AK 1151–53: side 4 of 6, matrix AR 8464. The other sides carry the Prologue and Pastoral (sides 1 and 2, the second also with the Nocturne), the Elegy (side 3), the Hymn and the start of the Sonnet (side 5) and the end of the Sonnet with the Epilogue (side 6).","work.version.status":"inferred","work.version.sourceIds":"[\"archive\",\"charm\"]","work.version.note":"The titles of the six sides in the CHARM record and the Internet Archive items show the Dirge on a side of its own. That the side holds the whole movement is inferred from the side’s length (4 min 14 s) and from the neighbouring sides, which begin and end with other movements; no source states the movement’s duration or compares the side with the score.","performers.value":"[{\"name\":\"Peter Pears\",\"role\":\"tenor\"},{\"name\":\"Dennis Brain\",\"role\":\"horn\"},{\"name\":\"Boyd Neel String Orchestra\",\"role\":\"string orchestra\"},{\"name\":\"Benjamin Britten\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"charm\",\"decca-disco\"]","performers.note":"The Internet Archive creator field lists Pears, Brain and the Boyd Neel String Orchestra. The CHARM record names Britten as conductor, and Philip Stuart’s Decca discography lists Pears, Brain, the Boyd Neel String Orchestra and Britten for the session. The first performance, in 1943, was conducted by Walter Goehr (Herbert Glass, Los Angeles Philharmonic programme note).","session.date.value":"1944-10-08","session.date.status":"inferred","session.date.sourceIds":"[\"decca-disco\",\"archive\"]","session.date.note":"Stuart’s discography records the Serenade sessions as 25 May 1944 and says three sides (8461, 8464 and 8466) were re-made on 8 October 1944. The side transferred here is AR 8464, take 4, one of the three re-made sides, so its date is inferred to be 8 October 1944; the discography does not say which take was issued, and the whole Serenade was recorded in May and October 1944.","session.date.precision":"day","session.place.value":"London","session.place.status":"inferred","session.place.sourceIds":"[\"decca-disco\"]","session.place.note":"The discography lists the 25 May 1944 session at West Hampstead Studios, Decca’s London studios, and gives no separate venue for the October re-make.","carrier.label.value":"Decca (UK), 78 rpm","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"charm\",\"decca-disco\"]","carrier.label.note":"The Internet Archive item gives the label as Decca and the speed as 78; Stuart’s discography lists the Serenade among Decca’s UK 78 rpm issues. The record size is not stated in the sources consulted.","carrier.catalogue.value":"Decca AK 1153 (third disc of the automatic-coupling set AK 1151–53), issued in the UK in November 1945","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"decca-disco\",\"gramophone-1945\",\"gramophone-1946\",\"archive\",\"charm\"]","carrier.catalogue.note":"The file name of the transfer is AK_1153_AR_8464-4. Stuart lists the issue as “(Nov45) (A)K1151-53”, and says UK release dates come from Decca’s monthly supplements or from advertisements and reviews in The Gramophone. The December 1945 issue of The Gramophone reviews the set as “Decca K1151-3 … Auto AK1151-3”. The same six sides were also issued in manual sequence as K1151–53, in which the Elegy and the Dirge share K1152 (Decca advertisement, The Gramophone, February 1946); the disc transferred here is the automatic coupling AK 1153, which carries the same two sides.","carrier.matrixTakeSides.value":"AR 8464, take 4 (side 4 of 6); AR 8463 take 2, the Elegy, is on the other side of the same disc","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"charm\"]","carrier.matrixTakeSides.note":"From the item metadata and the CHARM record, which list the six sides of the set as AR 8461-4, AR 8466-4, AR 8462-3, AR 8465-4, AR 8463-2 and AR 8464-4.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\",\"archive-collection\",\"charm\"]","transfer.credits.note":"The item names no transfer engineer. It belongs to the Internet Archive’s Centre for the History and Analysis of Recorded Music (CHARM) 78rpm collection and carries a CHARM record (METS_AK_1151, created 30 January 2009 by conversion from a spreadsheet).","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\",\"charm\"]","transfer.date.note":"The Internet Archive lists the item as added on 15 January 2019; that is the upload, not the date of the transfer.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item states no stylus, equalisation or noise reduction. The MP3 is the Internet Archive derivative of the uploaded FLAC.","digital.streamUrl":"https://archive.org/download/78_serenade-for-tenor-horn-strings-op31-s4-dirge-anon-15th-century_pears-peter/AK_1153_AR_8464-4.mp3","digital.sourceChain":"[\"archive\",\"charm\"]","digital.format":"Internet Archive VBR MP3 derivative of a FLAC; one disc side, no concatenation or edits by Contrapunctus","digital.durationSeconds":253.61,"rights.composition.value":"In copyright. Britten died on 4 December 1976, so the Serenade is protected in the EU and the United Kingdom (life plus 70 years) until the end of 2046; Boosey & Hawkes is the publisher. The poem is anonymous and fifteenth-century.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"boosey\"]","rights.composition.note":"The publisher is documented by the Boosey & Hawkes page. The term is a calculation from the composer’s death date, which the composer chapter on this site gives. Rights in the composition are separate from rights in the recording and do not block publication.","rights.recording.value":"Territorial EU and UK public domain: first published before 1963 (Decca AK 1151–53, November 1945). United States status not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"decca-disco\",\"gramophone-1945\",\"copyright-office\",\"archive\"]","rights.recording.note":"The release date is Philip Stuart’s, taken from Decca’s monthly supplements or from The Gramophone; The Gramophone for December 1945 independently reviews the set as already on sale. For a recording first published in 1945 the Copyright Office describes a term of 95 years plus 5 years after first publication in the United States, to the end of 2045; whether that term applies to this British issue was not established. The item carries no licence statement and sits in the CHARM collection, not in the Great 78 Project; its metadata carries no litigation, takedown or restriction flag.","rights.creditLine":"Benjamin Britten, Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge. Peter Pears, tenor; Dennis Brain, horn; Boyd Neel String Orchestra; Benjamin Britten, conductor. Decca matrix AR 8464 take 4, London, 1944 (the side re-made on 8 October 1944); issued as Decca AK 1153, set AK 1151–53, in November 1945. Internet Archive item 78_serenade-for-tenor-horn-strings-op31-s4-dirge-anon-15th-century_pears-peter, from the Centre for the History and Analysis of Recorded Music 78rpm collection. Territorial EU and UK basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/78_serenade-for-tenor-horn-strings-op31-s4-dirge-anon-15th-century_pears-peter","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Serenade for Tenor, Horn & Strings Op.31 s4 Dirge (anon) 15th century (Pears, Peter; Brain, D; Boyd Neel String Orchestra), Decca 1153\",\"url\":\"https://archive.org/details/78_serenade-for-tenor-horn-strings-op31-s4-dirge-anon-15th-century_pears-peter\",\"locator\":\"Item page and metadata: label Decca, catalogue number 1153, matrix AR_8464-4, speed 78, creators, MP3 derivative of 4:13, upload 15 January 2019; links to the other five sides of the set\",\"accessed\":\"2026-10-19\"},{\"id\":\"charm\",\"title\":\"CHARM record METS_AK_1151 and item data file (charm.json), as distributed with the Internet Archive item\",\"url\":\"https://archive.org/download/78_serenade-for-tenor-horn-strings-op31-s4-dirge-anon-15th-century_pears-peter/METS_AK_1151.xml\",\"locator\":\"Six sides of Decca AK 1151–53 with matrices AR_8461-4 to AR_8466-4, titles of each side, artists, conductor Britten\",\"accessed\":\"2026-10-19\"},{\"id\":\"archive-collection\",\"title\":\"Internet Archive: Centre for the History and Analysis of Recorded Music 78rpm collection\",\"url\":\"https://archive.org/details/78rpm_charm\",\"locator\":\"Collection description: CHARM, established 1 April 2004 at Royal Holloway, University of London with King’s College London and the University of Sheffield\",\"accessed\":\"2026-10-19\"},{\"id\":\"decca-disco\",\"title\":\"Philip Stuart, Decca Classical, 1929–2009: Complete Decca Classical Discography (July 2009 edition), Internet Archive full text\",\"url\":\"https://archive.org/details/DeccaComplete\",\"locator\":\"Session 0288: 25 May 1944, West Hampstead Studios; three sides (8461/64/66) re-made 8 Oct 1944; Pears, Brain, Boyd Neel String Orchestra, Britten; Serenade Op. 31, AR8461-66; “(Nov45) (A)K1151-53”; preface on UK release dates; note that Britten’s Decca work as conductor dates from May 1944\",\"accessed\":\"2026-10-19\"},{\"id\":\"gramophone-1945\",\"title\":\"The Gramophone, vol. 23 no. 271 (December 1945), Internet Archive scan\",\"url\":\"https://archive.org/details/sim_gramophone_1945-12_23_271\",\"locator\":\"Record review of Britten’s Serenade, “Decca K1151-3 (12 ins., 19s. 10½d.). Auto AK1151-3”, with the reviewer’s account of the Elegy and the Dirge, including the double-basses beginning a fugue; Decca advertisement listing “Serenade for Tenor, Horn and Strings (Benjamin Britten) K1151-3”\",\"accessed\":\"2026-10-19\"},{\"id\":\"gramophone-1946\",\"title\":\"The Gramophone, vol. 23 no. 273 (February 1946), Internet Archive scan\",\"url\":\"https://archive.org/details/sim_gramophone_1946-02_23_273\",\"locator\":\"Decca advertisement for the Serenade: sides listed under K1151, K1152 (Elegy, Dirge) and K1153; “Automatic couplings AK 1151/2/3”\",\"accessed\":\"2026-10-19\"},{\"id\":\"glass\",\"title\":\"Herbert Glass, programme note on Britten’s Serenade for Tenor, Horn and Strings, Los Angeles Philharmonic\",\"url\":\"https://www.laphil.com/works/serenade-for-tenor-horn-and-strings\",\"locator\":\"Dirge: “come un lamento”, mezza voce after Pears, Christopher Palmer’s description; Britten’s memorial tribute to Brain; first performance, 15 October 1943, Walter Goehr\",\"accessed\":\"2026-10-19\"},{\"id\":\"cooke\",\"title\":\"Richard Cooke (conductor), blog 16: Britten, Serenade for Tenor Solo, Horn and Strings, Op. 31, 13 July 2020\",\"url\":\"https://www.richardcooke.org/blogtext.htm?blog=64\",\"locator\":\"Dirge section: six-bar theme in the tenor, tenor alone at the start and end, horn entry at “From Brig o’ Dread” with the cellos’ and basses’ first-entry music; the page’s text was read from its HTML source\",\"accessed\":\"2026-10-19\"},{\"id\":\"clarke\",\"title\":\"Colin Clarke, review of Britten Sinfonia, Milton Court, 9 April 2024, Seen and Heard International (11 April 2024)\",\"url\":\"https://seenandheard-international.com/2024/04/britten-sinfonias-typically-adventurous-programme-mixing-a-world-premiere-with-music-of-today/\",\"locator\":\"Paragraph on the Dirge: the high, exposed unaccompanied opening and the slow build to the horn’s entry\",\"accessed\":\"2026-10-19\"},{\"id\":\"wikipedia\",\"title\":\"Wikipedia: Serenade for Tenor, Horn and Strings\",\"url\":\"https://en.wikipedia.org/wiki/Serenade_for_Tenor,_Horn_and_Strings\",\"locator\":\"Eight movements; Wigmore Hall premiere of 15 October 1943; the nine stanzas of the Dirge text\",\"accessed\":\"2026-10-19\"},{\"id\":\"svmusic\",\"title\":\"Jon Kochavi, programme note, Sun Valley Music Festival, 29 July 2022\",\"url\":\"https://www.svmusicfestival.org/program_notes/program-notes-stories-and-poems/\",\"locator\":\"Britten on meeting Dennis Brain in 1942 and the RAF Orchestra\",\"accessed\":\"2026-10-19\"},{\"id\":\"boosey\",\"title\":\"Boosey & Hawkes: Benjamin Britten, Serenade, op. 31 (1943)\",\"url\":\"https://www.boosey.com/cr/music/Benjamin-Britten-Serenade/3880\",\"locator\":\"Publisher; the Dirge as the anonymous 15th-century Lyke Wake Dirge\",\"accessed\":\"2026-10-19\"},{\"id\":\"copyright-office\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: 95 years after first publication, plus 5 years for recordings first published 1923–1946\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"4 inferred; 5 documented; 3 unknown"},{"id":"britten-serenade-elegy","composer":"Benjamin Britten","title":"Serenade for Tenor, Horn and Strings","movement":"IV. Elegy","work.title":"Serenade for Tenor, Horn and Strings","work.catalogue":"Op. 31","work.movement":"IV. Elegy (“O Rose, thou art sick”, William Blake)","work.version.value":"The Elegy alone, on one side of the six-side Decca set AK 1151–53: side 3 of 6, matrix AR 8463. It shares a disc with the Dirge (side 4, AR 8464).","work.version.status":"inferred","work.version.sourceIds":"[\"archive\",\"charm\"]","work.version.note":"The titles of the six sides in the CHARM record and the Internet Archive items show the Elegy on a side of its own. That the side holds the whole movement is inferred from the neighbouring sides, which begin and end with other movements, and from the side’s length (4 min 21 s); no source states the movement’s duration in this recording or compares the side with the score.","performers.value":"[{\"name\":\"Peter Pears\",\"role\":\"tenor\"},{\"name\":\"Dennis Brain\",\"role\":\"horn\"},{\"name\":\"Boyd Neel String Orchestra\",\"role\":\"string orchestra\"},{\"name\":\"Benjamin Britten\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"charm\",\"decca-disco\"]","performers.note":"The Internet Archive creator field lists Pears, Brain and the Boyd Neel String Orchestra. The CHARM record names Britten as conductor, and Philip Stuart’s Decca discography lists Pears, Brain, the Boyd Neel String Orchestra and Britten for the session.","session.date.value":"1944-05-25","session.date.status":"inferred","session.date.sourceIds":"[\"decca-disco\",\"archive\"]","session.date.note":"Stuart’s discography records the Serenade sessions as 25 May 1944 and says that three sides (8461, 8464 and 8466) were re-made on 8 October 1944. The side transferred here is AR 8463, take 2, which is not among the re-made sides, so it is inferred to date from 25 May 1944; the discography does not say which take was issued.","session.date.precision":"day","session.place.value":"London","session.place.status":"inferred","session.place.sourceIds":"[\"decca-disco\"]","session.place.note":"The discography lists the 25 May 1944 session at West Hampstead Studios, Decca’s London studios.","carrier.label.value":"Decca (UK), 78 rpm","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"charm\",\"decca-disco\"]","carrier.label.note":"The Internet Archive item gives the label as Decca and the speed as 78; Stuart’s discography lists the Serenade among Decca’s UK 78 rpm issues. The record size is not stated in the sources consulted.","carrier.catalogue.value":"Decca AK 1153 (third disc of the automatic-coupling set AK 1151–53), issued in the UK in November 1945","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"decca-disco\",\"gramophone-1945\",\"gramophone-1946\",\"archive\",\"charm\"]","carrier.catalogue.note":"The file name of the transfer is AK_1153_AR_8463-2. Stuart lists the issue as “(Nov45) (A)K1151-53”, and says UK release dates come from Decca’s monthly supplements or from advertisements and reviews in The Gramophone. The December 1945 issue of The Gramophone reviews the set as “Decca K1151-3 … Auto AK1151-3”. The same six sides were also issued in manual sequence as K1151–53, in which the Elegy and the Dirge share K1152 (Decca advertisement, The Gramophone, February 1946); the disc transferred here is the automatic coupling AK 1153, which carries the same two sides.","carrier.matrixTakeSides.value":"AR 8463, take 2 (side 3 of 6); AR 8464 take 4, the Dirge, is on the other side of the same disc","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"charm\"]","carrier.matrixTakeSides.note":"From the item metadata and the CHARM record, which list the six sides of the set as AR 8461-4, AR 8466-4, AR 8462-3, AR 8465-4, AR 8463-2 and AR 8464-4.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\",\"archive-collection\",\"charm\"]","transfer.credits.note":"The item names no transfer engineer. It belongs to the Internet Archive’s Centre for the History and Analysis of Recorded Music (CHARM) 78rpm collection and carries a CHARM record (METS_AK_1151, created 30 January 2009 by conversion from a spreadsheet).","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\",\"charm\"]","transfer.date.note":"The Internet Archive upload is a copying event, not the date of the transfer; the sibling item for side 4 was added on 15 January 2019.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item states no stylus, equalisation or noise reduction. The MP3 is the Internet Archive derivative of the uploaded FLAC.","digital.streamUrl":"https://archive.org/download/78_serenade-for-tenor-horn-strings-op31-s3-elegy-blake_pears-peter-brain-d-boy/AK_1153_AR_8463-2.mp3","digital.sourceChain":"[\"archive\",\"charm\"]","digital.format":"Internet Archive VBR MP3 derivative of a FLAC; one disc side, no concatenation or edits by Contrapunctus","digital.durationSeconds":260.58,"rights.composition.value":"In copyright. Britten died on 4 December 1976, so the Serenade is protected in the EU and the United Kingdom (life plus 70 years) until the end of 2046; Boosey & Hawkes is the publisher. Blake (1757–1827) wrote the poem, which is in the public domain.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"boosey\",\"svmusic\"]","rights.composition.note":"The publisher is documented by the Boosey & Hawkes page and Blake’s dates by the Sun Valley note. The term is a calculation from the composer’s death date, which the composer chapter on this site gives. Rights in the composition are separate from rights in the recording and do not block publication.","rights.recording.value":"Territorial EU and UK public domain: first published before 1963 (Decca AK 1151–53, November 1945). United States status not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"decca-disco\",\"gramophone-1945\",\"copyright-office\",\"archive\"]","rights.recording.note":"The release date is Philip Stuart’s, taken from Decca’s monthly supplements or from The Gramophone; The Gramophone for December 1945 independently reviews the set as already on sale. For a recording first published in 1945 the Copyright Office describes a term of 95 years plus 5 years after first publication in the United States, to the end of 2045; whether that term applies to this British issue was not established. The item carries no licence statement and sits in the CHARM collection, not in the Great 78 Project; its metadata carries no litigation, takedown or restriction flag.","rights.creditLine":"Benjamin Britten, Serenade for Tenor, Horn and Strings, Op. 31: IV. Elegy. Peter Pears, tenor; Dennis Brain, horn; Boyd Neel String Orchestra; Benjamin Britten, conductor. Decca matrix AR 8463 take 2, London, 1944; issued as Decca AK 1153, set AK 1151–53, in November 1945. Internet Archive item 78_serenade-for-tenor-horn-strings-op31-s3-elegy-blake_pears-peter-brain-d-boy, from the Centre for the History and Analysis of Recorded Music 78rpm collection. Territorial EU and UK basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/78_serenade-for-tenor-horn-strings-op31-s3-elegy-blake_pears-peter-brain-d-boy","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Serenade for Tenor, Horn & Strings Op.31 s3 Elegy (Blake) (Pears, Peter; Brain, D; Boyd Neel String Orchestra), Decca 1153\",\"url\":\"https://archive.org/details/78_serenade-for-tenor-horn-strings-op31-s3-elegy-blake_pears-peter-brain-d-boy\",\"locator\":\"Item metadata: label Decca, matrix AR_8463-2, file AK_1153_AR_8463-2, MP3 derivative of 4:20, creators; links to the other five sides of the set\",\"accessed\":\"2026-10-19\"},{\"id\":\"charm\",\"title\":\"CHARM record METS_AK_1151, as distributed with the Internet Archive items of the set\",\"url\":\"https://archive.org/download/78_serenade-for-tenor-horn-strings-op31-s4-dirge-anon-15th-century_pears-peter/METS_AK_1151.xml\",\"locator\":\"Six sides of Decca AK 1151–53 with matrices AR_8461-4 to AR_8466-4, titles of each side, artists, conductor Britten\",\"accessed\":\"2026-10-19\"},{\"id\":\"archive-collection\",\"title\":\"Internet Archive: Centre for the History and Analysis of Recorded Music 78rpm collection\",\"url\":\"https://archive.org/details/78rpm_charm\",\"locator\":\"Collection description: CHARM, established 1 April 2004 at Royal Holloway, University of London with King’s College London and the University of Sheffield\",\"accessed\":\"2026-10-19\"},{\"id\":\"decca-disco\",\"title\":\"Philip Stuart, Decca Classical, 1929–2009: Complete Decca Classical Discography (July 2009 edition), Internet Archive full text\",\"url\":\"https://archive.org/details/DeccaComplete\",\"locator\":\"Session 0288: 25 May 1944, West Hampstead Studios; three sides (8461/64/66) re-made 8 Oct 1944; Pears, Brain, Boyd Neel String Orchestra, Britten; Serenade Op. 31, AR8461-66; “(Nov45) (A)K1151-53”; preface on UK release dates\",\"accessed\":\"2026-10-19\"},{\"id\":\"gramophone-1945\",\"title\":\"The Gramophone, vol. 23 no. 271 (December 1945), Internet Archive scan\",\"url\":\"https://archive.org/details/sim_gramophone_1945-12_23_271\",\"locator\":\"Record review of Britten’s Serenade, “Decca K1151-3 (12 ins., 19s. 10½d.). Auto AK1151-3”, with the reviewer’s account of the Elegy and the Dirge; Decca advertisement listing “Serenade for Tenor, Horn and Strings (Benjamin Britten) K1151-3”\",\"accessed\":\"2026-10-19\"},{\"id\":\"gramophone-1946\",\"title\":\"The Gramophone, vol. 23 no. 273 (February 1946), Internet Archive scan\",\"url\":\"https://archive.org/details/sim_gramophone_1946-02_23_273\",\"locator\":\"Decca advertisement for the Serenade: sides listed under K1151, K1152 (Elegy, Dirge) and K1153; “Automatic couplings AK 1151/2/3”\",\"accessed\":\"2026-10-19\"},{\"id\":\"cooke\",\"title\":\"Richard Cooke (conductor), blog 16: Britten, Serenade for Tenor Solo, Horn and Strings, Op. 31, 13 July 2020\",\"url\":\"https://www.richardcooke.org/blogtext.htm?blog=64\",\"locator\":\"Elegy section: long introduction and conclusion in strings and horn, the horn’s exposed top C in the fifteenth slow bar, recitative, weighty double-bass pizzicato; the page’s text was read from its HTML source\",\"accessed\":\"2026-10-19\"},{\"id\":\"clarke\",\"title\":\"Colin Clarke, review of Britten Sinfonia, Milton Court, 9 April 2024, Seen and Heard International (11 April 2024)\",\"url\":\"https://seenandheard-international.com/2024/04/britten-sinfonias-typically-adventurous-programme-mixing-a-world-premiere-with-music-of-today/\",\"locator\":\"Paragraph on the Elegy: two sustained high Cs resolving to a sustained top B natural; the tenor’s lines against shifting chords in the strings\",\"accessed\":\"2026-10-19\"},{\"id\":\"wikipedia\",\"title\":\"Wikipedia: Serenade for Tenor, Horn and Strings\",\"url\":\"https://en.wikipedia.org/wiki/Serenade_for_Tenor,_Horn_and_Strings\",\"locator\":\"Eight movements; Sackville-West’s advice and the dedication; the eight lines of Blake’s poem as set\",\"accessed\":\"2026-10-19\"},{\"id\":\"svmusic\",\"title\":\"Jon Kochavi, programme note, Sun Valley Music Festival, 29 July 2022\",\"url\":\"https://www.svmusicfestival.org/program_notes/program-notes-stories-and-poems/\",\"locator\":\"Edward Sackville-West on the Serenade’s subject: “the worm in the heart of the rose, the sense of sin in the heart of man”\",\"accessed\":\"2026-10-19\"},{\"id\":\"boosey\",\"title\":\"Boosey & Hawkes: Benjamin Britten, Serenade, op. 31 (1943)\",\"url\":\"https://www.boosey.com/cr/music/Benjamin-Britten-Serenade/3880\",\"locator\":\"Publisher; the “worm in the rose” of Blake’s Elegy and the Dirge as the work’s centrepiece\",\"accessed\":\"2026-10-19\"},{\"id\":\"copyright-office\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: 95 years after first publication, plus 5 years for recordings first published 1923–1946\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"4 inferred; 5 documented; 3 unknown"},{"id":"bruckner-7-adagio","composer":"Anton Bruckner","title":"Symphony No. 7 in E major, WAB 107","movement":"II. Adagio — Sehr feierlich und sehr langsam","work.title":"Symphony No. 7 in E major","work.catalogue":"WAB 107","work.movement":"II. Adagio — Sehr feierlich und sehr langsam","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"imslp\",\"oma\"]","work.version.note":"Neither the Commons page, the IMSLP performance entry, the embedded tags nor the Munich analysis page names the edition performed (Gutmann 1885, Haas, Nowak or Cohrs). The 1885 first edition is cited only as a viewable public-domain score for the orchestration timeline. Whether the cymbal-and-triangle clash at the climax is played is not established from the sources; the audio analysis cannot decide it.","performers.value":"[{\"name\":\"Hochschulsymphonieorchester (Munich)\",\"role\":\"orchestra\"},{\"name\":\"Marcus Bosch\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"imslp\",\"tags\",\"oma\",\"commons\"]","performers.note":"The IMSLP performance entry gives “Hochschulsymphonieorchester (Munich), Marcus Bosch (conductor)”, the MP3’s embedded artist tag reads “Hochschulsymphonieorchester (München), Ltg. Marcus Bosch”, and the Munich analysis page repeats the credit. The Commons page credits only “University of Music and Theatre Munich” as author. No roster of players is given.","session.date.value":"2020 (credits) or 8 November 2021 (inferred from file names and a programme listing)","session.date.status":"disputed","session.date.sourceIds":"[\"imslp\",\"tags\",\"commons\",\"oma\",\"gasteig\"]","session.date.note":"The credits (IMSLP: “Live recording at the University of Music and Theatre Munich 2020”; embedded date tag; Commons; Munich analysis page) give 2020. The IMSLP file names, however, carry the token 2021-11-08, and the Gasteig November 2021 programme lists a Hochschulsymphonieorchester München concert under Marcus Bosch with Bruckner’s Seventh at the Isarphilharmonie, 19:00, under Mo 08. That matching concert is an inferred association, not proof that the files were cut from it; neither date is promoted to a settled session date, and no day or month is documented in the credits.","session.date.precision":"approximate","session.date.alternatives":"[{\"value\":\"2020 (year only; credit on IMSLP, Commons, the embedded tags and the Munich analysis page)\",\"sourceIds\":[\"imslp\",\"tags\",\"commons\",\"oma\"]},{\"value\":\"8 November 2021 (inferred from the IMSLP file-name token 2021-11-08 and the Gasteig programme listing)\",\"sourceIds\":[\"imslp\",\"gasteig\"]}]","session.place.value":"University of Music and Theatre Munich (Hochschule für Musik und Theater München); the hall is not named in the credits","session.place.status":"documented","session.place.sourceIds":"[\"imslp\",\"tags\",\"gasteig\"]","session.place.note":"IMSLP’s miscellaneous note and the embedded comment (“Live-Konzertmitschnitt der Hochschule für Musik und Theater München 2020”) name the institution as the place of the live recording, not a hall. The Gasteig programme lists a concert with the same forces at the Isarphilharmonie; whether the recording was made there is not established.","carrier.label.value":"University of Music and Theatre Munich (IMSLP publisher information); no commercial label","carrier.label.status":"documented","carrier.label.sourceIds":"[\"imslp\"]","carrier.label.note":"IMSLP’s publisher field reads “University of Music and Theatre Munich, 2020”. The file is a concert recording distributed through IMSLP and Wikimedia Commons, not a label release.","carrier.catalogue.value":"IMSLP recording #899191; file PMLP7929-2021-11-08 HP8 HSO Bruckner-7 02.mp3","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"imslp\"]","carrier.catalogue.note":"This is IMSLP’s own identifier for the file, not a label catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"imslp\"]","carrier.matrixTakeSides.note":"A live concert capture distributed as an MP3 file has no disc matrix, take or side. This is not a statement about the original recording medium.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"imslp\",\"commons\"]","transfer.credits.note":"IMSLP names the uploader of the file (Musikisum, 11 February 2024) and the Commons file page lists the University as author; neither identifies a recording, editing or mastering engineer. An uploader is not treated as a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"imslp\",\"commons\"]","transfer.date.note":"The IMSLP upload date (11 February 2024) and the Commons revision dates are not transfer or session dates.","transfer.processing.value":"MP3 file, about 128 kbit/s, 1075.652 s, with embedded ID3 tags; hosted unchanged on Wikimedia Commons as an MP3 original.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"tags\",\"media\"]","transfer.processing.note":"The bit rate and tags were read from the cached copy with ffprobe; the Commons media record gives the duration and MP3 type. No restoration, editing or loudness processing is disclosed.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/0/07/HSO_Bruckner-7_02.mp3","digital.sourceChain":"[\"commons\",\"imslp\"]","digital.format":"MP3 original file hosted by Wikimedia Commons","digital.durationSeconds":1075.652,"rights.composition.value":"Public domain; Commons tags the composition PD-old-auto-expired (Bruckner died in 1896).","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The notice concerns the composition only. It does not license a modern critical edition or this recording.","rights.recording.value":"Creative Commons Attribution-ShareAlike 4.0 International. Rights rule 1: the licence covers the sound recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"imslp\",\"tags\",\"oma\"]","rights.recording.note":"The Commons Copyright information template gives recording = CC BY-SA 4.0, the IMSLP performance entry states Creative Commons Attribution-ShareAlike 4.0, the embedded copyright tag reads CC BY-SA 4.0, and the Munich analysis page states the licence for the same recording with a rights-holder attribution pattern. The licence is that of the University of Music and Theatre Munich’s recording and is separate from the composition’s public-domain tag.","rights.creditLine":"Anton Bruckner, Symphony No. 7, II. Adagio — Sehr feierlich und sehr langsam — Hochschulsymphonieorchester (Munich), Marcus Bosch; live recording, University of Music and Theatre Munich (credited 2020). 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Notes Live recording at the University of Music and Theatre Munich 2020. Page HTML retrieved directly (the listing is scripted in a browser).\",\"accessed\":\"2026-10-17\"},{\"id\":\"tags\",\"title\":\"Embedded ID3 tags of the cached MP3 (ffprobe)\",\"url\":\"https://upload.wikimedia.org/wikipedia/commons/0/07/HSO_Bruckner-7_02.mp3\",\"locator\":\"artist “Hochschulsymphonieorchester (München), Ltg. Marcus Bosch”; comment “Live-Konzertmitschnitt der Hochschule für Musik und Theater München 2020”; copyright “CC BY-SA 4.0”; date 2020; title “Anton Bruckner, Sinfonie Nr. 7 E-Dur (WAB 107), 2. Satz: Adagio. 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The day heading was read from the extracted text layer.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 7 documented; 1 disputed; 1 not applicable"},{"id":"bruckner-7-allegro-moderato","composer":"Anton Bruckner","title":"Symphony No. 7 in E major, WAB 107","movement":"I. Allegro moderato","work.title":"Symphony No. 7 in E major","work.catalogue":"WAB 107","work.movement":"I. Allegro moderato","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"imslp\",\"oma\"]","work.version.note":"Neither the Commons page, the IMSLP performance entry, the embedded tags nor the Munich analysis page names the edition performed (Gutmann 1885, Haas, Nowak or Cohrs). The 1885 first edition is cited only as a viewable public-domain score for the orchestration timeline.","performers.value":"[{\"name\":\"Hochschulsymphonieorchester (Munich)\",\"role\":\"orchestra\"},{\"name\":\"Marcus Bosch\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"imslp\",\"tags\",\"oma\",\"commons\"]","performers.note":"The IMSLP performance entry gives “Hochschulsymphonieorchester (Munich), Marcus Bosch (conductor)”, the MP3’s embedded artist tag reads “Hochschulsymphonieorchester (München), Ltg. Marcus Bosch”, and the Munich analysis page repeats the credit. The Commons page credits only “University of Music and Theatre Munich” as author. No roster of players is given.","session.date.value":"2020 (credits) or 8 November 2021 (inferred from file names and a programme listing)","session.date.status":"disputed","session.date.sourceIds":"[\"imslp\",\"tags\",\"commons\",\"oma\",\"gasteig\"]","session.date.note":"The credits (IMSLP: “Live recording at the University of Music and Theatre Munich 2020”; embedded date tag; Commons; Munich analysis page) give 2020. The IMSLP file names, however, carry the token 2021-11-08, and the Gasteig November 2021 programme lists a Hochschulsymphonieorchester München concert under Marcus Bosch with Bruckner’s Seventh at the Isarphilharmonie, 19:00, under Mo 08. That matching concert is an inferred association, not proof that the files were cut from it; neither date is promoted to a settled session date, and no day or month is documented in the credits.","session.date.precision":"approximate","session.date.alternatives":"[{\"value\":\"2020 (year only; credit on IMSLP, Commons, the embedded tags and the Munich analysis page)\",\"sourceIds\":[\"imslp\",\"tags\",\"commons\",\"oma\"]},{\"value\":\"8 November 2021 (inferred from the IMSLP file-name token 2021-11-08 and the Gasteig programme listing)\",\"sourceIds\":[\"imslp\",\"gasteig\"]}]","session.place.value":"University of Music and Theatre Munich (Hochschule für Musik und Theater München); the hall is not named in the credits","session.place.status":"documented","session.place.sourceIds":"[\"imslp\",\"tags\",\"gasteig\"]","session.place.note":"IMSLP’s miscellaneous note and the embedded comment (“Live-Konzertmitschnitt der Hochschule für Musik und Theater München 2020”) name the institution as the place of the live recording, not a hall. The Gasteig programme lists a concert with the same forces at the Isarphilharmonie; whether the recording was made there is not established.","carrier.label.value":"University of Music and Theatre Munich (IMSLP publisher information); no commercial label","carrier.label.status":"documented","carrier.label.sourceIds":"[\"imslp\"]","carrier.label.note":"IMSLP’s publisher field reads “University of Music and Theatre Munich, 2020”. 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This is not a statement about the original recording medium.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"imslp\",\"commons\"]","transfer.credits.note":"IMSLP names the uploader of the file (Musikisum, 11 February 2024) and the Commons file page lists the University as author; neither identifies a recording, editing or mastering engineer. An uploader is not treated as a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"imslp\",\"commons\"]","transfer.date.note":"The IMSLP upload date (11 February 2024) and the Commons revision dates are not transfer or session dates.","transfer.processing.value":"MP3 file, about 128 kbit/s, 1074.686 s, with embedded ID3 tags; hosted unchanged on Wikimedia Commons as an MP3 original.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"tags\",\"media\"]","transfer.processing.note":"The bit rate and tags were read from the cached copy with ffprobe; the Commons media record gives the duration and MP3 type. No restoration, editing or loudness processing is disclosed.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/5/5c/HSO_Bruckner-7_01.mp3","digital.sourceChain":"[\"commons\",\"imslp\"]","digital.format":"MP3 original file hosted by Wikimedia Commons","digital.durationSeconds":1074.686,"rights.composition.value":"Public domain; Commons tags the composition PD-old-auto-expired (Bruckner died in 1896).","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The notice concerns the composition only. It does not license a modern critical edition or this recording.","rights.recording.value":"Creative Commons Attribution-ShareAlike 4.0 International. Rights rule 1: the licence covers the sound recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"imslp\",\"tags\",\"oma\"]","rights.recording.note":"The Commons Copyright information template gives recording = CC BY-SA 4.0, the IMSLP performance entry states Creative Commons Attribution-ShareAlike 4.0, the embedded copyright tag reads CC BY-SA 4.0, and the Munich analysis page states the licence for the same recording with a rights-holder attribution pattern. The licence is that of the University of Music and Theatre Munich’s recording and is separate from the composition’s public-domain tag.","rights.creditLine":"Anton Bruckner, Symphony No. 7, I. Allegro moderato — Hochschulsymphonieorchester (Munich), Marcus Bosch; live recording, University of Music and Theatre Munich (credited 2020). 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Retrieval returned HTTP 403; no session or production details were recovered.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Chopin - Ballade No. 1 in G minor, Op. 23 (Frank Levy).flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1118812058&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Chopin - Ballade No. 1 in G minor, Op. 23 (Frank Levy).flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"6 unknown; 5 documented; 1 disputed"},{"id":"chopin-ballade-2","composer":"Frédéric Chopin","title":"Ballade No. 2 in F major, Op. 38","movement":"Andantino — Presto con fuoco","work.title":"Ballade No. 2 in F major, Op. 38","work.catalogue":"Op. 38","work.movement":"Andantino — Presto con fuoco","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[]","work.version.note":"Source identifies the standard solo-piano work; edition, individual readings and completeness have not been established by a score audit.","performers.value":"[{\"name\":\"Frank Lévy\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Named on the selected source page.","session.date.value":"circa 2014","session.date.status":"inferred","session.date.sourceIds":"[\"source\"]","session.date.note":"Commons gives circa 2014 for this Musopen recording, but an independently documented session date is not available.","session.date.precision":"approximate","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[]","session.place.note":"Recording venue and location are not established by the consulted source.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[]","carrier.label.note":"A commercial recording label is not established by this digital source.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[]","carrier.matrixTakeSides.note":"No historic disc matrix or side is involved in the documented digital source.","transfer.credits.value":"Musopen — Set Chopin Free project","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"Project/source attribution; neither a session engineer nor a transfer engineer is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer or mastering date is established; upload dates are not used as recording dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[]","transfer.processing.note":"Equalisation, editing, denoising, pitch correction and other processing are not documented. No judgement of their absence is implied.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/8/8e/Chopin_-_Ballade_No._2_in_F_major%2C_Op._38_%28Frank_Levy%29.flac/Chopin_-_Ballade_No._2_in_F_major%2C_Op._38_%28Frank_Levy%29.flac.mp3","digital.sourceChain":"[\"musopen\",\"source\"]","digital.format":"MP3 streaming derivative of the source flac","digital.durationSeconds":494.689,"rights.composition.value":"Public domain","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\"]","rights.composition.note":"Chopin died in 1849; this nineteenth-century composition is out of copyright in the programme jurisdictions. This does not determine the recording rights.","rights.recording.value":"Public-domain release by Musopen","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\"]","rights.recording.note":"Commons separates recording rights from composition rights: its Copyright information template applies PD-author to the recording, naming Musopen. This is not reliance on the composition-only PD-old tag.","rights.creditLine":"Frank Lévy, piano; Musopen Set Chopin Free project; public-domain recording, via Wikimedia Commons. MP3 streaming derivative.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-author","sources":"[{\"id\":\"source\",\"title\":\"Selected recording source\",\"url\":\"https://commons.wikimedia.org/wiki/File:Chopin_-_Ballade_No._2_in_F_major,_Op._38_(Frank_Levy).flac\",\"locator\":\"Description, performer attribution, source chain and recording-licence statement.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work\",\"title\":\"Fryderyk Chopin Institute: Ballade No. 2 in F major, Op. 38\",\"url\":\"https://chopin.nifc.pl/en/chopin/kompozycja/96\",\"locator\":\"Work commentary, date, dedication and formal description.\",\"accessed\":\"2026-10-16\"},{\"id\":\"musopen\",\"title\":\"Musopen: Set Chopin Free release update\",\"url\":\"https://www.kickstarter.com/projects/Musopen/set-chopin-free/posts/1193714\",\"locator\":\"Upstream project release linked from the Commons file page.\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 unknown; 4 documented; 1 inferred; 1 not applicable"},{"id":"chopin-ballade-3","composer":"Frédéric Chopin","title":"Ballade No. 3 in A♭ major, Op. 47","movement":"Allegretto","work.title":"Ballade No. 3 in A♭ major, Op. 47","work.catalogue":"Op. 47","work.movement":"Allegretto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[]","work.version.note":"Source identifies the standard solo-piano work; edition, individual readings and completeness have not been established by a score audit.","performers.value":"[{\"name\":\"Martha Goldstein\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Named on the selected source page.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[]","session.date.note":"The consulted source does not establish a recording-session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[]","session.place.note":"Recording venue and location are not established by the consulted source.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[]","carrier.label.note":"A commercial recording label is not established by this digital source.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[]","carrier.matrixTakeSides.note":"No original carrier, matrix, take or side has been established from the consulted source; a digital copy does not establish a born-digital original.","transfer.credits.value":"Al Goldstein’s Pandora Music repository, ibiblio","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"Repository/source credit only; no individual transfer engineer is established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer or mastering date is established; upload dates are not used as recording dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[]","transfer.processing.note":"Equalisation, editing, denoising, pitch correction and other processing are not documented. No judgement of their absence is implied.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/90/Frederic_Chopin_-_Ballade_Ab_major_Opus_47.ogg/Frederic_Chopin_-_Ballade_Ab_major_Opus_47.ogg.mp3","digital.sourceChain":"[\"repository\",\"source\"]","digital.format":"MP3 streaming derivative of the source ogg","digital.durationSeconds":450.76,"rights.composition.value":"Public domain","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\"]","rights.composition.note":"Chopin died in 1849; this nineteenth-century composition is out of copyright in the programme jurisdictions. This does not determine the recording rights.","rights.recording.value":"Creative Commons Attribution–ShareAlike 2.0","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\"]","rights.recording.note":"The file page applies CC BY-SA 2.0 to the Martha Goldstein recording. It also documents its original EFF Open Audio Licence provenance.","rights.creditLine":"Martha Goldstein, piano; recording from Al Goldstein’s Pandora Music repository at ibiblio, via Wikimedia Commons. CC BY-SA 2.0. Streaming MP3 derivative; musical content not edited here.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/2.0/","sources":"[{\"id\":\"source\",\"title\":\"Selected recording source\",\"url\":\"https://commons.wikimedia.org/wiki/File:Frederic_Chopin_-_Ballade_Ab_major_Opus_47.ogg\",\"locator\":\"Description, performer attribution, source chain and recording-licence statement.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work\",\"title\":\"Fryderyk Chopin Institute: Ballade No. 3 in A♭ major, Op. 47\",\"url\":\"https://chopin.nifc.pl/en/chopin/kompozycja/110\",\"locator\":\"Work commentary, date, dedication and formal description.\",\"accessed\":\"2026-10-16\"},{\"id\":\"repository\",\"title\":\"Al Goldstein: Pandora Music repository\",\"url\":\"http://music.ibiblio.org/pub/multimedia/pandora/vorbis/index.html\",\"locator\":\"Upstream source named on the Commons file page; the source page, not an upload date, supplies attribution.\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 4 documented"},{"id":"chopin-ballade-4","composer":"Frédéric Chopin","title":"Ballade No. 4 in F minor, Op. 52","movement":"Andante con moto","work.title":"Ballade No. 4 in F minor, Op. 52","work.catalogue":"Op. 52","work.movement":"Andante con moto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[]","work.version.note":"Source identifies the standard solo-piano work; edition, individual readings and completeness have not been established by a score audit.","performers.value":"[{\"name\":\"Frank Lévy\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Named on the selected source page.","session.date.value":"circa 2014","session.date.status":"inferred","session.date.sourceIds":"[\"source\"]","session.date.note":"Commons gives circa 2014 for this Musopen recording, but an independently documented session date is not available.","session.date.precision":"approximate","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[]","session.place.note":"Recording venue and location are not established by the consulted source.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[]","carrier.label.note":"A commercial recording label is not established by this digital source.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[]","carrier.matrixTakeSides.note":"No historic disc matrix or side is involved in the documented digital source.","transfer.credits.value":"Musopen — Set Chopin Free project","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"Project/source attribution; neither a session engineer nor a transfer engineer is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer or mastering date is established; upload dates are not used as recording dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[]","transfer.processing.note":"Equalisation, editing, denoising, pitch correction and other processing are not documented. No judgement of their absence is implied.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/0/0d/Chopin_-_Ballade_No._4_in_F_minor%2C_Op._52_%28Frank_Levy%29.flac/Chopin_-_Ballade_No._4_in_F_minor%2C_Op._52_%28Frank_Levy%29.flac.mp3","digital.sourceChain":"[\"musopen\",\"source\"]","digital.format":"MP3 streaming derivative of the source flac","digital.durationSeconds":762.009,"rights.composition.value":"Public domain","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\"]","rights.composition.note":"Chopin died in 1849; this nineteenth-century composition is out of copyright in the programme jurisdictions. This does not determine the recording rights.","rights.recording.value":"Public-domain release by Musopen","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\"]","rights.recording.note":"Commons separates recording rights from composition rights: its Copyright information template applies PD-author to the recording, naming Musopen. This is not reliance on the composition-only PD-old tag.","rights.creditLine":"Frank Lévy, piano; Musopen Set Chopin Free project; public-domain recording, via Wikimedia Commons. MP3 streaming derivative.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-author","sources":"[{\"id\":\"source\",\"title\":\"Selected recording source\",\"url\":\"https://commons.wikimedia.org/wiki/File:Chopin_-_Ballade_No._4_in_F_minor,_Op._52_(Frank_Levy).flac\",\"locator\":\"Description, performer attribution, source chain and recording-licence statement.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work\",\"title\":\"Fryderyk Chopin Institute: Ballade No. 4 in F minor, Op. 52\",\"url\":\"https://chopin.nifc.pl/en/chopin/kompozycja/115_ballade-in-f-minor\",\"locator\":\"Work commentary, date, dedication and formal description.\",\"accessed\":\"2026-10-16\"},{\"id\":\"musopen\",\"title\":\"Musopen: Set Chopin Free release update\",\"url\":\"https://www.kickstarter.com/projects/Musopen/set-chopin-free/posts/1193714\",\"locator\":\"Upstream project release linked from the Commons file page.\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 unknown; 4 documented; 1 inferred; 1 not applicable"},{"id":"chopin-etude-op10-5-cortot","composer":"Frédéric Chopin","title":"Étude in G♭ major, Op. 10 No. 5; Étude in G♭ major, Op. 25 No. 9","movement":"Black Keys, followed by Butterfly — complete disc side","work.title":"Étude in G♭ major, Op. 10 No. 5; Étude in G♭ major, Op. 25 No. 9","work.catalogue":"Op. 10 No. 5; Op. 25 No. 9","work.movement":"Black Keys, followed by Butterfly — complete disc side","work.version.value":"Two titles on one original disc side","work.version.status":"documented","work.version.sourceIds":"[\"dahr\",\"source\"]","work.version.note":"The entire selected file is retained; the approximately 96.5-second junction is a listening marker, not a clip boundary. Individual score readings and cuts within each work have not been audited.","performers.value":"[{\"name\":\"Alfred Cortot\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Named on the selected source page.","session.date.value":"1920-04-22","session.date.status":"documented","session.date.sourceIds":"[\"dahr\"]","session.date.note":"DAHR master take 2; the other 1920 takes and later 1923 remake are not this selected master.","session.date.precision":"day","session.place.value":"Camden, New Jersey, United States — Church Building","session.place.status":"documented","session.place.sourceIds":"[\"dahr\"]","session.place.note":"Place stated in the DAHR take table.","carrier.label.value":"Victor / Victrola","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr\",\"source\"]","carrier.label.note":"Victor is the issuing company in DAHR; the selected Archive item gives the Victrola imprint.","carrier.catalogue.value":"64989","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr\",\"source\"]","carrier.catalogue.note":"Issue number of the 10-inch 78 rpm disc; this is not the matrix number.","carrier.matrixTakeSides.value":"B-23953, take 2; both études on one side","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr\"]","carrier.matrixTakeSides.note":"DAHR identifies Op. 10 No. 5 followed by Op. 25 No. 9; Archive’s matrix_number field repeats issue number 64989, so DAHR supplies the actual matrix.","transfer.credits.value":"George Blood, L.P.; Chris Guest (transfer); Kevin Coupe (cleaning)","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"Archive metadata names the scanning centre and the transferred/cleaned personnel; these are digital-transfer credits, not 1920 session engineers.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer or mastering date is established; upload dates are not used as recording dates.","transfer.processing.value":"78 rpm transfer; flat and equalised versions documented, with 250 Hz turnover for the equalised versions","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"Archive describes 3.5 mil truncated elliptical and 2.3 mil truncated conical styli. The selected generic MP3 is the provided listening derivative; the exact stylus/equalisation choice for that file is not established.","digital.streamUrl":"https://archive.org/download/78_etude-in-g-flat-major-black-keys-etude-in-g-flat-major-the-butterfly_alfred-co_gbia0291196a/Etude%20in%20G%20Flat%20Major%20(Black%20Keys)%3B%20Etude%20%20-%20Alfred%20Cortot.mp3","digital.sourceChain":"[\"dahr\",\"source\"]","digital.format":"MP3 listening derivative of a 78 rpm disc transfer","digital.durationSeconds":163.46,"rights.composition.value":"Public domain","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\"]","rights.composition.note":"Chopin died in 1849; this nineteenth-century composition is out of copyright in the programme jurisdictions. This does not determine the recording rights.","rights.recording.value":"Public domain in the United States: published in 1920","rights.recording.status":"documented","rights.recording.sourceIds":"[\"issue\",\"dahr\",\"source\"]","rights.recording.note":"DAHR’s issue record, MARC 264 field, dates Victor 64989’s publication to 1920 independently of the session date. The selected Archive item also gives 1920. This meets the programme’s published-on-or-before-1925 sound-recording rule; no non-commercial restriction appears in the Archive metadata.","rights.creditLine":"Alfred Cortot, piano; Victor 64989, matrix B-23953 take 2 (1920). Transfer via George Blood, L.P. and the Internet Archive Great 78 Project; Chris Guest, transfer; Kevin Coupe, cleaning. Historical recording public domain in the United States.","rights.licenseUrl":"","sources":"[{\"id\":\"source\",\"title\":\"Selected recording source\",\"url\":\"https://archive.org/metadata/78_etude-in-g-flat-major-black-keys-etude-in-g-flat-major-the-butterfly_alfred-co_gbia0291196a\",\"locator\":\"Description, performer attribution, source chain and recording-licence statement.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work\",\"title\":\"Fryderyk Chopin Institute: Études\",\"url\":\"https://chopin.nifc.pl/en/chopin/gatunki/9_etiudy\",\"locator\":\"Op.10 and Op.25 identity, publication and dedication.\",\"accessed\":\"2026-10-16\"},{\"id\":\"dahr\",\"title\":\"DAHR: Victor matrix B-23953\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/700009148/B-23953-Etude_in_G_flat_op._10_no._5_Black_keys\",\"locator\":\"Take 2 row: 22 April 1920, Camden Church Building, Victor 64989; primary and additional title identify both études.\",\"accessed\":\"2026-10-16\"},{\"id\":\"issue\",\"title\":\"DAHR: Victor 64989 issue record\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/detail/41582\",\"locator\":\"MARC 264 publication field gives Camden, Victor, 1920; 028 fields identify issue 64989 and matrix B-23953.\",\"accessed\":\"2026-10-17\"},{\"id\":\"interpretation\",\"title\":\"Rob Challinor: Alfred Cortot Plays Chopin\",\"url\":\"https://musicwebinternational.com/2025/10/alfred-cortot-plays-chopin-apr/\",\"locator\":\"Review of 1931–43 recordings; rubato and occasional hand separation are contextual evidence, not local observations of the 1920 side.\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"11 documented; 1 unknown"},{"id":"chopin-etude-op10-5","composer":"Frédéric Chopin","title":"Étude in G♭ major, Op. 10 No. 5","movement":"Vivace — Black Keys","work.title":"Étude in G♭ major, Op. 10 No. 5","work.catalogue":"Op. 10 No. 5","work.movement":"Vivace — Black Keys","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[]","work.version.note":"Source identifies the standard solo-piano work; edition, individual readings and completeness have not been established by a score audit.","performers.value":"[{\"name\":\"Edward Neeman\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Named on the selected source page.","session.date.value":"circa 2014","session.date.status":"inferred","session.date.sourceIds":"[\"source\"]","session.date.note":"Commons supplies circa 2014, but an independently documented recording-session date is not available.","session.date.precision":"approximate","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[]","session.place.note":"Recording venue and location are not established by the consulted source.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[]","carrier.label.note":"A commercial recording label is not established by this digital source.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[]","carrier.matrixTakeSides.note":"No historic disc matrix or side is involved in the documented digital source.","transfer.credits.value":"Musopen — Set Chopin Free project","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"Project/source attribution; individual engineer and mastering personnel are not identified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer or mastering date is established; upload dates are not used as recording dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[]","transfer.processing.note":"Equalisation, editing, denoising, pitch correction and other processing are not documented. No judgement of their absence is implied.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/2b/Chopin_-_12_%C3%89tudes%2C_Op._10_-_No._5_in_G-Flat_major_%27Black_Keys%27_%28Edward_Neeman%29.flac/Chopin_-_12_%C3%89tudes%2C_Op._10_-_No._5_in_G-Flat_major_%27Black_Keys%27_%28Edward_Neeman%29.flac.mp3","digital.sourceChain":"[\"musopen\",\"source\"]","digital.format":"MP3 streaming derivative of the source flac","digital.durationSeconds":110.849,"rights.composition.value":"Public domain","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\"]","rights.composition.note":"Chopin died in 1849; this nineteenth-century composition is out of copyright in the programme jurisdictions. This does not determine the recording rights.","rights.recording.value":"Public-domain release by Musopen","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\"]","rights.recording.note":"The Commons Copyright information template explicitly applies PD-author, naming Musopen, to the sound recording separately from the PD-old composition.","rights.creditLine":"Edward Neeman, piano; Musopen Set Chopin Free project, public-domain recording via Wikimedia Commons. MP3 streaming derivative.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-author","sources":"[{\"id\":\"source\",\"title\":\"Selected recording source\",\"url\":\"https://commons.wikimedia.org/wiki/File:Chopin_-_12_%C3%89tudes,_Op._10_-_No._5_in_G-Flat_major_%27Black_Keys%27_(Edward_Neeman).flac\",\"locator\":\"Description, performer attribution, source chain and recording-licence statement.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work\",\"title\":\"Fryderyk Chopin Institute: Étude in G♭ major, Op. 10 No. 5\",\"url\":\"https://chopin.nifc.pl/en/chopin/kompozycja/164\",\"locator\":\"Work identity, date, dedication and formal description.\",\"accessed\":\"2026-10-16\"},{\"id\":\"musopen\",\"title\":\"Musopen: Set Chopin Free release update\",\"url\":\"https://www.kickstarter.com/projects/Musopen/set-chopin-free/posts/1193714\",\"locator\":\"Upstream release linked from the Commons file page.\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 unknown; 4 documented; 1 inferred; 1 not applicable"},{"id":"chopin-etude-op25-5-goldstein","composer":"Frédéric Chopin","title":"Étude in E minor, Op. 25 No. 5","movement":"Vivace","work.title":"Étude in E minor, Op. 25 No. 5","work.catalogue":"","work.movement":"Vivace","work.version.value":"Piano original, performed on an Érard dated 1851","work.version.status":"documented","work.version.sourceIds":"[\"source\"]","work.version.note":"The instrument date is stated in the Commons recording description. 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No judgement of their absence is implied.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/6c/Chopin_-_12_%C3%89tudes%2C_Op._25_-_No._5_in_E_minor_%27Wrong_Note%27_%28Edward_Neeman%29.flac/Chopin_-_12_%C3%89tudes%2C_Op._25_-_No._5_in_E_minor_%27Wrong_Note%27_%28Edward_Neeman%29.flac.mp3","digital.sourceChain":"[\"musopen\",\"source\"]","digital.format":"MP3 streaming derivative of the source flac","digital.durationSeconds":225.071,"rights.composition.value":"Public domain","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\"]","rights.composition.note":"Chopin died in 1849; this nineteenth-century composition is out of copyright in the programme jurisdictions. This does not determine the recording rights.","rights.recording.value":"Public-domain release by Musopen","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\"]","rights.recording.note":"The Commons Copyright information template explicitly applies PD-author, naming Musopen, to the sound recording separately from the PD-old composition.","rights.creditLine":"Edward Neeman, piano; Musopen Set Chopin Free project, public-domain recording via Wikimedia Commons. 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No claim is made about an unidentified modern edition.","rights.recording.value":"Public-domain recording dedication by Musopen","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\"]","rights.recording.note":"Commons explicitly applies PD-author (Musopen) to the recording, separately from its composition tag.","rights.creditLine":"Étude in G♯ minor, Op. 25 No. 6 (“Thirds”); Edward Neeman, piano. Public-domain recording dedication by Musopen. Source: Wikimedia Commons.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — Chopin - 12 Études, Op. 25 - No. 6 in G-Sharp minor 'Thirds' (Edward Neeman).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Chopin_-_12_%C3%89tudes,_Op._25_-_No._6_in_G-Sharp_minor_%27Thirds%27_(Edward_Neeman).flac\",\"locator\":\"Recording description, source attribution, licence and file metadata; inspected independently of the comparison plan.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"5 documented; 7 unknown"},{"id":"chopin-etude-op25-6-paderewski","composer":"Frédéric Chopin","title":"Étude in G♯ minor, Op. 25 No. 6 (“Thirds”)","movement":"","work.title":"Étude in G♯ minor, Op. 25 No. 6 (“Thirds”)","work.catalogue":"","work.movement":"","work.version.value":"Solo piano version","work.version.status":"documented","work.version.sourceIds":"[\"source\",\"dahr\",\"issue\"]","work.version.note":"The source identifies this as the named solo-piano work.","performers.value":"[{\"name\":\"Ignacy Jan Paderewski\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Performer spelling normalised; no uncredited accompanist or soloist added.","session.date.value":"1923-05-04","session.date.status":"documented","session.date.sourceIds":"[\"source\",\"dahr\",\"issue\"]","session.date.note":"The recording year is stated in the cited source.","session.date.precision":"day","session.place.value":"Camden, New Jersey","session.place.status":"documented","session.place.sourceIds":"[\"source\",\"dahr\",\"issue\"]","session.place.note":"","carrier.label.value":"Victor / Victrola","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\"]","carrier.label.note":"","carrier.catalogue.value":"917-B","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\"]","carrier.catalogue.note":"Source catalogue identification; no independent label inspection is claimed.","carrier.matrixTakeSides.value":"B-27918, take 1","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"source\",\"dahr\",\"issue\"]","carrier.matrixTakeSides.note":"IA calls 917B its matrix number, but that is the catalogue-side identifier. DAHR identifies Victor 917’s issued étude as B-27918 take 1; the runout of this transfer was not independently inspected.","transfer.credits.value":"George Blood, L.P.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Upload dates are not treated as transfer dates.","transfer.processing.value":"Four stylus sizes were transferred flat and with a 500 Hz turnover; the selected friendly-named file is the engineer-preferred version.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"","digital.streamUrl":"https://archive.org/download/78_etude-in-g-sharp-minor_ignace-jan-paderewski-chopin_gbia0183841b/Etude%20in%20G%20Sharp%20Minor%20-%20Ignace%20Jan%20Paderewski.mp3","digital.sourceChain":"[\"source\",\"dahr\",\"issue\"]","digital.format":"MP3 access file; no concatenation or playback pitch alteration","digital.durationSeconds":130,"rights.composition.value":"Public-domain underlying composition as identified by the source.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This field concerns the underlying composition, separately from the sound-recording permission. No claim is made about an unidentified modern edition.","rights.recording.value":"US public-domain sound recording — published in or before 1925","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"dahr\",\"issue\"]","rights.recording.note":"Programme rule 2. Source identifies the 1923 issue and carrier; no non-commercial transfer licence was found in the inspected source. No worldwide public-domain claim is made.","rights.creditLine":"Étude in G♯ minor, Op. 25 No. 6 (“Thirds”); Ignacy Jan Paderewski, piano. Transfer: George Blood, L.P.. US public-domain sound recording — published in or before 1925. 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The exact first-release day is not supplied.\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): extended protection applies to phonograms still protected under the former rules as at 1 November 2013; an expired pre-1963 publication term is not revived.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"5 unknown; 6 documented; 1 inferred"},{"id":"chopin-etude-op25-9-neeman","composer":"Frédéric Chopin","title":"Étude in G♭ major, Op. 25 No. 9 (“Butterfly”)","movement":"","work.title":"Étude in G♭ major, Op. 25 No. 9 (“Butterfly”)","work.catalogue":"Op. 25 No. 9","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"source\"]","work.version.note":"No modern performing edition is established; the source audio is not locally edited or concatenated.","performers.value":"[{\"name\":\"Edward Neeman\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Commons gives an approximate 2014 date and explicitly credits Edward Neeman. 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No precise session date, instrument or venue is identified.","session.date.precision":"approximate","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"source\"]","session.place.note":"Recording venue is not established in the consulted sources.","carrier.label.value":"Musopen — Set Chopin Free","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\"]","carrier.label.note":"","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"source\"]","carrier.catalogue.note":"Catalogue number of the transferred carrier is not established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"source\"]","carrier.matrixTakeSides.note":"No matrix/take identifier is established; absence from the source does not mean none existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"An uploader is not automatically a transfer engineer; no engineer is securely credited for this exact derivative.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Transfer date is not established; upload dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"Restoration and equalisation details are not established for this exact access derivative.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/ce/Chopin_-_12_%C3%89tudes%2C_Op._25_-_No._9_in_G-Flat_major_%27Butterfly_Wings%27_%28Edward_Neeman%29.flac/Chopin_-_12_%C3%89tudes%2C_Op._25_-_No._9_in_G-Flat_major_%27Butterfly_Wings%27_%28Edward_Neeman%29.flac.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access stream; original source identified in the linked recording item.","digital.durationSeconds":69.01600907029479,"rights.composition.value":"The underlying composition is public domain where the ordinary life-plus-70 term has expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This does not clear an unidentified modern edition or establish worldwide rights.","rights.recording.value":"Recording explicitly dedicated to the public domain by Musopen (PD-author).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"term\"]","rights.recording.note":"Programme rule 1. Commons separates the recording’s PD-author dedication from the composition’s PD-old-auto-expired tag.","rights.creditLine":"Étude in G♭ major, Op. 25 No. 9 (“Butterfly”); Edward Neeman, piano. Recording explicitly dedicated to the public domain by Musopen (PD-author). Source: Wikimedia Commons.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — recording file\",\"url\":\"https://commons.wikimedia.org/wiki/File:Chopin_-_12_%C3%89tudes,_Op._25_-_No._9_in_G-Flat_major_%27Butterfly_Wings%27_(Edward_Neeman).flac\",\"locator\":\"Recording attribution, source, date, licence and transfer description; not the upload date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"Wikimedia Commons — PD-author dedication\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-author\",\"locator\":\"The template records release by the author into the public domain, with an unrestricted permission fallback where dedication is not legally possible. The recording file explicitly names Musopen as the dedicator.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 unknown; 4 documented; 1 inferred"},{"id":"chopin-nocturne-op15-2-dalbert","composer":"Frédéric Chopin","title":"Nocturne in F♯ major, Op. 15 No. 2","movement":"Larghetto","work.title":"Nocturne in F♯ major, Op. 15 No. 2","work.catalogue":"Op. 15 No. 2","work.movement":"Larghetto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[]","work.version.note":"The standard solo-piano work is identified; edition, individual readings and completeness have not been established by a score audit.","performers.value":"[{\"name\":\"Eugen d’Albert\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Performer named on the selected recording source.","session.date.value":"1916","session.date.status":"documented","session.date.sourceIds":"[\"source\",\"scan\"]","session.date.note":"Both the selected track filename/item description and the pictured Symposium track list date this Nocturne to 1916; the album-level 1913 date is not used.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[]","session.place.note":"A recording location and venue are not established by the consulted source.","carrier.label.value":"Gramophone; reissued by Symposium","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\",\"scan\"]","carrier.label.note":"Original disc label and modern compilation are distinguished.","carrier.catalogue.value":"Gramophone 045578 / 045678 (conflicting sources); reissue Symposium 1146","carrier.catalogue.status":"disputed","carrier.catalogue.sourceIds":"[\"source\",\"scan\"]","carrier.catalogue.note":"The primary CD track-list scan prints 045578 for track 10; the Archive description and filename give 045678. Both identify the same work, matrix and year. The compilation is dated 1993, not the historical session.","carrier.catalogue.alternatives":"[{\"value\":\"Gramophone 045578\",\"sourceIds\":[\"scan\"]},{\"value\":\"Gramophone 045678\",\"sourceIds\":[\"source\"]}]","carrier.matrixTakeSides.value":"1120m; take not established","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\",\"scan\"]","carrier.matrixTakeSides.note":"Both consulted representations agree on the matrix; neither establishes a take number.","transfer.credits.value":"Symposium 1146 compilation; Internet Archive digital copy","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"source\",\"scan\"]","transfer.credits.note":"Reissue/source attribution only. A named transfer engineer and any relationship to the different Arbiter reissue are not established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer date is established; upload or reissue dates are not used as session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[]","transfer.processing.note":"Equalisation, editing, noise reduction, pitch correction and other processing are not documented; no absence of processing is implied.","digital.streamUrl":"https://archive.org/download/02-eugen-d-albert-syposium-1146/10%20-%20Eugen%20d'Albert%20-%20Nocturne%20in%20Fis-Dur%20op.15%20No.2%20(Chopin)%20Gram.%20045678%2C%20Mx.%201120%20m%20(1916).mp3","digital.sourceChain":"[\"scan\",\"source\"]","digital.format":"MP3 derivative of the Archive WAV track, identified as Symposium 1146 track 10","digital.durationSeconds":187,"rights.composition.value":"Public domain","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\"]","rights.composition.note":"Chopin died in 1849; the nineteenth-century composition is out of copyright in the programme jurisdictions. This does not determine the recording rights.","rights.recording.value":"Rule 3 — territorial: EU public domain on the pre-1963 original commercial acoustic Gramophone issue; US publication status is not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"scan\",\"eu-term\"]","rights.recording.note":"The primary Symposium track-list scan identifies the historical commercial Gramophone disc 045578, matrix 1120m, in its 1916 chronology; the Archive instead prints 045678, and that catalogue discrepancy is preserved. The original acoustic commercial issue predates 1963, so the former European 50-year term had expired before the 2013 extension. The source rights year 1916 identifies that historical carrier chronology, not an independently established exact first-release date. The 1993 compilation is not represented as the original publication, and the uploader’s Public Domain Mark is not treated as a rights-owner release. No NC condition appears in the consulted source metadata.","rights.creditLine":"Eugen d’Albert, piano; Gramophone matrix 1120m (1916), original catalogue 045578 in the printed discography / 045678 in Archive metadata. Symposium 1146 reissue via Internet Archive. Territorial EU public-domain recording basis; US publication status not established. Transfer engineer and processing unknown.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"source\",\"title\":\"Selected recording source\",\"url\":\"https://archive.org/metadata/02-eugen-d-albert-syposium-1146\",\"locator\":\"Performer, description, upstream source and recording-licence statement.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Fryderyk Chopin Institute: Nocturne in F♯ major, Op. 15 No. 2\",\"url\":\"https://chopin.nifc.pl/en/chopin/kompozycja/173\",\"locator\":\"Work identity, date, publication and formal commentary.\",\"accessed\":\"2026-10-16\"},{\"id\":\"scan\",\"title\":\"Symposium 1146: photographed track list\",\"url\":\"https://archive.org/download/02-eugen-d-albert-syposium-1146/D%27Albert%20tracks.jpg\",\"locator\":\"Track 10: Chopin Nocturne Op. 15 No. 2, matrix 1120m, catalogue 045578, year 1916; footer identifies 1993 compilation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): extension applies to phonograms still protected under the former rules as at 1 November 2013; expired pre-1963 publication terms are not revived.\",\"accessed\":\"2026-10-17\"},{\"id\":\"interpretation\",\"title\":\"Mark Mitchell and Allan Evans: The Centaur Pianist\",\"url\":\"https://arbiterrecords.org/catalog/eugen-d-albert-the-centaur-pianist/\",\"locator\":\"Arbiter notes reproduce Kempff’s recollection of d’Albert’s Op. 15 No. 2 and document Liszt studies; not evidence about this Symposium transfer’s engineering.\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"4 unknown; 7 documented; 1 disputed"},{"id":"chopin-nocturne-op15-2-paderewski-1937","composer":"Frédéric Chopin","title":"Nocturne in F♯ major, Op. 15 No. 2","movement":"","work.title":"Nocturne in F♯ major, Op. 15 No. 2","work.catalogue":"Op. 15 No. 2","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"source\"]","work.version.note":"No modern performing edition is established; the source audio is not locally edited or concatenated.","performers.value":"[{\"name\":\"Ignacy Jan Paderewski\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\",\"rubato\"]","performers.note":"Commons/Public Domain Project identifies the session and first release in 1938.","session.date.value":"30 January 1937","session.date.status":"documented","session.date.sourceIds":"[\"source\",\"rubato\"]","session.date.note":"Commons/Public Domain Project identifies the session and first release in 1938.","session.date.precision":"day","session.place.value":"London","session.place.status":"documented","session.place.sourceIds":"[\"source\",\"rubato\"]","session.place.note":"Named by the cited source; not inferred from an ensemble’s home city.","carrier.label.value":"His Master’s Voice","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\",\"rubato\"]","carrier.label.note":"","carrier.catalogue.value":"DB 3711","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\",\"rubato\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":"2EA 4573 (take not established)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\",\"rubato\"]","carrier.matrixTakeSides.note":"","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"An uploader is not automatically a transfer engineer; no engineer is securely credited for this exact derivative.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Transfer date is not established; upload dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"Restoration and equalisation details are not established for this exact access derivative.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/f/f5/Ignacy_Jan_Paderewski_-_Nocturne_in_F-sharp_major%2C_Op._15%2C_No._2_%28Chopin%29_-_Hmv-db3711-2ea4573.ogg/Ignacy_Jan_Paderewski_-_Nocturne_in_F-sharp_major%2C_Op._15%2C_No._2_%28Chopin%29_-_Hmv-db3711-2ea4573.ogg.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access stream; original source identified in the linked recording item.","digital.durationSeconds":221.78539583333333,"rights.composition.value":"The underlying composition is public domain where the ordinary life-plus-70 term has expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This does not clear an unidentified modern edition or establish worldwide rights.","rights.recording.value":"Territorial: EU public domain under the pre-1963 publication rule; first release 1938.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"rubato\",\"term\"]","rights.recording.note":"Programme rule 3. Commons’ PD-old-70 tag is composition-only; the documented first-release year supplies the sound-recording basis. US status is not established.","rights.creditLine":"Nocturne in F♯ major, Op. 15 No. 2; Ignacy Jan Paderewski, piano. Territorial: EU public domain under the pre-1963 publication rule; first release 1938. Source: Wikimedia Commons.","rights.licenseUrl":"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — recording file\",\"url\":\"https://commons.wikimedia.org/wiki/File:Ignacy_Jan_Paderewski_-_Nocturne_in_F-sharp_major,_Op._15,_No._2_(Chopin)_-_Hmv-db3711-2ea4573.ogg\",\"locator\":\"Recording attribution, source, date, licence and transfer description; not the upload date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rubato\",\"title\":\"Paderewski — Tempo Rubato (1909)\",\"url\":\"https://polishmusic.usc.edu/research/publications/polish-music-journal/vol4no1/paderewski-tempo-rubato/\",\"locator\":\"The pianist rejects compulsory compensation for stolen time in solo playing; a statement of interpretative principles, not measured proof of a particular gesture.\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"EU Directive 2011/77 — transitional term provisions\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected under the former rules as at 1 November 2013. An expired pre-1963 publication term is not revived.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"4 unknown; 7 documented; 1 inferred"},{"id":"chopin-nocturne-op15-2-paderewski","composer":"Frédéric Chopin","title":"Nocturne in F♯ major, Op. 15 No. 2","movement":"Larghetto","work.title":"Nocturne in F♯ major, Op. 15 No. 2","work.catalogue":"Op. 15 No. 2","work.movement":"Larghetto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[]","work.version.note":"The standard solo-piano work is identified; edition, individual readings and completeness have not been established by a score audit.","performers.value":"[{\"name\":\"Ignacy Jan Paderewski\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Performer named on the selected recording source.","session.date.value":"1917-05-14","session.date.status":"documented","session.date.sourceIds":"[\"dahr\",\"carrier\"]","session.date.note":"DAHR identifies the issued master as take 1 recorded on this day; later unissued takes are separate.","session.date.precision":"day","session.place.value":"New York, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"dahr\",\"carrier\"]","session.place.note":"City documented by the DAHR take table and upstream carrier record; individual venue not established.","carrier.label.value":"His Master’s Voice / Gramophone; original Victor master","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\",\"carrier\",\"dahr\"]","carrier.label.note":"The selected digital source is the HMV carrier listed below; DAHR links it to the Victor master.","carrier.catalogue.value":"HMV DB 375 / Gramophone 05616; equivalent Victor 74529","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"carrier\",\"dahr\"]","carrier.catalogue.note":"These are issue numbers, not separate recorded performances.","carrier.matrixTakeSides.value":"C-19781, take 1; stamper/issue markings 05616 and A 19781","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"carrier\",\"dahr\"]","carrier.matrixTakeSides.note":"DAHR explicitly links take 1 to Gramophone DB-375 and 05616 as well as Victor 74529; upstream carrier record supplies the additional markings.","transfer.credits.value":"Public Domain Project / Swiss Foundation Public Domain; Martin Osterwalder collection","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"source\",\"carrier\"]","transfer.credits.note":"Repository and collection attribution. The consulted record does not establish a named transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer date is established; upload or reissue dates are not used as session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[]","transfer.processing.note":"Equalisation, editing, noise reduction, pitch correction and other processing are not documented; no absence of processing is implied.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/8/82/PDP-CH_-_Nocturne_in_F-sharp_major%2C_Op._15%2C_No._2_-_Chopin_-_Ignacy_Jan_Paderewski_-_Hmv-db375-05616.flac/PDP-CH_-_Nocturne_in_F-sharp_major%2C_Op._15%2C_No._2_-_Chopin_-_Ignacy_Jan_Paderewski_-_Hmv-db375-05616.flac.mp3","digital.sourceChain":"[\"carrier\",\"source\"]","digital.format":"MP3 streaming derivative of source flac","digital.durationSeconds":207.993,"rights.composition.value":"Public domain","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\"]","rights.composition.note":"Chopin died in 1849; the nineteenth-century composition is out of copyright in the programme jurisdictions. This does not determine the recording rights.","rights.recording.value":"Public domain in the United States: first published 1917","rights.recording.status":"documented","rights.recording.sourceIds":"[\"carrier\",\"dahr\",\"source\"]","rights.recording.note":"The upstream carrier page explicitly gives first release 1917 in the United States; DAHR identifies the matching master and issues. Eligibility rests on the pre-1926 sound-recording publication rule, not the composition-only PD-old template.","rights.creditLine":"Ignacy Jan Paderewski, piano; New York, 14 May 1917; C-19781 take 1, HMV DB 375 / Gramophone 05616. Public Domain Project, Martin Osterwalder collection, via Wikimedia Commons. Historical recording public domain in the United States; MP3 derivative of the FLAC transfer.","rights.licenseUrl":"","sources":"[{\"id\":\"source\",\"title\":\"Selected recording source\",\"url\":\"https://commons.wikimedia.org/wiki/File:PDP-CH_-_Nocturne_in_F-sharp_major,_Op._15,_No._2_-_Chopin_-_Ignacy_Jan_Paderewski_-_Hmv-db375-05616.flac\",\"locator\":\"Performer, description, upstream source and recording-licence statement.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work\",\"title\":\"Fryderyk Chopin Institute: Nocturne in F♯ major, Op. 15 No. 2\",\"url\":\"https://chopin.nifc.pl/en/chopin/kompozycja/173\",\"locator\":\"Work identity, date, publication and formal commentary.\",\"accessed\":\"2026-10-16\"},{\"id\":\"dahr\",\"title\":\"DAHR: Victor matrix C-19781\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/700004863/C-19781-Nocturne_in_F_sharp_major\",\"locator\":\"Take 1 row: 14 May 1917, New York; Victor 74529, Gramophone 05616 and DB-375.\",\"accessed\":\"2026-10-16\"},{\"id\":\"carrier\",\"title\":\"Public Domain Project: HMV DB375/05616\",\"url\":\"https://pool.musicalheritage.org/index.php?title=Hmv-db375-05616\",\"locator\":\"Audio track information: performer, date, location, matrix, first US release in 1917; Martin Osterwalder collection.\",\"accessed\":\"2026-10-17\"},{\"id\":\"interpretation\",\"title\":\"Jonathan Woolf: Paderewski — The Complete American Victor Recordings\",\"url\":\"https://www.musicweb-international.com/classrev/2017/May/Paderewski_American_7505.htm\",\"locator\":\"Review describes dislocation between hands, arpeggiation and rubato; track list includes this 1917 Nocturne.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rubato\",\"title\":\"Ignacy Jan Paderewski: Tempo Rubato (1909)\",\"url\":\"https://polishmusic.usc.edu/research/publications/polish-music-journal/vol4no1/paderewski-tempo-rubato/\",\"locator\":\"Essay in Henry T. 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DAHR lists take 5 that day; take 3 of 2 April 1921 also appeared on Victor 815, so the transfer’s take attribution is inferred rather than established by a photographed label.","session.date.precision":"day","session.place.value":"Camden, New Jersey, Church Building","session.place.status":"documented","session.place.sourceIds":"[\"source\",\"dahr\"]","session.place.note":"","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\"]","carrier.label.note":"","carrier.catalogue.value":"815","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\"]","carrier.catalogue.note":"Source catalogue identification; no independent label inspection is claimed.","carrier.matrixTakeSides.value":"B-24192, take 5","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"source\",\"dahr\"]","carrier.matrixTakeSides.note":"Commons dates this transfer to 5 April 1923. DAHR lists take 5 that day; take 3 of 2 April 1921 also appeared on Victor 815, so the transfer’s take attribution is inferred rather than established by a photographed label.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"The source supplier/uploader is identified below, but an individual transfer engineer is not established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Upload dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"No restoration, equalisation or speed correction is established from the source. Playback uses the supplied MP3 access file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/9e/Minute_Waltz%2C_by_Chopin_-_Performed_by_Sergej_Rachmaninoff.ogg/Minute_Waltz%2C_by_Chopin_-_Performed_by_Sergej_Rachmaninoff.ogg.mp3","digital.sourceChain":"[\"source\",\"dahr\"]","digital.format":"MP3 access file; no concatenation or playback pitch alteration","digital.durationSeconds":121.44036281179139,"rights.composition.value":"Public-domain underlying composition as identified by the source.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This field concerns the underlying composition, separately from the sound-recording permission. No claim is made about an unidentified modern edition.","rights.recording.value":"US public-domain sound recording — published in or before 1925","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"dahr\"]","rights.recording.note":"Programme rule 2. Source identifies the 1923 issue and carrier; no non-commercial transfer licence was found in the inspected source. No worldwide public-domain claim is made.","rights.creditLine":"Waltz in D♭ major, Op. 64 No. 1 (“Minute”); Sergei Rachmaninoff, piano (Steinway). US public-domain sound recording — published in or before 1925. Source: Wikimedia Commons.","rights.licenseUrl":"https://www.law.cornell.edu/uscode/text/17/1401","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — Minute Waltz, by Chopin - Performed by Sergej Rachmaninoff.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Minute_Waltz,_by_Chopin_-_Performed_by_Sergej_Rachmaninoff.ogg\",\"locator\":\"Recording description, source attribution, licence and file metadata; inspected independently of the comparison plan.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"DAHR — Victor matrix B-24192\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/700009401\",\"locator\":\"Session dates, locations and issued takes.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 1 inferred; 3 unknown"},{"id":"chopin-waltz-op64-2-gurevich","composer":"Frédéric Chopin","title":"Waltz in C♯ minor, Op. 64 No. 2","movement":"","work.title":"Waltz in C♯ minor, Op. 64 No. 2","work.catalogue":"Op. 64 No. 2","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"source\"]","work.version.note":"No modern performing edition is established; the source audio is not locally edited or concatenated.","performers.value":"[{\"name\":\"Olga Gurevich\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Commons credits Olga Gurevich and an approximate 2014 date. No precise session date, instrument or venue is established.","session.date.value":"c. 2014","session.date.status":"documented","session.date.sourceIds":"[\"source\"]","session.date.note":"Commons credits Olga Gurevich and an approximate 2014 date. No precise session date, instrument or venue is established.","session.date.precision":"approximate","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"source\"]","session.place.note":"Recording venue is not established in the consulted sources.","carrier.label.value":"Musopen — Set Chopin Free","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\"]","carrier.label.note":"","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"source\"]","carrier.catalogue.note":"Catalogue number of the transferred carrier is not established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"source\"]","carrier.matrixTakeSides.note":"No matrix/take identifier is established; absence from the source does not mean none existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"An uploader is not automatically a transfer engineer; no engineer is securely credited for this exact derivative.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Transfer date is not established; upload dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"Restoration and equalisation details are not established for this exact access derivative.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/f/f5/Chopin_-_Waltz_No._7_in_C-sharp_minor%2C_Op._64_No._2_%28Olga_Gurevich%29.flac/Chopin_-_Waltz_No._7_in_C-sharp_minor%2C_Op._64_No._2_%28Olga_Gurevich%29.flac.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access stream; original source identified in the linked recording item.","digital.durationSeconds":230.05803125,"rights.composition.value":"The underlying composition is public domain where the ordinary life-plus-70 term has expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This does not clear an unidentified modern edition or establish worldwide rights.","rights.recording.value":"Recording explicitly dedicated to the public domain by Musopen (PD-author).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"term\"]","rights.recording.note":"Programme rule 1. Commons separately labels the recording PD-author and the composition PD-old-auto-expired; the dedication therefore covers the sound recording.","rights.creditLine":"Waltz in C♯ minor, Op. 64 No. 2; Olga Gurevich, piano. Recording explicitly dedicated to the public domain by Musopen (PD-author). Source: Wikimedia Commons.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — recording file\",\"url\":\"https://commons.wikimedia.org/wiki/File:Chopin_-_Waltz_No._7_in_C-sharp_minor,_Op._64_No._2_(Olga_Gurevich).flac\",\"locator\":\"Recording attribution, source, date, licence and transfer description; not the upload date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"Wikimedia Commons — PD-author dedication\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-author\",\"locator\":\"The template records release by the author into the public domain, with an unrestricted permission fallback where dedication is not legally possible. The recording file explicitly names Musopen as the dedicator.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 unknown; 4 documented; 1 inferred"},{"id":"chopin-waltz-op64-2-pachmann-1925","composer":"Frédéric Chopin","title":"Étude in F major, Op. 25 No. 3; Waltz in C♯ minor, Op. 64 No. 2","movement":"HMV DB 860, side 2","work.title":"Étude in F major, Op. 25 No. 3; Waltz in C♯ minor, Op. 64 No. 2","work.catalogue":"Op. 25 No. 3","work.movement":"HMV DB 860, side 2","work.version.value":"Complete historical side: Étude Op25/3 followed by Waltz Op64/2","work.version.status":"documented","work.version.sourceIds":"[\"source\"]","work.version.note":"No modern performing edition is established; the source audio is not locally edited or concatenated.","performers.value":"[{\"name\":\"Vladimir de Pachmann\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\",\"discography\",\"review\"]","performers.note":"The source preserves the complete disc side, including Étude Op25 No3 before the waltz. Comparison alignment uses only the waltz, with absolute times into this unedited stream.","session.date.value":"26 June 1925","session.date.status":"documented","session.date.sourceIds":"[\"source\",\"discography\",\"review\"]","session.date.note":"The source preserves the complete disc side, including Étude Op25 No3 before the waltz. Comparison alignment uses only the waltz, with absolute times into this unedited stream.","session.date.precision":"day","session.place.value":"Hayes, London","session.place.status":"documented","session.place.sourceIds":"[\"source\",\"discography\",\"review\"]","session.place.note":"Named by the cited source; not inferred from an ensemble’s home city.","carrier.label.value":"His Master’s Voice","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\",\"discography\",\"review\"]","carrier.label.note":"","carrier.catalogue.value":"DB 860, side 2","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\",\"discography\",\"review\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":"Cc 6260-1; 05860","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\",\"discography\",\"review\"]","carrier.matrixTakeSides.note":"","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"An uploader is not automatically a transfer engineer; no engineer is securely credited for this exact derivative.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Transfer date is not established; upload dates are not session or transfer dates.","transfer.processing.value":"Transferred at 77.3rpm, 2.5ET stylus, 398µs turnover; A=440Hz; unrestored audio.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"Source’s transfer specification, not an independently verified original disc speed.","digital.streamUrl":"https://archive.org/download/hmv-db860-chopin-nocturne-no8-op27no2-etudes-op25no3-waltz-no7-op64no2/HMV_DB860_Cc_6260-1.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access stream; original source identified in the linked recording item.","digital.durationSeconds":276,"rights.composition.value":"The underlying composition is public domain where the ordinary life-plus-70 term has expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This does not clear an unidentified modern edition or establish worldwide rights.","rights.recording.value":"US public domain: HMV DB 860 was listed and reviewed in The Gramophone, December 1925.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"discography\",\"review\",\"term\"]","rights.recording.note":"Programme rule 2. Contemporary publication evidence resolves the scout’s release-date concern. Archive metadata has no licence URL; the session date alone is not used as proof of publication.","rights.creditLine":"Étude in F major, Op. 25 No. 3; Waltz in C♯ minor, Op. 64 No. 2; Vladimir de Pachmann, piano. US public domain: HMV DB 860 was listed and reviewed in The Gramophone, December 1925. Source: Internet Archive.","rights.licenseUrl":"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/","sources":"[{\"id\":\"source\",\"title\":\"Internet Archive — recording item\",\"url\":\"https://archive.org/details/hmv-db860-chopin-nocturne-no8-op27no2-etudes-op25no3-waltz-no7-op64no2\",\"locator\":\"Recording attribution, source, date, licence and transfer description; not the upload date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"Alan Kelly — Gramophone Bb/Cc matrix series\",\"url\":\"https://gramophonecompanydiscography.com/PDF/File%20D%20-%20BB.pdf\",\"locator\":\"Cc6260-1: Étude Op25/3 followed by Waltz Op64/2, 26 June 1925; DB 860.\",\"accessed\":\"2026-10-17\"},{\"id\":\"review\",\"title\":\"The Gramophone, December 1925, pp.338–339\",\"url\":\"https://archive.org/stream/gramophone-1925-12/Gramophone%201925-12_djvu.txt\",\"locator\":\"Printed p338 names the C-sharp waltz on D.B.860, priced at 8s6d; contemporary review follows.\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"US Copyright Office — pre 1972 sound recordings\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Recordings first published before 1923 and the annual expiration schedule for 1923–1946 publications; as of 2026 the cutoff is 1925.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"chopin-waltz-op64-2-paderewski-1917","composer":"Frédéric Chopin","title":"Waltz in C♯ minor, Op. 64 No. 2","movement":"","work.title":"Waltz in C♯ minor, Op. 64 No. 2","work.catalogue":"Op. 64 No. 2","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"source\"]","work.version.note":"No modern performing edition is established; the source audio is not locally edited or concatenated.","performers.value":"[{\"name\":\"Ignacy Jan Paderewski\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\",\"discography\",\"rubato\"]","performers.note":"Commons dates its Pearl-sourced transfer 1917 and says published in the USA before 1921. APR identifies Paderewski’s 1917 Victor waltz; matching that discographic performance to this transfer is inferred, since Commons supplies no matrix.","session.date.value":"23 May 1917","session.date.status":"inferred","session.date.sourceIds":"[\"source\",\"discography\",\"rubato\"]","session.date.note":"Commons dates its Pearl-sourced transfer 1917 and says published in the USA before 1921. APR identifies Paderewski’s 1917 Victor waltz; matching that discographic performance to this transfer is inferred, since Commons supplies no matrix.","session.date.precision":"day","session.place.value":"New York","session.place.status":"inferred","session.place.sourceIds":"[\"source\",\"discography\",\"rubato\"]","session.place.note":"Named by the cited source; not inferred from an ensemble’s home city.","carrier.label.value":"Victor; transferred via Pearl CD","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\",\"discography\",\"rubato\"]","carrier.label.note":"","carrier.catalogue.value":"Victor 74539 (historic issue identification)","carrier.catalogue.status":"inferred","carrier.catalogue.sourceIds":"[\"source\",\"discography\",\"rubato\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":"C 19923-2 (historic issue identification)","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"source\",\"discography\",\"rubato\"]","carrier.matrixTakeSides.note":"","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"An uploader is not automatically a transfer engineer; no engineer is securely credited for this exact derivative.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Transfer date is not established; upload dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"Restoration and equalisation details are not established for this exact access derivative.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/8/80/Paderewski_-_Steinway_grand_piano.ogg/Paderewski_-_Steinway_grand_piano.ogg.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access stream; original source identified in the linked recording item.","digital.durationSeconds":197.69469387755103,"rights.composition.value":"The underlying composition is public domain where the ordinary life-plus-70 term has expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This does not clear an unidentified modern edition or establish worldwide rights.","rights.recording.value":"US public domain: Commons records US publication before 1921 for this 1917 performance.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"discography\",\"rubato\",\"term\"]","rights.recording.note":"Programme rule 2. The recording-specific permission statement supplies a pre 1926 publication claim; APR corroborates the historic Victor issue. This does not turn every track on the later Pearl album into public domain.","rights.creditLine":"Waltz in C♯ minor, Op. 64 No. 2; Ignacy Jan Paderewski, piano (Steinway). US public domain: Commons records US publication before 1921 for this 1917 performance. Source: Wikimedia Commons.","rights.licenseUrl":"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — recording file\",\"url\":\"https://commons.wikimedia.org/wiki/File:Paderewski_-_Steinway_grand_piano.ogg\",\"locator\":\"Recording attribution, source, date, licence and transfer description; not the upload date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"APR — complete Victor recordings catalogue\",\"url\":\"https://www.europadisc.co.uk/classical/128588/Paderewski_-_The_American_Recordings_%28The_Complete_Victor_Recordings%2C_1914-31%29.htm\",\"locator\":\"CD1 track8: Waltz Op64/2, C19923-2, Victor74539, 23 May 1917, New York.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rubato\",\"title\":\"Paderewski — Tempo Rubato (1909)\",\"url\":\"https://polishmusic.usc.edu/research/publications/polish-music-journal/vol4no1/paderewski-tempo-rubato/\",\"locator\":\"Defines interpretative flexibility and explicitly discusses dances; not a claim that every beat in this file has been measured.\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"US Copyright Office — pre 1972 sound recordings\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Recordings first published before 1923 and the annual expiration schedule for 1923–1946 publications; as of 2026 the cutoff is 1925.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"4 unknown; 3 documented; 5 inferred"},{"id":"chopin-waltz-op64-2-rummel-1943","composer":"Frédéric Chopin","title":"Waltz in C♯ minor, Op. 64 No. 2","movement":"","work.title":"Waltz in C♯ minor, Op. 64 No. 2","work.catalogue":"Op. 64 No. 2","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"source\"]","work.version.note":"No modern performing edition is established; the source audio is not locally edited or concatenated.","performers.value":"[{\"name\":\"Walter Morse Rummel\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Commons/Public Domain Project documents the pianist, recording date and first release in 1943. The venue is explicitly unknown.","session.date.value":"18 January 1943","session.date.status":"documented","session.date.sourceIds":"[\"source\"]","session.date.note":"Commons/Public Domain Project documents the pianist, recording date and first release in 1943. The venue is explicitly unknown.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"source\"]","session.place.note":"Recording venue is not established in the consulted sources.","carrier.label.value":"Gramophone","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\"]","carrier.label.note":"","carrier.catalogue.value":"68063","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":"2218ge9 (take not established)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\"]","carrier.matrixTakeSides.note":"","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"An uploader is not automatically a transfer engineer; no engineer is securely credited for this exact derivative.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Transfer date is not established; upload dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"Restoration and equalisation details are not established for this exact access derivative.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/c6/PDP-CH_-_Walter_Morse_Rummel%2C_piano_-_Waltz_in_C-sharp_minor%2C_Op._64%2C_No._2_-_Chopin_-_Gramophone-68063-2218ge9.flac/PDP-CH_-_Walter_Morse_Rummel%2C_piano_-_Waltz_in_C-sharp_minor%2C_Op._64%2C_No._2_-_Chopin_-_Gramophone-68063-2218ge9.flac.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access stream; original source identified in the linked recording item.","digital.durationSeconds":265.53179166666666,"rights.composition.value":"The underlying composition is public domain where the ordinary life-plus-70 term has expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This does not clear an unidentified modern edition or establish worldwide rights.","rights.recording.value":"Territorial: EU public domain under the pre-1963 publication rule; first release 1943.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"term\"]","rights.recording.note":"Programme rule 3. The Commons PD-old-70 tag alone concerns the composition. The dated first issue provides the sound-recording basis; US status is not established.","rights.creditLine":"Waltz in C♯ minor, Op. 64 No. 2; Walter Morse Rummel, piano. Territorial: EU public domain under the pre-1963 publication rule; first release 1943. Source: Wikimedia Commons.","rights.licenseUrl":"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — recording file\",\"url\":\"https://commons.wikimedia.org/wiki/File:PDP-CH_-_Walter_Morse_Rummel,_piano_-_Waltz_in_C-sharp_minor,_Op._64,_No._2_-_Chopin_-_Gramophone-68063-2218ge9.flac\",\"locator\":\"Recording attribution, source, date, licence and transfer description; not the upload date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"EU Directive 2011/77 — transitional term provisions\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected under the former rules as at 1 November 2013. An expired pre-1963 publication term is not revived.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"5 unknown; 6 documented; 1 inferred"},{"id":"clara-schumann-trio-allegro","composer":"Clara Schumann","title":"Piano Trio in G minor, Op. 17","movement":"I. Allegro moderato","work.title":"Piano Trio in G minor","work.catalogue":"Op. 17","work.movement":"I. Allegro moderato","work.version.value":"Original scoring for violin, cello and piano","work.version.status":"documented","work.version.sourceIds":"[\"label-scan\",\"score\"]","work.version.note":"The original label identifies the movement and the three instruments. The edition and part materials used at the session are not established. Section timings are broad score-proportion anchors; no bar-level alignment or listening review is claimed.","performers.value":"[{\"name\":\"Leopold Mannes\",\"role\":\"piano\"},{\"name\":\"Bronislav Gimpel\",\"role\":\"violin\"},{\"name\":\"Luigi Silva\",\"role\":\"cello\"}]","performers.status":"documented","performers.sourceIds":"[\"label-scan\",\"archive\"]","performers.note":"The label names The Mannes-Gimpel-Silva Trio and prints Gimpel’s given name as Bronislav; that spelling is retained.","session.date.value":"1951","session.date.status":"documented","session.date.sourceIds":"[\"session-review\"]","session.date.note":"Jonathan Woolf identifies Clara’s Trio as recorded at the same 1951 sessions as the Beethoven coupling. No precise session date is established. The separate Archive date field describes the LP publication.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"session-review\"]","session.place.note":"Neither the transfer metadata nor the consulted reissue review establishes the recording venue. The Archive country field identifies the US release, not the session location.","carrier.label.value":"Decca Gold Label Series","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label-scan\"]","carrier.label.note":"Original 33⅓-rpm LP label, not the Forgotten Records reissue.","carrier.catalogue.value":"DL 9555","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label-scan\",\"archive\",\"publication-review\"]","carrier.catalogue.note":"Internet Archive dates the LP to 1951. A contemporary review independently establishes commercial publication by September 1952; the rights assessment uses that documented upper bound.","carrier.matrixTakeSides.value":"Side 1, band 1; printed label matrix MG 2301","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label-scan\",\"archive-files\"]","carrier.matrixTakeSides.note":"The label lists the first three movements on side 1; the selected derivative is the first band. MG 2301 is the printed side matrix. No individual take or tape number is established.","transfer.credits.value":"Internet Archive LP digitisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item belongs to the Boston Public Library vinyl collection. No unverified personal mastering credit is inferred from operator accounts.","transfer.date.value":"2021-07-15","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The ripping_date field is 20210715042255. This is the transfer date; the sleeve and labels were scanned separately in June 2021.","transfer.processing.value":"Technics SL1200MK5 turntable with Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; segmented VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The playback and digitisation chain is stated in the item’s lineage field. Equalisation, pitch correction and noise-reduction settings are not documented.","digital.streamUrl":"https://archive.org/download/lp_trio-in-g-minor-op-17-trio-no-8-in-b-flat_clara-schumann-ludwig-van-beethoven-the-ma/disc1/01.01.%20Trio%20In%20G%20Minor%2C%20Op%2017%3A%201st%20Mov't%3A%20%20Allegro%20Moderato.mp3","digital.sourceChain":"[\"label-scan\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a mono vinyl LP transfer","digital.durationSeconds":466.44,"rights.composition.value":"Public domain under ordinary life-plus-70 terms; the original score was published in 1847 and Clara Schumann died in 1896.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"score-catalogue\",\"pearson\"]","rights.composition.note":"This assessment concerns the historical composition and first edition, not an unidentified modern edition or every jurisdiction.","rights.recording.value":"Territorial EU public-domain basis: commercial publication on Decca DL 9555 documented by September 1952, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"publication-review\",\"label-scan\",\"eu-term\"]","rights.recording.note":"The project’s pre-1963 rule relies on expiry of the former 50-year phonogram term before the 2013 extension. Audio Engineering reviews this LP in September 1952. The year 1952 is a conservative publication-by date, distinct from the documented 1951 sessions and the Archive’s 1951 release attribution. US recording status is not established. This is not a Creative Commons licence or worldwide clearance.","rights.creditLine":"Clara Schumann, Piano Trio in G minor, Op. 17: I. Allegro moderato; The Mannes-Gimpel-Silva Trio — Leopold Mannes, piano; Bronislav Gimpel, violin; Luigi Silva, cello. Recorded 1951; Decca DL 9555, published by September 1952; Internet Archive LP transfer. Territorial EU public-domain basis; US recording status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Decca DL 9555 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_trio-in-g-minor-op-17-trio-no-8-in-b-flat_clara-schumann-ludwig-van-beethoven-the-ma/metadata\",\"locator\":\"Original US Decca LP, catalogue DL 9555, date 1951; ensemble, track list, collection, lineage and ripping_date fields.\",\"accessed\":\"2026-10-18\"},{\"id\":\"label-scan\",\"title\":\"Decca DL 9555 — original LP labels\",\"url\":\"https://archive.org/download/lp_trio-in-g-minor-op-17-trio-no-8-in-b-flat_clara-schumann-ludwig-van-beethoven-the-ma/lp_trio-in-g-minor-op-17-trio-no-8-in-b-flat_clara-schumann-ludwig-van-beethoven-the-ma.pdf\",\"locator\":\"Four-page scan inspected visually, especially side 1 on PDF p. 3: Leopold Mannes, Bronislav Gimpel, Luigi Silva; DL 9555, MG 2301; Allegro moderato as the first band. Side 2 identifies the ensemble and Beethoven coupling.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — segmented MP3 derivatives\",\"url\":\"https://archive.org/metadata/lp_trio-in-g-minor-op-17-trio-no-8-in-b-flat_clara-schumann-ludwig-van-beethoven-the-ma/files\",\"locator\":\"disc1/01.01. Trio In G Minor, Op 17: 1st Mov't:  Allegro Moderato.mp3; VBR MP3; duration 466.44 seconds.\",\"accessed\":\"2026-10-18\"},{\"id\":\"session-review\",\"title\":\"Jonathan Woolf — Mannes-Gimpel-Silva Trio reissue review, MusicWeb International, May 2019\",\"url\":\"https://musicweb-international.com/classrev/2019/May/Schumann_trio_FR1601.htm\",\"locator\":\"Names the trio members and instruments; identifies the Clara recording with the 1951 Beethoven sessions and original Decca DL 9555. Describes the two original Decca LPs as mono.\",\"accessed\":\"2026-10-18\"},{\"id\":\"publication-review\",\"title\":\"Edward Tatnall Canby — Record Revue, Audio Engineering, September 1952\",\"url\":\"https://www.worldradiohistory.com/Archive-All-Audio/Archive-Audio/50s/Audio-1952-09.pdf\",\"locator\":\"Printed p. 48 (PDF p. 50), under “Some novel Romantics”: Clara Schumann, Trio in G minor, Op. 17; Beethoven, Trio No. 8 in B flat; Mannes-Gimpel-Silva Trio; Decca DL 9555. A contemporary commercial-release review, establishing publication before 1963.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Clara Schumann — Piano Trio, first edition, Breitkopf & Härtel, plate 7562\",\"url\":\"https://urresearch.rochester.edu/fileDownloadForInstitutionalItem.action?itemId=4511&itemFileId=6784\",\"locator\":\"Sibley Music Library scan, printed pp. 2–13. Opening, second subject, development, recapitulation and coda pages inspected visually.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Piano Trio in G minor, Op. 17\",\"url\":\"https://imslp.org/wiki/Piano_Trio_in_G_minor,_Op.17_(Schumann,_Clara)\",\"locator\":\"Composition 1846; first edition, plate 7562, dated 1847 by Hofmeister reference; four movements and original instrumentation.\",\"accessed\":\"2026-10-18\"},{\"id\":\"pearson\",\"title\":\"Pearson Edexcel — Clara Wieck-Schumann, Piano Trio, movement 1\",\"url\":\"https://qualifications.pearson.com/content/dam/pdf/A%20Level/Music/2016/teaching-and-learning-materials/A_level_Schumann_Piano_Trio_set_work_support_guide.pdf\",\"locator\":\"Pp. 3–7: formal plan, bars 1–90, 91–164, 165–288; second subjects at 45 and 210; G-minor coda from 250. P. 1 gives Clara’s death in 1896. Formal timings in this recording remain approximate.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(2)–(3): former 50-year term, lawful publication and extension for recordings still protected on 1 November 2013.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"clara-schumann-trio-andante","composer":"Clara Schumann","title":"Piano Trio in G minor, Op. 17","movement":"III. Andante","work.title":"Piano Trio in G minor","work.catalogue":"Op. 17","work.movement":"III. Andante","work.version.value":"Original scoring for violin, cello and piano","work.version.status":"documented","work.version.sourceIds":"[\"label-scan\",\"score\"]","work.version.note":"The original label identifies the movement and the three instruments. The session’s edition and part materials are not established. Section timings follow the score and the recording’s broad contrasts; there is no bar-level alignment or listening review.","performers.value":"[{\"name\":\"Leopold Mannes\",\"role\":\"piano\"},{\"name\":\"Bronislav Gimpel\",\"role\":\"violin\"},{\"name\":\"Luigi Silva\",\"role\":\"cello\"}]","performers.status":"documented","performers.sourceIds":"[\"label-scan\",\"archive\"]","performers.note":"The label names The Mannes-Gimpel-Silva Trio and prints Gimpel’s given name as Bronislav; that spelling is retained.","session.date.value":"1951","session.date.status":"documented","session.date.sourceIds":"[\"session-review\"]","session.date.note":"Jonathan Woolf identifies Clara’s Trio as recorded at the same 1951 sessions as the Beethoven coupling. No precise session date is established. The Archive date field separately describes the LP publication.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"session-review\"]","session.place.note":"The transfer metadata and consulted reissue review do not establish the recording venue. The US release country is not treated as a session location.","carrier.label.value":"Decca Gold Label Series","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label-scan\"]","carrier.label.note":"Original 33⅓-rpm LP label, not the Forgotten Records reissue.","carrier.catalogue.value":"DL 9555","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label-scan\",\"archive\",\"publication-review\"]","carrier.catalogue.note":"Internet Archive dates the LP to 1951. A contemporary review independently establishes commercial publication by September 1952; the rights assessment uses that documented upper bound.","carrier.matrixTakeSides.value":"Side 1, band 3; printed label matrix MG 2301","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label-scan\",\"archive-files\"]","carrier.matrixTakeSides.note":"The Andante is the third movement listed on side 1 and the third segmented derivative. MG 2301 is the printed side matrix. No individual take or tape number is established.","transfer.credits.value":"Internet Archive LP digitisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item belongs to the Boston Public Library vinyl collection. No unverified personal mastering credit is inferred from operator accounts.","transfer.date.value":"2021-07-15","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The ripping_date field is 20210715042255. This is the transfer date; the sleeve and labels were scanned separately in June 2021.","transfer.processing.value":"Technics SL1200MK5 turntable with Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; segmented VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The playback and digitisation chain is stated in the item’s lineage field. Equalisation, pitch correction and noise-reduction settings are not documented.","digital.streamUrl":"https://archive.org/download/lp_trio-in-g-minor-op-17-trio-no-8-in-b-flat_clara-schumann-ludwig-van-beethoven-the-ma/disc1/01.03.%20Trio%20In%20G%20Minor%2C%20Op%2017%3A%203rd%20Mov't%3A%20%20Andante.mp3","digital.sourceChain":"[\"label-scan\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a mono vinyl LP transfer","digital.durationSeconds":339.74,"rights.composition.value":"Public domain under ordinary life-plus-70 terms; the original score was published in 1847 and Clara Schumann died in 1896.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"score-catalogue\",\"registry-essay\"]","rights.composition.note":"This assessment concerns the historical composition and first edition, not an unidentified modern edition or every jurisdiction.","rights.recording.value":"Territorial EU public-domain basis: commercial publication on Decca DL 9555 documented by September 1952, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"publication-review\",\"label-scan\",\"eu-term\"]","rights.recording.note":"The project’s pre-1963 rule relies on expiry of the former 50-year phonogram term before the 2013 extension. Audio Engineering reviews this LP in September 1952. The year 1952 is a conservative publication-by date, distinct from the documented 1951 sessions and the Archive’s 1951 release attribution. US recording status is not established. This is not a Creative Commons licence or worldwide clearance.","rights.creditLine":"Clara Schumann, Piano Trio in G minor, Op. 17: III. Andante; The Mannes-Gimpel-Silva Trio — Leopold Mannes, piano; Bronislav Gimpel, violin; Luigi Silva, cello. Recorded 1951; Decca DL 9555, published by September 1952; Internet Archive LP transfer. Territorial EU public-domain basis; US recording status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Decca DL 9555 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_trio-in-g-minor-op-17-trio-no-8-in-b-flat_clara-schumann-ludwig-van-beethoven-the-ma/metadata\",\"locator\":\"Original US Decca LP, catalogue DL 9555, date 1951; ensemble, track list, collection, lineage and ripping_date fields.\",\"accessed\":\"2026-10-18\"},{\"id\":\"label-scan\",\"title\":\"Decca DL 9555 — original LP labels\",\"url\":\"https://archive.org/download/lp_trio-in-g-minor-op-17-trio-no-8-in-b-flat_clara-schumann-ludwig-van-beethoven-the-ma/lp_trio-in-g-minor-op-17-trio-no-8-in-b-flat_clara-schumann-ludwig-van-beethoven-the-ma.pdf\",\"locator\":\"Four-page scan inspected visually, especially side 1 on PDF p. 3: Leopold Mannes, Bronislav Gimpel, Luigi Silva; DL 9555, MG 2301; Andante as the third band. Side 2 identifies the ensemble and Beethoven coupling.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — segmented MP3 derivatives\",\"url\":\"https://archive.org/metadata/lp_trio-in-g-minor-op-17-trio-no-8-in-b-flat_clara-schumann-ludwig-van-beethoven-the-ma/files\",\"locator\":\"disc1/01.03. Trio In G Minor, Op 17: 3rd Mov't:  Andante.mp3; VBR MP3; duration 339.74 seconds.\",\"accessed\":\"2026-10-18\"},{\"id\":\"session-review\",\"title\":\"Jonathan Woolf — Mannes-Gimpel-Silva Trio reissue review, MusicWeb International, May 2019\",\"url\":\"https://musicweb-international.com/classrev/2019/May/Schumann_trio_FR1601.htm\",\"locator\":\"Names the trio members and instruments; identifies the Clara recording with the 1951 Beethoven sessions and original Decca DL 9555. Describes the two original Decca LPs as mono.\",\"accessed\":\"2026-10-18\"},{\"id\":\"publication-review\",\"title\":\"Edward Tatnall Canby — Record Revue, Audio Engineering, September 1952\",\"url\":\"https://www.worldradiohistory.com/Archive-All-Audio/Archive-Audio/50s/Audio-1952-09.pdf\",\"locator\":\"Printed p. 48 (PDF p. 50), under “Some novel Romantics”: Clara Schumann, Trio in G minor, Op. 17; Beethoven, Trio No. 8 in B flat; Mannes-Gimpel-Silva Trio; Decca DL 9555. A contemporary commercial-release review, establishing publication before 1963.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Clara Schumann — Piano Trio, first edition, Breitkopf & Härtel, plate 7562\",\"url\":\"https://urresearch.rochester.edu/fileDownloadForInstitutionalItem.action?itemId=4511&itemFileId=6784\",\"locator\":\"Sibley Music Library scan, printed pp. 20–23 inspected visually: piano alone, violin with pizzicato cello, cello continuation, più animato at bar 25, Tempo I and cello melody at bar 53, final G-major cadence.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Piano Trio in G minor, Op. 17\",\"url\":\"https://imslp.org/wiki/Piano_Trio_in_G_minor,_Op.17_(Schumann,_Clara)\",\"locator\":\"Composition 1846; first edition, plate 7562, dated 1847 by Hofmeister reference; four movements and original instrumentation.\",\"accessed\":\"2026-10-18\"},{\"id\":\"programme-note\",\"title\":\"Los Angeles Philharmonic — Clara Schumann, Piano Trio\",\"url\":\"https://www.laphil.com/works/piano-trio\",\"locator\":\"Andante characterised as an instrumental song in G major with an E-minor contrasting middle section.\",\"accessed\":\"2026-10-18\"},{\"id\":\"registry-essay\",\"title\":\"Robert Greenberg — Robert and Clara Schumann Complete Piano Trios, National Recording Registry essay\",\"url\":\"https://lcweb2.loc.gov/static/programs/national-recording-preservation-board/documents/SchumannPianoTrios.pdf\",\"locator\":\"Pp. 3–4: Clara’s dates, composition of the Trio between May and September 1846, first chamber composition, and previous study and performance of Haydn, Mozart and Beethoven. The essay concerns the later Beaux Arts recording, not this Decca session.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(2)–(3): former 50-year term, lawful publication and extension for recordings still protected on 1 November 2013.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"copland-fanfare-common-man","composer":"Aaron Copland","title":"Fanfare for the Common Man","movement":"","work.title":"Fanfare for the Common Man","work.catalogue":"ARCO 51","work.movement":"","work.version.value":"Original work for brass and percussion, composed in 1942","work.version.status":"documented","work.version.sourceIds":"[\"sleeve\",\"work\"]","work.version.note":"The sleeve identifies the standalone Fanfare, not an extract from Symphony No. 3. The edition and performing parts used are unknown.","performers.value":"[{\"name\":\"Hartford Symphony Orchestra\",\"role\":\"brass and percussion\"},{\"name\":\"Fritz Mahler\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"sleeve\"]","performers.note":"Both are credited on the Vanguard sleeve. Individual players are not identified.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"archive\",\"sleeve\"]","session.date.note":"1961 is the carrier publication year in the Archive catalogue, not a documented session year. Neither the consulted sleeve nor the item metadata establishes the session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"sleeve\"]","session.place.note":"The ensemble’s name does not establish the recording venue.","carrier.label.value":"Vanguard Stereolab","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"sleeve\"]","carrier.label.note":"Stereo vinyl LP; the sleeve describes Vanguard’s stereophonic recording and disc-cutting system.","carrier.catalogue.value":"VSD-2085","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"sleeve\"]","carrier.catalogue.note":"The specific transferred US carrier is catalogued as a 1961 release.","carrier.matrixTakeSides.value":"Side 2, band 1","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"files\",\"sleeve\"]","carrier.matrixTakeSides.note":"Side and band follow the segmented filename and programme order. Matrix, take and stamper identifiers are unknown.","transfer.credits.value":"Internet Archive LP transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Institutional transfer credit; no independently established personal mastering credit.","transfer.date.value":"2021-09-20","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"From ripping_date 20210920231659. The August 2021 scan date and September 2021 upload date are separate events.","transfer.processing.value":"Technics SL1200MK5 with Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; segmented VBR MP3 derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"files\"]","transfer.processing.note":"The item documents this transfer chain. Equalisation, pitch correction, noise reduction and additional restoration settings are unknown.","digital.streamUrl":"https://archive.org/download/lp_three-jewish-poems-for-orchestra-fanfare_ernest-bloch-aaron-copland-the-hartford-sy/disc1/02.01.%20Fanfare%20For%20The%20Common%20Man.mp3","digital.sourceChain":"[\"sleeve\",\"archive\",\"files\"]","digital.format":"VBR MP3 derivative of stereo vinyl LP","digital.durationSeconds":166.54,"rights.composition.value":"Copyrighted Copland composition; permissions administered by Boosey & Hawkes for the Aaron Copland Fund for Music","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\",\"analysis\",\"permissions\"]","rights.composition.note":"The Fund expressly states that Fanfare is not in the public domain. A phonogram term assessment does not clear the composition, an arrangement, or a modern score edition.","rights.recording.value":"Territorial EU phonogram public-domain basis: commercial publication in 1961, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"sleeve\",\"discogs\",\"eu-term\"]","rights.recording.note":"The project’s eu-published-before-1963 rule applies to the documented Vanguard carrier: its former 50-year phonogram term had expired before the 2013 extension. This is not US or worldwide clearance, not a Creative Commons licence, and not a US-government recording. Composition rights remain separate.","rights.creditLine":"Aaron Copland, Fanfare for the Common Man; Hartford Symphony Orchestra, Fritz Mahler. Vanguard VSD-2085 (1961 issue), Internet Archive LP transfer. Territorial EU phonogram basis only; Copland composition remains copyrighted.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Vanguard VSD-2085 carrier and transfer metadata\",\"url\":\"https://archive.org/metadata/lp_three-jewish-poems-for-orchestra-fanfare_ernest-bloch-aaron-copland-the-hartford-sy/metadata\",\"locator\":\"Date 1961; publisher Vanguard; catalogue VSD-2085; US vinyl LP; performers; lineage; ripping_date and ripping_operator fields.\",\"accessed\":\"2026-10-18\"},{\"id\":\"sleeve\",\"title\":\"Vanguard VSD-2085 — sleeve text, including Sidney Finkelstein’s notes\",\"url\":\"https://archive.org/download/lp_three-jewish-poems-for-orchestra-fanfare_ernest-bloch-aaron-copland-the-hartford-sy/lp_three-jewish-poems-for-orchestra-fanfare_ernest-bloch-aaron-copland-the-hartford-sy_djvu.txt\",\"locator\":\"Work and performer credits; VSD-2085; Fanfare paragraph; Vanguard Stereolab production description. OCR consulted; no claim to have read a runout matrix.\",\"accessed\":\"2026-10-18\"},{\"id\":\"files\",\"title\":\"Internet Archive — Vanguard derivative file inventory\",\"url\":\"https://archive.org/metadata/lp_three-jewish-poems-for-orchestra-fanfare_ernest-bloch-aaron-copland-the-hartford-sy/files\",\"locator\":\"disc1/02.01. Fanfare For The Common Man.mp3; VBR MP3; 166.54 seconds; MD5 253adbb624666873051a0ca02cfc3b4d.\",\"accessed\":\"2026-10-18\"},{\"id\":\"work\",\"title\":\"Aaron Copland Fund — Fanfare for the Common Man\",\"url\":\"https://www.aaroncopland.com/works/fanfare-for-the-common-man/\",\"locator\":\"1942; ARCO 51; original brass-and-percussion scoring; commission and première; Boosey & Hawkes publication.\",\"accessed\":\"2026-10-18\"},{\"id\":\"analysis\",\"title\":\"Jennifer DeLapp-Birkett — What Makes Copland’s Fanfare for the Common Man Uncommon?\",\"url\":\"https://www.aaroncopland.com/news/midday-thoughts-what-makes-coplands-fanfare-for-the-common-man-uncommon/\",\"locator\":\"29 March 2023: percussion opening, three gestures, examples from bars 1–12, later descending phrases, D-major ending and explicit composition-copyright warning. Instrumentation typo in prose not adopted.\",\"accessed\":\"2026-10-18\"},{\"id\":\"permissions\",\"title\":\"Aaron Copland Fund — Permissions and Rights\",\"url\":\"https://www.aaroncopland.com/pages/permissions-and-rights/\",\"locator\":\"Boosey & Hawkes, a Concord company, is the exclusive permissions agent for Copland’s musical catalogue.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX%3A32011L0077\",\"locator\":\"Recitals 1–3; Article 1(2) and 1(3): former 50-year term and extension for phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discogs\",\"title\":\"Discogs — Vanguard VSD-2085 release and master\",\"url\":\"https://www.discogs.com/release/5098889\",\"locator\":\"US stereo LP, released 1961; notes record a copy stamped “May 20 1961”; master 1256426 also lists the mono issue VRS-1067 as 1961; runouts LO8Y 5214 and LO8Y 5213.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"copland-lincoln-portrait","composer":"Aaron Copland","title":"Lincoln Portrait","movement":"","work.title":"Lincoln Portrait","work.catalogue":"ARCO 46","work.movement":"","work.version.value":"1942 work for narrator and orchestra; narration in English","work.version.status":"documented","work.version.sourceIds":"[\"sleeve\",\"work\"]","work.version.note":"The LP calls it A Lincoln Portrait. This is the orchestral work, not Walter Beeler’s band transcription. The performing edition and session alterations are unknown.","performers.value":"[{\"name\":\"Carl Sandburg\",\"role\":\"narrator\"},{\"name\":\"New York Philharmonic\",\"role\":\"orchestra\"},{\"name\":\"André Kostelanetz\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"sleeve\"]","performers.note":"All three are explicitly credited on Columbia MS 6040. No individual orchestral players are identified.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"archive\",\"sleeve\"]","session.date.note":"1959 is the documented carrier issue year; a session date has not been established from the consulted carrier evidence.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"sleeve\"]","session.place.note":"The orchestra’s name does not establish a particular studio or concert venue.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"sleeve\"]","carrier.label.note":"US stereo vinyl LP; sleeve explicitly identifies the stereo release.","carrier.catalogue.value":"MS 6040","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"sleeve\"]","carrier.catalogue.note":"Archive catalogue dates this carrier to 1959; the sleeve also carries Library of Congress catalogue numbers beginning R59.","carrier.matrixTakeSides.value":"Side 1, band 1","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"files\",\"sleeve\"]","carrier.matrixTakeSides.note":"The selected segmented file contains the complete Lincoln Portrait. Matrix, take and stamper identifiers are unknown.","transfer.credits.value":"Internet Archive LP transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Institutional transfer credit; no independently established personal mastering credit.","transfer.date.value":"2021-07-30","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"From ripping_date 20210730123604. The sleeve scan is separately dated 8 July 2021.","transfer.processing.value":"Technics SL1200MK5 with Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; segmented VBR MP3 derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"files\"]","transfer.processing.note":"The item documents this transfer chain. Equalisation, pitch correction, noise reduction and other restoration settings are unknown.","digital.streamUrl":"https://archive.org/download/lp_a-lincoln-portrait-new-england-triptych_andr-kostelanetz-the-new-york-philharmonic/disc1/01.01.%20A%20Lincoln%20Portrait.mp3","digital.sourceChain":"[\"sleeve\",\"archive\",\"files\"]","digital.format":"VBR MP3 derivative of stereo vinyl LP","digital.durationSeconds":838.35,"rights.composition.value":"Copyrighted Copland composition; musical-work permissions administered by Boosey & Hawkes","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\",\"permissions\"]","rights.composition.note":"Lincoln’s nineteenth-century speeches and Copland’s twentieth-century musical work are distinct rights objects. No permission for republication of the complete composition or a modern score is asserted.","rights.recording.value":"Territorial EU phonogram public-domain basis: commercial publication in 1959, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"sleeve\",\"discogs\",\"eu-term\"]","rights.recording.note":"Under the project’s eu-published-before-1963 rule, the documented commercial carrier’s former 50-year phonogram term had expired before the 2013 extension. This includes the recorded narration as part of the phonogram assessment. It is not US or worldwide clearance, not a Creative Commons licence and not a US-government recording; composition rights remain separate.","rights.creditLine":"Aaron Copland, Lincoln Portrait; Carl Sandburg, narrator; New York Philharmonic, André Kostelanetz. Columbia Masterworks MS 6040 (1959 issue), Internet Archive LP transfer. Territorial EU phonogram basis only; Copland composition remains copyrighted.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Columbia MS 6040 carrier and transfer metadata\",\"url\":\"https://archive.org/metadata/lp_a-lincoln-portrait-new-england-triptych_andr-kostelanetz-the-new-york-philharmonic/metadata\",\"locator\":\"1959 issue; Columbia Masterworks; MS 6040; US vinyl LP; performer credits; lineage, ripping_date and ripping_operator.\",\"accessed\":\"2026-10-18\"},{\"id\":\"sleeve\",\"title\":\"Columbia Masterworks MS 6040 — original sleeve text\",\"url\":\"https://archive.org/download/lp_a-lincoln-portrait-new-england-triptych_andr-kostelanetz-the-new-york-philharmonic/lp_a-lincoln-portrait-new-england-triptych_andr-kostelanetz-the-new-york-philharmonic_djvu.txt\",\"locator\":\"Catalogue and stereo identification; Sandburg, Kostelanetz and New York Philharmonic credits; Sandburg’s biography; three-section account. OCR consulted; no runout matrix claimed.\",\"accessed\":\"2026-10-18\"},{\"id\":\"files\",\"title\":\"Internet Archive — Columbia derivative file inventory\",\"url\":\"https://archive.org/metadata/lp_a-lincoln-portrait-new-england-triptych_andr-kostelanetz-the-new-york-philharmonic/files\",\"locator\":\"disc1/01.01. A Lincoln Portrait.mp3; VBR MP3; 838.35 seconds; MD5 11df4e3beb4bc862bb64ae0a52a27d90.\",\"accessed\":\"2026-10-18\"},{\"id\":\"work\",\"title\":\"Aaron Copland Fund — Lincoln Portrait\",\"url\":\"https://www.aaroncopland.com/works/lincoln-portrait/\",\"locator\":\"1942; ARCO 46; narrator and orchestra; commission, William Adams and Cincinnati première on 14 May 1942; two borrowed tunes and publisher.\",\"accessed\":\"2026-10-18\"},{\"id\":\"programme\",\"title\":\"Orrin Howard — LA Phil programme note, quoting Copland’s 1943 note\",\"url\":\"https://www.laphil.com/works/lincoln-portrait\",\"locator\":\"Copland’s note for the Boston Symphony: slow opening, quick middle, spoken final section; Camptown Races and Springfield Mountain; quotation about a frame for Lincoln’s words.\",\"accessed\":\"2026-10-18\"},{\"id\":\"permissions\",\"title\":\"Aaron Copland Fund — Permissions and Rights\",\"url\":\"https://www.aaroncopland.com/pages/permissions-and-rights/\",\"locator\":\"Boosey & Hawkes, a Concord company, is the exclusive permissions agent for Copland’s musical catalogue.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX%3A32011L0077\",\"locator\":\"Recitals 1–3; Article 1(2) and 1(3): former 50-year term and 1 November 2013 transition.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discogs\",\"title\":\"Discogs — Columbia Masterworks MS 6040 release and master\",\"url\":\"https://www.discogs.com/release/17565760\",\"locator\":\"US stereo LP, released 1959; stereo version of mono ML 5347 (1959); Library of Congress card numbers R59-1007 to R59-1009; matrices XSM 44820 and XSM 44821. Its contributor note “Recorded March 16, 1958” is not adopted as a session date here.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"copland-orchestral-variations","composer":"Aaron Copland","title":"Orchestral Variations","movement":"","work.title":"Orchestral Variations","work.catalogue":"ARCO 76","work.movement":"","work.version.value":"Copland’s 1957 orchestral version of Piano Variations (1930)","work.version.status":"documented","work.version.sourceIds":"[\"sleeve\",\"work\"]","work.version.note":"The sleeve and selected track identify Orchestral Variations, 1957. This is not Variations on a Shaker Melody. The performing edition and parts are unknown.","performers.value":"[{\"name\":\"Hartford Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Fritz Mahler\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"sleeve\"]","performers.note":"Credited on the Vanguard sleeve and in the item metadata; individual players are not identified.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"archive\",\"sleeve\"]","session.date.note":"1961 is the carrier publication year. The consulted sleeve and item metadata do not establish a recording-session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"sleeve\"]","session.place.note":"No recording venue is established; Hartford in the ensemble name is not treated as a session location.","carrier.label.value":"Vanguard Stereolab","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"sleeve\"]","carrier.label.note":"Stereo vinyl LP, coupled with Bloch’s Three Jewish Poems and Copland’s Fanfare.","carrier.catalogue.value":"VSD-2085","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"sleeve\"]","carrier.catalogue.note":"The specific transferred US carrier is catalogued as a 1961 release.","carrier.matrixTakeSides.value":"Side 2, band 2","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"files\",\"sleeve\"]","carrier.matrixTakeSides.note":"Side and band follow the segmented filename and programme order. Matrix, take and stamper identifiers are unknown.","transfer.credits.value":"Internet Archive LP transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Institutional transfer credit; no independently established personal mastering credit.","transfer.date.value":"2021-09-20","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"From ripping_date 20210920231659; scan, upload and derivative-generation dates are separate events.","transfer.processing.value":"Technics SL1200MK5 with Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; segmented VBR MP3 derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"files\"]","transfer.processing.note":"Equalisation, noise reduction, pitch correction and other restoration settings are unknown.","digital.streamUrl":"https://archive.org/download/lp_three-jewish-poems-for-orchestra-fanfare_ernest-bloch-aaron-copland-the-hartford-sy/disc1/02.02.%20Orchestral%20Variations%201957.mp3","digital.sourceChain":"[\"sleeve\",\"archive\",\"files\"]","digital.format":"VBR MP3 derivative of stereo vinyl LP","digital.durationSeconds":821.23,"rights.composition.value":"Copland’s composition and 1957 orchestration remain copyrighted; permissions administered by Boosey & Hawkes","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\",\"permissions\",\"publisher\"]","rights.composition.note":"The publisher lists worldwide rights. The recording’s historical publication supplies no permission to reproduce the composition, orchestration or current score.","rights.recording.value":"Territorial EU phonogram public-domain basis: commercial publication in 1961, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"sleeve\",\"discogs\",\"eu-term\"]","rights.recording.note":"Under the project’s eu-published-before-1963 rule, the carrier’s former 50-year phonogram term had expired before the 2013 extension. This is not a US-government recording, a Creative Commons licence, US public-domain status or worldwide clearance. Composition rights remain separate.","rights.creditLine":"Aaron Copland, Orchestral Variations; Hartford Symphony Orchestra, Fritz Mahler. Vanguard VSD-2085 (1961 issue), Internet Archive LP transfer. Territorial EU phonogram basis only; composition and orchestration remain copyrighted.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Vanguard VSD-2085 carrier and transfer metadata\",\"url\":\"https://archive.org/metadata/lp_three-jewish-poems-for-orchestra-fanfare_ernest-bloch-aaron-copland-the-hartford-sy/metadata\",\"locator\":\"1961 issue; US; Vanguard VSD-2085; performer credits; transfer lineage; ripping_date and ripping_operator.\",\"accessed\":\"2026-10-18\"},{\"id\":\"sleeve\",\"title\":\"Vanguard VSD-2085 — sleeve text and Sidney Finkelstein’s notes\",\"url\":\"https://archive.org/download/lp_three-jewish-poems-for-orchestra-fanfare_ernest-bloch-aaron-copland-the-hartford-sy/lp_three-jewish-poems-for-orchestra-fanfare_ernest-bloch-aaron-copland-the-hartford-sy_djvu.txt\",\"locator\":\"Credits, catalogue, stereo process; 1930 original, 1957 orchestration, twenty variations and coda, rhythmic interplay and the new orchestral treatment. OCR consulted, not a runout inspection.\",\"accessed\":\"2026-10-18\"},{\"id\":\"files\",\"title\":\"Internet Archive — Vanguard derivative file inventory\",\"url\":\"https://archive.org/metadata/lp_three-jewish-poems-for-orchestra-fanfare_ernest-bloch-aaron-copland-the-hartford-sy/files\",\"locator\":\"disc1/02.02. Orchestral Variations 1957.mp3; VBR MP3; 821.23 seconds; MD5 9b246380d3c0ca58987c3ba7f83d219b.\",\"accessed\":\"2026-10-18\"},{\"id\":\"work\",\"title\":\"Aaron Copland Fund — Orchestral Variations\",\"url\":\"https://www.aaroncopland.com/works/orchestral-variations/\",\"locator\":\"ARCO 76; 1957 orchestration of Piano Variations (1930); scoring; Louisville commission and Robert Whitney’s 5 March 1957 première.\",\"accessed\":\"2026-10-18\"},{\"id\":\"gann\",\"title\":\"Kyle Gann — American Symphony Orchestra programme note\",\"url\":\"https://americansymphony.org/concert-notes/orchestral-variantions-1957/\",\"locator\":\"13 May 1998: four-note motive, horn’s sustained C♯ replacing sympathetic piano resonance, Variation XI duet and subsequent build.\",\"accessed\":\"2026-10-18\"},{\"id\":\"heninger\",\"title\":\"Barbara Heninger — Redwood Symphony programme note\",\"url\":\"https://redwoodsymphony.org/piece/orchestral-variations/\",\"locator\":\"February 2002: theme/first-variation contrast, quiet woodwind centre, quicker variations and full-orchestra coda.\",\"accessed\":\"2026-10-18\"},{\"id\":\"publisher\",\"title\":\"Boosey & Hawkes — Orchestral Variations score catalogue\",\"url\":\"https://www.boosey.com/cr/perusals/score?id=1043\",\"locator\":\"1957, duration 14 minutes, full orchestral scoring and worldwide territory. Actual score requires login and was not consulted.\",\"accessed\":\"2026-10-18\"},{\"id\":\"permissions\",\"title\":\"Aaron Copland Fund — Permissions and Rights\",\"url\":\"https://www.aaroncopland.com/pages/permissions-and-rights/\",\"locator\":\"Boosey & Hawkes, a Concord company, is the exclusive permissions agent for Copland’s musical catalogue.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX%3A32011L0077\",\"locator\":\"Recitals 1–3; Article 1(2) and 1(3): former 50-year term and 1 November 2013 transition.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discogs\",\"title\":\"Discogs — Vanguard VSD-2085 release and master\",\"url\":\"https://www.discogs.com/release/5098889\",\"locator\":\"US stereo LP, released 1961; notes record a copy stamped “May 20 1961”; master 1256426 also lists the mono issue VRS-1067 as 1961; runouts LO8Y 5214 and LO8Y 5213.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"couperin-barricades-mysterieuses","composer":"François Couperin","title":"Les Barricades mystérieuses","movement":"","work.title":"Les Barricades mystérieuses","work.catalogue":"Second Livre de pièces de clavecin, Sixième Ordre","work.movement":"","work.version.value":"Solo piano performance of the harpsichord rondeau","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"discography\",\"score\",\"work-index\"]","work.version.note":"The nominated file contains the individual character piece, not the complete sixth ordre. The work was published in the 1717 second book. Meyer’s performing edition and every repeat choice are unestablished; the inspected modern score is an analytical reference, not an attribution of her edition. No uncut claim is made from duration alone.","performers.value":"[{\"name\":\"Marcelle Meyer\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"discography\"]","performers.note":"Commons identifies Meyer; the pianist’s recording chronology identifies the Couperin programme. This is a piano performance, notwithstanding the source category for harpsichord music.","session.date.value":"Late 1953 or January 1954","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"discography\"]","session.date.note":"This uncertainty is stated in the Commons Author field. The recording chronology gives the broader 1953/1954 range. No single year or session day has been selected. 23 September 2023 is the Commons upload date, not the session; the filename’s 1954 does not resolve the range.","session.date.precision":"range","session.place.value":"Salle Adyar, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"discography\"]","session.place.note":"Venue stated by Commons and the recording chronology; no studio log has been inspected.","carrier.label.value":"Les Discophiles Français","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"discography\"]","carrier.label.note":"Named in Commons’ source reference to the Médiathèque musicale Mahler collection and in the recording chronology.","carrier.catalogue.value":"DF 86","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"discography\"]","carrier.catalogue.note":"Both sources identify DF 86; the chronology identifies an LP issue. No exact first-publication date is inferred from the recording date.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"discography\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifier securely tied to this transfer is supplied by the opened sources. An earlier Meyer performance is separately listed in the chronology; its 1946 matrix has not been attached to this later file.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Commons names the Médiathèque musicale Mahler collection as source and Flopinot2012 as uploader. Neither attribution establishes the transfer or mastering engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. The upload occurred on 23 September 2023; the MP3 transcoding date is a separate access-file event.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The source upload is FLAC and Commons supplies an MP3 derivative. Equalisation, denoising, speed correction, editing and the equipment used for the transfer are not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/5a/Fran%C3%A7ois_Couperin_-_Les_barricades_mysterieuses_%28Marcelle_Meyer%2C_1954%29.flac/Fran%C3%A7ois_Couperin_-_Les_barricades_mysterieuses_%28Marcelle_Meyer%2C_1954%29.flac.mp3","digital.sourceChain":"[\"commons\",\"discography\"]","digital.format":"Wikimedia Commons MP3 access derivative of the uploaded FLAC; Commons attributes the source to the Médiathèque musicale Mahler, fonds Discophiles Français","digital.durationSeconds":95.1,"rights.composition.value":"Public-domain underlying composition","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"work-index\",\"biography\"]","rights.composition.note":"Commons applies PD-old-70-expired to the composition; Couperin died in 1733. This does not clear an unidentified modern edition or the sound recording.","rights.recording.value":"Territorial — Commons PD-EU-audio sound-recording status","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"rights-tag\"]","rights.recording.note":"Accepted under the programme’s recording-specific PD-EU-audio rule, territorially. Commons states that European performers’ and producers’ terms have expired. US public-domain status is not established and is not asserted: the file also carries a pre-1972 US-recording copyright warning. Composition-only public-domain text and the generic structured-data label are not relied upon for recording rights.","rights.creditLine":"François Couperin, Les Barricades mystérieuses; Marcelle Meyer, piano. Salle Adyar, Paris, late 1953 or January 1954 according to Commons; Les Discophiles Français DF 86. Médiathèque musicale Mahler collection, via Wikimedia Commons. Territorial PD-EU-audio; US public-domain status not established.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Meyer, Les barricades mysterieuses\",\"url\":\"https://commons.wikimedia.org/wiki/File:Fran%C3%A7ois_Couperin_-_Les_barricades_mysterieuses_(Marcelle_Meyer,_1954).flac\",\"locator\":\"Summary, Source, Author, Licensing, File history and Transcode status; opened revision 1260418407.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"Classical Pianists — Marcelle Meyer chronology\",\"url\":\"https://classical-pianists.net/viii/marcelle-meyer/chronology/\",\"locator\":\"MaMe-C#016: 1953/1954, Salle Adyar, Couperin programme, DF 86. Earlier 1946 performance listed separately.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Couperin — Les Baricades Mistérieuses, Les Éditions Outremontaises\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/6/65/IMSLP128589-WIMA.0099-Couperin_6eOrdre_Les_Baricades.pdf\",\"locator\":\"Both pages: rondeau, three couplets, overlapping durations and return directions; modern engraving used for musical reference only.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-index\",\"title\":\"IMSLP — Pièces de clavecin, Livre 2\",\"url\":\"https://imslp.org/wiki/Pi%C3%A8ces_de_clavecin,_Livre_2_(Couperin,_Fran%C3%A7ois)\",\"locator\":\"Sixième Ordre, harpsichord instrumentation and publication information.\",\"accessed\":\"2026-10-17\"},{\"id\":\"biography\",\"title\":\"Opéra Royal — François Couperin\",\"url\":\"https://www.operaroyal-versailles.fr/genre-event/couperin/\",\"locator\":\"Life dates, royal-chapel appointment, harpsichord books and unresolved character-piece titles; compared with the existing composer biography.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-tag\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Recording-specific territorial term statement and distinction from composition copyright.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 4 unknown"},{"id":"couperin-nations-piemontaise","composer":"François Couperin","title":"Les Nations","movement":"La Piémontaise · Sonade","work.title":"Les Nations","work.catalogue":"","work.movement":"La Piémontaise · Sonade","work.version.value":"Trio-sonata performance with Baroque violin, Baroque flute, viola da gamba and historical keyboards; estimated pitch approximately A = 415 Hz","work.version.status":"inferred","work.version.sourceIds":"[\"commons\",\"score\"]","work.version.note":"The instrumentation is documented on Commons. The pitch is an editorial inference from the semitone offset between the score and the project’s machine analysis (cache/analysis/couperin-nations-piemontaise.txt, opening pitch-class windows). It is not stated by the performers and has not been checked by ear; the performing edition is unidentified.","performers.value":"[{\"name\":\"New Comma Baroque\",\"role\":\"ensemble\"},{\"name\":\"Matthew C. Cataldi\",\"role\":\"Baroque violin\"},{\"name\":\"Leighann Daihl\",\"role\":\"Baroque flute\"},{\"name\":\"Phillip W. Serna\",\"role\":\"viola da gamba\"},{\"name\":\"Emily J. Morlan\",\"role\":\"historical keyboards\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"","session.date.value":"2012-09-10","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The description explicitly says ‘Recorded September 10th, 2012’; this is not the November upload date.","session.date.precision":"day","session.place.value":"Adlai E. Stevenson High School Recital Hall, Lincolnshire, Illinois","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"Named in the description of the programme Tous les Matins du Monde.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original release label is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or disc-side identifiers are supplied; the digital file format does not establish the original carrier.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Phillipwserna is credited as uploader and the file is described as own work; no separate recording, transfer or mastering engineer is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. 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The source revision is fixed; current file metadata was retrieved on the access date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AFrancois+Couperin+%28c.1631-1708-12%29+-+Sonade+from+Quatri%C3%A8me+Ordre+La+Piemontaise+L%27Astree+from+Les+Nations+Sonades+et+Suites+de+Simphonies+en+Trio+%28Paris%2C+1726%29.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 URL; source for digital.durationSeconds, digital.format and digital.streamUrl.\",\"accessed\":\"2026-10-16\"},{\"id\":\"score\",\"title\":\"IMSLP — Les Nations\",\"url\":\"https://imslp.org/wiki/Les_nations_(Couperin,_Fran%C3%A7ois)\",\"locator\":\"General Information: publication in 1726, fourth ordre and trio instrumentation. This source does not document the pitch used at the 2012 session.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Francois Couperin (c.1631-1708-12) - Sonade from Quatrième Ordre La Piemontaise L'Astree from Les Nations Sonades et Suites de Simphonies en Trio (Paris, 1726).ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1259997577&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Francois Couperin (c.1631-1708-12) - Sonade from Quatrième Ordre La Piemontaise L'Astree from Les Nations Sonades et Suites de Simphonies en Trio (Paris, 1726).ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"2 inferred; 4 documented; 6 unknown"},{"id":"couperin-tic-toc-choc","composer":"François Couperin","title":"Le Tic-Toc-Choc, ou Les Maillotins","movement":"","work.title":"Le Tic-Toc-Choc, ou Les Maillotins","work.catalogue":"Troisième Livre, XVIIIe Ordre, no. 6; Cauchie 278","work.movement":"","work.version.value":"Harpsichord piece performed on piano","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"authority\",\"score\",\"discography\"]","work.version.note":"Meyer’s exact edition and octave disposition are unidentified. Couperin’s preface authorises octave displacement for a single keyboard. The formal map groups the first two couplets with their returning refrains; its times are broad passage guideposts.","performers.value":"[{\"name\":\"Marcelle Meyer\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"discography\"]","performers.note":"The Commons file identifies Meyer; the discography places the work among her Les Discophiles Français piano recordings.","session.date.value":"Late 1953 or January 1954","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"discography\"]","session.date.note":"Commons supplies this range; the independent chronology gives 1953/1954. The same pianist also recorded the work in 1946, so the session range follows the attribution of this particular upload.","session.date.precision":"range","session.place.value":"Salle Adyar, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"discography\"]","session.place.note":"Both sources identify the venue.","carrier.label.value":"Les Discophiles Français","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"discography\"]","carrier.label.note":"Historical label named in the source credit.","carrier.catalogue.value":"DF 86","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"discography\"]","carrier.catalogue.note":"The collection reference given by Commons and the LP issue listed in the chronology.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"discography\"]","carrier.matrixTakeSides.note":"The selected file’s pressing matrix, take and physical side have not been established.","transfer.credits.value":"Commons uploader: Flopinot2012; source collection: Médiathèque musicale Mahler, fonds Discophiles Français","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"These are the upload and collection credits. The digitisation engineer is unidentified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The file was uploaded on 23 September 2023; the date of digitisation is unspecified.","transfer.processing.value":"Commons MP3 derivative of an uploaded FLAC","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Playback equipment, equalisation, noise reduction and pitch correction are unspecified.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/f/f9/Fran%C3%A7ois_Couperin_-_Le_tic_toc_choc_ou_les_maillotins_%28Marcelle_Meyer%2C_1954%29.flac/Fran%C3%A7ois_Couperin_-_Le_tic_toc_choc_ou_les_maillotins_%28Marcelle_Meyer%2C_1954%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative; uploaded source is FLAC","digital.durationSeconds":134.88,"rights.composition.value":"Public domain: Couperin’s eighteenth-century composition","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"authority\",\"score\"]","rights.composition.note":"Commons applies PD-old-70-expired to the work. The modern Gouin engraving is cited for research and is not redistributed with the recording.","rights.recording.value":"Public domain in the European Union under Commons’ PD-EU-audio designation","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The host’s licence field is Public domain. Its licensing section separately warns of continuing US protection for this pre-1972 sound recording. This territorial basis does not provide worldwide clearance.","rights.creditLine":"François Couperin, Le Tic-Toc-Choc, ou Les Maillotins; Marcelle Meyer, piano. Les Discophiles Français DF 86; Médiathèque musicale Mahler collection; Commons upload by Flopinot2012. Commons PD-EU-audio; US recording restrictions remain.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:François_Couperin_-_Le_tic_toc_choc_ou_les_maillotins_(Marcelle_Meyer,_1954).flac#Licensing","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Meyer, Le Tic-Toc-Choc\",\"url\":\"https://commons.wikimedia.org/wiki/File:François_Couperin_-_Le_tic_toc_choc_ou_les_maillotins_(Marcelle_Meyer,_1954).flac\",\"locator\":\"Summary, source credit, author/session attribution, licensing, file history, duration and MP3 transcode.\",\"accessed\":\"2026-10-18\"},{\"id\":\"authority\",\"title\":\"Bibliothèque nationale de France — Le tic-toc choc\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb148179652\",\"locator\":\"Work authority: 1722, pièce croisée, rondeau, XVIIIe Ordre, Cauchie no. 278.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Couperin — Le Tic-Toc-Choc, Pierre Gouin edition\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/e/ec/IMSLP128601-WIMA.a398-Couperin_18eOrdre_Le_TicTocChoc.pdf\",\"locator\":\"Les Éditions Outremontaises, 2005; all three pages consulted, with opening and final page inspected visually. Rondeau, three couplets and supplément.\",\"accessed\":\"2026-10-18\"},{\"id\":\"preface\",\"title\":\"Carey Beebe — Different harpsichord editions of Couperin’s Le Tic-toc-choc\",\"url\":\"https://www.hpschd.nu/tech/rsc/tic.html\",\"locator\":\"1722 preface instructions for two manuals and octave displacement; original refrain reproduced in facsimile.\",\"accessed\":\"2026-10-18\"},{\"id\":\"programme\",\"title\":\"Angela Hewitt — Couperin Keyboard Music, Volume 1\",\"url\":\"https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67440\",\"locator\":\"2003 notes, Dix-Huitième Ordre: crossed piece, three couplets and concluding coda.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discography\",\"title\":\"Classical Pianists — Marcelle Meyer chronology\",\"url\":\"https://classical-pianists.net/viii/marcelle-meyer/chronology/\",\"locator\":\"MaMe-C#016, Salle Adyar 1953/1954, Couperin selections and DF 86. The distinct 1946 session is listed separately.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"10 documented; 2 unknown"},{"id":"cpe-bach-fantasia-fsharp","composer":"Carl Philipp Emanuel Bach","title":"Fantasia in F♯ minor, Wq 67","movement":"","work.title":"Fantasia in F♯ minor","work.catalogue":"Wq 67","work.movement":"","work.version.value":"Performed on clavichord.","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"upstream\"]","work.version.note":"The album uses instruments by Thomas Goff and Jacobus Verwolf; the notes do not allocate a particular instrument to this track or name a score edition.","performers.value":"[{\"name\":\"Joan Benson\",\"role\":\"clavichord\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"upstream\"]","performers.note":"","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"upstream\",\"artist-discography\"]","session.date.note":"The source identifies a record recommended in 1973, not a recording session in that year. No session date is supplied.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":"Bridge","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"upstream\"]","carrier.label.note":"Transcribed as printed in the source notes; no label photograph was obtained.","carrier.catalogue.value":"S 2250","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"upstream\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":"Al Goldstein collection; Pandora Music at ibiblio.org.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Collection and distribution credit; the source calls this a transcription of a record but does not name a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Embedded encoder: Xiph.Org libVorbis I 20020717. Commons master: Ogg Vorbis, 44.1 kHz, 2 channels.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"embedded\"]","transfer.processing.note":"These are file properties, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/3/34/Carl_Phillipe_Emanuel_Bach_-_Freie_Fantasie%2C_F_Sharp_minor.ogg/Carl_Phillipe_Emanuel_Bach_-_Freie_Fantasie%2C_F_Sharp_minor.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream-files\",\"upstream\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis, 44.1 kHz, 2 channels","digital.durationSeconds":753.2000226757369,"rights.composition.value":"Original composition is public domain in ordinary life-plus-70 jurisdictions.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"upstream\",\"author-term\"]","rights.composition.note":"The source notes give C. P. E. Bach’s lifespan as 1714–1788. This does not remove rights in Joan Benson’s recording.","rights.recording.value":"Rule 1 — recording licence/release: CC BY-SA 2.0 (EFF Open Audio License).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons explicitly applies cc-by-sa-2.0 and describes the EFF Open Audio License grant for the Joan Benson recording sourced through Pandora Music. No pre-1963 date is claimed; the 1973 recommendation is not a session date.","rights.creditLine":"Joan Benson, clavichord. Bridge S 2250; Al Goldstein collection / Pandora Music, via Wikimedia Commons. CC BY-SA 2.0 as stated by Commons.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/2.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Carl Phillipe Emanuel Bach - Freie Fantasie, F Sharp minor.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Carl_Phillipe_Emanuel_Bach_-_Freie_Fantasie,_F_Sharp_minor.ogg?oldid=848584084\",\"locator\":\"File-description wikitext revision 848584084; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M3881514\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M3881514&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 848584084. 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Presto","work.title":"Flute Concerto in G major","work.catalogue":"Wq 169 / H 445","work.movement":"III. Presto","work.version.value":"Flute version of the concerto; complete finale only","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"pandora-programme\",\"work-index\",\"edition-introduction\",\"score\",\"performing-parts\"]","work.version.note":"Only movement III is hosted in this package. Set metadata records part 3 of 3, not possession of the preceding Allegro di molto and Largo. The 1755 date belongs to the original organ concerto Wq 34; the flute adaptation is later and cannot be assigned a precise year. The working manuscript is dated between 1755 and 1768 by Kuijken. The recording’s performing edition, any restored missing bar and the details of a cadenza are unestablished. The modern critical performing parts clarify the manuscript’s shorthand: flute participates in the opening and closing tutti, so a blank flute staff does not establish a rest. These parts are consulted as a reference, not attributed to the 2008 performance or claimed to be public domain. The score-derived orchestra display uses passage overviews rather than aligned entries; the cello desk represents written basso, not a verified allocation of bass instruments.","performers.value":"[{\"name\":\"Constance Schoepflin\",\"role\":\"flute\"},{\"name\":\"Advent Chamber Orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"pandora-programme\"]","performers.note":"Both sources name the soloist and ensemble. The opened programme does not identify a conductor for this concerto or its continuo player. Credits for soloists in the adjacent Brandenburg concertos have not been transferred to this track. Exact string numbers, keyboard type, double-bass participation and tuning are unestablished.","session.date.value":"February 2008; programme dated 10 and 17 February","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"pandora-programme\",\"pandora-directory\"]","session.date.note":"Commons gives February 2008 and the upstream Music of the Bach Family programme gives 10 and 17 February. The source does not identify which concert supplies this performance or whether material was combined. The directory’s 7 April 2008 file timestamps and Commons’ 23 November 2008 upload are not session dates. MAR-08 is a repository folder name, not proof of a March performance.","session.date.precision":"month","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"pandora-programme\",\"pandora-notes\"]","session.place.note":"The opened recording page, concert programme and notes do not identify the recording venue. The orchestra’s usual location does not establish this session’s place.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"pandora-directory\",\"pandora-programme\"]","carrier.label.note":"The Al Goldstein/Pandora collection is a digital repository, not evidence of a commercial record label. No original carrier imprint is identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"pandora-directory\"]","carrier.catalogue.note":"No commercial catalogue number is documented. The repository filename 6_CPE_Bach_Concerto_Gmaj_Presto.ogg identifies a digital item, not a record catalogue.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"pandora-directory\",\"pandora-programme\"]","carrier.matrixTakeSides.note":"No matrix, take, master or side identifiers are supplied. The original recording medium is not established, so this field is not declared inherently inapplicable.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"pandora-programme\"]","transfer.credits.note":"Commons credits the Al Goldstein collection as the repository source and Graham87 as uploader. Neither is explicitly identified as the recording or mastering engineer for this performance.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"pandora-directory\"]","transfer.date.note":"No recording-to-digital transfer or encoding date is established. Repository modification, upload and Commons transcode dates are not substituted.","transfer.processing.value":"Ogg Vorbis source, with a Wikimedia Commons MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"pandora-directory\"]","transfer.processing.note":"Commons lists Xiph.Org libVorbis I 20020717 as encoder software; that version string is not the session date. Microphone placement, original session format, editing, noise reduction and mastering are unknown. No alteration to the source audio is authored in this package.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/2a/Carl_Philipp_Emanuel_Bach-_Flute_Concerto_Gmaj_-_3._Presto.ogg/Carl_Philipp_Emanuel_Bach-_Flute_Concerto_Gmaj_-_3._Presto.ogg.mp3","digital.sourceChain":"[\"commons\",\"pandora-directory\",\"pandora-programme\"]","digital.format":"Wikimedia Commons MP3 derivative of Ogg Vorbis from the Al Goldstein/Pandora repository at ibiblio","digital.durationSeconds":367.1,"rights.composition.value":"Public-domain underlying eighteenth-century composition","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"chronology\",\"work-index\",\"score\"]","rights.composition.note":"Bach died in 1788 and IMSLP identifies the historical manuscript as public domain. This term-based conclusion concerns the original composition, not copyright in an unidentified modern performing edition.","rights.recording.value":"Creative Commons Attribution-ShareAlike 2.0 Generic (CC BY-SA 2.0)","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"cc-license\"]","rights.recording.note":"Commons explicitly licenses this sound recording under CC BY-SA 2.0 and describes its upstream EFF Open Audio License origin. The nominated source is retained. The historical upstream Read.html licence link now returns 404 after redirect, so independent current retrieval of that original statement is unavailable; the explicit Commons recording licence remains the documented acceptance basis. No non-commercial restriction appears on the opened recording page or programme.","rights.creditLine":"Carl Philipp Emanuel Bach, Flute Concerto in G major, Wq 169 / H 445, III. Presto; Constance Schoepflin, flute, and Advent Chamber Orchestra. February 2008; exact concert date and venue unestablished. Al Goldstein/Pandora collection at ibiblio, via Wikimedia Commons. CC BY-SA 2.0. Commons MP3 access transcoding; no editorial audio alteration.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/2.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — C. P. E. Bach, Flute Concerto G major, Presto\",\"url\":\"https://commons.wikimedia.org/wiki/File:Carl_Philipp_Emanuel_Bach-_Flute_Concerto_Gmaj_-_3._Presto.ogg\",\"locator\":\"Description, February 2008 Date, performer attribution, Pandora source, Permission and CC BY-SA 2.0 licensing; opened revision 848583957.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pandora-directory\",\"title\":\"Pandora repository — MAR-08 chamber-orchestra files\",\"url\":\"https://www.ibiblio.org/pandora/vorbis/chamber_orchestra/MAR-08/index.html\",\"locator\":\"6_CPE_Bach_Concerto_Gmaj_Presto.ogg; other two movements listed separately. The 7 April 2008 timestamps are repository modifications, not session evidence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pandora-programme\",\"title\":\"Advent Chamber Orchestra — Music of the Bach Family\",\"url\":\"https://www.ibiblio.org/pandora/vorbis/chamber_orchestra/MAR-08/readme.html\",\"locator\":\"Programme dated February 10th and 17th 2008; C. P. E. Bach Wq 169, three movements and Constance Schoepflin flute credit. No venue or concerto conductor supplied.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pandora-notes\",\"title\":\"Advent concert programme notes\",\"url\":\"https://www.ibiblio.org/pandora/vorbis/chamber_orchestra/MAR-08/notes.html\",\"locator\":\"Concerto for Flute, Strings, and Continuo in G Major. The notes’ conjectures about Frederick and simplified 1755 flute dating are not adopted; the scholarly edition distinguishes the original and adaptation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-index\",\"title\":\"IMSLP — Flute Concerto in G major, H.445\",\"url\":\"https://imslp.org/wiki/Flute_Concerto_in_G_major,_H.445_(Bach,_Carl_Philipp_Emanuel)\",\"locator\":\"Wq 169 / H 445 identity, three movements, flute/strings/continuo forces, relation to H.444 and public-domain manuscript Mus. ms. Bach P 769.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Berlin Mus. ms. Bach P 769 — Largo and Presto\",\"url\":\"https://ks15.imslp.org/files/imglnks/usimg/0/07/IMSLP345781-PMLP142302-CPE_-_Flute_Concerto_in_G_445,_movt2-3.pdf\",\"locator\":\"Presto PDF pp. 11–39; opening, solo-writing examples, later suspension on PDF p. 31 and closing pp. 38–39 viewed. The condensed working manuscript requires Kuijken’s explanation of the flute-version shorthand and revised basso.\",\"accessed\":\"2026-10-17\"},{\"id\":\"edition-introduction\",\"title\":\"Barthold Kuijken — introduction to the Wq 169 facsimile\",\"url\":\"https://cpebach.org/pdfs/introductions/III-FS-Wq169-Intro.pdf\",\"locator\":\"pp. xi–xiv: organ original, dating limits, unknown recipient, copyist Anon. 303, autograph flute part, breath-related revisions and Presto details. Used to interpret the public-domain manuscript, not to imply this recording used the edition.\",\"accessed\":\"2026-10-17\"},{\"id\":\"performing-parts\",\"title\":\"C. P. E. Bach: The Complete Works — Wq 169 performing parts\",\"url\":\"https://cpebach.org/pdfs/parts/Wq169-flute-parts.pdf\",\"locator\":\"Flute PDF pp. 21–22 and 29; violin I PDF pp. 40 and 43. Directly inspected opening tutti, first solo at bar 49 and closing tutti participation. The 2016 Packard Humanities Institute edition clarifies the historical manuscript; it is not asserted to be public domain or the recording’s performing edition.\",\"accessed\":\"2026-10-17\"},{\"id\":\"chronology\",\"title\":\"C. P. E. Bach: The Complete Works — chronology\",\"url\":\"https://www.cpebach.org/timeline/chronology\",\"locator\":\"1740 court appointment, 1755 Wq 34, 1768 Hamburg move, 1788 death; compared with the existing composer biography.\",\"accessed\":\"2026-10-17\"},{\"id\":\"cc-license\",\"title\":\"Creative Commons — Attribution-ShareAlike 2.0 Generic\",\"url\":\"https://creativecommons.org/licenses/by-sa/2.0/\",\"locator\":\"Attribution, share-alike, permitted commercial use and indication of changes.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"5 documented; 6 unknown; 1 inferred"},{"id":"cpe-bach-symphony-bminor","composer":"Carl Philipp Emanuel Bach","title":"Symphony in B minor, Wq 182/5","movement":"Allegretto — Larghetto — Presto","work.title":"Symphony in B minor","work.catalogue":"Wq 182/5; H.661","work.movement":"Allegretto — Larghetto — Presto","work.version.value":"Original string-orchestra work, all three movements","work.version.status":"documented","work.version.sourceIds":"[\"label-scan\",\"score\",\"work-catalogue\"]","work.version.note":"The original label identifies Symphony No. 5 in B minor and lists all three movements. The score has two violin parts, viola and figured bass. The edition, continuo realisation and orchestral parts used in this session are unknown. The modern critical edition supplies the musical observations; it postdates the recording.","performers.value":"[{\"name\":\"Mainzer Kammerorchester\",\"role\":\"orchestra\"},{\"name\":\"Günter Kehr\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"label-scan\",\"archive\"]","performers.note":"The side-two label gives these performers specifically for the symphony. Martin Galling, Klaus Pohlers, Georg Schmid and Reinhold Buhl are credited separately for the quartet on the same side; the item-wide list of artists is therefore insufficient to identify the symphony’s individual players.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"archive\",\"label-scan\",\"publication-review\"]","session.date.note":"No session date is established. The January 1961 review provides a documented upper bound; the Archive dates the issue 1959 and the sleeve bears a 1959 copyright notice. The 2022 scan and transfer dates concern the archival copy.","session.date.precision":null,"session.place.value":"Germany","session.place.status":"documented","session.place.sourceIds":"[\"label-scan\"]","session.place.note":"The original side-two label states ‘Rec. in Germany’. City, venue and studio are unknown.","carrier.label.value":"Vox","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label-scan\",\"archive\"]","carrier.label.note":"Monaural US vinyl LP, The Sons of Bach, Vol. I: Symphonies and Chamber Music. The sleeve bears a 1959 Vox Productions copyright notice.","carrier.catalogue.value":"DL 463-1","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label-scan\",\"archive\"]","carrier.catalogue.note":"Catalogue number printed on the sleeve and both labels, matching the Internet Archive carrier metadata.","carrier.matrixTakeSides.value":"Side 2, band 1; printed side identifiers DL 463-1 B and M-1118-B","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label-scan\",\"archive-files\"]","carrier.matrixTakeSides.note":"These identifiers are transcribed from the label. Runout inscriptions, stamper, session take and original tape number are unknown. The label gives the symphony’s duration as 12:33; the selected digital transfer lasts 758.93 seconds.","transfer.credits.value":"Internet Archive LP transfer; operator account associate-klentjohn-postanes","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\",\"label-scan\"]","transfer.credits.note":"The operator is identified only by the archive account. The sleeve’s separate credit ‘Mastering: Dr. R. van Gelder’ concerns the historical LP.","transfer.date.value":"2022-10-29","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Transcribed from ripping_date 20221029092156. The artwork scan is dated 26 October 2022. Neither date identifies the performance session.","transfer.processing.value":"Technics SL1200MK5 turntable with Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; 24-bit FLAC side transfer and segmented VBR MP3 derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"Equipment comes from the item’s lineage field; the file list identifies the FLAC side and MP3 track. Equalisation, de-clicking, pitch correction and noise reduction settings are unknown.","digital.streamUrl":"https://archive.org/download/lp_the-sons-of-bach-vol-1-symphonies-cham_carl-philipp-emanuel-bach-mainzer-kamme/disc1/02.01.%20Symphony%20%235%20In%20B%20Minor%20(Allegretto%20-%20Larghetto%20-%20Presto).mp3","digital.sourceChain":"[\"label-scan\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a monaural vinyl LP transfer","digital.durationSeconds":758.93,"rights.composition.value":"Underlying composition is public domain under ordinary life-plus-70 terms.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"chronology\",\"edition-introduction\"]","rights.composition.note":"Bach composed the symphony in 1773 and died in 1788. Copyright in the modern critical edition is separate; its score is cited for research and is not reproduced here.","rights.recording.value":"Territorial EU public-domain basis: lawful commercial publication no later than January 1961, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"publication-review\",\"archive\",\"label-scan\",\"eu-term\"]","rights.recording.note":"HiFi/Stereo Review reviewed this exact Vox catalogue and performance in January 1961. Internet Archive dates the issue 1959, corroborated by the sleeve’s 1959 copyright notice, but the rights assessment uses the independently documented 1961 publication bound. Under the project’s eu-published-before-1963 rule, the former 50-year phonogram term expired before the extension applied on 1 November 2013. US recording rights remain unestablished. Internet Archive supplies no Creative Commons licence. Clearance here is territorial, not worldwide.","rights.creditLine":"Carl Philipp Emanuel Bach, Symphony in B minor, Wq 182/5; Mainzer Kammerorchester, Günter Kehr. Vox DL 463-1 (mono, dated 1959; commercially available by January 1961), side 2, band 1; Internet Archive LP transfer. Territorial EU public-domain basis; US recording status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Vox DL 463-1 carrier and transfer metadata\",\"url\":\"https://archive.org/metadata/lp_the-sons-of-bach-vol-1-symphonies-cham_carl-philipp-emanuel-bach-mainzer-kamme/metadata\",\"locator\":\"Date 1959; publisher VOX; catalogue DL 463-1; country US; source Vinyl LP; named artists; transfer equipment lineage; ripping_date 20221029092156 and ripping_operator account.\",\"accessed\":\"2026-10-18\"},{\"id\":\"label-scan\",\"title\":\"Vox DL 463-1 — original sleeve and labels\",\"url\":\"https://archive.org/download/lp_the-sons-of-bach-vol-1-symphonies-cham_carl-philipp-emanuel-bach-mainzer-kamme/lp_the-sons-of-bach-vol-1-symphonies-cham_carl-philipp-emanuel-bach-mainzer-kamme.pdf\",\"locator\":\"PDF page 2: copyright 1959, monaural carrier and mastering credit. Page 4: side-two label, band 1, all three symphony movements, Mainzer Kammerorchester, Günter Kehr, ‘Rec. in Germany’, DL 463-1 B and M-1118-B. Label and sleeve inspected visually. Robert Cushman’s sleeve notes incorrectly describe the Wq 182 symphonies as published in 1773; the modern critical introduction establishes their manuscript circulation.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — complete symphony access derivative\",\"url\":\"https://archive.org/metadata/lp_the-sons-of-bach-vol-1-symphonies-cham_carl-philipp-emanuel-bach-mainzer-kamme/files\",\"locator\":\"disc1/02.01. Symphony #5 In B Minor (Allegretto - Larghetto - Presto).mp3; VBR MP3, length 758.93; originating side-two FLAC listed as 24-bit FLAC.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"C. P. E. Bach: The Complete Works, III/2 — Symphony V in B minor\",\"url\":\"https://www.cpebach.org/pdfs/works/Series%20III/III-2/III-2-Wq182-5.pdf\",\"locator\":\"Edited by Sarah Adams, 2006, printed pp. 60–73. Openings of all three movements, Larghetto dynamics on pp. 67–68, and Presto repeat signs and ending on pp. 70 and 73 inspected visually. Musical cues describe whole movements or their opening paragraphs; no bar-by-bar timing or ear review is asserted.\",\"accessed\":\"2026-10-18\"},{\"id\":\"edition-introduction\",\"title\":\"Sarah Adams — introduction to Six Symphonies for Baron van Swieten\",\"url\":\"https://www.cpebach.org/pdfs/introductions/III-2-Intro.pdf\",\"locator\":\"Pp. xi–xii: Hamburg, 1773, scoring and commission; pp. xii–xiv: Reichardt’s 1814 recollection of the trial performance at Büsch’s house; pp. xiv–xv: Westphal’s 1777 catalogue, 1789 letter and later publication history.\",\"accessed\":\"2026-10-18\"},{\"id\":\"symphonies-preface\",\"title\":\"Peter Wollny — preface to the C. P. E. Bach symphonies\",\"url\":\"https://www.cpebach.org/prefaces/symphonies-preface\",\"locator\":\"Three-movement design, binary finales with repeated halves, continuo scoring and the 1773 van Swieten set.\",\"accessed\":\"2026-10-18\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Symphony in B minor, H.661\",\"url\":\"https://imslp.org/wiki/Symphony_in_B_minor,_H.661_(Bach,_Carl_Philipp_Emanuel)\",\"locator\":\"Catalogue equivalence Wq 182/5 and H.661; key, 1773 composition date, scoring and the three movement titles.\",\"accessed\":\"2026-10-18\"},{\"id\":\"chronology\",\"title\":\"C. P. E. Bach: The Complete Works — chronology\",\"url\":\"https://cpebach.org/timeline/chronology\",\"locator\":\"1773 lists Wq 182/5; 14 December 1788 records the composer’s death.\",\"accessed\":\"2026-10-18\"},{\"id\":\"timing-reference\",\"title\":\"AWA — Mainz Chamber Orchestra / Günter Kehr reissue track listing\",\"url\":\"https://s.awa.fm/track/5ac4cc61bcd8e7781455\",\"locator\":\"Lists the three Kehr movements as 4:30, 3:44 and 4:20. These rounded durations corroborate the broad movement divisions around 4:36 and 8:22 in the selected LP transfer; they do not supply bar-level alignment. The reissue calls movement I Allegro, while the original Vox label and critical score give Allegretto.\",\"accessed\":\"2026-10-18\"},{\"id\":\"publication-review\",\"title\":\"HiFi/Stereo Review, January 1961 — review of Vox DL 463-1\",\"url\":\"https://www.worldradiohistory.com/Archive-All-Audio/Archive-HiFI-Stereo/60s/HiFi-Stereo-Review-1961-01.pdf\",\"locator\":\"Printed and PDF p. 58: B minor and D major symphonies, Mainzer Kammerorchester, Günter Kehr, Vox DL 463-1 and retail price. The issue cover dates the review January 1961. Establishes commercial publication before 1963 independently of the sleeve copyright notice.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(2)–(3): former 50-year term, lawful publication, and extension for phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"debussy-cathedrale-engloutie-ilic","composer":"Claude Debussy","title":"Préludes, Book I","movement":"X. La cathédrale engloutie","work.title":"Préludes, Book I","work.catalogue":"CD 125 / L. 117","work.movement":"X. La cathédrale engloutie","work.version.value":"Solo piano","work.version.status":"documented","work.version.sourceIds":"[\"commons\"]","work.version.note":"The recording source identifies the forces; the performing edition is not established.","performers.value":"[{\"name\":\"Ivan Ilić\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"","session.date.value":"April 2006","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The summary explicitly identifies April 2006 in Paris, independently of the October 2008 upload.","session.date.precision":"month","session.place.value":"Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"No more specific recording venue is established.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No physical issue is identified for this source.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No physical catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or original recording medium is identified in the source.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No recording or mastering engineer is identified; the uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"An upload date does not establish a recording or transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No equalisation, noise reduction or editing chain is documented beyond the Commons access conversion.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/78/La_Cath%C3%A9drale_engloutie_-_Claude_Debussy_-_performed_by_Ivan_Ilic.ogg/La_Cath%C3%A9drale_engloutie_-_Claude_Debussy_-_performed_by_Ivan_Ilic.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; source OGG","digital.durationSeconds":324.92,"rights.composition.value":"Underlying work published in 1910.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"work\"]","rights.composition.note":"The historical composition is separate from the 2006 recording licence.","rights.recording.value":"CC BY 3.0 — recording released by Ivan Ilić","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The pianist is the stated author and uploader. Commons records reviewed permission ticket 2019081610007057; this is an explicit recording licence, not a composition-only tag.","rights.creditLine":"Préludes, Book I; Ivan Ilić, piano. April 2006. Wikimedia Commons; CC BY 3.0 — recording released by Ivan Ilić. No audio editing by Contrapunctus.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — La Cathédrale engloutie - Claude Debussy - performed by Ivan Ilic.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:La_Cath%C3%A9drale_engloutie_-_Claude_Debussy_-_performed_by_Ivan_Ilic.ogg\",\"locator\":\"Summary, source, licensing, file history and transcode table.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Préludes, Livre 1, CD 125\",\"url\":\"https://imslp.org/wiki/Pr%C3%A9ludes%2C_Livre_1%2C_CD_125_%28Debussy%2C_Claude%29\",\"locator\":\"General Information: CD 125 / L.117; movement 10; first publication Durand, 1910.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"La cathédrale engloutie — written form and publication\",\"url\":\"https://en.wikipedia.org/wiki/La_cath%C3%A9drale_engloutie\",\"locator\":\"Published 1910; opening fifths, chordal statement and lower echo.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 documented; 6 unknown"},{"id":"debussy-cathedrale-engloutie","composer":"Claude Debussy","title":"Préludes, Book I","movement":"X. La cathédrale engloutie","work.title":"Préludes, Book I","work.catalogue":"CD 125 / L. 117","work.movement":"X. La cathédrale engloutie","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording sources.","performers.value":"[{\"name\":\"Marcelle Meyer\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"","session.date.value":"15 February 1956","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The author field explicitly names the session date. The separate 25 September 2023 file-description date is not treated as a session or transfer date.","session.date.precision":"day","session.place.value":"Salle Adyar, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"","carrier.label.value":"Les Discophiles Français","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"","carrier.catalogue.value":"DF 211/2","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"The source is the Médiathèque musicale Mahler, fonds Discophiles français, with this reference. The individual physical copy and matrices are not identified.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Commons identifies the Médiathèque musicale Mahler’s Discophiles français collection as the source, but names no transfer or mastering engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No restoration, equalisation, noise-reduction or editing procedure is documented for the upstream audio.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/9f/Claude_Debussy_-_Pr%C3%A9ludes_%28Livre_I%29_-_X._La_Cath%C3%A9drale_engloutie_%28Marcelle_Meyer%2C_1956%29.flac/Claude_Debussy_-_Pr%C3%A9ludes_%28Livre_I%29_-_X._La_Cath%C3%A9drale_engloutie_%28Marcelle_Meyer%2C_1956%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: FLAC","digital.durationSeconds":339.74666666666667,"rights.composition.value":"Commons applies PD-old-70-1923 to the composition.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The composition tag is separate from the historic sound-recording tags.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\"]","rights.recording.note":"Commons applies PD-EU-audio and identifies Marcelle Meyer’s 15 February 1956 session and Les Discophiles Français DF 211/2. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. A recording date alone is not represented as an independently verified first-publication date.","rights.creditLine":"Claude Debussy, La cathédrale engloutie; Marcelle Meyer, piano, Salle Adyar, Paris, 15 February 1956. Les Discophiles Français DF 211/2; source collection: Médiathèque musicale Mahler; Wikimedia Commons. European expiry claim only; US recording rights are not cleared here.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Claude Debussy - Préludes (Livre I) - X. La Cathédrale engloutie (Marcelle Meyer, 1956).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Claude_Debussy_-_Pr%C3%A9ludes_(Livre_I)_-_X._La_Cath%C3%A9drale_engloutie_(Marcelle_Meyer,_1956).flac?oldid=1126687476\",\"locator\":\"File-description wikitext: work identification, Summary, Source and Licensing; file format, duration and Transcode status.\",\"accessed\":\"2026-10-16\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Claude_Debussy_-_Pr%C3%A9ludes_(Livre_I)_-_X._La_Cath%C3%A9drale_engloutie_(Marcelle_Meyer,_1956).flac#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights after 50 or 70 years; underlying composition requires a separate rights basis.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): extension applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-recordings\",\"title\":\"17 U.S.C. § 1401 — pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Section (a)(2): terms depend on first publication; post-1956 recordings fixed before 15 February 1972 remain within the statutory term until 15 February 2067.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-record-tag\",\"title\":\"Wikimedia Commons — PD-US-record warning\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-US-record\",\"locator\":\"Current template text and documentation: pre-1972 recordings may remain protected; not a free-use licence.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Debussy, Préludes, Livre 1, CD 125\",\"url\":\"https://imslp.org/wiki/Pr%C3%A9ludes%2C_Livre_1%2C_CD_125_%28Debussy%2C_Claude%29\",\"locator\":\"General Information: CD 125 / L.117; movement 10, La cathédrale engloutie; first published by Durand in 1910. This identifies the work, not the score edition used by Meyer.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Claude Debussy - Préludes (Livre I) - X. La Cathédrale engloutie (Marcelle Meyer, 1956).flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&prop=revisions&rvprop=content%7Cids&rvslots=main&revids=1048736444%7C1029369215%7C1259318927%7C1146394215%7C658946491%7C1190184410%7C848584084%7C1126687476%7C1030746393%7C1055787249\",\"locator\":\"Opened file-description wikitext for File:Claude Debussy - Préludes (Livre I) - X. La Cathédrale engloutie (Marcelle Meyer, 1956).flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3), inserting Article 10(5): extension applies to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-audio\",\"title\":\"Wikimedia Commons — recording-specific scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation concern performers’ and producers’ rights, not merely composition copyright; territorial European expiry.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"5 unknown; 7 documented"},{"id":"debussy-childrens-corner-cakewalk","composer":"Claude Debussy","title":"Children’s Corner","movement":"VI. Golliwogg’s Cake-Walk","work.title":"Children’s Corner","work.catalogue":"CD 119; L. 113","work.movement":"VI. Golliwogg’s Cake-Walk","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"score\",\"archive\",\"carrier-scan\"]","work.version.note":"The original work is for solo piano. The particular performing edition used by Casadesus is not identified; the viewed Durand score is study evidence, not evidence that this exact copy or impression was used. Section boundaries are score-informed passage estimates, not bar alignments.","performers.value":"[{\"name\":\"Robert Casadesus\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"carrier-scan\",\"archive\",\"casadesus-discography\"]","performers.note":"The solo pianist is identified on the carrier, repository record and official discography. No other performer is claimed.","session.date.value":"1950-04-11","session.date.status":"documented","session.date.sourceIds":"[\"casadesus-discography\"]","session.date.note":"The official discography identifies 11 April 1950 for Children’s Corner and includes ML 4366 in the issue list. The LP’s 1951 publication and the 2022 transfer are separate dates.","session.date.precision":"day","session.place.value":"Columbia 30th Street Studio, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"casadesus-discography\"]","session.place.note":"Venue and city are stated in the dated suite row; they are not inferred from the record company’s location.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"carrier-scan\",\"archive\",\"library\"]","carrier.label.note":"The transferred carrier is a 12-inch vinyl LP; Debussy is on its second side.","carrier.catalogue.value":"ML 4366 (sleeve and library catalogue); ML 54366 (scanned disc label)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"carrier-scan\",\"archive\",\"library\"]","carrier.catalogue.note":"Both forms occur in the evidence. The library dates the ML 4366 issue to 1951; the exact pressing date of the scanned ML 54366-labelled copy is not established. No explanation for the number variation is invented.","carrier.matrixTakeSides.value":"XLP 2933; disc 1, side 2, band 6 of 6","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"carrier-scan\",\"disc-metadata\"]","carrier.matrixTakeSides.note":"The side matrix is printed on the Debussy label. Individual session take and stamper identifiers are not established; the side matrix is not presented as a session take number.","transfer.credits.value":"Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The explicit ripping_operator credit is used. The separate catalogue/scanning operator and uploader are not substituted for the audio transfer operator.","transfer.date.value":"2022-03-21","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Item ripping_date is 20220321012946. This is the transfer date, not the 1950 session, 1951 LP issue, scan date or repository added date.","transfer.processing.value":"Technics SL1200MK5 turntable + Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; Internet Archive VBR MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The stated lineage and digital formats are documented. The source-side file records SoX processing, but detailed settings, restoration, noise reduction, pitch correction and edits are not established. No such treatment is inferred from the sound or carrier-condition grade.","digital.streamUrl":"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/disc1/02.06.%20Children's%20Corner%20Suite%3A%20Golliwog's%20Cakewalk.mp3","digital.sourceChain":"[\"carrier-scan\",\"archive\",\"disc-metadata\",\"archive-files\"]","digital.format":"VBR MP3 access derivative of Internet Archive’s LP transfer; source side supplied as 24-bit FLAC","digital.durationSeconds":164.2,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"library\",\"work-catalogue\",\"eu-term\"]","rights.composition.note":"Debussy died in 1918 and the suite was published in 1908. This is territorial term reasoning for the composition, not worldwide clearance or a claim about an unidentified modern edition.","rights.recording.value":"Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"library\",\"archive\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The documented LP issue is dated 1951, establishing publication before 1963 independently of the 1950 session. Its earlier 50-year phonogram term had expired before the 1 November 2013 extension threshold. US sound-recording status is not established. No Creative Commons licence or worldwide public-domain dedication is claimed.","rights.creditLine":"Claude Debussy, Children’s Corner, VI. Golliwogg’s Cake-Walk; Robert Casadesus, piano. Recorded 11 April 1950, Columbia 30th Street Studio, New York; Columbia Masterworks ML 4366 issue dated 1951 (scanned label ML 54366), side 2, band 6. Internet Archive LP transfer, 21 March 2022. Rule 3 territorial EU basis; US status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Columbia Children’s Corner / Forest Scenes\",\"url\":\"https://archive.org/metadata/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/metadata\",\"locator\":\"Item metadata: pianist, Columbia Masterworks, catalogue numbers ML 4366 and ML 54366, publication date 1951, transfer lineage, ripping operator and ripping date. Repository scan, public and added dates are kept separate from the session.\",\"accessed\":\"2026-10-18\"},{\"id\":\"carrier-scan\",\"title\":\"Columbia — original LP sleeve and labels\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0.pdf\",\"locator\":\"Viewed four-page carrier scan. The Debussy label on PDF p. 4 reads ML 54366 and XLP 2933 and lists all six bands; sleeve identifies ML 4366. The two catalogue forms are retained without guessing why they differ.\",\"accessed\":\"2026-10-17\"},{\"id\":\"library\",\"title\":\"CiNii Books — Columbia ML 4366\",\"url\":\"https://ci.nii.ac.jp/ncid/BB26857496\",\"locator\":\"Columbia, c1951; Masterworks label; Robert Casadesus, piano; recording data undescribed. This is LP publication evidence, not session dating. Contributor authority gives Debussy’s dates as 1862–1918.\",\"accessed\":\"2026-10-18\"},{\"id\":\"casadesus-discography\",\"title\":\"Robert Casadesus — official discography\",\"url\":\"https://www.robertcasadesus.com/en/discography/\",\"locator\":\"Children’s Corner row dated 1950-04-11: New York, Columbia 30th Street Studio, Robert Casadesus; lists Columbia ML 4366, X 355 and SL 222 among issues. The matching suite and catalogue establish the session independently of the LP’s 1951 publication.\",\"accessed\":\"2026-10-17\"},{\"id\":\"disc-metadata\",\"title\":\"Internet Archive — LP side and band metadata\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/disc-metadata.json\",\"locator\":\"One 12-inch 33⅓-rpm disc; Debussy occupies disc 1, side 2, bands 1–6. The six selected files are these bands, not the Schumann side.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — LP digital file provenance\",\"url\":\"https://archive.org/metadata/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/files\",\"locator\":\"Selected disc1/02.01–02.06 MP3 files and source side-level 24-bit FLAC derivatives. File metadata records VBR MP3 access copies and SoX processing of the side source; it does not document noise reduction or a modern remaster.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy — Children’s Corner, Durand piano score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/0/0d/IMSLP252526-PMLP02387-Debussy%2C_Claude-Childrens_Corner_Durand_7188_filter.pdf\",\"locator\":\"Movement studied on printed pp. 24–28 (PDF pp. 26–30). Viewed all musical pages, printed pp. 1–28 (PDF pp. 3–30), dedication and contents on PDF p. 2. Plate D. & F. 7188; 1908 copyright. The final page reads Février 1952: this is a later impression of the historical engraving, not a claim that the physical copy was printed in 1908.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Children’s Corner, CD 119 (L. 113)\",\"url\":\"https://imslp.org/wiki/Children%27s_Corner%2C_CD_119_%28Debussy%2C_Claude%29\",\"locator\":\"Work information: catalogue numbers, six movements, 1906–08 composition and 1908 Durand publication. The catalogue’s premiere date is not used because it has not been independently reconciled with other accounts.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-note\",\"title\":\"Morris Hastings — original Columbia programme note\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0_djvu.txt\",\"locator\":\"Original LP sleeve note, also viewed in the carrier scan. Jimbo is described as a felt toy elephant. That image is attributed to the note; the sleeve’s unsupported tune-origin story and biographical details are not adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2006/116/oj/eng\",\"locator\":\"Articles 1, 3 and 8: ordinary composition term and pre-extension phonogram terms and calendar calculation. Territorial term reasoning, not a licence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram term extension\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended terms concern recordings still protected on 1 November 2013; Article 2 gives the implementation date. Earlier expired terms are not revived by this rule.\",\"accessed\":\"2026-10-17\"},{\"id\":\"cakewalk-study\",\"title\":\"James Deaville — Debussy’s Cakewalk: race, modernism and music in early twentieth-century Paris\",\"url\":\"https://revuemusicaleoicrm.org/rmo-vol2-n1/debussy-s-cakewalk/\",\"locator\":\"Revue musicale OICRM, vol. 2, no. 1 (January 2014): African American dance, touring performers in Paris in 1902–03, racial representation, three-part design and Tristan allusion. No specific performance attended by Debussy is inferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"title-context\",\"title\":\"David Pilgrim — the Golliwog caricature, Jim Crow Museum\",\"url\":\"https://jimcrowmuseum.ferris.edu/golliwog/homepage.htm\",\"locator\":\"Account of Florence Kate Upton’s 1895 character, its minstrel-doll model and the racist caricature’s subsequent uses. Supports the concise context accompanying the original historical work title.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"1 unknown; 10 documented; 1 inferred"},{"id":"debussy-childrens-corner-doctor-gradus","composer":"Claude Debussy","title":"Children’s Corner","movement":"I. Doctor Gradus ad Parnassum","work.title":"Children’s Corner","work.catalogue":"CD 119; L. 113","work.movement":"I. Doctor Gradus ad Parnassum","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"score\",\"archive\",\"carrier-scan\"]","work.version.note":"The original work is for solo piano. The particular performing edition used by Casadesus is not identified; the viewed Durand score is study evidence, not evidence that this exact copy or impression was used. Section boundaries are score-informed passage estimates, not bar alignments.","performers.value":"[{\"name\":\"Robert Casadesus\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"carrier-scan\",\"archive\",\"casadesus-discography\"]","performers.note":"The solo pianist is identified on the carrier, repository record and official discography. No other performer is claimed.","session.date.value":"1950-04-11","session.date.status":"documented","session.date.sourceIds":"[\"casadesus-discography\"]","session.date.note":"The official discography identifies 11 April 1950 for Children’s Corner and includes ML 4366 in the issue list. The LP’s 1951 publication and the 2022 transfer are separate dates.","session.date.precision":"day","session.place.value":"Columbia 30th Street Studio, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"casadesus-discography\"]","session.place.note":"Venue and city are stated in the dated suite row; they are not inferred from the record company’s location.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"carrier-scan\",\"archive\",\"library\"]","carrier.label.note":"The transferred carrier is a 12-inch vinyl LP; Debussy is on its second side.","carrier.catalogue.value":"ML 4366 (sleeve and library catalogue); ML 54366 (scanned disc label)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"carrier-scan\",\"archive\",\"library\"]","carrier.catalogue.note":"Both forms occur in the evidence. The library dates the ML 4366 issue to 1951; the exact pressing date of the scanned ML 54366-labelled copy is not established. No explanation for the number variation is invented.","carrier.matrixTakeSides.value":"XLP 2933; disc 1, side 2, band 1 of 6","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"carrier-scan\",\"disc-metadata\"]","carrier.matrixTakeSides.note":"The side matrix is printed on the Debussy label. Individual session take and stamper identifiers are not established; the side matrix is not presented as a session take number.","transfer.credits.value":"Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The explicit ripping_operator credit is used. The separate catalogue/scanning operator and uploader are not substituted for the audio transfer operator.","transfer.date.value":"2022-03-21","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Item ripping_date is 20220321012946. This is the transfer date, not the 1950 session, 1951 LP issue, scan date or repository added date.","transfer.processing.value":"Technics SL1200MK5 turntable + Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; Internet Archive VBR MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The stated lineage and digital formats are documented. The source-side file records SoX processing, but detailed settings, restoration, noise reduction, pitch correction and edits are not established. No such treatment is inferred from the sound or carrier-condition grade.","digital.streamUrl":"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/disc1/02.01.%20Children's%20Corner%20Suite%3A%20Doctor%20Gradus%20Ad%20Parnassum.mp3","digital.sourceChain":"[\"carrier-scan\",\"archive\",\"disc-metadata\",\"archive-files\"]","digital.format":"VBR MP3 access derivative of Internet Archive’s LP transfer; source side supplied as 24-bit FLAC","digital.durationSeconds":116.5,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"library\",\"work-catalogue\",\"eu-term\"]","rights.composition.note":"Debussy died in 1918 and the suite was published in 1908. This is territorial term reasoning for the composition, not worldwide clearance or a claim about an unidentified modern edition.","rights.recording.value":"Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"library\",\"archive\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The documented LP issue is dated 1951, establishing publication before 1963 independently of the 1950 session. Its earlier 50-year phonogram term had expired before the 1 November 2013 extension threshold. US sound-recording status is not established. No Creative Commons licence or worldwide public-domain dedication is claimed.","rights.creditLine":"Claude Debussy, Children’s Corner, I. Doctor Gradus ad Parnassum; Robert Casadesus, piano. Recorded 11 April 1950, Columbia 30th Street Studio, New York; Columbia Masterworks ML 4366 issue dated 1951 (scanned label ML 54366), side 2, band 1. Internet Archive LP transfer, 21 March 2022. Rule 3 territorial EU basis; US status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Columbia Children’s Corner / Forest Scenes\",\"url\":\"https://archive.org/metadata/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/metadata\",\"locator\":\"Item metadata: pianist, Columbia Masterworks, catalogue numbers ML 4366 and ML 54366, publication date 1951, transfer lineage, ripping operator and ripping date. Repository scan, public and added dates are kept separate from the session.\",\"accessed\":\"2026-10-18\"},{\"id\":\"carrier-scan\",\"title\":\"Columbia — original LP sleeve and labels\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0.pdf\",\"locator\":\"Viewed four-page carrier scan. The Debussy label on PDF p. 4 reads ML 54366 and XLP 2933 and lists all six bands; sleeve identifies ML 4366. The two catalogue forms are retained without guessing why they differ.\",\"accessed\":\"2026-10-17\"},{\"id\":\"library\",\"title\":\"CiNii Books — Columbia ML 4366\",\"url\":\"https://ci.nii.ac.jp/ncid/BB26857496\",\"locator\":\"Columbia, c1951; Masterworks label; Robert Casadesus, piano; recording data undescribed. This is LP publication evidence, not session dating. Contributor authority gives Debussy’s dates as 1862–1918.\",\"accessed\":\"2026-10-18\"},{\"id\":\"casadesus-discography\",\"title\":\"Robert Casadesus — official discography\",\"url\":\"https://www.robertcasadesus.com/en/discography/\",\"locator\":\"Children’s Corner row dated 1950-04-11: New York, Columbia 30th Street Studio, Robert Casadesus; lists Columbia ML 4366, X 355 and SL 222 among issues. The matching suite and catalogue establish the session independently of the LP’s 1951 publication.\",\"accessed\":\"2026-10-17\"},{\"id\":\"disc-metadata\",\"title\":\"Internet Archive — LP side and band metadata\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/disc-metadata.json\",\"locator\":\"One 12-inch 33⅓-rpm disc; Debussy occupies disc 1, side 2, bands 1–6. The six selected files are these bands, not the Schumann side.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — LP digital file provenance\",\"url\":\"https://archive.org/metadata/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/files\",\"locator\":\"Selected disc1/02.01–02.06 MP3 files and source side-level 24-bit FLAC derivatives. File metadata records VBR MP3 access copies and SoX processing of the side source; it does not document noise reduction or a modern remaster.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy — Children’s Corner, Durand piano score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/0/0d/IMSLP252526-PMLP02387-Debussy%2C_Claude-Childrens_Corner_Durand_7188_filter.pdf\",\"locator\":\"Movement studied on printed pp. 1–5 (PDF pp. 3–7). Viewed all musical pages, printed pp. 1–28 (PDF pp. 3–30), dedication and contents on PDF p. 2. Plate D. & F. 7188; 1908 copyright. The final page reads Février 1952: this is a later impression of the historical engraving, not a claim that the physical copy was printed in 1908.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Children’s Corner, CD 119 (L. 113)\",\"url\":\"https://imslp.org/wiki/Children%27s_Corner%2C_CD_119_%28Debussy%2C_Claude%29\",\"locator\":\"Work information: catalogue numbers, six movements, 1906–08 composition and 1908 Durand publication. The catalogue’s premiere date is not used because it has not been independently reconciled with other accounts.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-note\",\"title\":\"Morris Hastings — original Columbia programme note\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0_djvu.txt\",\"locator\":\"Original LP sleeve note, also viewed in the carrier scan. Jimbo is described as a felt toy elephant. That image is attributed to the note; the sleeve’s unsupported tune-origin story and biographical details are not adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2006/116/oj/eng\",\"locator\":\"Articles 1, 3 and 8: ordinary composition term and pre-extension phonogram terms and calendar calculation. Territorial term reasoning, not a licence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram term extension\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended terms concern recordings still protected on 1 November 2013; Article 2 gives the implementation date. Earlier expired terms are not revived by this rule.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"1 unknown; 10 documented; 1 inferred"},{"id":"debussy-childrens-corner-jimbos-lullaby","composer":"Claude Debussy","title":"Children’s Corner","movement":"II. Jimbo’s Lullaby","work.title":"Children’s Corner","work.catalogue":"CD 119; L. 113","work.movement":"II. Jimbo’s Lullaby","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"score\",\"archive\",\"carrier-scan\"]","work.version.note":"The original work is for solo piano. The particular performing edition used by Casadesus is not identified; the viewed Durand score is study evidence, not evidence that this exact copy or impression was used. Section boundaries are score-informed passage estimates, not bar alignments.","performers.value":"[{\"name\":\"Robert Casadesus\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"carrier-scan\",\"archive\",\"casadesus-discography\"]","performers.note":"The solo pianist is identified on the carrier, repository record and official discography. No other performer is claimed.","session.date.value":"1950-04-11","session.date.status":"documented","session.date.sourceIds":"[\"casadesus-discography\"]","session.date.note":"The official discography identifies 11 April 1950 for Children’s Corner and includes ML 4366 in the issue list. The LP’s 1951 publication and the 2022 transfer are separate dates.","session.date.precision":"day","session.place.value":"Columbia 30th Street Studio, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"casadesus-discography\"]","session.place.note":"Venue and city are stated in the dated suite row; they are not inferred from the record company’s location.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"carrier-scan\",\"archive\",\"library\"]","carrier.label.note":"The transferred carrier is a 12-inch vinyl LP; Debussy is on its second side.","carrier.catalogue.value":"ML 4366 (sleeve and library catalogue); ML 54366 (scanned disc label)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"carrier-scan\",\"archive\",\"library\"]","carrier.catalogue.note":"Both forms occur in the evidence. The library dates the ML 4366 issue to 1951; the exact pressing date of the scanned ML 54366-labelled copy is not established. No explanation for the number variation is invented.","carrier.matrixTakeSides.value":"XLP 2933; disc 1, side 2, band 2 of 6","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"carrier-scan\",\"disc-metadata\"]","carrier.matrixTakeSides.note":"The side matrix is printed on the Debussy label. Individual session take and stamper identifiers are not established; the side matrix is not presented as a session take number.","transfer.credits.value":"Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The explicit ripping_operator credit is used. The separate catalogue/scanning operator and uploader are not substituted for the audio transfer operator.","transfer.date.value":"2022-03-21","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Item ripping_date is 20220321012946. This is the transfer date, not the 1950 session, 1951 LP issue, scan date or repository added date.","transfer.processing.value":"Technics SL1200MK5 turntable + Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; Internet Archive VBR MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The stated lineage and digital formats are documented. The source-side file records SoX processing, but detailed settings, restoration, noise reduction, pitch correction and edits are not established. No such treatment is inferred from the sound or carrier-condition grade.","digital.streamUrl":"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/disc1/02.02.%20Children's%20Corner%20Suite%3A%20Jimbo's%20Lullaby.mp3","digital.sourceChain":"[\"carrier-scan\",\"archive\",\"disc-metadata\",\"archive-files\"]","digital.format":"VBR MP3 access derivative of Internet Archive’s LP transfer; source side supplied as 24-bit FLAC","digital.durationSeconds":178.1,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"library\",\"work-catalogue\",\"eu-term\"]","rights.composition.note":"Debussy died in 1918 and the suite was published in 1908. This is territorial term reasoning for the composition, not worldwide clearance or a claim about an unidentified modern edition.","rights.recording.value":"Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"library\",\"archive\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The documented LP issue is dated 1951, establishing publication before 1963 independently of the 1950 session. Its earlier 50-year phonogram term had expired before the 1 November 2013 extension threshold. US sound-recording status is not established. No Creative Commons licence or worldwide public-domain dedication is claimed.","rights.creditLine":"Claude Debussy, Children’s Corner, II. Jimbo’s Lullaby; Robert Casadesus, piano. Recorded 11 April 1950, Columbia 30th Street Studio, New York; Columbia Masterworks ML 4366 issue dated 1951 (scanned label ML 54366), side 2, band 2. Internet Archive LP transfer, 21 March 2022. Rule 3 territorial EU basis; US status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Columbia Children’s Corner / Forest Scenes\",\"url\":\"https://archive.org/metadata/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/metadata\",\"locator\":\"Item metadata: pianist, Columbia Masterworks, catalogue numbers ML 4366 and ML 54366, publication date 1951, transfer lineage, ripping operator and ripping date. Repository scan, public and added dates are kept separate from the session.\",\"accessed\":\"2026-10-18\"},{\"id\":\"carrier-scan\",\"title\":\"Columbia — original LP sleeve and labels\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0.pdf\",\"locator\":\"Viewed four-page carrier scan. The Debussy label on PDF p. 4 reads ML 54366 and XLP 2933 and lists all six bands; sleeve identifies ML 4366. The two catalogue forms are retained without guessing why they differ.\",\"accessed\":\"2026-10-17\"},{\"id\":\"library\",\"title\":\"CiNii Books — Columbia ML 4366\",\"url\":\"https://ci.nii.ac.jp/ncid/BB26857496\",\"locator\":\"Columbia, c1951; Masterworks label; Robert Casadesus, piano; recording data undescribed. This is LP publication evidence, not session dating. Contributor authority gives Debussy’s dates as 1862–1918.\",\"accessed\":\"2026-10-18\"},{\"id\":\"casadesus-discography\",\"title\":\"Robert Casadesus — official discography\",\"url\":\"https://www.robertcasadesus.com/en/discography/\",\"locator\":\"Children’s Corner row dated 1950-04-11: New York, Columbia 30th Street Studio, Robert Casadesus; lists Columbia ML 4366, X 355 and SL 222 among issues. The matching suite and catalogue establish the session independently of the LP’s 1951 publication.\",\"accessed\":\"2026-10-17\"},{\"id\":\"disc-metadata\",\"title\":\"Internet Archive — LP side and band metadata\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/disc-metadata.json\",\"locator\":\"One 12-inch 33⅓-rpm disc; Debussy occupies disc 1, side 2, bands 1–6. The six selected files are these bands, not the Schumann side.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — LP digital file provenance\",\"url\":\"https://archive.org/metadata/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/files\",\"locator\":\"Selected disc1/02.01–02.06 MP3 files and source side-level 24-bit FLAC derivatives. File metadata records VBR MP3 access copies and SoX processing of the side source; it does not document noise reduction or a modern remaster.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy — Children’s Corner, Durand piano score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/0/0d/IMSLP252526-PMLP02387-Debussy%2C_Claude-Childrens_Corner_Durand_7188_filter.pdf\",\"locator\":\"Movement studied on printed pp. 6–9 (PDF pp. 8–11). Viewed all musical pages, printed pp. 1–28 (PDF pp. 3–30), dedication and contents on PDF p. 2. Plate D. & F. 7188; 1908 copyright. The final page reads Février 1952: this is a later impression of the historical engraving, not a claim that the physical copy was printed in 1908.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Children’s Corner, CD 119 (L. 113)\",\"url\":\"https://imslp.org/wiki/Children%27s_Corner%2C_CD_119_%28Debussy%2C_Claude%29\",\"locator\":\"Work information: catalogue numbers, six movements, 1906–08 composition and 1908 Durand publication. The catalogue’s premiere date is not used because it has not been independently reconciled with other accounts.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-note\",\"title\":\"Morris Hastings — original Columbia programme note\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0_djvu.txt\",\"locator\":\"Original LP sleeve note, also viewed in the carrier scan. Jimbo is described as a felt toy elephant. That image is attributed to the note; the sleeve’s unsupported tune-origin story and biographical details are not adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2006/116/oj/eng\",\"locator\":\"Articles 1, 3 and 8: ordinary composition term and pre-extension phonogram terms and calendar calculation. Territorial term reasoning, not a licence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram term extension\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended terms concern recordings still protected on 1 November 2013; Article 2 gives the implementation date. Earlier expired terms are not revived by this rule.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"1 unknown; 10 documented; 1 inferred"},{"id":"debussy-childrens-corner-little-shepherd","composer":"Claude Debussy","title":"Children’s Corner","movement":"V. The Little Shepherd","work.title":"Children’s Corner","work.catalogue":"CD 119; L. 113","work.movement":"V. The Little Shepherd","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"score\",\"archive\",\"carrier-scan\"]","work.version.note":"The original work is for solo piano. The particular performing edition used by Casadesus is not identified; the viewed Durand score is study evidence, not evidence that this exact copy or impression was used. Section boundaries are score-informed passage estimates, not bar alignments.","performers.value":"[{\"name\":\"Robert Casadesus\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"carrier-scan\",\"archive\",\"casadesus-discography\"]","performers.note":"The solo pianist is identified on the carrier, repository record and official discography. No other performer is claimed.","session.date.value":"1950-04-11","session.date.status":"documented","session.date.sourceIds":"[\"casadesus-discography\"]","session.date.note":"The official discography identifies 11 April 1950 for Children’s Corner and includes ML 4366 in the issue list. The LP’s 1951 publication and the 2022 transfer are separate dates.","session.date.precision":"day","session.place.value":"Columbia 30th Street Studio, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"casadesus-discography\"]","session.place.note":"Venue and city are stated in the dated suite row; they are not inferred from the record company’s location.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"carrier-scan\",\"archive\",\"library\"]","carrier.label.note":"The transferred carrier is a 12-inch vinyl LP; Debussy is on its second side.","carrier.catalogue.value":"ML 4366 (sleeve and library catalogue); ML 54366 (scanned disc label)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"carrier-scan\",\"archive\",\"library\"]","carrier.catalogue.note":"Both forms occur in the evidence. The library dates the ML 4366 issue to 1951; the exact pressing date of the scanned ML 54366-labelled copy is not established. No explanation for the number variation is invented.","carrier.matrixTakeSides.value":"XLP 2933; disc 1, side 2, band 5 of 6","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"carrier-scan\",\"disc-metadata\"]","carrier.matrixTakeSides.note":"The side matrix is printed on the Debussy label. Individual session take and stamper identifiers are not established; the side matrix is not presented as a session take number.","transfer.credits.value":"Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The explicit ripping_operator credit is used. The separate catalogue/scanning operator and uploader are not substituted for the audio transfer operator.","transfer.date.value":"2022-03-21","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Item ripping_date is 20220321012946. This is the transfer date, not the 1950 session, 1951 LP issue, scan date or repository added date.","transfer.processing.value":"Technics SL1200MK5 turntable + Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; Internet Archive VBR MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The stated lineage and digital formats are documented. The source-side file records SoX processing, but detailed settings, restoration, noise reduction, pitch correction and edits are not established. No such treatment is inferred from the sound or carrier-condition grade.","digital.streamUrl":"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/disc1/02.05.%20Children's%20Corner%20Suite%3A%20The%20Little%20Shepherd.mp3","digital.sourceChain":"[\"carrier-scan\",\"archive\",\"disc-metadata\",\"archive-files\"]","digital.format":"VBR MP3 access derivative of Internet Archive’s LP transfer; source side supplied as 24-bit FLAC","digital.durationSeconds":135.7,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"library\",\"work-catalogue\",\"eu-term\"]","rights.composition.note":"Debussy died in 1918 and the suite was published in 1908. This is territorial term reasoning for the composition, not worldwide clearance or a claim about an unidentified modern edition.","rights.recording.value":"Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"library\",\"archive\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The documented LP issue is dated 1951, establishing publication before 1963 independently of the 1950 session. Its earlier 50-year phonogram term had expired before the 1 November 2013 extension threshold. US sound-recording status is not established. No Creative Commons licence or worldwide public-domain dedication is claimed.","rights.creditLine":"Claude Debussy, Children’s Corner, V. The Little Shepherd; Robert Casadesus, piano. Recorded 11 April 1950, Columbia 30th Street Studio, New York; Columbia Masterworks ML 4366 issue dated 1951 (scanned label ML 54366), side 2, band 5. Internet Archive LP transfer, 21 March 2022. Rule 3 territorial EU basis; US status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Columbia Children’s Corner / Forest Scenes\",\"url\":\"https://archive.org/metadata/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/metadata\",\"locator\":\"Item metadata: pianist, Columbia Masterworks, catalogue numbers ML 4366 and ML 54366, publication date 1951, transfer lineage, ripping operator and ripping date. Repository scan, public and added dates are kept separate from the session.\",\"accessed\":\"2026-10-18\"},{\"id\":\"carrier-scan\",\"title\":\"Columbia — original LP sleeve and labels\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0.pdf\",\"locator\":\"Viewed four-page carrier scan. The Debussy label on PDF p. 4 reads ML 54366 and XLP 2933 and lists all six bands; sleeve identifies ML 4366. The two catalogue forms are retained without guessing why they differ.\",\"accessed\":\"2026-10-17\"},{\"id\":\"library\",\"title\":\"CiNii Books — Columbia ML 4366\",\"url\":\"https://ci.nii.ac.jp/ncid/BB26857496\",\"locator\":\"Columbia, c1951; Masterworks label; Robert Casadesus, piano; recording data undescribed. This is LP publication evidence, not session dating. Contributor authority gives Debussy’s dates as 1862–1918.\",\"accessed\":\"2026-10-18\"},{\"id\":\"casadesus-discography\",\"title\":\"Robert Casadesus — official discography\",\"url\":\"https://www.robertcasadesus.com/en/discography/\",\"locator\":\"Children’s Corner row dated 1950-04-11: New York, Columbia 30th Street Studio, Robert Casadesus; lists Columbia ML 4366, X 355 and SL 222 among issues. The matching suite and catalogue establish the session independently of the LP’s 1951 publication.\",\"accessed\":\"2026-10-17\"},{\"id\":\"disc-metadata\",\"title\":\"Internet Archive — LP side and band metadata\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/disc-metadata.json\",\"locator\":\"One 12-inch 33⅓-rpm disc; Debussy occupies disc 1, side 2, bands 1–6. The six selected files are these bands, not the Schumann side.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — LP digital file provenance\",\"url\":\"https://archive.org/metadata/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/files\",\"locator\":\"Selected disc1/02.01–02.06 MP3 files and source side-level 24-bit FLAC derivatives. File metadata records VBR MP3 access copies and SoX processing of the side source; it does not document noise reduction or a modern remaster.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy — Children’s Corner, Durand piano score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/0/0d/IMSLP252526-PMLP02387-Debussy%2C_Claude-Childrens_Corner_Durand_7188_filter.pdf\",\"locator\":\"Movement studied on printed pp. 22–23 (PDF pp. 24–25). Viewed all musical pages, printed pp. 1–28 (PDF pp. 3–30), dedication and contents on PDF p. 2. Plate D. & F. 7188; 1908 copyright. The final page reads Février 1952: this is a later impression of the historical engraving, not a claim that the physical copy was printed in 1908.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Children’s Corner, CD 119 (L. 113)\",\"url\":\"https://imslp.org/wiki/Children%27s_Corner%2C_CD_119_%28Debussy%2C_Claude%29\",\"locator\":\"Work information: catalogue numbers, six movements, 1906–08 composition and 1908 Durand publication. The catalogue’s premiere date is not used because it has not been independently reconciled with other accounts.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-note\",\"title\":\"Morris Hastings — original Columbia programme note\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0_djvu.txt\",\"locator\":\"Original LP sleeve note, also viewed in the carrier scan. Jimbo is described as a felt toy elephant. That image is attributed to the note; the sleeve’s unsupported tune-origin story and biographical details are not adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2006/116/oj/eng\",\"locator\":\"Articles 1, 3 and 8: ordinary composition term and pre-extension phonogram terms and calendar calculation. Territorial term reasoning, not a licence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram term extension\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended terms concern recordings still protected on 1 November 2013; Article 2 gives the implementation date. Earlier expired terms are not revived by this rule.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"1 unknown; 10 documented; 1 inferred"},{"id":"debussy-childrens-corner-serenade-doll","composer":"Claude Debussy","title":"Children’s Corner","movement":"III. Serenade for the Doll","work.title":"Children’s Corner","work.catalogue":"CD 119; L. 113","work.movement":"III. Serenade for the Doll","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"score\",\"archive\",\"carrier-scan\"]","work.version.note":"The original work is for solo piano. The particular performing edition used by Casadesus is not identified; the viewed Durand score is study evidence, not evidence that this exact copy or impression was used. Section boundaries are score-informed passage estimates, not bar alignments.","performers.value":"[{\"name\":\"Robert Casadesus\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"carrier-scan\",\"archive\",\"casadesus-discography\"]","performers.note":"The solo pianist is identified on the carrier, repository record and official discography. No other performer is claimed.","session.date.value":"1950-04-11","session.date.status":"documented","session.date.sourceIds":"[\"casadesus-discography\"]","session.date.note":"The official discography identifies 11 April 1950 for Children’s Corner and includes ML 4366 in the issue list. The LP’s 1951 publication and the 2022 transfer are separate dates.","session.date.precision":"day","session.place.value":"Columbia 30th Street Studio, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"casadesus-discography\"]","session.place.note":"Venue and city are stated in the dated suite row; they are not inferred from the record company’s location.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"carrier-scan\",\"archive\",\"library\"]","carrier.label.note":"The transferred carrier is a 12-inch vinyl LP; Debussy is on its second side.","carrier.catalogue.value":"ML 4366 (sleeve and library catalogue); ML 54366 (scanned disc label)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"carrier-scan\",\"archive\",\"library\"]","carrier.catalogue.note":"Both forms occur in the evidence. The library dates the ML 4366 issue to 1951; the exact pressing date of the scanned ML 54366-labelled copy is not established. No explanation for the number variation is invented.","carrier.matrixTakeSides.value":"XLP 2933; disc 1, side 2, band 3 of 6","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"carrier-scan\",\"disc-metadata\"]","carrier.matrixTakeSides.note":"The side matrix is printed on the Debussy label. Individual session take and stamper identifiers are not established; the side matrix is not presented as a session take number.","transfer.credits.value":"Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The explicit ripping_operator credit is used. The separate catalogue/scanning operator and uploader are not substituted for the audio transfer operator.","transfer.date.value":"2022-03-21","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Item ripping_date is 20220321012946. This is the transfer date, not the 1950 session, 1951 LP issue, scan date or repository added date.","transfer.processing.value":"Technics SL1200MK5 turntable + Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; Internet Archive VBR MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The stated lineage and digital formats are documented. The source-side file records SoX processing, but detailed settings, restoration, noise reduction, pitch correction and edits are not established. No such treatment is inferred from the sound or carrier-condition grade.","digital.streamUrl":"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/disc1/02.03.%20Children's%20Corner%20Suite%3A%20Serenade%20For%20The%20Doll.mp3","digital.sourceChain":"[\"carrier-scan\",\"archive\",\"disc-metadata\",\"archive-files\"]","digital.format":"VBR MP3 access derivative of Internet Archive’s LP transfer; source side supplied as 24-bit FLAC","digital.durationSeconds":132.7,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"library\",\"work-catalogue\",\"eu-term\"]","rights.composition.note":"Debussy died in 1918 and the suite was published in 1908. This is territorial term reasoning for the composition, not worldwide clearance or a claim about an unidentified modern edition.","rights.recording.value":"Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"library\",\"archive\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The documented LP issue is dated 1951, establishing publication before 1963 independently of the 1950 session. Its earlier 50-year phonogram term had expired before the 1 November 2013 extension threshold. US sound-recording status is not established. No Creative Commons licence or worldwide public-domain dedication is claimed.","rights.creditLine":"Claude Debussy, Children’s Corner, III. Serenade for the Doll; Robert Casadesus, piano. Recorded 11 April 1950, Columbia 30th Street Studio, New York; Columbia Masterworks ML 4366 issue dated 1951 (scanned label ML 54366), side 2, band 3. Internet Archive LP transfer, 21 March 2022. Rule 3 territorial EU basis; US status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Columbia Children’s Corner / Forest Scenes\",\"url\":\"https://archive.org/metadata/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/metadata\",\"locator\":\"Item metadata: pianist, Columbia Masterworks, catalogue numbers ML 4366 and ML 54366, publication date 1951, transfer lineage, ripping operator and ripping date. Repository scan, public and added dates are kept separate from the session.\",\"accessed\":\"2026-10-18\"},{\"id\":\"carrier-scan\",\"title\":\"Columbia — original LP sleeve and labels\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0.pdf\",\"locator\":\"Viewed four-page carrier scan. The Debussy label on PDF p. 4 reads ML 54366 and XLP 2933 and lists all six bands; sleeve identifies ML 4366. The two catalogue forms are retained without guessing why they differ.\",\"accessed\":\"2026-10-17\"},{\"id\":\"library\",\"title\":\"CiNii Books — Columbia ML 4366\",\"url\":\"https://ci.nii.ac.jp/ncid/BB26857496\",\"locator\":\"Columbia, c1951; Masterworks label; Robert Casadesus, piano; recording data undescribed. This is LP publication evidence, not session dating. Contributor authority gives Debussy’s dates as 1862–1918.\",\"accessed\":\"2026-10-18\"},{\"id\":\"casadesus-discography\",\"title\":\"Robert Casadesus — official discography\",\"url\":\"https://www.robertcasadesus.com/en/discography/\",\"locator\":\"Children’s Corner row dated 1950-04-11: New York, Columbia 30th Street Studio, Robert Casadesus; lists Columbia ML 4366, X 355 and SL 222 among issues. The matching suite and catalogue establish the session independently of the LP’s 1951 publication.\",\"accessed\":\"2026-10-17\"},{\"id\":\"disc-metadata\",\"title\":\"Internet Archive — LP side and band metadata\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/disc-metadata.json\",\"locator\":\"One 12-inch 33⅓-rpm disc; Debussy occupies disc 1, side 2, bands 1–6. The six selected files are these bands, not the Schumann side.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — LP digital file provenance\",\"url\":\"https://archive.org/metadata/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/files\",\"locator\":\"Selected disc1/02.01–02.06 MP3 files and source side-level 24-bit FLAC derivatives. File metadata records VBR MP3 access copies and SoX processing of the side source; it does not document noise reduction or a modern remaster.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy — Children’s Corner, Durand piano score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/0/0d/IMSLP252526-PMLP02387-Debussy%2C_Claude-Childrens_Corner_Durand_7188_filter.pdf\",\"locator\":\"Movement studied on printed pp. 10–15 (PDF pp. 12–17). Viewed all musical pages, printed pp. 1–28 (PDF pp. 3–30), dedication and contents on PDF p. 2. Plate D. & F. 7188; 1908 copyright. The final page reads Février 1952: this is a later impression of the historical engraving, not a claim that the physical copy was printed in 1908.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Children’s Corner, CD 119 (L. 113)\",\"url\":\"https://imslp.org/wiki/Children%27s_Corner%2C_CD_119_%28Debussy%2C_Claude%29\",\"locator\":\"Work information: catalogue numbers, six movements, 1906–08 composition and 1908 Durand publication. The catalogue’s premiere date is not used because it has not been independently reconciled with other accounts.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-note\",\"title\":\"Morris Hastings — original Columbia programme note\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0_djvu.txt\",\"locator\":\"Original LP sleeve note, also viewed in the carrier scan. Jimbo is described as a felt toy elephant. That image is attributed to the note; the sleeve’s unsupported tune-origin story and biographical details are not adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2006/116/oj/eng\",\"locator\":\"Articles 1, 3 and 8: ordinary composition term and pre-extension phonogram terms and calendar calculation. Territorial term reasoning, not a licence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram term extension\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended terms concern recordings still protected on 1 November 2013; Article 2 gives the implementation date. Earlier expired terms are not revived by this rule.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"1 unknown; 10 documented; 1 inferred"},{"id":"debussy-childrens-corner-snow-dancing","composer":"Claude Debussy","title":"Children’s Corner","movement":"IV. The Snow Is Dancing","work.title":"Children’s Corner","work.catalogue":"CD 119; L. 113","work.movement":"IV. The Snow Is Dancing","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"score\",\"archive\",\"carrier-scan\"]","work.version.note":"The original work is for solo piano. The particular performing edition used by Casadesus is not identified; the viewed Durand score is study evidence, not evidence that this exact copy or impression was used. Section boundaries are score-informed passage estimates, not bar alignments.","performers.value":"[{\"name\":\"Robert Casadesus\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"carrier-scan\",\"archive\",\"casadesus-discography\"]","performers.note":"The solo pianist is identified on the carrier, repository record and official discography. No other performer is claimed.","session.date.value":"1950-04-11","session.date.status":"documented","session.date.sourceIds":"[\"casadesus-discography\"]","session.date.note":"The official discography identifies 11 April 1950 for Children’s Corner and includes ML 4366 in the issue list. The LP’s 1951 publication and the 2022 transfer are separate dates.","session.date.precision":"day","session.place.value":"Columbia 30th Street Studio, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"casadesus-discography\"]","session.place.note":"Venue and city are stated in the dated suite row; they are not inferred from the record company’s location.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"carrier-scan\",\"archive\",\"library\"]","carrier.label.note":"The transferred carrier is a 12-inch vinyl LP; Debussy is on its second side.","carrier.catalogue.value":"ML 4366 (sleeve and library catalogue); ML 54366 (scanned disc label)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"carrier-scan\",\"archive\",\"library\"]","carrier.catalogue.note":"Both forms occur in the evidence. The library dates the ML 4366 issue to 1951; the exact pressing date of the scanned ML 54366-labelled copy is not established. No explanation for the number variation is invented.","carrier.matrixTakeSides.value":"XLP 2933; disc 1, side 2, band 4 of 6","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"carrier-scan\",\"disc-metadata\"]","carrier.matrixTakeSides.note":"The side matrix is printed on the Debussy label. Individual session take and stamper identifiers are not established; the side matrix is not presented as a session take number.","transfer.credits.value":"Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The explicit ripping_operator credit is used. The separate catalogue/scanning operator and uploader are not substituted for the audio transfer operator.","transfer.date.value":"2022-03-21","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Item ripping_date is 20220321012946. This is the transfer date, not the 1950 session, 1951 LP issue, scan date or repository added date.","transfer.processing.value":"Technics SL1200MK5 turntable + Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; Internet Archive VBR MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The stated lineage and digital formats are documented. The source-side file records SoX processing, but detailed settings, restoration, noise reduction, pitch correction and edits are not established. No such treatment is inferred from the sound or carrier-condition grade.","digital.streamUrl":"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/disc1/02.04.%20Children's%20Corner%20Suite%3A%20The%20Snow%20Is%20Dancing.mp3","digital.sourceChain":"[\"carrier-scan\",\"archive\",\"disc-metadata\",\"archive-files\"]","digital.format":"VBR MP3 access derivative of Internet Archive’s LP transfer; source side supplied as 24-bit FLAC","digital.durationSeconds":121.9,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"library\",\"work-catalogue\",\"eu-term\"]","rights.composition.note":"Debussy died in 1918 and the suite was published in 1908. This is territorial term reasoning for the composition, not worldwide clearance or a claim about an unidentified modern edition.","rights.recording.value":"Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"library\",\"archive\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The documented LP issue is dated 1951, establishing publication before 1963 independently of the 1950 session. Its earlier 50-year phonogram term had expired before the 1 November 2013 extension threshold. US sound-recording status is not established. No Creative Commons licence or worldwide public-domain dedication is claimed.","rights.creditLine":"Claude Debussy, Children’s Corner, IV. The Snow Is Dancing; Robert Casadesus, piano. Recorded 11 April 1950, Columbia 30th Street Studio, New York; Columbia Masterworks ML 4366 issue dated 1951 (scanned label ML 54366), side 2, band 4. Internet Archive LP transfer, 21 March 2022. Rule 3 territorial EU basis; US status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Columbia Children’s Corner / Forest Scenes\",\"url\":\"https://archive.org/metadata/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/metadata\",\"locator\":\"Item metadata: pianist, Columbia Masterworks, catalogue numbers ML 4366 and ML 54366, publication date 1951, transfer lineage, ripping operator and ripping date. Repository scan, public and added dates are kept separate from the session.\",\"accessed\":\"2026-10-18\"},{\"id\":\"carrier-scan\",\"title\":\"Columbia — original LP sleeve and labels\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0.pdf\",\"locator\":\"Viewed four-page carrier scan. The Debussy label on PDF p. 4 reads ML 54366 and XLP 2933 and lists all six bands; sleeve identifies ML 4366. The two catalogue forms are retained without guessing why they differ.\",\"accessed\":\"2026-10-17\"},{\"id\":\"library\",\"title\":\"CiNii Books — Columbia ML 4366\",\"url\":\"https://ci.nii.ac.jp/ncid/BB26857496\",\"locator\":\"Columbia, c1951; Masterworks label; Robert Casadesus, piano; recording data undescribed. This is LP publication evidence, not session dating. Contributor authority gives Debussy’s dates as 1862–1918.\",\"accessed\":\"2026-10-18\"},{\"id\":\"casadesus-discography\",\"title\":\"Robert Casadesus — official discography\",\"url\":\"https://www.robertcasadesus.com/en/discography/\",\"locator\":\"Children’s Corner row dated 1950-04-11: New York, Columbia 30th Street Studio, Robert Casadesus; lists Columbia ML 4366, X 355 and SL 222 among issues. The matching suite and catalogue establish the session independently of the LP’s 1951 publication.\",\"accessed\":\"2026-10-17\"},{\"id\":\"disc-metadata\",\"title\":\"Internet Archive — LP side and band metadata\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/disc-metadata.json\",\"locator\":\"One 12-inch 33⅓-rpm disc; Debussy occupies disc 1, side 2, bands 1–6. The six selected files are these bands, not the Schumann side.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — LP digital file provenance\",\"url\":\"https://archive.org/metadata/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/files\",\"locator\":\"Selected disc1/02.01–02.06 MP3 files and source side-level 24-bit FLAC derivatives. File metadata records VBR MP3 access copies and SoX processing of the side source; it does not document noise reduction or a modern remaster.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy — Children’s Corner, Durand piano score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/0/0d/IMSLP252526-PMLP02387-Debussy%2C_Claude-Childrens_Corner_Durand_7188_filter.pdf\",\"locator\":\"Movement studied on printed pp. 16–21 (PDF pp. 18–23). Viewed all musical pages, printed pp. 1–28 (PDF pp. 3–30), dedication and contents on PDF p. 2. Plate D. & F. 7188; 1908 copyright. The final page reads Février 1952: this is a later impression of the historical engraving, not a claim that the physical copy was printed in 1908.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Children’s Corner, CD 119 (L. 113)\",\"url\":\"https://imslp.org/wiki/Children%27s_Corner%2C_CD_119_%28Debussy%2C_Claude%29\",\"locator\":\"Work information: catalogue numbers, six movements, 1906–08 composition and 1908 Durand publication. The catalogue’s premiere date is not used because it has not been independently reconciled with other accounts.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-note\",\"title\":\"Morris Hastings — original Columbia programme note\",\"url\":\"https://archive.org/download/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0/lp_childrens-corner-suite-forest-scenes-o_claude-debussy-robert-schumann-robert-c_0_djvu.txt\",\"locator\":\"Original LP sleeve note, also viewed in the carrier scan. Jimbo is described as a felt toy elephant. That image is attributed to the note; the sleeve’s unsupported tune-origin story and biographical details are not adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2006/116/oj/eng\",\"locator\":\"Articles 1, 3 and 8: ordinary composition term and pre-extension phonogram terms and calendar calculation. Territorial term reasoning, not a licence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram term extension\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended terms concern recordings still protected on 1 November 2013; Article 2 gives the implementation date. Earlier expired terms are not revived by this rule.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"1 unknown; 10 documented; 1 inferred"},{"id":"debussy-clair-de-lune","composer":"Claude Debussy","title":"Suite bergamasque","movement":"III. Clair de lune","work.title":"Suite bergamasque","work.catalogue":"CD 82; L. 75","work.movement":"III. Clair de lune","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"score\",\"score-catalogue\",\"carrier-label\"]","work.version.note":"The original work is for solo piano. The exact edition or performing copy used by Moiseiwitsch is not identified. The viewed Fromont score establishes the written structure; no cut, edition variant, pedal execution or bar-exact performance claim is inferred from the file’s duration.","performers.value":"[{\"name\":\"Benno Moiseiwitsch\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"carrier-label\",\"archive\",\"moiseiwitsch-discography\"]","performers.note":"The primary label and item identify the solo pianist; the matching session chronology corroborates him.","session.date.value":"1946-02-28","session.date.status":"documented","session.date.sourceIds":"[\"moiseiwitsch-discography\",\"carrier-label\"]","session.date.note":"The chronology’s BM-C#051 entry gives 28 February 1946 and matrix 2EA10890-1, matching the selected carrier. The source is secondary; no independently accessible DAHR session entry was established. The item’s year 1946 is not itself treated as a day-level session date.","session.date.precision":"day","session.place.value":"Abbey Road Studio 3, London, England","session.place.status":"documented","session.place.sourceIds":"[\"moiseiwitsch-discography\"]","session.place.note":"The venue is explicitly named in the matching matrix entry, not inferred from HMV’s address or the performer’s residence.","carrier.label.value":"His Master’s Voice","carrier.label.status":"documented","carrier.label.sourceIds":"[\"carrier-label\",\"archive\"]","carrier.label.note":"Original British 12-inch 78-rpm disc; Made in England and speed 78 appear on the viewed label.","carrier.catalogue.value":"C.3485","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"carrier-label\",\"archive\"]","carrier.catalogue.note":"The original label identifies C.3485. Internet Archive assigns the item the catalogue year 1946; the label does not print that date and a contemporary release notice has not been established.","carrier.matrixTakeSides.value":"2EA10890-1; label matrix 2EA.10890; Clair de lune side of HMV C.3485","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"carrier-label\",\"archive\",\"moiseiwitsch-discography\"]","carrier.matrixTakeSides.note":"The -1 take identifier is supplied by the runout/item metadata and matches the session chronology. The other side is Chopin’s Polonaise in B♭, op. 71 no. 2. GBIA3042373B is the repository identifier, not a claim that the label prints a B-side designation. No alternative take is substituted; DAHR corroboration remains unavailable.","transfer.credits.value":"George Blood, L.P.; transfer by Phoebe Pugh; cleaning by Levar Brown","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\",\"archive-files\"]","transfer.credits.note":"The item explicitly credits user_transferred Phoebe Pugh and user_cleaned Levar Brown. The preferred version was selected by an unnamed George Blood audio engineer; that person is not identified with the uploader.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\",\"archive-files\"]","transfer.date.note":"No transfer date is explicitly stated. The 2024 repository public/added dates and file modification times are not promoted to a transfer date.","transfer.processing.value":"78-rpm transfer; preferred 3.5mil ET stylus version, equalised with Turnover 375 and Rolloff −12; VBR MP3 derived from the preferred 24-bit FLAC","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The item describes four stylus transfers, but the exact selected friendly-named FLAC comment identifies 3.5mil ET with the stated equalisation. The MP3 names that FLAC as its source. Further noise reduction, pitch correction, editing and restoration settings are not documented.","digital.streamUrl":"https://archive.org/download/78_clair-de-lune-moonlight_benno-moiseiwitsch-debussy_gbia3042373b/CLAIR%20DE%20LUNE%20(Moonlight)%20-%20BENNO%20MOISEIWITSCH.mp3","digital.sourceChain":"[\"carrier-label\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 access derivative of George Blood’s preferred equalised 3.5mil ET transfer, supplied as 24-bit FLAC","digital.durationSeconds":259.9,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"score-catalogue\",\"work-catalogue\",\"eu-term\"]","rights.composition.note":"Debussy died in 1918; the suite was published in 1905. This is territorial composition-term reasoning, not worldwide clearance or clearance of an unidentified modern performing edition.","rights.recording.value":"Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"carrier-label\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The selected HMV C.3485 item is catalogued as published in 1946. That catalogue year, rather than the session date alone, supplies the pre-1963 publication basis. Its earlier 50-year phonogram term had expired before the 1 November 2013 extension threshold. US sound-recording status is not established. No Creative Commons licence or worldwide public-domain dedication is claimed.","rights.creditLine":"Claude Debussy, Suite bergamasque, III. Clair de lune; Benno Moiseiwitsch, piano. Recorded 28 February 1946, Abbey Road Studio 3, London; His Master’s Voice C.3485, matrix 2EA10890-1, item catalogued 1946. George Blood, L.P. transfer by Phoebe Pugh, via Internet Archive. Rule 3 territorial EU basis; US status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Clair de lune, HMV C.3485\",\"url\":\"https://archive.org/metadata/78_clair-de-lune-moonlight_benno-moiseiwitsch-debussy_gbia3042373b/metadata\",\"locator\":\"Item metadata: Benno Moiseiwitsch, piano; Suite bergamasque no. 3; His Master’s Voice C.3485; catalogue date 1946; matrix 2EA10890-1; George Blood transfer project and Phoebe Pugh credit. The 2024 public and added dates are repository dates.\",\"accessed\":\"2026-10-18\"},{\"id\":\"carrier-label\",\"title\":\"His Master’s Voice — original C.3485 label and runout image\",\"url\":\"https://archive.org/download/78_clair-de-lune-moonlight_benno-moiseiwitsch-debussy_gbia3042373b/78_clair-de-lune-moonlight_benno-moiseiwitsch-debussy_gbia3042373b_itemimage.jpg\",\"locator\":\"Viewed original label: Made in England, speed 78, C.3485, 2EA.10890, Benno Moiseiwitsch, pianoforte solo, No. 3 from Suite Bergamasque. The runout and item metadata identify 2EA10890-1. The label itself does not print a publication date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — selected transfer and derivative provenance\",\"url\":\"https://archive.org/metadata/78_clair-de-lune-moonlight_benno-moiseiwitsch-debussy_gbia3042373b/files\",\"locator\":\"Friendly-named preferred FLAC: 24-bit FLAC, 259.86 seconds; comment identifies the 3.5mil ET stylus and equalisation Turnover 375, Rolloff −12. The exact selected friendly-named MP3 is its VBR access derivative. This is not a switch to another transfer.\",\"accessed\":\"2026-10-18\"},{\"id\":\"moiseiwitsch-discography\",\"title\":\"Classical Pianists — Benno Moiseiwitsch recording chronology\",\"url\":\"https://classical-pianists.net/viii/benno-moiseiwitsch/chronology-2/\",\"locator\":\"Entry BM-C#051: 28 February 1946, Abbey Road Studio 3, London, England; Debussy Clair de lune; matrix 2EA10890-1, mastered. The matrix matches the selected primary carrier. This is secondary session documentation, not a DAHR record.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-consulted\",\"title\":\"Discography of American Historical Recordings — consultation\",\"url\":\"https://adp.library.ucsb.edu/\",\"locator\":\"DAHR homepage consulted; performer/title and exact matrix searches did not yield an identifiable entry for British HMV 2EA10890. The direct interactive route presented an access challenge. No DAHR session, take or release corroboration is claimed; this does not establish that the database contains no relevant entry.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"Sibley Music Library — Suite bergamasque, E. Fromont, 1905\",\"url\":\"https://urresearch.rochester.edu/institutionalPublicationPublicView.action?institutionalItemVersionId=11883\",\"locator\":\"Library record identifies Debussy (1862–1918), the 1905 Paris Fromont edition, piano score, public-domain access and contents: Prélude, Menuet, Clair de lune, Passepied. Persistent identifier: http://hdl.handle.net/1802/12331.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy — Suite bergamasque, 1905 Fromont score\",\"url\":\"https://urresearch.rochester.edu/fileDownloadForInstitutionalItem.action?itemId=12015&itemFileId=27374\",\"locator\":\"Viewed Clair de lune on printed/PDF pp. 14–19, plate E. 1404 F.: D♭ major, 9/8, Andante très expressif; chordal opening, Tempo rubato, un poco mosso, Calmato, a Tempo I and morendo. This is evidence for the written work, not the performing copy used at the 1946 session.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Suite bergamasque, CD 82 (L. 75)\",\"url\":\"https://imslp.org/wiki/Suite_bergamasque_%28Debussy%2C_Claude%29\",\"locator\":\"Work information: four movements; 1890–1905 composition/revision history; June 1905 publication; Clair de lune is movement III, not a self-contained one-movement suite.\",\"accessed\":\"2026-10-17\"},{\"id\":\"verlaine\",\"title\":\"Paul Verlaine — Clair de lune, Fêtes galantes\",\"url\":\"https://fr.wikisource.org/wiki/F%C3%AAtes_galantes_(1891)/Clair_de_lune\",\"locator\":\"Viewed poem in the 1891 Vanier edition, pp. 5–6: masks and bergamasques, lute, dancing, uncertain happiness, moonlight and fountains. The poem first appeared in Fêtes galantes in 1869; the separate work page identifies that publication. Used as literary context, not a bar-by-bar programme.\",\"accessed\":\"2026-10-17\"},{\"id\":\"verlaine-date\",\"title\":\"Wikisource — Verlaine’s Clair de lune, publication identification\",\"url\":\"https://fr.wikisource.org/wiki/Clair_de_lune_%28Verlaine%29\",\"locator\":\"Identifies the poem as part of Fêtes galantes (1869); the opened 1891 text is a later edition of the poem.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2006/116/oj/eng\",\"locator\":\"Articles 1, 3 and 8: ordinary composition term and pre-extension phonogram terms and calendar calculation. Territorial term reasoning, not a licence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram term extension\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended terms concern recordings still protected on 1 November 2013; Article 2 gives the implementation date. Earlier expired terms are not revived by this rule.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"2 unknown; 9 documented; 1 inferred"},{"id":"debussy-faune","composer":"Claude Debussy","title":"Prélude à l’après-midi d’un faune","movement":"","work.title":"Prélude à l’après-midi d’un faune","work.catalogue":"CD 87; L.86","work.movement":"","work.version.value":"Original orchestral scoring","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"score\"]","work.version.note":"The LP identifies the orchestral work. The precise edition, editorial alterations and part materials used by Paray are not established; no La Mer brass variant is used as a timing anchor.","performers.value":"[{\"name\":\"Detroit Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Paul Paray\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"label-scan\"]","performers.note":"Named on the original Mercury label and in the transfer metadata. Individual orchestra players are not identified.","session.date.value":"1955-12-03/1955-12-04","session.date.status":"inferred","session.date.sourceIds":"[\"label-session\"]","session.date.note":"The later label documentation groups the Debussy titles with 1955 and 1959 dates. Faune is attributed to the December 1955 sessions; this is not a day-level identification of the particular take. The mono LP was issued in 1956.","session.date.precision":"range","session.place.value":"Old Orchestra Hall, Detroit, Michigan, United States","session.place.status":"documented","session.place.sourceIds":"[\"label-session\"]","session.place.note":"The label names the recording venue; the LP issue date and modern digitisation date are distinct.","carrier.label.value":"Mercury Living Presence","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label-scan\",\"archive\"]","carrier.label.note":"Original mono LP imprint, not the label of a later CD reissue.","carrier.catalogue.value":"MG 50101","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label-scan\",\"archive\"]","carrier.catalogue.note":"The transferred US mono LP is catalogued by Internet Archive as a 1956 release.","carrier.matrixTakeSides.value":"Side 1, band 4","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label-scan\",\"archive-files\"]","carrier.matrixTakeSides.note":"Side and band follow the label and segmented filenames. No runout matrix, stamper, session take or original tape number has been established.","transfer.credits.value":"Internet Archive LP transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The operator account is transcribed as an account identifier, not expanded into an unverified personal or mastering credit.","transfer.date.value":"2020-11-21","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Derived directly from the item’s ripping_date field, 20201121083807. The 2020-10-21 scan date is a separate event.","transfer.processing.value":"Technics SL1200MK5 with Audio-Technica AT95e cartridge → RDL EZ-PH1 → Focusrite Scarlett 2i2; segmented VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The item documents the playback and digitisation chain. Equalisation settings, pitch correction, noise reduction and further restoration are not established.","digital.streamUrl":"https://archive.org/download/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/disc1/01.04.%20Prelude%20To%20%22The%20Afternoon%20Of%20A%20Faun%22.mp3","digital.sourceChain":"[\"label-scan\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a mono vinyl LP transfer","digital.durationSeconds":507.7,"rights.composition.value":"Underlying Debussy composition is out of copyright under ordinary life-plus-70 terms; the original published score is historical.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"score\"]","rights.composition.note":"Debussy died in 1918. This is a term assessment of the composition, not a blanket clearance for unidentified modern editions or every jurisdiction.","rights.recording.value":"Rule 3 — territorial EU public domain: lawful commercial publication in 1956, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"label-scan\",\"eu-term\"]","rights.recording.note":"The 1956 Mercury mono LP publication predates 1963; under the programme’s rule its former 50-year phonogram term expired before the 2013 extension. First lawful publication anywhere is the relevant event; a US LP release can supply that date. US recording status is not established. This is not a Creative Commons licence or worldwide clearance.","rights.creditLine":"Claude Debussy, Prélude à l’après-midi d’un faune; Detroit Symphony Orchestra, Paul Paray. Mercury MG 50101 (mono, 1956); Internet Archive LP transfer. Territorial EU public-domain basis; US recording status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Mercury MG 50101 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/metadata\",\"locator\":\"Publisher Mercury; publisher-catalog-number MG 50101; issue date 1956; United States; Paray / Detroit Symphony; ripping_date field 20201121083807 and ripping_operator; transfer equipment lineage.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-scan\",\"title\":\"Mercury MG 50101 — scanned original LP labels\",\"url\":\"https://archive.org/download/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony_djvu.txt\",\"locator\":\"Side 1: Ibéria and Prélude à l’après-midi d’un faune; side 2: all three La Mer movements. Names Paul Paray and Detroit Symphony Orchestra. Side markings are not treated as pressing matrices.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — selected digital derivative\",\"url\":\"https://archive.org/metadata/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/files\",\"locator\":\"Selected track: disc1/01.04. Prelude To \\\"The Afternoon Of A Faun\\\".mp3; listed as VBR MP3 derivative from the LP transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-session\",\"title\":\"Eloquence / Decca — Paul Paray: The Mercury Masters, vol.2\",\"url\":\"https://www.eloquenceclassics.com/releases-archive/paul-paray-the-mercury-masters-vol-2-1958-1962/\",\"locator\":\"CD 10 recording information: Old Orchestra Hall, Detroit; Debussy dates 3–4 December 1955 and 3 April 1959 are grouped. Faune is attributed to the 1955 session; the separately named Petite Suite belongs to 1959. This is a later stereo reissue source, not the carrier transferred here.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy — Prélude à l’après-midi d’un faune, Fromont full score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/4/40/IMSLP14736-Debussy_-_Pr%C3%A9lude_%C3%A0_l%27apr%C3%A8s-midi_d%27un_faune_%28orch._score%29.pdf\",\"locator\":\"Fromont 1895, plate E. 1091 F.; selected score pages 1, 15, 20–23, 26–27, 31 inspected visually.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP — Claude Debussy biographical dates\",\"url\":\"https://imslp.org/wiki/Category:Debussy,_Claude\",\"locator\":\"22 August 1862–25 March 1918.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — sound-recording term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(2) and 1(3): former 50-year term, first lawful publication, and extension only where still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme-note\",\"title\":\"Kathy Henkel — LA Phil Faune programme note\",\"url\":\"https://www.laphil.com/works/prelude-to-the-afternoon-of-a-faun-l-86\",\"locator\":\"Work context and broad musical design; not a source for this performance’s exact timings.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 documented; 2 inferred"},{"id":"debussy-garden-il-pleure","composer":"Claude Debussy","title":"Ariettes oubliées","movement":"II. Il pleure dans mon cœur","work.title":"Ariettes oubliées","work.catalogue":"CD 63; L.60","work.movement":"II. Il pleure dans mon cœur","work.version.value":"Song for soprano and piano","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"bnf\",\"score\"]","work.version.note":"The performing forces are established. The precise edition, any session-specific alteration and the original sounding pitch are not established. The two-record Garden 1904 set is an archival grouping, not a claim that these extracts form a two-movement composition.","performers.value":"[{\"name\":\"Mary Garden\",\"role\":\"soprano\"},{\"name\":\"Claude Debussy\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"bnf\",\"ircc-discography\"]","performers.note":"Both performers are named by the archive, national-library catalogue and specialist discography; no unnamed collaborator is supplied.","session.date.value":"1904","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"bnf\",\"ircc-discography\"]","session.date.note":"Only the year is established here; no exact day is inferred from a later reissue or modern repository date.","session.date.precision":"year","session.place.value":"Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"ircc-discography\"]","session.place.note":"The city is documented. The studio, street address and recording engineer are not established.","carrier.label.value":"Gramophone & Typewriter (G&T)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"ircc-discography\"]","carrier.label.note":"Original commercial acoustic disc attribution. The 1937 IRCC/RCA carrier catalogued by BnF is a later reissue.","carrier.catalogue.value":"33449","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"ircc-discography\"]","carrier.catalogue.note":"Original G&T catalogue number. The archive describes a ten-inch disc.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"disputed","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"ircc-discography\",\"phonobase\"]","carrier.matrixTakeSides.note":"Internet Archive’s 3047II disagrees with the 3074 numbering in the discography and Phonobase. This appears consistent with a transposition error in the archive field, but it is not silently corrected. Suffix forms and the actual source disc’s take remain unresolved.","carrier.matrixTakeSides.alternatives":"[{\"value\":\"3047II (Internet Archive metadata, verbatim)\",\"sourceIds\":[\"archive\"]},{\"value\":\"3074F (discography); 3074-ii (Phonobase copy)\",\"sourceIds\":[\"ircc-discography\",\"phonobase\"]}]","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The archive names an uploader account but does not identify a transfer engineer. Uploader identity is not converted into a recording or mastering credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The 2019 added/public dates belong to the repository. No date of digitisation of this copy is established.","transfer.processing.value":"Playback at 74 rpm; stylus-size field “25”; MP3 access file.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The source supplies no units for the stylus-size string. Equalisation, noise reduction, pitch correction and equipment are not established. The speed is not treated as proof of the original session’s tuning or tempo.","digital.streamUrl":"https://archive.org/download/78_ilpleuredansmacouer_318_15/Ilpleuredansmacouer%20-%20Mary%20Garden%20-%20Debussy%20-%20Debussy.mp3","digital.sourceChain":"[\"archive\",\"ircc-discography\",\"bnf\"]","digital.format":"MP3 transfer of a ten-inch acoustic disc","digital.durationSeconds":132.43,"rights.composition.value":"Underlying composition and original French words are out of copyright under ordinary life-plus-70 terms; the historical score predates 1926.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"lyricist\",\"score\"]","rights.composition.note":"Debussy died in 1918 and Verlaine in 1896. No modern translation is reproduced; national exceptions and modern editions require separate consideration.","rights.recording.value":"Rule 2 — US public domain: original G&T commercial issue dated 1904, before the 1925 cutoff.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"ircc-discography\",\"us-term\",\"phonobase\"]","rights.recording.note":"The original G&T catalogue and 1904 attribution establish a pre-cutoff recording publication basis. The 1937 reissue and 2019 archive upload are not used as the original publication date. No free-recording licence is inferred from a composition-only tag.","rights.creditLine":"Claude Debussy, Il pleure dans mon cœur; Mary Garden, soprano, and Claude Debussy, piano. Paris, 1904; G&T 33449; Internet Archive transfer. US pre-1926 publication basis.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Il pleure dans mon cœur\",\"url\":\"https://archive.org/metadata/78_ilpleuredansmacouer_318_15/metadata\",\"locator\":\"G&T catalogue 33449; date 1904; coverage Paris; Mary Garden and Debussy; soprano/piano; ten-inch disc; transfer at 74 rpm; stylus string 25 without stated units. The 2019 repository dates are not session or transfer dates.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf\",\"title\":\"Bibliothèque nationale de France — historical Debussy recording catalogue\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb38388874b\",\"locator\":\"Subnotice 6 names Mary Garden, soprano, and Claude Debussy, piano, recorded in 1904. Its carrier is the later 1937 RCA/IRCC reissue, not the original G&T disc transferred here.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ircc-discography\",\"title\":\"The Record Collector — International Record Collectors Club discography\",\"url\":\"https://www.therecordcollector.org/articles/HRSandIRCCdiscographies/internationalrecordcollectorsclub.php\",\"locator\":\"IRCC 107: Garden, soprano; Debussy, piano; Paris 1904; matrix 3074F; original G&T 33449; later transfer matrix 0EA5670-1.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"Discography of American Historical Recordings — Mary Garden\",\"url\":\"https://adp.library.ucsb.edu/names/102667\",\"locator\":\"Performer entry consulted for discographic cross-checking. Its displayed Victor/Columbia records do not establish the French G&T matrix here; no unrelated American matrix or session date is imported.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy — Ariettes oubliées no. 2, voice-and-piano score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/8/83/IMSLP14819-Debussy_-_Ariettes_oubli%C3%A9es_%28voice_and_piano%29.pdf\",\"locator\":\"Printed pp. 12–17 (PDF 4–9), poem and voice/piano notation inspected visually. Exact edition used at the 1904 session not established.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP — Claude Debussy biographical dates\",\"url\":\"https://imslp.org/wiki/Category:Debussy,_Claude\",\"locator\":\"Debussy died on 25 March 1918.\",\"accessed\":\"2026-10-17\"},{\"id\":\"lyricist\",\"title\":\"IMSLP — Paul Verlaine biographical dates\",\"url\":\"https://imslp.org/wiki/Category:Verlaine,_Paul\",\"locator\":\"Verlaine died on 8 January 1896.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"United States Copyright Office — Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: recordings first published before 1923 ceased receiving the specified federal remedies after 31 December 2021. The programme also permits publication through 1925 as of 2026.\",\"accessed\":\"2026-10-17\"},{\"id\":\"phonobase\",\"title\":\"Phonobase 12051 — Garden/Debussy, G&T 33449\",\"url\":\"https://phonobase.org/fiche/12051\",\"locator\":\"A separate contemporary acoustic copy, Paris 1904, catalogue GC 33449, matrix 3074-ii, 74 rpm. Phonobase’s 2018 digitisation date belongs to that other copy, not to this IA transfer.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 1 disputed; 2 unknown; 1 inferred"},{"id":"debussy-garden-mes-longs-cheveux","composer":"Claude Debussy","title":"Pelléas et Mélisande","movement":"Act III, scene 1 · Mes longs cheveux descendent","work.title":"Pelléas et Mélisande","work.catalogue":"CD 93; L.88","work.movement":"Act III, scene 1 · Mes longs cheveux descendent","work.version.value":"Act III scene 1 excerpt for soprano and piano, with largely unaccompanied vocal phrases","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"bnf\",\"score\"]","work.version.note":"The performing forces are established. The precise edition, any session-specific alteration and the original sounding pitch are not established. The two-record Garden 1904 set is an archival grouping, not a claim that these extracts form a two-movement composition.","performers.value":"[{\"name\":\"Mary Garden\",\"role\":\"soprano\"},{\"name\":\"Claude Debussy\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"bnf\",\"ircc-discography\"]","performers.note":"Both performers are named by the archive, national-library catalogue and specialist discography; no unnamed collaborator is supplied.","session.date.value":"1904","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"bnf\",\"ircc-discography\"]","session.date.note":"Only the year is established here; no exact day is inferred from a later reissue or modern repository date.","session.date.precision":"year","session.place.value":"Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"ircc-discography\"]","session.place.note":"The city is documented. The studio, street address and recording engineer are not established.","carrier.label.value":"Gramophone & Typewriter (G&T)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"ircc-discography\"]","carrier.label.note":"Original commercial acoustic disc attribution. The 1937 IRCC/RCA carrier catalogued by BnF is a later reissue.","carrier.catalogue.value":"33447","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"ircc-discography\"]","carrier.catalogue.note":"Original G&T catalogue number. The archive describes a ten-inch disc.","carrier.matrixTakeSides.value":"3078F (discography); Internet Archive gives 3078Fll","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"ircc-discography\"]","carrier.matrixTakeSides.note":"The common base number is 3078F. The archive suffix is preserved verbatim; it is not decoded as a verified take. The later IRCC transfer matrix 0EA5669-1 is not the original recording matrix.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The archive names an uploader account but does not identify a transfer engineer. Uploader identity is not converted into a recording or mastering credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The 2019 added/public dates belong to the repository. No date of digitisation of this copy is established.","transfer.processing.value":"Playback at 74 rpm; stylus-size field “35”; MP3 access file.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The source supplies no units for the stylus-size string. Equalisation, noise reduction, pitch correction and equipment are not established. The speed is not treated as proof of the original session’s tuning or tempo.","digital.streamUrl":"https://archive.org/download/78_meslongscheveux_010_14/Meslongscheveux%20-%20Mary%20Garden%20-%20Claude%20Debussy%20-%20Claude%20Debussy.mp3","digital.sourceChain":"[\"archive\",\"ircc-discography\",\"bnf\"]","digital.format":"MP3 transfer of a ten-inch acoustic disc","digital.durationSeconds":103.03,"rights.composition.value":"Underlying composition and original French words are out of copyright under ordinary life-plus-70 terms; the historical score predates 1926.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"lyricist\",\"score\"]","rights.composition.note":"Debussy died in 1918 and Maeterlinck in 1949. No modern translation is reproduced; national exceptions and modern editions require separate consideration.","rights.recording.value":"Rule 2 — US public domain: original G&T commercial issue dated 1904, before the 1925 cutoff.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"ircc-discography\",\"us-term\"]","rights.recording.note":"The original G&T catalogue and 1904 attribution establish a pre-cutoff recording publication basis. The 1937 reissue and 2019 archive upload are not used as the original publication date. No free-recording licence is inferred from a composition-only tag.","rights.creditLine":"Claude Debussy, Mes longs cheveux descendent; Mary Garden, soprano, and Claude Debussy, piano. Paris, 1904; G&T 33447; Internet Archive transfer. US pre-1926 publication basis.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Mes longs cheveux\",\"url\":\"https://archive.org/metadata/78_meslongscheveux_010_14/metadata\",\"locator\":\"G&T catalogue 33447; date 1904; coverage Paris; Mary Garden and Debussy; soprano/piano; ten-inch disc; transfer at 74 rpm; stylus string 35 without stated units. The 2019 repository dates are not session or transfer dates.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf\",\"title\":\"Bibliothèque nationale de France — historical Debussy recording catalogue\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb38388874b\",\"locator\":\"Subnotice 7 names Mary Garden, soprano, and Claude Debussy, piano, recorded in 1904. Its carrier is the later 1937 RCA/IRCC reissue, not the original G&T disc transferred here.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ircc-discography\",\"title\":\"The Record Collector — International Record Collectors Club discography\",\"url\":\"https://www.therecordcollector.org/articles/HRSandIRCCdiscographies/internationalrecordcollectorsclub.php\",\"locator\":\"IRCC 106: Garden, soprano; Debussy, piano; Paris 1904; matrix 3078F; original G&T 33447; later transfer matrix 0EA5669-1.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"Discography of American Historical Recordings — Mary Garden\",\"url\":\"https://adp.library.ucsb.edu/names/102667\",\"locator\":\"Performer entry consulted for discographic cross-checking. Its displayed Victor/Columbia records do not establish the French G&T matrix here; no unrelated American matrix or session date is imported.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy — Pelléas et Mélisande, 1902 Fromont vocal score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/d/d6/IMSLP33280-PMLP09094-Debussy-L088vsFR.pdf\",\"locator\":\"Title and cast pages (PDF 3–5); Act III scene 1, printed pp. 102–104 (PDF 108–110), inspected visually. Plate E. 1416 F.; piano interludes and unaccompanied vocal phrases.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP — Claude Debussy biographical dates\",\"url\":\"https://imslp.org/wiki/Category:Debussy,_Claude\",\"locator\":\"Debussy died on 25 March 1918.\",\"accessed\":\"2026-10-17\"},{\"id\":\"lyricist\",\"title\":\"IMSLP — Maurice Maeterlinck biographical dates\",\"url\":\"https://imslp.org/wiki/Category:Maeterlinck,_Maurice\",\"locator\":\"Maeterlinck died on 5 May 1949.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"United States Copyright Office — Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: recordings first published before 1923 ceased receiving the specified federal remedies after 31 December 2021. The programme also permits publication through 1925 as of 2026.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"debussy-la-mer-dawn","composer":"Claude Debussy","title":"La Mer","movement":"I. De l’aube à midi sur la mer","work.title":"La Mer","work.catalogue":"L. 109; CD 111","work.movement":"I. De l’aube à midi sur la mer","work.version.value":"Concert-band transcription by Lawrence Odom","work.version.status":"documented","work.version.sourceIds":"[\"commons\"]","work.version.note":"This is not Debussy’s orchestral scoring. Commons separately credits the arranger and identifies track 9 of French Impressions (2000).","performers.value":"[{\"name\":\"United States Air Force Band, Concert Band\",\"role\":\"concert band\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"No conductor is named in the consulted Commons record.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"2000 identifies the album French Impressions in the source description. A recording-session date is not separately supplied.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the consulted source.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original release label is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"The source identifies French Impressions (2000), track 9, but no original carrier catalogue number. The linked Naxos entry was inaccessible.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or disc-side identifiers are supplied; the digital file format does not establish the original carrier.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or restoration engineer is identified; an uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. The access-file encoding is recorded separately.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/5/51/La_mer_-_I._De_l%27aube_%C3%A0_midi_sur_la_mer_-_Concert_Band_-_United_States_Air_Force_Band.mp3","digital.sourceChain":"[\"commons\",\"air-force\"]","digital.format":"MP3 original file hosted by Wikimedia Commons","digital.durationSeconds":559.588,"rights.composition.value":"Debussy’s composition is public domain; Odom’s arrangement is identified as a United States government work","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Commons separates composition (PD-old-100-expired) from arrangement (PD-USGov-Military-Air Force). The government-work assertion is United States-specific.","rights.recording.value":"Rule 1 — recording-specific public-domain release: PD-USGov-Military-Air Force (US-law basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-us-government\"]","rights.recording.note":"Commons expressly applies PD-USGov-Military-Air Force to the recording or official federal-government performance, not only to the composition. Under 17 U.S.C. § 105(a), official US Government works are not protected by US copyright. This is rule 1’s recording-specific public-domain release route, not rule 2’s publication-date route; it does not establish worldwide public-domain status.","rights.creditLine":"Claude Debussy: La Mer, I. De l’aube à midi sur la mer, transcribed by Lawrence Odom — United States Air Force Band, Concert Band. French Impressions, track 9. Recording: United States Air Force; public domain in the United States, via Wikimedia Commons.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Air_Force","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:La mer - I. De l'aube à midi sur la mer - Concert Band - United States Air Force Band.mp3\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=1030746393\",\"locator\":\"Summary: description, date, source, author and permission; Licensing; File history; embedded metadata. The source revision is fixed; current file metadata was retrieved on the access date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3ALa+mer+-+I.+De+l%27aube+%C3%A0+midi+sur+la+mer+-+Concert+Band+-+United+States+Air+Force+Band.mp3&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 URL; source for digital.durationSeconds, digital.format and digital.streamUrl.\",\"accessed\":\"2026-10-16\"},{\"id\":\"air-force\",\"title\":\"United States Air Force — Public Domain Music\",\"url\":\"https://www.music.af.mil/Multimedia/Music/Public-Domain-Music/\",\"locator\":\"Upstream source named by Commons. Direct retrieval returned HTTP 403 on the access date; the track-specific attribution is documented by Commons, not independently confirmed here.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:La mer - I. De l'aube à midi sur la mer - Concert Band - United States Air Force Band.mp3\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&prop=revisions&rvprop=content%7Cids&rvslots=main&revids=1048736444%7C1029369215%7C1259318927%7C1146394215%7C658946491%7C1190184410%7C848584084%7C1126687476%7C1030746393%7C1055787249\",\"locator\":\"Opened file-description wikitext for File:La mer - I. De l'aube à midi sur la mer - Concert Band - United States Air Force Band.mp3; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-us-government\",\"title\":\"17 U.S.C. § 105 — United States Government works\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/105\",\"locator\":\"Subsection (a): US copyright protection is unavailable for works of the US Government; historical notes distinguish foreign protection.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"4 documented; 8 unknown"},{"id":"debussy-la-mer-orchestral-dawn","composer":"Claude Debussy","title":"La Mer","movement":"I. De l’aube à midi sur la mer","work.title":"La Mer","work.catalogue":"CD 111; L.109","work.movement":"I. De l’aube à midi sur la mer","work.version.value":"Original orchestral scoring","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"score\"]","work.version.note":"The LP identifies the orchestral work. The precise edition, editorial alterations and part materials used by Paray are not established; no La Mer brass variant is used as a timing anchor.","performers.value":"[{\"name\":\"Detroit Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Paul Paray\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"label-scan\"]","performers.note":"Named on the original Mercury label and in the transfer metadata. Individual orchestra players are not identified.","session.date.value":"1955-12-03/1955-12-04","session.date.status":"documented","session.date.sourceIds":"[\"label-session\"]","session.date.note":"The label’s later reissue documentation dates the La Mer/Ibéria sessions to 3–4 December 1955. No particular take is assigned to one of those days.","session.date.precision":"range","session.place.value":"Old Orchestra Hall, Detroit, Michigan, United States","session.place.status":"documented","session.place.sourceIds":"[\"label-session\"]","session.place.note":"The label names the recording venue; the LP issue date and modern digitisation date are distinct.","carrier.label.value":"Mercury Living Presence","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label-scan\",\"archive\"]","carrier.label.note":"Original mono LP imprint, not the label of a later CD reissue.","carrier.catalogue.value":"MG 50101","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label-scan\",\"archive\"]","carrier.catalogue.note":"The transferred US mono LP is catalogued by Internet Archive as a 1956 release.","carrier.matrixTakeSides.value":"Side 2, band 1","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label-scan\",\"archive-files\"]","carrier.matrixTakeSides.note":"Side and band follow the label and segmented filenames. No runout matrix, stamper, session take or original tape number has been established.","transfer.credits.value":"Internet Archive LP transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The operator account is transcribed as an account identifier, not expanded into an unverified personal or mastering credit.","transfer.date.value":"2020-11-21","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Derived directly from the item’s ripping_date field, 20201121083807. The 2020-10-21 scan date is a separate event.","transfer.processing.value":"Technics SL1200MK5 with Audio-Technica AT95e cartridge → RDL EZ-PH1 → Focusrite Scarlett 2i2; segmented VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The item documents the playback and digitisation chain. Equalisation settings, pitch correction, noise reduction and further restoration are not established.","digital.streamUrl":"https://archive.org/download/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/disc1/02.01.%20From%20Dawn%20Till%20Noon%20On%20The%20Sea.mp3","digital.sourceChain":"[\"label-scan\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a mono vinyl LP transfer","digital.durationSeconds":493.9,"rights.composition.value":"Underlying Debussy composition is out of copyright under ordinary life-plus-70 terms; the original published score is historical.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"score\"]","rights.composition.note":"Debussy died in 1918. This is a term assessment of the composition, not a blanket clearance for unidentified modern editions or every jurisdiction.","rights.recording.value":"Rule 3 — territorial EU public domain: lawful commercial publication in 1956, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"label-scan\",\"eu-term\"]","rights.recording.note":"The 1956 Mercury mono LP publication predates 1963; under the programme’s rule its former 50-year phonogram term expired before the 2013 extension. First lawful publication anywhere is the relevant event; a US LP release can supply that date. US recording status is not established. This is not a Creative Commons licence or worldwide clearance.","rights.creditLine":"Claude Debussy, La Mer — I. De l’aube à midi sur la mer; Detroit Symphony Orchestra, Paul Paray. Mercury MG 50101 (mono, 1956); Internet Archive LP transfer. Territorial EU public-domain basis; US recording status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Mercury MG 50101 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/metadata\",\"locator\":\"Publisher Mercury; publisher-catalog-number MG 50101; issue date 1956; United States; Paray / Detroit Symphony; ripping_date field 20201121083807 and ripping_operator; transfer equipment lineage.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-scan\",\"title\":\"Mercury MG 50101 — scanned original LP labels\",\"url\":\"https://archive.org/download/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony_djvu.txt\",\"locator\":\"Side 1: Ibéria and Prélude à l’après-midi d’un faune; side 2: all three La Mer movements. Names Paul Paray and Detroit Symphony Orchestra. Side markings are not treated as pressing matrices.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — selected digital derivative\",\"url\":\"https://archive.org/metadata/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/files\",\"locator\":\"Selected track: disc1/02.01. From Dawn Till Noon On The Sea.mp3; listed as VBR MP3 derivative from the LP transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-session\",\"title\":\"Eloquence / Decca — Paul Paray: The Mercury Masters, vol.1\",\"url\":\"https://www.eloquenceclassics.com/releases-archive/paul-paray-the-mercury-masters-vol-1-1953-1957/\",\"locator\":\"CD 15 recording information: La Mer and Ibéria, Old Orchestra Hall, Detroit, 3–4 December 1955. Original stereo issue SR 90010 dated 1958; that is not the mono MG 50101 issue date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy, La Mer · Durand full score, plates D. & F. 6532 / 6838\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/b/b6/IMSLP15420-Debussy_-_La_Mer_%28orch._score%29.pdf\",\"locator\":\"Durand full score; movement 1. Selected opening, intermediate and closing pages inspected visually. Exact Paray performing edition not established.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP — Claude Debussy biographical dates\",\"url\":\"https://imslp.org/wiki/Category:Debussy,_Claude\",\"locator\":\"22 August 1862–25 March 1918.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — sound-recording term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(2) and 1(3): former 50-year term, first lawful publication, and extension only where still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme-note\",\"title\":\"Susan Key — LA Phil La Mer programme note\",\"url\":\"https://www.laphil.com/works/la-mer\",\"locator\":\"Work context and broad musical design; not a source for this performance’s exact timings.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"11 documented; 1 inferred"},{"id":"debussy-la-mer-orchestral-dialogue","composer":"Claude Debussy","title":"La Mer","movement":"III. Dialogue du vent et de la mer","work.title":"La Mer","work.catalogue":"CD 111; L.109","work.movement":"III. Dialogue du vent et de la mer","work.version.value":"Original orchestral scoring","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"score\"]","work.version.note":"The LP identifies the orchestral work. The precise edition, editorial alterations and part materials used by Paray are not established; no La Mer brass variant is used as a timing anchor.","performers.value":"[{\"name\":\"Detroit Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Paul Paray\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"label-scan\"]","performers.note":"Named on the original Mercury label and in the transfer metadata. Individual orchestra players are not identified.","session.date.value":"1955-12-03/1955-12-04","session.date.status":"documented","session.date.sourceIds":"[\"label-session\"]","session.date.note":"The label’s later reissue documentation dates the La Mer/Ibéria sessions to 3–4 December 1955. No particular take is assigned to one of those days.","session.date.precision":"range","session.place.value":"Old Orchestra Hall, Detroit, Michigan, United States","session.place.status":"documented","session.place.sourceIds":"[\"label-session\"]","session.place.note":"The label names the recording venue; the LP issue date and modern digitisation date are distinct.","carrier.label.value":"Mercury Living Presence","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label-scan\",\"archive\"]","carrier.label.note":"Original mono LP imprint, not the label of a later CD reissue.","carrier.catalogue.value":"MG 50101","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label-scan\",\"archive\"]","carrier.catalogue.note":"The transferred US mono LP is catalogued by Internet Archive as a 1956 release.","carrier.matrixTakeSides.value":"Side 2, band 3","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label-scan\",\"archive-files\"]","carrier.matrixTakeSides.note":"Side and band follow the label and segmented filenames. No runout matrix, stamper, session take or original tape number has been established.","transfer.credits.value":"Internet Archive LP transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The operator account is transcribed as an account identifier, not expanded into an unverified personal or mastering credit.","transfer.date.value":"2020-11-21","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Derived directly from the item’s ripping_date field, 20201121083807. The 2020-10-21 scan date is a separate event.","transfer.processing.value":"Technics SL1200MK5 with Audio-Technica AT95e cartridge → RDL EZ-PH1 → Focusrite Scarlett 2i2; segmented VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The item documents the playback and digitisation chain. Equalisation settings, pitch correction, noise reduction and further restoration are not established.","digital.streamUrl":"https://archive.org/download/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/disc1/02.03.%20Dialogue%20Of%20The%20Wind%20And%20The%20Sea.mp3","digital.sourceChain":"[\"label-scan\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a mono vinyl LP transfer","digital.durationSeconds":451.2,"rights.composition.value":"Underlying Debussy composition is out of copyright under ordinary life-plus-70 terms; the original published score is historical.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"score\"]","rights.composition.note":"Debussy died in 1918. This is a term assessment of the composition, not a blanket clearance for unidentified modern editions or every jurisdiction.","rights.recording.value":"Rule 3 — territorial EU public domain: lawful commercial publication in 1956, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"label-scan\",\"eu-term\"]","rights.recording.note":"The 1956 Mercury mono LP publication predates 1963; under the programme’s rule its former 50-year phonogram term expired before the 2013 extension. First lawful publication anywhere is the relevant event; a US LP release can supply that date. US recording status is not established. This is not a Creative Commons licence or worldwide clearance.","rights.creditLine":"Claude Debussy, La Mer — III. Dialogue du vent et de la mer; Detroit Symphony Orchestra, Paul Paray. Mercury MG 50101 (mono, 1956); Internet Archive LP transfer. Territorial EU public-domain basis; US recording status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Mercury MG 50101 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/metadata\",\"locator\":\"Publisher Mercury; publisher-catalog-number MG 50101; issue date 1956; United States; Paray / Detroit Symphony; ripping_date field 20201121083807 and ripping_operator; transfer equipment lineage.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-scan\",\"title\":\"Mercury MG 50101 — scanned original LP labels\",\"url\":\"https://archive.org/download/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony_djvu.txt\",\"locator\":\"Side 1: Ibéria and Prélude à l’après-midi d’un faune; side 2: all three La Mer movements. Names Paul Paray and Detroit Symphony Orchestra. Side markings are not treated as pressing matrices.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — selected digital derivative\",\"url\":\"https://archive.org/metadata/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/files\",\"locator\":\"Selected track: disc1/02.03. Dialogue Of The Wind And The Sea.mp3; listed as VBR MP3 derivative from the LP transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-session\",\"title\":\"Eloquence / Decca — Paul Paray: The Mercury Masters, vol.1\",\"url\":\"https://www.eloquenceclassics.com/releases-archive/paul-paray-the-mercury-masters-vol-1-1953-1957/\",\"locator\":\"CD 15 recording information: La Mer and Ibéria, Old Orchestra Hall, Detroit, 3–4 December 1955. Original stereo issue SR 90010 dated 1958; that is not the mono MG 50101 issue date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy, La Mer · Durand full score, plates D. & F. 6532 / 6838\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/b/b6/IMSLP15420-Debussy_-_La_Mer_%28orch._score%29.pdf\",\"locator\":\"Durand full score; movement 3. Selected opening, intermediate and closing pages inspected visually. Exact Paray performing edition not established.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP — Claude Debussy biographical dates\",\"url\":\"https://imslp.org/wiki/Category:Debussy,_Claude\",\"locator\":\"22 August 1862–25 March 1918.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — sound-recording term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(2) and 1(3): former 50-year term, first lawful publication, and extension only where still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme-note\",\"title\":\"Susan Key — LA Phil La Mer programme note\",\"url\":\"https://www.laphil.com/works/la-mer\",\"locator\":\"Work context and broad musical design; not a source for this performance’s exact timings.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"11 documented; 1 inferred"},{"id":"debussy-la-mer-orchestral-waves","composer":"Claude Debussy","title":"La Mer","movement":"II. Jeux de vagues","work.title":"La Mer","work.catalogue":"CD 111; L.109","work.movement":"II. Jeux de vagues","work.version.value":"Original orchestral scoring","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"score\"]","work.version.note":"The LP identifies the orchestral work. The precise edition, editorial alterations and part materials used by Paray are not established; no La Mer brass variant is used as a timing anchor.","performers.value":"[{\"name\":\"Detroit Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Paul Paray\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"label-scan\"]","performers.note":"Named on the original Mercury label and in the transfer metadata. Individual orchestra players are not identified.","session.date.value":"1955-12-03/1955-12-04","session.date.status":"documented","session.date.sourceIds":"[\"label-session\"]","session.date.note":"The label’s later reissue documentation dates the La Mer/Ibéria sessions to 3–4 December 1955. No particular take is assigned to one of those days.","session.date.precision":"range","session.place.value":"Old Orchestra Hall, Detroit, Michigan, United States","session.place.status":"documented","session.place.sourceIds":"[\"label-session\"]","session.place.note":"The label names the recording venue; the LP issue date and modern digitisation date are distinct.","carrier.label.value":"Mercury Living Presence","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label-scan\",\"archive\"]","carrier.label.note":"Original mono LP imprint, not the label of a later CD reissue.","carrier.catalogue.value":"MG 50101","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label-scan\",\"archive\"]","carrier.catalogue.note":"The transferred US mono LP is catalogued by Internet Archive as a 1956 release.","carrier.matrixTakeSides.value":"Side 2, band 2","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label-scan\",\"archive-files\"]","carrier.matrixTakeSides.note":"Side and band follow the label and segmented filenames. No runout matrix, stamper, session take or original tape number has been established.","transfer.credits.value":"Internet Archive LP transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The operator account is transcribed as an account identifier, not expanded into an unverified personal or mastering credit.","transfer.date.value":"2020-11-21","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Derived directly from the item’s ripping_date field, 20201121083807. The 2020-10-21 scan date is a separate event.","transfer.processing.value":"Technics SL1200MK5 with Audio-Technica AT95e cartridge → RDL EZ-PH1 → Focusrite Scarlett 2i2; segmented VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The item documents the playback and digitisation chain. Equalisation settings, pitch correction, noise reduction and further restoration are not established.","digital.streamUrl":"https://archive.org/download/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/disc1/02.02.%20Play%20Of%20The%20Waves.mp3","digital.sourceChain":"[\"label-scan\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a mono vinyl LP transfer","digital.durationSeconds":358.6,"rights.composition.value":"Underlying Debussy composition is out of copyright under ordinary life-plus-70 terms; the original published score is historical.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"score\"]","rights.composition.note":"Debussy died in 1918. This is a term assessment of the composition, not a blanket clearance for unidentified modern editions or every jurisdiction.","rights.recording.value":"Rule 3 — territorial EU public domain: lawful commercial publication in 1956, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"label-scan\",\"eu-term\"]","rights.recording.note":"The 1956 Mercury mono LP publication predates 1963; under the programme’s rule its former 50-year phonogram term expired before the 2013 extension. First lawful publication anywhere is the relevant event; a US LP release can supply that date. US recording status is not established. This is not a Creative Commons licence or worldwide clearance.","rights.creditLine":"Claude Debussy, La Mer — II. Jeux de vagues; Detroit Symphony Orchestra, Paul Paray. Mercury MG 50101 (mono, 1956); Internet Archive LP transfer. Territorial EU public-domain basis; US recording status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Mercury MG 50101 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/metadata\",\"locator\":\"Publisher Mercury; publisher-catalog-number MG 50101; issue date 1956; United States; Paray / Detroit Symphony; ripping_date field 20201121083807 and ripping_operator; transfer equipment lineage.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-scan\",\"title\":\"Mercury MG 50101 — scanned original LP labels\",\"url\":\"https://archive.org/download/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony_djvu.txt\",\"locator\":\"Side 1: Ibéria and Prélude à l’après-midi d’un faune; side 2: all three La Mer movements. Names Paul Paray and Detroit Symphony Orchestra. Side markings are not treated as pressing matrices.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — selected digital derivative\",\"url\":\"https://archive.org/metadata/lp_ibria-la-mer-prelude-to-the-afternoon-of_paul-paray-claude-debussy-detroit-symphony/files\",\"locator\":\"Selected track: disc1/02.02. Play Of The Waves.mp3; listed as VBR MP3 derivative from the LP transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-session\",\"title\":\"Eloquence / Decca — Paul Paray: The Mercury Masters, vol.1\",\"url\":\"https://www.eloquenceclassics.com/releases-archive/paul-paray-the-mercury-masters-vol-1-1953-1957/\",\"locator\":\"CD 15 recording information: La Mer and Ibéria, Old Orchestra Hall, Detroit, 3–4 December 1955. Original stereo issue SR 90010 dated 1958; that is not the mono MG 50101 issue date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Debussy, La Mer · Durand full score, plates D. & F. 6532 / 6838\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/b/b6/IMSLP15420-Debussy_-_La_Mer_%28orch._score%29.pdf\",\"locator\":\"Durand full score; movement 2. Selected opening, intermediate and closing pages inspected visually. Exact Paray performing edition not established.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP — Claude Debussy biographical dates\",\"url\":\"https://imslp.org/wiki/Category:Debussy,_Claude\",\"locator\":\"22 August 1862–25 March 1918.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — sound-recording term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(2) and 1(3): former 50-year term, first lawful publication, and extension only where still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme-note\",\"title\":\"Susan Key — LA Phil La Mer programme note\",\"url\":\"https://www.laphil.com/works/la-mer\",\"locator\":\"Work context and broad musical design; not a source for this performance’s exact timings.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"11 documented; 1 inferred"},{"id":"debussy-nocturnes-fetes","composer":"Claude Debussy","title":"Nocturnes","movement":"II. Fêtes — Animé et très rythmé","work.title":"Nocturnes","work.catalogue":"CD 98 (L.91)","work.movement":"II. Fêtes — Animé et très rythmé","work.version.value":"Original orchestral work; exact performing edition unestablished","work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"original-score\",\"jobert-score\"]","work.version.note":"The sources identify the work and movement, but not the parts or revision used in October 1951. The original Fromont/Kalmus and 1930 Jobert full scores were viewed. Musical annotations use shared principal passages; no claim that Ansermet follows every detail of the revised edition, no cut/repeat-order certification, and no bar-accurate score alignment. Orchestra states are explicitly provisional passage estimates, not audio instrument detection.","performers.value":"[{\"name\":\"Orchestre de la Suisse Romande\",\"role\":\"orchestra\"},{\"name\":\"Ernest Ansermet\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"stuart\",\"eloquence\",\"cinii\"]","performers.note":"The instrumental movement has no choral part. No orchestral soloist or complete roster is identified or inferred. The unresolved Sirènes chorus does not enter this movement.","session.date.value":"October 1951","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"stuart\",\"cinii\"]","session.date.note":"Month and year are corroborated. Stuart’s [a] Nocturnes has no exact day: the 10th and 12th in the shared session heading refer to other works. The 1951 session must not be described as a 1951 publication.","session.date.precision":"month","session.place.value":"Victoria Hall, Geneva, Switzerland","session.place.status":"documented","session.place.sourceIds":"[\"stuart\",\"cinii\"]","session.place.note":"Venue is independently supplied by the session discography and the matching London CD catalogue record.","carrier.label.value":"Decca","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"stuart\"]","carrier.label.note":"Original British LP label; London LL 530 is the separately dated June 1952 issue in Stuart.","carrier.catalogue.value":"LXT 2637","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"stuart\"]","carrier.catalogue.note":"First British issue March 1952. Side A contains the three Nocturnes; side B Ravel’s Rapsodie espagnole. Original label images were not present in the IA item, so the date relies on the discography rather than an inspected LP label.","carrier.matrixTakeSides.value":"Side A; suite master series SAR587–SAR592","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"stuart\"]","carrier.matrixTakeSides.note":"IA identifies the side and track order; Stuart assigns SAR587–92 to Nocturnes as a whole. No individual movement matrix, LP runout, take number or pressing identification is established, and none is extrapolated from the six-number series.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive-metadata\",\"stuart\"]","transfer.credits.note":"No digital-transfer engineer is credited. IA account identity is not a transfer credit. Victor Olof (producer) and Gil Went (engineer) are documented for the original Decca session, not for this digital transfer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive-metadata\"]","transfer.date.note":"The item was uploaded/published on IA on 26 December 2021. That is not evidence for when the physical record was transferred.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive-metadata\"]","transfer.processing.note":"Original FLAC and derived VBR MP3 are listed, but playback equipment, equalisation, de-clicking, noise reduction, pitch correction and intervening edits are undocumented. No listening or processing-quality claim is made.","digital.streamUrl":"https://archive.org/download/3.-debussy-nocturnes-3-sirenes/2%20Debussy%20Nocturnes%202%20F%C3%AAtes.mp3","digital.sourceChain":"[\"stuart\",\"archive\",\"archive-metadata\"]","digital.format":"Internet Archive VBR MP3 derivative of the item’s original FLAC; item identifies a transfer from Decca LXT 2637","digital.durationSeconds":376.1,"rights.composition.value":"Public-domain underlying composition under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"walsh\",\"imslp\",\"eu-2006\",\"original-score\",\"jobert-score\"]","rights.composition.note":"Debussy died in 1918; the original score was published in 1900–01. Original and 1930 score pages were consulted as historical score evidence. This assessment of the composition is separate from sound-recording rights and does not claim rights in a modern edition, scan or arrangement.","rights.recording.value":"Rule 3 territorial basis: EU sound recording first published before 1963; US public-domain status not established","rights.recording.status":"documented","rights.recording.sourceIds":"[\"stuart\",\"archive\",\"eu-2006\",\"eu-2011\"]","rights.recording.note":"LXT 2637 was issued in March 1952, not 1951. Under the ordinary former EU 50-year publication term this predates expiry before the 1 November 2013 extension threshold. This is the project’s territorial pre-1963 basis, not a Creative Commons licence or a worldwide public-domain claim. US status has not been established. IA supplies no open-licence URL; the upload alone does not grant rights.","rights.creditLine":"Claude Debussy, II. Fêtes — Animé et très rythmé from Nocturnes; Orchestre de la Suisse Romande, Ernest Ansermet. Recorded October 1951, Victoria Hall, Geneva; Decca LXT 2637, first issued March 1952. Internet Archive transfer, transfer engineer unknown. Territorial Rule 3 basis only; US public-domain status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Debussy Nocturnes / Ravel Rapsodie espagnole, Ansermet, Decca LXT 2637\",\"url\":\"https://archive.org/details/3.-debussy-nocturnes-3-sirenes\",\"locator\":\"Item description: side A Nocturnes, side B Rapsodie espagnole, OSR/Ansermet, LXT 2637, recorded October 1951. The date is a recording date, not the LP publication date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-metadata\",\"title\":\"Internet Archive original-file and derivative metadata\",\"url\":\"https://archive.org/metadata/3.-debussy-nocturnes-3-sirenes\",\"locator\":\"metadata and files arrays; original FLAC files and VBR MP3 derivatives. No licence URL or named digital-transfer engineer is supplied. Item publication/upload date 26 December 2021 does not date the recording or LP.\",\"accessed\":\"2026-10-17\"},{\"id\":\"stuart\",\"title\":\"Philip Stuart, Decca discography, S section, session S080\",\"url\":\"https://charm.rhul.ac.uk/pubs/DeccaS.pdf\",\"locator\":\"PDF p. 24, S080: October 1951, Victoria Hall, Geneva; Victor Olof, producer; Gil Went, engineer; [a] Nocturnes, SAR587–92; [ab] LXT 2637 March 1952, LL 530 June 1952. Day marks 10 and 12 apply to [c] and [d], not [a]. CD [a] POCL 4628 = 466217.2.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eloquence\",\"title\":\"Decca Eloquence: Debussy Orchestral Works, 4800127\",\"url\":\"https://www.eloquenceclassics.com/releases-archive/debussy-orchestral-works-2/\",\"locator\":\"Official label reissue identifies the 1951 Nocturnes and OSR/Ernest Ansermet, describing its first international CD release. Does not name the women’s chorus.\",\"accessed\":\"2026-10-17\"},{\"id\":\"cinii\",\"title\":\"CiNii Books BA44017886: La mer / Nocturnes / Jeux, London POCL-4628\",\"url\":\"https://ci.nii.ac.jp/ncid/BA44017886\",\"locator\":\"Notes give Nocturnes recorded October 1951, Victoria Hall, Geneva, with “Female Chorus”, Orchestre de la Suisse Romande and Ernest Ansermet. POCL-4628 / 466 217-2 matches Stuart S080’s 1951 reissue. No full chorus name is supplied.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP work catalogue: Nocturnes, CD 98 (L.91)\",\"url\":\"https://imslp.org/wiki/Nocturnes_(Debussy,_Claude)\",\"locator\":\"Work information: composed 1897–99; Fromont first publication 1900–01; Nuages/Fêtes premiered 9 December 1900, complete work 27 October 1901, Paris, Camille Chevillard. Full-score edition and instrumentation listings.\",\"accessed\":\"2026-10-17\"},{\"id\":\"original-score\",\"title\":\"Debussy, Nocturnes: original orchestral score, Kalmus reprint of Fromont\",\"url\":\"https://purl.dlib.indiana.edu/iudl/variations/score/BFJ7336\",\"locator\":\"Indiana University, Variations score BFJ7336. Viewable printed pages: Nuages 2, 13, 16, 18; Fêtes 19, 43, 48, 53, 69, 70. This is score evidence, not documentation of the edition on Ansermet’s desks.\",\"accessed\":\"2026-10-17\"},{\"id\":\"jobert-score\",\"title\":\"Debussy, Nocturnes, édition définitive, Jobert 1930, plates J.J. 419–421\",\"url\":\"http://hdl.handle.net/1802/30697\",\"locator\":\"Sibley Music Library digitization; title and selected orchestral pages viewed: Nuages pp. 1–2, 8, 11–13, 15–17; Fêtes pp. 18–20, 33, 37–39, 41–42, 46–48, 51–52, 54, 58, 62, 66, 68–69. Changes between the original and revised opening of Fêtes are not assigned to this performance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"laphil\",\"title\":\"Los Angeles Philharmonic programme note: Nocturnes\",\"url\":\"https://www.laphil.com/works/nocturnes\",\"locator\":\"Debussy’s programme on decorative colour, Nuages and the Fêtes procession; first performances. Used for the stated programme, not the article’s discussion of gamelan chronology.\",\"accessed\":\"2026-10-17\"},{\"id\":\"walsh\",\"title\":\"Stephen Walsh, Claude Debussy, Chamber Music Society of Lincoln Center\",\"url\":\"https://www.chambermusicsociety.org/about-the-music/composers/claude-debussy\",\"locator\":\"Dates 1862–1918 and Middle Period section: Prélude 1891–94, Nocturnes 1897–99, Pelléas begun 1893; title’s connection with Whistler rather than Chopin.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-2006\",\"title\":\"Directive 2006/116/EC on terms of copyright and related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32006L0116\",\"locator\":\"Article 1(1), life plus 70 years; Article 3, former 50-year phonogram/performer terms; Article 8, calendar-year calculation. Territorial term framework, not a licence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-2011\",\"title\":\"Directive 2011/77/EU extending certain related-rights terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Article 1 amendments to Articles 3 and 10 of Directive 2006/116/EC: the extended term applies to qualifying fixations still protected on 1 November 2013. Does not establish US public-domain status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"4 unknown; 7 documented; 1 inferred"},{"id":"debussy-nocturnes-nuages","composer":"Claude Debussy","title":"Nocturnes","movement":"I. Nuages — Modéré","work.title":"Nocturnes","work.catalogue":"CD 98 (L.91)","work.movement":"I. Nuages — Modéré","work.version.value":"Original orchestral work; exact performing edition unestablished","work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"original-score\",\"jobert-score\"]","work.version.note":"The sources identify the work and movement, but not the parts or revision used in October 1951. The original Fromont/Kalmus and 1930 Jobert full scores were viewed. Musical annotations use shared principal passages; no claim that Ansermet follows every detail of the revised edition, no cut/repeat-order certification, and no bar-accurate score alignment. Orchestra states are explicitly provisional passage estimates, not audio instrument detection.","performers.value":"[{\"name\":\"Orchestre de la Suisse Romande\",\"role\":\"orchestra\"},{\"name\":\"Ernest Ansermet\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"stuart\",\"eloquence\",\"cinii\"]","performers.note":"The instrumental movement has no choral part. No orchestral soloist or complete roster is identified or inferred. The unresolved Sirènes chorus does not enter this movement.","session.date.value":"October 1951","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"stuart\",\"cinii\"]","session.date.note":"Month and year are corroborated. Stuart’s [a] Nocturnes has no exact day: the 10th and 12th in the shared session heading refer to other works. The 1951 session must not be described as a 1951 publication.","session.date.precision":"month","session.place.value":"Victoria Hall, Geneva, Switzerland","session.place.status":"documented","session.place.sourceIds":"[\"stuart\",\"cinii\"]","session.place.note":"Venue is independently supplied by the session discography and the matching London CD catalogue record.","carrier.label.value":"Decca","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"stuart\"]","carrier.label.note":"Original British LP label; London LL 530 is the separately dated June 1952 issue in Stuart.","carrier.catalogue.value":"LXT 2637","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"stuart\"]","carrier.catalogue.note":"First British issue March 1952. Side A contains the three Nocturnes; side B Ravel’s Rapsodie espagnole. Original label images were not present in the IA item, so the date relies on the discography rather than an inspected LP label.","carrier.matrixTakeSides.value":"Side A; suite master series SAR587–SAR592","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"stuart\"]","carrier.matrixTakeSides.note":"IA identifies the side and track order; Stuart assigns SAR587–92 to Nocturnes as a whole. No individual movement matrix, LP runout, take number or pressing identification is established, and none is extrapolated from the six-number series.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive-metadata\",\"stuart\"]","transfer.credits.note":"No digital-transfer engineer is credited. IA account identity is not a transfer credit. Victor Olof (producer) and Gil Went (engineer) are documented for the original Decca session, not for this digital transfer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive-metadata\"]","transfer.date.note":"The item was uploaded/published on IA on 26 December 2021. That is not evidence for when the physical record was transferred.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive-metadata\"]","transfer.processing.note":"Original FLAC and derived VBR MP3 are listed, but playback equipment, equalisation, de-clicking, noise reduction, pitch correction and intervening edits are undocumented. No listening or processing-quality claim is made.","digital.streamUrl":"https://archive.org/download/3.-debussy-nocturnes-3-sirenes/1%20Debussy%20Nocturnes%201%20Nuages.mp3","digital.sourceChain":"[\"stuart\",\"archive\",\"archive-metadata\"]","digital.format":"Internet Archive VBR MP3 derivative of the item’s original FLAC; item identifies a transfer from Decca LXT 2637","digital.durationSeconds":431.1,"rights.composition.value":"Public-domain underlying composition under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"walsh\",\"imslp\",\"eu-2006\",\"original-score\",\"jobert-score\"]","rights.composition.note":"Debussy died in 1918; the original score was published in 1900–01. Original and 1930 score pages were consulted as historical score evidence. This assessment of the composition is separate from sound-recording rights and does not claim rights in a modern edition, scan or arrangement.","rights.recording.value":"Rule 3 territorial basis: EU sound recording first published before 1963; US public-domain status not established","rights.recording.status":"documented","rights.recording.sourceIds":"[\"stuart\",\"archive\",\"eu-2006\",\"eu-2011\"]","rights.recording.note":"LXT 2637 was issued in March 1952, not 1951. Under the ordinary former EU 50-year publication term this predates expiry before the 1 November 2013 extension threshold. This is the project’s territorial pre-1963 basis, not a Creative Commons licence or a worldwide public-domain claim. US status has not been established. IA supplies no open-licence URL; the upload alone does not grant rights.","rights.creditLine":"Claude Debussy, I. Nuages — Modéré from Nocturnes; Orchestre de la Suisse Romande, Ernest Ansermet. Recorded October 1951, Victoria Hall, Geneva; Decca LXT 2637, first issued March 1952. Internet Archive transfer, transfer engineer unknown. Territorial Rule 3 basis only; US public-domain status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Debussy Nocturnes / Ravel Rapsodie espagnole, Ansermet, Decca LXT 2637\",\"url\":\"https://archive.org/details/3.-debussy-nocturnes-3-sirenes\",\"locator\":\"Item description: side A Nocturnes, side B Rapsodie espagnole, OSR/Ansermet, LXT 2637, recorded October 1951. The date is a recording date, not the LP publication date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-metadata\",\"title\":\"Internet Archive original-file and derivative metadata\",\"url\":\"https://archive.org/metadata/3.-debussy-nocturnes-3-sirenes\",\"locator\":\"metadata and files arrays; original FLAC files and VBR MP3 derivatives. No licence URL or named digital-transfer engineer is supplied. Item publication/upload date 26 December 2021 does not date the recording or LP.\",\"accessed\":\"2026-10-17\"},{\"id\":\"stuart\",\"title\":\"Philip Stuart, Decca discography, S section, session S080\",\"url\":\"https://charm.rhul.ac.uk/pubs/DeccaS.pdf\",\"locator\":\"PDF p. 24, S080: October 1951, Victoria Hall, Geneva; Victor Olof, producer; Gil Went, engineer; [a] Nocturnes, SAR587–92; [ab] LXT 2637 March 1952, LL 530 June 1952. Day marks 10 and 12 apply to [c] and [d], not [a]. CD [a] POCL 4628 = 466217.2.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eloquence\",\"title\":\"Decca Eloquence: Debussy Orchestral Works, 4800127\",\"url\":\"https://www.eloquenceclassics.com/releases-archive/debussy-orchestral-works-2/\",\"locator\":\"Official label reissue identifies the 1951 Nocturnes and OSR/Ernest Ansermet, describing its first international CD release. Does not name the women’s chorus.\",\"accessed\":\"2026-10-17\"},{\"id\":\"cinii\",\"title\":\"CiNii Books BA44017886: La mer / Nocturnes / Jeux, London POCL-4628\",\"url\":\"https://ci.nii.ac.jp/ncid/BA44017886\",\"locator\":\"Notes give Nocturnes recorded October 1951, Victoria Hall, Geneva, with “Female Chorus”, Orchestre de la Suisse Romande and Ernest Ansermet. POCL-4628 / 466 217-2 matches Stuart S080’s 1951 reissue. No full chorus name is supplied.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP work catalogue: Nocturnes, CD 98 (L.91)\",\"url\":\"https://imslp.org/wiki/Nocturnes_(Debussy,_Claude)\",\"locator\":\"Work information: composed 1897–99; Fromont first publication 1900–01; Nuages/Fêtes premiered 9 December 1900, complete work 27 October 1901, Paris, Camille Chevillard. 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Changes between the original and revised opening of Fêtes are not assigned to this performance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"laphil\",\"title\":\"Los Angeles Philharmonic programme note: Nocturnes\",\"url\":\"https://www.laphil.com/works/nocturnes\",\"locator\":\"Debussy’s programme on decorative colour, Nuages and the Fêtes procession; first performances. 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Upload and transcode dates are not transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Encoding format alone does not establish equalisation, noise reduction, speed correction or other processing.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/bd/Antonin_Dvorak_-_symphony_no._9_in_e_minor_%27from_the_new_world%27%2C_op._95_-_iii._molto_vivace.ogg/Antonin_Dvorak_-_symphony_no._9_in_e_minor_%27from_the_new_world%27%2C_op._95_-_iii._molto_vivace.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia Commons MP3 access derivative; source Ogg Vorbis","digital.durationSeconds":505.536,"rights.composition.value":"Public-domain original composition in life-plus-70 jurisdictions","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The composer died in 1904. 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Neither upload date nor the historical Musopen permission ticket dates the performance.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"The institution’s location does not establish a recording venue.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No original carrier label is supplied; a born-digital session is not assumed.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue is supplied; a born-digital session is not assumed.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No original carrier identification is supplied; a born-digital session is not assumed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[]","transfer.credits.note":"No transfer engineer is identified; an uploader is not automatically the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer date is established; upload dates are not used as transfer dates.","transfer.processing.value":"Commons Ogg Vorbis source, supplied as an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No original recording medium, editing history or restoration procedure is identified.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/d/de/Edward_Elgar_-_cello_concerto_in_e_minor%2C_op._85_-_iv._allegro.ogg/Edward_Elgar_-_cello_concerto_in_e_minor%2C_op._85_-_iv._allegro.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia Commons MP3 derivative of Ogg Vorbis","digital.durationSeconds":693.7,"rights.composition.value":"Underlying Elgar composition is out of copyright under the ordinary life-plus-70 term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"elgar\"]","rights.composition.note":"Elgar died in 1934; a later performing edition is not independently cleared.","rights.recording.value":"Musopen public-domain recording release, documented by the file-specific PD-author notice and permission statement.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"musopen-template\"]","rights.recording.note":"Programme rule 1. The file-specific permission quotes unrestricted editing, sharing, film use and sale of films containing the music; its request not to sell recordings directly is expressly a courtesy, not a non-commercial licence. Musopen attribution is retained. Permission ticket 2008012110017088 is recorded on Commons but its private contents were not inspected. The historic Musopen homepage is not a recording-specific upstream item; no session details are inferred from it.","rights.creditLine":"Edward Elgar, Cello Concerto, Op. 85, IV; Skidmore College Orchestra. Cellist, conductor and session date uncredited. Public-domain recording supplied by Musopen, via Wikimedia Commons; attribution to Musopen retained.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-author","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Skidmore/Musopen Elgar finale\",\"url\":\"https://commons.wikimedia.org/wiki/File:Edward_Elgar_-_cello_concerto_in_e_minor,_op._85_-_iv._allegro.ogg\",\"locator\":\"File-description wikitext inspected: Skidmore attribution, blank session date, quoted recording-specific Musopen permission, attribution request, PD-author and permission ticket. Audio metadata supplies playable MP3 derivative.\",\"accessed\":\"2026-10-17\"},{\"id\":\"musopen-template\",\"title\":\"Commons Musopen source template\",\"url\":\"https://commons.wikimedia.org/wiki/Template:Musopen\",\"locator\":\"Template distinguishes user-contributed public-domain audio from copyrighted Musopen site materials; it is not substituted for the file-specific release.\",\"accessed\":\"2026-10-17\"},{\"id\":\"elgar\",\"title\":\"Internet Archive — Elgar biographical dates and first recording\",\"url\":\"https://archive.org/details/httpsarchive.orgdetailselgar-concerto-for-violoncello-and-orchestra-in-e-minor-op-85-hmv-d-541-545\",\"locator\":\"Creator identifies Edward Elgar as 1857–1934; composition rights are treated separately from this modern recording.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 3 documented; 1 inferred"},{"id":"elgar-cello-concerto-harrison-1920","composer":"Edward Elgar","title":"Cello Concerto in E minor, Op. 85","movement":"Abridged complete concerto · four acoustic sides","work.title":"Cello Concerto in E minor","work.catalogue":"Op. 85","work.movement":"Abridged complete concerto, including shortened finale","work.version.value":"Four acoustic sides, one movement per side; the whole concerto is abridged.","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"work\"]","work.version.note":"This is the abridged whole concerto, not the complete score or a sixteen-minute finale. The supplied stream already joins all four sides. Only a continuous early finale passage is aligned with the complete Skidmore finale; neither complete work durations nor omitted music are equated. The exact cuts and acoustic-session instrumental substitutions are not established, so no modern-score orchestra timeline is projected onto this recording.","performers.value":"[{\"name\":\"Beatrice Harrison\",\"role\":\"cello\"},{\"name\":\"Symphony Orchestra\",\"role\":\"orchestra, as on the labels\"},{\"name\":\"Edward Elgar\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"label1\",\"label4\"]","performers.note":"The archive quotes Moore on the ensemble’s New Symphony/Royal Albert Hall identity; the published credit follows the photographed labels rather than silently expanding their wording.","session.date.value":"22 December 1919; 16 November 1920","session.date.status":"documented","session.date.sourceIds":"[\"archive\"]","session.date.note":"The later session applies to replacement side three, HO 4607-AF. The finale, HO 4198-AF, belongs to the December 1919 session; the listen ID names the two-session recording rather than dating every side to 1920.","session.date.precision":"range","session.place.value":"Hayes, Middlesex, England","session.place.status":"documented","session.place.sourceIds":"[\"archive\"]","session.place.note":"Source-reported session location, not inferred from the record manufacturer’s address.","carrier.label.value":"His Master’s Voice / The Gramophone Company","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label1\",\"label4\"]","carrier.label.note":"","carrier.catalogue.value":"D541; D545","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"label1\",\"label4\"]","carrier.catalogue.note":"The archive dates first issue to May 1921 for D541 and June 1921 for D545.","carrier.matrixTakeSides.value":"I: HO 4197-AF / 2-07853; II: HO 4194-AF / 2-07854; III: HO 4607-AF / 2-07855; IV: HO 4198-AF / 2-07856","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"label1\",\"label4\"]","carrier.matrixTakeSides.note":"The archive says take numbers are not indicated on the discs. It reports take 2 for side three and an additional take-2 attribution for side one from Moore; no take is assigned here to the finale.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[]","transfer.credits.note":"No transfer engineer is identified; an uploader is not automatically the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer date is established; upload dates are not used as transfer dates.","transfer.processing.value":"Single supplied FLAC with MP3 derivative; archive reports a digital pitch adjustment to side three.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The archive estimates A=435 Hz at 78 rpm for the earlier sides and A=430 Hz for side three before correction. This is not a verified original session tuning. No local concatenation or audio processing was performed.","digital.streamUrl":"https://archive.org/download/httpsarchive.orgdetailselgar-concerto-for-violoncello-and-orchestra-in-e-minor-op-85-hmv-d-541-545/Elgar_Concerto-for-Violoncello-and-Orchestra-in-E-minor-Op85_HMV_D541-545.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive VBR MP3 derivative of the single supplied 24-bit FLAC","digital.durationSeconds":952.3,"rights.composition.value":"Underlying Elgar composition is out of copyright under the ordinary life-plus-70 term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"archive\"]","rights.composition.note":"The archive identifies Elgar’s dates as 1857–1934. This term calculation does not clear a later edition.","rights.recording.value":"United States public domain: recording first issued in 1921, before the 1926 cutoff.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"label1\",\"label4\"]","rights.recording.note":"Programme rule 2. The item states May and June 1921 issues and cites contemporary reviews; its metadata and description contain no non-commercial licence. The eligibility is based on the issued sound recording, not the composition. No unrestricted modern restoration licence is invented.","rights.creditLine":"Edward Elgar, Cello Concerto, Op. 85, abridged acoustic recording; Beatrice Harrison, cello; Symphony Orchestra; Edward Elgar, conductor. HMV D541 and D545, issued 1921; single Internet Archive transfer.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — HMV D541/D545, provenance and supplied files\",\"url\":\"https://archive.org/details/httpsarchive.orgdetailselgar-concerto-for-violoncello-and-orchestra-in-e-minor-op-85-hmv-d-541-545\",\"locator\":\"Description: four movements and side durations; sessions and matrices; issue months and quoted contemporary reviews; transfer pitch note. Metadata inspected separately: no licenseurl or non-commercial restriction; one whole-concerto FLAC and its MP3 derivative.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label1\",\"title\":\"HMV D541, first-side label photograph\",\"url\":\"https://archive.org/download/httpsarchive.orgdetailselgar-concerto-for-violoncello-and-orchestra-in-e-minor-op-85-hmv-d-541-545/1.%20HMV_D541_HO_4197_AF.JPG\",\"locator\":\"Photograph inspected: Part 1; Harrison, Symphony Orchestra and Elgar; D541 and face number 2-07853; HO 4197 AF in run-out.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label4\",\"title\":\"HMV D545, finale-side label photograph\",\"url\":\"https://archive.org/download/httpsarchive.orgdetailselgar-concerto-for-violoncello-and-orchestra-in-e-minor-op-85-hmv-d-541-545/4.%20HMV_D545_HO_4198_AF.JPG\",\"locator\":\"Photograph inspected: Part 4; Harrison, Symphony Orchestra and Elgar; D545, face number 2-07856. Matrix transcription otherwise follows the archive description.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Elgar Cello Concerto — recording and work history\",\"url\":\"https://en.wikipedia.org/wiki/Cello_Concerto_(Elgar)\",\"locator\":\"Recordings: acoustic truncated version distinguished from complete 1928 recording; Music and History for the full concerto.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"elgar-enigma-bgn","composer":"Edward Elgar","title":"Variations on an Original Theme “Enigma”, Op. 36","movement":"XII. “B.G.N.” (Andante)","work.title":"Variations on an Original Theme “Enigma”","work.catalogue":"Op. 36","work.movement":"XII. “B.G.N.” (Andante)","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording sources.","performers.value":"[{\"name\":\"Hallé Orchestra\",\"role\":\"orchestra\"},{\"name\":\"John Barbirolli\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\"]","performers.note":"","session.date.value":"1947","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"archive\"]","session.date.note":"The upstream description explicitly attributes the recording to 1947. Commons’ 1 January value is not supported as an actual session day.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the sources consulted.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The label or imprint of the carrier used for this digital file is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No catalogue number identifying the transferred carrier is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":"A 26-minute MP3 was split into individual variations using Mp3 Direct Cut.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The uploader explicitly describes this editing step. No digitisation engineer, original label, carrier or noise treatment is established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/8/8e/Elgar%3B_Enigma_variations%2C_Theme_XII._B.G.N.ogg/Elgar%3B_Enigma_variations%2C_Theme_XII._B.G.N.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\",\"legacy-archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis. Duration measured from the downloaded MP3.","digital.durationSeconds":135.87,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"The composer died in 1934. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"eu-extension\",\"eu-audio\"]","rights.recording.note":"The recording-specific Licensing section says European performers’ and producers’ rights have expired. The structured CC0 claim is not treated as a waiver by the original commercial rights holder. This is territorial, not a worldwide licence; US sound-recording status is not established. The attributed 1947 recording year is not represented as an independently verified first-publication date.","rights.recording.alternatives":"[{\"value\":\"PD-EU-audio — European performers’ and producers’ rights claimed expired.\",\"sourceIds\":[\"commons\",\"eu-audio\"]},{\"value\":\"CC0 — dedication asserted by Commons Structured data.\",\"sourceIds\":[\"commons-data\"]}]","rights.creditLine":"Edward Elgar, XII. “B.G.N.” (Andante), Enigma Variations, Op. 36; Hallé Orchestra, John Barbirolli, attributed to 1947. Public Domain Archive → Internet Archive → Wikimedia Commons. Territorial PD-EU-audio basis; no worldwide recording clearance asserted.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Elgar; Enigma variations, Theme XII. B.G.N.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Elgar;_Enigma_variations,_Theme_XII._B.G.N.ogg\",\"locator\":\"Summary, recording-specific Licensing, embedded metadata and MP3 transcode. All three claims—recording, composition and metadata rights—are considered separately.\",\"accessed\":\"2026-10-17\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata for XII. “B.G.N.” (Andante)\",\"url\":\"https://commons.wikimedia.org/wiki/File:Elgar;_Enigma_variations,_Theme_XII._B.G.N.ogg#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Edward Elgar: Enigma Variations\",\"url\":\"https://archive.org/metadata/EdwardElgar-EnigmaVariations\",\"locator\":\"metadata.description: Hallé Orchestra, John Barbirolli, 1947; original MP3 divided into tracks with Mp3 Direct Cut. Commons links every variation to track 01; the per-file embedded title identifies this variation instead.\",\"accessed\":\"2026-10-17\"},{\"id\":\"legacy-archive\",\"title\":\"Public Domain Archive — former album 177\",\"url\":\"http://public-domain-archive.com/classic/download.php?lang=eng&album_no=177\",\"locator\":\"Historical source URL quoted in the Internet Archive description. At access it was a parked domain, not the original recording catalogue.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Edward Elgar — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Edward_Elgar\",\"locator\":\"Lead paragraph: composer’s death year.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights after 50 or 70 years; underlying composition requires a separate rights basis.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): extension applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Elgar, Enigma Variations, Novello full score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/1/1e/IMSLP23792-PMLP07276-Elgar_-_Enigma_Variations_(orch._score).pdf\",\"locator\":\"PDF pp. 82–86, rehearsal figures 52–54: full-variation passage map from solo cello to the wind-supported string expansions, later crest and intimate suspension. Timings use the analysed transfer and remain approximate.\",\"accessed\":\"2026-10-17\"},{\"id\":\"portraits\",\"title\":\"Elgar Society — Enigma Variations\",\"url\":\"https://elgar.org/3enigma.htm\",\"locator\":\"Work history and named subjects of the variations; Romanza identity expressly qualified.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer-commentary\",\"title\":\"Enigma Variations — work account with Elgar’s portrait descriptions\",\"url\":\"https://en.wikipedia.org/wiki/Enigma_Variations\",\"locator\":\"Structure section: the corresponding variation; quotations identified as Elgar’s later commentary.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 unknown; 4 documented; 1 inferred"},{"id":"elgar-enigma-dorabella","composer":"Edward Elgar","title":"Variations on an Original Theme “Enigma”, Op. 36","movement":"X. “Dorabella” (Intermezzo: Allegretto)","work.title":"Variations on an Original Theme “Enigma”","work.catalogue":"Op. 36","work.movement":"X. “Dorabella” (Intermezzo: Allegretto)","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording sources.","performers.value":"[{\"name\":\"Hallé Orchestra\",\"role\":\"orchestra\"},{\"name\":\"John Barbirolli\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\"]","performers.note":"","session.date.value":"1947","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"archive\"]","session.date.note":"The upstream description explicitly attributes the recording to 1947. Commons’ 1 January value is not supported as an actual session day.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the sources consulted.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The label or imprint of the carrier used for this digital file is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No catalogue number identifying the transferred carrier is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":"A 26-minute MP3 was split into individual variations using Mp3 Direct Cut.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The uploader explicitly describes this editing step. No digitisation engineer, original label, carrier or noise treatment is established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/4/4b/Elgar%3B_Enigma_variations%2C_Theme_X._Intermezzo_Dorabella.ogg/Elgar%3B_Enigma_variations%2C_Theme_X._Intermezzo_Dorabella.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\",\"legacy-archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis. Duration measured from the downloaded MP3.","digital.durationSeconds":124.87,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"The composer died in 1934. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"eu-extension\",\"eu-audio\"]","rights.recording.note":"The recording-specific Licensing section says European performers’ and producers’ rights have expired. The structured CC0 claim is not treated as a waiver by the original commercial rights holder. This is territorial, not a worldwide licence; US sound-recording status is not established. The attributed 1947 recording year is not represented as an independently verified first-publication date.","rights.recording.alternatives":"[{\"value\":\"PD-EU-audio — European performers’ and producers’ rights claimed expired.\",\"sourceIds\":[\"commons\",\"eu-audio\"]},{\"value\":\"CC0 — dedication asserted by Commons Structured data.\",\"sourceIds\":[\"commons-data\"]}]","rights.creditLine":"Edward Elgar, X. “Dorabella” (Intermezzo: Allegretto), Enigma Variations, Op. 36; Hallé Orchestra, John Barbirolli, attributed to 1947. Public Domain Archive → Internet Archive → Wikimedia Commons. Territorial PD-EU-audio basis; no worldwide recording clearance asserted.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Elgar; Enigma variations, Theme X. 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All three claims—recording, composition and metadata rights—are considered separately.\",\"accessed\":\"2026-10-17\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata for X. “Dorabella” (Intermezzo: Allegretto)\",\"url\":\"https://commons.wikimedia.org/wiki/File:Elgar;_Enigma_variations,_Theme_X._Intermezzo_Dorabella.ogg#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Edward Elgar: Enigma Variations\",\"url\":\"https://archive.org/metadata/EdwardElgar-EnigmaVariations\",\"locator\":\"metadata.description: Hallé Orchestra, John Barbirolli, 1947; original MP3 divided into tracks with Mp3 Direct Cut. 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Commons links every variation to track 01; the per-file embedded title identifies this variation instead.\",\"accessed\":\"2026-10-17\"},{\"id\":\"legacy-archive\",\"title\":\"Public Domain Archive — former album 177\",\"url\":\"http://public-domain-archive.com/classic/download.php?lang=eng&album_no=177\",\"locator\":\"Historical source URL quoted in the Internet Archive description. At access it was a parked domain, not the original recording catalogue.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Edward Elgar — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Edward_Elgar\",\"locator\":\"Lead paragraph: composer’s death year.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights after 50 or 70 years; underlying composition requires a separate rights basis.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): extension applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Elgar, Enigma Variations, Novello full score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/1/1e/IMSLP23792-PMLP07276-Elgar_-_Enigma_Variations_(orch._score).pdf\",\"locator\":\"PDF pp. 31–34, rehearsal figures 19–22: full-variation passage map from the initial viola line and residual low-brass chord through wind-supported phrases and the quiet close. Timings use the analysed transfer and remain approximate.\",\"accessed\":\"2026-10-17\"},{\"id\":\"portraits\",\"title\":\"Elgar Society — Enigma Variations\",\"url\":\"https://elgar.org/3enigma.htm\",\"locator\":\"Work history and named subjects of the variations; Romanza identity expressly qualified.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer-commentary\",\"title\":\"Enigma Variations — work account with Elgar’s portrait descriptions\",\"url\":\"https://en.wikipedia.org/wiki/Enigma_Variations\",\"locator\":\"Structure section: the corresponding variation; quotations identified as Elgar’s later commentary.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 unknown; 4 documented; 1 inferred"},{"id":"elgar-pomp-circumstance-1-elgar-1927","composer":"Edward Elgar","title":"Pomp and Circumstance, Op. 39","movement":"March No. 1 in D","work.title":"Pomp and Circumstance","work.catalogue":"Op. 39 No. 1","work.movement":"March No. 1 in D","work.version.value":"Orchestral version","work.version.status":"documented","work.version.sourceIds":"[\"label\",\"elgar-discography\"]","work.version.note":"The Elgar Society identifies this as Elgar’s first complete recording of the march, distinguishing it from the severely cut 1914 acoustic version. Complete does not establish that every written repeat was taken. The precise performing edition and organ participation are not established.","performers.value":"[{\"name\":\"Royal Albert Hall Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Edward Elgar\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"label\",\"archive\",\"naxos\"]","performers.note":"The label explicitly says conducted by Sir Edward Elgar; the composer credit alone was not used to infer this role.","session.date.value":"27 April 1926","session.date.status":"documented","session.date.sourceIds":"[\"elgar-discography\",\"naxos\"]","session.date.note":"Independently documented in the Elgar Society recording account and Naxos 8.111022 discography. Internet Archive’s date 1927 concerns the Victor issue, not the recording session. The identifier retains that issue year.","session.date.precision":"day","session.place.value":"Queen’s Hall, London","session.place.status":"documented","session.place.sourceIds":"[\"label\",\"elgar-discography\",\"naxos\"]","session.place.note":"Venue is printed on the disc label; it is not inferred from the orchestra’s Royal Albert Hall name.","carrier.label.value":"Victrola (Victor Talking Machine Company)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label\"]","carrier.label.note":"The label says Orthophonic Recording, identifying the electrical process.","carrier.catalogue.value":"9016-A","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label\",\"publication\"]","carrier.catalogue.note":"Victor 9016 couples Marches Nos. 1 and 2; the January 1927 trade listing identifies the same performers.","carrier.matrixTakeSides.value":"CR 336; Victor side 9016-A","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"naxos\",\"label\",\"archive\"]","carrier.matrixTakeSides.note":"The specialist Naxos discography lists matrix CR 336-2 and original British issue HMV D 1102. The transferred pressing’s take suffix is not independently legible. Internet Archive’s matrix 9016A is the issue-side number, and its other ID CR331 is not silently adopted as the master number.","transfer.credits.value":"George Blood, L.P.; Phoebe Pugh, transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item identifies the digitisation facility and user_transferred field; these are transfer credits, not original session personnel.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The November 2023 upload does not establish the transfer date.","transfer.processing.value":"Digitised at 78 rpm; preferred 3.8 mil truncated-conical stylus transfer; equalised with turnover 250 and rolloff 0; MP3 derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The original FLAC’s embedded comment identifies the selected stylus and equalisation. The site uses the supplied preferred MP3 without joining or changing the audio.","digital.streamUrl":"https://archive.org/download/78_pomp-and-circumstance-no-1-in-d_royal-albert-hall-orchestra-elgar-sir-edward-elgar-_gbia7040596a/Pomp%20and%20Circumstance%20%28No.%201%20-%20Royal%20Albert%20Hall%20Orchestra.mp3","digital.sourceChain":"[\"archive\",\"label\"]","digital.format":"VBR MP3 derived from the Great 78 Project’s original FLAC; decoded duration rounded from cache/analysis/elgar-pomp-circumstance-1-elgar-1927.txt","digital.durationSeconds":264.1,"rights.composition.value":"Elgar’s original 1901 march is public domain in ordinary life-plus-70 jurisdictions","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"naxos\",\"elgar-work\",\"eu-term\"]","rights.composition.note":"Elgar died in 1934. This concerns the underlying composition, not an unidentified modern edition.","rights.recording.value":"Territorial EU public-domain basis: Victor 9016 announced for publication on 28 January 1927","rights.recording.status":"documented","rights.recording.sourceIds":"[\"publication\",\"label\",\"archive\",\"eu-term\"]","rights.recording.note":"Rule 3. The Talking Machine World, 15 January 1927, p. 131, lists 9016 under the Victor list for 28 January, naming both marches and Elgar with the Royal Albert Hall Orchestra. This is publication evidence, not a session-date substitution; the British first issue may be earlier. Its 50-year term expired before the 2013 extension. US status is not established. The selected Great 78 item, original FLAC and label were checked; no NC licence or separate upstream digital recording is stated. The Naxos booklet is used only as documentary evidence: its commercial restoration is not the selected audio.","rights.creditLine":"Elgar, Pomp and Circumstance March No. 1 — Royal Albert Hall Orchestra, Edward Elgar; Queen’s Hall, 27 April 1926. Victrola 9016-A, issued 1927; master CR 336. George Blood, L.P./Internet Archive Great 78 Project transfer. Territorial EU public-domain basis; US status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Victrola 9016-A, GBIA7040596A\",\"url\":\"https://archive.org/metadata/78_pomp-and-circumstance-no-1-in-d_royal-albert-hall-orchestra-elgar-sir-edward-elgar-_gbia7040596a\",\"locator\":\"Complete metadata, transfer description and original FLAC comment; date 1927 comes from a catalogue match, not a session ledger; no licenseurl or NC condition.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Victrola 9016-A — original disc-label scan\",\"url\":\"https://archive.org/download/78_pomp-and-circumstance-no-1-in-d_royal-albert-hall-orchestra-elgar-sir-edward-elgar-_gbia7040596a/78_pomp-and-circumstance-no-1-in-d_royal-albert-hall-orchestra-elgar-sir-edward-elgar-_gbia7040596a_itemimage.jpg\",\"locator\":\"Performer, conductor, Queen’s Hall venue, Orthophonic Recording and catalogue 9016-A.\",\"accessed\":\"2026-10-17\"},{\"id\":\"publication\",\"title\":\"The Talking Machine World — January 1927 Victor releases\",\"url\":\"https://archive.org/download/talkingmachinewo23bill/talkingmachinewo23bill_djvu.txt\",\"locator\":\"15 January 1927, printed p. 131; Victor Talking Machine Co., list for January 28, Red Seal Records, 9016. OCR lines 24294–24410 place the listing beneath that release heading; digitised bound volume talkingmachinewo23bill.\",\"accessed\":\"2026-10-17\"},{\"id\":\"elgar-discography\",\"title\":\"Elgar Society — Pomp and Circumstance, Elgar’s own recordings\",\"url\":\"https://www.elgar.org/3pomp-d.htm\",\"locator\":\"1926 first electrical and first complete recording, Queen’s Hall, Royal Albert Hall Orchestra; distinguished from 1914 and 1932 recordings.\",\"accessed\":\"2026-10-17\"},{\"id\":\"naxos\",\"title\":\"Naxos 8.111022 — Elgar conducts Elgar booklet\",\"url\":\"https://eclassical.textalk.se/shop/17115/art52/4932952-db12c1-747313302222.pdf\",\"locator\":\"Printed p. 5: March No. 1, 27 April 1926, Queen’s Hall, CR 336-2, first issued HMV D 1102; notes pp. 2–3 discuss Elgar’s electrical recordings. Documentary use only; audio is not sourced from Naxos.\",\"accessed\":\"2026-10-17\"},{\"id\":\"elgar-work\",\"title\":\"Elgar Society — Pomp and Circumstance introduction\",\"url\":\"https://www.elgar.org/3pomp-a.htm\",\"locator\":\"1901 composition, D-major march and G-major trio, later adaptation as Land of Hope and Glory.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp-work\",\"title\":\"IMSLP — Pomp and Circumstance March No.1, Op.39 No.1\",\"url\":\"https://imslp.org/wiki/Pomp_and_Circumstance_March_No.1,_Op.39_No.1_(Elgar,_Edward)\",\"locator\":\"General Information, Movements/Sections: Allegro, con molto fuoco; Trio, Largamente – Molto maestoso. The opening tempo heading is the documentary basis for the listening cue at 25 seconds, not a measured tempo.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — recording term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3) inserts Article 10(5), limiting extension to recordings still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"elgar-pomp-circumstance-1-stock-1926","composer":"Edward Elgar","title":"Pomp and Circumstance, Op. 39","movement":"March No. 1 in D","work.title":"Pomp and Circumstance","work.catalogue":"Op. 39 No. 1","work.movement":"March No. 1 in D","work.version.value":"Orchestral version with organ","work.version.status":"documented","work.version.sourceIds":"[\"label\",\"dahr\"]","work.version.note":"The label and Victor ledger specify orchestra and organ. The precise performing edition and treatment of every written repeat are not established.","performers.value":"[{\"name\":\"Chicago Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Frederick Stock\",\"role\":\"conductor\"},{\"name\":\"Walter P. Zimmerman\",\"role\":\"organ\"}]","performers.status":"documented","performers.sourceIds":"[\"label\",\"dahr\"]","performers.note":"The label names orchestra and conductor; DAHR’s Victor-ledger transcription supplies the organist. Elgar is the composer, not a performer on this record.","session.date.value":"22 December 1926","session.date.status":"documented","session.date.sourceIds":"[\"dahr\"]","session.date.note":"DAHR gives this date for issued master CVE-37282 take 3. The July 1927 date is a release-list date, not a competing session date.","session.date.precision":"day","session.place.value":"Orchestra Hall, Chicago, Illinois","session.place.status":"documented","session.place.sourceIds":"[\"dahr\"]","session.place.note":"Named in DAHR’s take table, not inferred from the ensemble’s home city.","carrier.label.value":"Victrola (Victor Talking Machine Company)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label\"]","carrier.label.note":"The photographed label explicitly reads Orthophonic Recording: electrical, despite the archive description’s Acoustic technical note.","carrier.catalogue.value":"6648-B","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label\",\"publication\",\"dahr-issue\"]","carrier.catalogue.note":"The other side is Handel’s Largo from Xerxes. Victor’s July 1927 release list identifies the coupling.","carrier.matrixTakeSides.value":"CVE-37282, take 3; Victor 6648-B","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr\",\"dahr-issue\",\"label\"]","carrier.matrixTakeSides.note":"DAHR associates take 3 with issue 6648. Internet Archive’s 6648B matrix field repeats the catalogue-side number rather than identifying the master.","transfer.credits.value":"George Blood, L.P.; Jordan Gold, transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item’s scanningcentre and user_transferred fields identify the digitisation facility and transfer worker.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The March 2021 upload is not treated as the transfer date.","transfer.processing.value":"78-rpm digitisation with four truncated-conical styli; engineer-selected preferred FLAC and MP3 derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"label\",\"dahr\"]","transfer.processing.note":"The item lists 3.8, 2.3, 2.8 and 3.3 mil styli but does not identify the preferred file’s stylus or equalisation. Its Acoustic technical note conflicts with the Orthophonic label and CVE electrical master prefix; the recording is identified here as electrical. No new concatenation or audio alteration was made.","digital.streamUrl":"https://archive.org/download/78_pomp-and-circumstance-march-no-1-in-d-pompa-y-circumstancia-marcha-no-1_c_gbia0295275b/POMP%20AND%20CIRC%20-%20Chicago%20Symphony%20Orchestra%20and%20Grand%20Organ.mp3","digital.sourceChain":"[\"archive\",\"label\"]","digital.format":"VBR MP3 derived from the Great 78 Project’s original FLAC; decoded duration rounded from cache/analysis/elgar-pomp-circumstance-1-stock-1926.txt","digital.durationSeconds":265.5,"rights.composition.value":"Elgar’s original 1901 march is public domain in ordinary life-plus-70 jurisdictions","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"elgar-work\",\"dahr-issue\",\"eu-term\"]","rights.composition.note":"Elgar died in 1934. No rights are inferred for an unidentified modern edition.","rights.recording.value":"Territorial EU public-domain basis: Victor 6648 announced for publication on 1 July 1927","rights.recording.status":"documented","rights.recording.sourceIds":"[\"publication\",\"label\",\"dahr\",\"archive\",\"eu-term\"]","rights.recording.note":"Rule 3. The Talking Machine World, June 1927, p. 157, July record bulletins, Victor list for 1 July, names 6648, Stock, Chicago Symphony Orchestra and Grand Organ. This publication evidence is independent of the December 1926 session; DAHR’s catalogue MARC estimate [1926] is not used as a precise release date. The recording’s 50-year term expired before the 2013 extension. US status is not established. The selected item’s complete metadata, original FLAC and label disclose no NC licence or separate upstream digital audio source; the University of Illinois physical-disc collection is credited by the item.","rights.creditLine":"Elgar, Pomp and Circumstance March No. 1 — Chicago Symphony Orchestra, Frederick Stock; Walter P. Zimmerman, organ. Orchestra Hall, 22 December 1926. Victrola 6648-B, CVE-37282 take 3, issued July 1927. George Blood, L.P./Internet Archive Great 78 Project transfer, University of Illinois Audio Archive collection. Territorial EU public-domain basis; US status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Victrola 6648-B, GBIA0295275B\",\"url\":\"https://archive.org/metadata/78_pomp-and-circumstance-march-no-1-in-d-pompa-y-circumstancia-marcha-no-1_c_gbia0295275b\",\"locator\":\"Complete metadata, original FLAC, selected MP3, transfer description and University of Illinois collection; no licenseurl or NC condition. The Acoustic technical note is contradicted by the disc label.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Victrola 6648-B — original disc-label scan\",\"url\":\"https://archive.org/download/78_pomp-and-circumstance-march-no-1-in-d-pompa-y-circumstancia-marcha-no-1_c_gbia0295275b/78_pomp-and-circumstance-march-no-1-in-d-pompa-y-circumstancia-marcha-no-1_c_gbia0295275b.jpg\",\"locator\":\"Orthophonic Recording; Chicago Symphony Orchestra and Grand Organ under Frederick Stock; catalogue 6648-B.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"DAHR — Victor matrix CVE-37282\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/800011535\",\"locator\":\"Victor ledger instrumentation, organist Walter P. Zimmerman, 22 December 1926 at Orchestra Hall, issued take 3 on Victor 6648. Retrieved successfully with ?view=detail after a temporary database-connection error.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-issue\",\"title\":\"DAHR — Victor 6648\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/detail/42271\",\"locator\":\"Coupling CVE-37281/CVE-37282, issued takes and MARC catalogue record. The bracketed MARC date [1926] is not substituted for contemporary release evidence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"publication\",\"title\":\"The Talking Machine World — Victor July 1927 release bulletin\",\"url\":\"https://archive.org/download/talkingmachinewo23bill/talkingmachinewo23bill_djvu.txt\",\"locator\":\"June 1927 issue, printed p. 157, July 1927 Advance Record Bulletins, Victor list for July 1, Red Seal 6648. OCR lines 167232–167505 identify issue, page, release heading, coupling and performers.\",\"accessed\":\"2026-10-17\"},{\"id\":\"elgar-work\",\"title\":\"Elgar Society — Pomp and Circumstance introduction\",\"url\":\"https://www.elgar.org/3pomp-a.htm\",\"locator\":\"1901 composition; D-major march and G-major trio.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — recording term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3) inserts Article 10(5), limiting extension to recordings still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"elgar-pomp-circumstance-1-usmb","composer":"Edward Elgar","title":"Pomp and Circumstance, Op. 39","movement":"March No. 1 in D — concert-band arrangement","work.title":"Pomp and Circumstance","work.catalogue":"Op. 39 No. 1","work.movement":"March No. 1 — concert-band arrangement","work.version.value":"Concert-band arrangement; arranger and edition unestablished","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"upstream\"]","work.version.note":"This is not labelled as the same orchestral scoring as the Elgar and Stock recordings. The band transfer’s shared reprise aligns two semitones below the orchestral reference; this measured pitch relationship does not identify a printed arrangement. A separate self-alignment of 81–139 against 140–199 seconds yields median confidence 0.971 without transposition (cache/analysis/elgar-pomp-circumstance-1-usmb-trio-repeat.json), supporting an additional earlier trio traversal. The three-way comparison is restricted to the later reprise and final trio.","performers.value":"[{\"name\":\"United States Marine Band\",\"role\":\"concert band\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"upstream\"]","performers.note":"No conductor is named by the selected Commons description; none is inferred from the organisation’s historical directorships.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"upstream\"]","session.date.note":"Commons explicitly says Unknown date. The upstream filename contains 1988, which is a lead rather than an independently established session date; the 2020 query token and 2021 upload date are not recording dates.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"upstream\"]","session.place.note":"No session venue is identified in the available source description.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"upstream\"]","carrier.label.note":"The official downloadable MP3 does not establish the original recording carrier or label.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"upstream\"]","carrier.catalogue.note":"No original issue catalogue number is identified.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"upstream\"]","carrier.matrixTakeSides.note":"The original recording medium and session identifiers are unknown; they are not declared inapplicable merely because an MP3 is available.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"upstream\"]","transfer.credits.note":"Commons uploader Mysterymanblue is not treated as the recording or transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"upstream\"]","transfer.date.note":"Neither the upload date nor the upstream URL version token establishes a transfer date.","transfer.processing.value":"MP3 supplied by the Marine Band and uploaded to Commons","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"upstream\"]","transfer.processing.note":"Original session medium and mastering are not specified. The project leaves the audio unaltered. Only pitch-class features are shifted for comparison; no playback retuning is applied.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/2/28/ELGAR_Pomp_and_Circumstance_in_D%2C_Opus_39%2C_No._1_-_United_States_Marine_Band.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"Original Commons MP3, attributed to the official Marine Band download; decoded duration rounded from cache/analysis/elgar-pomp-circumstance-1-usmb.txt","digital.durationSeconds":346,"rights.composition.value":"Elgar’s underlying march is public domain; the specific band arrangement is unidentified","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\",\"elgar-work\"]","rights.composition.note":"Commons separately marks the composition PD-old-80-expired and gives Elgar’s death year as 1934. Those composition tags are not used as recording permission or as identification of the arrangement.","rights.recording.value":"US-government sound recording: Commons explicitly applies PD-USGov-Military-Marines to the performance/recording","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"upstream\",\"us-law\",\"distribution\"]","rights.recording.note":"Rule 1, recording-specific US-law basis under 17 USC §105, not worldwide CC clearance. Commons separates Performance/Recording from Composition and attributes the file to a Marine Band official-duty recording with an official .mil source. No CC-NC licence appears in the Commons record or the reviewed official source wording. Marine Band boilerplate says its institutionally distributed recordings ‘may not be distributed for private use and are not for sale’ because appropriated funds are used: this is the agency’s physical-distribution policy, not a non-commercial copyright licence on the government performance. Official web downloads are offered separately. Direct upstream retrieval returned HTTP 403 during this research; the official page’s indexed distribution wording and reader-accessible download instructions were examined, and the file’s recording-specific Commons declaration remains explicit. No claim of worldwide rights or a cleared private arrangement is made.","rights.creditLine":"Edward Elgar, Pomp and Circumstance March No. 1, concert-band arrangement — United States Marine Band; conductor, arranger and session date unestablished. Official Marine Band Web Exclusives download via Wikimedia Commons. Sound recording identified as a US-government work under 17 USC §105; not a worldwide CC licence.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Elgar, United States Marine Band\",\"url\":\"https://commons.wikimedia.org/wiki/File:ELGAR_Pomp_and_Circumstance_in_D,_Opus_39,_No._1_-_United_States_Marine_Band.mp3?oldid=1134522659\",\"locator\":\"Summary: Unknown date, United States Marine Band and official source URL. Licensing explicitly separates Composition from Performance/Recording and applies the US Marine government-work declaration to the latter. Structured data and file history also inspected.\",\"accessed\":\"2026-10-17\"},{\"id\":\"upstream\",\"title\":\"United States Marine Band — official Pomp and Circumstance MP3\",\"url\":\"https://www.marineband.marines.mil/Portals/175/Docs/Audio/Web_Exclusives/web_exclusives/pomp-and-circumstance1988.mp3?ver=2020-05-28-080627-740\",\"locator\":\"Exact upstream audio link supplied by Commons. Filename 1988 is not expanded into a documented session date. Direct retrieval returned HTTP 403; the selected audio is the Commons-hosted original MP3.\",\"accessed\":\"2026-10-17\"},{\"id\":\"distribution\",\"title\":\"United States Marine Band — Web Exclusives and distribution wording\",\"url\":\"https://www.marineband.marines.mil/Audio-Resources/Web-Exclusives/\",\"locator\":\"Official download instructions; indexed boilerplate on free distribution to educational institutions, public libraries and radio stations, appropriated funds, private-use distribution and not-for-sale status. This is distinguished from a CC-NC licence. Reader mirror https://r.jina.ai/https://www.marineband.marines.mil/Audio-Resources/Web-Exclusives/ supplies download instructions where direct access is blocked.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-law\",\"title\":\"17 USC §105 — United States Government works\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/105\",\"locator\":\"Subsection (a): US copyright protection unavailable for works of the United States Government; historical notes distinguish foreign protection and privately owned material.\",\"accessed\":\"2026-10-17\"},{\"id\":\"elgar-work\",\"title\":\"Elgar Society — Pomp and Circumstance introduction\",\"url\":\"https://www.elgar.org/3pomp-a.htm\",\"locator\":\"Original 1901 D-major march and G-major trio; does not identify the band arrangement heard here.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"4 documented; 7 unknown; 1 inferred"},{"id":"falla-amor-brujo-reiner","composer":"Manuel de Falla","title":"El amor brujo","movement":"Complete, Nos. 1–13","work.title":"El amor brujo","work.catalogue":"Gitanería, 1914–15; ballet-pantomime version, 1925","work.movement":"Complete, Nos. 1–13","work.version.value":"The ballet in thirteen numbers, recorded on six 78-rpm sides","work.version.status":"inferred","work.version.sourceIds":"[\"archive\",\"sony\",\"laphil\"]","work.version.note":"The thirteen numbers are listed side by side on the Columbia set and match the number sequence of the ballet version; the performing edition used by the orchestra is unknown.","performers.value":"[{\"name\":\"Carol Brice\",\"role\":\"contralto\"},{\"name\":\"Pittsburgh Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Fritz Reiner\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"sony\"]","performers.note":"Carol Brice is credited only on sides 1, 4 and 6. Individual orchestral players are not identified.","session.date.value":"1946-02-05","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"sony\"]","session.date.note":"Both the Internet Archive item and Sony’s box-set notes give 5 February 1946. The same notes record other sessions of 2 and 4 February 1946 for other works.","session.date.precision":"day","session.place.value":"Syria Mosque, Pittsburgh, Pennsylvania","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"sony\"]","session.place.note":"The Pittsburgh Symphony’s regular recording venue in these sessions.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"sony\"]","carrier.label.note":"78-rpm album set; the set was reissued on a ten-inch LP, ML 2006, in 1948.","carrier.catalogue.value":"M-633 (78s 12409-D to 12411-D); automatic sequence MM-633 (12412-D to 12414-D)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"sony\"]","carrier.catalogue.note":"The Internet Archive item is labelled MM-633.","carrier.matrixTakeSides.value":"Six sides, matrices XCO 35816 (Nos. 1–3), 35817 (Nos. 4–6), 35818 (Nos. 7–8), 35819 (Nos. 9–10), 35820 (No. 11), 35821 (Nos. 12–13); take 1","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"sony\"]","carrier.matrixTakeSides.note":"The Internet Archive item and Sony’s notes give the same matrix numbers and side contents.","transfer.credits.value":"Shellackophile collection, Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item sits in the Internet Archive’s shellackophile-recordings collection; no personal mastering credit is given.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item was uploaded on 1 April 2022; the date of the transfer itself is not stated.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Equipment, equalisation and restoration settings are not stated. The file is a single continuous MP3 of the six sides.","digital.streamUrl":"https://archive.org/download/mm-633-falla-el-amor-brujo/MM633%20Falla%20El%20Amor%20Brujo.mp3","digital.sourceChain":"[\"archive\",\"files\"]","digital.format":"VBR MP3; the uploader’s continuous transfer of six 78-rpm sides","digital.durationSeconds":1359.5,"rights.composition.value":"Falla died on 14 November 1946. Spanish law protects the works of authors who died before 7 December 1987 for life plus 80 years, so his music remains protected in Spain until the end of 2026; arrangements and modern editions carry their own rights","rights.composition.status":"documented","rights.composition.sourceIds":"[\"cedro\",\"argentina\"]","rights.composition.note":"A phonogram term assessment does not clear the composition, an arrangement or a modern score edition.","rights.recording.value":"Territorial EU phonogram public-domain basis: commercial publication in 1947, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"sony\",\"discogs\"]","rights.recording.note":"The project’s eu-published-before-1963 rule applied to a Columbia set issued in 1947 (the Internet Archive item says March 1947, Sony’s notes 24 February 1947, Discogs 1947). This is a territorial phonogram basis, not US or worldwide clearance and not a Creative Commons licence.","rights.creditLine":"Falla, El amor brujo; Carol Brice, contralto; Pittsburgh Symphony Orchestra; Fritz Reiner. Columbia Masterworks M-633/MM-633 (1947 issue), Internet Archive transfer. Territorial EU phonogram basis only; Falla’s composition remains protected in Spain until the end of 2026.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Falla, El Amor Brujo (Reiner, 1946): item description\",\"url\":\"https://archive.org/metadata/mm-633-falla-el-amor-brujo\",\"locator\":\"Description: Pittsburgh Symphony Orchestra, Fritz Reiner, Carol Brice; recorded 5 February 1946 at the Syria Mosque; issued March 1947 as Columbia Masterworks M-633 (12409-D to 12411-D) and MM-633 (12412-D to 12414-D); side and matrix list XCO 35816–35821; Brice credited on sides 1, 4 and 6.\",\"accessed\":\"2026-10-18\"},{\"id\":\"files\",\"title\":\"Internet Archive — file inventory for the Reiner item\",\"url\":\"https://archive.org/metadata/mm-633-falla-el-amor-brujo/files\",\"locator\":\"MM633 Falla El Amor Brujo.mp3; VBR MP3; 1359.5 seconds; MD5 5b25ada5836204e20718743a867588c2.\",\"accessed\":\"2026-10-18\"},{\"id\":\"sony\",\"title\":\"Discogs — Fritz Reiner: The Complete Columbia Album Collection (Sony Classical, 2020), box-set notes\",\"url\":\"https://www.discogs.com/release/19465918-Fritz-Reiner-The-Complete-Columbia-Album-Collection\",\"locator\":\"CD 6 notes: 78s 12409–11-D in set M-633, 12412–14-D in set MM-633, released 24 February 1947; LP ML 2006 (10-inch) released 28 June 1948; recording at the Syria Mosque, Pittsburgh, 5 February 1946; matrices XCO 35816-1 to 35821-1; Carol Brice, mezzo-soprano vocals credited on the box.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discogs\",\"title\":\"Discogs — master release: De Falla, Pittsburgh Symphony Orchestra with Fritz Reiner with Carol Brice, El Amor Brujo\",\"url\":\"https://www.discogs.com/master/1172777\",\"locator\":\"Year 1947; notes: “Recorded in 1946. Initial release in 1947 as Columbia Masterworks MM-633.”\",\"accessed\":\"2026-10-18\"},{\"id\":\"laphil\",\"title\":\"Los Angeles Philharmonic — El amor brujo (programme note by John Henken)\",\"url\":\"https://www.laphil.com/works/el-amor-brujo\",\"locator\":\"Pastora Imperio, Teatro Lara première April 1915, revisions 1916 and the ballet of 1925; the story of Candelas, Carmelo, Lucía and the ghost.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archivo\",\"title\":\"Archivo Manuel de Falla — chronology, Granada 1920–1939\",\"url\":\"https://www.manueldefalla.com/en/granada-1920-1939\",\"locator\":\"1925: the definitive ballet version of El amor brujo at the Trianon-Lyrique, Paris, 22 May.\",\"accessed\":\"2026-10-18\"},{\"id\":\"cedro\",\"title\":\"CEDRO — Apuntes sobre el dominio público en España (14 April 2026)\",\"url\":\"https://www.cedro.org/blog/articulo/blog.cedro.org/2026/04/14/apuntes-sobre-el-dominio-p%C3%BAblico-en-espa%C3%B1a\",\"locator\":\"Transitional provision 4: works of authors who died before 7 December 1987 keep the term of the 1879 law, the life of the author and 80 years.\",\"accessed\":\"2026-10-18\"},{\"id\":\"argentina\",\"title\":\"Archivo Manuel de Falla — Argentina (1939–1946)\",\"url\":\"https://www.manueldefalla.com/en/argentina\",\"locator\":\"1946: Falla dies in his sleep on 14 November at Los Espinillos, near Alta Gracia.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"2 inferred; 8 documented; 2 unknown"},{"id":"falla-nights-curzon-jorda","composer":"Manuel de Falla","title":"Noches en los jardines de España","movement":"Complete: I. En el Generalife; II. Danza lejana; III. En los jardines de la Sierra de Córdoba","work.title":"Noches en los jardines de España","work.catalogue":"Impresiones sinfónicas for piano and orchestra, 1909–15; Max Eschig, 1923","work.movement":"Complete: I. En el Generalife; II. Danza lejana; III. En los jardines de la Sierra de Córdoba","work.version.value":"Complete work for piano and orchestra, three movements, on six 78-rpm sides","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"catalogue\"]","work.version.note":"The Internet Archive item lists the three movements and the Spanish catalogue lists the parts on each side. The orchestral edition and any cuts are unknown.","performers.value":"[{\"name\":\"Clifford Curzon\",\"role\":\"piano\"},{\"name\":\"National Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Enrique Jordá\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"catalogue\"]","performers.note":"The Spanish catalogue calls the orchestra the Orquesta Sinfónica Nacional de Londres. Individual players are not identified.","session.date.value":"1945-09-26","session.date.status":"documented","session.date.sourceIds":"[\"archive\"]","session.date.note":"Stated in the discographical note of the Internet Archive item. The sources consulted give no second statement of the date.","session.date.precision":"day","session.place.value":"Kingsway Hall, London","session.place.status":"documented","session.place.sourceIds":"[\"archive\"]","session.place.note":"Stated in the Internet Archive item’s discographical note. A 2021 review places the later LP remake of July 1951 in the same hall.","carrier.label.value":"Decca","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"catalogue\"]","carrier.label.note":"Three 78-rpm discs supplied in an album.","carrier.catalogue.value":"Decca X 10020–22 (British issue); RG 16051–16053 (Spanish catalogue numbers)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"catalogue\"]","carrier.catalogue.note":"The Internet Archive item gives X 10020–22; the Spanish catalogue of 1954 gives RG 16051–16053 for the same performers and work.","carrier.matrixTakeSides.value":"Six sides, matrices AR 9689-2, 9690-2, 9691-1, 9692-1, 9693-2, 9694-2; the Spanish catalogue divides the work as Generalife parts 1 and 2, Generalife conclusion, Danza lejana part 1, Danza lejana conclusion with Sierra de Córdoba part 1, and Sierra de Córdoba final","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"catalogue\"]","carrier.matrixTakeSides.note":"Matrix numbers and side divisions come from two independent listings. Which matrix belongs to which side is not stated.","transfer.credits.value":"Satyr 78rpm collection, Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item is in the Internet Archive’s satyr78rpm collection; no personal mastering credit is given.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item was uploaded on 11 July 2022; the date of the transfer itself is not stated.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Equipment, equalisation and restoration settings are not stated. The file is one continuous MP3 of the six sides.","digital.streamUrl":"https://archive.org/download/clifford-curzon-enrique-jorda-de-falla-nights-decca-x-10020-2-1945/Curzon%20Jorda%20-%20Falla%20Nights%20Decca%20X%2010020-2%201945.mp3","digital.sourceChain":"[\"archive\",\"files\",\"catalogue\"]","digital.format":"VBR MP3; the uploader’s continuous transfer of six 78-rpm sides","digital.durationSeconds":1486.11,"rights.composition.value":"Falla died on 14 November 1946. Spanish law protects the works of authors who died before 7 December 1987 for life plus 80 years, so his music remains protected in Spain until the end of 2026; arrangements and modern editions carry their own rights","rights.composition.status":"documented","rights.composition.sourceIds":"[\"cedro\",\"argentina\"]","rights.composition.note":"A phonogram term assessment does not clear the composition, an arrangement or a modern score edition.","rights.recording.value":"Territorial EU phonogram public-domain basis: published no later than 1954, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"catalogue\",\"musicweb\"]","rights.recording.note":"The set is listed in Columbia’s Spanish catalogue of discs published up to 1 January 1954, and a 2021 review says Decca remade the work on LP in July 1951 because the 78 set had been so fine, which places the set before 1951. Its actual first issue date is not established here. This is a territorial phonogram basis, not US or worldwide clearance and not a Creative Commons licence.","rights.creditLine":"Falla, Noches en los jardines de España; Clifford Curzon, piano; National Symphony Orchestra; Enrique Jordá. Decca X 10020–22, Internet Archive transfer. Territorial EU phonogram basis only; Falla’s composition remains protected in Spain until the end of 2026.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Curzon, Jordá: Falla, Nights (Decca X 10020-2) 1945\",\"url\":\"https://archive.org/metadata/clifford-curzon-enrique-jorda-de-falla-nights-decca-x-10020-2-1945\",\"locator\":\"Description: Clifford Curzon, National Symphony Orchestra, Enrique Jordá; Decca X 10020–2; matrices AR 9689-2, 9690-2, 9691-1, 9692-1, 9693-2, 9694-2; recorded Kingsway Hall, London, 26 September 1945; the three movements.\",\"accessed\":\"2026-10-18\"},{\"id\":\"files\",\"title\":\"Internet Archive — file inventory for the Curzon item\",\"url\":\"https://archive.org/metadata/clifford-curzon-enrique-jorda-de-falla-nights-decca-x-10020-2-1945/files\",\"locator\":\"Curzon Jorda - Falla Nights Decca X 10020-2 1945.mp3; VBR MP3; 1486.11 seconds; MD5 d9ae9ee85b762810fdd6295aadfd4686.\",\"accessed\":\"2026-10-18\"},{\"id\":\"catalogue\",\"title\":\"Fábrica de Discos Columbia (San Sebastián) — Catálogo general de discos Columbia y Decca, 78 r.p.m., publicados hasta 1.º de enero de 1954 (ERESBIL copy)\",\"url\":\"https://www.eresbil.eus/web/uploads/archivosGeneradorWeb/Catalogos/erelib_NL0212CAT_01_v.pdf\",\"locator\":\"Música selecta, orquestas sinfónicas: “Curzon, Clifford (piano), con la Orquesta Sinfónica Nacional de Londres. Director: Enrique Jordá. Noches en los jardines de España”, RG 16051, 16052 and 16053, with the division of the work into parts and a note that the three discs are supplied in an album; and the title index entry giving RG 16051–16053.\",\"accessed\":\"2026-10-18\"},{\"id\":\"musicweb\",\"title\":\"MusicWeb International — Enrique Jordá, The Decca Recordings 1950–51 (Eloquence 484 0403), review by Jonathan Woolf, July 2021\",\"url\":\"https://musicweb-international.com/classrev/2021/Jul/Jorda-Decca-4840403.htm\",\"locator\":\"Paragraph on Noches en los jardines de España: the 78 set with Curzon, and the LP remake with the New Symphony Orchestra, Kingsway Hall, 2 July 1951.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archivo\",\"title\":\"Archivo Manuel de Falla — chronology\",\"url\":\"https://www.manueldefalla.com/en/madrid-1914-1919\",\"locator\":\"1916: première of Noches at the Teatro Real, Madrid, 9 April.\",\"accessed\":\"2026-10-18\"},{\"id\":\"cedro\",\"title\":\"CEDRO — Apuntes sobre el dominio público en España (14 April 2026)\",\"url\":\"https://www.cedro.org/blog/articulo/blog.cedro.org/2026/04/14/apuntes-sobre-el-dominio-p%C3%BAblico-en-espa%C3%B1a\",\"locator\":\"Transitional provision 4: works of authors who died before 7 December 1987 keep the term of the 1879 law, the life of the author and 80 years.\",\"accessed\":\"2026-10-18\"},{\"id\":\"argentina\",\"title\":\"Archivo Manuel de Falla — Argentina (1939–1946)\",\"url\":\"https://www.manueldefalla.com/en/argentina\",\"locator\":\"1946: Falla dies in his sleep on 14 November at Los Espinillos, near Alta Gracia.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"falla-siete-canciones-jota-barrientos","composer":"Manuel de Falla","title":"Siete canciones populares españolas","movement":"No. 4, Jota","work.title":"Siete canciones populares españolas","work.catalogue":"Voice and piano, 1914; Max Eschig, 1922 (plates M.E. 702–708)","work.movement":"No. 4, Jota","work.version.value":"Voice and piano, the fourth song of the cycle","work.version.status":"documented","work.version.sourceIds":"[\"dahr\",\"archive\"]","work.version.note":"DAHR describes the recording as soprano vocal solo with piano. The published edition used and the key sung are not stated in the sources consulted.","performers.value":"[{\"name\":\"María Barrientos\",\"role\":\"soprano\"},{\"name\":\"Manuel de Falla\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"dahr\",\"archive\",\"expo\"]","performers.note":"DAHR lists both as personnel for matrix WLX310; the Archivo Manuel de Falla credits them together for the cycle in its 2021 exhibition.","session.date.value":"1928-03-31","session.date.status":"documented","session.date.sourceIds":"[\"dahr\"]","session.date.note":"DAHR gives 31 March 1928 for matrix WLX310 from Michael Gray’s compilation of the Columbia recording logs. The Archivo Manuel de Falla’s 2021 exhibition credits give 1930 for other songs of the cycle (Nana, Asturiana), and a 2022 review dates the whole recording between 1928 and 1930.","session.date.precision":"day","session.place.value":"Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"dahr\"]","session.place.note":"DAHR cites Copeland for the recording location; the studio is not named.","carrier.label.value":"Columbia (France/Belgium)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr\",\"archive\"]","carrier.label.note":"Twelve-inch 78-rpm disc; the Internet Archive item gives the publisher as French Columbia.","carrier.catalogue.value":"PFX-1","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr\",\"files\"]","carrier.catalogue.note":"DAHR lists the Jota under Columbia (France/Belgium) PFX-1; the second file of the Internet Archive item is named for Columbia PFX-1.","carrier.matrixTakeSides.value":"Matrix WLX310, take 1 (master)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr\"]","carrier.matrixTakeSides.note":"The transfer is a single side lasting 3:05; which face of PFX-1 carries the Jota is not stated.","transfer.credits.value":"Internet Archive 78rpm collection","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Item in the Internet Archive’s 78-rpm opera collection; no personal mastering credit is given.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item was uploaded on 22 November 2019; the date of the transfer itself is not stated.","transfer.processing.value":"Digitised at 78 rpm; stylus size “40e” as stated in the item","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Equalisation, noise reduction and any restoration settings are not stated.","digital.streamUrl":"https://archive.org/download/78_4jota_171_09/4.Jota%20-%20Maria%20Barrientos%20-%20Manuelde%20Falla%20-%20Manuel%20De%20Falla.mp3","digital.sourceChain":"[\"dahr\",\"archive\",\"files\"]","digital.format":"VBR MP3 derivative of one 78-rpm side","digital.durationSeconds":185,"rights.composition.value":"Falla died on 14 November 1946. Spanish law protects the works of authors who died before 7 December 1987 for life plus 80 years, so his music remains protected in Spain until the end of 2026; arrangements and modern editions carry their own rights","rights.composition.status":"documented","rights.composition.sourceIds":"[\"cedro\",\"argentina\"]","rights.composition.note":"A phonogram term assessment does not clear the composition, an arrangement or a modern score edition.","rights.recording.value":"Territorial EU phonogram public-domain basis: issued on Columbia PFX-1 in or after mid-1930, a 78-rpm disc, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"dahr\",\"marston\",\"expo\",\"melomano\"]","rights.recording.note":"DAHR places the session in March 1928 and the disc in Columbia’s French catalogue (PFX-1). The Marston track list for its Supervia volume 5 pairs the Jota (matrix WLX 310, 31 March 1928) on PFX-1 with Nana and Canción (WLX 1368, recorded 3 June 1930), so the disc cannot have appeared before mid-1930; the Archivo Manuel de Falla’s credits give 1930 for other songs of the cycle. No dated advertisement, review or catalogue giving the issue date of PFX-1 was found. The Marston restoration of the Jota runs 3:08 against 3:05 here, so this transfer may run slightly fast. This is a territorial phonogram basis, not US or worldwide clearance and not a Creative Commons licence.","rights.creditLine":"Falla, Siete canciones populares españolas, No. 4, Jota; María Barrientos, soprano; Manuel de Falla, piano. Columbia (France/Belgium) PFX-1, Internet Archive transfer. Territorial EU phonogram basis only; Falla’s composition remains protected in Spain until the end of 2026.","rights.licenseUrl":"","sources":"[{\"id\":\"dahr\",\"title\":\"Discography of American Historical Recordings — Columbia (U.K.) matrix WLX310, Jota, Maria Barrientos; Manuel de Falla\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/2000434595/WLX310-Jota\",\"locator\":\"Personnel: Manuel de Falla (piano), Maria Barrientos (soprano); take 1, master, 31 March 1928, Paris; issued on Columbia (France/Belgium) PFX-1. Sources cited: Gray (recording date), Copeland (location), RDI (issues), trade catalog. Neighbouring matrices WLX308 and WLX309 (El paño moruno, Seguidilla murciana, Asturiana) carry the same date and Columbia (France) D11701.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive\",\"title\":\"Internet Archive — 4.Jota (Maria Barrientos; Manuel de Falla), item 78_4jota_171_09\",\"url\":\"https://archive.org/metadata/78_4jota_171_09\",\"locator\":\"Publisher FrenchColumbia; date 1928; digitised at 78 rpm with a 40e stylus; MP3 of 3:05 and a second file named _09-Columbia PFX-1.mp3.\",\"accessed\":\"2026-10-18\"},{\"id\":\"files\",\"title\":\"Internet Archive — file inventory for the Jota item\",\"url\":\"https://archive.org/metadata/78_4jota_171_09/files\",\"locator\":\"4.Jota - Maria Barrientos - Manuelde Falla - Manuel De Falla.mp3; VBR MP3; 03:05; MD5 7cf36a1f36d53332d5d85e63934b87aa.\",\"accessed\":\"2026-10-18\"},{\"id\":\"expo\",\"title\":\"Archivo Manuel de Falla — Exposición Manuel de Falla y París (2021)\",\"url\":\"https://www.manueldefalla.com/es/noticias/2021/exposicion-manuel-de-falla-y-paris\",\"locator\":\"Music credits: María Barrientos (soprano) and Manuel de Falla (piano), “Nana” and “Asturiana”, Siete canciones populares españolas, 1930.\",\"accessed\":\"2026-10-18\"},{\"id\":\"melomano\",\"title\":\"Melómano — Reseña: María Barrientos y las Siete canciones populares españolas (23 November 2022)\",\"url\":\"https://www.melomanodigital.com/resena-maria-barrientos-y-las-siete-canciones-populares-espanolas\",\"locator\":\"Review of Virginia Sánchez Rodríguez’s book: the last chapter treats the recording of the cycle by the soprano accompanied by the composer, made between 1928 and 1930.\",\"accessed\":\"2026-10-18\"},{\"id\":\"chronology\",\"title\":\"Archivo Manuel de Falla — chronology, 1914–1946\",\"url\":\"https://www.manueldefalla.com/en/granada-1920-1939\",\"locator\":\"1930: in Paris in June Falla records the Concerto and some of his songs, accompanying María Barrientos.\",\"accessed\":\"2026-10-18\"},{\"id\":\"marston\",\"title\":\"Marston Records — The Complete Conchita Supervia, Vol. 5 (appendix: María Barrientos with Manuel de Falla)\",\"url\":\"https://www.marstonrecords.com/products/supervia5\",\"locator\":\"Appendix track list: 20. Jota 3:08, 31 March 1928 (WLX 310) PFX1; 21–22. Nana, Canción, 3 June 1930 (WLX 1368) PFX1.\",\"accessed\":\"2026-10-19\"},{\"id\":\"cedro\",\"title\":\"CEDRO — Apuntes sobre el dominio público en España (14 April 2026)\",\"url\":\"https://www.cedro.org/blog/articulo/blog.cedro.org/2026/04/14/apuntes-sobre-el-dominio-p%C3%BAblico-en-espa%C3%B1a\",\"locator\":\"Transitional provision 4: works of authors who died before 7 December 1987 keep the term of the 1879 law, the life of the author and 80 years.\",\"accessed\":\"2026-10-18\"},{\"id\":\"argentina\",\"title\":\"Archivo Manuel de Falla — Argentina (1939–1946)\",\"url\":\"https://www.manueldefalla.com/en/argentina\",\"locator\":\"1946: Falla dies in his sleep on 14 November at Los Espinillos, near Alta Gracia.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"falla-sombrero-molinero-arbos","composer":"Manuel de Falla","title":"El sombrero de tres picos","movement":"Suite No. 2: Danza del molinero (Farruca)","work.title":"El sombrero de tres picos","work.catalogue":"Ballet, 1919; two suites drawn from it in 1921","work.movement":"Suite No. 2: Danza del molinero (Farruca)","work.version.value":"Orchestral concert version of the Miller’s Dance, issued as the second of three dances from the ballet","work.version.status":"inferred","work.version.sourceIds":"[\"archive\",\"catalogue\",\"laphil\"]","work.version.note":"The 78 set carries Los vecinos, Danza del molinero and Danza final, the three dances of the second suite as the Los Angeles Philharmonic note lists them. The orchestral edition used and any cuts are unknown.","performers.value":"[{\"name\":\"Orquesta Sinfónica de Madrid\",\"role\":\"orchestra\"},{\"name\":\"Enrique Fernández Arbós\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"catalogue\"]","performers.note":"The Internet Archive item calls the orchestra the Madrid Symphony Orchestra; Columbia’s Spanish catalogue names it Orquesta Sinfónica de Madrid, director E. Fernández Arbós. Individual players are not identified.","session.date.value":"1928-04-18","session.date.status":"documented","session.date.sourceIds":"[\"archive\"]","session.date.note":"Stated in the discographical note of the Internet Archive item. Columbia’s catalogue gives no session dates.","session.date.precision":"day","session.place.value":"Madrid","session.place.status":"documented","session.place.sourceIds":"[\"archive\"]","session.place.note":"Stated in the Internet Archive item’s discographical note; the studio or hall is not named.","carrier.label.value":"Columbia","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"catalogue\"]","carrier.label.note":"Twelve-inch 78-rpm discs.","carrier.catalogue.value":"Columbia 9683–9684 (original series); AG 8043 and AG 8044 (Columbia’s Spanish catalogue of 1954)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"catalogue\"]","carrier.catalogue.note":"The Spanish catalogue pairs “Danza del molinero” with “Los vecinos” on AG 8043 and gives “Danza final” in two parts on AG 8044.","carrier.matrixTakeSides.value":"Four sides, matrices WKX 79-2, 80-1, 77-2, 78-1; this dance fills one side","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"catalogue\"]","carrier.matrixTakeSides.note":"The item lists the four matrices together. Which matrix belongs to the Danza del molinero is not stated.","transfer.credits.value":"Satyr 78rpm collection, Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item is in the Internet Archive’s satyr78rpm collection; no personal mastering credit is given.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item was uploaded on 24 March 2026; the date of the transfer itself is not stated.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Equipment, equalisation and restoration settings are not stated.","digital.streamUrl":"https://archive.org/download/3-fernandez-arbos-madrid-so-col-9683-4-sombrero-tres-picos-3-1928/2%20Fernandez%20Arb%C3%B3s%2C%20Madrid%20SO%20-%20Col%209683-4%20Sombrero%20tres%20picos%202%201928.mp3","digital.sourceChain":"[\"archive\",\"files\",\"catalogue\"]","digital.format":"VBR MP3 derivative of one 78-rpm side","digital.durationSeconds":159,"rights.composition.value":"Falla died on 14 November 1946. Spanish law protects the works of authors who died before 7 December 1987 for life plus 80 years, so his music remains protected in Spain until the end of 2026; arrangements and modern editions carry their own rights","rights.composition.status":"documented","rights.composition.sourceIds":"[\"cedro\",\"argentina\"]","rights.composition.note":"A phonogram term assessment does not clear the composition, an arrangement or a modern score edition.","rights.recording.value":"Territorial EU phonogram public-domain basis: published no later than 1954, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"catalogue\"]","rights.recording.note":"The discs are listed in Columbia’s Spanish catalogue of 78 r.p.m. discs published up to 1 January 1954, and were recorded in 1928; the actual first issue date is not established here. This is a territorial phonogram basis, not US or worldwide clearance and not a Creative Commons licence.","rights.creditLine":"Falla, El sombrero de tres picos, Danza del molinero; Orquesta Sinfónica de Madrid, Enrique Fernández Arbós. Columbia 9683–9684 (AG 8043), Internet Archive transfer. Territorial EU phonogram basis only; Falla’s composition remains protected in Spain until the end of 2026.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Arbós, Madrid SO: De Falla (Col. 9683-4) 1928\",\"url\":\"https://archive.org/metadata/3-fernandez-arbos-madrid-so-col-9683-4-sombrero-tres-picos-3-1928\",\"locator\":\"Description: El sombrero de tres picos (suite): 1 Los vecinos, 2 Danza del molinero, 3 Danza final; Madrid Symphony Orchestra, Enrique Fernández Arbós; Columbia 9683–9684; matrices WKX 79-2, 80-1, 77-2, 78-1; recorded Madrid, 18 April 1928.\",\"accessed\":\"2026-10-18\"},{\"id\":\"files\",\"title\":\"Internet Archive — file inventory for the Arbós item\",\"url\":\"https://archive.org/metadata/3-fernandez-arbos-madrid-so-col-9683-4-sombrero-tres-picos-3-1928/files\",\"locator\":\"2 Fernandez Arbós, Madrid SO - Col 9683-4 Sombrero tres picos 2 1928.mp3; VBR MP3; 02:39; MD5 7ae4dbd11cb26d1f48b000ffd703882e.\",\"accessed\":\"2026-10-18\"},{\"id\":\"catalogue\",\"title\":\"Fábrica de Discos Columbia (San Sebastián) — Catálogo general de discos Columbia y Decca, 78 r.p.m., publicados hasta 1.º de enero de 1954 (ERESBIL copy)\",\"url\":\"https://www.eresbil.eus/web/uploads/archivosGeneradorWeb/Catalogos/erelib_NL0212CAT_01_v.pdf\",\"locator\":\"Música selecta, orquestas sinfónicas: “Orquesta Sinfónica de Madrid. Director: E. Fernández Arbós”; AG 8043 El sombrero de tres picos, “Danza del molinero” and “Los vecinos”; AG 8044 “Danza final”, parts 1 and 2.\",\"accessed\":\"2026-10-18\"},{\"id\":\"laphil\",\"title\":\"Los Angeles Philharmonic — The Three-Cornered Hat, Suite No. 2 (programme note by John Henken)\",\"url\":\"https://www.laphil.com/works/the-three-cornered-hat-suite-no-2\",\"locator\":\"About this Piece: the three dances of the second suite; the miller’s farruca as “a dark and fiery flamenco farruca, the earthiest dance in the ballet”.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archivo\",\"title\":\"Archivo Manuel de Falla — chronology, 1919 and 1921\",\"url\":\"https://www.manueldefalla.com/en/madrid-1914-1919\",\"locator\":\"1919: première of El sombrero de tres picos at the Alhambra Theatre, London, 22 July (page Madrid, 1914–1919); 1921: Falla prepares the two suites (page Granada, 1920–1939).\",\"accessed\":\"2026-10-18\"},{\"id\":\"cedro\",\"title\":\"CEDRO — Apuntes sobre el dominio público en España (14 April 2026)\",\"url\":\"https://www.cedro.org/blog/articulo/blog.cedro.org/2026/04/14/apuntes-sobre-el-dominio-p%C3%BAblico-en-espa%C3%B1a\",\"locator\":\"Transitional provision 4: works of authors who died before 7 December 1987 keep the term of the 1879 law, the life of the author and 80 years.\",\"accessed\":\"2026-10-18\"},{\"id\":\"argentina\",\"title\":\"Archivo Manuel de Falla — Argentina (1939–1946)\",\"url\":\"https://www.manueldefalla.com/en/argentina\",\"locator\":\"1946: Falla dies in his sleep on 14 November at Los Espinillos, near Alta Gracia.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"2 inferred; 8 documented; 2 unknown"},{"id":"fanny-hensel-warum-rosen","composer":"Fanny Hensel","title":"Warum sind denn die Rosen so blass","movement":"No. 3 of Sechs Lieder, Op. 1 — Andante","work.title":"Warum sind denn die Rosen so blass","work.catalogue":"Op. 1, No. 3; H-U 312","work.movement":"No. 3 of Sechs Lieder, Op. 1 — Andante","work.version.value":"Complete song as printed in Op. 1 No. 3, sung in the printed key (A minor), with the repeat of the last line","work.version.status":"inferred","work.version.sourceIds":"[\"commons\",\"imslp-work\",\"imslp-op1\",\"first-edition\",\"openscore\",\"naxos-booklet\",\"lieder-net\",\"work-list\",\"letters\"]","work.version.note":"The Commons title and description identify the song, and the page links the OpenScore Lieder project as the score; its transcription of this song is a CC0 encoding made from the Bote & Bock first edition (IMSLP #99178). That the performance is complete, untransposed and follows the printed repeat is estimated from the audio and the printed score: the piano’s opening E5 measures 659.6 Hz, the soprano’s first notes sound as A4 and E5, the closing chord is A minor, and audio chroma aligned with the encoded score follows four stanzas in printed order and then the repeated last line. Tuning is about A = 440 Hz. The sung words were not transcribed. IMSLP gives the key as A minor and the first edition marks the song Andante (p. 9). The Naxos booklet, LiederNet and the chronological work list after Hellwig-Unruh’s catalogue date the song 1837; IMSLP and the first edition place its publication in 1846, the year Hensel told her brother Felix that she had accepted Herr Bock’s offer (letter of 9 July 1846).","performers.value":"[{\"name\":\"Adèle Bérard\",\"role\":\"soprano\"},{\"name\":\"Laura Lazayre\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"iccare-event\"]","performers.note":"The Commons description lists duo Béla with Adèle Bérard, soprano, and Laura Lazayre, piano. The ICCARE programme lists the same duo’s recital with the pianist’s surname spelt Lazayres; no other source for the spelling was found, and the Commons spelling, which appears on all three files the uploader posted, is kept. The file is credited to the uploader Magiraud as own work; the page does not name the uploader as a performer.","session.date.value":"22 January 2026","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"iccare-event\"]","session.date.note":"The Commons date field gives 2026-01-22, and the ICCARE programme places the duo’s recital, billed “avec captation libre”, on Thursday 22 January from 18:00 to 19:00. The Commons description gives 22–23 January, the span of the conference days. The page does not say whether the file records the public recital or another run-through on the same day. The upload timestamp, 23 January 2026 at 09:08 UTC, is not a session date.","session.date.precision":"day","session.place.value":"Logis du Roy, Amiens, France","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"iccare-event\",\"osm-logis\"]","session.place.note":"The ICCARE programme places the conference days, with the recital, at the Logis du Roy, Passage du Logis du Roy, Amiens. The coordinates on the Commons page (49.89292 N, 2.299879 E) coincide with the OpenStreetMap building “Logis du Roi” (49.89292 N, 2.29988 E). The room is not named.","carrier.label.value":null,"carrier.label.status":"not applicable","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"Born-digital video uploaded to Wikimedia Commons as the uploader’s own work; no record label or publisher is named.","carrier.catalogue.value":null,"carrier.catalogue.status":"not applicable","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No catalogue number applies. The Commons file name and page ID (182273163) identify the file.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"A born-digital session has no matrix, take or side.","transfer.credits.value":"Audio track extracted by Contrapunctus from the Wikimedia Commons video “Warum sind denn die Rosen so blass – Fanny Mendelssohn, Heinrich Heine.webm” (uploaded by Magiraud, own work), with ffmpeg -vn -ac 2 -ar 44100 -c:a libmp3lame -b:a 160k, adding ID3v2.3 tags for title, performers, licence and the Commons page. Original file SHA-256 ba5c6b2dffda834c3d41fd03ae8f39a072ca5dad282b48124cd360e3ea8bc772; derived MP3 SHA-256 e9185202a46df85a80963accd1ac574d478500b12a73f2b5351b2f9a62388130.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\",\"original-file\",\"derive\"]","transfer.credits.note":"Commons offers this file only as video, with no MP3 derivative, so the site hosts the audio-only MP3 itself at assets/audio/fanny-hensel-warum-rosen.mp3. The SHA-1 of the cached original, e876d1fce86fb1a0c80e13fee6d12908b47689e5, equals the SHA-1 on the Commons file page. The tool removes the container metadata (-map_metadata -1) and writes its own attribution tags.","transfer.date.value":"2026-10-19","transfer.date.status":"documented","transfer.date.sourceIds":"[\"derive\"]","transfer.date.note":"Date of the extraction by Contrapunctus, from the time stamps of the cached original and the MP3. The Commons upload on 23 January 2026 is not a transfer date.","transfer.processing.value":"Video stream removed; the Vorbis audio (48 kHz, stereo) was decoded and re-encoded as MP3 at 160 kb/s, 44.1 kHz, stereo (libmp3lame). No trimming, level change, equalisation or noise reduction was applied.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"original-file\",\"derive\"]","transfer.processing.note":"The original is a WebM file of 99,950,566 bytes with VP8 video (1920 × 1080) and Vorbis audio, 141.2 s long; the MP3 decodes to 141.1 s. Microphones, the recording chain, editing and mastering before upload are not documented.","digital.streamUrl":"assets/audio/fanny-hensel-warum-rosen.mp3","digital.sourceChain":"[\"commons\",\"original-file\",\"derive\"]","digital.format":"MP3, 160 kb/s, 44.1 kHz stereo, extracted by Contrapunctus from the audio of a 1920 × 1080 WebM video","digital.durationSeconds":141.14,"rights.composition.value":"Public domain: Hensel died in 1847 and Heine in 1856, and the first edition appeared in 1846.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"imslp-op1\",\"lieder-net\"]","rights.composition.note":"Life-plus-70 terms have run out for both authors, and IMSLP lists the 1846 Bote & Bock edition as public domain. This covers the song and its text, not modern editions; the OpenScore Lieder transcription is released under CC0.","rights.recording.value":"CC BY-SA 4.0 (Wikimedia Commons file licence). The audio-only MP3 derived by Contrapunctus is distributed under the same licence.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"cc-by-sa\",\"iccare-event\"]","rights.recording.note":"Attribution is required to duo Béla (Adèle Bérard and Laura Lazayre) and to the uploader, Magiraud; the share-alike term passes the licence to the derivative, and the changes (video removed, audio re-encoded) are stated in the credit line. The licence is the uploader’s own-work declaration, and the Commons page carries no separate statement or permission ticket from the performers. The ICCARE programme, which announces the recital as “avec captation libre” at a conference on open licences and open data, points to an open release but gives no licence terms. Nothing on the Commons or ICCARE pages contradicts the own-work claim.","rights.creditLine":"Fanny Hensel, Warum sind denn die Rosen so blass (Heine), Sechs Lieder, Op. 1 No. 3. Adèle Bérard, soprano, and Laura Lazayre, piano (duo Béla); recorded on 22 January 2026 at the ICCARE days “Science ouverte, données ouvertes et musique”, Logis du Roy, Amiens. Video uploaded to Wikimedia Commons by Magiraud (own work), CC BY-SA 4.0; audio-only MP3 extracted by Contrapunctus (video removed, audio re-encoded at 160 kb/s) and distributed under CC BY-SA 4.0. The composition is in the public domain.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Warum sind denn die Rosen so blass – Fanny Mendelssohn, Heinrich Heine.webm\",\"url\":\"https://commons.wikimedia.org/wiki/File:Warum_sind_denn_die_Rosen_so_blass_%E2%80%93_Fanny_Mendelssohn,_Heinrich_Heine.webm\",\"locator\":\"Description (duo Béla; Adèle Bérard, soprano; Laura Lazayre, piano; ICCARE days, Amiens, 22–23 January 2026), date 2026-01-22, author Magiraud, source “Own work”, CC BY-SA 4.0, upload 2026-01-23 09:08 UTC, SHA-1 e876d1fc…, links to OpenScore Lieder as the score.\",\"accessed\":\"2026-10-19\"},{\"id\":\"original-file\",\"title\":\"Wikimedia Commons original file (WebM video)\",\"url\":\"https://upload.wikimedia.org/wikipedia/commons/2/22/Warum_sind_denn_die_Rosen_so_blass_%E2%80%93_Fanny_Mendelssohn%2C_Heinrich_Heine.webm\",\"locator\":\"99,950,566 bytes; VP8 1920 × 1080 video and Vorbis 48 kHz stereo audio, 141.2 s; SHA-256 ba5c6b2d…; the SHA-1 of the cached copy matches the file page.\",\"accessed\":\"2026-10-19\"},{\"id\":\"derive\",\"title\":\"Contrapunctus project repository, tools/audio.mjs derive\",\"url\":\"https://github.com/mottopanikeiku/contrapunctus\",\"locator\":\"ffmpeg -y -loglevel error -i original -vn -map_metadata -1 -ac 2 -ar 44100 -c:a libmp3lame -b:a 160k; the command prints both SHA-256 digests.\",\"accessed\":\"2026-10-19\"},{\"id\":\"cc-by-sa\",\"title\":\"Creative Commons — Attribution-ShareAlike 4.0 International\",\"url\":\"https://creativecommons.org/licenses/by-sa/4.0/\",\"locator\":\"Attribution, indication of changes and share-alike terms.\",\"accessed\":\"2026-10-19\"},{\"id\":\"iccare-event\",\"title\":\"PEPR ICCARE — Science ouverte, données ouvertes et musique (event page and programme)\",\"url\":\"https://pepr-iccare.fr/events/science-ouverte-donnees-ouvertes-et-musique/\",\"locator\":\"Journées d’accélération, Amiens, Logis du Roy, 22–23 January 2026; programme for Thursday 22 January, 18:00–19:00: “Récital chant-piano du duo Béla avec captation libre”, Adèle Bérard (soprano) and Laura Lazayres (piano), introduced by Mathieu Giraud (CNRS).\",\"accessed\":\"2026-10-19\"},{\"id\":\"osm-logis\",\"title\":\"OpenStreetMap — Logis du Roi, Amiens (way 140252353)\",\"url\":\"https://www.openstreetmap.org/way/140252353\",\"locator\":\"Building “Logis du Roi”, Passage du Logis du Roi, Amiens; centre 49.8929230 N, 2.2998796 E, which matches the Commons camera location.\",\"accessed\":\"2026-10-19\"},{\"id\":\"imslp-work\",\"title\":\"IMSLP — Warum sind denn die Rosen so blass, H.312 (Hensel, Fanny)\",\"url\":\"https://imslp.org/wiki/Warum_sind_denn_die_Rosen_so_blass,_H.312_(Hensel,_Fanny)\",\"locator\":\"H.312; Op. 1 No. 3; key A minor; first published 1846 in 6 Lieder, Op. 1; text by Heinrich Heine; voice and piano.\",\"accessed\":\"2026-10-19\"},{\"id\":\"imslp-op1\",\"title\":\"IMSLP — 6 Lieder, Op. 1 (Hensel, Fanny)\",\"url\":\"https://imslp.org/wiki/6_Lieder,_Op.1_(Hensel,_Fanny)\",\"locator\":\"First edition, Berlin: Bote & Bock, n.d. [1846], plate B. et B. 1046 (IMSLP #99178), public domain, scanned by the Staatsbibliothek zu Berlin; No. 3 is the Heine setting.\",\"accessed\":\"2026-10-19\"},{\"id\":\"first-edition\",\"title\":\"Sechs Lieder für eine Stimme mit Begleitung des Pianoforte, Op. 1, Bote & Bock, plate B. et B. 1046 (IMSLP #99178)\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/2/24/IMSLP99178-PMLP194743-Hensel_Fanny_Sechs_Lieder_fuer_eine_Stimme_mit_Begleitung_des_Pianoforte_Op_1_Bote_1046_1846.pdf\",\"locator\":\"Title page; No. 3 on pp. 9–11: Andante, 6/8, no key signature, f at the second stanza, con espress. at the repeated last line, dim. rallent. and pp, closing fermata on A. Pages opened and inspected.\",\"accessed\":\"2026-10-19\"},{\"id\":\"openscore\",\"title\":\"OpenScore Lieder Corpus — Hensel, 6 Lieder, Op. 1, No. 3\",\"url\":\"https://github.com/OpenScore/Lieder/tree/main/scores/Hensel%2C_Fanny/6_Lieder%2C_Op.1/3_Warum_sind_denn_die_Rosen_so_blass\",\"locator\":\"README names IMSLP file 99178 as the source; MusicXML encoding in 6/8 with no key signature, 42 measures counting the quaver upbeat, and the repeated last line in the sung text.\",\"accessed\":\"2026-10-19\"},{\"id\":\"lieder-net\",\"title\":\"LiederNet — Warum sind denn die Rosen so blaß? (Heinrich Heine)\",\"url\":\"https://www.lieder.net/lieder/get_text.html?TextId=7780\",\"locator\":\"Text confirmed against Buch der Lieder (Hamburg, 1827), p. 129; Lyrisches Intermezzo no. 23; Heine 1797–1856; Hensel 1805–1847, op. 1 no. 3 (1837), published 1846.\",\"accessed\":\"2026-10-19\"},{\"id\":\"naxos-booklet\",\"title\":\"Naxos 8.570981, Mendelssohn-Hensel: Lieder, Vol. 1 — booklet notes by Caroline Waight\",\"url\":\"https://stor.imslp.org/naxos/booklets/booklet-8.570981.pdf\",\"locator\":\"Essay: Warum sind denn die Rosen so blass (1837) among the Heine settings; Op. 1 the first music she chose to publish, in 1846.\",\"accessed\":\"2026-10-19\"},{\"id\":\"work-list\",\"title\":\"List of compositions by Fanny Hensel (Wikipedia)\",\"url\":\"https://en.wikipedia.org/wiki/List_of_compositions_by_Fanny_Hensel\",\"locator\":\"Op. 1 list: No. 3, Andante; chronological list after Renate Hellwig-Unruh’s catalogue places Op. 1.3 in 1837 as number 312.\",\"accessed\":\"2026-10-19\"},{\"id\":\"letters\",\"title\":\"Fanny Hensel Research — Briefe\",\"url\":\"https://fannyhensel.de/?page_id=138\",\"locator\":\"Letters to Felix of 22 November 1836 (publishing: “Hensel wünscht es, Du bist dagegen”) and 9 July 1846 (“ich fange an herauszugeben”; Herr Bock’s offer for her songs).\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 inferred; 7 documented; 3 not applicable"},{"id":"faure-requiem-agnus-dei","composer":"Gabriel Fauré","title":"Requiem, Op. 48","movement":"V. Agnus Dei","work.title":"Requiem","work.catalogue":"Op. 48","work.movement":"V. Agnus Dei","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"work\"]","work.version.note":"The source does not identify a score edition or distinguish the chamber-orchestra and full-orchestra versions.","performers.value":"[{\"name\":\"Chorale Philippe Caillard\",\"role\":\"chorus\"},{\"name\":\"Orchestre national de l’Opéra de Monte-Carlo\",\"role\":\"orchestra\"},{\"name\":\"Louis Frémaux\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"work\"]","performers.note":"Commons also lists Bernard Kruysen and Denis Thilliez among the complete recording’s artists. They are not credited here as soloists in the choral Agnus Dei; the organist is unidentified.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"The Commons Date field gives 10 August 1962, without identifying it as a recording session rather than an issue date. The session date remains unconfirmed.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the consulted source.","carrier.label.value":"Erato Records","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"Named as Source on Commons; no catalogue or carrier image is supplied.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or disc-side identifiers are supplied; the digital file format does not establish the original carrier.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or restoration engineer is identified; an uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. The access-file encoding is recorded separately.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/ca/Faur%C3%A9_-_Requiem_-_V._Agnus_Dei.flac/Faur%C3%A9_-_Requiem_-_V._Agnus_Dei.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative of the Wikimedia Commons Ogg Vorbis file","digital.durationSeconds":349,"rights.composition.value":"Public domain in jurisdictions applying an unextended life-plus-70-year term","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\"]","rights.composition.note":"Gabriel Fauré died in 1924. This assessment concerns the original composition, not a later edition, arrangement or this recording; it is not a worldwide rights clearance.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\"]","rights.recording.note":"Commons applies PD-EU-audio to the Erato/Frémaux recording and supplies 10 August 1962. Whether that is a session or issue date remains unresolved; its year precedes 1963. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. A recording date alone is not represented as an independently verified first-publication date.","rights.creditLine":"Gabriel Fauré: Requiem, Op. 48, V. Agnus Dei — Chorale Philippe Caillard; Orchestre national de l’Opéra de Monte-Carlo, Louis Frémaux. Erato source, via Wikimedia Commons; Commons tags the recording PD-EU-audio, not worldwide public domain.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Fauré - Requiem - V. Agnus Dei.flac\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=1177337502\",\"locator\":\"Summary: description, date, source, author and permission; Licensing; File history; embedded metadata. The source revision is fixed; current file metadata was retrieved on the access date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AFaur%C3%A9+-+Requiem+-+V.+Agnus+Dei.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 URL; source for digital.durationSeconds, digital.format and digital.streamUrl.\",\"accessed\":\"2026-10-16\"},{\"id\":\"composer\",\"title\":\"IRCAM — Gabriel Fauré: biography\",\"url\":\"https://brahms.ircam.fr/fr/composer/gabriel-faure/biography\",\"locator\":\"Composer’s life dates; used only for the explicitly scoped composition-rights inference.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work\",\"title\":\"Requiem (Fauré) — work and scoring reference\",\"url\":\"https://en.wikipedia.org/wiki/Requiem_(Faur%C3%A9)\",\"locator\":\"Opening work identity, History and Structure and scoring: Op. 48, versions and the distinction between the choral Agnus Dei and movements with solo voices. Not evidence of the edition used at this session.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-rights\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Licence-tag text and documentation: European Union performers’ and producers’ rights, not a worldwide rights clearance.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Fauré - Requiem - V. Agnus Dei.flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1177337502%7C1285956118%7C638011151%7C1264375355%7C1118001688%7C1003399466%7C1113441804%7C808915645%7C525137715%7C963510501&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Fauré - Requiem - V. Agnus Dei.flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3), inserting Article 10(5): extension applies to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-audio\",\"title\":\"Wikimedia Commons — recording-specific scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation concern performers’ and producers’ rights, not merely composition copyright; territorial European expiry.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"8 unknown; 3 documented; 1 inferred"},{"id":"faure-requiem-in-paradisum","composer":"Gabriel Fauré","title":"Requiem, Op. 48","movement":"VII. In paradisum","work.title":"Requiem","work.catalogue":"Op. 48","work.movement":"VII. In paradisum","work.version.value":"Full-orchestra version, as published by Éditions Hamelle (1901)","work.version.status":"inferred","work.version.sourceIds":"[\"sleeve\",\"work\",\"score\"]","work.version.note":"The sleeve credits “Editions Hamelle – Paris” and describes the version heard as the one with the more extended symphonic forces, which it says Fauré transcribed around 1899; Hamelle published the full-orchestra score in 1901. The sleeve names no editor or corrections, and the forces were not checked by ear against the score. Wikipedia notes that the 1900 autograph does not survive and that critics have asked who scored it, so authorship of the orchestration is not asserted here. The orchestra panel uses the Kalmus reprint of the Hamelle score.","performers.value":"[{\"name\":\"Chorale Philippe Caillard\",\"role\":\"chorus\"},{\"name\":\"Orchestre national de l’Opéra de Monte-Carlo\",\"role\":\"orchestra\"},{\"name\":\"Louis Frémaux\",\"role\":\"conductor\"},{\"name\":\"Henri Carol\",\"role\":\"organ\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"sleeve\",\"discogs-lde3228\",\"bnf-mono\"]","performers.note":"Commons lists Bernard Kruysen and Denis Thilliez among the artists of the complete recording; neither has a solo part in this movement. The organist is named on the sleeve (“Chanoine Henri Carol”), not on Commons.","session.date.value":"1962-08-11","session.date.status":"disputed","session.date.sourceIds":"[\"sleeve\",\"commons\",\"imslp\",\"gagnaux\",\"discogs-cd\"]","session.date.note":"The scanned Erato sleeve prints “Enregistré … à Monaco, le 11 Août 1962”. The Commons date field (“10 August 1962”), IMSLP and René Gagnaux give 10 August 1962; Commons does not say whether its date is a session or an issue date. The 1988 CD reissue notes “Recording: 08/1962”. Both candidate days fall in 1962; the rights assessment relies on that year only.","session.date.alternatives":"[{\"value\":\"1962-08-11\",\"sourceIds\":[\"sleeve\"]},{\"value\":\"1962-08-10\",\"sourceIds\":[\"commons\",\"imslp\",\"gagnaux\"]}]","session.date.precision":"day","session.place.value":"Cathedral of Our Lady Immaculate (Notre-Dame-de-l’Immaculée-Conception), Monaco","session.place.status":"disputed","session.place.sourceIds":"[\"sleeve\",\"discogs-ef28002\",\"imslp\",\"gagnaux\"]","session.place.note":"The sleeve gives the cathedral in Monaco, and a 1983 Erato LP pressing (EF 28002) is noted on Discogs as “Registered in 1962 in the Cathedral of Monaco”. IMSLP and Gagnaux give the Salle Alcazar, Monte-Carlo. Commons gives no venue. The sleeve also credits the engineer: “Prise de son : Peter Willemoes”.","session.place.alternatives":"[{\"value\":\"Cathedral of Our Lady Immaculate (Notre-Dame-de-l’Immaculée-Conception), Monaco\",\"sourceIds\":[\"sleeve\",\"discogs-ef28002\"]},{\"value\":\"Salle Alcazar, Monte-Carlo\",\"sourceIds\":[\"imslp\",\"gagnaux\"]}]","carrier.label.value":"Erato","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"bnf-mono\",\"bnf-stereo\",\"commons\"]","carrier.label.note":"Commons names “Erato Records” as source; the sleeve, BnF and Discogs give the Erato label.","carrier.catalogue.value":"LDE 3228 (mono LP); STE 50128 (stereo LP)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"bnf-mono\",\"bnf-stereo\",\"sleeve\",\"discogs-lde3228\",\"discogs-ste50128\"]","carrier.catalogue.note":"The BnF notices list both issues with a 1962 legal-deposit date and cross-reference each other; the sleeve says the disc also exists in stereo as STE 50 128. Commons does not say which pressing, tape or CD its file derives from. The access MP3 is two-channel with a left/right correlation of 0.27 in this movement, so it is not a mono transfer, but that does not identify the carrier.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"sleeve\",\"bnf-mono\"]","carrier.matrixTakeSides.note":"No matrix or take numbers appear in the sources consulted. The sleeve lays out this movement as face 2, track 3 of the LP (face 1: Introït et Kyrie, Offertoire, Sanctus, Pie Jesu; face 2: Agnus Dei, Libera me, In paradisum, then the Cantique de Jean Racine).","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or restoration engineer is identified. Commons shows the file as uploaded by D. Benjamin Miller; an uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The Commons upload date (23 May 2018) is not a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"media\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. Contrapunctus’ own analysis estimates the reference pitch of this movement about 40 to 60 cents above A = 440 Hz (+50 cents (CQT histogram) and +0.44 semitone (librosa estimate_tuning)); all seven movements of the set give a similar offset. Whether it comes from the orchestra’s tuning, the disc speed or the transfer speed is not established, and Hz and note names in the analysis report are not corrected for it.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/a/ab/Faur%C3%A9_-_Requiem_-_VII._In_paradisum.flac/Faur%C3%A9_-_Requiem_-_VII._In_paradisum.flac.mp3","digital.sourceChain":"[\"commons\",\"media\"]","digital.format":"MP3 access derivative (two-channel) of the Wikimedia Commons FLAC file","digital.durationSeconds":215,"rights.composition.value":"Public domain in jurisdictions applying an unextended life-plus-70-year term","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\"]","rights.composition.note":"Gabriel Fauré died in 1924. This assessment concerns the original composition, not a later edition, arrangement or this recording; it is not a worldwide rights clearance.","rights.recording.value":"Territorial: sound recording in the public domain in the European Union (Commons PD-EU-audio; first published before 1963).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"bnf-mono\",\"bnf-stereo\",\"rights-template\",\"rights-directive\"]","rights.recording.note":"Commons applies {{PD-EU-audio}} alone to this file (wikitext inspected at the cited revision; source “Erato Records”, date field 1962-08-10). The BnF catalogue records legal deposit in 1962 (“1962 (DL)”) for both Erato issues, LDE 3228 and STE 50128: that is the best primary evidence found that first publication came before 1963, so the 50-year EU term had expired before the term extension applied to recordings still protected on 1 November 2013 (Directive 2011/77/EU, Article 1(3)). Legal deposit is not an exact publication date and no issue month was found. The “℗ Erato Disques S.A. 1963” line on the 1988 CD reissue (ECD 40006) belongs to that reissue and is not taken as the date of first publication. A recording or session date is not used as a publication date. This is territorial and does not establish US sound-recording status.","rights.creditLine":"Gabriel Fauré: Requiem, Op. 48, VII. In paradisum — Chorale Philippe Caillard; Orchestre national de l’Opéra de Monte-Carlo, Louis Frémaux. Erato recording (LDE 3228 / STE 50128, 1962), via Wikimedia Commons; Commons tags the recording PD-EU-audio, not worldwide public domain.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Fauré - Requiem - VII. In paradisum.flac\",\"url\":\"https://commons.wikimedia.org/w/index.php?title=File%3AFaur%C3%A9_-_Requiem_-_VII._In_paradisum.flac&oldid=991772072\",\"locator\":\"Summary: description, date, source and author; Licensing: PD-EU-audio; file history (upload by D. Benjamin Miller, 23 May 2018). File-description wikitext inspected at the fixed revision.\",\"accessed\":\"2026-10-17\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AFaur%C3%A9+-+Requiem+-+VII.+In+paradisum.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 derivative; source for digital.durationSeconds and digital.streamUrl.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-mono\",\"title\":\"BnF catalogue général — Fauré, Requiem op. 48 / Cantique de Jean Racine, Frémaux (Erato LDE 3228)\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37873919s\",\"locator\":\"Notice bibliographique: Publication “S.l. : s.n., 1962 (DL)”; “1 disque : 33 t ; 30 cm”; Référence commerciale “Erato LDE3228”; note “Version stéréo : STE 50 128”; performers.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-stereo\",\"title\":\"BnF catalogue général — Fauré, Requiem op. 48 (stereo issue, Erato STE 50128)\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37874784x\",\"locator\":\"Notice bibliographique: Publication “S.l. : s.n., 1962 (DL)”; “1 disque : 33 t, stéréo ; 30 cm”; note “Version mono : LDE 3228”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Internet Archive — Fauré, Requiem ~~ Cantique de Jean Racine (Louis Frémaux), scanned Erato LDE 3228 sleeve\",\"url\":\"https://archive.org/details/faure-o-requiem-cantique-de-jean-racine-louis-fremaux\",\"locator\":\"Scan _img.pdf, page 2, and OCR text _img_djvu.txt: track list by face; performers and Henri Carol, organ; “Enregistré en la Cathédrale N.-D. de l’Immaculée Conception, à Monaco, le 11 Août 1962 · Prise de son : Peter Willemoes · Editions Hamelle – Paris”; “existe en version stéréophonique sous le n° STE 50 128”. The item is a digitisation of the sleeve; its audio is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-lde3228\",\"title\":\"Discogs — Fauré, Requiem (Erato LDE 3228, France, 1962, mono LP)\",\"url\":\"https://www.discogs.com/release/22567868\",\"locator\":\"Label and catalogue number, release year 1962, credits (Kruysen, Carol, Thilliez, Caillard, Frémaux).\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-ste50128\",\"title\":\"Discogs — Fauré, Requiem (Erato STE 50128, France, 1962, stereo LP)\",\"url\":\"https://www.discogs.com/release/10722014\",\"locator\":\"Label and catalogue number, release year 1962, credits.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-ef28002\",\"title\":\"Discogs — Fauré, Requiem de Fauré (Erato EF 28002, France, 1983)\",\"url\":\"https://www.discogs.com/release/6073163\",\"locator\":\"Release notes: “Registered in 1962 in the Cathedral of Monaco.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-cd\",\"title\":\"Discogs — Fauré / Frémaux, Requiem · Cantique de Jean Racine (Erato ECD 40006, CD reissue, 1988)\",\"url\":\"https://www.discogs.com/release/11482553\",\"locator\":\"Release notes: “Recording: 08/1962 … ℗ Erato Disques S.A. 1963 … Published By Éditions Hamelle”. The ℗ line belongs to the reissue.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Requiem, Op.48 (Fauré, Gabriel): recordings\",\"url\":\"https://imslp.org/wiki/Requiem,_Op.48_(Faur%C3%A9,_Gabriel)\",\"locator\":\"Gagnaux Collection listing of the complete recording: “Publisher Info. Paris: Erato, 1962”; “Recorded August 10, 1962 in Monte-Carlo, Salle Alcazar.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"gagnaux\",\"title\":\"René Gagnaux, Mon Musée Musical — Louis Frémaux: Fauré, Requiem\",\"url\":\"http://www.rene-gagnaux.ch/fremaux_louis/faure_requiem.html\",\"locator\":\"Discographical note: “10 août 1962, Salle Alcazar, Monte-Carlo, STE 50128”; “La première parution est sur les disques Erato LDE 3228 (mono) et STE 50128 (stéréo)”. Used for facts only; the site’s own text and media are under a non-commercial licence and are not reused.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Requiem (Fauré) — work, scoring and history\",\"url\":\"https://en.wikipedia.org/wiki/Requiem_(Faur%C3%A9)\",\"locator\":\"History, Text, Structure and scoring, Versions: Op. 48 versions, the full-orchestra version of 1899–1900 and the doubtful authorship of its scoring.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Fauré, Requiem, Op. 48, full orchestral score (Hamelle, 1901; Kalmus reprint) — IMSLP\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/4/4c/IMSLP30151-PMLP21398-Faure-Op048fs.pdf\",\"locator\":\"Scanned score, 128 pages; staves and markings read for the movement’s orchestra panel and listening notes.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IRCAM — Gabriel Fauré: biography\",\"url\":\"https://brahms.ircam.fr/fr/composer/gabriel-faure/biography\",\"locator\":\"Composer’s life dates; used only for the explicitly scoped composition-rights inference.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-template\",\"title\":\"Wikimedia Commons — Template:PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Licence tag text and documentation: rights of performers and producers, territorial to the EU; “not a substitute for … the underlying musical composition”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-directive\",\"title\":\"Directive 2011/77/EU — term of protection of related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2) (70 years from lawful publication of a phonogram) and Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 4 documented; 2 disputed; 4 unknown"},{"id":"faure-requiem-introit-kyrie","composer":"Gabriel Fauré","title":"Requiem, Op. 48","movement":"I. Introït et Kyrie","work.title":"Requiem","work.catalogue":"Op. 48","work.movement":"I. Introït et Kyrie","work.version.value":"Full-orchestra version, as published by Éditions Hamelle (1901)","work.version.status":"inferred","work.version.sourceIds":"[\"sleeve\",\"work\",\"score\"]","work.version.note":"The sleeve credits “Editions Hamelle – Paris” and describes the version heard as the one with the more extended symphonic forces, which it says Fauré transcribed around 1899; Hamelle published the full-orchestra score in 1901. The sleeve names no editor or corrections, and the forces were not checked by ear against the score. Wikipedia notes that the 1900 autograph does not survive and that critics have asked who scored it, so authorship of the orchestration is not asserted here. The orchestra panel uses the Kalmus reprint of the Hamelle score.","performers.value":"[{\"name\":\"Chorale Philippe Caillard\",\"role\":\"chorus\"},{\"name\":\"Orchestre national de l’Opéra de Monte-Carlo\",\"role\":\"orchestra\"},{\"name\":\"Louis Frémaux\",\"role\":\"conductor\"},{\"name\":\"Henri Carol\",\"role\":\"organ\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"sleeve\",\"discogs-lde3228\",\"bnf-mono\"]","performers.note":"Commons lists Bernard Kruysen and Denis Thilliez among the artists of the complete recording; neither has a solo part in this movement. The organist is named on the sleeve (“Chanoine Henri Carol”), not on Commons.","session.date.value":"1962-08-11","session.date.status":"disputed","session.date.sourceIds":"[\"sleeve\",\"commons\",\"imslp\",\"gagnaux\",\"discogs-cd\"]","session.date.note":"The scanned Erato sleeve prints “Enregistré … à Monaco, le 11 Août 1962”. The Commons date field (“10 August 1962”), IMSLP and René Gagnaux give 10 August 1962; Commons does not say whether its date is a session or an issue date. The 1988 CD reissue notes “Recording: 08/1962”. Both candidate days fall in 1962; the rights assessment relies on that year only.","session.date.alternatives":"[{\"value\":\"1962-08-11\",\"sourceIds\":[\"sleeve\"]},{\"value\":\"1962-08-10\",\"sourceIds\":[\"commons\",\"imslp\",\"gagnaux\"]}]","session.date.precision":"day","session.place.value":"Cathedral of Our Lady Immaculate (Notre-Dame-de-l’Immaculée-Conception), Monaco","session.place.status":"disputed","session.place.sourceIds":"[\"sleeve\",\"discogs-ef28002\",\"imslp\",\"gagnaux\"]","session.place.note":"The sleeve gives the cathedral in Monaco, and a 1983 Erato LP pressing (EF 28002) is noted on Discogs as “Registered in 1962 in the Cathedral of Monaco”. IMSLP and Gagnaux give the Salle Alcazar, Monte-Carlo. Commons gives no venue. The sleeve also credits the engineer: “Prise de son : Peter Willemoes”.","session.place.alternatives":"[{\"value\":\"Cathedral of Our Lady Immaculate (Notre-Dame-de-l’Immaculée-Conception), Monaco\",\"sourceIds\":[\"sleeve\",\"discogs-ef28002\"]},{\"value\":\"Salle Alcazar, Monte-Carlo\",\"sourceIds\":[\"imslp\",\"gagnaux\"]}]","carrier.label.value":"Erato","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"bnf-mono\",\"bnf-stereo\",\"commons\"]","carrier.label.note":"Commons names “Erato Records” as source; the sleeve, BnF and Discogs give the Erato label.","carrier.catalogue.value":"LDE 3228 (mono LP); STE 50128 (stereo LP)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"bnf-mono\",\"bnf-stereo\",\"sleeve\",\"discogs-lde3228\",\"discogs-ste50128\"]","carrier.catalogue.note":"The BnF notices list both issues with a 1962 legal-deposit date and cross-reference each other; the sleeve says the disc also exists in stereo as STE 50 128. Commons does not say which pressing, tape or CD its file derives from. The access MP3 is two-channel with a left/right correlation of 0.44 in this movement, so it is not a mono transfer, but that does not identify the carrier.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"sleeve\",\"bnf-mono\"]","carrier.matrixTakeSides.note":"No matrix or take numbers appear in the sources consulted. The sleeve lays out this movement as face 1, track 1 of the LP (face 1: Introït et Kyrie, Offertoire, Sanctus, Pie Jesu; face 2: Agnus Dei, Libera me, In paradisum, then the Cantique de Jean Racine).","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or restoration engineer is identified. Commons shows the file as uploaded by D. Benjamin Miller; an uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The Commons upload date (23 May 2018) is not a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"media\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. Contrapunctus’ own analysis estimates the reference pitch of this movement about 40 to 60 cents above A = 440 Hz (+40 cents (CQT histogram) and +0.48 semitone (librosa estimate_tuning)); all seven movements of the set give a similar offset. Whether it comes from the orchestra’s tuning, the disc speed or the transfer speed is not established, and Hz and note names in the analysis report are not corrected for it.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/e/e5/Faur%C3%A9_-_Requiem_-_I._Intro%C3%AFt_et_Kyrie.flac/Faur%C3%A9_-_Requiem_-_I._Intro%C3%AFt_et_Kyrie.flac.mp3","digital.sourceChain":"[\"commons\",\"media\"]","digital.format":"MP3 access derivative (two-channel) of the Wikimedia Commons FLAC file","digital.durationSeconds":383,"rights.composition.value":"Public domain in jurisdictions applying an unextended life-plus-70-year term","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\"]","rights.composition.note":"Gabriel Fauré died in 1924. This assessment concerns the original composition, not a later edition, arrangement or this recording; it is not a worldwide rights clearance.","rights.recording.value":"Territorial: sound recording in the public domain in the European Union (Commons PD-EU-audio; first published before 1963).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"bnf-mono\",\"bnf-stereo\",\"rights-template\",\"rights-directive\"]","rights.recording.note":"Commons applies {{PD-EU-audio}} alone to this file (wikitext inspected at the cited revision; source “Erato Records”, date field 1962-08-10). The BnF catalogue records legal deposit in 1962 (“1962 (DL)”) for both Erato issues, LDE 3228 and STE 50128: that is the best primary evidence found that first publication came before 1963, so the 50-year EU term had expired before the term extension applied to recordings still protected on 1 November 2013 (Directive 2011/77/EU, Article 1(3)). Legal deposit is not an exact publication date and no issue month was found. The “℗ Erato Disques S.A. 1963” line on the 1988 CD reissue (ECD 40006) belongs to that reissue and is not taken as the date of first publication. A recording or session date is not used as a publication date. This is territorial and does not establish US sound-recording status.","rights.creditLine":"Gabriel Fauré: Requiem, Op. 48, I. Introït et Kyrie — Chorale Philippe Caillard; Orchestre national de l’Opéra de Monte-Carlo, Louis Frémaux. Erato recording (LDE 3228 / STE 50128, 1962), via Wikimedia Commons; Commons tags the recording PD-EU-audio, not worldwide public domain.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Fauré - Requiem - I. Introït et Kyrie.flac\",\"url\":\"https://commons.wikimedia.org/w/index.php?title=File%3AFaur%C3%A9_-_Requiem_-_I._Intro%C3%AFt_et_Kyrie.flac&oldid=1249926421\",\"locator\":\"Summary: description, date, source and author; Licensing: PD-EU-audio; file history (upload by D. Benjamin Miller, 23 May 2018). File-description wikitext inspected at the fixed revision.\",\"accessed\":\"2026-10-17\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AFaur%C3%A9+-+Requiem+-+I.+Intro%C3%AFt+et+Kyrie.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 derivative; source for digital.durationSeconds and digital.streamUrl.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-mono\",\"title\":\"BnF catalogue général — Fauré, Requiem op. 48 / Cantique de Jean Racine, Frémaux (Erato LDE 3228)\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37873919s\",\"locator\":\"Notice bibliographique: Publication “S.l. : s.n., 1962 (DL)”; “1 disque : 33 t ; 30 cm”; Référence commerciale “Erato LDE3228”; note “Version stéréo : STE 50 128”; performers.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-stereo\",\"title\":\"BnF catalogue général — Fauré, Requiem op. 48 (stereo issue, Erato STE 50128)\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37874784x\",\"locator\":\"Notice bibliographique: Publication “S.l. : s.n., 1962 (DL)”; “1 disque : 33 t, stéréo ; 30 cm”; note “Version mono : LDE 3228”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Internet Archive — Fauré, Requiem ~~ Cantique de Jean Racine (Louis Frémaux), scanned Erato LDE 3228 sleeve\",\"url\":\"https://archive.org/details/faure-o-requiem-cantique-de-jean-racine-louis-fremaux\",\"locator\":\"Scan _img.pdf, page 2, and OCR text _img_djvu.txt: track list by face; performers and Henri Carol, organ; “Enregistré en la Cathédrale N.-D. de l’Immaculée Conception, à Monaco, le 11 Août 1962 · Prise de son : Peter Willemoes · Editions Hamelle – Paris”; “existe en version stéréophonique sous le n° STE 50 128”. The item is a digitisation of the sleeve; its audio is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-lde3228\",\"title\":\"Discogs — Fauré, Requiem (Erato LDE 3228, France, 1962, mono LP)\",\"url\":\"https://www.discogs.com/release/22567868\",\"locator\":\"Label and catalogue number, release year 1962, credits (Kruysen, Carol, Thilliez, Caillard, Frémaux).\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-ste50128\",\"title\":\"Discogs — Fauré, Requiem (Erato STE 50128, France, 1962, stereo LP)\",\"url\":\"https://www.discogs.com/release/10722014\",\"locator\":\"Label and catalogue number, release year 1962, credits.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-ef28002\",\"title\":\"Discogs — Fauré, Requiem de Fauré (Erato EF 28002, France, 1983)\",\"url\":\"https://www.discogs.com/release/6073163\",\"locator\":\"Release notes: “Registered in 1962 in the Cathedral of Monaco.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-cd\",\"title\":\"Discogs — Fauré / Frémaux, Requiem · Cantique de Jean Racine (Erato ECD 40006, CD reissue, 1988)\",\"url\":\"https://www.discogs.com/release/11482553\",\"locator\":\"Release notes: “Recording: 08/1962 … ℗ Erato Disques S.A. 1963 … Published By Éditions Hamelle”. The ℗ line belongs to the reissue.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Requiem, Op.48 (Fauré, Gabriel): recordings\",\"url\":\"https://imslp.org/wiki/Requiem,_Op.48_(Faur%C3%A9,_Gabriel)\",\"locator\":\"Gagnaux Collection listing of the complete recording: “Publisher Info. Paris: Erato, 1962”; “Recorded August 10, 1962 in Monte-Carlo, Salle Alcazar.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"gagnaux\",\"title\":\"René Gagnaux, Mon Musée Musical — Louis Frémaux: Fauré, Requiem\",\"url\":\"http://www.rene-gagnaux.ch/fremaux_louis/faure_requiem.html\",\"locator\":\"Discographical note: “10 août 1962, Salle Alcazar, Monte-Carlo, STE 50128”; “La première parution est sur les disques Erato LDE 3228 (mono) et STE 50128 (stéréo)”. Used for facts only; the site’s own text and media are under a non-commercial licence and are not reused.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Requiem (Fauré) — work, scoring and history\",\"url\":\"https://en.wikipedia.org/wiki/Requiem_(Faur%C3%A9)\",\"locator\":\"History, Text, Structure and scoring, Versions: Op. 48 versions, the full-orchestra version of 1899–1900 and the doubtful authorship of its scoring.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Fauré, Requiem, Op. 48, full orchestral score (Hamelle, 1901; Kalmus reprint) — IMSLP\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/4/4c/IMSLP30151-PMLP21398-Faure-Op048fs.pdf\",\"locator\":\"Scanned score, 128 pages; staves and markings read for the movement’s orchestra panel and listening notes.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IRCAM — Gabriel Fauré: biography\",\"url\":\"https://brahms.ircam.fr/fr/composer/gabriel-faure/biography\",\"locator\":\"Composer’s life dates; used only for the explicitly scoped composition-rights inference.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-template\",\"title\":\"Wikimedia Commons — Template:PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Licence tag text and documentation: rights of performers and producers, territorial to the EU; “not a substitute for … the underlying musical composition”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-directive\",\"title\":\"Directive 2011/77/EU — term of protection of related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2) (70 years from lawful publication of a phonogram) and Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 4 documented; 2 disputed; 4 unknown"},{"id":"faure-requiem-libera-me","composer":"Gabriel Fauré","title":"Requiem, Op. 48","movement":"VI. Libera me","work.title":"Requiem","work.catalogue":"Op. 48","work.movement":"VI. Libera me","work.version.value":"Full-orchestra version, as published by Éditions Hamelle (1901)","work.version.status":"inferred","work.version.sourceIds":"[\"sleeve\",\"work\",\"score\"]","work.version.note":"The sleeve credits “Editions Hamelle – Paris” and describes the version heard as the one with the more extended symphonic forces, which it says Fauré transcribed around 1899; Hamelle published the full-orchestra score in 1901. The sleeve names no editor or corrections, and the forces were not checked by ear against the score. Wikipedia notes that the 1900 autograph does not survive and that critics have asked who scored it, so authorship of the orchestration is not asserted here. The orchestra panel uses the Kalmus reprint of the Hamelle score.","performers.value":"[{\"name\":\"Bernard Kruysen\",\"role\":\"baritone\"},{\"name\":\"Chorale Philippe Caillard\",\"role\":\"chorus\"},{\"name\":\"Orchestre national de l’Opéra de Monte-Carlo\",\"role\":\"orchestra\"},{\"name\":\"Louis Frémaux\",\"role\":\"conductor\"},{\"name\":\"Henri Carol\",\"role\":\"organ\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"sleeve\",\"discogs-lde3228\",\"bnf-mono\"]","performers.note":"Commons lists Bernard Kruysen and Denis Thilliez among the artists of the complete recording; Kruysen is the baritone soloist here (the sleeve credits “Bernard Kruysen, baryton”). Denis Thilliez has no part in this movement.","session.date.value":"1962-08-11","session.date.status":"disputed","session.date.sourceIds":"[\"sleeve\",\"commons\",\"imslp\",\"gagnaux\",\"discogs-cd\"]","session.date.note":"The scanned Erato sleeve prints “Enregistré … à Monaco, le 11 Août 1962”. The Commons date field (“10 August 1962”), IMSLP and René Gagnaux give 10 August 1962; Commons does not say whether its date is a session or an issue date. The 1988 CD reissue notes “Recording: 08/1962”. Both candidate days fall in 1962; the rights assessment relies on that year only.","session.date.alternatives":"[{\"value\":\"1962-08-11\",\"sourceIds\":[\"sleeve\"]},{\"value\":\"1962-08-10\",\"sourceIds\":[\"commons\",\"imslp\",\"gagnaux\"]}]","session.date.precision":"day","session.place.value":"Cathedral of Our Lady Immaculate (Notre-Dame-de-l’Immaculée-Conception), Monaco","session.place.status":"disputed","session.place.sourceIds":"[\"sleeve\",\"discogs-ef28002\",\"imslp\",\"gagnaux\"]","session.place.note":"The sleeve gives the cathedral in Monaco, and a 1983 Erato LP pressing (EF 28002) is noted on Discogs as “Registered in 1962 in the Cathedral of Monaco”. IMSLP and Gagnaux give the Salle Alcazar, Monte-Carlo. Commons gives no venue. The sleeve also credits the engineer: “Prise de son : Peter Willemoes”.","session.place.alternatives":"[{\"value\":\"Cathedral of Our Lady Immaculate (Notre-Dame-de-l’Immaculée-Conception), Monaco\",\"sourceIds\":[\"sleeve\",\"discogs-ef28002\"]},{\"value\":\"Salle Alcazar, Monte-Carlo\",\"sourceIds\":[\"imslp\",\"gagnaux\"]}]","carrier.label.value":"Erato","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"bnf-mono\",\"bnf-stereo\",\"commons\"]","carrier.label.note":"Commons names “Erato Records” as source; the sleeve, BnF and Discogs give the Erato label.","carrier.catalogue.value":"LDE 3228 (mono LP); STE 50128 (stereo LP)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"bnf-mono\",\"bnf-stereo\",\"sleeve\",\"discogs-lde3228\",\"discogs-ste50128\"]","carrier.catalogue.note":"The BnF notices list both issues with a 1962 legal-deposit date and cross-reference each other; the sleeve says the disc also exists in stereo as STE 50 128. Commons does not say which pressing, tape or CD its file derives from. The access MP3 is two-channel with a left/right correlation of 0.44 in this movement, so it is not a mono transfer, but that does not identify the carrier.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"sleeve\",\"bnf-mono\"]","carrier.matrixTakeSides.note":"No matrix or take numbers appear in the sources consulted. The sleeve lays out this movement as face 2, track 2 of the LP (face 1: Introït et Kyrie, Offertoire, Sanctus, Pie Jesu; face 2: Agnus Dei, Libera me, In paradisum, then the Cantique de Jean Racine).","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or restoration engineer is identified. Commons shows the file as uploaded by D. Benjamin Miller; an uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The Commons upload date (23 May 2018) is not a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"media\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. Contrapunctus’ own analysis estimates the reference pitch of this movement about 40 to 60 cents above A = 440 Hz (+50 cents (CQT histogram) and +0.49 semitone (librosa estimate_tuning)); all seven movements of the set give a similar offset. Whether it comes from the orchestra’s tuning, the disc speed or the transfer speed is not established, and Hz and note names in the analysis report are not corrected for it.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/e/e5/Faur%C3%A9_-_Requiem_-_VI._Libera_Me.flac/Faur%C3%A9_-_Requiem_-_VI._Libera_Me.flac.mp3","digital.sourceChain":"[\"commons\",\"media\"]","digital.format":"MP3 access derivative (two-channel) of the Wikimedia Commons FLAC file","digital.durationSeconds":294,"rights.composition.value":"Public domain in jurisdictions applying an unextended life-plus-70-year term","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\"]","rights.composition.note":"Gabriel Fauré died in 1924. This assessment concerns the original composition, not a later edition, arrangement or this recording; it is not a worldwide rights clearance.","rights.recording.value":"Territorial: sound recording in the public domain in the European Union (Commons PD-EU-audio; first published before 1963).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"bnf-mono\",\"bnf-stereo\",\"rights-template\",\"rights-directive\"]","rights.recording.note":"Commons applies {{PD-EU-audio}} alone to this file (wikitext inspected at the cited revision; source “Erato Records”, date field 1962-08-10). The BnF catalogue records legal deposit in 1962 (“1962 (DL)”) for both Erato issues, LDE 3228 and STE 50128: that is the best primary evidence found that first publication came before 1963, so the 50-year EU term had expired before the term extension applied to recordings still protected on 1 November 2013 (Directive 2011/77/EU, Article 1(3)). Legal deposit is not an exact publication date and no issue month was found. The “℗ Erato Disques S.A. 1963” line on the 1988 CD reissue (ECD 40006) belongs to that reissue and is not taken as the date of first publication. A recording or session date is not used as a publication date. This is territorial and does not establish US sound-recording status.","rights.creditLine":"Gabriel Fauré: Requiem, Op. 48, VI. Libera me — Bernard Kruysen, baritone; Chorale Philippe Caillard; Orchestre national de l’Opéra de Monte-Carlo, Louis Frémaux. Erato recording (LDE 3228 / STE 50128, 1962), via Wikimedia Commons; Commons tags the recording PD-EU-audio, not worldwide public domain.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Fauré - Requiem - VI. Libera Me.flac\",\"url\":\"https://commons.wikimedia.org/w/index.php?title=File%3AFaur%C3%A9_-_Requiem_-_VI._Libera_Me.flac&oldid=1172541876\",\"locator\":\"Summary: description, date, source and author; Licensing: PD-EU-audio; file history (upload by D. Benjamin Miller, 23 May 2018). File-description wikitext inspected at the fixed revision.\",\"accessed\":\"2026-10-17\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AFaur%C3%A9+-+Requiem+-+VI.+Libera+Me.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 derivative; source for digital.durationSeconds and digital.streamUrl.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-mono\",\"title\":\"BnF catalogue général — Fauré, Requiem op. 48 / Cantique de Jean Racine, Frémaux (Erato LDE 3228)\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37873919s\",\"locator\":\"Notice bibliographique: Publication “S.l. : s.n., 1962 (DL)”; “1 disque : 33 t ; 30 cm”; Référence commerciale “Erato LDE3228”; note “Version stéréo : STE 50 128”; performers.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-stereo\",\"title\":\"BnF catalogue général — Fauré, Requiem op. 48 (stereo issue, Erato STE 50128)\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37874784x\",\"locator\":\"Notice bibliographique: Publication “S.l. : s.n., 1962 (DL)”; “1 disque : 33 t, stéréo ; 30 cm”; note “Version mono : LDE 3228”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Internet Archive — Fauré, Requiem ~~ Cantique de Jean Racine (Louis Frémaux), scanned Erato LDE 3228 sleeve\",\"url\":\"https://archive.org/details/faure-o-requiem-cantique-de-jean-racine-louis-fremaux\",\"locator\":\"Scan _img.pdf, page 2, and OCR text _img_djvu.txt: track list by face; performers and Henri Carol, organ; “Enregistré en la Cathédrale N.-D. de l’Immaculée Conception, à Monaco, le 11 Août 1962 · Prise de son : Peter Willemoes · Editions Hamelle – Paris”; “existe en version stéréophonique sous le n° STE 50 128”. The item is a digitisation of the sleeve; its audio is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-lde3228\",\"title\":\"Discogs — Fauré, Requiem (Erato LDE 3228, France, 1962, mono LP)\",\"url\":\"https://www.discogs.com/release/22567868\",\"locator\":\"Label and catalogue number, release year 1962, credits (Kruysen, Carol, Thilliez, Caillard, Frémaux).\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-ste50128\",\"title\":\"Discogs — Fauré, Requiem (Erato STE 50128, France, 1962, stereo LP)\",\"url\":\"https://www.discogs.com/release/10722014\",\"locator\":\"Label and catalogue number, release year 1962, credits.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-ef28002\",\"title\":\"Discogs — Fauré, Requiem de Fauré (Erato EF 28002, France, 1983)\",\"url\":\"https://www.discogs.com/release/6073163\",\"locator\":\"Release notes: “Registered in 1962 in the Cathedral of Monaco.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-cd\",\"title\":\"Discogs — Fauré / Frémaux, Requiem · Cantique de Jean Racine (Erato ECD 40006, CD reissue, 1988)\",\"url\":\"https://www.discogs.com/release/11482553\",\"locator\":\"Release notes: “Recording: 08/1962 … ℗ Erato Disques S.A. 1963 … Published By Éditions Hamelle”. The ℗ line belongs to the reissue.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Requiem, Op.48 (Fauré, Gabriel): recordings\",\"url\":\"https://imslp.org/wiki/Requiem,_Op.48_(Faur%C3%A9,_Gabriel)\",\"locator\":\"Gagnaux Collection listing of the complete recording: “Publisher Info. Paris: Erato, 1962”; “Recorded August 10, 1962 in Monte-Carlo, Salle Alcazar.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"gagnaux\",\"title\":\"René Gagnaux, Mon Musée Musical — Louis Frémaux: Fauré, Requiem\",\"url\":\"http://www.rene-gagnaux.ch/fremaux_louis/faure_requiem.html\",\"locator\":\"Discographical note: “10 août 1962, Salle Alcazar, Monte-Carlo, STE 50128”; “La première parution est sur les disques Erato LDE 3228 (mono) et STE 50128 (stéréo)”. Used for facts only; the site’s own text and media are under a non-commercial licence and are not reused.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Requiem (Fauré) — work, scoring and history\",\"url\":\"https://en.wikipedia.org/wiki/Requiem_(Faur%C3%A9)\",\"locator\":\"History, Text, Structure and scoring, Versions: Op. 48 versions, the full-orchestra version of 1899–1900 and the doubtful authorship of its scoring.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Fauré, Requiem, Op. 48, full orchestral score (Hamelle, 1901; Kalmus reprint) — IMSLP\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/4/4c/IMSLP30151-PMLP21398-Faure-Op048fs.pdf\",\"locator\":\"Scanned score, 128 pages; staves and markings read for the movement’s orchestra panel and listening notes.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IRCAM — Gabriel Fauré: biography\",\"url\":\"https://brahms.ircam.fr/fr/composer/gabriel-faure/biography\",\"locator\":\"Composer’s life dates; used only for the explicitly scoped composition-rights inference.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-template\",\"title\":\"Wikimedia Commons — Template:PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Licence tag text and documentation: rights of performers and producers, territorial to the EU; “not a substitute for … the underlying musical composition”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-directive\",\"title\":\"Directive 2011/77/EU — term of protection of related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2) (70 years from lawful publication of a phonogram) and Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 4 documented; 2 disputed; 4 unknown"},{"id":"faure-requiem-offertoire","composer":"Gabriel Fauré","title":"Requiem, Op. 48","movement":"II. Offertoire","work.title":"Requiem","work.catalogue":"Op. 48","work.movement":"II. Offertoire","work.version.value":"Full-orchestra version, as published by Éditions Hamelle (1901)","work.version.status":"inferred","work.version.sourceIds":"[\"sleeve\",\"work\",\"score\"]","work.version.note":"The sleeve credits “Editions Hamelle – Paris” and describes the version heard as the one with the more extended symphonic forces, which it says Fauré transcribed around 1899; Hamelle published the full-orchestra score in 1901. The sleeve names no editor or corrections, and the forces were not checked by ear against the score. Wikipedia notes that the 1900 autograph does not survive and that critics have asked who scored it, so authorship of the orchestration is not asserted here. The orchestra panel uses the Kalmus reprint of the Hamelle score.","performers.value":"[{\"name\":\"Bernard Kruysen\",\"role\":\"baritone\"},{\"name\":\"Chorale Philippe Caillard\",\"role\":\"chorus\"},{\"name\":\"Orchestre national de l’Opéra de Monte-Carlo\",\"role\":\"orchestra\"},{\"name\":\"Louis Frémaux\",\"role\":\"conductor\"},{\"name\":\"Henri Carol\",\"role\":\"organ\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"sleeve\",\"discogs-lde3228\",\"bnf-mono\"]","performers.note":"Commons lists Bernard Kruysen and Denis Thilliez among the artists of the complete recording; Kruysen is the baritone soloist here (the sleeve credits “Bernard Kruysen, baryton”). Denis Thilliez has no part in this movement.","session.date.value":"1962-08-11","session.date.status":"disputed","session.date.sourceIds":"[\"sleeve\",\"commons\",\"imslp\",\"gagnaux\",\"discogs-cd\"]","session.date.note":"The scanned Erato sleeve prints “Enregistré … à Monaco, le 11 Août 1962”. The Commons date field (“10 August 1962”), IMSLP and René Gagnaux give 10 August 1962; Commons does not say whether its date is a session or an issue date. The 1988 CD reissue notes “Recording: 08/1962”. Both candidate days fall in 1962; the rights assessment relies on that year only.","session.date.alternatives":"[{\"value\":\"1962-08-11\",\"sourceIds\":[\"sleeve\"]},{\"value\":\"1962-08-10\",\"sourceIds\":[\"commons\",\"imslp\",\"gagnaux\"]}]","session.date.precision":"day","session.place.value":"Cathedral of Our Lady Immaculate (Notre-Dame-de-l’Immaculée-Conception), Monaco","session.place.status":"disputed","session.place.sourceIds":"[\"sleeve\",\"discogs-ef28002\",\"imslp\",\"gagnaux\"]","session.place.note":"The sleeve gives the cathedral in Monaco, and a 1983 Erato LP pressing (EF 28002) is noted on Discogs as “Registered in 1962 in the Cathedral of Monaco”. IMSLP and Gagnaux give the Salle Alcazar, Monte-Carlo. Commons gives no venue. The sleeve also credits the engineer: “Prise de son : Peter Willemoes”.","session.place.alternatives":"[{\"value\":\"Cathedral of Our Lady Immaculate (Notre-Dame-de-l’Immaculée-Conception), Monaco\",\"sourceIds\":[\"sleeve\",\"discogs-ef28002\"]},{\"value\":\"Salle Alcazar, Monte-Carlo\",\"sourceIds\":[\"imslp\",\"gagnaux\"]}]","carrier.label.value":"Erato","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"bnf-mono\",\"bnf-stereo\",\"commons\"]","carrier.label.note":"Commons names “Erato Records” as source; the sleeve, BnF and Discogs give the Erato label.","carrier.catalogue.value":"LDE 3228 (mono LP); STE 50128 (stereo LP)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"bnf-mono\",\"bnf-stereo\",\"sleeve\",\"discogs-lde3228\",\"discogs-ste50128\"]","carrier.catalogue.note":"The BnF notices list both issues with a 1962 legal-deposit date and cross-reference each other; the sleeve says the disc also exists in stereo as STE 50 128. Commons does not say which pressing, tape or CD its file derives from. The access MP3 is two-channel with a left/right correlation of 0.51 in this movement, so it is not a mono transfer, but that does not identify the carrier.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"sleeve\",\"bnf-mono\"]","carrier.matrixTakeSides.note":"No matrix or take numbers appear in the sources consulted. The sleeve lays out this movement as face 1, track 2 of the LP (face 1: Introït et Kyrie, Offertoire, Sanctus, Pie Jesu; face 2: Agnus Dei, Libera me, In paradisum, then the Cantique de Jean Racine).","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or restoration engineer is identified. Commons shows the file as uploaded by D. Benjamin Miller; an uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The Commons upload date (23 May 2018) is not a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"media\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. Contrapunctus’ own analysis estimates the reference pitch of this movement about 40 to 60 cents above A = 440 Hz (+50 cents (CQT histogram) and −0.49 semitone (librosa estimate_tuning), the two figures being equivalent modulo a semitone); all seven movements of the set give a similar offset. Whether it comes from the orchestra’s tuning, the disc speed or the transfer speed is not established, and Hz and note names in the analysis report are not corrected for it.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/54/Faur%C3%A9_-_Requiem_-_II._Offertoire.flac/Faur%C3%A9_-_Requiem_-_II._Offertoire.flac.mp3","digital.sourceChain":"[\"commons\",\"media\"]","digital.format":"MP3 access derivative (two-channel) of the Wikimedia Commons FLAC file","digital.durationSeconds":460,"rights.composition.value":"Public domain in jurisdictions applying an unextended life-plus-70-year term","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\"]","rights.composition.note":"Gabriel Fauré died in 1924. This assessment concerns the original composition, not a later edition, arrangement or this recording; it is not a worldwide rights clearance.","rights.recording.value":"Territorial: sound recording in the public domain in the European Union (Commons PD-EU-audio; first published before 1963).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"bnf-mono\",\"bnf-stereo\",\"rights-template\",\"rights-directive\"]","rights.recording.note":"Commons applies {{PD-EU-audio}} alone to this file (wikitext inspected at the cited revision; source “Erato Records”, date field 1962-08-10). The BnF catalogue records legal deposit in 1962 (“1962 (DL)”) for both Erato issues, LDE 3228 and STE 50128: that is the best primary evidence found that first publication came before 1963, so the 50-year EU term had expired before the term extension applied to recordings still protected on 1 November 2013 (Directive 2011/77/EU, Article 1(3)). Legal deposit is not an exact publication date and no issue month was found. The “℗ Erato Disques S.A. 1963” line on the 1988 CD reissue (ECD 40006) belongs to that reissue and is not taken as the date of first publication. A recording or session date is not used as a publication date. This is territorial and does not establish US sound-recording status.","rights.creditLine":"Gabriel Fauré: Requiem, Op. 48, II. Offertoire — Bernard Kruysen, baritone; Chorale Philippe Caillard; Orchestre national de l’Opéra de Monte-Carlo, Louis Frémaux. Erato recording (LDE 3228 / STE 50128, 1962), via Wikimedia Commons; Commons tags the recording PD-EU-audio, not worldwide public domain.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Fauré - Requiem - II. Offertoire.flac\",\"url\":\"https://commons.wikimedia.org/w/index.php?title=File%3AFaur%C3%A9_-_Requiem_-_II._Offertoire.flac&oldid=1249926427\",\"locator\":\"Summary: description, date, source and author; Licensing: PD-EU-audio; file history (upload by D. Benjamin Miller, 23 May 2018). File-description wikitext inspected at the fixed revision.\",\"accessed\":\"2026-10-17\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AFaur%C3%A9+-+Requiem+-+II.+Offertoire.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 derivative; source for digital.durationSeconds and digital.streamUrl.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-mono\",\"title\":\"BnF catalogue général — Fauré, Requiem op. 48 / Cantique de Jean Racine, Frémaux (Erato LDE 3228)\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37873919s\",\"locator\":\"Notice bibliographique: Publication “S.l. : s.n., 1962 (DL)”; “1 disque : 33 t ; 30 cm”; Référence commerciale “Erato LDE3228”; note “Version stéréo : STE 50 128”; performers.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-stereo\",\"title\":\"BnF catalogue général — Fauré, Requiem op. 48 (stereo issue, Erato STE 50128)\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37874784x\",\"locator\":\"Notice bibliographique: Publication “S.l. : s.n., 1962 (DL)”; “1 disque : 33 t, stéréo ; 30 cm”; note “Version mono : LDE 3228”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Internet Archive — Fauré, Requiem ~~ Cantique de Jean Racine (Louis Frémaux), scanned Erato LDE 3228 sleeve\",\"url\":\"https://archive.org/details/faure-o-requiem-cantique-de-jean-racine-louis-fremaux\",\"locator\":\"Scan _img.pdf, page 2, and OCR text _img_djvu.txt: track list by face; performers and Henri Carol, organ; “Enregistré en la Cathédrale N.-D. de l’Immaculée Conception, à Monaco, le 11 Août 1962 · Prise de son : Peter Willemoes · Editions Hamelle – Paris”; “existe en version stéréophonique sous le n° STE 50 128”. The item is a digitisation of the sleeve; its audio is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-lde3228\",\"title\":\"Discogs — Fauré, Requiem (Erato LDE 3228, France, 1962, mono LP)\",\"url\":\"https://www.discogs.com/release/22567868\",\"locator\":\"Label and catalogue number, release year 1962, credits (Kruysen, Carol, Thilliez, Caillard, Frémaux).\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-ste50128\",\"title\":\"Discogs — Fauré, Requiem (Erato STE 50128, France, 1962, stereo LP)\",\"url\":\"https://www.discogs.com/release/10722014\",\"locator\":\"Label and catalogue number, release year 1962, credits.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-ef28002\",\"title\":\"Discogs — Fauré, Requiem de Fauré (Erato EF 28002, France, 1983)\",\"url\":\"https://www.discogs.com/release/6073163\",\"locator\":\"Release notes: “Registered in 1962 in the Cathedral of Monaco.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-cd\",\"title\":\"Discogs — Fauré / Frémaux, Requiem · Cantique de Jean Racine (Erato ECD 40006, CD reissue, 1988)\",\"url\":\"https://www.discogs.com/release/11482553\",\"locator\":\"Release notes: “Recording: 08/1962 … ℗ Erato Disques S.A. 1963 … Published By Éditions Hamelle”. The ℗ line belongs to the reissue.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Requiem, Op.48 (Fauré, Gabriel): recordings\",\"url\":\"https://imslp.org/wiki/Requiem,_Op.48_(Faur%C3%A9,_Gabriel)\",\"locator\":\"Gagnaux Collection listing of the complete recording: “Publisher Info. Paris: Erato, 1962”; “Recorded August 10, 1962 in Monte-Carlo, Salle Alcazar.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"gagnaux\",\"title\":\"René Gagnaux, Mon Musée Musical — Louis Frémaux: Fauré, Requiem\",\"url\":\"http://www.rene-gagnaux.ch/fremaux_louis/faure_requiem.html\",\"locator\":\"Discographical note: “10 août 1962, Salle Alcazar, Monte-Carlo, STE 50128”; “La première parution est sur les disques Erato LDE 3228 (mono) et STE 50128 (stéréo)”. Used for facts only; the site’s own text and media are under a non-commercial licence and are not reused.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Requiem (Fauré) — work, scoring and history\",\"url\":\"https://en.wikipedia.org/wiki/Requiem_(Faur%C3%A9)\",\"locator\":\"History, Text, Structure and scoring, Versions: Op. 48 versions, the full-orchestra version of 1899–1900 and the doubtful authorship of its scoring.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Fauré, Requiem, Op. 48, full orchestral score (Hamelle, 1901; Kalmus reprint) — IMSLP\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/4/4c/IMSLP30151-PMLP21398-Faure-Op048fs.pdf\",\"locator\":\"Scanned score, 128 pages; staves and markings read for the movement’s orchestra panel and listening notes.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IRCAM — Gabriel Fauré: biography\",\"url\":\"https://brahms.ircam.fr/fr/composer/gabriel-faure/biography\",\"locator\":\"Composer’s life dates; used only for the explicitly scoped composition-rights inference.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-template\",\"title\":\"Wikimedia Commons — Template:PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Licence tag text and documentation: rights of performers and producers, territorial to the EU; “not a substitute for … the underlying musical composition”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-directive\",\"title\":\"Directive 2011/77/EU — term of protection of related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2) (70 years from lawful publication of a phonogram) and Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 4 documented; 2 disputed; 4 unknown"},{"id":"faure-requiem-pie-jesu","composer":"Gabriel Fauré","title":"Requiem, Op. 48","movement":"IV. Pie Jesu","work.title":"Requiem","work.catalogue":"Op. 48","work.movement":"IV. Pie Jesu","work.version.value":"Full-orchestra version, as published by Éditions Hamelle (1901)","work.version.status":"inferred","work.version.sourceIds":"[\"sleeve\",\"work\",\"score\"]","work.version.note":"The sleeve credits “Editions Hamelle – Paris” and describes the version heard as the one with the more extended symphonic forces, which it says Fauré transcribed around 1899; Hamelle published the full-orchestra score in 1901. The sleeve names no editor or corrections, and the forces were not checked by ear against the score. Wikipedia notes that the 1900 autograph does not survive and that critics have asked who scored it, so authorship of the orchestration is not asserted here. The orchestra panel uses the Kalmus reprint of the Hamelle score.","performers.value":"[{\"name\":\"Denis Thilliez\",\"role\":\"boy soprano\"},{\"name\":\"Orchestre national de l’Opéra de Monte-Carlo\",\"role\":\"orchestra\"},{\"name\":\"Louis Frémaux\",\"role\":\"conductor\"},{\"name\":\"Henri Carol\",\"role\":\"organ\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"sleeve\",\"discogs-lde3228\",\"bnf-mono\"]","performers.note":"Commons lists Bernard Kruysen and Denis Thilliez among the artists of the complete recording. The sleeve credits “Denis Thilliez, soprano garçon” as the only soprano soloist, and the Pie Jesu is the Requiem’s only soprano solo, so his part here is inferred rather than stated. The chorus and baritone have no part in this movement.","session.date.value":"1962-08-11","session.date.status":"disputed","session.date.sourceIds":"[\"sleeve\",\"commons\",\"imslp\",\"gagnaux\",\"discogs-cd\"]","session.date.note":"The scanned Erato sleeve prints “Enregistré … à Monaco, le 11 Août 1962”. The Commons date field (“10 August 1962”), IMSLP and René Gagnaux give 10 August 1962; Commons does not say whether its date is a session or an issue date. The 1988 CD reissue notes “Recording: 08/1962”. Both candidate days fall in 1962; the rights assessment relies on that year only.","session.date.alternatives":"[{\"value\":\"1962-08-11\",\"sourceIds\":[\"sleeve\"]},{\"value\":\"1962-08-10\",\"sourceIds\":[\"commons\",\"imslp\",\"gagnaux\"]}]","session.date.precision":"day","session.place.value":"Cathedral of Our Lady Immaculate (Notre-Dame-de-l’Immaculée-Conception), Monaco","session.place.status":"disputed","session.place.sourceIds":"[\"sleeve\",\"discogs-ef28002\",\"imslp\",\"gagnaux\"]","session.place.note":"The sleeve gives the cathedral in Monaco, and a 1983 Erato LP pressing (EF 28002) is noted on Discogs as “Registered in 1962 in the Cathedral of Monaco”. IMSLP and Gagnaux give the Salle Alcazar, Monte-Carlo. Commons gives no venue. The sleeve also credits the engineer: “Prise de son : Peter Willemoes”.","session.place.alternatives":"[{\"value\":\"Cathedral of Our Lady Immaculate (Notre-Dame-de-l’Immaculée-Conception), Monaco\",\"sourceIds\":[\"sleeve\",\"discogs-ef28002\"]},{\"value\":\"Salle Alcazar, Monte-Carlo\",\"sourceIds\":[\"imslp\",\"gagnaux\"]}]","carrier.label.value":"Erato","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"bnf-mono\",\"bnf-stereo\",\"commons\"]","carrier.label.note":"Commons names “Erato Records” as source; the sleeve, BnF and Discogs give the Erato label.","carrier.catalogue.value":"LDE 3228 (mono LP); STE 50128 (stereo LP)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"bnf-mono\",\"bnf-stereo\",\"sleeve\",\"discogs-lde3228\",\"discogs-ste50128\"]","carrier.catalogue.note":"The BnF notices list both issues with a 1962 legal-deposit date and cross-reference each other; the sleeve says the disc also exists in stereo as STE 50 128. Commons does not say which pressing, tape or CD its file derives from. The access MP3 is two-channel with a left/right correlation of 0.88 in this movement, so it is not a mono transfer, but that does not identify the carrier.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"sleeve\",\"bnf-mono\"]","carrier.matrixTakeSides.note":"No matrix or take numbers appear in the sources consulted. The sleeve lays out this movement as face 1, track 4 of the LP (face 1: Introït et Kyrie, Offertoire, Sanctus, Pie Jesu; face 2: Agnus Dei, Libera me, In paradisum, then the Cantique de Jean Racine).","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or restoration engineer is identified. Commons shows the file as uploaded by D. Benjamin Miller; an uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The Commons upload date (23 May 2018) is not a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"media\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. Contrapunctus’ own analysis estimates the reference pitch of this movement about 40 to 60 cents above A = 440 Hz (+40 cents (CQT histogram) and +0.37 semitone (librosa estimate_tuning)); all seven movements of the set give a similar offset. Whether it comes from the orchestra’s tuning, the disc speed or the transfer speed is not established, and Hz and note names in the analysis report are not corrected for it.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/64/Faur%C3%A9_-_Requiem_-_IV._Pie_Jesu.flac/Faur%C3%A9_-_Requiem_-_IV._Pie_Jesu.flac.mp3","digital.sourceChain":"[\"commons\",\"media\"]","digital.format":"MP3 access derivative (two-channel) of the Wikimedia Commons FLAC file","digital.durationSeconds":181,"rights.composition.value":"Public domain in jurisdictions applying an unextended life-plus-70-year term","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\"]","rights.composition.note":"Gabriel Fauré died in 1924. This assessment concerns the original composition, not a later edition, arrangement or this recording; it is not a worldwide rights clearance.","rights.recording.value":"Territorial: sound recording in the public domain in the European Union (Commons PD-EU-audio; first published before 1963).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"bnf-mono\",\"bnf-stereo\",\"rights-template\",\"rights-directive\"]","rights.recording.note":"Commons applies {{PD-EU-audio}} alone to this file (wikitext inspected at the cited revision; source “Erato Records”, date field 1962-08-10). The BnF catalogue records legal deposit in 1962 (“1962 (DL)”) for both Erato issues, LDE 3228 and STE 50128: that is the best primary evidence found that first publication came before 1963, so the 50-year EU term had expired before the term extension applied to recordings still protected on 1 November 2013 (Directive 2011/77/EU, Article 1(3)). Legal deposit is not an exact publication date and no issue month was found. The “℗ Erato Disques S.A. 1963” line on the 1988 CD reissue (ECD 40006) belongs to that reissue and is not taken as the date of first publication. A recording or session date is not used as a publication date. This is territorial and does not establish US sound-recording status.","rights.creditLine":"Gabriel Fauré: Requiem, Op. 48, IV. Pie Jesu — Denis Thilliez, boy soprano; Orchestre national de l’Opéra de Monte-Carlo, Louis Frémaux. Erato recording (LDE 3228 / STE 50128, 1962), via Wikimedia Commons; Commons tags the recording PD-EU-audio, not worldwide public domain.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Fauré - Requiem - IV. Pie Jesu.flac\",\"url\":\"https://commons.wikimedia.org/w/index.php?title=File%3AFaur%C3%A9_-_Requiem_-_IV._Pie_Jesu.flac&oldid=1249926437\",\"locator\":\"Summary: description, date, source and author; Licensing: PD-EU-audio; file history (upload by D. Benjamin Miller, 23 May 2018). File-description wikitext inspected at the fixed revision.\",\"accessed\":\"2026-10-17\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AFaur%C3%A9+-+Requiem+-+IV.+Pie+Jesu.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 derivative; source for digital.durationSeconds and digital.streamUrl.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-mono\",\"title\":\"BnF catalogue général — Fauré, Requiem op. 48 / Cantique de Jean Racine, Frémaux (Erato LDE 3228)\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37873919s\",\"locator\":\"Notice bibliographique: Publication “S.l. : s.n., 1962 (DL)”; “1 disque : 33 t ; 30 cm”; Référence commerciale “Erato LDE3228”; note “Version stéréo : STE 50 128”; performers.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-stereo\",\"title\":\"BnF catalogue général — Fauré, Requiem op. 48 (stereo issue, Erato STE 50128)\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37874784x\",\"locator\":\"Notice bibliographique: Publication “S.l. : s.n., 1962 (DL)”; “1 disque : 33 t, stéréo ; 30 cm”; note “Version mono : LDE 3228”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Internet Archive — Fauré, Requiem ~~ Cantique de Jean Racine (Louis Frémaux), scanned Erato LDE 3228 sleeve\",\"url\":\"https://archive.org/details/faure-o-requiem-cantique-de-jean-racine-louis-fremaux\",\"locator\":\"Scan _img.pdf, page 2, and OCR text _img_djvu.txt: track list by face; performers and Henri Carol, organ; “Enregistré en la Cathédrale N.-D. de l’Immaculée Conception, à Monaco, le 11 Août 1962 · Prise de son : Peter Willemoes · Editions Hamelle – Paris”; “existe en version stéréophonique sous le n° STE 50 128”. The item is a digitisation of the sleeve; its audio is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-lde3228\",\"title\":\"Discogs — Fauré, Requiem (Erato LDE 3228, France, 1962, mono LP)\",\"url\":\"https://www.discogs.com/release/22567868\",\"locator\":\"Label and catalogue number, release year 1962, credits (Kruysen, Carol, Thilliez, Caillard, Frémaux).\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-ste50128\",\"title\":\"Discogs — Fauré, Requiem (Erato STE 50128, France, 1962, stereo LP)\",\"url\":\"https://www.discogs.com/release/10722014\",\"locator\":\"Label and catalogue number, release year 1962, credits.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-ef28002\",\"title\":\"Discogs — Fauré, Requiem de Fauré (Erato EF 28002, France, 1983)\",\"url\":\"https://www.discogs.com/release/6073163\",\"locator\":\"Release notes: “Registered in 1962 in the Cathedral of Monaco.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-cd\",\"title\":\"Discogs — Fauré / Frémaux, Requiem · Cantique de Jean Racine (Erato ECD 40006, CD reissue, 1988)\",\"url\":\"https://www.discogs.com/release/11482553\",\"locator\":\"Release notes: “Recording: 08/1962 … ℗ Erato Disques S.A. 1963 … Published By Éditions Hamelle”. The ℗ line belongs to the reissue.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Requiem, Op.48 (Fauré, Gabriel): recordings\",\"url\":\"https://imslp.org/wiki/Requiem,_Op.48_(Faur%C3%A9,_Gabriel)\",\"locator\":\"Gagnaux Collection listing of the complete recording: “Publisher Info. Paris: Erato, 1962”; “Recorded August 10, 1962 in Monte-Carlo, Salle Alcazar.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"gagnaux\",\"title\":\"René Gagnaux, Mon Musée Musical — Louis Frémaux: Fauré, Requiem\",\"url\":\"http://www.rene-gagnaux.ch/fremaux_louis/faure_requiem.html\",\"locator\":\"Discographical note: “10 août 1962, Salle Alcazar, Monte-Carlo, STE 50128”; “La première parution est sur les disques Erato LDE 3228 (mono) et STE 50128 (stéréo)”. Used for facts only; the site’s own text and media are under a non-commercial licence and are not reused.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Requiem (Fauré) — work, scoring and history\",\"url\":\"https://en.wikipedia.org/wiki/Requiem_(Faur%C3%A9)\",\"locator\":\"History, Text, Structure and scoring, Versions: Op. 48 versions, the full-orchestra version of 1899–1900 and the doubtful authorship of its scoring.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Fauré, Requiem, Op. 48, full orchestral score (Hamelle, 1901; Kalmus reprint) — IMSLP\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/4/4c/IMSLP30151-PMLP21398-Faure-Op048fs.pdf\",\"locator\":\"Scanned score, 128 pages; staves and markings read for the movement’s orchestra panel and listening notes.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IRCAM — Gabriel Fauré: biography\",\"url\":\"https://brahms.ircam.fr/fr/composer/gabriel-faure/biography\",\"locator\":\"Composer’s life dates; used only for the explicitly scoped composition-rights inference.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-template\",\"title\":\"Wikimedia Commons — Template:PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Licence tag text and documentation: rights of performers and producers, territorial to the EU; “not a substitute for … the underlying musical composition”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-directive\",\"title\":\"Directive 2011/77/EU — term of protection of related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2) (70 years from lawful publication of a phonogram) and Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 4 documented; 2 disputed; 4 unknown"},{"id":"faure-requiem-sanctus","composer":"Gabriel Fauré","title":"Requiem, Op. 48","movement":"III. Sanctus","work.title":"Requiem","work.catalogue":"Op. 48","work.movement":"III. Sanctus","work.version.value":"Full-orchestra version, as published by Éditions Hamelle (1901)","work.version.status":"inferred","work.version.sourceIds":"[\"sleeve\",\"work\",\"score\"]","work.version.note":"The sleeve credits “Editions Hamelle – Paris” and describes the version heard as the one with the more extended symphonic forces, which it says Fauré transcribed around 1899; Hamelle published the full-orchestra score in 1901. The sleeve names no editor or corrections, and the forces were not checked by ear against the score. Wikipedia notes that the 1900 autograph does not survive and that critics have asked who scored it, so authorship of the orchestration is not asserted here. The orchestra panel uses the Kalmus reprint of the Hamelle score.","performers.value":"[{\"name\":\"Chorale Philippe Caillard\",\"role\":\"chorus\"},{\"name\":\"Orchestre national de l’Opéra de Monte-Carlo\",\"role\":\"orchestra\"},{\"name\":\"Louis Frémaux\",\"role\":\"conductor\"},{\"name\":\"Henri Carol\",\"role\":\"organ\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"sleeve\",\"discogs-lde3228\",\"bnf-mono\"]","performers.note":"Commons lists Bernard Kruysen and Denis Thilliez among the artists of the complete recording; neither has a solo part in this movement. The organist is named on the sleeve (“Chanoine Henri Carol”), not on Commons.","session.date.value":"1962-08-11","session.date.status":"disputed","session.date.sourceIds":"[\"sleeve\",\"commons\",\"imslp\",\"gagnaux\",\"discogs-cd\"]","session.date.note":"The scanned Erato sleeve prints “Enregistré … à Monaco, le 11 Août 1962”. The Commons date field (“10 August 1962”), IMSLP and René Gagnaux give 10 August 1962; Commons does not say whether its date is a session or an issue date. The 1988 CD reissue notes “Recording: 08/1962”. Both candidate days fall in 1962; the rights assessment relies on that year only.","session.date.alternatives":"[{\"value\":\"1962-08-11\",\"sourceIds\":[\"sleeve\"]},{\"value\":\"1962-08-10\",\"sourceIds\":[\"commons\",\"imslp\",\"gagnaux\"]}]","session.date.precision":"day","session.place.value":"Cathedral of Our Lady Immaculate (Notre-Dame-de-l’Immaculée-Conception), Monaco","session.place.status":"disputed","session.place.sourceIds":"[\"sleeve\",\"discogs-ef28002\",\"imslp\",\"gagnaux\"]","session.place.note":"The sleeve gives the cathedral in Monaco, and a 1983 Erato LP pressing (EF 28002) is noted on Discogs as “Registered in 1962 in the Cathedral of Monaco”. IMSLP and Gagnaux give the Salle Alcazar, Monte-Carlo. Commons gives no venue. The sleeve also credits the engineer: “Prise de son : Peter Willemoes”.","session.place.alternatives":"[{\"value\":\"Cathedral of Our Lady Immaculate (Notre-Dame-de-l’Immaculée-Conception), Monaco\",\"sourceIds\":[\"sleeve\",\"discogs-ef28002\"]},{\"value\":\"Salle Alcazar, Monte-Carlo\",\"sourceIds\":[\"imslp\",\"gagnaux\"]}]","carrier.label.value":"Erato","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"bnf-mono\",\"bnf-stereo\",\"commons\"]","carrier.label.note":"Commons names “Erato Records” as source; the sleeve, BnF and Discogs give the Erato label.","carrier.catalogue.value":"LDE 3228 (mono LP); STE 50128 (stereo LP)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"bnf-mono\",\"bnf-stereo\",\"sleeve\",\"discogs-lde3228\",\"discogs-ste50128\"]","carrier.catalogue.note":"The BnF notices list both issues with a 1962 legal-deposit date and cross-reference each other; the sleeve says the disc also exists in stereo as STE 50 128. Commons does not say which pressing, tape or CD its file derives from. The access MP3 is two-channel with a left/right correlation of 0.51 in this movement, so it is not a mono transfer, but that does not identify the carrier.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"sleeve\",\"bnf-mono\"]","carrier.matrixTakeSides.note":"No matrix or take numbers appear in the sources consulted. The sleeve lays out this movement as face 1, track 3 of the LP (face 1: Introït et Kyrie, Offertoire, Sanctus, Pie Jesu; face 2: Agnus Dei, Libera me, In paradisum, then the Cantique de Jean Racine).","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or restoration engineer is identified. Commons shows the file as uploaded by D. Benjamin Miller; an uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The Commons upload date (23 May 2018) is not a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"media\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. Contrapunctus’ own analysis estimates the reference pitch of this movement about 40 to 60 cents above A = 440 Hz (+60 cents (CQT histogram) and −0.38 semitone (librosa estimate_tuning); the report’s pitch-class labels read E♭ major as E major, which places the offset on the sharp side); all seven movements of the set give a similar offset. Whether it comes from the orchestra’s tuning, the disc speed or the transfer speed is not established, and Hz and note names in the analysis report are not corrected for it.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/1/15/Faur%C3%A9_-_Requiem_-_III._Sanctus.flac/Faur%C3%A9_-_Requiem_-_III._Sanctus.flac.mp3","digital.sourceChain":"[\"commons\",\"media\"]","digital.format":"MP3 access derivative (two-channel) of the Wikimedia Commons FLAC file","digital.durationSeconds":190,"rights.composition.value":"Public domain in jurisdictions applying an unextended life-plus-70-year term","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\"]","rights.composition.note":"Gabriel Fauré died in 1924. This assessment concerns the original composition, not a later edition, arrangement or this recording; it is not a worldwide rights clearance.","rights.recording.value":"Territorial: sound recording in the public domain in the European Union (Commons PD-EU-audio; first published before 1963).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"bnf-mono\",\"bnf-stereo\",\"rights-template\",\"rights-directive\"]","rights.recording.note":"Commons applies {{PD-EU-audio}} alone to this file (wikitext inspected at the cited revision; source “Erato Records”, date field 1962-08-10). The BnF catalogue records legal deposit in 1962 (“1962 (DL)”) for both Erato issues, LDE 3228 and STE 50128: that is the best primary evidence found that first publication came before 1963, so the 50-year EU term had expired before the term extension applied to recordings still protected on 1 November 2013 (Directive 2011/77/EU, Article 1(3)). Legal deposit is not an exact publication date and no issue month was found. The “℗ Erato Disques S.A. 1963” line on the 1988 CD reissue (ECD 40006) belongs to that reissue and is not taken as the date of first publication. A recording or session date is not used as a publication date. This is territorial and does not establish US sound-recording status.","rights.creditLine":"Gabriel Fauré: Requiem, Op. 48, III. Sanctus — Chorale Philippe Caillard; Orchestre national de l’Opéra de Monte-Carlo, Louis Frémaux. Erato recording (LDE 3228 / STE 50128, 1962), via Wikimedia Commons; Commons tags the recording PD-EU-audio, not worldwide public domain.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Fauré - Requiem - III. Sanctus.flac\",\"url\":\"https://commons.wikimedia.org/w/index.php?title=File%3AFaur%C3%A9_-_Requiem_-_III._Sanctus.flac&oldid=1249926432\",\"locator\":\"Summary: description, date, source and author; Licensing: PD-EU-audio; file history (upload by D. Benjamin Miller, 23 May 2018). File-description wikitext inspected at the fixed revision.\",\"accessed\":\"2026-10-17\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AFaur%C3%A9+-+Requiem+-+III.+Sanctus.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 derivative; source for digital.durationSeconds and digital.streamUrl.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-mono\",\"title\":\"BnF catalogue général — Fauré, Requiem op. 48 / Cantique de Jean Racine, Frémaux (Erato LDE 3228)\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37873919s\",\"locator\":\"Notice bibliographique: Publication “S.l. : s.n., 1962 (DL)”; “1 disque : 33 t ; 30 cm”; Référence commerciale “Erato LDE3228”; note “Version stéréo : STE 50 128”; performers.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-stereo\",\"title\":\"BnF catalogue général — Fauré, Requiem op. 48 (stereo issue, Erato STE 50128)\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37874784x\",\"locator\":\"Notice bibliographique: Publication “S.l. : s.n., 1962 (DL)”; “1 disque : 33 t, stéréo ; 30 cm”; note “Version mono : LDE 3228”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Internet Archive — Fauré, Requiem ~~ Cantique de Jean Racine (Louis Frémaux), scanned Erato LDE 3228 sleeve\",\"url\":\"https://archive.org/details/faure-o-requiem-cantique-de-jean-racine-louis-fremaux\",\"locator\":\"Scan _img.pdf, page 2, and OCR text _img_djvu.txt: track list by face; performers and Henri Carol, organ; “Enregistré en la Cathédrale N.-D. de l’Immaculée Conception, à Monaco, le 11 Août 1962 · Prise de son : Peter Willemoes · Editions Hamelle – Paris”; “existe en version stéréophonique sous le n° STE 50 128”. The item is a digitisation of the sleeve; its audio is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-lde3228\",\"title\":\"Discogs — Fauré, Requiem (Erato LDE 3228, France, 1962, mono LP)\",\"url\":\"https://www.discogs.com/release/22567868\",\"locator\":\"Label and catalogue number, release year 1962, credits (Kruysen, Carol, Thilliez, Caillard, Frémaux).\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-ste50128\",\"title\":\"Discogs — Fauré, Requiem (Erato STE 50128, France, 1962, stereo LP)\",\"url\":\"https://www.discogs.com/release/10722014\",\"locator\":\"Label and catalogue number, release year 1962, credits.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-ef28002\",\"title\":\"Discogs — Fauré, Requiem de Fauré (Erato EF 28002, France, 1983)\",\"url\":\"https://www.discogs.com/release/6073163\",\"locator\":\"Release notes: “Registered in 1962 in the Cathedral of Monaco.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs-cd\",\"title\":\"Discogs — Fauré / Frémaux, Requiem · Cantique de Jean Racine (Erato ECD 40006, CD reissue, 1988)\",\"url\":\"https://www.discogs.com/release/11482553\",\"locator\":\"Release notes: “Recording: 08/1962 … ℗ Erato Disques S.A. 1963 … Published By Éditions Hamelle”. The ℗ line belongs to the reissue.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Requiem, Op.48 (Fauré, Gabriel): recordings\",\"url\":\"https://imslp.org/wiki/Requiem,_Op.48_(Faur%C3%A9,_Gabriel)\",\"locator\":\"Gagnaux Collection listing of the complete recording: “Publisher Info. Paris: Erato, 1962”; “Recorded August 10, 1962 in Monte-Carlo, Salle Alcazar.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"gagnaux\",\"title\":\"René Gagnaux, Mon Musée Musical — Louis Frémaux: Fauré, Requiem\",\"url\":\"http://www.rene-gagnaux.ch/fremaux_louis/faure_requiem.html\",\"locator\":\"Discographical note: “10 août 1962, Salle Alcazar, Monte-Carlo, STE 50128”; “La première parution est sur les disques Erato LDE 3228 (mono) et STE 50128 (stéréo)”. Used for facts only; the site’s own text and media are under a non-commercial licence and are not reused.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Requiem (Fauré) — work, scoring and history\",\"url\":\"https://en.wikipedia.org/wiki/Requiem_(Faur%C3%A9)\",\"locator\":\"History, Text, Structure and scoring, Versions: Op. 48 versions, the full-orchestra version of 1899–1900 and the doubtful authorship of its scoring.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Fauré, Requiem, Op. 48, full orchestral score (Hamelle, 1901; Kalmus reprint) — IMSLP\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/4/4c/IMSLP30151-PMLP21398-Faure-Op048fs.pdf\",\"locator\":\"Scanned score, 128 pages; staves and markings read for the movement’s orchestra panel and listening notes.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IRCAM — Gabriel Fauré: biography\",\"url\":\"https://brahms.ircam.fr/fr/composer/gabriel-faure/biography\",\"locator\":\"Composer’s life dates; used only for the explicitly scoped composition-rights inference.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-template\",\"title\":\"Wikimedia Commons — Template:PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Licence tag text and documentation: rights of performers and producers, territorial to the EU; “not a substitute for … the underlying musical composition”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-directive\",\"title\":\"Directive 2011/77/EU — term of protection of related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2) (70 years from lawful publication of a phonogram) and Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 4 documented; 2 disputed; 4 unknown"},{"id":"gershwin-rhapsody-1924","composer":"George Gershwin","title":"Rhapsody in Blue","movement":"1924 abridged recording — both original sides","work.title":"Rhapsody in Blue","work.catalogue":"","work.movement":"1924 abridged recording — both original sides","work.version.value":"Gershwin’s 1924 acoustic recording with Paul Whiteman’s band, in Ferde Grofé’s original jazz-band orchestration; abridged for two sides of Victor 55225","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"registry\",\"bolig\",\"schiff\"]","work.version.note":"The selected source supplies a single, already-joined MP3 of both parts. Contrapunctus has not joined separate 78 sides. It is the complete issued abridgement, not an uncut performance of the score. Schiff’s Table 1 distinguishes these recording cuts from the cuts in the solo-piano arrangement. The three listening sections group the introduction, the faster dances, and the broad melody with its piano continuation and finale; their starts are passage-level editorial estimates, without bar alignment or aural review. The source does not identify the score or parts used at the session.","performers.value":"[{\"name\":\"George Gershwin\",\"role\":\"piano\"},{\"name\":\"Paul Whiteman Concert Orchestra\",\"role\":\"jazz band\"},{\"name\":\"Paul Whiteman\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"loc-part-1\",\"loc-part-2\",\"bolig\"]","performers.note":"The Library of Congress credits Gershwin as pianist and Whiteman as leader. Farrington’s essay additionally identifies Ross Gorman’s clarinet and Henry Busse’s trumpet. No complete session personnel list is asserted.","session.date.value":"1924-06-10","session.date.status":"documented","session.date.sourceIds":"[\"loc-part-1\",\"loc-part-2\",\"bolig\",\"registry\"]","session.date.note":"Recording date of both Victor sides; separate from the September release and the modern upload.","session.date.precision":"day","session.place.value":"New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"loc-part-1\",\"loc-part-2\",\"bolig\"]","session.place.note":"City is documented. A particular Victor studio address or room has not been established.","carrier.label.value":"Victor, blue label","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label-image\",\"registry\",\"bolig\"]","carrier.label.note":"Original commercial issue. The image accompanying the selected transfer shows the blue Victor label, but its relationship to the physical copy digitised is unknown.","carrier.catalogue.value":"55225-A / 55225-B","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label-image\",\"loc-part-1\",\"loc-part-2\",\"bolig\",\"advertisement\"]","carrier.catalogue.note":"Two sides of one 12-inch disc. Bolig dates publication to 5 September 1924; the same day’s Chicago Tribune advertisement lists both parts under 55225, price $1.50, beneath the heading ‘Out today’.","carrier.matrixTakeSides.value":"Part 1: C-30174, take 1; Part 2: C-30173, take 2","carrier.matrixTakeSides.status":"disputed","carrier.matrixTakeSides.sourceIds":"[\"loc-part-1\",\"loc-part-2\",\"bolig\",\"registry\"]","carrier.matrixTakeSides.note":"The side-specific Library of Congress catalogue records and Bolig’s discography agree on these matrix/take assignments, which are preferred here. Farrington’s essay reverses the issued take numbers in its final paragraph. The selected upload supplies no runout photographs or transfer log, so its particular pressing and stampers remain unidentified.","carrier.matrixTakeSides.alternatives":"[{\"value\":\"Part 1: C-30174, take 1; Part 2: C-30173, take 2\",\"sourceIds\":[\"loc-part-1\",\"loc-part-2\",\"bolig\"]},{\"value\":\"Part 1: take 2; Part 2: take 1\",\"sourceIds\":[\"registry\"]}]","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\",\"archive-files\"]","transfer.credits.note":"Internet Archive identifies an uploader but gives no disc-transfer or restoration credit. The uploaded filename resembles a video title; that alone does not establish a transfer engineer or source chain before this upload.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item was added on 18 March 2024. This is an upload date, not an established digitisation or restoration date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive-files\"]","transfer.processing.note":"The archive lists the single MP3 as an original upload, with format ‘VBR MP3’. Playback equipment, stylus, speed, equalisation, noise reduction, pitch correction, and the method used to join the two sides are undocumented. No additional audio editing was performed for the Hall.","digital.streamUrl":"https://archive.org/download/1st-recording-of-rhapsody-in-blue-paul-whiteman-orch.-george-gershwin-piano-1924-version/1st%20RECORDING%20OF_%20Rhapsody%20In%20Blue%20-%20Paul%20Whiteman%20Orch.%20%26%20George%20Gershwin%20piano%20(1924%20version).mp3","digital.sourceChain":"[\"archive\",\"archive-files\"]","digital.format":"Single MP3 upload of the two-sided acoustic disc recording; listed by Internet Archive as VBR MP3","digital.durationSeconds":545.71,"rights.composition.value":"Public domain in the United States: Gershwin’s 1924 composition and Grofé’s original 1924 jazz-band setting","rights.composition.status":"documented","rights.composition.sourceIds":"[\"imslp\",\"copyright-office\"]","rights.composition.note":"IMSLP identifies first publication of the two-piano score in 1924 and explicitly distinguishes the US-public-domain 1924 jazz-band setting from the later 1942 symphonic orchestration. This assessment is confined to the original version heard here. Grofé’s orchestrations remain protected in many other countries; no worldwide clearance or permission for modern editions is asserted.","rights.recording.value":"Territorial United States public domain from 1 January 2025, on the documented published-1924 basis","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"advertisement\",\"bolig\",\"us-term\",\"archive\"]","rights.recording.note":"Victor 55225 was commercially published on 5 September 1924. Under 17 USC 1401(a)(2)(A) and (B)(ii), the 95-year period plus five-year transition ended on 31 December 2024. The archive supplies no Creative Commons licence. This is a statutory US term assessment of the historical recording, not a worldwide licence; no independent creative restoration claim is documented in the upload.","rights.creditLine":"George Gershwin, Rhapsody in Blue; George Gershwin, piano; Paul Whiteman Concert Orchestra, Paul Whiteman; orchestration by Ferde Grofé. Recorded New York, 10 June 1924; Victor 55225, issued 5 September 1924. Single joined transfer supplied by Internet Archive; transfer engineer unknown. Territorial US public-domain basis.","rights.licenseUrl":"https://www.law.cornell.edu/uscode/text/17/1401","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Paul Whiteman: Rhapsody in Blue (1924), selected joined transfer\",\"url\":\"https://archive.org/metadata/1st-recording-of-rhapsody-in-blue-paul-whiteman-orch.-george-gershwin-piano-1924-version/metadata\",\"locator\":\"Description identifies the original Victor recording of 10 June 1924 with Gershwin at the piano; addeddate is 18 March 2024. No licenceurl or transfer credit is supplied.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — selected MP3 file metadata\",\"url\":\"https://archive.org/metadata/1st-recording-of-rhapsody-in-blue-paul-whiteman-orch.-george-gershwin-piano-1924-version/files\",\"locator\":\"1st RECORDING OF_ Rhapsody In Blue - Paul Whiteman Orch. & George Gershwin piano (1924 version).mp3; original upload, VBR MP3, length 545.71 seconds, SHA-1 a64d998ecba1406d744d163248764fca0ce1567a.\",\"accessed\":\"2026-10-18\"},{\"id\":\"label-image\",\"title\":\"Victor 55225-A label image accompanying the selected upload\",\"url\":\"https://archive.org/download/1st-recording-of-rhapsody-in-blue-paul-whiteman-orch.-george-gershwin-piano-1924-version/OIP.jpg\",\"locator\":\"Blue label: Rhapsody in Blue—Part 1; arranged by Ferdie Grofé; Paul Whiteman and His Concert Orchestra; ‘The Composer at the piano’; 55225-A. Physical-copy identity is not established.\",\"accessed\":\"2026-10-18\"},{\"id\":\"loc-part-1\",\"title\":\"Library of Congress National Jukebox — Rhapsody in blue, part 1\",\"url\":\"https://www.loc.gov/item/jukebox-70342/?fo=json\",\"locator\":\"Victor 55225; C-30174, take 1; 10 June 1924; New York; Gershwin, Whiteman, Grofé and Paul Whiteman Concert Orchestra. This catalogue is a reference source, not the source of the selected MP3.\",\"accessed\":\"2026-10-18\"},{\"id\":\"loc-part-2\",\"title\":\"Library of Congress National Jukebox — Rhapsody in blue, part 2\",\"url\":\"https://www.loc.gov/item/jukebox-70335/?fo=json\",\"locator\":\"Victor 55225; C-30173, take 2; 10 June 1924; New York. This catalogue is a reference source, not the source of the selected MP3.\",\"accessed\":\"2026-10-18\"},{\"id\":\"bolig\",\"title\":\"John R. Bolig — The Victor Discography: Green, Blue, and Purple Labels\",\"url\":\"https://adp-assets.library.ucsb.edu/BoligGreenBluePurple.pdf\",\"locator\":\"Printed p. 174: Victor 55225 Parts 1 and 2, matrices C-30174-1 and C-30173-2; recorded 10 June 1924, New York; issued 5 September 1924. First edition 2006; UCSB eBook edition 2023.\",\"accessed\":\"2026-10-18\"},{\"id\":\"advertisement\",\"title\":\"Victor Records advertisement — Chicago Tribune, 5 September 1924, p. 17\",\"url\":\"https://commons.wikimedia.org/wiki/File:Victor_Records_ad,_Sept_5,_1924_in_Chicago_Tribune.jpg\",\"locator\":\"Image inspected: ‘Out today’, both parts of Rhapsody in Blue, Paul Whiteman and His Concert Orchestra, catalogue 55225, price $1.50; accompanying text identifies the composer at the piano. The image’s source identifies the newspaper date and page.\",\"accessed\":\"2026-10-18\"},{\"id\":\"registry\",\"title\":\"Jim Farrington — Rhapsody in Blue, National Recording Registry essay\",\"url\":\"https://www.loc.gov/static/programs/national-recording-preservation-board/documents/RhapsodyInBlue.pdf\",\"locator\":\"pp. 1–2: première, orchestration, original acoustic record, roughly one-third cut, Ross Gorman’s clarinet and Henry Busse’s trumpet. p. 3 reverses the issued take numbers given by the side-specific catalogues and Bolig; that discrepancy is preserved above. The essay rejects unsupported million-selling claims.\",\"accessed\":\"2026-10-18\"},{\"id\":\"schiff\",\"title\":\"David Schiff — Gershwin: Rhapsody in Blue, Cambridge University Press excerpt\",\"url\":\"https://assets.cambridge.org/97805215/59539/excerpt/9780521559539_excerpt.pdf\",\"locator\":\"Printed pp. 4–10 inspected as page images. Table 1, pp. 7–9, distinguishes themes, cadenzas and the 1924 recording’s cuts (column G); p. 9 identifies the E-major melody. The table uses the later miniature score’s bar numbering as its reference, not a bar alignment to this recording.\",\"accessed\":\"2026-10-18\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Rhapsody in Blue work and rights information\",\"url\":\"https://imslp.org/wiki/Rhapsody_in_Blue_(Gershwin,_George)\",\"locator\":\"General Information: 1924 composition and two-piano publication; original jazz-band instrumentation; US-public-domain status of the 1924 and 1926 Grofé settings; restrictions on later orchestration and in other territories.\",\"accessed\":\"2026-10-18\"},{\"id\":\"copyright-office\",\"title\":\"US Copyright Office — The Lifecycle of Copyright: 1924 Works Enter the Public Domain\",\"url\":\"https://blogs.loc.gov/copyright/2020/02/the-lifecycle-of-copyright-1924-works-enter-the-public-domain/\",\"locator\":\"20 February 2020: publication-based US composition term; expressly distinguishes the longer protection of historical sound recordings.\",\"accessed\":\"2026-10-18\"},{\"id\":\"us-term\",\"title\":\"17 USC 1401 — Unauthorized use of pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Subsection (a)(2)(A) and (B)(ii): 95 years from publication plus five years for recordings first published in 1923–1946.\",\"accessed\":\"2026-10-18\"},{\"id\":\"estate\",\"title\":\"The Gershwin estate — Rhapsody in Blue\",\"url\":\"https://gershwin.com/publications/rhapsody-in-blue/\",\"locator\":\"Première on 12 February 1924, Aeolian Hall, with Gershwin at the piano and Paul Whiteman’s orchestra; Ross Gorman’s clarinet.\",\"accessed\":\"2026-10-18\"},{\"id\":\"work-analysis\",\"title\":\"Rhapsody in Blue — work analysis and tonal plan\",\"url\":\"https://en.wikipedia.org/wiki/Rhapsody_in_Blue\",\"locator\":\"Form and analysis: B-flat opening and ending, train theme at rehearsal 9, varied piano styles. Sales claims elsewhere on this page are not adopted.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"7 documented; 1 disputed; 3 unknown; 1 inferred"},{"id":"gershwin-rhapsody-tovey","composer":"George Gershwin","title":"Rhapsody in Blue","movement":"1924 jazz-band orchestration","work.title":"Rhapsody in Blue","work.catalogue":"","work.movement":"1924 jazz-band orchestration","work.version.value":"Ferde Grofé’s original 1924 jazz-band orchestration, performed by Bramwell Tovey and the United States Marine Band","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"gala\",\"imslp\"]","work.version.note":"The Marine Band’s concert announcement and the recording description both specify the 1924 jazz-band version. The score edition, reconstructed parts and any small performance alterations are not identified. This is one continuous concert performance, not a joining of the 1924 disc sides. Formal boundaries are passage-level editorial estimates; the long third section groups the broad melody, its piano continuation and the finale before the closing reprise. No bar alignment or aural review is asserted.","performers.value":"[{\"name\":\"Bramwell Tovey\",\"role\":\"piano\"},{\"name\":\"United States Marine Band\",\"role\":\"ensemble\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"gala\"]","performers.note":"Tovey is credited as the Rhapsody’s piano soloist. Although he is the gala’s guest conductor, the consulted recording metadata does not separately identify who conducts this work; no work-specific conductor credit or individual band-player roster is supplied here.","session.date.value":"2018-07-10","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"gala\"]","session.date.note":"Live 220th-anniversary gala, corroborated by the recording description and the official concert announcement.","session.date.precision":"day","session.place.value":"The Music Center at Strathmore, North Bethesda, Maryland, United States","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"gala\"]","session.place.note":"Venue stated by both sources. The recording equipment and microphone positions are not documented.","carrier.label.value":"United States Marine Band — online concert publication","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"gala\"]","carrier.label.note":"Institutional publication, not a commercial record-label attribution. The official announcement states that the gala will stream on the Marine Band’s website and YouTube channel.","carrier.catalogue.value":null,"carrier.catalogue.status":"not applicable","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"The selected carrier is an online concert recording, with no commercial disc catalogue number. Its Commons title and source video identifier are recorded below.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"Born-digital live concert publication; no 78-rpm matrices, commercial take numbers or disc sides apply.","transfer.credits.value":"United States Marine Band, recording publisher; Mysterymanblue, Wikimedia Commons uploader","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The host identifies the band as author and Mysterymanblue as uploader. Individual recording, editing and mastering engineers are unknown.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"Commons first received the audio on 2 January 2021; the current revision was uploaded on 6 February 2021. Those dates document file publication, not the date on which the source soundtrack was extracted or mastered.","transfer.processing.value":"Ogg Vorbis audio from the concert video, followed by a Wikimedia MP3 access derivative; a few leading seconds of silence removed in the current Commons revision","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The 6 February 2021 upload comment states ‘Higher bitrate (from the original); removed few seconds of silence at the beginning’. Commons lists an MP3 transcode completed on 25 February 2026. Original recording resolution, microphone chain, mixing, equalisation, compression and further processing are undocumented. The source video’s timestamps therefore are not copied to the audio’s listening notes.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/cd/US_Marine_Band_Rhapsody_in_Blue.oga/US_Marine_Band_Rhapsody_in_Blue.oga.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia MP3 derivative of the Ogg Vorbis concert-audio file","digital.durationSeconds":1089.72,"rights.composition.value":"Public domain in the United States: Gershwin’s 1924 composition and Grofé’s 1924 jazz-band orchestration","rights.composition.status":"documented","rights.composition.sourceIds":"[\"imslp\",\"commons\"]","rights.composition.note":"IMSLP explicitly identifies the original jazz-band setting as public domain in the United States while warning that Grofé’s orchestrations remain protected in many other countries. This is a territorial US assessment of the specified original setting, not clearance of the 1942 symphonic orchestration, unidentified modern editorial additions, or all territories.","rights.recording.value":"Public domain in the United States under the host’s PD-USGov-Military-Marine Corps designation","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"us-government\"]","rights.recording.note":"Commons separately marks the performance/recording as a work made by a United States Marine or employee in official duties. The supplied file is accepted on that explicit host designation, not merely on the ensemble’s name. The statutory US-government-work rule is territorial; no worldwide public-domain status is asserted, and the guest soloist’s contractual documents are not published in the consulted sources.","rights.creditLine":"George Gershwin, Rhapsody in Blue, orchestrated by Ferde Grofé (1924 jazz-band version). Bramwell Tovey, piano; United States Marine Band. The Music Center at Strathmore, 10 July 2018. Audio supplied by Wikimedia Commons, uploaded by Mysterymanblue; public domain in the United States under the host’s US-government-work designation.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:US_Marine_Band_Rhapsody_in_Blue.oga#Licensing","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — US Marine Band Rhapsody in Blue.oga\",\"url\":\"https://commons.wikimedia.org/wiki/File:US_Marine_Band_Rhapsody_in_Blue.oga\",\"locator\":\"Description: Tovey, Marine Band, 10 July 2018, Strathmore, original 1924 orchestration. Source video identifier plK3e51XkKI. Performance/Recording licence template PD-USGov-Military-Marine Corps; current upload history and leading-silence edit; MP3 transcode; duration 1089.72158333333 seconds. The source video’s oEmbed endpoint returned HTTP 403 during research, so no independently checked oEmbed author is asserted.\",\"accessed\":\"2026-10-18\"},{\"id\":\"gala\",\"title\":\"United States Marine Band — U.S. Marine Band Celebrates 220th Anniversary with Bramwell Tovey\",\"url\":\"https://www.marineband.marines.mil/News/Article/1568849/us-marine-band-celebrates-220th-anniversary-with-bramwell-tovey/\",\"locator\":\"Master Sgt. Kristin duBois, 6 July 2018. Official programme announcement: 10 July, Strathmore; Tovey as pianist in the 1924 jazz-band Rhapsody; planned Marine Band website and channel livestream. Opened and read in a browser after the static reader received HTTP 403.\",\"accessed\":\"2026-10-18\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Rhapsody in Blue work and territorial-rights information\",\"url\":\"https://imslp.org/wiki/Rhapsody_in_Blue_(Gershwin,_George)\",\"locator\":\"General Information: original jazz-band instrumentation; first publication of the two-piano score in 1924; US-public-domain status of the 1924 and 1926 Grofé versions, distinct from the later symphonic orchestration and other territories.\",\"accessed\":\"2026-10-18\"},{\"id\":\"us-government\",\"title\":\"17 USC 105 — United States Government works\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/105\",\"locator\":\"Subsection (a) and Historical and Revision Notes: works prepared by US officers or employees in official duties; distinction from private contractors and copyright outside the United States.\",\"accessed\":\"2026-10-18\"},{\"id\":\"registry\",\"title\":\"Jim Farrington — Rhapsody in Blue, National Recording Registry essay\",\"url\":\"https://www.loc.gov/static/programs/national-recording-preservation-board/documents/RhapsodyInBlue.pdf\",\"locator\":\"pp. 1–2: original scoring and première, the opening clarinet glissando, and the shortened 1924 acoustic record. The essay concerns the historical record, not this 2018 performance.\",\"accessed\":\"2026-10-18\"},{\"id\":\"schiff\",\"title\":\"David Schiff — Gershwin: Rhapsody in Blue, Cambridge University Press excerpt\",\"url\":\"https://assets.cambridge.org/97805215/59539/excerpt/9780521559539_excerpt.pdf\",\"locator\":\"Printed pp. 4–10 inspected as images. Original instrumentation, p. 5; Table 1, pp. 7–9, gives thematic sequence, cadenzas, broad melody and closing ritornello, with the 1924 recording’s cuts in column G. This is a structural source, not an alignment to Tovey’s recording.\",\"accessed\":\"2026-10-18\"},{\"id\":\"work-analysis\",\"title\":\"Rhapsody in Blue — formal and tonal analysis\",\"url\":\"https://en.wikipedia.org/wiki/Rhapsody_in_Blue\",\"locator\":\"Form and analysis: opening and ending in B-flat major, blues-inflected melodic writing, train theme, and the piano styles. No million-selling claim is adopted.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"9 documented; 2 not applicable; 1 unknown"},{"id":"grieg-holberg-air","composer":"Edvard Grieg","title":"From Holberg’s Time, Op. 40","movement":"IV. Air — Andante religioso","work.title":"From Holberg’s Time (Holberg Suite)","work.catalogue":"Op. 40","work.movement":"IV. Air — Andante religioso","work.version.value":"Version for string orchestra (1885)","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"bso\"]","work.version.note":"Commons titles the file “Grieg’s Suite for Strings, Op. 40, From Holberg’s Time”. The performing edition is not identified.","performers.value":"[{\"name\":\"Marine Chamber Orchestra, United States Marine Band\",\"role\":\"orchestra\"},{\"name\":\"Maj. Jason K. Fettig\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Named in the Commons description, which quotes the Marine Band’s own web-exclusive listing. Individual players are not identified.","session.date.value":"2013-08-17","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"Stated in the Commons description (“Aug. 17, 2013”) and in the file’s performance-date field. This is the concert date, not the Commons upload date.","session.date.precision":"day","session.place.value":"Rachel M. Schlesinger Concert Hall and Arts Center, Northern Virginia Community College, Alexandria, Virginia","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"Stated in the Commons description. The recording is of a concert performance.","carrier.label.value":"United States Marine Band (web-exclusive audio download)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"marineband\"]","carrier.label.note":"Commons cites the Marine Band’s “Web Exclusives” audio page, through an Internet Archive capture of 12 August 2014, as the source. The archived page opened but its audio listing did not render, so the details rest on the Commons record.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No catalogue number is given.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"A born-digital concert recording has no matrix or take numbers.","transfer.credits.value":"Uploaded to Wikimedia Commons by user Mysterymanblue","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Commons file history; no recording engineer is named.","transfer.date.value":"2021-06-27","transfer.date.status":"documented","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"Commons upload date, not a session date.","transfer.processing.value":"MP3 file hosted on Commons","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No editing or normalisation by Contrapunctus; one complete source stream.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/2/28/Grieg%27s_Suite_for_Strings%2C_Op._40%2C_%22From_Holberg%E2%80%99s_Time%22_-_IV._Air_-_Chamber_Orchestra_-_United_States_Marine_Band.mp3","digital.sourceChain":"[\"marineband\",\"commons\"]","digital.format":"MP3 file as hosted on Commons; one source file, no concatenation or audio edits by Contrapunctus","digital.durationSeconds":316.9,"rights.composition.value":"Public domain under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\",\"nbl\"]","rights.composition.note":"Grieg died on 4 September 1907; Commons tags the composition {{PD-old-auto-expired}} with death year 1907. This says nothing about any modern edition.","rights.recording.value":"Public domain as a work of the United States federal government (U.S. Marine Band)","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"marines-template\"]","rights.recording.note":"Commons tags the performance and recording {{PD-USGov-Military-Marines}}: a work of a United States Marine or employee, made as part of official duties.","rights.creditLine":"Edvard Grieg, From Holberg’s Time, Op. 40, IV. Air; Marine Chamber Orchestra of the United States Marine Band, Maj. Jason K. Fettig, conducting; recorded 17 August 2013. Source: United States Marine Band, via Wikimedia Commons. Public domain (U.S. government work). No audio edits.","rights.licenseUrl":"","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Grieg’s Suite for Strings, Op. 40, IV. Air (United States Marine Band)\",\"url\":\"https://commons.wikimedia.org/wiki/File:Grieg%27s_Suite_for_Strings,_Op._40,_%22From_Holberg%E2%80%99s_Time%22_-_IV._Air_-_Chamber_Orchestra_-_United_States_Marine_Band.mp3\",\"locator\":\"Description: Maj Jason K. Fettig conducting; Marine Chamber Orchestra, 17 August 2013, Rachel M. Schlesinger Concert Hall and Arts Center, Northern Virginia Community College, Alexandria, Va.; performance date 2013-08-17; licences PD-old-auto-expired (1907) and PD-USGov-Military-Marines; uploaded 27 June 2021 by Mysterymanblue.\",\"accessed\":\"2026-10-18\"},{\"id\":\"marineband\",\"title\":\"United States Marine Band — Web Exclusives (Internet Archive capture, 12 August 2014)\",\"url\":\"https://web.archive.org/web/20140812020859/http://www.marineband.marines.mil/AudioResources/WebExclusives.aspx\",\"locator\":\"Page title “Web Exclusives”; author United States Marine Band; description “Marine Band web exclusive audio downloads”. Source cited by the Commons file; the listing itself did not render in the capture.\",\"accessed\":\"2026-10-18\"},{\"id\":\"marines-template\",\"title\":\"Wikimedia Commons — Template:PD-USGov-Military-Marines\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines\",\"locator\":\"Licence text: a work of a United States Marine or employee, taken or made as part of official duties; a work of the U.S. federal government in the public domain.\",\"accessed\":\"2026-10-18\"},{\"id\":\"bso\",\"title\":\"Matthew Mendez — Boston Symphony Orchestra programme note on From Holberg’s Time\",\"url\":\"https://www.bso.org/works/grieg-holberg-suite\",\"locator\":\"Piano version completed July 1884 for the Holberg bicentenary; string version completed by March 1885; Air: G minor, Andante religioso, relative-major middle section.\",\"accessed\":\"2026-10-18\"},{\"id\":\"nbl\",\"title\":\"Finn Benestad — Edvard Grieg, Norsk biografisk leksikon\",\"url\":\"https://nbl.snl.no/Edvard_Grieg\",\"locator\":\"Dates: died 4 September 1907; the suite written for the 200th anniversary of Holberg’s birth, 3 December 1884.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"9 documented; 1 unknown; 1 not applicable; 1 inferred"},{"id":"grieg-peer-gynt-mountain-king","composer":"Edvard Grieg","title":"Peer Gynt Suite No. 1, Op. 46","movement":"IV. In the Hall of the Mountain King","work.title":"Peer Gynt Suite No. 1","work.catalogue":"Op. 46","work.movement":"IV. In the Hall of the Mountain King","work.version.value":"Orchestral concert version from Suite No. 1, without chorus","work.version.status":"inferred","work.version.sourceIds":"[\"commons\",\"musopen-ia\"]","work.version.note":"The Musopen listing is for Peer Gynt Suite No. 1, Op. 46; the edition is not identified.","performers.value":"[{\"name\":\"Czech National Symphony Orchestra (as the Musopen Symphony Orchestra)\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"The Commons description names the orchestra. No conductor is named in the sources consulted.","session.date.value":"2012","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"musopen-ia\"]","session.date.note":"Commons dates the file 7 April 2012 without saying whether that is the session, release or upload date; the Musopen Kickstarter project that paid for the recording completed in 2012. Only the year is used.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"musopen-ia\"]","session.place.note":"No venue or city is given for the session.","carrier.label.value":"Musopen (Kickstarter-funded recording project)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"musopen-ia\"]","carrier.label.note":"Musopen is a non-profit that raised money by Kickstarter to record music and release it to the public domain.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"musopen-ia\"]","carrier.catalogue.note":"The Internet Archive compilation has no catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"A born-digital session has no matrix or take numbers.","transfer.credits.value":"Uploaded to Wikimedia Commons by user Yodin","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Commons file history; no mastering engineer is named.","transfer.date.value":"2012-10-14","transfer.date.status":"documented","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"Commons upload date, not a session date.","transfer.processing.value":"Ogg Vorbis file on Commons; MP3 access derivative generated by Commons","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No editing or normalisation by Contrapunctus; one complete source stream.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/bb/Musopen_-_In_the_Hall_Of_The_Mountain_King.ogg/Musopen_-_In_the_Hall_Of_The_Mountain_King.ogg.mp3","digital.sourceChain":"[\"musopen-ia\",\"commons\"]","digital.format":"MP3 access derivative of an Ogg Vorbis file; one source file, no concatenation or audio edits by Contrapunctus","digital.durationSeconds":154.1,"rights.composition.value":"Public domain under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\",\"nbl\"]","rights.composition.note":"Grieg died on 4 September 1907. This says nothing about any modern edition.","rights.recording.value":"Public domain by Musopen’s release (Creative Commons Public Domain Mark); Commons tags the file {{PD-author}} for Musopen","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"musopen-ia\"]","rights.recording.note":"The Internet Archive compilation of the Musopen Kickstarter recordings carries the Public Domain Mark. Commons quotes Musopen’s requirement that uploaders warrant that content is in the public domain.","rights.creditLine":"Edvard Grieg, In the Hall of the Mountain King (Peer Gynt Suite No. 1, Op. 46); Czech National Symphony Orchestra as the Musopen Symphony Orchestra, Musopen Kickstarter Project, 2012. Public domain; via Wikimedia Commons. No audio edits.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Musopen, In the Hall Of The Mountain King\",\"url\":\"https://commons.wikimedia.org/wiki/File:Musopen_-_In_the_Hall_Of_The_Mountain_King.ogg\",\"locator\":\"Description: performed by the Czech National Symphony Orchestra as the Musopen Symphony Orchestra for the Musopen Kickstarter Project; date 2012-04-07; licence tag PD-author (Musopen); uploaded 14 October 2012 by Yodin.\",\"accessed\":\"2026-10-18\"},{\"id\":\"musopen-ia\",\"title\":\"Internet Archive — Musopen Kickstarter Music (lossless DVD compilation)\",\"url\":\"https://archive.org/details/musopen-dvd-in-lossless-flac-format\",\"locator\":\"Date 2012-08; licence URL: Public Domain Mark 1.0; description lists “Grieg - Peer Gynt” among the music recorded and released into the public domain; the project completed in 2012.\",\"accessed\":\"2026-10-18\"},{\"id\":\"nbl\",\"title\":\"Finn Benestad — Edvard Grieg, Norsk biografisk leksikon\",\"url\":\"https://nbl.snl.no/Edvard_Grieg\",\"locator\":\"Dates: died 4 September 1907; Peer Gynt music 1874–75, Suite No. 1 published as Op. 46 in 1888 with “I Dovregubbens hall” as its fourth piece.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"2 inferred; 7 documented; 2 unknown; 1 not applicable"},{"id":"grieg-piano-concerto-first","composer":"Edvard Grieg","title":"Piano Concerto in A minor, Op. 16","movement":"I. 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Individual orchestral players are not identified.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"pandora\"]","session.date.note":"The Commons date field is “?”. The repository describes Pandora Records as a label founded in 1973 that was active for over ten years, but the file carries no session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"pandora\"]","session.place.note":"No venue is named. The repository describes its recordings as made in Seattle and credits Glenn White with some of them; the file itself does not say where this performance was recorded.","carrier.label.value":"Pandora Music repository, ibiblio (Al Goldstein collection)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"pandora\"]","carrier.label.note":"The repository says its master tapes, and LPs where tapes were missing, were archived by the Pandora Records project.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No catalogue number is given.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"pandora\"]","carrier.matrixTakeSides.note":"The original tape or LP carrier is not identified.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"pandora\"]","transfer.credits.note":"The repository acknowledges Glenn White for making and repairing some of its recordings; no engineer is credited for this file.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"Neither the repository file nor the Commons page gives a digitisation date.","transfer.processing.value":"Ogg Vorbis file hosted on Commons; MP3 access derivative generated by Commons","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No editing or noise processing by Contrapunctus; one complete source stream.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/3/3a/Edvard_Grieg_-_Concerto_in_A_minor%2C_1st_movement.ogg/Edvard_Grieg_-_Concerto_in_A_minor%2C_1st_movement.ogg.mp3","digital.sourceChain":"[\"pandora\",\"commons\"]","digital.format":"MP3 access derivative of an Ogg Vorbis file; one source file, no concatenation or audio edits by Contrapunctus","digital.durationSeconds":763.6,"rights.composition.value":"Public domain under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\",\"nbl\"]","rights.composition.note":"Grieg died on 4 September 1907. This says nothing about any modern edition.","rights.recording.value":"Creative Commons Attribution-ShareAlike 2.0 (the repository’s Open Audio License wording)","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"pandora\",\"licence\"]","rights.recording.note":"The repository states that its files are available for free download subject to the EFF Open Audio License; Commons records this as CC BY-SA 2.0 and applies that licence to the file.","rights.creditLine":"Edvard Grieg, Piano Concerto in A minor, Op. 16, I. Allegro molto moderato; Neal O’Doan, piano; University of Washington Symphony Orchestra, Peter Erős. Source: Pandora Music repository, ibiblio (Al Goldstein collection), via Wikimedia Commons. CC BY-SA 2.0. No audio edits.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/2.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Grieg, Concerto in A minor, 1st movement\",\"url\":\"https://commons.wikimedia.org/wiki/File:Edvard_Grieg_-_Concerto_in_A_minor,_1st_movement.ogg\",\"locator\":\"Description: Peter Erős conducts the University of Washington Symphony orchestra; Neal O’Doan, piano. Source: the Al Goldstein collection in the Pandora Music repository at ibiblio.org. Date: ?. Licence: CC BY-SA 2.0.\",\"accessed\":\"2026-10-18\"},{\"id\":\"pandora\",\"title\":\"Pandora Records — ibiblio repository notice (Internet Archive capture, 13 October 2007)\",\"url\":\"https://web.archive.org/web/20071013081509/http://music.ibiblio.org/pub/multimedia/pandora/vorbis/Read.html\",\"locator\":\"History: Pandora Records established 1973, active for over ten years; master tapes archived. License: “available for free download subject to the EFF OAL”. Thanks: some recordings made and repaired by Glenn White.\",\"accessed\":\"2026-10-18\"},{\"id\":\"nbl\",\"title\":\"Finn Benestad — Edvard Grieg, Norsk biografisk leksikon\",\"url\":\"https://nbl.snl.no/Edvard_Grieg\",\"locator\":\"Dates: died 4 September 1907; concerto composed 1868–69 at Søllerød, first performed in Copenhagen on 3 April 1869.\",\"accessed\":\"2026-10-18\"},{\"id\":\"licence\",\"title\":\"Creative Commons Attribution-ShareAlike 2.0 Generic\",\"url\":\"https://creativecommons.org/licenses/by-sa/2.0/\",\"locator\":\"Licence terms: attribution, share-alike and identification of changes.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"2 inferred; 4 documented; 6 unknown"},{"id":"grieg-wedding-day-grieg-1903","composer":"Edvard Grieg","title":"Wedding Day at Troldhaugen, Op. 65 No. 6","movement":"Composer’s abridged acoustic recording","work.title":"Wedding Day at Troldhaugen","work.catalogue":"Op. 65 No. 6","work.movement":"Composer’s abridged acoustic recording","work.version.value":"Abridged solo-piano performance by the composer","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"imslp\",\"marston\"]","work.version.note":"The complete 1903 disc is streamed, not a digitally assembled excerpt. Its approximately two-minute duration is not the complete score. Comparison alignment excludes the shortened ending and music found only in Vetter’s complete reading.","performers.value":"[{\"name\":\"Edvard Grieg\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"imslp\",\"marston\"]","performers.note":"","session.date.value":"1903-05-02","session.date.status":"documented","session.date.sourceIds":"[\"marston\"]","session.date.note":"Commons identifies 1903 in the description; its 10 March 2012 Date field is the upload date.","session.date.precision":"day","session.place.value":"Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"imslp\",\"marston\"]","session.place.note":"","carrier.label.value":"Gramophone & Typewriter Company","carrier.label.status":"documented","carrier.label.sourceIds":"[\"imslp\",\"marston\"]","carrier.label.note":"","carrier.catalogue.value":"3800; also issued as 35515","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"imslp\",\"marston\"]","carrier.catalogue.note":"IMSLP lists No. 3800; Marston lists 35515. The exact pressing used for the Commons transfer is not identified.","carrier.matrixTakeSides.value":"2149F","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"imslp\",\"marston\"]","carrier.matrixTakeSides.note":"No take suffix is supplied by these sources.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The uploader is not identified as the transfer engineer. The Commons description “Original tape” does not establish the 1903 medium or a transfer chain.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"10 March 2012 is the upload date, not a demonstrated transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"marston\"]","transfer.processing.note":"The Commons transfer’s restoration and replay speed are not documented. Marston discusses pitch instability in these early discs, but its modern restoration is not the audio streamed here.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/6b/Grieg%2Bplays%2BGrieg%2BWedding%2BDay%2B%281903%29.ogg/Grieg%2Bplays%2BGrieg%2BWedding%2BDay%2B%281903%29.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative; one source file, no concatenation or audio edits by Contrapunctus","digital.durationSeconds":121.49,"rights.composition.value":"Underlying piano composition is public domain under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\",\"imslp\"]","rights.composition.note":"Grieg died in 1907. This does not establish rights in a modern edition.","rights.recording.value":"US public domain: sound recording first published in 1903","rights.recording.status":"documented","rights.recording.sourceIds":"[\"imslp\",\"marston\",\"us-term\"]","rights.recording.note":"IMSLP’s recording entry names Gramophone & Typewriter No. 3800, 1903, matrix 2149F; Marston corroborates matrix, pianist and 2 May 1903 session. The recording’s pre-1926 publication, not Commons’ composition-only PD-old tag, is the basis. No non-commercial restriction appears in the inspected source entry.","rights.creditLine":"Edvard Grieg, Wedding Day at Troldhaugen, Op. 65 No. 6; Edvard Grieg, piano. Paris, 2 May 1903; Gramophone & Typewriter matrix 2149F, published 1903. Abridged performance; transfer engineer unknown; via Wikimedia Commons. Sound recording: US public domain.","rights.licenseUrl":"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Grieg plays Wedding Day (1903)\",\"url\":\"https://commons.wikimedia.org/wiki/File:Grieg%2Bplays%2BGrieg%2BWedding%2BDay%2B(1903).ogg\",\"locator\":\"Description, upload date, duration, source “pd” and licensing. No earlier transfer source is named.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-context\",\"title\":\"Maureen Buja — Silver Memories: Grieg’s Wedding Day at Troldhaugen\",\"url\":\"https://interlude.hk/silver-memories-grieg-wedding-day-at-troldhaugen/\",\"locator\":\"Composition date 1896; march-like opening and contrasting subdued second section. The article’s erroneous Book I designation is not adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — historical Grieg recording #490186\",\"url\":\"https://imslp.org/wiki/Lyric_Pieces,_Op.65_(Grieg,_Edvard)#IMSLP490186\",\"locator\":\"Recording block: pianist Grieg; Paris, Gramophone & Typewriter No. 3800, 1903, matrix 2149F; recording labelled public domain.\",\"accessed\":\"2026-10-17\"},{\"id\":\"marston\",\"title\":\"Marston Records — Legendary Piano Recordings\",\"url\":\"https://www.marstonrecords.com/products/legendary-piano\",\"locator\":\"Disc 1, track 8, under Paris 2 May 1903: matrix 2149F, issue 35515. 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Only a shared opening passage is aligned with Grieg’s abridged 1903 side.","performers.value":"[{\"name\":\"Harald Vetter\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"imslp\"]","performers.note":"","session.date.value":"2006-10-04","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"Embedded image-title metadata reads “Aufnahme: 04.10.2006”; the summary and IMSLP both give 2006. This is a source-stated recording date, not the 2025 Commons upload date.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"imslp\"]","session.place.note":"Neither source identifies a venue or city.","carrier.label.value":"Harald Vetter (self-published recording)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"imslp\"]","carrier.label.note":"IMSLP’s Publisher Info reads Harald Vetter, 2006.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"imslp\"]","carrier.catalogue.note":"IMSLP #461777 is a repository identifier, not a commercial catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"imslp\"]","carrier.matrixTakeSides.note":"No original carrier or matrix information is supplied.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"imslp\"]","transfer.credits.note":"Harald Vetter is the performer and publisher; no recording or mastering engineer is separately named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"imslp\"]","transfer.date.note":"The repository upload dates do not establish the conversion date.","transfer.processing.value":"IMSLP MP3; Commons Ogg Vorbis conversion and MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"imslp\"]","transfer.processing.note":"No editing, normalisation or noise processing by Contrapunctus; one complete source stream. Original recording equipment is unknown.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/74/Edvard-Grieg-Lyric-Pieces-Op-65_-No-6-Wedding-Day-at-Troldhaugen.ogg/Edvard-Grieg-Lyric-Pieces-Op-65_-No-6-Wedding-Day-at-Troldhaugen.ogg.mp3","digital.sourceChain":"[\"commons\",\"imslp\"]","digital.format":"MP3 access derivative; one source file, no concatenation or audio edits by Contrapunctus","digital.durationSeconds":416.02,"rights.composition.value":"Underlying piano composition is public domain under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\",\"imslp\"]","rights.composition.note":"Grieg died in 1907. This does not establish rights in a modern edition.","rights.recording.value":"Creative Commons Attribution 4.0 International (CC BY 4.0)","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"imslp\",\"licence\"]","rights.recording.note":"Both Commons and the original IMSLP recording block #461777 apply CC BY 4.0 to Harald Vetter’s performance. The block is separate from unrelated arrangements with non-commercial licences elsewhere on the work page.","rights.creditLine":"Edvard Grieg, Wedding Day at Troldhaugen, Op. 65 No. 6; Harald Vetter, piano, recorded 4 October 2006 (embedded metadata). Source: Harald Vetter / IMSLP, via Wikimedia Commons. CC BY 4.0. Contrapunctus makes no audio edits; the comparison map covers only shared opening music.","rights.licenseUrl":"https://creativecommons.org/licenses/by/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Vetter, Wedding Day at Troldhaugen\",\"url\":\"https://commons.wikimedia.org/wiki/File:Edvard-Grieg-Lyric-Pieces-Op-65_-No-6-Wedding-Day-at-Troldhaugen.ogg\",\"locator\":\"Summary: Harald Vetter, 2006, IMSLP; Licensing: CC BY 4.0; embedded Metadata: Aufnahme 04.10.2006.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-context\",\"title\":\"Maureen Buja — Silver Memories: Grieg’s Wedding Day at Troldhaugen\",\"url\":\"https://interlude.hk/silver-memories-grieg-wedding-day-at-troldhaugen/\",\"locator\":\"Composition date 1896; march-like opening and contrasting subdued second section. The article’s erroneous Book I designation is not adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Harald Vetter recording #461777\",\"url\":\"https://imslp.org/wiki/Lyric_Pieces,_Op.65_(Grieg,_Edvard)#IMSLP461777\",\"locator\":\"Complete Performance, 6:56; Harald Vetter (piano); publisher Harald Vetter, 2006; Creative Commons Attribution 4.0. Original filename Grieg_Lyrische_Stuecke_Op65_Nr6_Hochzeitstag_auf_Troldhaugen.mp3.\",\"accessed\":\"2026-10-17\"},{\"id\":\"licence\",\"title\":\"Creative Commons Attribution 4.0 International\",\"url\":\"https://creativecommons.org/licenses/by/4.0/\",\"locator\":\"Licence terms: attribution, licence link and identification of changes.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 documented; 5 unknown; 1 inferred"},{"id":"handel-messiah-hallelujah-edison-1916","composer":"George Frideric Handel","title":"Messiah, HWV 56","movement":"Hallelujah","work.title":"Messiah","work.catalogue":"HWV 56","work.movement":"Hallelujah chorus","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"nps\",\"commons\",\"densmore\"]","work.version.note":"The catalogue describes mixed voices with orchestra, but no performing edition, arranger or individual instruments are established. No specific orchestral substitution or match to Handel’s original scoring is inferred from that generic credit.","performers.value":"[{\"name\":\"Oratorio Chorus\",\"role\":\"chorus\"}]","performers.status":"documented","performers.sourceIds":"[\"nps\",\"archive\",\"commons\",\"densmore\"]","performers.note":"Densmore’s catalogue transcription describes Edison 80292-R as ‘Mixed voices with orchestra — Oratorio Chorus’. The orchestra’s identity, conductor and individual players are not credited; Edison is the record company, not a performer.","session.date.value":"1916","session.date.status":"documented","session.date.sourceIds":"[\"nps\",\"archive\"]","session.date.note":"May 1916 is the release month, not an established session month. The year-level museum session date is retained.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"nps\",\"archive\"]","session.place.note":"No session venue is stated in the consulted museum or archive record.","carrier.label.value":"Edison Diamond Disc","carrier.label.status":"documented","carrier.label.sourceIds":"[\"nps\",\"archive\"]","carrier.label.note":"The current museum catalogue identifies a disc; an early Commons upload comment calling it a cylinder is not followed.","carrier.catalogue.value":"80292-R; NPS object EDIS 43552","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"nps\",\"archive\"]","carrier.catalogue.note":"Released May 1916.","carrier.matrixTakeSides.value":"4433-A-1-1 (6-1), side R","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"nps\",\"archive\"]","carrier.matrixTakeSides.note":"Museum transcription retained without silently interpreting every suffix as a take number.","transfer.credits.value":"National Park Service source; Ogg conversion credited to Commons user Pmx","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\",\"commons\"]","transfer.credits.note":"The NPS is identified as the source, not a named transfer engineer. Commons explicitly credits Pmx for Ogg conversion only.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer date is established; upload dates are not used as transfer dates.","transfer.processing.value":"The upstream file is a 96 kbps MP3; Commons supplies an Ogg conversion and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"commons\"]","transfer.processing.note":"No de-clicking, equalisation or speed correction is documented. Successive lossy formats limit timbral comparison.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/90/Messiah_Hallelujah_Chorus_1916.ogg/Messiah_Hallelujah_Chorus_1916.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\",\"nps\"]","digital.format":"Wikimedia Commons MP3 derivative of an Ogg conversion of the archive MP3","digital.durationSeconds":223,"rights.composition.value":"Handel’s eighteenth-century underlying composition is out of copyright under the ordinary life-plus-70 term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"work\"]","rights.composition.note":"The programme note identifies Handel as 1685–1759; this does not clear a later arrangement.","rights.recording.value":"United States public domain: Edison 80292-R was first released in May 1916.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"nps\",\"archive\",\"commons\"]","rights.recording.note":"Programme rule 2; the museum establishes record and issue month. The upstream archive also carries the historic Creative Commons public-domain dedication URL, not a non-commercial licence. The generic Commons PD-US notice is not used to apply a printed-work cutoff to a sound recording.","rights.creditLine":"Handel, Messiah: Hallelujah chorus; Oratorio Chorus. Edison Diamond Disc 80292-R, matrix 4433-A-1-1 (6-1), released May 1916; NPS object EDIS 43552. National Park Service source via Internet Archive and Wikimedia Commons; Ogg conversion by Pmx.","rights.licenseUrl":"https://creativecommons.org/licenses/publicdomain/","sources":"[{\"id\":\"nps\",\"title\":\"Thomas Edison National Historical Park — Opera, Vocal and Choral\",\"url\":\"https://www.nps.gov/edis/learn/photosmultimedia/opera-vocal-and-choral.htm\",\"locator\":\"Hallelujah chorus entry: Oratorio Chorus; Diamond Disc; matrix 4433-A-1-1 (6-1); recording year 1916; release 80292-R in May 1916; object EDIS 43552.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — EDIS-SRP-0195-06 metadata\",\"url\":\"https://archive.org/metadata/EDIS-SRP-0195-06\",\"locator\":\"Museum-derived description and NPS source credit; original 96 kbps MP3 and historic CC public-domain dedication. No non-commercial terms in the inspected metadata.\",\"accessed\":\"2026-10-17\"},{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Messiah Hallelujah Chorus 1916\",\"url\":\"https://commons.wikimedia.org/wiki/File:Messiah_Hallelujah_Chorus_1916.ogg\",\"locator\":\"Summary, source link, matrix and current carrier description; Ogg conversion credit; embedded Oratorio Chorus and NPS object number.\",\"accessed\":\"2026-10-17\"},{\"id\":\"densmore\",\"title\":\"R. Densmore — Subject Guide to Edison Records List\",\"url\":\"https://www.densmore-edisondd.info/SubjectGuide/index.html\",\"locator\":\"Classical section: Hallelujah Chorus—Messiah, 80292-R, explicitly described as ‘Mixed voices with orchestra — Oratorio Chorus’. This generic accompaniment credit does not identify individual instruments or prove a match to the original score.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Teresa M. Neff — Handel’s Messiah programme note\",\"url\":\"https://handelandhaydn.org/interactive-program-notes-handels-messiah/\",\"locator\":\"Jennens, 1741 compilation, three-part design and Handel’s biographical dates.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 8 documented; 1 inferred"},{"id":"handel-messiah-hallelujah-sargent-1926","composer":"George Frideric Handel","title":"Messiah, HWV 56","movement":"Hallelujah","work.title":"Messiah","work.catalogue":"HWV 56","work.movement":"Hallelujah chorus","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"pool\",\"dnb\"]","work.version.note":"The source identifies the chorus but no performing edition or arranger. Differences of choral balance are not evidence of a particular editorial version.","performers.value":"[{\"name\":\"Royal Choral Society\",\"role\":\"chorus\"},{\"name\":\"Royal Albert Hall Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Malcolm Sargent\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"pool\",\"dnb\"]","performers.note":"The library independently identifies choir and orchestra; the Commons/upstream recording descriptions supply Sargent. No singer count or individual orchestral personnel are established.","session.date.value":"2 April 1926","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"pool\",\"dnb\"]","session.date.note":"The library explicitly describes a recording during a concert.","session.date.precision":"day","session.place.value":"Royal Albert Hall, London","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"pool\",\"dnb\"]","session.place.note":"","carrier.label.value":"Electrola","carrier.label.status":"documented","carrier.label.sourceIds":"[\"pool\",\"dnb\"]","carrier.label.note":"","carrier.catalogue.value":"EJ 39; label/order number 04871","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"pool\",\"dnb\"]","carrier.catalogue.note":"First release is disputed: the current Public Domain Project entry gives 1926, whereas its Commons import gives 1927. Both predate 1963; the session date is not substituted for the issue date.","carrier.matrixTakeSides.value":"E-CR.237-1A; EJ 39 side 2 of 2","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"pool\",\"dnb\"]","carrier.matrixTakeSides.note":"Matrix and side designation follow the German National Library catalogue.","transfer.credits.value":"Swiss Foundation Public Domain / Public Domain Project; Martin Osterwalder collection","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\",\"pool\"]","transfer.credits.note":"These are contributing institution and collection credits, not a named transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer date is established; upload dates are not used as transfer dates.","transfer.processing.value":"Public Domain Project FLAC supplied to Commons; streamed here through the Commons MP3 derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"pool\"]","transfer.processing.note":"No speed correction, restoration settings or transfer date are stated. The final non-musical tail is excluded only from alignment, not from the supplied stream.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/90/PDP-CH_-_Royal_Choral_Society_-_Malcolm_Sargent_-_Messiah_-_Hallelujah_Chorus_-_Electrola-ej39-04871.flac/PDP-CH_-_Royal_Choral_Society_-_Malcolm_Sargent_-_Messiah_-_Hallelujah_Chorus_-_Electrola-ej39-04871.flac.mp3","digital.sourceChain":"[\"commons\",\"pool\"]","digital.format":"Wikimedia Commons MP3 derivative of Public Domain Project FLAC","digital.durationSeconds":265.1,"rights.composition.value":"Handel’s underlying composition is out of copyright under the ordinary life-plus-70 term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The composition-only PD-old-70 tag does not license this 1926 sound recording.","rights.recording.value":"territorial — European recording-rights expiry; first publication documented before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"pool\"]","rights.recording.note":"Programme rule 3. The upstream record says 1926; the Commons import says 1927. Either date places the recording before the 1963 cutoff. US public-domain status is not established. The upstream page was inspected over HTTP after HTTPS failed; it contains a public-domain claim and no non-commercial restriction. Its asserted worldwide/US expiry dates are not adopted.","rights.creditLine":"Handel, Messiah: Hallelujah; Royal Choral Society and Royal Albert Hall Orchestra; Malcolm Sargent. Royal Albert Hall concert, 2 April 1926. Electrola EJ 39 / 04871, matrix E-CR.237-1A; Public Domain Project / Martin Osterwalder collection, via Wikimedia Commons. European recording-rights expiry only; US status unestablished.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Sargent Hallelujah, Electrola EJ 39\",\"url\":\"https://commons.wikimedia.org/wiki/File:PDP-CH_-_Royal_Choral_Society_-_Malcolm_Sargent_-_Messiah_-_Hallelujah_Chorus_-_Electrola-ej39-04871.flac\",\"locator\":\"File wikitext: first recording 2 April 1926, first release 1927, performers and venue; source link and composition-only PD-old-70 tag.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pool\",\"title\":\"Public Domain Project — Electrola-ej39-04871\",\"url\":\"http://pool.publicdomainproject.org/index.php?title=Electrola-ej39-04871\",\"locator\":\"Current oldid 39091: performer credits; session; first release 1926 (disagrees with Commons import); matrix E-CR.237-1A; public-domain claim; Martin Osterwalder collection. No NC licence shown.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dnb\",\"title\":\"German National Library — Hallelujah, Electrola EJ 39\",\"url\":\"https://d-nb.info/380148439\",\"locator\":\"Catalogue: side 2 of 2, label number 04871, matrix E-CR.237-1A, Royal Choral Society and Royal Albert Hall Orchestra; recorded during the 2 April 1926 Royal Albert Hall concert.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 9 documented; 1 inferred"},{"id":"handel-messiah-hallelujah","composer":"George Frideric Handel","title":"Messiah, HWV 56","movement":"Hallelujah","work.title":"Messiah","work.catalogue":"HWV 56","work.movement":"Part II: Hallelujah","work.version.value":"The cited Westminster issue describes the performance as based on the original Dublin performance of 13 April 1742.","work.version.status":"documented","work.version.sourceIds":"[\"discography\"]","work.version.note":"This is the record’s own description, not a score-collation result. No editor is named; numbering varies between the digital file and this issue.","performers.value":"[{\"name\":\"London Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"London Philharmonic Choir\",\"role\":\"choir\"},{\"name\":\"Hermann Scherchen\",\"role\":\"conductor\"},{\"name\":\"Frederick Jackson\",\"role\":\"chorus master\"},{\"name\":\"Thomas Matthews\",\"role\":\"orchestral leader\"},{\"name\":\"George Eskdale\",\"role\":\"trumpet\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"discography\"]","performers.note":"The complete-set soloists are Margaret Ritchie, Constance Shacklock (spelt Schacklock on Commons), William Herbert and Richard Standen. They are not presented as vocal soloists in this chorus.","session.date.value":"1953","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"embedded\"]","session.date.note":"Commons gives 1 January 1953 and repeats it as structured inception. The embedded DATE gives only 1953; no session log corroborates the day or month, which are therefore not adopted.","session.date.precision":"year","session.place.value":"London","session.place.status":"documented","session.place.sourceIds":"[\"discography\"]","session.place.note":"The discographic entry transcribes “Recorded by Westminster in London”; no venue is stated.","carrier.label.value":"Westminster; a Nixa recording","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"discography\"]","carrier.label.note":"","carrier.catalogue.value":"XWN 3306 — documented 1957 reissue","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"discography\"]","carrier.catalogue.note":"The physical edition used for the Commons transfer is not established.","carrier.matrixTakeSides.value":"Hallelujah is side E, track 5 on Westminster XWN 3306.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"discography\"]","carrier.matrixTakeSides.note":"That set is auto-coupled: sides 1/6, 2/5 and 3/4. No matrix or take number, nor proof that this pressing supplied the stream, was recovered.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"embedded\"]","transfer.credits.note":"No transfer or restoration engineer is credited in the consulted sources.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Embedded encoder: Lavf57.83.100. Commons master: Ogg Vorbis, 44.1 kHz, 1 channel.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"embedded\"]","transfer.processing.note":"These are file properties, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/5d/Handel_-_Messiah%2C_Part_2_%28Scherchen%29_-_45._Hallelujah.ogg/Handel_-_Messiah%2C_Part_2_%28Scherchen%29_-_45._Hallelujah.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis, 44.1 kHz, 1 channel","digital.durationSeconds":201.0165986394558,"rights.composition.value":"Original composition and eighteenth-century English libretto are public domain in the United States.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"work-source\",\"us-work-term\"]","rights.composition.note":"The original complete score was published in 1767; this does not determine rights in a later edition or recording.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\"]","rights.recording.note":"Commons applies PD-EU-audio to Scherchen’s Westminster recording and dates it to 1953; no exact session day is inferred. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. A recording date alone is not represented as an independently verified first-publication date.","rights.creditLine":"London Symphony Orchestra and London Philharmonic Choir; Hermann Scherchen, conductor; Frederick Jackson, chorus master. Westminster source, via Wikimedia Commons. Commons asserts EU public-domain recording status (PD-EU-audio); rights elsewhere are not established.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Handel - Messiah, Part 2 (Scherchen) - 45. Hallelujah.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Handel_-_Messiah,_Part_2_(Scherchen)_-_45._Hallelujah.ogg?oldid=1285956118\",\"locator\":\"File-description wikitext revision 1285956118; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M70137275\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M70137275&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 1285956118. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3AHandel+-+Messiah%2C+Part+2+%28Scherchen%29+-+45.+Hallelujah.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"discography\",\"title\":\"Discogs: Westminster XWN 3306, Scherchen’s London Messiah\",\"url\":\"https://www.discogs.com/release/5881961\",\"locator\":\"1957 US mono reissue: performer credits, London recording note, “Based on the Original Dublin Performance April 13, 1742”; Hallelujah is E5. This is not a claim that this pressing supplied the digital file.\",\"accessed\":\"2026-10-16\"},{\"id\":\"label-check\",\"title\":\"Deutsche Grammophon: Scherchen Messiah, UPC 00028947123224\",\"url\":\"https://www.deutschegrammophon.com/en/catalogue/products/handel-messiah-scherchen-8711\",\"locator\":\"This catalogue entry has the Vienna State Opera Orchestra and different soloists. It is a different Scherchen Messiah and was not used to fill this London recording’s credits.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work-source\",\"title\":\"IMSLP: Messiah, HWV 56\",\"url\":\"https://imslp.org/wiki/Messiah%2C_HWV_56_(Handel%2C_George_Frideric)\",\"locator\":\"General Information: first complete publication 1767; selections from 1742; original English text compiled by Charles Jennens.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-work-term\",\"title\":\"Commons: US expiry for published compositions\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-US-expired\",\"locator\":\"Published works before 1931 are public domain in the United States as of 2026; the template expressly excludes sound recordings.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-recording\",\"title\":\"Commons: scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template text and documentation: performers’ and producers’ rights in the EU; explicitly not a composition-rights tag.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-recording-law\",\"title\":\"17 U.S.C. § 1401: pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Section (a)(2): terms depend on first publication, with separate periods for 1923–1946, 1947–1956 and later recordings.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Handel - Messiah, Part 2 (Scherchen) - 45. Hallelujah.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1177337502%7C1285956118%7C638011151%7C1264375355%7C1118001688%7C1003399466%7C1113441804%7C808915645%7C525137715%7C963510501&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Handel - Messiah, Part 2 (Scherchen) - 45. Hallelujah.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3), inserting Article 10(5): extension applies to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-audio\",\"title\":\"Wikimedia Commons — recording-specific scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation concern performers’ and producers’ rights, not merely composition copyright; territorial European expiry.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"handel-water-music-2-allegro","composer":"George Frideric Handel","title":"Water Music, Suite No. 2 in D, HWV 349","movement":"I. Allegro","work.title":"Water Music, Suite No. 2 in D","work.catalogue":"HWV 349","work.movement":"I. Allegro","work.version.value":"Performing edition not identified. The movement number (11 of the three suites), the 50 bars and the closing string-only Adagio match the Hallische Händel-Ausgabe text; no editor or continuo realisation is credited.","work.version.status":"inferred","work.version.sourceIds":"[\"programme\",\"hha\",\"arnold\"]","work.version.note":"The programme and Commons name the work and movement numbers but no edition. The numbering 11–15 for this suite follows the Hallische Händel-Ausgabe (Redlich, 1962) and IMSLP; other editions may agree. The recording plays the closing Adagio (bars 48–50, strings only): about six soft chord attacks, roughly three seconds apart, follow the last tutti chord, and the official video shows the violins playing at about 1:46–2:00. The stretch is identified from the score, the six level peaks and the video, not by listening; whether anything else is audible after the last chord has not been checked by ear.","performers.value":"[{\"name\":\"Marine Chamber Orchestra, United States Marine Band\",\"role\":\"orchestra\"},{\"name\":\"Major Michelle A. Rakers\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"programme\",\"video\"]","performers.note":"Commons gives the conductor as Major Michelle Rakers; the programme prints Major Michelle A. Rakers. No roster of individual players is published in the consulted sources. A harpsichord, strings with a double bass, a bassoon and a trumpet are visible in the Marine Band’s video frames; horns and oboes could not be identified there.","session.date.value":"2017-01-29","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"programme\",\"video\"]","session.date.note":"Commons gives performance_date 2017-01-29; the programme prints Sunday, January 29, 2017 at 2:00 P.M.; the official video description repeats the date. The Handel group stands after the intermission in the programme. The Commons composition_date field, 1717-07-17, is the date of the documented first performance on the Thames, not a composition date.","session.date.precision":"day","session.place.value":"Rachel M. Schlesinger Concert Hall and Arts Center, Northern Virginia Community College, Alexandria Campus, Alexandria, Virginia, United States","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"programme\"]","session.place.note":"Commons says Schlesinger Concert Hall, Alexandria, VA; the programme gives the full name of the hall and campus.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"video\"]","carrier.label.note":"No record label is identified. The source is an official concert video on the Marine Band’s YouTube channel; the channel is not treated as a label, and no commercial release was found.","carrier.catalogue.value":null,"carrier.catalogue.status":"not applicable","carrier.catalogue.sourceIds":"[\"video\"]","carrier.catalogue.note":"Born-digital concert video. The YouTube video ID FFrZgE9QnlY identifies the source video but is not a catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"A concert recording made in digital form has no matrix, take or side numbers.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified. The Commons file history shows the batch upload by the user Mysterymanblue (pattypan), which is an uploader credit, not an engineering credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"video\"]","transfer.date.note":"No transfer date is documented. The YouTube publication date (30 April 2018) and the Commons upload date (28 June 2021) are not session or transfer dates.","transfer.processing.value":"Opus audio file (48 kHz, two channels, encoder Lavf58.29.100) listed on Commons with the Marine Band’s YouTube playlist as its source; Commons supplies an MP3 access derivative.","transfer.processing.status":"inferred","transfer.processing.sourceIds":"[\"commons\",\"video\"]","transfer.processing.note":"The file’s own metadata documents the Opus format and encoder. That the audio was taken from the official video’s sound track is inferred from the source field and from the matching title and duration (125 s); the processing chain is not described.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/d/de/Handel%27s_Water_Music_-_11._Allegro_-_Chamber_Orchestra_-_United_States_Marine_Band.opus/Handel%27s_Water_Music_-_11._Allegro_-_Chamber_Orchestra_-_United_States_Marine_Band.opus.mp3","digital.sourceChain":"[\"commons\",\"video\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Opus","digital.durationSeconds":125.181,"rights.composition.value":"Handel (died 1759): the composition is in the public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Commons tags the composition PD-old-auto-expired (death year 1759). The performing edition is not identified; editorial copyright in a modern edition, if one was used, is separate from the sound recording.","rights.recording.value":"Commons tags the performance and recording PD-USGov-Military-Marines: a work of a United States Marine or employee made as part of official duties, public domain as a work of the U.S. federal government.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"template\",\"video\"]","rights.recording.note":"This is a U.S.-jurisdiction statement, not a claim of worldwide status. The programme carries a general notice that a performance may contain third-party material and should not be assumed to be public domain; no third-party material is identified in this performance of a composition from before 1759, but the notice is recorded here. The official Marine Band YouTube channel published the source video.","rights.creditLine":"George Frideric Handel, Water Music, Suite No. 2 in D, HWV 349: I. Allegro. Marine Chamber Orchestra of the United States Marine Band, Major Michelle Rakers conducting; Rachel M. Schlesinger Concert Hall, Alexandria, Virginia, 29 January 2017. Audio via Wikimedia Commons from the official Marine Band concert video. U.S. federal-government work; public domain in the United States.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Handel's Water Music - 11. Allegro - Chamber Orchestra - United States Marine Band.opus\",\"url\":\"https://commons.wikimedia.org/wiki/File:Handel%27s_Water_Music_-_11._Allegro_-_Chamber_Orchestra_-_United_States_Marine_Band.opus\",\"locator\":\"File description (raw wikitext and API): performer, title, description, composition_date 1717-07-17, performance_date 2017-01-29, source (YouTube playlist), licence templates PD-old-auto-expired (1759) and PD-USGov-Military-Marines; file history (upload 2021-06-28, user Mysterymanblue, pattypan); Opus 48 kHz stereo, 125.181 s.\",\"accessed\":\"2026-10-17\"},{\"id\":\"video\",\"title\":\"United States Marine Band — HANDEL Water Music: 11. Allegro (YouTube)\",\"url\":\"https://www.youtube.com/watch?v=FFrZgE9QnlY\",\"locator\":\"Watch-page metadata: channel United States Marine Band, published 2018-04-30, length 125 s, description naming the ensemble, the hall, the date, the conductor and the programme PDF; thumbnails and storyboard frames viewed for the instruments on stage.\",\"accessed\":\"2026-10-17\"},{\"id\":\"playlist\",\"title\":\"United States Marine Band — HANDEL Water Music (YouTube playlist)\",\"url\":\"https://www.youtube.com/playlist?list=PLA7no0L9zTk5BREIP7PeHDYv4trx-g5kS\",\"locator\":\"Playlist description and list of nine movement videos (HWV 349 movements 11–15 and HWV 350 movements 16, 17, 19, 21); last updated 4 December 2020.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Marine Chamber Orchestra, 29 January 2017 — concert programme and notes (Wayback capture of the Marine Band PDF)\",\"url\":\"https://web.archive.org/web/20251101025231id_/https://www.marineband.marines.mil/Portals/175/Docs/Programs/170129.pdf?ver=2017-01-24-094649-630\",\"locator\":\"Page 1: date, time, hall, conductor, running order after the intermission (11, 12, 16, 17/18, 14, 15, 19/20, 21/22, 13) and the copyright notice; later pages: notes on Handel. The live Marine Band address returned HTTP 403 to the retrieval, so the archived capture of 1 November 2025 was read.\",\"accessed\":\"2026-10-17\"},{\"id\":\"template\",\"title\":\"Wikimedia Commons — Template:PD-USGov-Military-Marines\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines\",\"locator\":\"Licence text: work of a United States Marine or employee, taken or made as part of official duties.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Water Music Suite No.2, HWV 349 (Handel)\",\"url\":\"https://imslp.org/wiki/Water_Music_Suite_No.2,_HWV_349_(Handel,_George_Frideric)\",\"locator\":\"General Information: five movements (Allegro 50 bars), instrumentation (2 oboes, bassoon, 2 horns, 2 trumpets, strings, continuo), first performance 1717-07-17, first publication 1733.\",\"accessed\":\"2026-10-17\"},{\"id\":\"hha\",\"title\":\"Händel, Wassermusik Suite II HWV 349, Hallische Händel-Ausgabe IV/13, ed. Hans Ferdinand Redlich (Bärenreiter, 1962), via IMSLP #559922\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/c/c6/IMSLP559922-PMLP902090-handelHHAIV%2C13wassermusiksuiteIIHWV349.pdf\",\"locator\":\"Printed pp. 39–43 (movement 11, bars 1–50, ending with a string-only Adagio) for the bar numbers and scoring; consulted for bar numbering only. Its copyright status in the United States is not established and it is not the stated score source of the orchestra view.\",\"accessed\":\"2026-10-17\"},{\"id\":\"arnold\",\"title\":\"Handel, The Celebrated Water-musick in score (London: Samuel Arnold, 1788) — Bibliothèque nationale de France scan on Wikimedia Commons\",\"url\":\"https://commons.wikimedia.org/wiki/File:The_celebrated_Water-musick._In_score._Composed_in_the_year_1716._By_G._F._Handel_-_btv1b10072587v_(19_of_30).jpg\",\"locator\":\"Printed pp. 35–39 (Commons images 19–21 of 30): the Allegro for trumpets, horns, oboes, bassoon, strings and figured bass. Commons tags the scans PD-old-auto-expired, PD-France and PD-US-expired.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 5 documented; 3 unknown; 2 not applicable"},{"id":"handel-water-music-2-bourree","composer":"George Frideric Handel","title":"Water Music, Suite No. 2 in D, HWV 349","movement":"IV. Bourrée","work.title":"Water Music, Suite No. 2 in D","work.catalogue":"HWV 349","work.movement":"IV. Bourrée","work.version.value":"Performing edition not identified. The movement number (15 of the three suites) and the structure heard (a four-bar and an eight-bar strain, each repeated, the whole air played three times) match the Hallische Händel-Ausgabe text and its instruction “This Air to be played 3 times over”; no editor or continuo realisation is credited.","work.version.status":"inferred","work.version.sourceIds":"[\"programme\",\"hha\",\"arnold\",\"imslp\"]","work.version.note":"The programme and Commons name the work and movement numbers but no edition. The structure follows from the measured pauses and the Hallische Händel-Ausgabe (Redlich, 1962), which prints 12 bars with repeat signs and the instruction on p. 53; IMSLP lists the movement as 12 bars played three times (36). The higher level of the third pass is a feature of this performance: the printed notes are the same for all three.","performers.value":"[{\"name\":\"Marine Chamber Orchestra, United States Marine Band\",\"role\":\"orchestra\"},{\"name\":\"Major Michelle A. Rakers\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"programme\",\"video\"]","performers.note":"Commons gives the conductor as Major Michelle Rakers; the programme prints Major Michelle A. Rakers. No roster of individual players is published in the consulted sources. The wide shot in this video’s thumbnail shows a harpsichord at stage left, strings with a double bass and a bassoon; a trumpet is visible in the Hornpipe video, and no frame shows horns or oboes. Which sections play in each of the three passes is not established: an independent look at the official video reports upper-string players resting at about 0:34, where the printed score gives them notes, so the recording is not assumed to follow the printed parts. No orchestra view is authored for this movement for that reason.","session.date.value":"2017-01-29","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"programme\",\"video\"]","session.date.note":"Commons gives performance_date 2017-01-29; the programme prints Sunday, January 29, 2017 at 2:00 P.M.; the official video description repeats the date. The Handel group stands after the intermission in the programme. The Commons composition_date field, 1717-07-17, is the date of the documented first performance on the Thames, not a composition date.","session.date.precision":"day","session.place.value":"Rachel M. Schlesinger Concert Hall and Arts Center, Northern Virginia Community College, Alexandria Campus, Alexandria, Virginia, United States","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"programme\"]","session.place.note":"Commons says Schlesinger Concert Hall, Alexandria, VA; the programme gives the full name of the hall and campus.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"video\"]","carrier.label.note":"No record label is identified. The source is an official concert video on the Marine Band’s YouTube channel; the channel is not treated as a label, and no commercial release was found.","carrier.catalogue.value":null,"carrier.catalogue.status":"not applicable","carrier.catalogue.sourceIds":"[\"video\"]","carrier.catalogue.note":"Born-digital concert video. The YouTube video ID nT8AJrkuknY identifies the source video but is not a catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"A concert recording made in digital form has no matrix, take or side numbers.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified. The Commons file history shows the batch upload by the user Mysterymanblue (pattypan), which is an uploader credit, not an engineering credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"video\"]","transfer.date.note":"No transfer date is documented. The YouTube publication date (30 April 2018) and the Commons upload date (28 June 2021) are not session or transfer dates.","transfer.processing.value":"Opus audio file (48 kHz, two channels, encoder Lavf58.29.100) listed on Commons with the Marine Band’s YouTube playlist as its source; Commons supplies an MP3 access derivative.","transfer.processing.status":"inferred","transfer.processing.sourceIds":"[\"commons\",\"video\"]","transfer.processing.note":"The file’s own metadata documents the Opus format and encoder. That the audio was taken from the official video’s sound track is inferred from the source field and from the matching title and duration (76 s); the processing chain is not described.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/2d/Handel%27s_Water_Music_-_15._Bourree_-_Chamber_Orchestra_-_United_States_Marine_Band.opus/Handel%27s_Water_Music_-_15._Bourree_-_Chamber_Orchestra_-_United_States_Marine_Band.opus.mp3","digital.sourceChain":"[\"commons\",\"video\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Opus","digital.durationSeconds":75.721,"rights.composition.value":"Handel (died 1759): the composition is in the public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Commons tags the composition PD-old-auto-expired (death year 1759). The performing edition is not identified; editorial copyright in a modern edition, if one was used, is separate from the sound recording.","rights.recording.value":"Commons tags the performance and recording PD-USGov-Military-Marines: a work of a United States Marine or employee made as part of official duties, public domain as a work of the U.S. federal government.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"template\",\"video\"]","rights.recording.note":"This is a U.S.-jurisdiction statement, not a claim of worldwide status. The programme carries a general notice that a performance may contain third-party material and should not be assumed to be public domain; no third-party material is identified in this performance of a composition from before 1759, but the notice is recorded here. The official Marine Band YouTube channel published the source video.","rights.creditLine":"George Frideric Handel, Water Music, Suite No. 2 in D, HWV 349: IV. Bourrée. Marine Chamber Orchestra of the United States Marine Band, Major Michelle Rakers conducting; Rachel M. Schlesinger Concert Hall, Alexandria, Virginia, 29 January 2017. Audio via Wikimedia Commons from the official Marine Band concert video. U.S. federal-government work; public domain in the United States.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Handel's Water Music - 15. Bourree - Chamber Orchestra - United States Marine Band.opus\",\"url\":\"https://commons.wikimedia.org/wiki/File:Handel%27s_Water_Music_-_15._Bourree_-_Chamber_Orchestra_-_United_States_Marine_Band.opus\",\"locator\":\"File description (raw wikitext and API): performer, title, description, composition_date 1717-07-17, performance_date 2017-01-29, source (YouTube playlist), licence templates PD-old-auto-expired (1759) and PD-USGov-Military-Marines; file history (upload 2021-06-28, user Mysterymanblue, pattypan); Opus 48 kHz stereo, 75.721 s.\",\"accessed\":\"2026-10-17\"},{\"id\":\"video\",\"title\":\"United States Marine Band — HANDEL Water Music: 15. Bourree (YouTube)\",\"url\":\"https://www.youtube.com/watch?v=nT8AJrkuknY\",\"locator\":\"Watch-page metadata: channel United States Marine Band, published 2018-04-30, length 76 s, description naming the ensemble, the hall, the date, the conductor and the programme PDF; the maximum-resolution thumbnail is a wide shot of the stage (harpsichord, strings with double bass, bassoon).\",\"accessed\":\"2026-10-17\"},{\"id\":\"playlist\",\"title\":\"United States Marine Band — HANDEL Water Music (YouTube playlist)\",\"url\":\"https://www.youtube.com/playlist?list=PLA7no0L9zTk5BREIP7PeHDYv4trx-g5kS\",\"locator\":\"Playlist description and list of nine movement videos (HWV 349 movements 11–15 and HWV 350 movements 16, 17, 19, 21); last updated 4 December 2020.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Marine Chamber Orchestra, 29 January 2017 — concert programme and notes (Wayback capture of the Marine Band PDF)\",\"url\":\"https://web.archive.org/web/20251101025231id_/https://www.marineband.marines.mil/Portals/175/Docs/Programs/170129.pdf?ver=2017-01-24-094649-630\",\"locator\":\"Page 1: date, time, hall, conductor, running order after the intermission (11, 12, 16, 17/18, 14, 15, 19/20, 21/22, 13) and the copyright notice; later pages: notes on Handel, including the remark on French dances. The live Marine Band address returned HTTP 403 to the retrieval, so the archived capture of 1 November 2025 was read.\",\"accessed\":\"2026-10-17\"},{\"id\":\"template\",\"title\":\"Wikimedia Commons — Template:PD-USGov-Military-Marines\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines\",\"locator\":\"Licence text: work of a United States Marine or employee, taken or made as part of official duties.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Water Music Suite No.2, HWV 349 (Handel)\",\"url\":\"https://imslp.org/wiki/Water_Music_Suite_No.2,_HWV_349_(Handel,_George_Frideric)\",\"locator\":\"General Information: five movements (Bourée listed as 12 bars, 36 with three playings), instrumentation (2 oboes, bassoon, 2 horns, 2 trumpets, strings, continuo), first performance 1717-07-17.\",\"accessed\":\"2026-10-17\"},{\"id\":\"hha\",\"title\":\"Händel, Wassermusik Suite II HWV 349, Hallische Händel-Ausgabe IV/13, ed. Hans Ferdinand Redlich (Bärenreiter, 1962), via IMSLP #559922\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/c/c6/IMSLP559922-PMLP902090-handelHHAIV%2C13wassermusiksuiteIIHWV349.pdf\",\"locator\":\"Printed p. 53 (movement 15, bars 1–12): cut time with a one-note upbeat, repeat signs after bars 4 and 12, the instruction “This Air to be played 3 times over”, every section playing in every bar, bass figures 4–3 in bar 11 and a final dotted minim. Consulted for bar numbering only; its copyright status in the United States is not established and it is not the stated score source of the orchestra view.\",\"accessed\":\"2026-10-17\"},{\"id\":\"arnold\",\"title\":\"Handel, The Celebrated Water-musick in score (London: Samuel Arnold, 1788) — Bibliothèque nationale de France scan on Wikimedia Commons\",\"url\":\"https://commons.wikimedia.org/wiki/File:The_celebrated_Water-musick._In_score._Composed_in_the_year_1716._By_G._F._Handel_-_btv1b10072587v_(26_of_30).jpg\",\"locator\":\"Printed pp. 49–50 (Commons images 26–27 of 30): the Bourrée in cut time for trumpets, horns, oboes, bassoon, strings and figured bass. Commons tags the scans PD-old-auto-expired, PD-France and PD-US-expired.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 5 documented; 3 unknown; 2 not applicable"},{"id":"handel-water-music-2-hornpipe","composer":"George Frideric Handel","title":"Water Music, Suite No. 2 in D, HWV 349","movement":"II. Alla hornpipe","work.title":"Water Music, Suite No. 2 in D","work.catalogue":"HWV 349","work.movement":"II. Alla hornpipe","work.version.value":"Performing edition not identified. The movement number (12 of the three suites) and the structure heard (39-bar first section played twice, 35-bar middle section, da capo to the Fine at bar 39 without the repeat) match the Hallische Händel-Ausgabe text; no editor or continuo realisation is credited.","work.version.status":"inferred","work.version.sourceIds":"[\"programme\",\"hha\",\"arnold\"]","work.version.note":"The programme and Commons name the work and movement numbers but no edition. The structure follows from the measured level curve and the Hallische Händel-Ausgabe (Redlich, 1962), which prints a repeat sign after bar 39, the Fine mark at bar 39, and da capo at bar 74. IMSLP’s tally of 74 bars (133 with da capo) does not agree with that reading (74 plus 39 bars of da capo gives 113) and is not used.","performers.value":"[{\"name\":\"Marine Chamber Orchestra, United States Marine Band\",\"role\":\"orchestra\"},{\"name\":\"Major Michelle A. Rakers\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"programme\",\"video\"]","performers.note":"Commons gives the conductor as Major Michelle Rakers; the programme prints Major Michelle A. Rakers. No roster of individual players is published in the consulted sources. A trumpet, strings with a double bass, a bassoon and a harpsichord are visible in the Marine Band’s video frames; horns and oboes could not be identified there, though the recording sounds in the bars where the score gives the horns alone.","session.date.value":"2017-01-29","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"programme\",\"video\"]","session.date.note":"Commons gives performance_date 2017-01-29; the programme prints Sunday, January 29, 2017 at 2:00 P.M.; the official video description repeats the date. The Handel group stands after the intermission in the programme. The Commons composition_date field, 1717-07-17, is the date of the documented first performance on the Thames, not a composition date.","session.date.precision":"day","session.place.value":"Rachel M. Schlesinger Concert Hall and Arts Center, Northern Virginia Community College, Alexandria Campus, Alexandria, Virginia, United States","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"programme\"]","session.place.note":"Commons says Schlesinger Concert Hall, Alexandria, VA; the programme gives the full name of the hall and campus.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"video\"]","carrier.label.note":"No record label is identified. The source is an official concert video on the Marine Band’s YouTube channel; the channel is not treated as a label, and no commercial release was found.","carrier.catalogue.value":null,"carrier.catalogue.status":"not applicable","carrier.catalogue.sourceIds":"[\"video\"]","carrier.catalogue.note":"Born-digital concert video. The YouTube video ID 8Ca_cr54cfM identifies the source video but is not a catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"A concert recording made in digital form has no matrix, take or side numbers.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified. The Commons file history shows the batch upload by the user Mysterymanblue (pattypan), which is an uploader credit, not an engineering credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"video\"]","transfer.date.note":"No transfer date is documented. The YouTube publication date (30 April 2018) and the Commons upload date (28 June 2021) are not session or transfer dates.","transfer.processing.value":"Opus audio file (48 kHz, two channels, encoder Lavf58.29.100) listed on Commons with the Marine Band’s YouTube playlist as its source; Commons supplies an MP3 access derivative.","transfer.processing.status":"inferred","transfer.processing.sourceIds":"[\"commons\",\"video\"]","transfer.processing.note":"The file’s own metadata documents the Opus format and encoder. That the audio was taken from the official video’s sound track is inferred from the source field and from the matching title and duration (229 s); the processing chain is not described.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/5c/Handel%27s_Water_Music_-_12._Alla_hornpipe_-_Chamber_Orchestra_-_United_States_Marine_Band.opus/Handel%27s_Water_Music_-_12._Alla_hornpipe_-_Chamber_Orchestra_-_United_States_Marine_Band.opus.mp3","digital.sourceChain":"[\"commons\",\"video\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Opus","digital.durationSeconds":228.661,"rights.composition.value":"Handel (died 1759): the composition is in the public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Commons tags the composition PD-old-auto-expired (death year 1759). The performing edition is not identified; editorial copyright in a modern edition, if one was used, is separate from the sound recording.","rights.recording.value":"Commons tags the performance and recording PD-USGov-Military-Marines: a work of a United States Marine or employee made as part of official duties, public domain as a work of the U.S. federal government.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"template\",\"video\"]","rights.recording.note":"This is a U.S.-jurisdiction statement, not a claim of worldwide status. The programme carries a general notice that a performance may contain third-party material and should not be assumed to be public domain; no third-party material is identified in this performance of a composition from before 1759, but the notice is recorded here. The official Marine Band YouTube channel published the source video.","rights.creditLine":"George Frideric Handel, Water Music, Suite No. 2 in D, HWV 349: II. Alla hornpipe. Marine Chamber Orchestra of the United States Marine Band, Major Michelle Rakers conducting; Rachel M. Schlesinger Concert Hall, Alexandria, Virginia, 29 January 2017. Audio via Wikimedia Commons from the official Marine Band concert video. U.S. federal-government work; public domain in the United States.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Handel's Water Music - 12. Alla hornpipe - Chamber Orchestra - United States Marine Band.opus\",\"url\":\"https://commons.wikimedia.org/wiki/File:Handel%27s_Water_Music_-_12._Alla_hornpipe_-_Chamber_Orchestra_-_United_States_Marine_Band.opus\",\"locator\":\"File description (raw wikitext and API): performer, title, description, composition_date 1717-07-17, performance_date 2017-01-29, source (YouTube playlist), licence templates PD-old-auto-expired (1759) and PD-USGov-Military-Marines; file history (upload 2021-06-28, user Mysterymanblue, pattypan); Opus 48 kHz stereo, 228.661 s.\",\"accessed\":\"2026-10-17\"},{\"id\":\"video\",\"title\":\"United States Marine Band — HANDEL Water Music: 12. Alla hornpipe (YouTube)\",\"url\":\"https://www.youtube.com/watch?v=8Ca_cr54cfM\",\"locator\":\"Watch-page metadata: channel United States Marine Band, published 2018-04-30, length 229 s, description naming the ensemble, the hall, the date, the conductor and the programme PDF; thumbnails and storyboard frames viewed for the instruments on stage (a trumpet player is visible in the maximum-resolution thumbnail).\",\"accessed\":\"2026-10-17\"},{\"id\":\"playlist\",\"title\":\"United States Marine Band — HANDEL Water Music (YouTube playlist)\",\"url\":\"https://www.youtube.com/playlist?list=PLA7no0L9zTk5BREIP7PeHDYv4trx-g5kS\",\"locator\":\"Playlist description and list of nine movement videos (HWV 349 movements 11–15 and HWV 350 movements 16, 17, 19, 21); last updated 4 December 2020.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Marine Chamber Orchestra, 29 January 2017 — concert programme and notes (Wayback capture of the Marine Band PDF)\",\"url\":\"https://web.archive.org/web/20251101025231id_/https://www.marineband.marines.mil/Portals/175/Docs/Programs/170129.pdf?ver=2017-01-24-094649-630\",\"locator\":\"Page 1: date, time, hall, conductor, running order after the intermission (11, 12, 16, 17/18, 14, 15, 19/20, 21/22, 13) and the copyright notice; later pages: notes on Handel, including the phrase “Purcellian hornpipe”. The live Marine Band address returned HTTP 403 to the retrieval, so the archived capture of 1 November 2025 was read.\",\"accessed\":\"2026-10-17\"},{\"id\":\"template\",\"title\":\"Wikimedia Commons — Template:PD-USGov-Military-Marines\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines\",\"locator\":\"Licence text: work of a United States Marine or employee, taken or made as part of official duties.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Water Music Suite No.2, HWV 349 (Handel)\",\"url\":\"https://imslp.org/wiki/Water_Music_Suite_No.2,_HWV_349_(Handel,_George_Frideric)\",\"locator\":\"General Information: five movements (Alla Hornpipe listed as 74 bars, 133 with da capo), instrumentation (2 oboes, bassoon, 2 horns, 2 trumpets, strings, continuo), first performance 1717-07-17.\",\"accessed\":\"2026-10-17\"},{\"id\":\"hha\",\"title\":\"Händel, Wassermusik Suite II HWV 349, Hallische Händel-Ausgabe IV/13, ed. Hans Ferdinand Redlich (Bärenreiter, 1962), via IMSLP #559922\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/c/c6/IMSLP559922-PMLP902090-handelHHAIV%2C13wassermusiksuiteIIHWV349.pdf\",\"locator\":\"Printed pp. 44–49 (movement 12, bars 1–74): repeat sign and Fine after bar 39, brass staves resting through bars 40–74, oboes and fagotto resting in bars 67–74, da capo at bar 74. Consulted for bar numbering only; its copyright status in the United States is not established and it is not the stated score source of the orchestra view.\",\"accessed\":\"2026-10-17\"},{\"id\":\"arnold\",\"title\":\"Handel, The Celebrated Water-musick in score (London: Samuel Arnold, 1788) — Bibliothèque nationale de France scan on Wikimedia Commons\",\"url\":\"https://commons.wikimedia.org/wiki/File:The_celebrated_Water-musick._In_score._Composed_in_the_year_1716._By_G._F._Handel_-_btv1b10072587v_(21_of_30).jpg\",\"locator\":\"Printed pp. 39–44 (Commons images 21–24 of 30): the Alla Hornpipe in 3/2 for trumpets, horns, oboes, bassoon, three violin parts, viola and figured bass, with the repeat sign on p. 42 and Da Capo on p. 44. Commons tags the scans PD-old-auto-expired, PD-France and PD-US-expired.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 5 documented; 3 unknown; 2 not applicable"},{"id":"handel-water-music-2-lentement","composer":"George Frideric Handel","title":"Water Music, Suite No. 2 in D, HWV 349","movement":"III. Lentement","work.title":"Water Music, Suite No. 2 in D","work.catalogue":"HWV 349","work.movement":"III. Lentement","work.version.value":"Performing edition not identified. The movement number (14 of the three suites) and the structure heard (first strain of 19 bars played twice, second strain of 15 bars without brass, da capo to the fermata chord) match the Hallische Händel-Ausgabe text; no editor or continuo realisation is credited.","work.version.status":"inferred","work.version.sourceIds":"[\"programme\",\"hha\",\"arnold\",\"imslp\"]","work.version.note":"The programme and Commons name the work and movement numbers but no edition. The structure follows from the measured silences and the Hallische Händel-Ausgabe (Redlich, 1962), which prints 34 bars with a fermata, the mark Fine and a repeat sign at bar 19 and da capo at bar 34; IMSLP’s tally of 34 bars (53 with da capo) agrees.","performers.value":"[{\"name\":\"Marine Chamber Orchestra, United States Marine Band\",\"role\":\"orchestra\"},{\"name\":\"Major Michelle A. Rakers\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"programme\",\"video\"]","performers.note":"Commons gives the conductor as Major Michelle Rakers; the programme prints Major Michelle A. Rakers. No roster of individual players is published in the consulted sources. This video’s frames show the conductor and the strings; the ensemble’s harpsichord, bassoon and trumpet are visible in the other movements’ videos, and no frame shows horns or oboes.","session.date.value":"2017-01-29","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"programme\",\"video\"]","session.date.note":"Commons gives performance_date 2017-01-29; the programme prints Sunday, January 29, 2017 at 2:00 P.M.; the official video description repeats the date. The Handel group stands after the intermission in the programme. The Commons composition_date field, 1717-07-17, is the date of the documented first performance on the Thames, not a composition date.","session.date.precision":"day","session.place.value":"Rachel M. Schlesinger Concert Hall and Arts Center, Northern Virginia Community College, Alexandria Campus, Alexandria, Virginia, United States","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"programme\"]","session.place.note":"Commons says Schlesinger Concert Hall, Alexandria, VA; the programme gives the full name of the hall and campus.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"video\"]","carrier.label.note":"No record label is identified. The source is an official concert video on the Marine Band’s YouTube channel; the channel is not treated as a label, and no commercial release was found.","carrier.catalogue.value":null,"carrier.catalogue.status":"not applicable","carrier.catalogue.sourceIds":"[\"video\"]","carrier.catalogue.note":"Born-digital concert video. The YouTube video ID kcvxvHjujY0 identifies the source video but is not a catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"A concert recording made in digital form has no matrix, take or side numbers.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified. The Commons file history shows the batch upload by the user Mysterymanblue (pattypan), which is an uploader credit, not an engineering credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"video\"]","transfer.date.note":"No transfer date is documented. The YouTube publication date (30 April 2018) and the Commons upload date (28 June 2021) are not session or transfer dates.","transfer.processing.value":"Opus audio file (48 kHz, two channels, encoder Lavf58.29.100) listed on Commons with the Marine Band’s YouTube playlist as its source; Commons supplies an MP3 access derivative.","transfer.processing.status":"inferred","transfer.processing.sourceIds":"[\"commons\",\"video\"]","transfer.processing.note":"The file’s own metadata documents the Opus format and encoder. That the audio was taken from the official video’s sound track is inferred from the source field and from the matching title and duration (136 s); the processing chain is not described.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/75/Handel%27s_Water_Music_-_14._Lentement_-_Chamber_Orchestra_-_United_States_Marine_Band.opus/Handel%27s_Water_Music_-_14._Lentement_-_Chamber_Orchestra_-_United_States_Marine_Band.opus.mp3","digital.sourceChain":"[\"commons\",\"video\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Opus","digital.durationSeconds":135.581,"rights.composition.value":"Handel (died 1759): the composition is in the public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Commons tags the composition PD-old-auto-expired (death year 1759). The performing edition is not identified; editorial copyright in a modern edition, if one was used, is separate from the sound recording.","rights.recording.value":"Commons tags the performance and recording PD-USGov-Military-Marines: a work of a United States Marine or employee made as part of official duties, public domain as a work of the U.S. federal government.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"template\",\"video\"]","rights.recording.note":"This is a U.S.-jurisdiction statement, not a claim of worldwide status. The programme carries a general notice that a performance may contain third-party material and should not be assumed to be public domain; no third-party material is identified in this performance of a composition from before 1759, but the notice is recorded here. The official Marine Band YouTube channel published the source video.","rights.creditLine":"George Frideric Handel, Water Music, Suite No. 2 in D, HWV 349: III. Lentement. Marine Chamber Orchestra of the United States Marine Band, Major Michelle Rakers conducting; Rachel M. Schlesinger Concert Hall, Alexandria, Virginia, 29 January 2017. Audio via Wikimedia Commons from the official Marine Band concert video. U.S. federal-government work; public domain in the United States.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Handel's Water Music - 14. 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Lentement (YouTube)\",\"url\":\"https://www.youtube.com/watch?v=kcvxvHjujY0\",\"locator\":\"Watch-page metadata: channel United States Marine Band, published 2018-04-30, length 136 s, description naming the ensemble, the hall, the date, the conductor and the programme PDF; thumbnails and storyboard frames viewed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"playlist\",\"title\":\"United States Marine Band — HANDEL Water Music (YouTube playlist)\",\"url\":\"https://www.youtube.com/playlist?list=PLA7no0L9zTk5BREIP7PeHDYv4trx-g5kS\",\"locator\":\"Playlist description and list of nine movement videos (HWV 349 movements 11–15 and HWV 350 movements 16, 17, 19, 21); last updated 4 December 2020.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Marine Chamber Orchestra, 29 January 2017 — concert programme and notes (Wayback capture of the Marine Band PDF)\",\"url\":\"https://web.archive.org/web/20251101025231id_/https://www.marineband.marines.mil/Portals/175/Docs/Programs/170129.pdf?ver=2017-01-24-094649-630\",\"locator\":\"Page 1: date, time, hall, conductor, running order after the intermission (11, 12, 16, 17/18, 14, 15, 19/20, 21/22, 13) and the copyright notice. The live Marine Band address returned HTTP 403 to the retrieval, so the archived capture of 1 November 2025 was read.\",\"accessed\":\"2026-10-17\"},{\"id\":\"template\",\"title\":\"Wikimedia Commons — Template:PD-USGov-Military-Marines\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines\",\"locator\":\"Licence text: work of a United States Marine or employee, taken or made as part of official duties.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Water Music Suite No.2, HWV 349 (Handel)\",\"url\":\"https://imslp.org/wiki/Water_Music_Suite_No.2,_HWV_349_(Handel,_George_Frideric)\",\"locator\":\"General Information: five movements (Lentement listed as 34 bars, 53 with da capo), instrumentation (2 oboes, bassoon, 2 horns, 2 trumpets, strings, continuo), first performance 1717-07-17.\",\"accessed\":\"2026-10-17\"},{\"id\":\"hha\",\"title\":\"Händel, Wassermusik Suite II HWV 349, Hallische Händel-Ausgabe IV/13, ed. Hans Ferdinand Redlich (Bärenreiter, 1962), via IMSLP #559922\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/c/c6/IMSLP559922-PMLP902090-handelHHAIV%2C13wassermusiksuiteIIHWV349.pdf\",\"locator\":\"Printed pp. 51–52 (movement 14, bars 1–34): first strain bars 1–19 with fermata, Fine and repeat sign at bar 19; trumpet and horn staves empty in bars 20–34; da capo at bar 34. Consulted for bar numbering only; its copyright status in the United States is not established and it is not the stated score source of the orchestra view.\",\"accessed\":\"2026-10-17\"},{\"id\":\"arnold\",\"title\":\"Handel, The Celebrated Water-musick in score (London: Samuel Arnold, 1788) — Bibliothèque nationale de France scan on Wikimedia Commons\",\"url\":\"https://commons.wikimedia.org/wiki/File:The_celebrated_Water-musick._In_score._Composed_in_the_year_1716._By_G._F._Handel_-_btv1b10072587v_(25_of_30).jpg\",\"locator\":\"Printed pp. 47–49 (Commons images 25–26 of 30): the Lentement in 3/4 for trumpets, horns, oboes, bassoon, strings and figured bass, with the fermata chord on p. 48 and Da Capo on p. 49. Commons tags the scans PD-old-auto-expired, PD-France and PD-US-expired.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 5 documented; 3 unknown; 2 not applicable"},{"id":"handel-water-music-2-minuet","composer":"George Frideric Handel","title":"Water Music, Suite No. 2 in D, HWV 349","movement":"V. Minuet","work.title":"Water Music, Suite No. 2 in D","work.catalogue":"HWV 349","work.movement":"V. Minuet","work.version.value":"Performing edition not identified. The movement number (13 of the three suites) and the strains heard (a first strain of 8 bars and a second of 16, each played twice) match the Hallische Händel-Ausgabe text. The recording then plays all 24 bars once more without repeats, which that edition does not print; no editor or continuo realisation is credited.","work.version.status":"inferred","work.version.sourceIds":"[\"programme\",\"hha\",\"arnold\"]","work.version.note":"The programme and Commons name the work and movement numbers but no edition. The Hallische Händel-Ausgabe (Redlich, 1962) prints 24 bars with a repeat sign after bar 8 and after bar 24 and no da capo; the second statement follows from the measured pauses (about 54 s for 24 bars at the first statement’s pace) and is a feature of this performance. Commons and the candidate list place this movement fifth in the suite; the edition numbers it third (13), and Arnold’s 1788 score prints it last, headed Coro.","performers.value":"[{\"name\":\"Marine Chamber Orchestra, United States Marine Band\",\"role\":\"orchestra\"},{\"name\":\"Major Michelle A. Rakers\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"programme\",\"video\"]","performers.note":"Commons gives the conductor as Major Michelle Rakers; the programme prints Major Michelle A. Rakers. No roster of individual players is published in the consulted sources. The video’s closing frames show the whole orchestra standing; the ensemble’s harpsichord, bassoon and trumpet are visible in the other movements’ videos, and no frame shows horns or oboes. Which sections play in each statement is not established: an independent look at the official video reports upper-string players resting at about 1:05, where the printed score gives them notes, so the recording is not assumed to follow the printed parts. No orchestra view is authored for this movement for that reason.","session.date.value":"2017-01-29","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"programme\",\"video\"]","session.date.note":"Commons gives performance_date 2017-01-29; the programme prints Sunday, January 29, 2017 at 2:00 P.M.; the official video description repeats the date. This Minuet is the last item of the programme. The Commons composition_date field, 1717-07-17, is the date of the documented first performance on the Thames, not a composition date.","session.date.precision":"day","session.place.value":"Rachel M. Schlesinger Concert Hall and Arts Center, Northern Virginia Community College, Alexandria Campus, Alexandria, Virginia, United States","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"programme\"]","session.place.note":"Commons says Schlesinger Concert Hall, Alexandria, VA; the programme gives the full name of the hall and campus.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"video\"]","carrier.label.note":"No record label is identified. The source is an official concert video on the Marine Band’s YouTube channel; the channel is not treated as a label, and no commercial release was found.","carrier.catalogue.value":null,"carrier.catalogue.status":"not applicable","carrier.catalogue.sourceIds":"[\"video\"]","carrier.catalogue.note":"Born-digital concert video. The YouTube video ID fRhxYQOWkX0 identifies the source video but is not a catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"A concert recording made in digital form has no matrix, take or side numbers.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified. The Commons file history shows the batch upload by the user Mysterymanblue (pattypan), which is an uploader credit, not an engineering credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"video\"]","transfer.date.note":"No transfer date is documented. The YouTube publication date (30 April 2018) and the Commons upload date (28 June 2021) are not session or transfer dates.","transfer.processing.value":"Opus audio file (48 kHz, two channels, encoder Lavf58.29.100) listed on Commons with the Marine Band’s YouTube playlist as its source; Commons supplies an MP3 access derivative. The file keeps the audience’s applause after the last chord.","transfer.processing.status":"inferred","transfer.processing.sourceIds":"[\"commons\",\"video\"]","transfer.processing.note":"The file’s own metadata documents the Opus format and encoder. That the audio was taken from the official video’s sound track is inferred from the source field and from the matching title and duration (195 s); the processing chain is not described. That the closing half-minute is applause is inferred from its sound and from the standing players and audience silhouettes in the video’s last frames.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/c9/Handel%27s_Water_Music_-_13._Minuet_-_Chamber_Orchestra_-_United_States_Marine_Band.opus/Handel%27s_Water_Music_-_13._Minuet_-_Chamber_Orchestra_-_United_States_Marine_Band.opus.mp3","digital.sourceChain":"[\"commons\",\"video\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Opus","digital.durationSeconds":195.301,"rights.composition.value":"Handel (died 1759): the composition is in the public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Commons tags the composition PD-old-auto-expired (death year 1759). The performing edition is not identified; editorial copyright in a modern edition, if one was used, is separate from the sound recording.","rights.recording.value":"Commons tags the performance and recording PD-USGov-Military-Marines: a work of a United States Marine or employee made as part of official duties, public domain as a work of the U.S. federal government.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"template\",\"video\"]","rights.recording.note":"This is a U.S.-jurisdiction statement, not a claim of worldwide status. The programme carries a general notice that a performance may contain third-party material and should not be assumed to be public domain; no third-party material is identified in this performance of a composition from before 1759, but the notice is recorded here. The official Marine Band YouTube channel published the source video.","rights.creditLine":"George Frideric Handel, Water Music, Suite No. 2 in D, HWV 349: V. Minuet. Marine Chamber Orchestra of the United States Marine Band, Major Michelle Rakers conducting; Rachel M. Schlesinger Concert Hall, Alexandria, Virginia, 29 January 2017. Audio via Wikimedia Commons from the official Marine Band concert video. U.S. federal-government work; public domain in the United States.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Handel's Water Music - 13. Minuet - Chamber Orchestra - United States Marine Band.opus\",\"url\":\"https://commons.wikimedia.org/wiki/File:Handel%27s_Water_Music_-_13._Minuet_-_Chamber_Orchestra_-_United_States_Marine_Band.opus\",\"locator\":\"File description (raw wikitext and API): performer, title (Suite No. 2 in D, HWV 349: V. 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Minuet (YouTube)\",\"url\":\"https://www.youtube.com/watch?v=fRhxYQOWkX0\",\"locator\":\"Watch-page metadata: channel United States Marine Band, published 2018-04-30, length 195 s, description naming the ensemble, the hall, the date, the conductor and the programme PDF; storyboard frames viewed, including the closing frames with the orchestra standing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"playlist\",\"title\":\"United States Marine Band — HANDEL Water Music (YouTube playlist)\",\"url\":\"https://www.youtube.com/playlist?list=PLA7no0L9zTk5BREIP7PeHDYv4trx-g5kS\",\"locator\":\"Playlist description and list of nine movement videos (HWV 349 movements 11–15 and HWV 350 movements 16, 17, 19, 21); last updated 4 December 2020.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Marine Chamber Orchestra, 29 January 2017 — concert programme and notes (Wayback capture of the Marine Band PDF)\",\"url\":\"https://web.archive.org/web/20251101025231id_/https://www.marineband.marines.mil/Portals/175/Docs/Programs/170129.pdf?ver=2017-01-24-094649-630\",\"locator\":\"Page 1: date, time, hall, conductor, running order after the intermission (11, 12, 16, 17/18, 14, 15, 19/20, 21/22, 13, the Minuet last) and the copyright notice. The live Marine Band address returned HTTP 403 to the retrieval, so the archived capture of 1 November 2025 was read.\",\"accessed\":\"2026-10-17\"},{\"id\":\"template\",\"title\":\"Wikimedia Commons — Template:PD-USGov-Military-Marines\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines\",\"locator\":\"Licence text: work of a United States Marine or employee, taken or made as part of official duties.\",\"accessed\":\"2026-10-17\"},{\"id\":\"hha\",\"title\":\"Händel, Wassermusik Suite II HWV 349, Hallische Händel-Ausgabe IV/13, ed. Hans Ferdinand Redlich (Bärenreiter, 1962), via IMSLP #559922\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/c/c6/IMSLP559922-PMLP902090-handelHHAIV%2C13wassermusiksuiteIIHWV349.pdf\",\"locator\":\"Printed pp. 50–51 (movement 13, bars 1–24): first strain bars 1–8 and second strain bars 9–24, each closed by a repeat sign; trumpets and horns resting in bars 9–11; the final bar a dotted minim in every part. Consulted for bar numbering only; its copyright status in the United States is not established and it is not the stated score source of the orchestra view.\",\"accessed\":\"2026-10-17\"},{\"id\":\"arnold\",\"title\":\"Handel, The Celebrated Water-musick in score (London: Samuel Arnold, 1788) — Bibliothèque nationale de France scan on Wikimedia Commons\",\"url\":\"https://commons.wikimedia.org/wiki/File:The_celebrated_Water-musick._In_score._Composed_in_the_year_1716._By_G._F._Handel_-_btv1b10072587v_(28_of_30).jpg\",\"locator\":\"Printed pp. 52–53 (Commons image 28 of 30): the D major minuet headed Coro for trumpets, horns, oboes, bassoon, three violin parts, viola and figured bass, ending the score with FINIS. Commons tags the scans PD-old-auto-expired, PD-France and PD-US-expired.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 5 documented; 3 unknown; 2 not applicable"},{"id":"haydn-54-2-adagio","composer":"Joseph Haydn","title":"String Quartet in C major, Op. 54 No. 2, Hob. III:57","movement":"II. Adagio","work.title":"String Quartet in C major, Op. 54 No. 2","work.catalogue":"Hob. III:57","work.movement":"II. Adagio","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial choices are not identified in the recording sources. The performance appears to omit the first-movement exposition repeat, which is an observation from the audio, not a documented fact.","performers.value":"[{\"name\":\"The Danish String Quartet\",\"role\":\"string quartet\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"youtube\",\"dsq\"]","performers.note":"The Commons file and the video name the ensemble only. The individual players of this 2015 concert are not listed in the sources consulted, so no names are inferred.","session.date.value":"May 2015","session.date.status":"documented","session.date.sourceIds":"[\"youtube\"]","session.date.note":"The uploader’s video description gives the concert as May 2015. The Commons date, 24 July 2015, is the YouTube upload date, not a session date.","session.date.precision":"month","session.place.value":"Tel Aviv Museum of Art, Tel Aviv, Israel","session.place.status":"documented","session.place.sourceIds":"[\"youtube\"]","session.place.note":"Stated in the video description. The video is titled “Haydn Quartet Op. 54 No. 2, Danish String Quartet LIVE”; the description misprints the opus as 64.","carrier.label.value":null,"carrier.label.status":"not applicable","carrier.label.sourceIds":"[\"youtube\"]","carrier.label.note":"A born-digital concert video: there is no commercial disc or tape carrier.","carrier.catalogue.value":null,"carrier.catalogue.status":"not applicable","carrier.catalogue.sourceIds":"[\"youtube\"]","carrier.catalogue.note":"No catalogue number applies to a concert video upload.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"youtube\"]","carrier.matrixTakeSides.note":"No matrix, take or side applies to a born-digital concert video.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"youtube\",\"commons\"]","transfer.credits.note":"The video description credits Gilad Shabani for the video and Ilan Rechtman as music director of the concert series; neither is credited for extracting the audio. A Commons uploader’s username is not a transfer credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented; the Commons date 2015-07-24 is the YouTube upload date.","transfer.processing.value":"Audio taken from the YouTube concert video and stored on Commons as an Ogg Vorbis file, which Commons transcodes to an MP3 derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The Commons file is one of four movement extracts from a single 19-minute video; who made the cuts, and whether any editing or loudness processing was applied, is not stated.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/e/ef/The_Danish_String_Quartet_-_Haydn%27s_String_Quartet_No._42_in_C_major%2C_Op._54%2C_No._2%2C_Hob.III-57_-_II._Adagio.ogg/The_Danish_String_Quartet_-_Haydn%27s_String_Quartet_No._42_in_C_major%2C_Op._54%2C_No._2%2C_Hob.III-57_-_II._Adagio.ogg.mp3","digital.sourceChain":"[\"commons\",\"youtube\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":187.7815,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Haydn died in 1809. 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DAHR’s list for 24 April 1929 includes CVE-48986 and Bolig gives take 2 for the second side. Commons’ 1 January 1929 is not a session day.","session.date.precision":"day","session.place.value":"Symphony Hall, Boston, Massachusetts, United States","session.place.status":"documented","session.place.sourceIds":"[\"arsc\",\"dahr-a\"]","session.place.note":"Young heads the 22 April 1929 session “Symphony Hall, Boston, Massachusetts” and lists the 24 April retaken sides of the same symphony under that session; DAHR gives Symphony Hall, Boston for the Andante side CVE-48984. A separate place for the 24 April retakes is not given.","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"dahr-a\"]","carrier.label.note":"","carrier.catalogue.value":"Victor set M-55 (discs 7058–7060), released September 1929","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"arsc\",\"archive\",\"dahr-a\"]","carrier.catalogue.note":"Young lists the symphony as released 9/29 on M-55 (7058/60), with later AM-55, DM-55, HMV and LP issues. The upstream transfer also names set M-55 (Internet Archive description), and DAHR places the Andante on disc 7059. The disc number of this movement’s sides is not stated; the side order (sides 1–2 movement I, sides 3–4 the Andante, sides 5–6 the Menuetto and Finale) suggests 7058 for movement I and 7060 for the Menuetto and Finale, but that allocation is inferred.","carrier.matrixTakeSides.value":"Side 1: CVE-48983, take 2 (22 April 1929); side 2: CVE-48986, take 2 (24 April 1929)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"arsc\",\"bolig\",\"dahr-date\"]","carrier.matrixTakeSides.note":"Young gives CVE-48983-2 and CVE-48986-2 as the issued takes of the first movement’s two sides. Bolig independently gives CVE-48986 take 2 for part 2. The DAHR matrix pages could not be opened on 17 October 2026 (503 error). No run-out inspection has been made of the digital surrogate.","transfer.credits.value":"Bob Varney — transfer from original Victor 78s","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\"]","transfer.date.note":"No transfer date is identified. The Internet Archive item was uploaded in December 2008, which is an upload date.","transfer.processing.value":"Transfer from the original Victor 78 rpm set M-55 into one 20:48 file, from which the four movements were extracted as separate Commons files.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"commons\"]","transfer.processing.note":"The file lengths of the four Commons movements sum to the length of the Internet Archive file within about a second. The extraction procedure, stylus, playback curve, side-join locations and noise treatment are not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/0/08/Haydn%3B_Symphony_No._94_%22Surprise%22%2C_1._Adagio_%E2%80%93_Vivace_assai.ogg/Haydn%3B_Symphony_No._94_%22Surprise%22%2C_1._Adagio_%E2%80%93_Vivace_assai.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":369.7035827664399,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Haydn died in 1809. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"eu-audio\",\"eu-extension\",\"archive\",\"arsc\"]","rights.recording.note":"Commons applies PD-EU-audio to the Koussevitzky/Boston recording attributed to 1929, and the Internet Archive item carries a Creative Commons public-domain licence URL, not treated here as authority to waive Victor’s rights. The programme’s pre-1963 European rule applies because the 50-year term had expired before the 2013 extension; Young gives the release as September 1929, which supports first publication well before 1963. This is territorial, not a worldwide licence; US status is not established.","rights.recording.alternatives":"[{\"value\":\"PD-EU-audio — European performers’ and producers’ rights claimed expired.\",\"sourceIds\":[\"commons\",\"eu-audio\"]},{\"value\":\"Creative Commons public-domain dedication — licence URL on the Internet Archive item.\",\"sourceIds\":[\"archive\"]}]","rights.creditLine":"Joseph Haydn, Symphony No. 94, I. Adagio cantabile — Vivace assai; Boston Symphony Orchestra, Serge Koussevitzky, April 1929. Victor set M-55; transfer by Bob Varney, Internet Archive, via Wikimedia Commons. Rights metadata conflicts; no worldwide recording clearance is asserted.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Haydn; Symphony No. 94 \\\"Surprise\\\", 1. 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Young — Discography of Koussevitzky recordings, ARSC Journal 21/1 (1990)\",\"url\":\"https://www.arsc-amp.org/journals/v21/v21n1p45-129.pdf\",\"locator\":\"Printed p. 81 (PDF p. 37): the 22 April 1929 Symphony Hall, Boston session heading; the Haydn Symphony No. 94 entry (released 9/29, M-55 7058/60) with matrix, issued takes and recording dates of all six sides, including CVE-48988 takes 2 and 3.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-a\",\"title\":\"DAHR — Victor matrix CVE-48984\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/800022770\",\"locator\":\"Andante, part 3; master take 1, 22 April 1929, Symphony Hall, Boston; Victor 7059 and set M-55. Opened for the set’s place and carrier.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bolig\",\"title\":\"John R. Bolig — His Master’s Voice Celebrity Series Recordings and Historical Reissues, 1924–1958\",\"url\":\"https://www.examenapium.it/cs/biblio/Bolig2020.pdf\",\"locator\":\"Koussevitzky’s Symphony No. 94 entries: 1st movement, Vivace assai, part 2, CVE-48986 take 2; 3rd movement, Menuetto, CVE-48987 take 1; 4th movement, Allegro di molto, CVE-48988 take 3, all 24 April 1929. The text was read from an extract of this PDF; the host refused a direct re-fetch on 17 October 2026.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Wikipedia — Joseph Haydn\",\"url\":\"https://en.wikipedia.org/wiki/Joseph_Haydn\",\"locator\":\"Lead paragraph: 31 March 1732 – 31 May 1809.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights; the underlying composition requires a separate basis; territorial.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 9 documented; 1 inferred"},{"id":"haydn-94-andante","composer":"Joseph Haydn","title":"Symphony No. 94 “Surprise”","movement":"II. Andante","work.title":"Symphony No. 94 in G major “Surprise”","work.catalogue":"Hob. I:94","work.movement":"II. Andante","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording sources.","performers.value":"[{\"name\":\"Boston Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Serge Koussevitzky\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\",\"dahr-a\",\"dahr-b\"]","performers.note":"","session.date.value":"22 April 1929","session.date.status":"documented","session.date.sourceIds":"[\"dahr-a\",\"dahr-b\"]","session.date.note":"Both Andante sides were recorded on this day. The complete symphony also required a session on 24 April; Commons’ 1 January 1929 is not the session day.","session.date.precision":"day","session.place.value":"Symphony Hall, Boston, Massachusetts, United States","session.place.status":"documented","session.place.sourceIds":"[\"dahr-a\",\"dahr-b\"]","session.place.note":"","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"dahr-a\",\"dahr-b\"]","carrier.label.note":"","carrier.catalogue.value":"M-55; Andante issued on Victor 7059","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"dahr-a\",\"dahr-b\"]","carrier.catalogue.note":"The upstream transfer identifies set M-55. DAHR supplies the disc number for the two Andante sides.","carrier.matrixTakeSides.value":"CVE-48984, take 1: Andante, part 3; CVE-48985, take 3: Andante concluded, part 4.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr-a\",\"dahr-b\"]","carrier.matrixTakeSides.note":"These are the issued takes listed for M-55. No run-out inspection or aural take comparison has been performed on the digital surrogate.","transfer.credits.value":"Bob Varney — transfer from original Victor 78s","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":"Transfer from the original Victor 78 rpm set M-55.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The transfer is documented; stylus, playback curve, side-join locations and noise treatment are not. The Commons movement is extracted from an upstream complete-symphony file, but the extraction procedure is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/4/42/Haydn%3B_Symphony_No._94_%22Surprise%22%2C_2._Andante.ogg/Haydn%3B_Symphony_No._94_%22Surprise%22%2C_2._Andante.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":438.26560090702947,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"The composer died in 1809. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\"]","rights.recording.note":"Commons applies PD-EU-audio to the Koussevitzky/Boston recording attributed to 1929. The alternative CC0 metadata is not needed and is not treated as authority to waive Victor’s rights. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. A recording date alone is not represented as an independently verified first-publication date.","rights.recording.alternatives":"[{\"value\":\"PD-EU-audio — European performers’ and producers’ rights claimed expired.\",\"sourceIds\":[\"commons\",\"eu-audio\"]},{\"value\":\"CC0 — dedication asserted by Commons Structured data.\",\"sourceIds\":[\"commons-data\"]}]","rights.creditLine":"Joseph Haydn, Symphony No. 94, II; Boston Symphony Orchestra, Serge Koussevitzky, 22 April 1929. Victor M-55 / 7059; transfer by Bob Varney, Internet Archive, via Wikimedia Commons. Rights metadata conflicts; no worldwide recording clearance is asserted.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Haydn; Symphony No. 94 \\\"Surprise\\\", 2. Andante.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Haydn;_Symphony_No._94_%22Surprise%22,_2._Andante.ogg?oldid=638011151\",\"locator\":\"File-description wikitext: work identification, Summary, Source and Licensing; file format, duration and Transcode status.\",\"accessed\":\"2026-10-16\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Haydn;_Symphony_No._94_%22Surprise%22,_2._Andante.ogg#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Haydn Symphony No. 94\",\"url\":\"https://archive.org/metadata/Haydn_Symphony_No_94_Surprise\",\"locator\":\"metadata.description: Koussevitzky and Boston Symphony, 1929; transfer from original Victor 78 set M-55 by Bob Varney. Uploaded in December 2008; upload is not the session or transfer date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"dahr-a\",\"title\":\"DAHR — Victor matrix CVE-48984\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/800022770\",\"locator\":\"Second movement, Andante, part 3; master take 1, 22 April 1929, Symphony Hall, Boston; Victor 7059 and M-55. The disc uses the older symphony number 6; DAHR identifies Hob. I:94.\",\"accessed\":\"2026-10-16\"},{\"id\":\"dahr-b\",\"title\":\"DAHR — Victor matrix CVE-48985\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/800022771\",\"locator\":\"Second movement, Andante concluded, part 4; take 3, 22 April 1929, Symphony Hall, Boston; Victor 7059 and M-55.\",\"accessed\":\"2026-10-16\"},{\"id\":\"composer\",\"title\":\"Joseph Haydn — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Joseph_Haydn\",\"locator\":\"Lead paragraph: composer’s death year.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights after 50 or 70 years; underlying composition requires a separate rights basis.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): extension applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-recordings\",\"title\":\"17 U.S.C. § 1401 — pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Section (a)(2): terms depend on first publication; post-1956 recordings fixed before 15 February 1972 remain within the statutory term until 15 February 2067.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Haydn; Symphony No. 94 \\\"Surprise\\\", 2. Andante.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1177337502%7C1285956118%7C638011151%7C1264375355%7C1118001688%7C1003399466%7C1113441804%7C808915645%7C525137715%7C963510501&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Haydn; Symphony No. 94 \\\"Surprise\\\", 2. Andante.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3), inserting Article 10(5): extension applies to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-audio\",\"title\":\"Wikimedia Commons — recording-specific scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation concern performers’ and producers’ rights, not merely composition copyright; territorial European expiry.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"2 unknown; 9 documented; 1 inferred"},{"id":"haydn-94-finale","composer":"Joseph Haydn","title":"Symphony No. 94 “Surprise”","movement":"IV. Finale: Allegro molto","work.title":"Symphony No. 94 in G major “Surprise”","work.catalogue":"Hob. I:94","work.movement":"IV. Finale: Allegro molto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording sources.","performers.value":"[{\"name\":\"Boston Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Serge Koussevitzky\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\",\"dahr-date\"]","performers.note":"","session.date.value":"24 April 1929","session.date.status":"documented","session.date.sourceIds":"[\"arsc\",\"dahr-date\",\"bolig\"]","session.date.note":"Young lists CVE-48988 with the recording date 24 April 1929, DAHR lists it among the Boston Symphony Orchestra and Koussevitzky recordings of Symphony No. 94 made that day, and the Bolig discography assigns the finale (“Allegro di molto”) to that matrix. Commons’ 1 January 1929 is not a session day.","session.date.precision":"day","session.place.value":"Symphony Hall, Boston, Massachusetts, United States","session.place.status":"documented","session.place.sourceIds":"[\"arsc\",\"dahr-a\"]","session.place.note":"Young heads the 22 April 1929 session “Symphony Hall, Boston, Massachusetts” and lists the 24 April retaken sides of the same symphony under that session; DAHR gives Symphony Hall, Boston for the Andante side CVE-48984. A separate place for the 24 April retakes is not given.","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"dahr-a\"]","carrier.label.note":"","carrier.catalogue.value":"Victor set M-55 (discs 7058–7060), released September 1929","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"arsc\",\"archive\",\"dahr-a\"]","carrier.catalogue.note":"Young lists the symphony as released 9/29 on M-55 (7058/60), with later AM-55, DM-55, HMV and LP issues. The upstream transfer also names set M-55 (Internet Archive description), and DAHR places the Andante on disc 7059. The disc number of this movement’s sides is not stated; the side order (sides 1–2 movement I, sides 3–4 the Andante, sides 5–6 the Menuetto and Finale) suggests 7058 for movement I and 7060 for the Menuetto and Finale, but that allocation is inferred.","carrier.matrixTakeSides.value":"CVE-48988, take 2 or take 3: the finale; the take on this transfer is not identified","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"arsc\",\"bolig\",\"dahr-date\"]","carrier.matrixTakeSides.note":"Young lists both take 2 and take 3 of CVE-48988 as issued (three takes made), and Bolig names take 3. Which take the Bob Varney transfer reproduces is not established by any source consulted, so only the matrix is asserted. The DAHR matrix page could not be opened on 17 October 2026 (503 error). No run-out inspection has been made of the digital surrogate.","transfer.credits.value":"Bob Varney — transfer from original Victor 78s","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\"]","transfer.date.note":"No transfer date is identified. The Internet Archive item was uploaded in December 2008, which is an upload date.","transfer.processing.value":"Transfer from the original Victor 78 rpm set M-55 into one 20:48 file, from which the four movements were extracted as separate Commons files.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"commons\"]","transfer.processing.note":"The file lengths of the four Commons movements sum to the length of the Internet Archive file within about a second. The extraction procedure, stylus, playback curve, side-join locations and noise treatment are not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/ba/Haydn%3B_Symphony_No._94_%22Surprise%22%2C_4._Finale_%28Allegro_molto%29.ogg/Haydn%3B_Symphony_No._94_%22Surprise%22%2C_4._Finale_%28Allegro_molto%29.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":210.66630385487528,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Haydn died in 1809. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"eu-audio\",\"eu-extension\",\"archive\",\"arsc\"]","rights.recording.note":"Commons applies PD-EU-audio to the Koussevitzky/Boston recording attributed to 1929, and the Internet Archive item carries a Creative Commons public-domain licence URL, not treated here as authority to waive Victor’s rights. The programme’s pre-1963 European rule applies because the 50-year term had expired before the 2013 extension; Young gives the release as September 1929, which supports first publication well before 1963. This is territorial, not a worldwide licence; US status is not established.","rights.recording.alternatives":"[{\"value\":\"PD-EU-audio — European performers’ and producers’ rights claimed expired.\",\"sourceIds\":[\"commons\",\"eu-audio\"]},{\"value\":\"Creative Commons public-domain dedication — licence URL on the Internet Archive item.\",\"sourceIds\":[\"archive\"]}]","rights.creditLine":"Joseph Haydn, Symphony No. 94, IV. Finale: Allegro molto; Boston Symphony Orchestra, Serge Koussevitzky, April 1929. Victor set M-55; transfer by Bob Varney, Internet Archive, via Wikimedia Commons. Rights metadata conflicts; no worldwide recording clearance is asserted.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Haydn; Symphony No. 94 \\\"Surprise\\\", 4. 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Young — Discography of Koussevitzky recordings, ARSC Journal 21/1 (1990)\",\"url\":\"https://www.arsc-amp.org/journals/v21/v21n1p45-129.pdf\",\"locator\":\"Printed p. 81 (PDF p. 37): the 22 April 1929 Symphony Hall, Boston session heading; the Haydn Symphony No. 94 entry (released 9/29, M-55 7058/60) with matrix, issued takes and recording dates of all six sides, including CVE-48988 takes 2 and 3.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-a\",\"title\":\"DAHR — Victor matrix CVE-48984\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/800022770\",\"locator\":\"Andante, part 3; master take 1, 22 April 1929, Symphony Hall, Boston; Victor 7059 and set M-55. Opened for the set’s place and carrier.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bolig\",\"title\":\"John R. Bolig — His Master’s Voice Celebrity Series Recordings and Historical Reissues, 1924–1958\",\"url\":\"https://www.examenapium.it/cs/biblio/Bolig2020.pdf\",\"locator\":\"Koussevitzky’s Symphony No. 94 entries: 1st movement, Vivace assai, part 2, CVE-48986 take 2; 3rd movement, Menuetto, CVE-48987 take 1; 4th movement, Allegro di molto, CVE-48988 take 3, all 24 April 1929. The text was read from an extract of this PDF; the host refused a direct re-fetch on 17 October 2026.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Wikipedia — Joseph Haydn\",\"url\":\"https://en.wikipedia.org/wiki/Joseph_Haydn\",\"locator\":\"Lead paragraph: 31 March 1732 – 31 May 1809.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights; the underlying composition requires a separate basis; territorial.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 9 documented; 1 inferred"},{"id":"haydn-94-menuetto","composer":"Joseph Haydn","title":"Symphony No. 94 “Surprise”","movement":"III. Menuetto: Allegro molto","work.title":"Symphony No. 94 in G major “Surprise”","work.catalogue":"Hob. I:94","work.movement":"III. Menuetto: Allegro molto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording sources.","performers.value":"[{\"name\":\"Boston Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Serge Koussevitzky\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\",\"dahr-date\"]","performers.note":"","session.date.value":"24 April 1929","session.date.status":"documented","session.date.sourceIds":"[\"arsc\",\"dahr-date\",\"bolig\"]","session.date.note":"Young lists CVE-48987-1 with the recording date 24 April 1929, DAHR lists CVE-48987 among the Boston Symphony Orchestra and Koussevitzky recordings of Symphony No. 94 made that day, and the Bolig discography assigns the Menuetto to that matrix. Commons’ 1 January 1929 is not a session day.","session.date.precision":"day","session.place.value":"Symphony Hall, Boston, Massachusetts, United States","session.place.status":"documented","session.place.sourceIds":"[\"arsc\",\"dahr-a\"]","session.place.note":"Young heads the 22 April 1929 session “Symphony Hall, Boston, Massachusetts” and lists the 24 April retaken sides of the same symphony under that session; DAHR gives Symphony Hall, Boston for the Andante side CVE-48984. A separate place for the 24 April retakes is not given.","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"dahr-a\"]","carrier.label.note":"","carrier.catalogue.value":"Victor set M-55 (discs 7058–7060), released September 1929","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"arsc\",\"archive\",\"dahr-a\"]","carrier.catalogue.note":"Young lists the symphony as released 9/29 on M-55 (7058/60), with later AM-55, DM-55, HMV and LP issues. The upstream transfer also names set M-55 (Internet Archive description), and DAHR places the Andante on disc 7059. The disc number of this movement’s sides is not stated; the side order (sides 1–2 movement I, sides 3–4 the Andante, sides 5–6 the Menuetto and Finale) suggests 7058 for movement I and 7060 for the Menuetto and Finale, but that allocation is inferred.","carrier.matrixTakeSides.value":"CVE-48987, take 1: Menuetto","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"arsc\",\"bolig\",\"dahr-date\"]","carrier.matrixTakeSides.note":"Young and Bolig agree on the matrix and take (one take issued of four made, per Young’s bracketed count). The DAHR matrix page could not be opened on 17 October 2026 (503 error). No run-out inspection has been made of the digital surrogate.","transfer.credits.value":"Bob Varney — transfer from original Victor 78s","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\"]","transfer.date.note":"No transfer date is identified. The Internet Archive item was uploaded in December 2008, which is an upload date.","transfer.processing.value":"Transfer from the original Victor 78 rpm set M-55 into one 20:48 file, from which the four movements were extracted as separate Commons files.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"commons\"]","transfer.processing.note":"The file lengths of the four Commons movements sum to the length of the Internet Archive file within about a second. The extraction procedure, stylus, playback curve, side-join locations and noise treatment are not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/e/e5/Haydn%3B_Symphony_No._94_%22Surprise%22%2C_3._Menuetto_%28Allegro_molto%29.ogg/Haydn%3B_Symphony_No._94_%22Surprise%22%2C_3._Menuetto_%28Allegro_molto%29.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":229.75741496598638,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Haydn died in 1809. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"eu-audio\",\"eu-extension\",\"archive\",\"arsc\"]","rights.recording.note":"Commons applies PD-EU-audio to the Koussevitzky/Boston recording attributed to 1929, and the Internet Archive item carries a Creative Commons public-domain licence URL, not treated here as authority to waive Victor’s rights. The programme’s pre-1963 European rule applies because the 50-year term had expired before the 2013 extension; Young gives the release as September 1929, which supports first publication well before 1963. This is territorial, not a worldwide licence; US status is not established.","rights.recording.alternatives":"[{\"value\":\"PD-EU-audio — European performers’ and producers’ rights claimed expired.\",\"sourceIds\":[\"commons\",\"eu-audio\"]},{\"value\":\"Creative Commons public-domain dedication — licence URL on the Internet Archive item.\",\"sourceIds\":[\"archive\"]}]","rights.creditLine":"Joseph Haydn, Symphony No. 94, III. Menuetto: Allegro molto; Boston Symphony Orchestra, Serge Koussevitzky, April 1929. Victor set M-55; transfer by Bob Varney, Internet Archive, via Wikimedia Commons. Rights metadata conflicts; no worldwide recording clearance is asserted.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Haydn; Symphony No. 94 \\\"Surprise\\\", 3. Menuetto (Allegro molto).ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Haydn;_Symphony_No._94_%22Surprise%22,_3._Menuetto_(Allegro_molto).ogg\",\"locator\":\"File-description wikitext: Description, Date 1929-01-01, Source (Internet Archive item Haydn_Symphony_No_94_Surprise), Author, and licence template PD-EU-audio.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Haydn Symphony No. 94\",\"url\":\"https://archive.org/metadata/Haydn_Symphony_No_94_Surprise\",\"locator\":\"metadata.description: Koussevitzky and Boston Symphony, recorded in 1929, transfer from the original Victor 78 set M-55 by Bob Varney; file HaydnSurprise.mp3, 1248.44 s; licenseurl creativecommons.org/licenses/publicdomain/; added 13 December 2008.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-date\",\"title\":\"DAHR — Recordings made Wednesday, April 24, 1929\",\"url\":\"https://adp.library.ucsb.edu/index.php/date/browse/1929-04-24\",\"locator\":\"Three Victor 12-inch matrices, CVE-48986, -48987 and -48988, titled Symphony no. 6, in G major (“Surprise”), Boston Symphony Orchestra; Serge Koussevitzky, first take date 4/24/1929.\",\"accessed\":\"2026-10-17\"},{\"id\":\"arsc\",\"title\":\"Edward D. Young — Discography of Koussevitzky recordings, ARSC Journal 21/1 (1990)\",\"url\":\"https://www.arsc-amp.org/journals/v21/v21n1p45-129.pdf\",\"locator\":\"Printed p. 81 (PDF p. 37): the 22 April 1929 Symphony Hall, Boston session heading; the Haydn Symphony No. 94 entry (released 9/29, M-55 7058/60) with matrix, issued takes and recording dates of all six sides, including CVE-48988 takes 2 and 3.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-a\",\"title\":\"DAHR — Victor matrix CVE-48984\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/800022770\",\"locator\":\"Andante, part 3; master take 1, 22 April 1929, Symphony Hall, Boston; Victor 7059 and set M-55. Opened for the set’s place and carrier.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bolig\",\"title\":\"John R. Bolig — His Master’s Voice Celebrity Series Recordings and Historical Reissues, 1924–1958\",\"url\":\"https://www.examenapium.it/cs/biblio/Bolig2020.pdf\",\"locator\":\"Koussevitzky’s Symphony No. 94 entries: 1st movement, Vivace assai, part 2, CVE-48986 take 2; 3rd movement, Menuetto, CVE-48987 take 1; 4th movement, Allegro di molto, CVE-48988 take 3, all 24 April 1929. The text was read from an extract of this PDF; the host refused a direct re-fetch on 17 October 2026.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Wikipedia — Joseph Haydn\",\"url\":\"https://en.wikipedia.org/wiki/Joseph_Haydn\",\"locator\":\"Lead paragraph: 31 March 1732 – 31 May 1809.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights; the underlying composition requires a separate basis; territorial.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 9 documented; 1 inferred"},{"id":"ives-concord-alcotts","composer":"Charles Ives","title":"Piano Sonata No. 2 “Concord, Mass., 1840–60”","movement":"III. The Alcotts","work.title":"Piano Sonata No. 2 “Concord, Mass., 1840–60”","work.catalogue":"","work.movement":"III. The Alcotts","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The source does not identify the score edition. No choice between the 1920 first edition and the revised 1947 text is established.","performers.value":"[{\"name\":\"Eric Xi Xin Liang\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Commons credits Liang for both performance and recording.","session.date.value":"2024","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The source dates the performance/recording to 2024; 14 July is the upload date, not an established session day.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the consulted source.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original release label is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or disc-side identifiers are supplied; the digital file format does not establish the original carrier.","transfer.credits.value":"Eric Xi Xin Liang — performance and recording","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The source explicitly credits the performer as the recording’s creator. No separate transfer or mastering engineer is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. The access-file encoding is recorded separately.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/3/3c/Ives_-_Piano_Sonata_No.2_-_III._The_Alcotts_%28Eric_Xi_Xin_Liang%29.flac/Ives_-_Piano_Sonata_No.2_-_III._The_Alcotts_%28Eric_Xi_Xin_Liang%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative of the Wikimedia Commons FLAC file","digital.durationSeconds":347.437,"rights.composition.value":"Public domain, as asserted in the separate Commons musical-composition notice","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Commons applies PD-old-70-expired, citing Ives’s death in 1954 and pre-1931 publication. The playing edition is not identified; the notice is not independent clearance of additions in a later revision.","rights.recording.value":"Rule 1 — recording licence/release: CC BY 4.0 International.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons explicitly places cc-by-4.0 in the recording field for Eric Xi Xin Liang’s 2024 recording. The separate composition public-domain notice is not used as the recording licence.","rights.creditLine":"Charles Ives: Piano Sonata No. 2 “Concord, Mass., 1840–60”, III. The Alcotts — Eric Xi Xin Liang, piano and recording (2024), CC BY 4.0. Via Wikimedia Commons; MP3 derivative of the supplied FLAC.","rights.licenseUrl":"https://creativecommons.org/licenses/by/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Ives - Piano Sonata No.2 - III. The Alcotts (Eric Xi Xin Liang).flac\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=1264375355\",\"locator\":\"Summary: description, date, source, author and permission; Licensing; File history; embedded metadata. The source revision is fixed; current file metadata was retrieved on the access date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AIves+-+Piano+Sonata+No.2+-+III.+The+Alcotts+%28Eric+Xi+Xin+Liang%29.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 URL; source for digital.durationSeconds, digital.format and digital.streamUrl.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Ives - Piano Sonata No.2 - III. The Alcotts (Eric Xi Xin Liang).flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1177337502%7C1285956118%7C638011151%7C1264375355%7C1118001688%7C1003399466%7C1113441804%7C808915645%7C525137715%7C963510501&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Ives - Piano Sonata No.2 - III. The Alcotts (Eric Xi Xin Liang).flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"7 unknown; 5 documented"},{"id":"ives-concord-emerson","composer":"Charles Ives","title":"Piano Sonata No. 2, ‘Concord, Mass., 1840–60’","movement":"I. Emerson","work.title":"Piano Sonata No. 2, ‘Concord, Mass., 1840–60’","work.catalogue":"S.88","work.movement":"I. Emerson","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"imslp\",\"gann\"]","work.version.note":"Commons does not identify the performing edition. IMSLP separately lists Liang’s annotated score based on the 1947 edition, but does not establish that it was used for this recording. No choice between the first edition and revised text is asserted. The listening map gives approximate passages, not edition-specific bar alignment.","performers.value":"[{\"name\":\"Eric Xi Xin Liang\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"imslp\"]","performers.note":"Commons credits Eric Xi Xin Liang for performance and recording; the corresponding IMSLP entry explicitly identifies piano. No viola player is credited. The optional or historically ambiguous viola notation does not establish that a viola is heard here, so no additional performer or ensemble timeline is supplied.","session.date.value":"2024","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The source’s Summary gives 2024 for this performance/recording. The file was uploaded on 14 July 2024; that is not an established session day. No common session with the other movements is assumed.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"imslp\"]","session.place.note":"Neither consulted recording entry identifies a venue, city, piano or live-versus-studio setting.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"imslp\"]","carrier.label.note":"No record label is identified. IMSLP gives ‘Eric Xi Xin Liang, 2024’ as publisher information for the audio; this documents a publisher credit, not a named commercial label. Neither entry provides a sleeve or label scan.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"imslp\"]","carrier.catalogue.note":"No carrier catalogue number is supplied. IMSLP’s file index 922791 is a repository identifier, not a record catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"imslp\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is supplied. The uploaded FLAC format alone does not establish the original session medium or the number of takes.","transfer.credits.value":"Eric Xi Xin Liang — performance and recording","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The source explicitly credits Liang as the recording’s creator. Uploader D. Benjamin Miller is not automatically a transfer or mastering engineer; no separate engineer is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer or mastering date is supplied. The July 2024 upload and February 2026 Wikimedia transcode dates are not substituted for it.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"imslp\"]","transfer.processing.note":"No editing, mastering, noise reduction, restoration or source-transfer procedure is documented. The MP3 access encoding is described separately; it does not identify the original recording chain.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/59/Ives_-_Piano_Sonata_No.2_-_I._Emerson_%28Eric_Xi_Xin_Liang%29.flac/Ives_-_Piano_Sonata_No.2_-_I._Emerson_%28Eric_Xi_Xin_Liang%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia Commons MP3 access derivative of the uploaded FLAC; timing analysis uses this access derivative","digital.durationSeconds":937.8,"rights.composition.value":"Public domain as asserted in Commons’ separate musical-composition notice","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"gann\",\"imslp\"]","rights.composition.note":"The composition notice cites Ives’s death in 1954 and publication before 1931; it is separate from the recording licence. The first score was printed in 1920 and circulated in January 1921. The performing edition is unknown: this notice does not independently clear later revisions or editorial additions, and IMSLP marks the revised 1947 score non-public-domain in the United States.","rights.recording.value":"Rule 1 — explicit sound-recording licence: Creative Commons Attribution 4.0 International","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"imslp\"]","rights.recording.note":"The opened Commons page explicitly places CC BY 4.0 under ‘Recording’, naming Liang as performer/recording creator. Its separate public-domain composition notice is not used to license the recording. The matching IMSLP recording entry also states CC BY 4.0. Attribution and a licence link are required; this is not a claim that the 2024 sound recording is public domain.","rights.creditLine":"Charles Ives, Piano Sonata No. 2, ‘Concord, Mass., 1840–60’, I. Emerson — Eric Xi Xin Liang, piano and recording (2024). Recording licensed CC BY 4.0. Via Wikimedia Commons; MP3 access derivative of the supplied FLAC, with no additional audio editing by Contrapunctus.","rights.licenseUrl":"https://creativecommons.org/licenses/by/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Ives, Piano Sonata No. 2, I. Emerson, Eric Xi Xin Liang\",\"url\":\"https://commons.wikimedia.org/w/index.php?title=File:Ives_-_Piano_Sonata_No.2_-_I._Emerson_(Eric_Xi_Xin_Liang).flac&oldid=899768906\",\"locator\":\"Summary: 2024, source and performance/recording credit; Licensing: distinct Recording and Musical composition notices; File history: 14 July 2024 upload; Transcode status: MP3 derivative. The cached access-file analysis measures 937.8 seconds.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Piano Sonata No. 2, S.88, recording and edition catalogue\",\"url\":\"https://imslp.org/index.php?title=Piano_Sonata_No.2,_S.88_(Ives,_Charles)&oldid=4709840\",\"locator\":\"Liang audio group, file 922791: piano, publisher Eric Xi Xin Liang 2024, CC BY 4.0; separate annotated-score entry 922793: 1947 base text, Liang 2024 annotations, Non-PD US. No connection between that edition and the performance is stated. Catalogue entries inspected in the page’s HTML.\",\"accessed\":\"2026-10-17\"},{\"id\":\"gann\",\"title\":\"Kyle Gann — Following the Concord Sonata, Charles Ives Society\",\"url\":\"https://charlesives.org/node/6616\",\"locator\":\"Emerson section, thematic examples and chronology: incomplete concerto origin; episodic design, central repetitions, later return, closing fragments; composition, printing, circulation and revision distinguished.\",\"accessed\":\"2026-10-17\"},{\"id\":\"essays\",\"title\":\"Charles Ives — Essays Before a Sonata\",\"url\":\"https://www.gutenberg.org/cache/epub/3673/pg3673-images.html#emerson\",\"locator\":\"Ives’s Introduction and Emerson essay, especially section 2 on unity and the final paragraph on Beethoven’s Fifth. The modern editorial biographical sketch is not used as Ives’s testimony.\",\"accessed\":\"2026-10-17\"},{\"id\":\"biography\",\"title\":\"Jan Swafford — Ives The Man: His Life\",\"url\":\"https://charlesives.org/ives-man-his-life\",\"locator\":\"Yale studies with Horatio Parker, Center Church organ post and insurance career.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 unknown; 5 documented"},{"id":"ives-concord-hawthorne","composer":"Charles Ives","title":"Piano Sonata No. 2, ‘Concord, Mass., 1840–60’","movement":"II. Hawthorne","work.title":"Piano Sonata No. 2, ‘Concord, Mass., 1840–60’","work.catalogue":"S.88","work.movement":"II. Hawthorne","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"imslp\",\"gann\"]","work.version.note":"Neither recording entry identifies the performing edition. The first edition and revised 1947 text are not interchangeable provenance claims. Listening notes distinguish written cluster techniques from what the recording establishes; no particular board, hand position or edition-specific bar alignment is asserted for Liang.","performers.value":"[{\"name\":\"Eric Xi Xin Liang\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"imslp\"]","performers.note":"Commons credits Liang for performance and recording; the corresponding IMSLP entry explicitly identifies piano. No additional performer is named. This solo-piano package has no orchestral stage timeline.","session.date.value":"2024","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"Commons’ Summary gives 2024 for the performance/recording. The file was uploaded on 11 June 2024, earlier than the other three Commons movements; this is an upload date, not a session day. A common session for the sonata is not established.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"imslp\"]","session.place.note":"No recording venue, city, piano or live-versus-studio setting is identified in the consulted recording entries.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"imslp\"]","carrier.label.note":"No record label is identified. IMSLP gives ‘Eric Xi Xin Liang, 2024’ as the audio publisher, not a named commercial label. Neither recording entry links sleeve or label scans.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"imslp\"]","carrier.catalogue.note":"No original carrier catalogue number is supplied. IMSLP file index 918634 is a repository identifier, not a record catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"imslp\"]","carrier.matrixTakeSides.note":"No matrix, take or disc-side identifier is supplied. The digital distribution format alone does not establish the original session medium or take history.","transfer.credits.value":"Eric Xi Xin Liang — performance and recording","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Liang is explicitly credited as recording creator. D. Benjamin Miller uploaded the file, but is not thereby identified as transfer or mastering engineer. No separate engineer is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer or mastering date is documented. The June 2024 upload and February 2026 Wikimedia transcode dates are not used as substitutes.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"imslp\"]","transfer.processing.note":"No editing, restoration, noise reduction, mastering or source-transfer procedure is disclosed. The known access-file encoding does not establish the original recording chain.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/98/Ives_-_Piano_Sonata_No.2_-_II._Hawthorne_%28Eric_Xi_Xin_Liang%29.flac/Ives_-_Piano_Sonata_No.2_-_II._Hawthorne_%28Eric_Xi_Xin_Liang%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia Commons MP3 access derivative of the uploaded FLAC; timing analysis uses this access derivative","digital.durationSeconds":762.4,"rights.composition.value":"Public domain as asserted in Commons’ separate musical-composition notice","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"gann\",\"imslp\"]","rights.composition.note":"Commons’ composition notice cites Ives’s death in 1954 and publication before 1931. It does not license the sound recording. Gann distinguishes 1920 printing, January 1921 circulation and the revised 1947 edition. The performing edition is unknown; later revisions or editorial additions are not independently cleared by the first-publication notice. IMSLP marks the revised score non-public-domain in the United States.","rights.recording.value":"Rule 1 — explicit sound-recording licence: Creative Commons Attribution 4.0 International","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"imslp\"]","rights.recording.note":"The opened Commons page has distinct Recording and Musical composition sections. CC BY 4.0 explicitly applies to Liang’s recording, while the public-domain statement concerns the composition. The matching IMSLP audio entry also states CC BY 4.0. Appropriate attribution and a licence link are required; the recording is not claimed to be public domain.","rights.creditLine":"Charles Ives, Piano Sonata No. 2, ‘Concord, Mass., 1840–60’, II. Hawthorne — Eric Xi Xin Liang, piano and recording (2024). Recording licensed CC BY 4.0. Via Wikimedia Commons; MP3 access derivative of the supplied FLAC, with no additional audio editing by Contrapunctus.","rights.licenseUrl":"https://creativecommons.org/licenses/by/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Ives, Piano Sonata No. 2, II. Hawthorne, Eric Xi Xin Liang\",\"url\":\"https://commons.wikimedia.org/w/index.php?title=File:Ives_-_Piano_Sonata_No.2_-_II._Hawthorne_(Eric_Xi_Xin_Liang).flac&oldid=898674060\",\"locator\":\"Summary: date 2024, source and performance/recording credit; Licensing: separate recording CC BY 4.0 and composition public-domain notices; File history: 11 June 2024 upload; Transcode status: MP3 derivative. Cached access-file analysis measures 762.4 seconds.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Piano Sonata No. 2, S.88, recording and edition catalogue\",\"url\":\"https://imslp.org/index.php?title=Piano_Sonata_No.2,_S.88_(Ives,_Charles)&oldid=4709840\",\"locator\":\"Liang audio group, file 918634: piano, publisher Eric Xi Xin Liang 2024, CC BY 4.0; separate score listings distinguish first edition and 1947 revisions. No performing edition is stated. Catalogue entries inspected in the page’s HTML.\",\"accessed\":\"2026-10-17\"},{\"id\":\"gann\",\"title\":\"Kyle Gann — Following the Concord Sonata, Charles Ives Society\",\"url\":\"https://charlesives.org/node/6616\",\"locator\":\"Hawthorne section: opening, quiet clusters, ragtime, Martyn interruptions, march, fist-cluster climax, cumulative Columbia material and closing rapid figuration. Literary interpretations are distinguished from Ives’s own statements. Chronology distinguishes composition and editions.\",\"accessed\":\"2026-10-17\"},{\"id\":\"essays\",\"title\":\"Charles Ives — Essays Before a Sonata\",\"url\":\"https://www.gutenberg.org/cache/epub/3673/pg3673-images.html#hawthorne\",\"locator\":\"Introduction calls Hawthorne a scherzo; the Hawthorne essay’s final paragraphs distinguish the novelist’s moral subject matter from the fantastic realm attempted by this movement. The modern prefatory biographical sketch is not used as Ives’s testimony.\",\"accessed\":\"2026-10-17\"},{\"id\":\"biography\",\"title\":\"Jan Swafford — Ives The Man: His Life\",\"url\":\"https://charlesives.org/ives-man-his-life\",\"locator\":\"‘like father, like son’: the remembered childhood story of playing drum parts with fists on the piano, explicitly reported as Ives’s own account.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 unknown; 5 documented"},{"id":"ives-concord-thoreau","composer":"Charles Ives","title":"Piano Sonata No. 2, ‘Concord, Mass., 1840–60’","movement":"IV. Thoreau","work.title":"Piano Sonata No. 2, ‘Concord, Mass., 1840–60’","work.catalogue":"S.88","work.movement":"IV. Thoreau","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"imslp\",\"gann\"]","work.version.note":"The performing edition is not identified. Gann discusses both a flute version and Ives’s alternative without flute, but neither recording source specifies which option Liang used. No edition, optional instrument, exact thematic-entry timestamp or bar alignment is inferred from the general history of the sonata.","performers.value":"[{\"name\":\"Eric Xi Xin Liang\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"imslp\"]","performers.note":"Commons credits Liang for performance and recording; the matching IMSLP entry explicitly identifies piano. No flautist is named. The piano-only displayed credit is the documented minimum, not proof that an optional part is absent. No flute entrance or ensemble stage timeline is invented.","session.date.value":"2024","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The source’s Summary gives 2024 for the performance/recording. The 14 July 2024 file upload does not establish a session day, and a common session with the other movements is not assumed.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"imslp\"]","session.place.note":"No recording venue, city, piano or live-versus-studio setting is documented in the consulted recording entries.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"imslp\"]","carrier.label.note":"No record label is identified. IMSLP credits Eric Xi Xin Liang as the 2024 audio publisher; that is not a named commercial-label credit. Neither source supplies sleeve or label scans.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"imslp\"]","carrier.catalogue.note":"No carrier catalogue number is supplied. IMSLP file index 922792 is a repository identifier and is not substituted for a record catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"imslp\"]","carrier.matrixTakeSides.note":"No matrix, take or disc-side information is supplied. The uploaded FLAC format does not establish the original medium or take history.","transfer.credits.value":"Eric Xi Xin Liang — performance and recording","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The source explicitly credits Liang as the recording creator. Uploader D. Benjamin Miller is not thereby a transfer or mastering engineer; no separate engineer is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer or mastering date is established. The July 2024 upload and February 2026 Wikimedia transcode dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"imslp\"]","transfer.processing.note":"No editing, overdubbing, mastering, restoration, noise reduction or source-transfer process is disclosed. The access-file encoding is known, but the original recording chain is not.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/d/d7/Ives_-_Piano_Sonata_No.2_-_IV._Thoreau_%28Eric_Xi_Xin_Liang%29.flac/Ives_-_Piano_Sonata_No.2_-_IV._Thoreau_%28Eric_Xi_Xin_Liang%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia Commons MP3 access derivative of the uploaded FLAC; timing analysis uses this access derivative","digital.durationSeconds":631,"rights.composition.value":"Public domain as asserted in Commons’ separate musical-composition notice","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"gann\",\"imslp\"]","rights.composition.note":"The notice cites Ives’s death in 1954 and publication before 1931, separately from the recording’s licence. Gann distinguishes 1920 printing and January 1921 circulation from the revised 1947 edition. Because the performing edition is unknown, later revisions and editorial additions are not independently cleared here. IMSLP marks the revised score non-public-domain in the United States.","rights.recording.value":"Rule 1 — explicit sound-recording licence: Creative Commons Attribution 4.0 International","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"imslp\"]","rights.recording.note":"The opened Commons page explicitly labels the Recording CC BY 4.0 and names Liang as performance/recording creator. The separate composition public-domain notice is not used as the recording licence. IMSLP’s matching audio entry also states CC BY 4.0. Attribution and a licence link are required; the 2024 recording is not claimed to be public domain.","rights.creditLine":"Charles Ives, Piano Sonata No. 2, ‘Concord, Mass., 1840–60’, IV. Thoreau — Eric Xi Xin Liang, piano and recording (2024). Recording licensed CC BY 4.0. Via Wikimedia Commons; MP3 access derivative of the supplied FLAC, with no additional audio editing by Contrapunctus. No additional performer is documented.","rights.licenseUrl":"https://creativecommons.org/licenses/by/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Ives, Piano Sonata No. 2, IV. Thoreau, Eric Xi Xin Liang\",\"url\":\"https://commons.wikimedia.org/w/index.php?title=File:Ives_-_Piano_Sonata_No.2_-_IV._Thoreau_(Eric_Xi_Xin_Liang).flac&oldid=898769979\",\"locator\":\"Summary: date 2024, source and performance/recording attribution; Licensing: separate Recording and Musical composition notices; File history: 14 July 2024 upload; Transcode status: MP3 derivative. Cached access-file analysis measures 631.0 seconds.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Piano Sonata No. 2, S.88, recording and edition catalogue\",\"url\":\"https://imslp.org/index.php?title=Piano_Sonata_No.2,_S.88_(Ives,_Charles)&oldid=4709840\",\"locator\":\"Liang audio group, file 922792: piano, publisher Eric Xi Xin Liang 2024 and CC BY 4.0; no flautist or performing edition named. Separate score listings distinguish the first edition and revised 1947 text. Entries inspected in the page’s HTML.\",\"accessed\":\"2026-10-17\"},{\"id\":\"gann\",\"title\":\"Kyle Gann — Following the Concord Sonata, Charles Ives Society\",\"url\":\"https://charlesives.org/node/6616\",\"locator\":\"Thoreau section: introduction, walking episodes, A–C–G ostinato, late cyclic melody, optional flute and alternative without it, unresolved closing texture. Chronology distinguishes composition, editions and performance history.\",\"accessed\":\"2026-10-17\"},{\"id\":\"essays\",\"title\":\"Charles Ives — Essays Before a Sonata\",\"url\":\"https://www.gutenberg.org/cache/epub/3673/pg3673-images.html#thoreau\",\"locator\":\"Thoreau essay: opening on listening beyond the concert room and concluding imagined autumn day at Walden, the walks, submission to nature, distant bell and flute. Ives’s own prose is distinguished from the modern editorial biographical sketch.\",\"accessed\":\"2026-10-17\"},{\"id\":\"biography\",\"title\":\"Jan Swafford — Ives The Man: His Life\",\"url\":\"https://charlesives.org/ives-man-his-life\",\"locator\":\"‘soul mates’: marriage to Harmony Twichell in June 1908, the subsequent creative period and parallel insurance career.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 unknown; 5 documented"},{"id":"jacquet-de-la-guerre-allemande-nef","composer":"Élisabeth Jacquet de La Guerre","title":"Pièces de clavecin qui peuvent se joüer sur le viollon","movement":"Suite in G major · Allemande","work.title":"Pièces de clavecin qui peuvent se joüer sur le viollon","work.catalogue":"EJG.06","work.movement":"Suite in G major · Allemande","work.version.value":"Allemande of the Suite in G major in Jacquet de La Guerre’s Pièces de clavecin qui peuvent se joüer sur le viollon (Paris, 1707), EJG.06, played with both strains repeated","work.version.status":"inferred","work.version.sourceIds":"[\"facsimile1707\",\"edition1707\",\"imslp1707\",\"archive\",\"gallica\",\"medieval\",\"edition\",\"imslp\"]","work.version.note":"The labels, the Internet Archive record, the BnF catalogue and the Oiseau-Lyre discography on medieval.org name only an Allemande and a Gigue; none names a book, suite or key, so the identification rests on comparing the recording with the printed scores. Pitch tracking of the transfer (mains hum removed; tuning 25 cents above A = 440, interquartile range 20–30 cents, the same on both sides of the disc) finds an upbeat B4 at about 2.8 s; a G major chord on bar 1 from about 3.3 s, with the left hand running G–F♯–G–A in semiquavers and then B–G–C–A in quavers; a D major chord (A, D, F♯) at about 37 s with the bass descending D–C–B–A; a spread D major chord opening the second strain at about 83.4 s; and a final G major chord at about 173 s. The first strain takes about 40 s and the second about 44 s, and each is played twice. This agrees with the Allemande of the G major suite in the 1707 book (first edition, printed page 21; Wiberg’s edition, printed page 24): four beats to the bar, an upbeat B, a first strain of eight bars closing on D major, and a second strain of nine bars (10–18) that opens on a D major chord and closes on G major; at about 5 s a bar, eight and nine bars take about 40 s and 44 s. Wiberg’s edition lists La Flamande as the first piece of the D minor suite of the 1707 book, which leaves the G major suite with the only Allemande. None of the four allemandes of the 1687 book is in G major (D minor, G minor, A minor, F major). The F major allemande (EJG.04), the only one that a transfer a whole tone sharp could turn into G major, has an upbeat C and a first strain of seven bars, against the recording’s upbeat B and eight bars; its bar 1 bass line (F–C–F–G–A–B♭) differs from the recording’s even after transposition, and the file sounds a quarter of a semitone sharp on both sides with no whole-tone offset. The earlier proposal of the F major suite could not be reproduced. The Gigue on the reverse comes from the other suite of the 1707 book, in D minor, so the two sides of the disc are from different suites; no source states the pairing.","performers.value":"[{\"name\":\"Isabelle Nef\",\"role\":\"harpsichord\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"gallica\"]","performers.note":"The Bibliothèque nationale de France record reads “Isabelle Nef, clav.” and gives her dates as 1898–1976. The make of the instrument is not established.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"archive\",\"gallica\"]","session.date.note":"The recording date is not stated in the sources consulted. The BnF record dates the disc 1942; an Oiseau-Lyre discography after Jim Davidson’s Lyrebird Rising (1994) gives its release as 1938 or 1939, recording site and date unknown (https://medieval.org/emfaq/cds/lol75.htm). The Internet Archive upload date of 25 October 2018 is not a session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\"]","session.place.note":"No recording venue is established by the sources.","carrier.label.value":"Éditions de l’Oiseau-Lyre","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"Named as publisher in the Internet Archive item. The label issued its first 78 rpm discs in December 1937.","carrier.catalogue.value":"O. L. 75","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\"]","carrier.catalogue.note":"The Internet Archive description gives “Catalog number: O. L. 75”, and the label scan reads “O. L. 75” on both sides.","carrier.matrixTakeSides.value":"PART 1295 (Allemande); the reverse side, the Gigue, is PART 1296","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"Matrix numbers are taken from the item’s external identifiers. No take is supplied.","transfer.credits.value":"George Blood, L.P., for the Internet Archive’s 78 rpm project (Boston Public Library collection)","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item’s description names an audio engineer at George Blood, L.P., and lists the item in the Boston Public Library and George Blood collections.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The upload date of 25 October 2018 is not treated as a transfer date.","transfer.processing.value":"Digitised at 78 rpm with four stylus sizes, flat and equalised; the engineer’s preferred version is the one offered, as a variable-bitrate MP3 derived from a 24-bit FLAC.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The pitch of the file is about 25 cents above A = 440 (interquartile range 20–30 cents), the same on both sides of the disc, and the identified score is in G major, which sounds as written. The offset cannot be divided between the harpsichord’s tuning and the speed of the disc or its transfer; no speed correction was applied here.","digital.streamUrl":"https://archive.org/download/78_allmande_elizabeth-jacquet-de-la-guerre-isabelle-nef_gbia0075989a/Allmande%20-%20Elizabeth%20Jacquet%20de%20la%20Guerre.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive variable-bitrate MP3 derivative of a 24-bit FLAC transfer of one side of a 78 rpm disc","digital.durationSeconds":184.5,"rights.composition.value":"Out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"imslp\",\"imslp1707\"]","rights.composition.note":"Jacquet de La Guerre died in 1729. This is a term calculation, not clearance of every edition.","rights.recording.value":"Territorial EU public-domain basis for a disc dated 1942 by the Bibliothèque nationale de France (release in 1938 or 1939 according to an Oiseau-Lyre discography), under the programme’s pre-1963 recording rule.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"gallica\",\"archive\"]","rights.recording.note":"The BnF date is a catalogue date for the disc, not an independently verified first-publication date; an Oiseau-Lyre discography (https://medieval.org/emfaq/cds/lol75.htm, after Davidson’s Lyrebird Rising) places the release in 1938 or 1939, and the label began issuing discs in December 1937. Either date is before 1963. The Gallica record marks its own digital copy as public domain; the Internet Archive item carries no licence. US first-publication evidence and US status are not established.","rights.creditLine":"Jacquet de La Guerre: Allemande; Isabelle Nef, harpsichord; Éditions de l’Oiseau-Lyre O. L. 75, 78 rpm disc dated 1942 by the Bibliothèque nationale de France. Transfer by George Blood, L.P., via the Internet Archive (Boston Public Library 78 rpm collection). Territorial EU pre-1963 basis; US status not established.","rights.licenseUrl":"https://gallica.bnf.fr/ark:/12148/bpt6k127370x","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive item: Allemande, Elizabeth Jacquet de la Guerre; Isabelle Nef (George Blood transfer, Boston Public Library collection)\",\"url\":\"https://archive.org/metadata/78_allmande_elizabeth-jacquet-de-la-guerre-isabelle-nef_gbia0075989a\",\"locator\":\"Description (performer, writer, instrument, digitisation at 78 rpm with four styli); publisher Éditions de l’Oiseau-Lyre; catalogue number O. L. 75; external identifier matrix PART 1295; reverse side Gigue; label scan (the item’s .jpg) reading “Éditions de l’Oiseau-Lyre, Part. 1295, O. L. 75, Elizabeth Jacquet de la Guerre, Allemande, Clavecin: Isabelle Nef”; files FLAC and MP3.\",\"accessed\":\"2026-10-19\"},{\"id\":\"gallica\",\"title\":\"Gallica (BnF): Allemande ; Gigue / Elizabeth Jacquet de la Guerre ; Isabelle Nef, clav. (copy of the page held by the Internet Archive)\",\"url\":\"https://web.archive.org/web/20250130115756/https://gallica.bnf.fr/ark:/12148/bpt6k127370x\",\"locator\":\"Title, performer Isabelle Nef (1898–1976), date 1942 (Dublin Core metadata DC.date), document type audio recording, rights “domaine public”; BnF Audiovisuel shelfmark C-1569.\",\"accessed\":\"2026-10-19\"},{\"id\":\"edition\",\"title\":\"Élisabeth Jacquet de La Guerre, Pièces de clavecin (1687), edited and typeset by Steve Wiberg, Due West Editions, 2007, based on a facsimile of the first printing (IMSLP 18522; Creative Commons Attribution-ShareAlike 3.0)\",\"url\":\"http://conquest.imslp.info/files/imglnks/usimg/3/31/IMSLP18522-LaGuerre_PiecesDeClavecin_Complete.pdf\",\"locator\":\"Allemandes on printed pages 3 (D minor), 15 (G minor), 24 (A minor) and 36 (F major); each is in common time and in two strains, with a repeat sign after the first.\",\"accessed\":\"2026-10-19\"},{\"id\":\"imslp\",\"title\":\"IMSLP: Pièces de clavecin, Livre 1 (Jacquet de La Guerre, Elisabeth)\",\"url\":\"https://imslp.org/wiki/Pi%C3%A8ces_de_clavecin,_Livre_1_(Jacquet_de_La_Guerre,_Elisabeth)\",\"locator\":\"First publication 1687; four suites, EJG.01–04; dedicated to Louis XIV.\",\"accessed\":\"2026-10-19\"},{\"id\":\"facsimile1707\",\"title\":\"Élisabeth Jacquet de La Guerre, Pièces de clavecin qui peuvent se joüer sur le viollon (Paris: the author, Foucault, Ribou, Ballard, 1707), first edition, scan of the Bibliothèque nationale de France copy (VM7-1860) via IMSLP 111449\",\"url\":\"http://conquest.imslp.info/files/imglnks/usimg/5/55/IMSLP111449-PMLP62189-Jacquet_de_La_Guerre_-_Pieces_de_Clavecin_qui_peuvent_se_jouer_sur_le_Viollon,_1707.pdf\",\"locator\":\"Allemande of the second suite, in G major, on printed page 21: common time, an upbeat in the right hand, two strains each marked to repeat with first and second endings, the second headed Reprise.\",\"accessed\":\"2026-10-19\"},{\"id\":\"edition1707\",\"title\":\"Élisabeth Jacquet de La Guerre, Pièces de clavecin qui peuvent se jouer sur le violon (1707), edited and typeset by Steve Wiberg, Due West Editions, 2009, based on a facsimile of the first printing (IMSLP 28300; Creative Commons Attribution-ShareAlike 3.0)\",\"url\":\"http://conquest.imslp.info/files/imglnks/usimg/4/40/IMSLP28300-PMLP62189-LaGuerre_PiecesDeClavecin_1707_Complete.pdf\",\"locator\":\"Suite in G major, Allemande, printed page 24: bars 1–8 (first ending bar 8, second ending bar 9) and, after Reprise, bars 10–18 (first ending bar 18, second ending bar 19). Suite in D minor: La Flamande, Gigue, Double and 2e Gigue on printed pages 2, 12, 14 and 16–17.\",\"accessed\":\"2026-10-19\"},{\"id\":\"imslp1707\",\"title\":\"IMSLP: Pièces de clavecin, Livre 2 (Jacquet de La Guerre, Elisabeth)\",\"url\":\"https://imslp.org/wiki/Pi%C3%A8ces_de_clavecin,_Livre_2_(Jacquet_de_La_Guerre,_Elisabeth)\",\"locator\":\"First publication 1707; two suites, D minor (EJG.05) and G major (EJG.06); dedicated to Louis XIV; first-edition scans from the Bibliothèque nationale de France.\",\"accessed\":\"2026-10-19\"},{\"id\":\"melbourne\",\"title\":\"University of Melbourne Archives and Special Collections: Paris Sounds 1937–1947\",\"url\":\"https://library.unimelb.edu.au/asc/collections/rare-music/resources/paris-sounds\",\"locator\":\"Hanson-Dyer’s press and its 78 rpm discs from December 1937.\",\"accessed\":\"2026-10-19\"},{\"id\":\"medieval\",\"title\":\"Pierre-F. Roberge, Early Music FAQ: Oiseau-Lyre OL. 75, Elisabeth Jacquet de la Guerre, Allemande; Gigue, Isabelle Nef\",\"url\":\"https://medieval.org/emfaq/cds/lol75.htm\",\"locator\":\"Recording site and date unknown [1938]; released 1938 or 1939; information from Jim Davidson, Lyrebird Rising: Louise Hanson-Dyer of Oiseau-Lyre 1884–1962 (Amadeus Press, 1994), p. 490, and the BnF catalogue. The listing gives the contents as Allemande and Gigue, with no book, suite or key (Lyrebird Rising itself not opened).\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 inferred; 7 documented; 3 unknown"},{"id":"jacquet-de-la-guerre-gigue-nef","composer":"Élisabeth Jacquet de La Guerre","title":"Pièces de clavecin qui peuvent se joüer sur le viollon","movement":"Suite in D minor · 2e Gigue","work.title":"Pièces de clavecin qui peuvent se joüer sur le viollon","work.catalogue":"EJG.05","work.movement":"Suite in D minor · 2e Gigue","work.version.value":"2e Gigue of the Suite in D minor in Jacquet de La Guerre’s Pièces de clavecin qui peuvent se joüer sur le viollon (Paris, 1707), EJG.05, played with the first strain twice and the second strain once, without its repeat","work.version.status":"inferred","work.version.sourceIds":"[\"facsimile1707\",\"edition1707\",\"imslp1707\",\"archive\",\"gallica\",\"medieval\",\"edition\",\"imslp\"]","work.version.note":"The labels, the Internet Archive record, the BnF catalogue and the Oiseau-Lyre discography on medieval.org name only a Gigue and an Allemande; none names a book, suite or key, so the identification rests on comparing the recording with the printed scores. Pitch tracking of the transfer (mains hum removed; tuning 25 cents above A = 440, interquartile range 20–30 cents, as on the reverse side) finds an upbeat A5 at about 2.6 s; bar 1 from about 3.0 s with F5 in the right hand over left-hand D3, F3, A3 and D4; bar 2 over an E in the bass with C♯5, B♭4 and G4 above it; an E major harmony with G♯ at about 37.7–40 s, followed by an A major chord (A, C♯, E) at about 41–42.5 s; the same strain again from an upbeat A5 at about 42.7 s; a second strain from about 83.7 s that ends on a D minor chord at about 143 s; and no second pass of that strain. The first strain takes about 40 s and the second about 60 s. This agrees with the 2e Gigue of the D minor suite in the 1707 book (first edition, printed pages 13–14; Wiberg’s edition, printed pages 16–17): six-eight time, a right-hand upbeat A5, bar 1 on F5 over left-hand D, F, A and D, a first strain of 25 bars that reaches an E major chord with G♯ in bars 23–24 and closes on A major, and a second strain of 38 bars (27–64) that closes on D minor; at about 1.6 s a bar, 25 and 38 bars take about 40 s and 60 s. The earlier reading of the Gigue as centred on A minor, with a first strain ending on E with G♯, took the E major harmony before the A major chord of bar 25 for the close of the strain. Of the nine gigues and doubles in the two books, this is the only one in six-eight; the others are in 6/4 (1687: D minor, A minor, F major; 1707: D minor, its Double, G major), in 3/4 (1687, first G minor gigue) or in common time (1687, second G minor gigue). The file sounds a quarter of a semitone sharp, so there is no whole-tone offset that would turn a G minor or F major gigue into the recording. The earlier proposals, the F major gigue of 1687 (EJG.04) and the A minor gigue (EJG.03), could not be reproduced. The Allemande on the reverse comes from the other suite of the 1707 book, in G major, so the two sides of the disc are from different suites; no source states the pairing.","performers.value":"[{\"name\":\"Isabelle Nef\",\"role\":\"harpsichord\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"gallica\"]","performers.note":"The Bibliothèque nationale de France record reads “Isabelle Nef, clav.” and gives her dates as 1898–1976. The make of the instrument is not established.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"archive\",\"gallica\"]","session.date.note":"The recording date is not stated in the sources consulted. The BnF record dates the disc 1942; an Oiseau-Lyre discography after Jim Davidson’s Lyrebird Rising (1994) gives its release as 1938 or 1939, recording site and date unknown (https://medieval.org/emfaq/cds/lol75.htm). The Internet Archive upload date of 25 October 2018 is not a session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\"]","session.place.note":"No recording venue is established by the sources.","carrier.label.value":"Éditions de l’Oiseau-Lyre","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"Named as publisher in the Internet Archive item. The label issued its first 78 rpm discs in December 1937.","carrier.catalogue.value":"O. L. 75","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\"]","carrier.catalogue.note":"The Internet Archive description gives “Catalog number: O. L. 75”, and the label scan reads “O. L. 75” on both sides.","carrier.matrixTakeSides.value":"PART 1296 (Gigue); the reverse side, the Allemande, is PART 1295","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"Matrix numbers are taken from the item’s external identifiers. No take is supplied.","transfer.credits.value":"George Blood, L.P., for the Internet Archive’s 78 rpm project (Boston Public Library collection)","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item’s description names an audio engineer at George Blood, L.P., and lists the item in the Boston Public Library and George Blood collections.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The upload date of 25 October 2018 is not treated as a transfer date.","transfer.processing.value":"Digitised at 78 rpm with four stylus sizes, flat and equalised; the engineer’s preferred version is the one offered, as a variable-bitrate MP3 derived from a 24-bit FLAC.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The pitch of the file is about 25 cents above A = 440 (interquartile range 20–30 cents), as on the other side of the disc, and the identified score is in D minor, which sounds as written. The offset cannot be divided between the harpsichord’s tuning and the speed of the disc or its transfer; no speed correction was applied here.","digital.streamUrl":"https://archive.org/download/78_gigue_elizabeth-jacquet-de-la-guerre-isabelle-nef_gbia0075989b/Gigue%20-%20Elizabeth%20Jacquet%20de%20la%20Guerre%20-%20Isabelle%20Nef.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive variable-bitrate MP3 derivative of a 24-bit FLAC transfer of one side of a 78 rpm disc","digital.durationSeconds":154.2,"rights.composition.value":"Out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"imslp\",\"imslp1707\"]","rights.composition.note":"Jacquet de La Guerre died in 1729. This is a term calculation, not clearance of every edition.","rights.recording.value":"Territorial EU public-domain basis for a disc dated 1942 by the Bibliothèque nationale de France (release in 1938 or 1939 according to an Oiseau-Lyre discography), under the programme’s pre-1963 recording rule.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"gallica\",\"archive\"]","rights.recording.note":"The BnF date is a catalogue date for the disc, not an independently verified first-publication date; an Oiseau-Lyre discography (https://medieval.org/emfaq/cds/lol75.htm, after Davidson’s Lyrebird Rising) places the release in 1938 or 1939, and the label began issuing discs in December 1937. Either date is before 1963. The Gallica record marks its own digital copy as public domain; the Internet Archive item carries no licence. US first-publication evidence and US status are not established.","rights.creditLine":"Jacquet de La Guerre: Gigue; Isabelle Nef, harpsichord; Éditions de l’Oiseau-Lyre O. L. 75, 78 rpm disc dated 1942 by the Bibliothèque nationale de France. Transfer by George Blood, L.P., via the Internet Archive (Boston Public Library 78 rpm collection). Territorial EU pre-1963 basis; US status not established.","rights.licenseUrl":"https://gallica.bnf.fr/ark:/12148/bpt6k127370x","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive item: Gigue, Elizabeth Jacquet de la Guerre; Isabelle Nef (George Blood transfer, Boston Public Library collection)\",\"url\":\"https://archive.org/metadata/78_gigue_elizabeth-jacquet-de-la-guerre-isabelle-nef_gbia0075989b\",\"locator\":\"Description (performer, writer, instrument, digitisation at 78 rpm with four styli); publisher Éditions de l’Oiseau-Lyre; catalogue number O. L. 75; external identifier matrix PART 1296; reverse side Allemande; label scan (the item’s .jpg) reading “Éditions de l’Oiseau-Lyre, Part. 1296, O. L. 75, Elizabeth Jacquet de la Guerre, Gigue, Clavecin: Isabelle Nef”; files FLAC and MP3.\",\"accessed\":\"2026-10-19\"},{\"id\":\"gallica\",\"title\":\"Gallica (BnF): Allemande ; Gigue / Elizabeth Jacquet de la Guerre ; Isabelle Nef, clav. (copy of the page held by the Internet Archive)\",\"url\":\"https://web.archive.org/web/20250130115756/https://gallica.bnf.fr/ark:/12148/bpt6k127370x\",\"locator\":\"Title, performer Isabelle Nef (1898–1976), date 1942 (Dublin Core metadata DC.date), document type audio recording, rights “domaine public”; BnF Audiovisuel shelfmark C-1569.\",\"accessed\":\"2026-10-19\"},{\"id\":\"edition\",\"title\":\"Élisabeth Jacquet de La Guerre, Pièces de clavecin (1687), edited and typeset by Steve Wiberg, Due West Editions, 2007, based on a facsimile of the first printing (IMSLP 18522; Creative Commons Attribution-ShareAlike 3.0)\",\"url\":\"http://conquest.imslp.info/files/imglnks/usimg/3/31/IMSLP18522-LaGuerre_PiecesDeClavecin_Complete.pdf\",\"locator\":\"Gigues on printed pages 7 (D minor), 19 and 20 (G minor), 28 (A minor) and 40 (F major); each is in two strains.\",\"accessed\":\"2026-10-19\"},{\"id\":\"imslp\",\"title\":\"IMSLP: Pièces de clavecin, Livre 1 (Jacquet de La Guerre, Elisabeth)\",\"url\":\"https://imslp.org/wiki/Pi%C3%A8ces_de_clavecin,_Livre_1_(Jacquet_de_La_Guerre,_Elisabeth)\",\"locator\":\"First publication 1687; four suites, EJG.01–04; dedicated to Louis XIV.\",\"accessed\":\"2026-10-19\"},{\"id\":\"facsimile1707\",\"title\":\"Élisabeth Jacquet de La Guerre, Pièces de clavecin qui peuvent se joüer sur le viollon (Paris: the author, Foucault, Ribou, Ballard, 1707), first edition, scan of the Bibliothèque nationale de France copy (VM7-1860) via IMSLP 111449\",\"url\":\"http://conquest.imslp.info/files/imglnks/usimg/5/55/IMSLP111449-PMLP62189-Jacquet_de_La_Guerre_-_Pieces_de_Clavecin_qui_peuvent_se_jouer_sur_le_Viollon,_1707.pdf\",\"locator\":\"2e Gigue of the first suite, in D minor, on printed pages 13–14 (headed 2.e Gigue): six-eight time, an upbeat in the right hand, two strains each marked to repeat with first and second endings, the second headed Reprise.\",\"accessed\":\"2026-10-19\"},{\"id\":\"edition1707\",\"title\":\"Élisabeth Jacquet de La Guerre, Pièces de clavecin qui peuvent se jouer sur le violon (1707), edited and typeset by Steve Wiberg, Due West Editions, 2009, based on a facsimile of the first printing (IMSLP 28300; Creative Commons Attribution-ShareAlike 3.0)\",\"url\":\"http://conquest.imslp.info/files/imglnks/usimg/4/40/IMSLP28300-PMLP62189-LaGuerre_PiecesDeClavecin_1707_Complete.pdf\",\"locator\":\"Suite in D minor, 2e Gigue, printed pages 16–17: bars 1–25 (first ending bar 25, second ending bar 26) and, after Reprise, bars 27–64 (first ending bar 64, second ending bar 65). Other gigues of the 1707 book: Gigue and Double of the D minor suite (printed pages 12 and 14) and Gigue of the G major suite (printed page 28), all in 6/4.\",\"accessed\":\"2026-10-19\"},{\"id\":\"imslp1707\",\"title\":\"IMSLP: Pièces de clavecin, Livre 2 (Jacquet de La Guerre, Elisabeth)\",\"url\":\"https://imslp.org/wiki/Pi%C3%A8ces_de_clavecin,_Livre_2_(Jacquet_de_La_Guerre,_Elisabeth)\",\"locator\":\"First publication 1707; two suites, D minor (EJG.05) and G major (EJG.06); dedicated to Louis XIV; first-edition scans from the Bibliothèque nationale de France.\",\"accessed\":\"2026-10-19\"},{\"id\":\"medieval\",\"title\":\"Pierre-F. Roberge, Early Music FAQ: Oiseau-Lyre OL. 75, Elisabeth Jacquet de la Guerre, Allemande; Gigue, Isabelle Nef\",\"url\":\"https://medieval.org/emfaq/cds/lol75.htm\",\"locator\":\"Recording site and date unknown [1938]; released 1938 or 1939; information from Jim Davidson, Lyrebird Rising: Louise Hanson-Dyer of Oiseau-Lyre 1884–1962 (Amadeus Press, 1994), p. 490, and the BnF catalogue. The listing gives the contents as Allemande and Gigue, with no book, suite or key (Lyrebird Rising itself not opened).\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 inferred; 7 documented; 3 unknown"},{"id":"janacek-sonata-death","composer":"Leoš Janáček","title":"Piano Sonata 1. X. 1905","movement":"II. Smrt (Death) — Adagio","work.title":"Piano Sonata 1. X. 1905","work.catalogue":"","work.movement":"II. Smrt (Death) — Adagio","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition, revision and any editorial interventions are not identified in the consulted recording documentation.","performers.value":"[{\"name\":\"Eric Xi Xin Liang\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"The file description identifies the performer as both source and author; it supplies no separate session documentation.","session.date.value":"2023","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"structured\"]","session.date.note":"Year as stated by the contributor; no day, month, venue or independent session record is supplied.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original recording label is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"embedded\"]","transfer.credits.note":"No transfer or restoration engineer is credited in the consulted sources.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Embedded encoder: libFLAC 1.4.3 20230623. Commons master: FLAC, 24-bit, 44.1 kHz, 2 channels.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"embedded\"]","transfer.processing.note":"These are file properties, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/d/df/Jan%C3%A1%C4%8Dek_-_Piano_Sonata_1.X.1905%2C_2nd_Movement_%28Eric_Xi_Xin_Liang%29.flac/Jan%C3%A1%C4%8Dek_-_Piano_Sonata_1.X.1905%2C_2nd_Movement_%28Eric_Xi_Xin_Liang%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative; Commons master: FLAC, 24-bit, 44.1 kHz, 2 channels","digital.durationSeconds":456.22267573696143,"rights.composition.value":"Public-domain original composition, as asserted by Commons.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The musical-composition tag is PD-old-auto-expired, deathyear=1928. This does not license a later edition, arrangement or recording.","rights.recording.value":"Rule 1 — recording licence/release: CC BY 4.0 International.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons explicitly places cc-by-4.0 in the recording field for Eric Xi Xin Liang’s recording attributed to 2023. The separate composition public-domain notice is not used as the recording licence.","rights.creditLine":"Eric Xi Xin Liang, piano. Source: Eric Xi Xin Liang, via Wikimedia Commons. Recording: CC BY 4.0. Janáček’s composition is separately marked public domain.","rights.licenseUrl":"https://creativecommons.org/licenses/by/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Janáček - Piano Sonata 1.X.1905, 2nd Movement (Eric Xi Xin Liang).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Jan%C3%A1%C4%8Dek_-_Piano_Sonata_1.X.1905,_2nd_Movement_(Eric_Xi_Xin_Liang).flac?oldid=1118001688\",\"locator\":\"File-description wikitext revision 1118001688; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M142638166\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M142638166&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 1118001688. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3AJan%C3%A1%C4%8Dek+-+Piano+Sonata+1.X.1905%2C+2nd+Movement+%28Eric+Xi+Xin+Liang%29.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Janáček - Piano Sonata 1.X.1905, 2nd Movement (Eric Xi Xin Liang).flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1177337502%7C1285956118%7C638011151%7C1264375355%7C1118001688%7C1003399466%7C1113441804%7C808915645%7C525137715%7C963510501&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Janáček - Piano Sonata 1.X.1905, 2nd Movement (Eric Xi Xin Liang).flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"7 unknown; 5 documented"},{"id":"janacek-taras-bulba-prophecy","composer":"Leoš Janáček","title":"Taras Bulba","movement":"III. The Prophecy and Death of Taras Bulba","work.title":"Taras Bulba","work.catalogue":"JW VI/15","work.movement":"III. The Prophecy and Death of Taras Bulba","work.version.value":"Orchestral rhapsody, complete third movement","work.version.status":"documented","work.version.sourceIds":"[\"sleeve\",\"archive-files\",\"work-catalogue\",\"score\"]","work.version.note":"The LP identifies the third movement as side 1, band 3. The exact score edition and orchestral parts used by Kubelík are unknown. Notes use the Hudební matice score of 1927 in its corrected 1947 reprint. Section and cue times are approximate score-proportion passages, guided by the recording’s broad changes; they have no bar alignment or aural review. No track concatenation or excerpt trimming is used.","performers.value":"[{\"name\":\"Royal Philharmonic Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Rafael Kubelík\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve\",\"archive\",\"library\"]","performers.note":"The original sleeve names Rafael Kubelik and the Royal Philharmonic Orchestra. Czech diacritics are restored in the display name. The organist and other individual players are unidentified.","session.date.value":"1958","session.date.status":"documented","session.date.sourceIds":"[\"discography\"]","session.date.note":"Thierry Vagne’s discography dates the HMV Taras Bulba sessions to 10 and 12 April 1958, printed as 4/10,12/1958. The selected movement’s allocation to a particular session or take is unknown. The 1959 date on the original sleeve is first publication, not recording.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"sleeve\",\"archive\",\"discography\"]","session.place.note":"The consulted sleeve, transfer metadata and discography do not establish the recording venue. The record company’s Hayes address and the Archive’s Cebu transfer location are separate from the performance session.","carrier.label.value":"His Master’s Voice / E.M.I. Records Limited","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"archive\",\"library\"]","carrier.label.note":"Original British LP imprint. The reverse side contains Martinů’s Les Fresques de Piero della Francesca.","carrier.catalogue.value":"ALP 1675","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve\",\"archive\",\"library\"]","carrier.catalogue.note":"The original sleeve states that the recording was first published in 1959; the Finnish National Repository Library catalogue independently dates this EMI issue to 1959.","carrier.matrixTakeSides.value":"Side 1, band 3","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"sleeve\",\"archive-files\"]","carrier.matrixTakeSides.note":"The sleeve assigns The Prophecy and Death of Taras Bulba to this band. No pressing matrix, stamper, original tape number or session take is established.","transfer.credits.value":"Internet Archive LP transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item credits Internet Archive and supplies a ripping-operator account. No personal restoration or mastering credit is inferred from that account.","transfer.date.value":"2023-05-11","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The ripping_date field is 20230511080236. The sleeve scan was made on 3 May 2023; neither date describes the original performance.","transfer.processing.value":"Technics SL1200MK5 turntable and Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; segmented VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The playback and digitisation chain is supplied by the item’s lineage field. Equalisation settings, pitch correction, noise reduction and further restoration are unknown.","digital.streamUrl":"https://archive.org/download/lp_taras-bulba-les-fresques_leos-janacek-bohuslav-martinu-the-royal/disc1/01.03.%20Taras%20Bulba%3A%20The%20Profecy%20And%20Death%20Of%20Taras%20Bulba.mp3","digital.sourceChain":"[\"sleeve\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a vinyl LP transfer","digital.durationSeconds":524.3,"rights.composition.value":"Janáček’s underlying composition is public domain under ordinary life-plus-70 terms.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"work-catalogue\",\"score-catalogue\"]","rights.composition.note":"Janáček died on 12 August 1928. Taras Bulba was first published as a piano-duet arrangement in 1925 and as a full orchestral score in 1927. This assessment concerns the composition; unidentified modern editorial additions have separate rights.","rights.recording.value":"Territorial EU public-domain basis: lawful commercial publication in 1959, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"sleeve\",\"archive\",\"library\",\"eu-term\"]","rights.recording.note":"The original HMV ALP 1675 sleeve explicitly states “Recording first published 1959”. Its former 50-year phonogram term expired before the extension applying to recordings still protected on 1 November 2013. The selected source uses eu-published-before-1963 with published: 1959. Internet Archive supplies no Creative Commons licence. US recording status is not established, and this territorial basis is not worldwide clearance.","rights.creditLine":"Leoš Janáček, Taras Bulba: III. The Prophecy and Death of Taras Bulba; Royal Philharmonic Orchestra, Rafael Kubelík. Recorded 1958; HMV ALP 1675, first published 1959. Internet Archive LP transfer. Territorial EU public-domain basis; US recording status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — HMV ALP 1675 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_taras-bulba-les-fresques_leos-janacek-bohuslav-martinu-the-royal/metadata\",\"locator\":\"Publisher His Master’s Voice; catalogue ALP 1675; country GB; date 1959; Royal Philharmonic Orchestra and Rafael Kubelik. Lineage field, ripping_date 20230511080236 and separate scandate 20230503132347.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — complete third-movement MP3 derivative\",\"url\":\"https://archive.org/metadata/lp_taras-bulba-les-fresques_leos-janacek-bohuslav-martinu-the-royal/files\",\"locator\":\"disc1/01.03. Taras Bulba: The Profecy And Death Of Taras Bulba.mp3; VBR MP3, listed duration 08:44. The filename’s spelling “Profecy” is retained in the source reference. The downloaded stream runs 524.3 seconds.\",\"accessed\":\"2026-10-18\"},{\"id\":\"sleeve\",\"title\":\"Original HMV ALP 1675 sleeve — credits, track list and Malcolm Rayment’s notes\",\"url\":\"https://archive.org/download/lp_taras-bulba-les-fresques_leos-janacek-bohuslav-martinu-the-royal/lp_taras-bulba-les-fresques_leos-janacek-bohuslav-martinu-the-royal_djvu.txt\",\"locator\":\"Rafael Kubelik conducting the Royal Philharmonic Orchestra; side one, band 3, The Prophecy and Death of Taras Bulba; “Recording first published 1959”. Rayment describes the final movement’s execution scene and long coda with organ and bells.\",\"accessed\":\"2026-10-18\"},{\"id\":\"library\",\"title\":\"Finnish National Repository Library — Taras Bulba, HMV ALP 1675\",\"url\":\"https://kansalliskirjasto.finna.fi/Record/vaari.2647604\",\"locator\":\"Publisher E.M.I. Records Limited, Hayes, Middlesex, England, [1959]; catalogue His Master’s Voice ALP1675; Rafael Kubelík and Royal Philharmonic Orchestra.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discography\",\"title\":\"Thierry Vagne — Rafael Kubelík: Complete official discography\",\"url\":\"https://vagnethierry.fr/kubelik.html\",\"locator\":\"Janáček, Taras Bulba, HMV, Royal Philharmonic Orchestra: 4/10,12/1958. The discography uses month/day notation in the surrounding entries; only the year is used for the recording’s public date field.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Janáček — Taras Bulba, Hudební matice full score\",\"url\":\"https://ks15.imslp.org/files/imglnks/usimg/2/24/IMSLP129624-PMLP43971-Janacek_-_Taras_Bulba_-_I._The_Death_of_Andrei.pdf\",\"locator\":\"1927 score, plate H.M. 411, corrected 1947 reprint. Third movement is printed pp. 61–103, PDF pp. 121–163. Opening, Maestoso, Presto, quiet Tempo I, coda and closing pages inspected visually; passage anchors include bars 52, 129, 167 and 191. The Presto is in 2/8; the quiet Tempo I alternates viola and cello runs. Times remain approximate score proportions.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Taras Bulba publication and score catalogue\",\"url\":\"https://imslp.org/wiki/Taras_Bulba_(Jan%C3%A1%C4%8Dek,_Leo%C5%A1)\",\"locator\":\"JW VI/15; 1915, revised 1918; Bakala’s piano-duet arrangement published 1925 and full score published 1927. The listed 1947 score is a corrected reprint of the first edition.\",\"accessed\":\"2026-10-18\"},{\"id\":\"work-catalogue\",\"title\":\"Moravian Museum — Leoš Janáček’s orchestral works\",\"url\":\"https://www.leosjanacek.eu/en/orchestral/\",\"locator\":\"Taras Bulba, JW VI/15: Gogol’s story heard in Russian at the Brno Russian Circle in 1905; composition 1915, revision 1918; three movement titles and Brno première in 1921 under František Neumann.\",\"accessed\":\"2026-10-18\"},{\"id\":\"maestoso\",\"title\":\"John Tyrrell — Janáček’s maestoso\",\"url\":\"https://www.hippocampus.si/ISBN/978-961-7023-72-5/978-961-7023-72-5.23-49.pdf\",\"locator\":\"Printed pp. 30–31, PDF pp. 8–9: Taras Bulba’s third movement, Maestoso passages at bars 44–51, 123–128 and 191–196, the organ in the final passage, and the work’s changing political context.\",\"accessed\":\"2026-10-18\"},{\"id\":\"composer\",\"title\":\"IMSLP — Leoš Janáček biographical dates\",\"url\":\"https://imslp.org/wiki/Category:Jan%C3%A1%C4%8Dek,_Leo%C5%A1\",\"locator\":\"3 July 1854–12 August 1928.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transitional provisions\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3: former 50-year term and first lawful publication. Article 1(2) extends the term; Article 1(3), adding Article 10(5), applies it to recordings still protected on 1 November 2013.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"leoncavallo-vesti-caruso-1902","composer":"guest-leoncavallo-vesti-caruso-1902","title":"Pagliacci","movement":"Vesti la giubba — piano-accompanied side","work.title":"Pagliacci","work.catalogue":"","work.movement":"Vesti la giubba","work.version.value":"Tenor with piano; Italian","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"dahr\"]","work.version.note":"The performing edition and exact textual cuts are not established. The comparison uses a shared excerpt, not an equivalence of complete sides.","performers.value":"[{\"name\":\"Enrico Caruso\",\"role\":\"tenor\"},{\"name\":\"Salvatore Cottone\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"dahr\"]","performers.note":"DAHR identifies Cottone and recordist Frederick William Gaisberg; the latter is not a performer.","session.date.value":"30 November 1902","session.date.status":"documented","session.date.sourceIds":"[\"dahr\"]","session.date.note":"Session date, not the date of the later Archive Series pressing transferred here.","session.date.precision":"day","session.place.value":"Milan, Italy","session.place.status":"documented","session.place.sourceIds":"[\"dahr\"]","session.place.note":"No more specific venue is asserted.","carrier.label.value":"His Master’s Voice / Gramophone Archive Series","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"dahr-issue\"]","carrier.label.note":"The transferred pressing is a reissue of the 1902 Gramophone master.","carrier.catalogue.value":"V.A.30; original Gramophone 52440 also identified","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"dahr\",\"dahr-issue\"]","carrier.catalogue.note":"IA lists V.A.30 and the additional identifier 52440. The exact manufacture date of this reissue copy is unknown.","carrier.matrixTakeSides.value":"2875b, take [1]","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"dahr\"]","carrier.matrixTakeSides.note":"IA transcribes 2875 B; DAHR gives 2875b and brackets the take number. The ten-inch master is one complete side; no concatenation.","transfer.credits.value":"Casey Dougherty; George Blood, L.P.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"IA user_transferred identifies Casey Dougherty; scanningcenter identifies George Blood, L.P.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The November 2018 upload date is not treated as a documented transfer date.","transfer.processing.value":"Transferred at 78 rpm using four styli; engineer-preferred version selected","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item specifies 3.8, 2.3, 2.8 and 3.3 mil truncated-conical styli. Which stylus supplied this friendly filename, and any subsequent restoration, are not independently established.","digital.streamUrl":"https://archive.org/download/78_vesti-la-giubba-on-with-the-motley_enrico-caruso-leoncavallo_gbia0077656a/Vesti%20la%20Giubba%20%28On%20with%20the%20Motley%29%20-%20Enrico%20Caruso.mp3","digital.sourceChain":"[\"archive\",\"dahr\",\"dahr-issue\"]","digital.format":"Internet Archive VBR MP3 derivative of the supplied 24-bit FLAC disc transfer","digital.durationSeconds":123.05,"rights.composition.value":"Historical aria from the 1892 opera Pagliacci","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\"]","rights.composition.note":"The historical composition is separate from rights in this recording and transfer.","rights.recording.value":"US public domain: recording first published before 1 January 1926","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"dahr\",\"dahr-issue\"]","rights.recording.note":"Rule 2. IA dates the recording 1902 and identifies matrix 2875 B; DAHR links that master to Gramophone 52440 and the V.A.30 reissue. The opened metadata has no licenseurl and no non-commercial licence. The later physical pressing date is not asserted as the original publication date.","rights.creditLine":"Ruggero Leoncavallo, Vesti la giubba; Enrico Caruso, tenor; Salvatore Cottone, piano. Milan, 30 November 1902; Gramophone 2875b [1], reissued as HMV V.A.30. Transfer credited to Casey Dougherty / George Blood, L.P.; Internet Archive Great 78 Project. US public-domain historic sound recording.","rights.licenseUrl":"https://www.law.cornell.edu/uscode/text/17/1401","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Caruso Vesti la giubba, GBIA0077656A\",\"url\":\"https://archive.org/metadata/78_vesti-la-giubba-on-with-the-motley_enrico-caruso-leoncavallo_gbia0077656a\",\"locator\":\"metadata: no licenseurl; date 1902; piano, matrix 2875 B, V.A.30/52440; transfer personnel and stylus method; selected MP3 file.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"DAHR — Gramophone 2875b\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/1000003400\",\"locator\":\"30 November 1902, Milan; take [1]; Caruso, Cottone and Gaisberg; Gramophone 52440 and V.A.30.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-issue\",\"title\":\"DAHR — Gramophone Archive Series V.A.30\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/detail/108244/Gramophone_Archive_Series_VA-30\",\"locator\":\"Coupling and 2875b identification; catalogue links the transferred reissue to the historic master.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Vesti la giubba — opera and dramatic situation\",\"url\":\"https://en.wikipedia.org/wiki/Vesti_la_giubba\",\"locator\":\"1892 opera, Act I conclusion, Canio and the dramatic text.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"11 documented; 1 unknown"},{"id":"leoncavallo-vesti-caruso-1907","composer":"guest-leoncavallo-vesti-caruso-1907","title":"Pagliacci","movement":"Recitar!… Vesti la giubba","work.title":"Pagliacci","work.catalogue":"","work.movement":"Recitar!… Vesti la giubba","work.version.value":"Tenor with orchestral accompaniment; Italian; source describes acoustic recording","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"dahr\"]","work.version.note":"IA describes an acoustic recording and identifies Victor/Victrola 88061. Attribution to the original C-4317 master is inferred through the catalogue, not confirmed by a legible runout. DAHR lists later electrically re-orchestrated dubs separately as CS-58966; this transfer has not been independently distinguished from every later reissue or dub by matrix inspection. Performing edition unknown.","performers.value":"[{\"name\":\"Enrico Caruso\",\"role\":\"tenor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"dahr\"]","performers.note":"Orchestral accompaniment is documented, but no orchestra name, conductor or individual orchestral players are established by the cited sources.","session.date.value":"17 March 1907","session.date.status":"inferred","session.date.sourceIds":"[\"archive\",\"dahr\"]","session.date.note":"Date of the original C-4317 acoustic session, applied through the source’s 1907 attribution and Victor 88061 catalogue identity. The transfer’s exact matrix is not independently confirmed; this is not a date for the physical pressing or transfer.","session.date.precision":"day","session.place.value":"New York, New York","session.place.status":"inferred","session.place.sourceIds":"[\"archive\",\"dahr\"]","session.place.note":"Place of the attributed original C-4317 session. No studio address is asserted, and the transfer’s exact matrix has not been independently confirmed.","carrier.label.value":"Victrola","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"The transferred label is identified in the IA metadata; the underlying master is Victor.","carrier.catalogue.value":"88061","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"dahr\"]","carrier.catalogue.note":"The physical pressing date is unknown; 1907 identifies the original recording and issue history, not this copy’s manufacture.","carrier.matrixTakeSides.value":"Victor C-4317, take 1","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"dahr\"]","carrier.matrixTakeSides.note":"DAHR identifies take 1 as the issued master for Victor 88061; take 2 was held. This identifies the master through the catalogue, not through inspection of a legible runout. IA’s matrix field repeats the catalogue number 88061 and is not accepted as the matrix.","transfer.credits.value":"Nicholas Klein; George Blood, L.P.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"IA user_transferred identifies Nicholas Klein; scanningcenter identifies George Blood, L.P.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The May 2021 upload date is not treated as a documented transfer date.","transfer.processing.value":"Transferred at 78 rpm using four styli; engineer-preferred version selected","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item specifies 3.8, 2.3, 2.8 and 3.3 mil truncated-conical styli. The specific selected stylus and further restoration are not established. Playback audio remains unaltered.","digital.streamUrl":"https://archive.org/download/78_pagliacci-vesti-la-giubba-on-with-the-play-act-1_enrico-caruso-ruggiero-leonc_gbia0276270a/Pagliacci%20-%20Vesti%20la%20giubba%20%28On%20With%20the%20P%20-%20Enrico%20Caruso.mp3","digital.sourceChain":"[\"archive\",\"dahr\"]","digital.format":"Internet Archive VBR MP3 derivative of the supplied 24-bit FLAC disc transfer","digital.durationSeconds":195.93,"rights.composition.value":"Historical aria from the 1892 opera Pagliacci","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\"]","rights.composition.note":"The composition is separate from rights in the historic sound recording.","rights.recording.value":"US public domain: source identifies recording first published before 1 January 1926","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"dahr\"]","rights.recording.note":"Rule 2. IA identifies the historic 1907 Victor/Victrola 88061 issue and describes an acoustic recording; DAHR documents the attributed original 17 March 1907 master. The exact master is inferred through the catalogue, not independently established from a legible runout. Opened IA metadata contains no licenseurl and no non-commercial licence. This does not rely on a modern uploader’s composition-only tag.","rights.creditLine":"Ruggero Leoncavallo, Recitar!… Vesti la giubba; Enrico Caruso, tenor, with orchestra. Attributed to New York, 17 March 1907; Victor C-4317 take 1 inferred through Victor 88061, matrix unconfirmed. Transfer credited to Nicholas Klein / George Blood, L.P.; Internet Archive Great 78 Project. Source identifies US public-domain historic recording.","rights.licenseUrl":"https://www.law.cornell.edu/uscode/text/17/1401","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Caruso Vesti la giubba, GBIA0276270A\",\"url\":\"https://archive.org/metadata/78_pagliacci-vesti-la-giubba-on-with-the-play-act-1_enrico-caruso-ruggiero-leonc_gbia0276270a\",\"locator\":\"No licenseurl; date 1907; Victrola 88061; acoustic tenor with orchestra; transfer personnel and four-stylus method; selected MP3 derivative.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"DAHR — Victor C-4317\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/200006029\",\"locator\":\"17 March 1907, New York; take 1 issued as 88061, take 2 held; original orchestral accompaniment and distinction from later electric dubs.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Vesti la giubba — dramatic text and opera\",\"url\":\"https://en.wikipedia.org/wiki/Vesti_la_giubba\",\"locator\":\"1892 opera and recitative/aria text.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 3 inferred; 1 unknown"},{"id":"lili-boulanger-pie-jesu","composer":"Lili Boulanger","title":"Pie Jesu","movement":"","work.title":"Pie Jesu","work.catalogue":"","work.movement":"","work.version.value":"Complete original chamber scoring for high solo voice, two violins, viola, cello, harp and organ; sung here by a boy soprano.","work.version.status":"documented","work.version.sourceIds":"[\"insert-last\",\"score\",\"work\"]","work.version.note":"The consulted Durand score is a later impression of the original 1922 edition, not evidence of the session’s actual performing copy. The quartet and harp players are not individually named.","performers.value":"[{\"name\":\"Alain Fauqueur\",\"role\":\"boy soprano; Petits Chanteurs de Vincennes\"},{\"name\":\"J. J. Grunenwald\",\"role\":\"organ\"},{\"name\":\"Orchestre des Concerts Lamoureux\",\"role\":\"instrumental players for the chamber scoring\"},{\"name\":\"Igor Markevitch\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"insert-front\",\"insert-last\",\"label\",\"sleeve\"]","performers.note":"Per-work soloist headings were visually read, not inferred from a whole-album creator tag. Markevitch is the conductor; Nadia Boulanger is separately credited with recording supervision. J. J. Grunenwald is named only for the works whose scores contain organ. The ensemble credits are album-level; individual instrumental players and exact section numbers are unestablished.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","session.date.note":"No dated session log was established. The 1960 release year, 2021 transfer date and 2023 derivative-generation date are not recording dates.","session.date.precision":null,"session.place.value":"Salle Pleyel, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"sleeve\",\"release\"]","session.place.note":"The sleeve explicitly states that the recording was made at the Salle Pleyel on Everest equipment; this is not inferred from the orchestra’s home city.","carrier.label.value":"Everest","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","carrier.label.note":"Original mono LP imprint; the original copyright credit is Belock Instrument Corp.","carrier.catalogue.value":"LPBR 6059 (mono LP)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","carrier.catalogue.note":"SDBR 3059 is the separately identified stereo counterpart, not the transferred catalogue number.","carrier.matrixTakeSides.value":"Side B4; Discogs reports the corresponding side runout LPBR-6059-2-T1.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"release\",\"sleeve\"]","carrier.matrixTakeSides.note":"Track/side position is documented. The reported runout belongs to the catalogued release; the transferred specimen’s runout was not physically inspected. No session matrix, take number or meaning of the T1 suffix is established.","transfer.credits.value":"Internet Archive; workstation archivelp-rip-cebu19.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"This is the explicit ripping_operator credit, not the item’s separate uploader/operator. A restoration or mastering engineer is not identified.","transfer.date.value":"2021-09-18","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"ripping_date is 20210918003915. The calendar date is reported without inventing a timezone; added/public dates and later derivative timestamps are not substituted.","transfer.processing.value":"Technics SL1200MK5 turntable + Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; ArchiveCD Version 2.2.57lp. Original side FLAC files are retained, with segmented VBR MP3 access derivatives.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The chain is transcribed from lineage and ripping_software_version. The selected MP3’s original pointer names the segments JSON. De-clicking, equalisation, noise reduction, original session tape format and any intermediate mastering are not documented; none is asserted.","digital.streamUrl":"https://archive.org/download/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d/disc1/02.04.%20Pie%20Jesu.mp3","digital.sourceChain":"[\"archive\",\"sleeve\",\"release\",\"insert-last\"]","digital.format":"Internet Archive VBR MP3 access derivative of the identified mono vinyl LP transfer","digital.durationSeconds":286.2,"rights.composition.value":"Boulanger’s music is out of copyright under the ordinary EU life-plus-70 term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"score\",\"eu-term\"]","rights.composition.note":"Boulanger died in 1918. This is a territorial term calculation for the original music, not a worldwide clearance or a claim about an unidentified modern edition. The biblical or liturgical text is not used as evidence for the sound-recording rights.","rights.recording.value":"Rule 3 — territorial EU sound-recording public domain: lawful publication documented by 1960, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"sleeve\",\"release\",\"discography\",\"eu-extension\"]","rights.recording.note":"The original commercial mono release LPBR 6059 is dated 1960; the sleeve carries ©1960 Belock, corroborated by the label discography. The rule concerns first lawful publication anywhere, not first EU publication. On the former fifty-year term this phonogram was no longer protected before the 2013 extension. US recording status is not established. No worldwide public-domain claim, Creative Commons licence or modern-remaster release is inferred.","rights.creditLine":"Lili Boulanger, Pie Jesu; Alain Fauqueur, boy soprano; J. J. Grunenwald, organ; members of the Orchestre des Concerts Lamoureux; Igor Markevitch, conductor. Everest LPBR 6059, side B4, published 1960; recorded at Salle Pleyel, session date unestablished. Internet Archive vinyl transfer, ripping date 18 September 2021. Territorial EU rule 3; US recording status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — mono Everest LPBR 6059 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d\",\"locator\":\"metadata: date 1960, publisher Everest, external_identifier catalogue LPBR 6059, source Vinyl LP, lineage, ripping_operator, ripping_date 20210918003915, ripping_software_version and ripping_scanner. files: exact access track disc1/02.04. Pie Jesu.mp3; original side FLACs and track-level VBR MP3 derivatives. MP3 original points to the item’s segments JSON; no undocumented restoration is inferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Everest LPBR 6059 — original sleeve transcription\",\"url\":\"https://archive.org/download/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d_djvu.txt\",\"locator\":\"Back sleeve: LPBR 6059, ©1960 Belock Instrument Corp., recording at Salle Pleyel in Paris on Everest equipment, Igor Markevitch conducting, recording under Nadia Boulanger’s direction; stereo counterpart SDBR 3059 named separately.\",\"accessed\":\"2026-10-17\"},{\"id\":\"release\",\"title\":\"Discogs — exact mono release and insert-image catalogue\",\"url\":\"https://api.discogs.com/releases/6056852\",\"locator\":\"Release 6056852: Everest LPBR 6059, mono LP, US, 1960; tracks A and B1–B4; reported side runouts LPBR-6059-1-T1 and LPBR-6059-2-T1. The attached YouTube videos describe other performances and are not sources for this stream.\",\"accessed\":\"2026-10-17\"},{\"id\":\"insert-front\",\"title\":\"Everest LPBR 6059 — visually inspected insert front\",\"url\":\"https://i.discogs.com/XrNcaeuOsiqmWirxmPgDAtlexW1ImUbc9UpE5Aw4kkg/rs:fit/g:sm/q:90/h:600/w:592/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTYwNTY4/NTItMTQ3MzM1MDk5/Ny02MDQ1LmpwZWc.jpeg\",\"locator\":\"Album header: Igor Markevitch conducting Orchestre Lamoureux and Chorale Elisabeth Brasseur; organ J. J. Grunenwald; named soloist roster; recording direction Nadia Boulanger. Psalm 130’s individual heading names Oralia Dominguez and Raymond Amade.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"David Edwards and Mike Callahan — Everest Classical Album Discography\",\"url\":\"https://www.bsnpubs.com/decca/deccadist/everest%20classical.pdf\",\"locator\":\"2018 discography, p. 5: LPBR 6059 mono / SDBR 3059 stereo, [1960], Boulanger programme. Corroborates the sleeve’s publication-year evidence, not a session date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Everest — SDBR 3059 programme and per-track credits\",\"url\":\"https://www.evereststereo.com/album/sdbr-3059/\",\"locator\":\"Official stereo counterpart page identifies Dominguez and Amade for Psalm 130; Sénéchal for Psalm 24 and Vieille prière; Mollet for Psalm 129; Fauqueur for Pie Jesu. This corroborates the visually inspected mono insert; the stereo stream is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Lili Boulanger — original Durand full score\",\"url\":\"https://ks15.imslp.org/files/imglnks/usimg/b/bf/IMSLP230262-SIBLEY1802.21472.93de-39087015816665score.pdf\",\"locator\":\"Printed pp. 2–7. Quartet icons represent individual string players, not orchestral sections. The exact performing edition and unnamed string/harp players are unestablished. Representative passage snapshots, placed approximately using the cached level/novelty report and score order. Not continuous player detection; individual rests are not mapped.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"IMSLP — work and publication record\",\"url\":\"https://imslp.org/wiki/Pie_Jesu_(Boulanger,_Lili)\",\"locator\":\"General Information: composition and publication dates, scoring, text and work identity. The linked original full score was opened and visually inspected; this catalogue page alone is not used to infer instrumental entrances.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Library of Congress — Lili Boulanger\",\"url\":\"https://guides.loc.gov/feminism-french-women-history/famous/lili-boulanger\",\"locator\":\"Biographical dates 1893–1918; first woman to win the composition Prix de Rome in 1913; Villa Medici and the sisters’ wartime support work.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — term of protection\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1 and 8: ordinary authorial life-plus-70 term and calculation from the following 1 January; Article 3’s historical phonogram term is read with the 2011 extension’s transition rule. Recording and composition rights remain separate.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram extension and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1 amendments: extended phonogram protection applies to recordings still protected on 1 November 2013. The 1960 publication evidence puts this recording’s former fifty-year term before that transition. This is a territorial EU basis, not a worldwide licence or US clearance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"insert-last\",\"title\":\"Everest LPBR 6059 — visually inspected per-track insert\",\"url\":\"https://i.discogs.com/ecobVEtkndUWiEUEMLY8MtA8w9JdTo5FZXqN58TzXGA/rs:fit/g:sm/q:90/h:598/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTYwNTY4/NTItMTQ3MzM1MTAw/MC02NTk5LmpwZWc.jpeg\",\"locator\":\"Individual work heading supplies the named soloist for Pie Jesu. Notes by David Noakes; ©1960 Belock footer on the final insert leaf. For Psalm 129, the preceding continuation on the last leaf describes women’s wordless closing voices.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"lili-boulanger-psalm-129","composer":"Lili Boulanger","title":"Psalm 129 — Ils m’ont assez opprimé dès ma jeunesse","movement":"","work.title":"Psalm 129 — Ils m’ont assez opprimé dès ma jeunesse","work.catalogue":"","work.movement":"","work.version.value":"Complete French psalm using the score’s solo-baritone option with women’s voices in the closing region, not a substituted male-chorus performance.","work.version.status":"documented","work.version.sourceIds":"[\"insert-middle\",\"score\",\"work\"]","work.version.note":"The sleeve names Mollet for this work and describes the women’s wordless closing voices. The score allows several alternatives; its male-chorus layout is not mistaken for the recorded solo version. The exact number of women and performing edition are unknown.","performers.value":"[{\"name\":\"Pierre Mollet\",\"role\":\"baritone\"},{\"name\":\"Chorale Élisabeth Brasseur\",\"role\":\"women’s voices\"},{\"name\":\"Orchestre des Concerts Lamoureux\",\"role\":\"orchestra\"},{\"name\":\"Igor Markevitch\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"insert-front\",\"insert-middle\",\"label\",\"sleeve\",\"insert-last\"]","performers.note":"Per-work soloist headings were visually read, not inferred from a whole-album creator tag. Markevitch is the conductor; Nadia Boulanger is separately credited with recording supervision. J. J. Grunenwald is named only for the works whose scores contain organ. The ensemble credits are album-level; individual instrumental players and exact section numbers are unestablished.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","session.date.note":"No dated session log was established. The 1960 release year, 2021 transfer date and 2023 derivative-generation date are not recording dates.","session.date.precision":null,"session.place.value":"Salle Pleyel, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"sleeve\",\"release\"]","session.place.note":"The sleeve explicitly states that the recording was made at the Salle Pleyel on Everest equipment; this is not inferred from the orchestra’s home city.","carrier.label.value":"Everest","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","carrier.label.note":"Original mono LP imprint; the original copyright credit is Belock Instrument Corp.","carrier.catalogue.value":"LPBR 6059 (mono LP)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","carrier.catalogue.note":"SDBR 3059 is the separately identified stereo counterpart, not the transferred catalogue number.","carrier.matrixTakeSides.value":"Side B2; Discogs reports the corresponding side runout LPBR-6059-2-T1.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"release\",\"sleeve\"]","carrier.matrixTakeSides.note":"Track/side position is documented. The reported runout belongs to the catalogued release; the transferred specimen’s runout was not physically inspected. No session matrix, take number or meaning of the T1 suffix is established.","transfer.credits.value":"Internet Archive; workstation archivelp-rip-cebu19.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"This is the explicit ripping_operator credit, not the item’s separate uploader/operator. A restoration or mastering engineer is not identified.","transfer.date.value":"2021-09-18","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"ripping_date is 20210918003915. The calendar date is reported without inventing a timezone; added/public dates and later derivative timestamps are not substituted.","transfer.processing.value":"Technics SL1200MK5 turntable + Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; ArchiveCD Version 2.2.57lp. Original side FLAC files are retained, with segmented VBR MP3 access derivatives.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The chain is transcribed from lineage and ripping_software_version. The selected MP3’s original pointer names the segments JSON. De-clicking, equalisation, noise reduction, original session tape format and any intermediate mastering are not documented; none is asserted.","digital.streamUrl":"https://archive.org/download/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d/disc1/02.02.%20Psaume%20129.mp3","digital.sourceChain":"[\"archive\",\"sleeve\",\"release\",\"insert-middle\"]","digital.format":"Internet Archive VBR MP3 access derivative of the identified mono vinyl LP transfer","digital.durationSeconds":368.5,"rights.composition.value":"Boulanger’s music is out of copyright under the ordinary EU life-plus-70 term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"score\",\"eu-term\"]","rights.composition.note":"Boulanger died in 1918. This is a territorial term calculation for the original music, not a worldwide clearance or a claim about an unidentified modern edition. The biblical or liturgical text is not used as evidence for the sound-recording rights.","rights.recording.value":"Rule 3 — territorial EU sound-recording public domain: lawful publication documented by 1960, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"sleeve\",\"release\",\"discography\",\"eu-extension\"]","rights.recording.note":"The original commercial mono release LPBR 6059 is dated 1960; the sleeve carries ©1960 Belock, corroborated by the label discography. The rule concerns first lawful publication anywhere, not first EU publication. On the former fifty-year term this phonogram was no longer protected before the 2013 extension. US recording status is not established. No worldwide public-domain claim, Creative Commons licence or modern-remaster release is inferred.","rights.creditLine":"Lili Boulanger, Psalm 129 — Ils m’ont assez opprimé dès ma jeunesse; Pierre Mollet, baritone; women of the Chorale Élisabeth Brasseur; Orchestre des Concerts Lamoureux; Igor Markevitch, conductor. Everest LPBR 6059, side B2, published 1960; recorded at Salle Pleyel, session date unestablished. Internet Archive vinyl transfer, ripping date 18 September 2021. Territorial EU rule 3; US recording status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — mono Everest LPBR 6059 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d\",\"locator\":\"metadata: date 1960, publisher Everest, external_identifier catalogue LPBR 6059, source Vinyl LP, lineage, ripping_operator, ripping_date 20210918003915, ripping_software_version and ripping_scanner. files: exact access track disc1/02.02. Psaume 129.mp3; original side FLACs and track-level VBR MP3 derivatives. MP3 original points to the item’s segments JSON; no undocumented restoration is inferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Everest LPBR 6059 — original sleeve transcription\",\"url\":\"https://archive.org/download/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d_djvu.txt\",\"locator\":\"Back sleeve: LPBR 6059, ©1960 Belock Instrument Corp., recording at Salle Pleyel in Paris on Everest equipment, Igor Markevitch conducting, recording under Nadia Boulanger’s direction; stereo counterpart SDBR 3059 named separately.\",\"accessed\":\"2026-10-17\"},{\"id\":\"release\",\"title\":\"Discogs — exact mono release and insert-image catalogue\",\"url\":\"https://api.discogs.com/releases/6056852\",\"locator\":\"Release 6056852: Everest LPBR 6059, mono LP, US, 1960; tracks A and B1–B4; reported side runouts LPBR-6059-1-T1 and LPBR-6059-2-T1. The attached YouTube videos describe other performances and are not sources for this stream.\",\"accessed\":\"2026-10-17\"},{\"id\":\"insert-front\",\"title\":\"Everest LPBR 6059 — visually inspected insert front\",\"url\":\"https://i.discogs.com/XrNcaeuOsiqmWirxmPgDAtlexW1ImUbc9UpE5Aw4kkg/rs:fit/g:sm/q:90/h:600/w:592/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTYwNTY4/NTItMTQ3MzM1MDk5/Ny02MDQ1LmpwZWc.jpeg\",\"locator\":\"Album header: Igor Markevitch conducting Orchestre Lamoureux and Chorale Elisabeth Brasseur; organ J. J. Grunenwald; named soloist roster; recording direction Nadia Boulanger. Psalm 130’s individual heading names Oralia Dominguez and Raymond Amade.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"David Edwards and Mike Callahan — Everest Classical Album Discography\",\"url\":\"https://www.bsnpubs.com/decca/deccadist/everest%20classical.pdf\",\"locator\":\"2018 discography, p. 5: LPBR 6059 mono / SDBR 3059 stereo, [1960], Boulanger programme. Corroborates the sleeve’s publication-year evidence, not a session date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Everest — SDBR 3059 programme and per-track credits\",\"url\":\"https://www.evereststereo.com/album/sdbr-3059/\",\"locator\":\"Official stereo counterpart page identifies Dominguez and Amade for Psalm 130; Sénéchal for Psalm 24 and Vieille prière; Mollet for Psalm 129; Fauqueur for Pie Jesu. This corroborates the visually inspected mono insert; the stereo stream is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Lili Boulanger — original Durand full score\",\"url\":\"https://ks15.imslp.org/files/imglnks/usimg/7/74/IMSLP829067-PMLP430945-Boulanger,_L_-_Psalm_129_full_score.pdf\",\"locator\":\"Prefatory baritone option and printed pp. 1, 5, 8, 11, 21–25. The stage uses the solo-baritone version named by the sleeve. Sarrusophone is written but has no stage icon; no contrabassoon substitution is asserted. The precise number of women is not documented. Representative passage snapshots, placed approximately using the cached level/novelty report and score order. Not continuous player detection; individual rests are not mapped.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"IMSLP — work and publication record\",\"url\":\"https://imslp.org/wiki/Psaume_CXXIX_(Boulanger,_Lili)\",\"locator\":\"General Information: composition and publication dates, scoring, text and work identity. The linked original full score was opened and visually inspected; this catalogue page alone is not used to infer instrumental entrances.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Library of Congress — Lili Boulanger\",\"url\":\"https://guides.loc.gov/feminism-french-women-history/famous/lili-boulanger\",\"locator\":\"Biographical dates 1893–1918; first woman to win the composition Prix de Rome in 1913; Villa Medici and the sisters’ wartime support work.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — term of protection\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1 and 8: ordinary authorial life-plus-70 term and calculation from the following 1 January; Article 3’s historical phonogram term is read with the 2011 extension’s transition rule. Recording and composition rights remain separate.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram extension and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1 amendments: extended phonogram protection applies to recordings still protected on 1 November 2013. The 1960 publication evidence puts this recording’s former fifty-year term before that transition. This is a territorial EU basis, not a worldwide licence or US clearance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"insert-middle\",\"title\":\"Everest LPBR 6059 — visually inspected per-track insert\",\"url\":\"https://i.discogs.com/YRlMh__FB1Z6EXv1xxcm1OfoUrYyEvbGNCKMou0f0aI/rs:fit/g:sm/q:90/h:600/w:599/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTYwNTY4/NTItMTQ3MzM1MDk5/OS01NzcxLmpwZWc.jpeg\",\"locator\":\"Individual work heading supplies the named soloist for Psalm 129 — Ils m’ont assez opprimé dès ma jeunesse. Notes by David Noakes; ©1960 Belock footer on the final insert leaf. For Psalm 129, the preceding continuation on the last leaf describes women’s wordless closing voices.\",\"accessed\":\"2026-10-17\"},{\"id\":\"insert-last\",\"title\":\"Everest LPBR 6059 — continuation of Psalm 129 note\",\"url\":\"https://i.discogs.com/ecobVEtkndUWiEUEMLY8MtA8w9JdTo5FZXqN58TzXGA/rs:fit/g:sm/q:90/h:598/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTYwNTY4/NTItMTQ3MzM1MTAw/MC02NTk5LmpwZWc.jpeg\",\"locator\":\"Upper left: in the last verse a soft halo of women’s voices sings without words while the baritone quietly sings the benediction. This supports the recorded vocal option, without establishing the number of women.\",\"accessed\":\"2026-10-17\"},{\"id\":\"preface\",\"title\":\"Scholarly preface — Psalm 129 — Ils m’ont assez opprimé dès ma jeunesse\",\"url\":\"https://repertoire-explorer.musikmph.de/wp-content/uploads/vorworte_prefaces/1100.html\",\"locator\":\"Helen Julia Minors (2011) for the psalms; Konstantin Galluhn (2010), English translation Bradford Robinson, for Vieille prière. Composition, performance history and score structure. Speculative psychological readings and unsupported numerical symbolism are not adopted.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"lili-boulanger-psalm-130","composer":"Lili Boulanger","title":"Psalm 130 — Du fond de l’abîme","movement":"","work.title":"Psalm 130 — Du fond de l’abîme","work.catalogue":"","work.movement":"","work.version.value":"Complete French psalm setting for contralto, tenor, mixed chorus, organ and orchestra; original orchestral scoring.","work.version.status":"documented","work.version.sourceIds":"[\"insert-front\",\"score\",\"work\"]","work.version.note":"The source does not identify the precise performing edition, corrections or internal cuts. The complete side is used; no bar-aligned completeness claim is made.","performers.value":"[{\"name\":\"Oralia Domínguez\",\"role\":\"contralto\"},{\"name\":\"Raymond Amade\",\"role\":\"tenor\"},{\"name\":\"J. J. Grunenwald\",\"role\":\"organ\"},{\"name\":\"Chorale Élisabeth Brasseur\",\"role\":\"mixed chorus\"},{\"name\":\"Orchestre des Concerts Lamoureux\",\"role\":\"orchestra\"},{\"name\":\"Igor Markevitch\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"insert-front\",\"label\",\"sleeve\"]","performers.note":"Per-work soloist headings were visually read, not inferred from a whole-album creator tag. Markevitch is the conductor; Nadia Boulanger is separately credited with recording supervision. J. J. Grunenwald is named only for the works whose scores contain organ. The ensemble credits are album-level; individual instrumental players and exact section numbers are unestablished.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","session.date.note":"No dated session log was established. The 1960 release year, 2021 transfer date and 2023 derivative-generation date are not recording dates.","session.date.precision":null,"session.place.value":"Salle Pleyel, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"sleeve\",\"release\"]","session.place.note":"The sleeve explicitly states that the recording was made at the Salle Pleyel on Everest equipment; this is not inferred from the orchestra’s home city.","carrier.label.value":"Everest","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","carrier.label.note":"Original mono LP imprint; the original copyright credit is Belock Instrument Corp.","carrier.catalogue.value":"LPBR 6059 (mono LP)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","carrier.catalogue.note":"SDBR 3059 is the separately identified stereo counterpart, not the transferred catalogue number.","carrier.matrixTakeSides.value":"Side A; Discogs reports the corresponding side runout LPBR-6059-1-T1.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"release\",\"sleeve\"]","carrier.matrixTakeSides.note":"Track/side position is documented. The reported runout belongs to the catalogued release; the transferred specimen’s runout was not physically inspected. No session matrix, take number or meaning of the T1 suffix is established.","transfer.credits.value":"Internet Archive; workstation archivelp-rip-cebu19.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"This is the explicit ripping_operator credit, not the item’s separate uploader/operator. A restoration or mastering engineer is not identified.","transfer.date.value":"2021-09-18","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"ripping_date is 20210918003915. The calendar date is reported without inventing a timezone; added/public dates and later derivative timestamps are not substituted.","transfer.processing.value":"Technics SL1200MK5 turntable + Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; ArchiveCD Version 2.2.57lp. Original side FLAC files are retained, with segmented VBR MP3 access derivatives.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The chain is transcribed from lineage and ripping_software_version. The selected MP3’s original pointer names the segments JSON. De-clicking, equalisation, noise reduction, original session tape format and any intermediate mastering are not documented; none is asserted.","digital.streamUrl":"https://archive.org/download/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d/disc1/01.01.%20Psaume%2C%20%22Du%20Fond%20De%20L%27Ab%C3%AEme%22.mp3","digital.sourceChain":"[\"archive\",\"sleeve\",\"release\",\"insert-front\"]","digital.format":"Internet Archive VBR MP3 access derivative of the identified mono vinyl LP transfer","digital.durationSeconds":1440.2,"rights.composition.value":"Boulanger’s music is out of copyright under the ordinary EU life-plus-70 term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"score\",\"eu-term\"]","rights.composition.note":"Boulanger died in 1918. This is a territorial term calculation for the original music, not a worldwide clearance or a claim about an unidentified modern edition. The biblical or liturgical text is not used as evidence for the sound-recording rights.","rights.recording.value":"Rule 3 — territorial EU sound-recording public domain: lawful publication documented by 1960, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"sleeve\",\"release\",\"discography\",\"eu-extension\"]","rights.recording.note":"The original commercial mono release LPBR 6059 is dated 1960; the sleeve carries ©1960 Belock, corroborated by the label discography. The rule concerns first lawful publication anywhere, not first EU publication. On the former fifty-year term this phonogram was no longer protected before the 2013 extension. US recording status is not established. No worldwide public-domain claim, Creative Commons licence or modern-remaster release is inferred.","rights.creditLine":"Lili Boulanger, Psalm 130 — Du fond de l’abîme; Oralia Domínguez, contralto; Raymond Amade, tenor; J. J. Grunenwald, organ; Chorale Élisabeth Brasseur; Orchestre des Concerts Lamoureux; Igor Markevitch, conductor. Everest LPBR 6059, side A, published 1960; recorded at Salle Pleyel, session date unestablished. Internet Archive vinyl transfer, ripping date 18 September 2021. Territorial EU rule 3; US recording status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — mono Everest LPBR 6059 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d\",\"locator\":\"metadata: date 1960, publisher Everest, external_identifier catalogue LPBR 6059, source Vinyl LP, lineage, ripping_operator, ripping_date 20210918003915, ripping_software_version and ripping_scanner. files: exact access track disc1/01.01. Psaume, \\\"Du Fond De L'Abîme\\\".mp3; original side FLACs and track-level VBR MP3 derivatives. MP3 original points to the item’s segments JSON; no undocumented restoration is inferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Everest LPBR 6059 — original sleeve transcription\",\"url\":\"https://archive.org/download/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d_djvu.txt\",\"locator\":\"Back sleeve: LPBR 6059, ©1960 Belock Instrument Corp., recording at Salle Pleyel in Paris on Everest equipment, Igor Markevitch conducting, recording under Nadia Boulanger’s direction; stereo counterpart SDBR 3059 named separately.\",\"accessed\":\"2026-10-17\"},{\"id\":\"release\",\"title\":\"Discogs — exact mono release and insert-image catalogue\",\"url\":\"https://api.discogs.com/releases/6056852\",\"locator\":\"Release 6056852: Everest LPBR 6059, mono LP, US, 1960; tracks A and B1–B4; reported side runouts LPBR-6059-1-T1 and LPBR-6059-2-T1. The attached YouTube videos describe other performances and are not sources for this stream.\",\"accessed\":\"2026-10-17\"},{\"id\":\"insert-front\",\"title\":\"Everest LPBR 6059 — visually inspected insert front\",\"url\":\"https://i.discogs.com/XrNcaeuOsiqmWirxmPgDAtlexW1ImUbc9UpE5Aw4kkg/rs:fit/g:sm/q:90/h:600/w:592/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTYwNTY4/NTItMTQ3MzM1MDk5/Ny02MDQ1LmpwZWc.jpeg\",\"locator\":\"Album header: Igor Markevitch conducting Orchestre Lamoureux and Chorale Elisabeth Brasseur; organ J. J. Grunenwald; named soloist roster; recording direction Nadia Boulanger. Psalm 130’s individual heading names Oralia Dominguez and Raymond Amade.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"David Edwards and Mike Callahan — Everest Classical Album Discography\",\"url\":\"https://www.bsnpubs.com/decca/deccadist/everest%20classical.pdf\",\"locator\":\"2018 discography, p. 5: LPBR 6059 mono / SDBR 3059 stereo, [1960], Boulanger programme. Corroborates the sleeve’s publication-year evidence, not a session date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Everest — SDBR 3059 programme and per-track credits\",\"url\":\"https://www.evereststereo.com/album/sdbr-3059/\",\"locator\":\"Official stereo counterpart page identifies Dominguez and Amade for Psalm 130; Sénéchal for Psalm 24 and Vieille prière; Mollet for Psalm 129; Fauqueur for Pie Jesu. This corroborates the visually inspected mono insert; the stereo stream is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Lili Boulanger — original Durand full score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/2/28/IMSLP393069-PMLP430943-N0856389_PDF_1_-1DM.pdf\",\"locator\":\"Printed pp. 1–4, 11–16, 37–40, 54–58, 66–73, 81–90. The solo-voice icon covers both named soloists, not a mixed-up album roster. Two harps share one icon. The written sarrusophone has no stage icon; no contrabassoon substitution is asserted. Representative passage snapshots, placed approximately using the cached level/novelty report and score order. Not continuous player detection; individual rests are not mapped.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"IMSLP — work and publication record\",\"url\":\"https://imslp.org/wiki/Psaume_CXXX_(Boulanger,_Lili)\",\"locator\":\"General Information: composition and publication dates, scoring, text and work identity. The linked original full score was opened and visually inspected; this catalogue page alone is not used to infer instrumental entrances.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Library of Congress — Lili Boulanger\",\"url\":\"https://guides.loc.gov/feminism-french-women-history/famous/lili-boulanger\",\"locator\":\"Biographical dates 1893–1918; first woman to win the composition Prix de Rome in 1913; Villa Medici and the sisters’ wartime support work.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — term of protection\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1 and 8: ordinary authorial life-plus-70 term and calculation from the following 1 January; Article 3’s historical phonogram term is read with the 2011 extension’s transition rule. Recording and composition rights remain separate.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram extension and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1 amendments: extended phonogram protection applies to recordings still protected on 1 November 2013. The 1960 publication evidence puts this recording’s former fifty-year term before that transition. This is a territorial EU basis, not a worldwide licence or US clearance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"preface\",\"title\":\"Scholarly preface — Psalm 130 — Du fond de l’abîme\",\"url\":\"https://repertoire-explorer.musikmph.de/wp-content/uploads/vorworte_prefaces/1001.html\",\"locator\":\"Helen Julia Minors (2011) for the psalms; Konstantin Galluhn (2010), English translation Bradford Robinson, for Vieille prière. Composition, performance history and score structure. Speculative psychological readings and unsupported numerical symbolism are not adopted.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"lili-boulanger-psalm-24","composer":"Lili Boulanger","title":"Psalm 24 — La terre appartient à l’Éternel","movement":"","work.title":"Psalm 24 — La terre appartient à l’Éternel","work.catalogue":"","work.movement":"","work.version.value":"Complete French psalm setting with tenor solo, mixed chorus, brass, timpani, harp and organ; no orchestral strings or woodwinds.","work.version.status":"documented","work.version.sourceIds":"[\"insert-middle\",\"score\",\"work\"]","work.version.note":"The precise performing edition is unidentified. The viewed nomenclature labels Harpe in the singular, while some work lists say two harps; no performer count is invented. Optional opening horn reinforcement is not asserted as heard.","performers.value":"[{\"name\":\"Michel Sénéchal\",\"role\":\"tenor\"},{\"name\":\"J. J. Grunenwald\",\"role\":\"organ\"},{\"name\":\"Chorale Élisabeth Brasseur\",\"role\":\"mixed chorus\"},{\"name\":\"Orchestre des Concerts Lamoureux\",\"role\":\"brass, harp and timpani players\"},{\"name\":\"Igor Markevitch\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"insert-front\",\"insert-middle\",\"label\",\"sleeve\"]","performers.note":"Per-work soloist headings were visually read, not inferred from a whole-album creator tag. Markevitch is the conductor; Nadia Boulanger is separately credited with recording supervision. J. J. Grunenwald is named only for the works whose scores contain organ. The ensemble credits are album-level; individual instrumental players and exact section numbers are unestablished.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","session.date.note":"No dated session log was established. The 1960 release year, 2021 transfer date and 2023 derivative-generation date are not recording dates.","session.date.precision":null,"session.place.value":"Salle Pleyel, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"sleeve\",\"release\"]","session.place.note":"The sleeve explicitly states that the recording was made at the Salle Pleyel on Everest equipment; this is not inferred from the orchestra’s home city.","carrier.label.value":"Everest","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","carrier.label.note":"Original mono LP imprint; the original copyright credit is Belock Instrument Corp.","carrier.catalogue.value":"LPBR 6059 (mono LP)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","carrier.catalogue.note":"SDBR 3059 is the separately identified stereo counterpart, not the transferred catalogue number.","carrier.matrixTakeSides.value":"Side B1; Discogs reports the corresponding side runout LPBR-6059-2-T1.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"release\",\"sleeve\"]","carrier.matrixTakeSides.note":"Track/side position is documented. The reported runout belongs to the catalogued release; the transferred specimen’s runout was not physically inspected. No session matrix, take number or meaning of the T1 suffix is established.","transfer.credits.value":"Internet Archive; workstation archivelp-rip-cebu19.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"This is the explicit ripping_operator credit, not the item’s separate uploader/operator. A restoration or mastering engineer is not identified.","transfer.date.value":"2021-09-18","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"ripping_date is 20210918003915. The calendar date is reported without inventing a timezone; added/public dates and later derivative timestamps are not substituted.","transfer.processing.value":"Technics SL1200MK5 turntable + Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; ArchiveCD Version 2.2.57lp. Original side FLAC files are retained, with segmented VBR MP3 access derivatives.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The chain is transcribed from lineage and ripping_software_version. The selected MP3’s original pointer names the segments JSON. De-clicking, equalisation, noise reduction, original session tape format and any intermediate mastering are not documented; none is asserted.","digital.streamUrl":"https://archive.org/download/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d/disc1/02.01.%20Psaume%2024.mp3","digital.sourceChain":"[\"archive\",\"sleeve\",\"release\",\"insert-middle\"]","digital.format":"Internet Archive VBR MP3 access derivative of the identified mono vinyl LP transfer","digital.durationSeconds":210.1,"rights.composition.value":"Boulanger’s music is out of copyright under the ordinary EU life-plus-70 term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"score\",\"eu-term\"]","rights.composition.note":"Boulanger died in 1918. This is a territorial term calculation for the original music, not a worldwide clearance or a claim about an unidentified modern edition. The biblical or liturgical text is not used as evidence for the sound-recording rights.","rights.recording.value":"Rule 3 — territorial EU sound-recording public domain: lawful publication documented by 1960, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"sleeve\",\"release\",\"discography\",\"eu-extension\"]","rights.recording.note":"The original commercial mono release LPBR 6059 is dated 1960; the sleeve carries ©1960 Belock, corroborated by the label discography. The rule concerns first lawful publication anywhere, not first EU publication. On the former fifty-year term this phonogram was no longer protected before the 2013 extension. US recording status is not established. No worldwide public-domain claim, Creative Commons licence or modern-remaster release is inferred.","rights.creditLine":"Lili Boulanger, Psalm 24 — La terre appartient à l’Éternel; Michel Sénéchal, tenor; J. J. Grunenwald, organ; Chorale Élisabeth Brasseur; members of the Orchestre des Concerts Lamoureux; Igor Markevitch, conductor. Everest LPBR 6059, side B1, published 1960; recorded at Salle Pleyel, session date unestablished. Internet Archive vinyl transfer, ripping date 18 September 2021. Territorial EU rule 3; US recording status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — mono Everest LPBR 6059 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d\",\"locator\":\"metadata: date 1960, publisher Everest, external_identifier catalogue LPBR 6059, source Vinyl LP, lineage, ripping_operator, ripping_date 20210918003915, ripping_software_version and ripping_scanner. files: exact access track disc1/02.01. Psaume 24.mp3; original side FLACs and track-level VBR MP3 derivatives. MP3 original points to the item’s segments JSON; no undocumented restoration is inferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Everest LPBR 6059 — original sleeve transcription\",\"url\":\"https://archive.org/download/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d_djvu.txt\",\"locator\":\"Back sleeve: LPBR 6059, ©1960 Belock Instrument Corp., recording at Salle Pleyel in Paris on Everest equipment, Igor Markevitch conducting, recording under Nadia Boulanger’s direction; stereo counterpart SDBR 3059 named separately.\",\"accessed\":\"2026-10-17\"},{\"id\":\"release\",\"title\":\"Discogs — exact mono release and insert-image catalogue\",\"url\":\"https://api.discogs.com/releases/6056852\",\"locator\":\"Release 6056852: Everest LPBR 6059, mono LP, US, 1960; tracks A and B1–B4; reported side runouts LPBR-6059-1-T1 and LPBR-6059-2-T1. The attached YouTube videos describe other performances and are not sources for this stream.\",\"accessed\":\"2026-10-17\"},{\"id\":\"insert-front\",\"title\":\"Everest LPBR 6059 — visually inspected insert front\",\"url\":\"https://i.discogs.com/XrNcaeuOsiqmWirxmPgDAtlexW1ImUbc9UpE5Aw4kkg/rs:fit/g:sm/q:90/h:600/w:592/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTYwNTY4/NTItMTQ3MzM1MDk5/Ny02MDQ1LmpwZWc.jpeg\",\"locator\":\"Album header: Igor Markevitch conducting Orchestre Lamoureux and Chorale Elisabeth Brasseur; organ J. J. Grunenwald; named soloist roster; recording direction Nadia Boulanger. Psalm 130’s individual heading names Oralia Dominguez and Raymond Amade.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"David Edwards and Mike Callahan — Everest Classical Album Discography\",\"url\":\"https://www.bsnpubs.com/decca/deccadist/everest%20classical.pdf\",\"locator\":\"2018 discography, p. 5: LPBR 6059 mono / SDBR 3059 stereo, [1960], Boulanger programme. Corroborates the sleeve’s publication-year evidence, not a session date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Everest — SDBR 3059 programme and per-track credits\",\"url\":\"https://www.evereststereo.com/album/sdbr-3059/\",\"locator\":\"Official stereo counterpart page identifies Dominguez and Amade for Psalm 130; Sénéchal for Psalm 24 and Vieille prière; Mollet for Psalm 129; Fauqueur for Pie Jesu. This corroborates the visually inspected mono insert; the stereo stream is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Lili Boulanger — original Durand full score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/7/7d/IMSLP306314-PMLP430957-psalm_24_lili_boulanger_4.pdf\",\"locator\":\"Nomenclature and printed pp. 1, 4–9, 17–18. The nomenclature says Harpe in the singular. Optional horn support of the opening choir is not asserted as a recording-specific choice. Representative passage snapshots, placed approximately using the cached level/novelty report and score order. Not continuous player detection; individual rests are not mapped.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"IMSLP — work and publication record\",\"url\":\"https://imslp.org/wiki/Psaume_XXIV_(Boulanger,_Lili)\",\"locator\":\"General Information: composition and publication dates, scoring, text and work identity. The linked original full score was opened and visually inspected; this catalogue page alone is not used to infer instrumental entrances.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Library of Congress — Lili Boulanger\",\"url\":\"https://guides.loc.gov/feminism-french-women-history/famous/lili-boulanger\",\"locator\":\"Biographical dates 1893–1918; first woman to win the composition Prix de Rome in 1913; Villa Medici and the sisters’ wartime support work.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — term of protection\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1 and 8: ordinary authorial life-plus-70 term and calculation from the following 1 January; Article 3’s historical phonogram term is read with the 2011 extension’s transition rule. Recording and composition rights remain separate.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram extension and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1 amendments: extended phonogram protection applies to recordings still protected on 1 November 2013. The 1960 publication evidence puts this recording’s former fifty-year term before that transition. This is a territorial EU basis, not a worldwide licence or US clearance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"insert-middle\",\"title\":\"Everest LPBR 6059 — visually inspected per-track insert\",\"url\":\"https://i.discogs.com/YRlMh__FB1Z6EXv1xxcm1OfoUrYyEvbGNCKMou0f0aI/rs:fit/g:sm/q:90/h:600/w:599/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTYwNTY4/NTItMTQ3MzM1MDk5/OS01NzcxLmpwZWc.jpeg\",\"locator\":\"Individual work heading supplies the named soloist for Psalm 24 — La terre appartient à l’Éternel. Notes by David Noakes; ©1960 Belock footer on the final insert leaf. For Psalm 129, the preceding continuation on the last leaf describes women’s wordless closing voices.\",\"accessed\":\"2026-10-17\"},{\"id\":\"preface\",\"title\":\"Scholarly preface — Psalm 24 — La terre appartient à l’Éternel\",\"url\":\"https://repertoire-explorer.musikmph.de/wp-content/uploads/vorworte_prefaces/1146.html\",\"locator\":\"Helen Julia Minors (2011) for the psalms; Konstantin Galluhn (2010), English translation Bradford Robinson, for Vieille prière. Composition, performance history and score structure. Speculative psychological readings and unsupported numerical symbolism are not adopted.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"lili-boulanger-vieille-priere","composer":"Lili Boulanger","title":"Vieille prière bouddhique","movement":"","work.title":"Vieille prière bouddhique","work.catalogue":"","work.movement":"","work.version.value":"Complete French setting for tenor, mixed chorus and orchestra; Suzanne Karpelès’s French text.","work.version.status":"documented","work.version.sourceIds":"[\"insert-last\",\"score\",\"work\"]","work.version.note":"The source names Sénéchal for this work, rather than a tenor group. The precise performing edition is not identified. Music and translation rights are distinguished below.","performers.value":"[{\"name\":\"Michel Sénéchal\",\"role\":\"tenor\"},{\"name\":\"Chorale Élisabeth Brasseur\",\"role\":\"mixed chorus\"},{\"name\":\"Orchestre des Concerts Lamoureux\",\"role\":\"orchestra\"},{\"name\":\"Igor Markevitch\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"insert-front\",\"insert-last\",\"label\",\"sleeve\"]","performers.note":"Per-work soloist headings were visually read, not inferred from a whole-album creator tag. Markevitch is the conductor; Nadia Boulanger is separately credited with recording supervision. J. J. Grunenwald is named only for the works whose scores contain organ. The ensemble credits are album-level; individual instrumental players and exact section numbers are unestablished.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","session.date.note":"No dated session log was established. The 1960 release year, 2021 transfer date and 2023 derivative-generation date are not recording dates.","session.date.precision":null,"session.place.value":"Salle Pleyel, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"sleeve\",\"release\"]","session.place.note":"The sleeve explicitly states that the recording was made at the Salle Pleyel on Everest equipment; this is not inferred from the orchestra’s home city.","carrier.label.value":"Everest","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","carrier.label.note":"Original mono LP imprint; the original copyright credit is Belock Instrument Corp.","carrier.catalogue.value":"LPBR 6059 (mono LP)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve\",\"release\",\"archive\"]","carrier.catalogue.note":"SDBR 3059 is the separately identified stereo counterpart, not the transferred catalogue number.","carrier.matrixTakeSides.value":"Side B3; Discogs reports the corresponding side runout LPBR-6059-2-T1.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"release\",\"sleeve\"]","carrier.matrixTakeSides.note":"Track/side position is documented. The reported runout belongs to the catalogued release; the transferred specimen’s runout was not physically inspected. No session matrix, take number or meaning of the T1 suffix is established.","transfer.credits.value":"Internet Archive; workstation archivelp-rip-cebu19.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"This is the explicit ripping_operator credit, not the item’s separate uploader/operator. A restoration or mastering engineer is not identified.","transfer.date.value":"2021-09-18","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"ripping_date is 20210918003915. The calendar date is reported without inventing a timezone; added/public dates and later derivative timestamps are not substituted.","transfer.processing.value":"Technics SL1200MK5 turntable + Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; ArchiveCD Version 2.2.57lp. Original side FLAC files are retained, with segmented VBR MP3 access derivatives.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The chain is transcribed from lineage and ripping_software_version. The selected MP3’s original pointer names the segments JSON. De-clicking, equalisation, noise reduction, original session tape format and any intermediate mastering are not documented; none is asserted.","digital.streamUrl":"https://archive.org/download/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d/disc1/02.03.%20Vieille%20Pri%C3%A8re%20Bouddhique.mp3","digital.sourceChain":"[\"archive\",\"sleeve\",\"release\",\"insert-last\"]","digital.format":"Internet Archive VBR MP3 access derivative of the identified mono vinyl LP transfer","digital.durationSeconds":433.2,"rights.composition.value":"Underlying work clearance is not established: Boulanger died in 1918, but the French translator Suzanne Karpelès died in 1968.","rights.composition.status":"unknown","rights.composition.sourceIds":"[\"composer\",\"score\",\"translator\",\"eu-term\",\"eu-extension\"]","rights.composition.note":"A separate ordinary life-plus-70 calculation would put Boulanger’s music out of term, but Karpelès’s translation term would run through 2038. Directive 2011/77/EU also provides a last-survivor term when words and music were specifically created for the same composition; whether that condition applies here has not been established. No permission or applicable text exception is established. The programme’s sound-recording rule 3 is satisfied separately; phonogram expiry is not underlying-work clearance. No lyrics or their translation are reproduced in the guide.","rights.recording.value":"Rule 3 — territorial EU sound-recording public domain: lawful publication documented by 1960, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"sleeve\",\"release\",\"discography\",\"eu-extension\"]","rights.recording.note":"The original commercial mono release LPBR 6059 is dated 1960; the sleeve carries ©1960 Belock, corroborated by the label discography. The rule concerns first lawful publication anywhere, not first EU publication. On the former fifty-year term this phonogram was no longer protected before the 2013 extension. US recording status is not established. No worldwide public-domain claim, Creative Commons licence or modern-remaster release is inferred.","rights.creditLine":"Lili Boulanger, Vieille prière bouddhique; Michel Sénéchal, tenor; Chorale Élisabeth Brasseur; Orchestre des Concerts Lamoureux; Igor Markevitch, conductor. Everest LPBR 6059, side B3, published 1960; recorded at Salle Pleyel, session date unestablished. Internet Archive vinyl transfer, ripping date 18 September 2021. Territorial EU rule 3; US recording status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — mono Everest LPBR 6059 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d\",\"locator\":\"metadata: date 1960, publisher Everest, external_identifier catalogue LPBR 6059, source Vinyl LP, lineage, ripping_operator, ripping_date 20210918003915, ripping_software_version and ripping_scanner. files: exact access track disc1/02.03. Vieille Prière Bouddhique.mp3; original side FLACs and track-level VBR MP3 derivatives. MP3 original points to the item’s segments JSON; no undocumented restoration is inferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Everest LPBR 6059 — original sleeve transcription\",\"url\":\"https://archive.org/download/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d/lp_du-fond-de-labime-psaume-24-psaume-129_lili-boulanger-igor-markevitch-orchestre-d_djvu.txt\",\"locator\":\"Back sleeve: LPBR 6059, ©1960 Belock Instrument Corp., recording at Salle Pleyel in Paris on Everest equipment, Igor Markevitch conducting, recording under Nadia Boulanger’s direction; stereo counterpart SDBR 3059 named separately.\",\"accessed\":\"2026-10-17\"},{\"id\":\"release\",\"title\":\"Discogs — exact mono release and insert-image catalogue\",\"url\":\"https://api.discogs.com/releases/6056852\",\"locator\":\"Release 6056852: Everest LPBR 6059, mono LP, US, 1960; tracks A and B1–B4; reported side runouts LPBR-6059-1-T1 and LPBR-6059-2-T1. The attached YouTube videos describe other performances and are not sources for this stream.\",\"accessed\":\"2026-10-17\"},{\"id\":\"insert-front\",\"title\":\"Everest LPBR 6059 — visually inspected insert front\",\"url\":\"https://i.discogs.com/XrNcaeuOsiqmWirxmPgDAtlexW1ImUbc9UpE5Aw4kkg/rs:fit/g:sm/q:90/h:600/w:592/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTYwNTY4/NTItMTQ3MzM1MDk5/Ny02MDQ1LmpwZWc.jpeg\",\"locator\":\"Album header: Igor Markevitch conducting Orchestre Lamoureux and Chorale Elisabeth Brasseur; organ J. J. Grunenwald; named soloist roster; recording direction Nadia Boulanger. Psalm 130’s individual heading names Oralia Dominguez and Raymond Amade.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"David Edwards and Mike Callahan — Everest Classical Album Discography\",\"url\":\"https://www.bsnpubs.com/decca/deccadist/everest%20classical.pdf\",\"locator\":\"2018 discography, p. 5: LPBR 6059 mono / SDBR 3059 stereo, [1960], Boulanger programme. Corroborates the sleeve’s publication-year evidence, not a session date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Everest — SDBR 3059 programme and per-track credits\",\"url\":\"https://www.evereststereo.com/album/sdbr-3059/\",\"locator\":\"Official stereo counterpart page identifies Dominguez and Amade for Psalm 130; Sénéchal for Psalm 24 and Vieille prière; Mollet for Psalm 129; Fauqueur for Pie Jesu. This corroborates the visually inspected mono insert; the stereo stream is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Lili Boulanger — original Durand full score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/4/44/IMSLP21037-PMLP48704-Boulanger_Vielle_Pri%C3%A8re_Bouddhique.pdf\",\"locator\":\"Printed pp. 1, 8–12, 17–18, 23–24. Two harps share one icon. Sarrusophone is written but has no stage icon; no substitution is inferred. Trumpets are present in the full score despite their omission from the short nomenclature list. The French sung text has separate unresolved rights; no lyrics are reproduced here. Representative passage snapshots, placed approximately using the cached level/novelty report and score order. Not continuous player detection; individual rests are not mapped.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"IMSLP — work and publication record\",\"url\":\"https://imslp.org/wiki/Vieille_pri%C3%A8re_bouddhique_(Boulanger,_Lili)\",\"locator\":\"General Information: composition and publication dates, scoring, text and work identity. The linked original full score was opened and visually inspected; this catalogue page alone is not used to infer instrumental entrances.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Library of Congress — Lili Boulanger\",\"url\":\"https://guides.loc.gov/feminism-french-women-history/famous/lili-boulanger\",\"locator\":\"Biographical dates 1893–1918; first woman to win the composition Prix de Rome in 1913; Villa Medici and the sisters’ wartime support work.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — term of protection\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1 and 8: ordinary authorial life-plus-70 term and calculation from the following 1 January; Article 3’s historical phonogram term is read with the 2011 extension’s transition rule. Recording and composition rights remain separate.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — phonogram extension and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): extended phonogram protection applies to recordings still protected on 1 November 2013. The 1960 publication evidence puts this recording’s former fifty-year term before that transition. Article 1(1), inserting Article 1(7), separately gives a last-survivor term for words and music specifically created together. Its applicability to this translation is not established. Territorial EU basis only; no worldwide or US clearance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"insert-last\",\"title\":\"Everest LPBR 6059 — visually inspected per-track insert\",\"url\":\"https://i.discogs.com/ecobVEtkndUWiEUEMLY8MtA8w9JdTo5FZXqN58TzXGA/rs:fit/g:sm/q:90/h:598/w:600/czM6Ly9kaXNjb2dz/LWRhdGFiYXNlLWlt/YWdlcy9SLTYwNTY4/NTItMTQ3MzM1MTAw/MC02NTk5LmpwZWc.jpeg\",\"locator\":\"Individual work heading supplies the named soloist for Vieille prière bouddhique. Notes by David Noakes; ©1960 Belock footer on the final insert leaf. For Psalm 129, the preceding continuation on the last leaf describes women’s wordless closing voices.\",\"accessed\":\"2026-10-17\"},{\"id\":\"preface\",\"title\":\"Scholarly preface — Vieille prière bouddhique\",\"url\":\"https://repertoire-explorer.musikmph.de/wp-content/uploads/vorworte_prefaces/987.html\",\"locator\":\"Helen Julia Minors (2011) for the psalms; Konstantin Galluhn (2010), English translation Bradford Robinson, for Vieille prière. Composition, performance history and score structure. Speculative psychological readings and unsupported numerical symbolism are not adopted.\",\"accessed\":\"2026-10-17\"},{\"id\":\"translator\",\"title\":\"BnF — Suzanne Karpelès authority record\",\"url\":\"https://catalogue.bnf.fr/ark%3A/12148/cb12128435q\",\"locator\":\"International form Karpelès, Suzanne (1890–1968); death 7 November 1968 at Vellore. Distinguishes the French translator’s term from Boulanger’s musical copyright.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 documented; 2 unknown"},{"id":"liszt-au-bord-source-dalbert","composer":"Franz Liszt","title":"Années de pèlerinage I: Suisse, S. 160","movement":"4. Au bord d’une source","work.title":"Années de pèlerinage I: Suisse, S. 160","work.catalogue":"S. 160/4","work.movement":"4. Au bord d’une source","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"scan\"]","work.version.note":"The track is identified as Au bord d’une source. The exact edition and inclusion or omission of Liszt’s optional later coda are not independently established; duration alone is not used to decide.","performers.value":"[{\"name\":\"Eugen d’Albert\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"scan\"]","performers.note":"This is a historical acoustic disc performance, not a reproducing-piano roll. Instrument make is unestablished.","session.date.value":"1912–1913","session.date.status":"documented","session.date.sourceIds":"[\"scan\",\"archive\"]","session.date.note":"The reissue scan gives 1912/3. The uploader’s filename says III.1913, a narrower date not independently corroborated; it is retained as an attribution rather than promoted to a verified session month.","session.date.precision":"range","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\"]","session.place.note":"The source does not establish the session venue.","carrier.label.value":"Odeon; reissue Symposium Records","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"scan\"]","carrier.label.note":"Original acoustic disc followed by the named CD compilation; the selected upload supplies a digital copy of that reissue track.","carrier.catalogue.value":"Original Odeon 76565; reissue Symposium 1146, track 4","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"scan\"]","carrier.catalogue.note":"The compilation carries ©/℗1993. That is the reissue year, not the historical session or the upload date.","carrier.matrixTakeSides.value":"xxB 5732","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"scan\"]","carrier.matrixTakeSides.note":"Both upload filename and primary track-list scan agree. A take suffix and paired disc side are not established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\",\"scan\"]","transfer.credits.note":"No named transfer engineer is identified in the consulted item metadata and track-list scan. Symposium is the reissue label, not an automatically inferred engineering credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The upload date is not treated as a transfer date.","transfer.processing.value":"Archive supplies a variable-bitrate MP3 derivative of an uploaded WAV.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The compilation’s 1993 copyright date does not establish a digitisation date or a particular restoration procedure.","digital.streamUrl":"https://archive.org/download/02-eugen-d-albert-syposium-1146/04%20-%20Eugen%20d%27Albert%20-%20Au%20Bord%20d%27une%20Source%20%28Liszt%29%20Odeon%2076565%2C%20Mx.%20xxB%205732%20%28III.1913%29..mp3","digital.sourceChain":"[\"scan\",\"archive\"]","digital.format":"Internet Archive variable-bitrate MP3 derivative of the uploaded WAV track, sourced from Symposium CD 1146","digital.durationSeconds":228.7,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"archive\"]","rights.composition.note":"Liszt died in 1886. This is a term calculation, not worldwide clearance of every edition.","rights.recording.value":"Territorial EU public-domain basis for the historical commercial Odeon 76565 issue under the programme’s pre-1963 recording rule.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"scan\"]","rights.recording.note":"The reissue’s 1912/3 chronology and the uploader’s narrower March 1913 attribution identify the historical issue period, not an independently established first-publication date. US first-publication evidence and US status are not established. Archive’s Public Domain Mark is not a rightsholder release; the CD’s separate 1993 compilation rights are not represented as a new historical recording date.","rights.creditLine":"Liszt: Au bord d’une source; Eugen d’Albert, Odeon 76565, matrix xxB 5732, dated 1912/3 by Symposium. Via Symposium 1146 (1993), track 4, and Internet Archive. Territorial EU pre-1963 basis; US status not established. Archive also applies Public Domain Mark.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Eugen d’Albert — Symposium 1146 upload\",\"url\":\"https://archive.org/metadata/02-eugen-d-albert-syposium-1146\",\"locator\":\"Track 4 filename: Au Bord d’une Source, Odeon 76565, matrix xxB 5732, III.1913; MP3/WAV files and Public Domain Mark licence URL.\",\"accessed\":\"2026-10-17\"},{\"id\":\"scan\",\"title\":\"Symposium 1146 original CD track-list scan\",\"url\":\"https://archive.org/download/02-eugen-d-albert-syposium-1146/D%27Albert%20tracks.jpg\",\"locator\":\"Track 4: Au Bord d’une Source, matrix xxB 5732, catalogue 76565, date 1912/3. Compilation © and ℗ 1993 Symposium.\",\"accessed\":\"2026-10-17\"},{\"id\":\"biography\",\"title\":\"Eugen d’Albert — Hyperion artist biography\",\"url\":\"https://www.hyperion-records.co.uk/c.asp?c=C6\",\"locator\":\"Eliot Levin, 1994: d’Albert’s study with Liszt at Weimar and later recording activity.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"4 unknown; 7 documented; 1 inferred"},{"id":"liszt-hungarian-rhapsody-2","composer":"Franz Liszt","title":"Hungarian Rhapsody No. 2, S. 244/2","movement":"","work.title":"Hungarian Rhapsody No. 2, S. 244/2","work.catalogue":"S. 244/2","work.movement":"","work.version.value":"Solo-piano Hungarian Rhapsody No. 2","work.version.status":"documented","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and authorship of the late cadenza are not established. No pianist-specific published cadenza is assigned without evidence.","performers.value":"[{\"name\":\"Martha Goldstein\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"The source names Goldstein but does not establish the instrument make or recording venue.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"The Commons/upload chronology does not establish a recording-session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"The source does not establish the session venue.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The Al Goldstein collection is the credited source, not an established commercial record label.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"Embedded album title Favorites of Chopin and Liszt is not a catalogue number; an original physical carrier is not established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix or take identification is established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer engineer is identified; an uploader is not automatically the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The upload date is not treated as a transfer date.","transfer.processing.value":"Uploaded Ogg Vorbis, served with a Wikimedia MP3 derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No restoration or source-medium history is identified. A collection owner/uploader is not automatically a transfer engineer.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/20/Franz_Liszt_-_Second_Hungarian_Rhapsody.ogg/Franz_Liszt_-_Second_Hungarian_Rhapsody.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia MP3 access derivative of the uploaded Ogg Vorbis recording","digital.durationSeconds":785.987,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Liszt died in 1886. This is a term calculation, not worldwide clearance of every edition.","rights.recording.value":"Sound recording licensed CC BY-SA 2.0.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"cc\"]","rights.recording.note":"Commons also offers EFF Open Audio License 1.0. This dossier uses the CC BY-SA 2.0 option, preserving attribution and share-alike conditions; it does not infer public-domain status from Liszt’s death date.","rights.creditLine":"Franz Liszt: Hungarian Rhapsody No. 2; Martha Goldstein, piano. Al Goldstein collection / ibiblio, via Wikimedia Commons. CC BY-SA 2.0.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/2.0/","sources":"[{\"id\":\"commons\",\"title\":\"Martha Goldstein — Second Hungarian Rhapsody, Commons\",\"url\":\"https://commons.wikimedia.org/wiki/File:Franz_Liszt_-_Second_Hungarian_Rhapsody.ogg\",\"locator\":\"Author, Al Goldstein/ibiblio source, embedded album Favorites of Chopin and Liszt, CC BY-SA 2.0 and EFF Open Audio licence notices.\",\"accessed\":\"2026-10-17\"},{\"id\":\"cc\",\"title\":\"Creative Commons Attribution-ShareAlike 2.0\",\"url\":\"https://creativecommons.org/licenses/by-sa/2.0/\",\"locator\":\"Attribution and share-alike requirements; licence covers the hosted recording.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"4 documented; 7 unknown; 1 inferred"},{"id":"liszt-hungarian-rhapsody-6","composer":"Franz Liszt","title":"Hungarian Rhapsody No. 6, S. 244/6","movement":"","work.title":"Hungarian Rhapsody No. 6 in D♭ major","work.catalogue":"S. 244/6","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording sources.","performers.value":"[{\"name\":\"Martha Argerich\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"","session.date.value":"1962 on Commons; July 1960 in the DG recital discography.","session.date.status":"disputed","session.date.sourceIds":"[\"commons\",\"commons-data\",\"discography\",\"original-discography\"]","session.date.note":"Commons’ filename and date field say 1962, with an unsupported 1 January day. The matching DG recital programme is documented as July 1960. The specific digital file has not been compared with the carrier, so the discrepancy is preserved rather than silently corrected.","session.date.alternatives":"[{\"value\":\"1962 — Commons attribution; day and month unestablished.\",\"sourceIds\":[\"commons\",\"commons-data\"]},{\"value\":\"July 1960 — DG Piano Recital session.\",\"sourceIds\":[\"discography\",\"original-discography\"]}]","session.date.precision":null,"session.place.value":"Beethoven-Saal, Hanover, Germany","session.place.status":"inferred","session.place.sourceIds":"[\"discography\",\"original-discography\"]","session.place.note":"This is the venue of the identified DG recital. Its applicability to this particular Commons file depends on resolving the recording-date and carrier match.","carrier.label.value":"Deutsche Grammophon","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"","carrier.catalogue.value":"138 672 SLPM — original recital issue; transferred copy unidentified.","carrier.catalogue.status":"inferred","carrier.catalogue.sourceIds":"[\"discography\"]","carrier.catalogue.note":"The discography links this programme to the 1961 LP. The Commons source names only Deutsche Grammophon and does not identify which pressing or reissue supplied the FLAC.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No restoration, equalisation, noise-reduction or editing procedure is documented for the upstream audio.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/a/a5/Franz_Liszt_-_Hungarian_Rhapsody_in_D-flat_major%2C_S._244_no._6_%28Martha_Argerich%2C_1962%29.flac/Franz_Liszt_-_Hungarian_Rhapsody_in_D-flat_major%2C_S._244_no._6_%28Martha_Argerich%2C_1962%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: FLAC","digital.durationSeconds":383,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"The composer died in 1886. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\"]","rights.recording.note":"Commons applies PD-EU-audio and attributes Argerich’s DG recording to 1962. The dossier preserves the competing 1960 recital session and 1961 original-issue attribution; every candidate precedes 1963. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. A recording date alone is not represented as an independently verified first-publication date.","rights.creditLine":"Franz Liszt, Hungarian Rhapsody No. 6, S. 244/6; Martha Argerich, piano. Deutsche Grammophon; Wikimedia Commons. Session date disputed: Commons 1962 / DG recital July 1960. PD-EU-audio is an EU expiry claim, not worldwide permission.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Franz Liszt - Hungarian Rhapsody in D-flat major, S. 244 no. 6 (Martha Argerich, 1962).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Franz_Liszt_-_Hungarian_Rhapsody_in_D-flat_major,_S._244_no._6_(Martha_Argerich,_1962).flac?oldid=1003399466\",\"locator\":\"File-description wikitext: work identification, Summary, Source and Licensing; file format, duration and Transcode status.\",\"accessed\":\"2026-10-16\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Franz_Liszt_-_Hungarian_Rhapsody_in_D-flat_major,_S._244_no._6_(Martha_Argerich,_1962).flac#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"discography\",\"title\":\"Discogs — Martha Argerich, Début Recital, DG 447 430-2\",\"url\":\"https://www.discogs.com/release/16263832-Martha-Argerich-D%C3%A9but-Recital\",\"locator\":\"Track list and recording notes: Hanover, Beethoven-Saal, July 1960; original recital issued as DG 138 672 SLPM in 1961. The 1971 session belongs to the added Liszt Sonata, not the Rhapsody or Toccata.\",\"accessed\":\"2026-10-16\"},{\"id\":\"original-discography\",\"title\":\"Discogs — Martha Argerich, Piano Recital\",\"url\":\"https://www.discogs.com/master/593563-Martha-Argerich-Piano-Recital\",\"locator\":\"Master-release notes: recorded Hanover, Beethovensaal, July 1960; phonogram date 1961.\",\"accessed\":\"2026-10-16\"},{\"id\":\"composer\",\"title\":\"Franz Liszt — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Franz_Liszt\",\"locator\":\"Lead paragraph: composer’s death year.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights after 50 or 70 years; underlying composition requires a separate rights basis.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): extension applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-recordings\",\"title\":\"17 U.S.C. § 1401 — pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Section (a)(2): terms depend on first publication; post-1956 recordings fixed before 15 February 1972 remain within the statutory term until 15 February 2067.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Franz Liszt - Hungarian Rhapsody in D-flat major, S. 244 no. 6 (Martha Argerich, 1962).flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1177337502%7C1285956118%7C638011151%7C1264375355%7C1118001688%7C1003399466%7C1113441804%7C808915645%7C525137715%7C963510501&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Franz Liszt - Hungarian Rhapsody in D-flat major, S. 244 no. 6 (Martha Argerich, 1962).flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3), inserting Article 10(5): extension applies to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-audio\",\"title\":\"Wikimedia Commons — recording-specific scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation concern performers’ and producers’ rights, not merely composition copyright; territorial European expiry.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"5 unknown; 3 documented; 1 disputed; 3 inferred"},{"id":"liszt-rhapsody-2-goehr-side1","composer":"Franz Liszt","title":"Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2","movement":"Opening disc side only","work.title":"Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2","work.catalogue":"","work.movement":"Opening disc side only","work.version.value":"Orchestral version; part 1, arranger not established","work.version.status":"documented","work.version.sourceIds":"[\"source\"]","work.version.note":"The performers are an orchestra, but Commons says arranger “none”. That entry cannot establish that the piano original is being played or identify the orchestration.","performers.value":"[{\"name\":\"National Symphony Orchestra of London\",\"role\":\"orchestra\"},{\"name\":\"Walter Goehr\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Performer spelling normalised; no uncredited accompanist or soloist added.","session.date.value":"1945","session.date.status":"documented","session.date.sourceIds":"[\"source\"]","session.date.note":"The recording year is stated in the cited source.","session.date.precision":"year","session.place.value":"Kingsway Hall, Holborn, London","session.place.status":"documented","session.place.sourceIds":"[\"source\"]","session.place.note":"","carrier.label.value":"Decca","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\"]","carrier.label.note":"","carrier.catalogue.value":"K 1321","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\"]","carrier.catalogue.note":"Source catalogue identification; no independent label inspection is claimed.","carrier.matrixTakeSides.value":"First side; source identifier ar9230","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\"]","carrier.matrixTakeSides.note":"The identifier is transcribed from the source filename. A matrix inscription and take number have not been independently verified.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"The source supplier/uploader is identified below, but an individual transfer engineer is not established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Upload dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"No restoration, equalisation or speed correction is established from the source. Playback uses the supplied MP3 access file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/56/PDP-CH_-_National_Symphony_Orchestra_of_London%2C_Walter_Goehr_-_Hungarian_Rhapsody_No._2_in_C-sharp_minor%2C_S_244-2_-_Liszt_-_Decca-k1321-ar9230.flac/PDP-CH_-_National_Symphony_Orchestra_of_London%2C_Walter_Goehr_-_Hungarian_Rhapsody_No._2_in_C-sharp_minor%2C_S_244-2_-_Liszt_-_Decca-k1321-ar9230.flac.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access file; no concatenation or playback pitch alteration","digital.durationSeconds":295.31138020833333,"rights.composition.value":"Public-domain underlying composition as identified by the source.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This field concerns the underlying composition, separately from the sound-recording permission. No claim is made about an unidentified modern edition.","rights.recording.value":"Territorial — EU public-domain sound recording, first published 1945","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"eu-term\"]","rights.recording.note":"Accepted under programme rule 3: first publication before 1963, so the EU 50-year recording term expired before the 2013 extension. US status is not established. The Commons composition-only PD-old-70 tag is not used as a sound-recording licence.","rights.creditLine":"Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2; National Symphony Orchestra of London, Walter Goehr. First disc side only. Territorial — EU public-domain sound recording, first published 1945. Source: Wikimedia Commons.","rights.licenseUrl":"https://eur-lex.europa.eu/eli/dir/2011/77/oj","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — PDP-CH - National Symphony Orchestra of London, Walter Goehr - Hungarian Rhapsody No. 2 in C-sharp minor, S 244-2 - Liszt - Decca-k1321-ar9230.flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:PDP-CH_-_National_Symphony_Orchestra_of_London,_Walter_Goehr_-_Hungarian_Rhapsody_No._2_in_C-sharp_minor,_S_244-2_-_Liszt_-_Decca-k1321-ar9230.flac\",\"locator\":\"Recording description, source attribution, licence and file metadata; inspected independently of the comparison plan.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — extension and transitional rule\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj\",\"locator\":\"Article 1, amending Directive 2006/116/EC; Article 10(5), protection still in force on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 3 unknown"},{"id":"liszt-rhapsody-2-rachmaninoff-side1","composer":"Franz Liszt","title":"Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2","movement":"Opening disc side only","work.title":"Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2","work.catalogue":"","work.movement":"Opening disc side only","work.version.value":"Piano original; complete first record side only","work.version.status":"documented","work.version.sourceIds":"[\"source\"]","work.version.note":"Commons explicitly transcribes “Second Hungarian rhapsodie, part I”; this is not presented as a complete rhapsody.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Performer spelling normalised; no uncredited accompanist or soloist added.","session.date.value":"1919","session.date.status":"documented","session.date.sourceIds":"[\"source\"]","session.date.note":"Commons identifies 1919 and the Library of Congress source label; an exact session day is not asserted.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"source\"]","session.place.note":"Not established by the consulted recording sources.","carrier.label.value":"Edison","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\"]","carrier.label.note":"","carrier.catalogue.value":"Diamond Disc 82169-R","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\"]","carrier.catalogue.note":"Source catalogue identification; no independent label inspection is claimed.","carrier.matrixTakeSides.value":"Part I; matrix and take not established","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\"]","carrier.matrixTakeSides.note":"Commons identifies 1919 and the Library of Congress source label; an exact session day is not asserted.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"The source supplier/uploader is identified below, but an individual transfer engineer is not established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Upload dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"No restoration, equalisation or speed correction is established from the source. Playback uses the supplied MP3 access file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/3/37/Second_Hungarian_Rhapsody.ogg/Second_Hungarian_Rhapsody.ogg.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access file; no concatenation or playback pitch alteration","digital.durationSeconds":249.38226757369614,"rights.composition.value":"Public-domain underlying composition as identified by the source.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This field concerns the underlying composition, separately from the sound-recording permission. No claim is made about an unidentified modern edition.","rights.recording.value":"US public-domain sound recording — published in or before 1925","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\"]","rights.recording.note":"Programme rule 2. Source identifies the 1919 issue and carrier; no non-commercial transfer licence was found in the inspected source. No worldwide public-domain claim is made. Commons traces this file to the Library of Congress, not to the separately restricted UCSB cylinder transfers mentioned in the generic Edison template.","rights.creditLine":"Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2; Sergei Rachmaninoff, piano. First disc side only. US public-domain sound recording — published in or before 1925. Source: Wikimedia Commons.","rights.licenseUrl":"https://www.law.cornell.edu/uscode/text/17/1401","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — Second Hungarian Rhapsody.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Second_Hungarian_Rhapsody.ogg\",\"locator\":\"Recording description, source attribution, licence and file metadata; inspected independently of the comparison plan.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 4 unknown"},{"id":"liszt-rhapsody-2-stokowski-side1","composer":"Franz Liszt","title":"Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2","movement":"Opening disc side only","work.title":"Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2","work.catalogue":"","work.movement":"Opening disc side only","work.version.value":"Orchestral arrangement attributed to Karl Müller-Berghaus; part 1","work.version.status":"documented","work.version.sourceIds":"[\"source\"]","work.version.note":"Commons explicitly names Müller-Berghaus. The separate title retains the catalogue of Liszt’s piano original; it does not establish the sounding key.","performers.value":"[{\"name\":\"Philadelphia Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Leopold Stokowski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Performer spelling normalised; no uncredited accompanist or soloist added.","session.date.value":"1936","session.date.status":"documented","session.date.sourceIds":"[\"source\"]","session.date.note":"The detailed Commons description says recorded 1936 and first released July 1937. Its broad performance_date field says 1937; the specific recording statement is retained.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"source\"]","session.place.note":"Not established by the consulted recording sources.","carrier.label.value":"HMV","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\"]","carrier.label.note":"","carrier.catalogue.value":"DB 3086","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\"]","carrier.catalogue.note":"Source catalogue identification; no independent label inspection is claimed.","carrier.matrixTakeSides.value":"First side; source identifier 2a03100","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\"]","carrier.matrixTakeSides.note":"The identifier is transcribed from the source filename. A matrix inscription and take number have not been independently verified.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"The source supplier/uploader is identified below, but an individual transfer engineer is not established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Upload dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"No restoration, equalisation or speed correction is established from the source. Playback uses the supplied MP3 access file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/b2/PDP-CH_-_Philadelphia_Orchestra_-_Stokowski_-_Hungarian_Rhapsody_No._2_in_C-sharp_minor%2C_S_244-2_-_Liszt_-_Hmv-db3086-2a03100.flac/PDP-CH_-_Philadelphia_Orchestra_-_Stokowski_-_Hungarian_Rhapsody_No._2_in_C-sharp_minor%2C_S_244-2_-_Liszt_-_Hmv-db3086-2a03100.flac.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access file; no concatenation or playback pitch alteration","digital.durationSeconds":250.845171875,"rights.composition.value":"Public-domain underlying composition as identified by the source.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This field concerns the underlying composition, separately from the sound-recording permission. No claim is made about an unidentified modern edition.","rights.recording.value":"Territorial — EU public-domain sound recording, first published 1937","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"eu-term\"]","rights.recording.note":"Accepted under programme rule 3: first publication before 1963, so the EU 50-year recording term expired before the 2013 extension. US status is not established. The Commons composition-only PD-old-70 tag is not used as a sound-recording licence.","rights.creditLine":"Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2; Philadelphia Orchestra, Leopold Stokowski (arr. Müller-Berghaus). First disc side only. Territorial — EU public-domain sound recording, first published 1937. Source: Wikimedia Commons.","rights.licenseUrl":"https://eur-lex.europa.eu/eli/dir/2011/77/oj","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — PDP-CH - Philadelphia Orchestra - Stokowski - Hungarian Rhapsody No. 2 in C-sharp minor, S 244-2 - Liszt - Hmv-db3086-2a03100.flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:PDP-CH_-_Philadelphia_Orchestra_-_Stokowski_-_Hungarian_Rhapsody_No._2_in_C-sharp_minor,_S_244-2_-_Liszt_-_Hmv-db3086-2a03100.flac\",\"locator\":\"Recording description, source attribution, licence and file metadata; inspected independently of the comparison plan.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — extension and transitional rule\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj\",\"locator\":\"Article 1, amending Directive 2006/116/EC; Article 10(5), protection still in force on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 4 unknown"},{"id":"liszt-sonata-b-minor","composer":"Franz Liszt","title":"Piano Sonata in B minor, S. 178","movement":"","work.title":"Piano Sonata in B minor, S. 178","work.catalogue":"S. 178","work.movement":"","work.version.value":"Solo-piano Sonata in B minor, complete","work.version.status":"documented","work.version.sourceIds":"[\"commons\"]","work.version.note":"The file presents the whole Sonata. Performing edition, editorial interventions and piano make are not identified.","performers.value":"[{\"name\":\"Jorge Bolet\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Performer attribution is the Commons description and title; no additional session participants are claimed.","session.date.value":"1960","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The source identifies the recording by year. The 2021 Commons upload is not the session date; no day or month is supplied.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"The source does not establish the session venue.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original carrier label is unidentified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix or take identification is established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer engineer is identified; an uploader is not automatically the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The upload date is not treated as a transfer date.","transfer.processing.value":"Commons hosts a 256 kbps MP3 source file.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No named restoration engineer, editing history or original recording medium is established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/b/bf/Liszt-_sonata_In_B_Minor_%28piano_-_Jorge_Bolet_-_1960%29.mp3","digital.sourceChain":"[\"upstream\",\"commons\"]","digital.format":"Original 256 kbps MP3 hosted by Wikimedia Commons","digital.durationSeconds":1655.52,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\",\"score\"]","rights.composition.note":"Liszt died in 1886. This is a term calculation, not worldwide clearance of every edition.","rights.recording.value":"Commons applies PD-EU-audio to the sound recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"Territorial EU public-domain declaration, not worldwide clearance. The precise first-publication history is not independently established here; US public-domain status is not claimed. This is an audio-recording template, not merely PD-old for the composition.","rights.creditLine":"Liszt: Sonata in B minor; Jorge Bolet, 1960, via Wikimedia Commons. Commons PD-EU-audio declaration; territorial EU basis, US status not established.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Jorge Bolet — Liszt Sonata (1960), Commons\",\"url\":\"https://commons.wikimedia.org/wiki/File:Liszt-_sonata_In_B_Minor_(piano_-_Jorge_Bolet_-_1960).mp3\",\"locator\":\"Summary names Bolet, year 1960 and upstream YouTube URL; PD-EU-audio licence template; original MP3 file history and audio metadata.\",\"accessed\":\"2026-10-17\"},{\"id\":\"upstream\",\"title\":\"Source video linked by the Commons uploader\",\"url\":\"https://www.youtube.com/watch?v=yFlbP0j7lqA\",\"locator\":\"Upstream link supplied by Commons; no extra session or carrier metadata is inferred from it.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Liszt: Sonate in H moll — Schott, 1917\",\"url\":\"https://hdl.handle.net/1802/22030\",\"locator\":\"Sibley Music Library public-domain score. Printed p. 7 identifies the Schumann dedication and 1853 composition, and shows the Lento scales followed by the Allegro’s leaping and repeated-note gestures. The catalogue identifies Liszt’s dates, 1811–1886. This is a reference score, not an identification of Bolet’s performing edition.\",\"accessed\":\"2026-10-18\"},{\"id\":\"first-edition\",\"title\":\"Yale University Library — Liszt’s B-minor Sonata first edition\",\"url\":\"https://musiclib-exhibits.library.yale.edu/exhibits/liszt/bminor_sonata.html\",\"locator\":\"Exhibit of the Breitkopf & Härtel first edition: explicit 1854 publication date, Schumann dedication, transformed themes and lack of a composer-supplied written programme.\",\"accessed\":\"2026-10-18\"},{\"id\":\"chronology\",\"title\":\"Franz Liszt — chronology\",\"url\":\"https://www.liszt.org/p/chronology.html\",\"locator\":\"1857 entry: first performance of the B-minor Sonata by Bülow on 22 January. The site’s existing Liszt biography separately specifies Berlin.\",\"accessed\":\"2026-10-18\"},{\"id\":\"analysis\",\"title\":\"Liszt Sonata — thematic and formal analysis\",\"url\":\"https://www.classicalmusic-notes.com/liszt-sonata-1/\",\"locator\":\"Motif derivations, slow and fugal regions, quiet ending, 1853 composition and competing formal readings; not the source for the exact publication date or named première venue.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"5 documented; 6 unknown; 1 inferred"},{"id":"mahler-2-allegro-maestoso","composer":"Gustav Mahler","title":"Symphony No. 2 “Resurrection”","movement":"I. Allegro maestoso","work.title":"Symphony No. 2 in C minor “Resurrection”","work.catalogue":"","work.movement":"I. 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This assessment concerns the original composition, not a later edition, arrangement or this recording; it is not a worldwide rights clearance.","rights.recording.value":"Rule 1 — recording licence/release: CC0 1.0 Universal; upstream public-domain recording release.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-upstream-release\"]","rights.recording.note":"Commons applies cc-zero to the DuPage recording of 22 May 2004. The opened upstream Internet Archive metadata links a public-domain dedication and asks that soloist, conductor and orchestra recognition be retained; no non-commercial licence appears there.","rights.creditLine":"Gustav Mahler: Symphony No. 2, IV. Urlicht — Barbara Schubert, conductor; DuPage Symphony Orchestra; alto soloist unidentified in the source. Recorded by Eric Pancer, 22 May 2004, Edman Memorial Chapel. 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The source revision is fixed; current file metadata was retrieved on the access date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AMahler+Symphony+no.+2%2C+IV.+%22Urlicht%22.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 URL; source for digital.durationSeconds, digital.format and digital.streamUrl.\",\"accessed\":\"2026-10-16\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Resurrection!\",\"url\":\"https://archive.org/metadata/dupageso-2004-05-22/metadata\",\"locator\":\"date, description, taper, source and notes: concert date and venue, Eric Pancer, Sony MZ-N1 MiniDisc recorder, and request for performer recognition. The December addeddate/publicdate are distinct from the May concert date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"composer\",\"title\":\"Wikimedia Commons — Gustav Mahler\",\"url\":\"https://commons.wikimedia.org/wiki/Creator:Gustav_Mahler\",\"locator\":\"Composer’s life dates; used only for the explicitly scoped composition-rights inference.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work\",\"title\":\"Mahler Foundation — Symphony No. 2, IV. Urlicht\",\"url\":\"https://mahlerfoundation.org/mahler/compositions/symphony-no-2/symphony-no-2-movement-4-lied-1-urlicht-sehr-feierlich-aber-schlicht/\",\"locator\":\"Work identity and the revised orchestration incorporated into Symphony No. 2, distinct from the separate Wunderhorn song version.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Mahler Symphony no. 2, IV. \\\"Urlicht\\\".ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1177337502%7C1285956118%7C638011151%7C1264375355%7C1118001688%7C1003399466%7C1113441804%7C808915645%7C525137715%7C963510501&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Mahler Symphony no. 2, IV. \\\"Urlicht\\\".ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-upstream-release\",\"title\":\"Internet Archive — Resurrection!\",\"url\":\"https://archive.org/metadata/dupageso-2004-05-22/metadata\",\"locator\":\"Opened metadata.licenseurl: legacy Creative Commons public-domain dedication, not a non-commercial licence; upload/publication dates kept separate from session dates.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"6 documented; 4 unknown; 1 not applicable; 1 inferred"},{"id":"mahler-4-bedaechtig","composer":"Gustav Mahler","title":"Symphony No. 4","movement":"I. 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Neither source identifies a recording session; the original performance date remains unknown.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No physical release is identified. European Archive and Musopen are repository credits, not proven record labels.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":"European Archive; distributed through Musopen.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Repository chain as attributed on Commons. No transfer engineer, restoration credit or source carrier is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Embedded encoder: Lavf58.20.100. Commons master: Ogg Vorbis, 44.1 kHz, 2 channels.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"embedded\"]","transfer.processing.note":"These are file properties, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/5d/Mahler_Symphony_No.4_in_G_major_1._Badachtig_Nicht_ellen_%28Mahler%29_European_Archive.ogg/Mahler_Symphony_No.4_in_G_major_1._Badachtig_Nicht_ellen_%28Mahler%29_European_Archive.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis, 44.1 kHz, 2 channels","digital.durationSeconds":907.2583673469388,"rights.composition.value":"Public-domain original composition, as asserted by Commons.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The musical-composition tag is PD-old-100-1923. This does not license a later edition, arrangement or recording.","rights.recording.value":"Rule 1 — recording release: PD-author public-domain dedication by Musopen.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons explicitly applies PD-author by Musopen to the recording, separately from the composition. This is the programme’s explicit Musopen recording-release route, not an age-based inference or a claim that a Public Domain Mark is itself a licence. The session date is not needed for this route.","rights.creditLine":"Performers and session unidentified. European Archive / Musopen source, via Wikimedia Commons. Commons attributes a public-domain dedication to Musopen; original recording identity and rights chain remain unverified.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Mahler Symphony No.4 in G major 1. Badachtig Nicht ellen (Mahler) European Archive.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No.4_in_G_major_1._Badachtig_Nicht_ellen_(Mahler)_European_Archive.ogg?oldid=808915645\",\"locator\":\"File-description wikitext revision 808915645; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M99399573\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M99399573&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 808915645. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3AMahler+Symphony+No.4+in+G+major+1.+Badachtig+Nicht+ellen+%28Mahler%29+European+Archive.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"upstream\",\"title\":\"Musopen: Symphony No. 4 in G major\",\"url\":\"https://musopen.org/music/1089-symphony-no-4-in-g-major/\",\"locator\":\"The Commons source names this work page and labels the contributor European Archive. Retrieval returned HTTP 403; no European Archive item identifier, orchestra or conductor was recovered.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Mahler Symphony No.4 in G major 1. Badachtig Nicht ellen (Mahler) European Archive.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1177337502%7C1285956118%7C638011151%7C1264375355%7C1118001688%7C1003399466%7C1113441804%7C808915645%7C525137715%7C963510501&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Mahler Symphony No.4 in G major 1. Badachtig Nicht ellen (Mahler) European Archive.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"8 unknown; 4 documented"},{"id":"mahler-4-himmlische-leben","composer":"Gustav Mahler","title":"Symphony No. 4","movement":"IV. Sehr behaglich — Das himmlische Leben","work.title":"Symphony No. 4 in G major","work.catalogue":"","work.movement":"IV. Sehr behaglich — Das himmlische Leben","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition, revision and any editorial interventions are not identified in the consulted recording documentation.","performers.value":"[]","performers.status":"unknown","performers.sourceIds":"[\"commons\",\"upstream\"]","performers.note":"European Archive is the source attribution, not a performing ensemble. No orchestra, conductor or soprano is identified in the retrieved Commons description, and the Musopen work page returned HTTP 403.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"30 January 2021 is the Commons item date, an upload date and not a session date. No recording session is identified.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No physical release is identified. European Archive and Musopen are repository credits, not proven record labels.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not show that no earlier physical carrier existed.","transfer.credits.value":"European Archive; distributed through Musopen.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Repository chain as attributed on Commons. No transfer engineer, restoration credit or source carrier is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented; the Commons item date is an upload date, not a session or transfer date.","transfer.processing.value":"Commons master: Ogg Vorbis; streamed as an MP3 access derivative generated by Wikimedia Commons.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"These are delivery formats, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/c9/Mahler_Symphony_No.4_in_G_major_4._Sehr_behaglich_%28Mahler%29_European_Archive.ogg/Mahler_Symphony_No.4_in_G_major_4._Sehr_behaglich_%28Mahler%29_European_Archive.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis","digital.durationSeconds":520.4,"rights.composition.value":"Public-domain original composition, as asserted by Commons.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The Commons description says the symphony was published before 1926; the composition is tagged PD-old-100-1923. The text comes from the Arnim and Brentano anthology Des Knaben Wunderhorn. This does not license a later edition, arrangement or recording.","rights.recording.value":"Public-domain release attributed to Musopen, under a separate “Recording” licence line.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The Commons page gives the recording its own licence, PD-author naming Musopen, separate from the composition tag; Musopen’s upload terms require uploaders to warrant that content is in the public domain. This records the source’s release, not an independent worldwide legal clearance, and the unidentified original recording cannot be checked.","rights.creditLine":"Performers and session unidentified. European Archive / Musopen source, via Wikimedia Commons. Commons attributes a public-domain release of the recording to Musopen; the original recording identity and rights chain remain unverified.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No.4_in_G_major_4._Sehr_behaglich_(Mahler)_European_Archive.ogg","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Mahler Symphony No.4 in G major 4. Sehr behaglich (Mahler) European Archive.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No.4_in_G_major_4._Sehr_behaglich_(Mahler)_European_Archive.ogg\",\"locator\":\"File-description wikitext (raw page): Information template (author European Archive, date 2021-01-30, source Musopen) and licence block with separate “Music” (PD-old-100-1923) and “Recording” (PD-author, Musopen) lines. Duration and stream matched with tools/audio.mjs check.\",\"accessed\":\"2026-10-17\"},{\"id\":\"upstream\",\"title\":\"Musopen: Symphony No. 4 in G major\",\"url\":\"https://musopen.org/music/1089-symphony-no-4-in-g-major/\",\"locator\":\"The Commons source field names this work page and labels the contributor European Archive. Retrieval returned HTTP 403, so no European Archive item identifier, orchestra, conductor or soprano was recovered.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 4 documented"},{"id":"mahler-4-ruhevoll","composer":"Gustav Mahler","title":"Symphony No. 4","movement":"III. Ruhevoll (Poco adagio)","work.title":"Symphony No. 4 in G major","work.catalogue":"","work.movement":"III. Ruhevoll (Poco adagio)","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition, revision and any editorial interventions are not identified in the consulted recording documentation.","performers.value":"[]","performers.status":"unknown","performers.sourceIds":"[\"commons\",\"upstream\"]","performers.note":"European Archive is the source attribution, not a performing ensemble. No orchestra or conductor is identified in the retrieved Commons description, and the Musopen work page returned HTTP 403.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"30 January 2021 is the Commons item date, an upload date and not a session date. No recording session is identified.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No physical release is identified. European Archive and Musopen are repository credits, not proven record labels.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not show that no earlier physical carrier existed.","transfer.credits.value":"European Archive; distributed through Musopen.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Repository chain as attributed on Commons. No transfer engineer, restoration credit or source carrier is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented; the Commons item date is an upload date, not a session or transfer date.","transfer.processing.value":"Commons master: Ogg Vorbis; streamed as an MP3 access derivative generated by Wikimedia Commons.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"These are delivery formats, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/c2/Mahler_Symphony_No.4_in_G_major_3._Ruhevoil_%28Mahler%29_European_Archive.ogg/Mahler_Symphony_No.4_in_G_major_3._Ruhevoil_%28Mahler%29_European_Archive.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis","digital.durationSeconds":1212.7,"rights.composition.value":"Public-domain original composition, as asserted by Commons.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The Commons description says the symphony was published before 1926; the composition is tagged PD-old-100-1923. This does not license a later edition, arrangement or recording.","rights.recording.value":"Public-domain release attributed to Musopen, under a separate “Recording” licence line.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The Commons page gives the recording its own licence, PD-author naming Musopen, separate from the composition tag; Musopen’s upload terms require uploaders to warrant that content is in the public domain. This records the source’s release, not an independent worldwide legal clearance, and the unidentified original recording cannot be checked.","rights.creditLine":"Performers and session unidentified. European Archive / Musopen source, via Wikimedia Commons. Commons attributes a public-domain release of the recording to Musopen; the original recording identity and rights chain remain unverified.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No.4_in_G_major_3._Ruhevoil_(Mahler)_European_Archive.ogg","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Mahler Symphony No.4 in G major 3. Ruhevoil (Mahler) European Archive.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No.4_in_G_major_3._Ruhevoil_(Mahler)_European_Archive.ogg\",\"locator\":\"File-description wikitext (raw page): Information template (author European Archive, date 2021-01-30, source Musopen) and licence block with separate “Music” (PD-old-100-1923) and “Recording” (PD-author, Musopen) lines. Duration and stream matched with tools/audio.mjs check.\",\"accessed\":\"2026-10-17\"},{\"id\":\"upstream\",\"title\":\"Musopen: Symphony No. 4 in G major\",\"url\":\"https://musopen.org/music/1089-symphony-no-4-in-g-major/\",\"locator\":\"The Commons source field names this work page and labels the contributor European Archive. Retrieval returned HTTP 403, so no European Archive item identifier, orchestra or conductor was recovered.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 4 documented"},{"id":"mahler-4-scherzo","composer":"Gustav Mahler","title":"Symphony No. 4","movement":"II. In gemächlicher Bewegung. Ohne Hast","work.title":"Symphony No. 4 in G major","work.catalogue":"","work.movement":"II. In gemächlicher Bewegung. Ohne Hast","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition, revision and any editorial interventions are not identified in the consulted recording documentation.","performers.value":"[]","performers.status":"unknown","performers.sourceIds":"[\"commons\",\"upstream\"]","performers.note":"European Archive is the source attribution, not a performing ensemble. No orchestra, conductor or solo violinist is identified in the retrieved Commons description, and the Musopen work page returned HTTP 403.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"30 January 2021 is the Commons item date, an upload date and not a session date. No recording session is identified.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No physical release is identified. European Archive and Musopen are repository credits, not proven record labels.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not show that no earlier physical carrier existed.","transfer.credits.value":"European Archive; distributed through Musopen.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Repository chain as attributed on Commons. No transfer engineer, restoration credit or source carrier is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented; the Commons item date is an upload date, not a session or transfer date.","transfer.processing.value":"Commons master: Ogg Vorbis; streamed as an MP3 access derivative generated by Wikimedia Commons.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"These are delivery formats, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/91/Mahler_Symphony_No.4_in_G_major_2._In_gemachlicher_Bewegung_%28Mahler%29_European_Archive.ogg/Mahler_Symphony_No.4_in_G_major_2._In_gemachlicher_Bewegung_%28Mahler%29_European_Archive.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis","digital.durationSeconds":513,"rights.composition.value":"Public-domain original composition, as asserted by Commons.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The musical-composition tag is PD-old-100-1923. The Commons description says the symphony was published before 1926. This does not license a later edition, arrangement or recording.","rights.recording.value":"Public-domain release attributed to Musopen, under a separate “Recording” licence line.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"Commons gives the recording its own licence, PD-author naming Musopen, separate from the composition tag; Musopen’s upload terms require uploaders to warrant that content is in the public domain. This records the source’s release, not an independent worldwide legal clearance, and the unidentified original recording cannot be checked.","rights.creditLine":"Performers and session unidentified. European Archive / Musopen source, via Wikimedia Commons. Commons attributes a public-domain release of the recording to Musopen; the original recording identity and rights chain remain unverified.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No.4_in_G_major_2._In_gemachlicher_Bewegung_(Mahler)_European_Archive.ogg","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Mahler Symphony No.4 in G major 2. In gemachlicher Bewegung (Mahler) European Archive.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No.4_in_G_major_2._In_gemachlicher_Bewegung_(Mahler)_European_Archive.ogg?oldid=808915656\",\"locator\":\"File-description wikitext revision 808915656 (5 October 2023): Information template (author European Archive, date 2021-01-30, source Musopen), licence block with separate “Music” (PD-old-100-1923) and “Recording” (PD-author, Musopen) lines. Opened through the revisions API and with tools/audio.mjs check.\",\"accessed\":\"2026-10-17\"},{\"id\":\"upstream\",\"title\":\"Musopen: Symphony No. 4 in G major\",\"url\":\"https://musopen.org/music/1089-symphony-no-4-in-g-major/\",\"locator\":\"The Commons source field names this work page and labels the contributor European Archive. Retrieval returned HTTP 403, so no European Archive item identifier, orchestra or conductor was recovered.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 4 documented"},{"id":"mahler-5-adagietto-mengelberg-1926","composer":"Gustav Mahler","title":"Symphony No. 5","movement":"IV. Adagietto — Sehr langsam","work.title":"Symphony No. 5","work.catalogue":"","work.movement":"IV. Adagietto — Sehr langsam","work.version.value":"Complete movement for strings and harp; two original disc sides supplied as one digital transfer","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"label\",\"yale\"]","work.version.note":"The performing edition is not identified. The project has not concatenated or altered the source audio.","performers.value":"[{\"name\":\"Concertgebouw Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Willem Mengelberg\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"label\",\"archive\",\"yale\"]","performers.note":"The Columbia label credits Mengelberg conducting the Concertgebouw Orchestra.","session.date.value":"May 1926","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"yale\"]","session.date.note":"The source transfer identifies May 1926; Yale independently identifies the 1926 recording. A precise day is not asserted.","session.date.precision":"month","session.place.value":"Concertgebouw, Amsterdam","session.place.status":"documented","session.place.sourceIds":"[\"label\",\"archive\"]","session.place.note":"The label says Recorded in the Amsterdam Concert Hall; the uploader identifies the Concertgebouw.","carrier.label.value":"Columbia","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label\"]","carrier.label.note":"British Columbia label visible in the source scan.","carrier.catalogue.value":"L 1798","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label\",\"review\"]","carrier.catalogue.note":"Contemporary newspaper review independently identifies this catalogue number, performers and work.","carrier.matrixTakeSides.value":"(W)AX 1548 / (W)AX 1549; Adagietto parts 1 and 2","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"label\"]","carrier.matrixTakeSides.note":"The uploader supplies both matrix numbers; the first label visibly gives AX 1548 and Part 1. Take suffixes are not established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The uploader is not automatically credited as the transfer engineer; the item does not name one.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The May 2026 upload date is not used as a transfer date.","transfer.processing.value":"Original-disc transfer supplied as one FLAC; Internet Archive VBR MP3 derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"label\"]","transfer.processing.note":"Both sides are already joined upstream. The label specifies Speed 80, while the description says transferred from a 78-rpm disc and the FLAC album tag says 80 rpm. Actual playback calibration, restoration and splice position are unestablished; no speed correction or new audio edit was applied.","digital.streamUrl":"https://archive.org/download/willem-mengelberg-cgo-col-l-1798-wax-1548-9-1926/Willem%20Mengelberg%20CGO%20-%20Col%20L%201798%20WAX%201548-9%201926.mp3","digital.sourceChain":"[\"archive\",\"label\"]","digital.format":"VBR MP3 derivative of the uploader’s FLAC; decoded duration rounded from cache/analysis/mahler-5-adagietto-mengelberg-1926.txt","digital.durationSeconds":437.2,"rights.composition.value":"Mahler’s original composition is public domain in ordinary life-plus-70 jurisdictions","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"yale\",\"eu-term\"]","rights.composition.note":"Mahler died in 1911. This term calculation does not identify or clear a modern performing edition.","rights.recording.value":"Territorial EU public-domain basis: Columbia L 1798 was published no later than 3 March 1928","rights.recording.status":"documented","rights.recording.sourceIds":"[\"review\",\"label\",\"archive\",\"eu-term\"]","rights.recording.note":"Rule 3. The Wanganui Chronicle’s dated review names L 1798, Mengelberg, the Concertgebouw Orchestra and the Adagietto, establishing publication independently of the May 1926 session. The exact first-release date remains unknown; source.rights.published 1928 is a documented upper bound. The recording’s 50-year term had expired before the 2013 extension. US status is not established. The selected item’s complete metadata, original-FLAC provenance and disc images disclose no Creative Commons non-commercial licence or separate upstream digital source. No licence is inferred from Mahler’s composition rights.","rights.creditLine":"Mahler, Symphony No. 5, IV. Adagietto — Concertgebouw Orchestra, Willem Mengelberg; May 1926. Columbia L 1798, matrices (W)AX 1548/1549. Original-disc transfer supplied by Internet Archive item willem-mengelberg-cgo-col-l-1798-wax-1548-9-1926; transfer engineer unknown. Territorial EU public-domain basis; US status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Mengelberg, Mahler Adagietto, Columbia L 1798\",\"url\":\"https://archive.org/metadata/willem-mengelberg-cgo-col-l-1798-wax-1548-9-1926\",\"locator\":\"Complete metadata, description, original FLAC and derivative MP3 entries; no licenseurl or NC condition present; the uploader states direct transfer from the original disc.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Columbia L 1798 — original label and sleeve photograph\",\"url\":\"https://archive.org/download/willem-mengelberg-cgo-col-l-1798-wax-1548-9-1926/Mengelberg%20Willem%20-%20Col%20L%201798%20Mahler%201926%201.jpg\",\"locator\":\"Part 1 label: catalogue L 1798, AX 1548, performers, Amsterdam Concert Hall and Speed 80.\",\"accessed\":\"2026-10-17\"},{\"id\":\"review\",\"title\":\"Wanganui Chronicle — Recorded Music, 3 March 1928\",\"url\":\"https://paperspast.natlib.govt.nz/newspapers/WC19280303.2.96.16.2\",\"locator\":\"Volume LXXXIII, issue 20086, p. 18 supplement; Columbia Notes, A Little-known Composer. Contemporary review names Columbia L 1798 and the Adagietto under Mengelberg.\",\"accessed\":\"2026-10-17\"},{\"id\":\"yale\",\"title\":\"Yale University Library — Mahler performance practice\",\"url\":\"https://guides.library.yale.edu/c.php?g=525668&p=4452898\",\"locator\":\"Willem Mengelberg section, A Closer Look: 1926 Adagietto, forward pickups, rubato, slower return and coordinated portamento; suggested recording Columbia L1798.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — sound-recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(3), inserting Article 10(5): the extension applies to recordings still protected on 1 November 2013; composition term is addressed in Directive 2006/116/EC Article 1.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"mahler-5-adagietto","composer":"Gustav Mahler","title":"Symphony No. 5","movement":"IV. Adagietto — Sehr langsam","work.title":"Symphony No. 5","work.catalogue":"","work.movement":"IV. Adagietto — Sehr langsam","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording sources.","performers.value":"[{\"name\":\"Peabody Symphony Orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"commons-data\",\"archive\"]","performers.note":"Only the ensemble is documented. Conductor: unknown. The embedded and upstream tag ‘Murai/PSO’ is an attribution lead, not a verified full name or conducting credit; it has not been expanded.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"commons-data\",\"archive\"]","session.date.note":"19 November 2006 is the Internet Archive added/public date copied into Commons, not a session date. The filename code PSO020103 has not been decoded into a date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"archive\"]","session.place.note":"Neither the Commons record nor the upstream item names a venue. The orchestra’s institutional location does not establish where this performance was recorded.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The label or imprint of the carrier used for this digital file is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No catalogue number identifying the transferred carrier is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":"Internet Archive lists a 192 kbps MP3 source and an Ogg Vorbis derivative for movement IV.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"commons-data\"]","transfer.processing.note":"The Commons file is Ogg Vorbis and its embedded encoder is Xiph.Org libVorbis I 20040629. No original session medium, editing history or restoration procedure is established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/b2/Mahler_Symphony_No._5%2C_IV._Adagietto.ogg/Mahler_Symphony_No._5%2C_IV._Adagietto.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":621.2712698412698,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"The composer died in 1911. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 1 — recording licence/release: CC0 1.0 Universal; upstream public-domain recording release.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-upstream-release\"]","rights.recording.note":"Commons applies cc-zero to the Peabody Symphony Orchestra recording. The opened upstream Internet Archive metadata links a public-domain dedication; 19 November 2006 is a repository publication/upload date, not an established session date.","rights.creditLine":"Gustav Mahler, Symphony No. 5, IV. Adagietto; Peabody Symphony Orchestra. Conductor and session date unestablished. Internet Archive item Mahler_Symphony_5, via Wikimedia Commons; Commons states CC0 1.0 Universal.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mahler Symphony No. 5, IV. Adagietto.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No._5,_IV._Adagietto.ogg?oldid=525137715\",\"locator\":\"File-description wikitext: work identification, Summary, Source and Licensing; file format, duration and Transcode status.\",\"accessed\":\"2026-10-16\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No._5,_IV._Adagietto.ogg#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Mahler Symphony 5\",\"url\":\"https://archive.org/metadata/Mahler_Symphony_5\",\"locator\":\"metadata.creator: Peabody Symphony Orchestra; addeddate and publicdate 19 November 2006. File 04.PSO020103-Mahler-5-IV.mp3: creator/artist Murai/PSO, original 192 kbps MP3; corresponding Ogg is a derivative.\",\"accessed\":\"2026-10-16\"},{\"id\":\"composer\",\"title\":\"Gustav Mahler — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Gustav_Mahler\",\"locator\":\"Lead paragraph: composer’s death year.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Mahler Symphony No. 5, IV. Adagietto.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1177337502%7C1285956118%7C638011151%7C1264375355%7C1118001688%7C1003399466%7C1113441804%7C808915645%7C525137715%7C963510501&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Mahler Symphony No. 5, IV. Adagietto.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-upstream-release\",\"title\":\"Internet Archive — Mahler Symphony 5\",\"url\":\"https://archive.org/metadata/Mahler_Symphony_5/metadata\",\"locator\":\"Opened metadata.licenseurl: legacy Creative Commons public-domain dedication, not a non-commercial licence; upload/publication dates kept separate from session dates.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"8 unknown; 3 documented; 1 inferred"},{"id":"mahler-5-rondo-finale","composer":"Gustav Mahler","title":"Symphony No. 5","movement":"V. Rondo-Finale — Allegro","work.title":"Symphony No. 5","work.catalogue":"","work.movement":"V. Rondo-Finale — Allegro","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"archive\"]","work.version.note":"Neither source identifies the performing edition. The Peters score used for commentary does not establish which edition was on the players’ desks.","performers.value":"[{\"name\":\"Peabody Symphony Orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\",\"classical-connect\"]","performers.note":"Commons and the Archive name the ensemble. The embedded tag ‘Murai/PSO’ is a research lead. Classical Connect separately credits a Peabody performance of this symphony to Hajime Teri Murai, but a link between its recording and these audio files is not established; no full conductor credit or individual players are assigned here.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"archive\",\"classical-connect\"]","session.date.note":"19 November 2006 is the Archive added/public date, repeated by Commons, not a documented performance date. Classical Connect separately lists a Peabody/Murai recording as ‘Recorded on 02/01/2003’, but its identity with these audio files is unconfirmed. The filename code PSO020103 is not decoded as a date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"archive\"]","session.place.note":"No venue is named. The orchestra’s association with Baltimore does not identify the recording location.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"archive\"]","carrier.label.note":"No original record label or session carrier is identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"archive\"]","carrier.catalogue.note":"No commercial catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifiers are supplied. The original recording medium is not established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"Neither a transfer engineer nor a mastering engineer is identified; uploading a file is not a transfer credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\"]","transfer.date.note":"The Archive addition and Commons upload dates do not establish a transfer date.","transfer.processing.value":"The Archive inventory lists 05.PSO020103-Mahler-5-V.mp3 as an original 192 kbps MP3 and its corresponding Ogg Vorbis file as a derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"commons\"]","transfer.processing.note":"Commons supplies an Ogg Vorbis upload with the embedded encoder Xiph.Org libVorbis I 20040629 and an MP3 access derivative. Its Source link mistakenly selects movement IV within the complete-symphony item. The corresponding movement file is identified from the item inventory and embedded movement title; byte identity and earlier editing or restoration are not established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/5a/Mahler_Symphony_No._5%2C_V._Rondo_Finale.ogg/Mahler_Symphony_No._5%2C_V._Rondo_Finale.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative from Wikimedia Commons; uploaded file: Ogg Vorbis. Duration rounded from Commons metadata and includes the complete source tail. Automated analysis suggests predominantly non-musical material from about 14:25 onwards, possibly audience sound; the exact musical cutoff and sound identification remain unconfirmed.","digital.durationSeconds":1029,"rights.composition.value":"The underlying composition is out of copyright under the ordinary life-plus-70 rule.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Mahler died in 1911. This is a term calculation, not worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Commons applies CC0 1.0 Universal to this recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"archive\"]","rights.recording.note":"The upstream Archive item links instead to the older Creative Commons public-domain dedication. Neither reviewed record independently establishes the uploader’s authority over the performance. The Commons licence is reported as its rights statement, not independently cleared ownership.","rights.creditLine":"Gustav Mahler, Symphony No. 5, V. Rondo-Finale — Allegro; Peabody Symphony Orchestra. Conductor, session date and venue unestablished. Internet Archive item Mahler_Symphony_5, via Wikimedia Commons; Commons states CC0 1.0 Universal.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mahler Symphony No. 5, V. Rondo Finale.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No._5%2C_V._Rondo_Finale.ogg?oldid=525137720\",\"locator\":\"Summary, Licensing, original-file duration, transcode table and embedded Metadata. The Source URL selects movement IV, although the file title and embedded movement tag identify this movement.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Mahler Symphony 5\",\"url\":\"https://archive.org/metadata/Mahler_Symphony_5\",\"locator\":\"metadata.creator, licenseurl, addeddate and publicdate; files 05.PSO020103-Mahler-5-V.mp3 and 05.PSO020103-Mahler-5-V.ogg. Item describes complete movements I–V.\",\"accessed\":\"2026-10-17\"},{\"id\":\"classical-connect\",\"title\":\"Classical Connect — Symphony No. 5, Peabody Symphony Orchestra\",\"url\":\"https://www.classicalconnect.com/Orchestral_Music/Mahler/Symphony_No._5/3521\",\"locator\":\"Credits Hajime Teri Murai and states ‘Recorded on 02/01/2003, uploaded on 06/07/2010’. Consulted as a candidate provenance lead; the page does not expose an audio filename establishing identity with the selected Commons/Archive files.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Gustav Mahler — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Gustav_Mahler\",\"locator\":\"Biographical dates: 1860–1911.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January. No recording-rights calculation is made from this source.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 3 documented; 1 inferred"},{"id":"mahler-5-scherzo","composer":"Gustav Mahler","title":"Symphony No. 5","movement":"III. Scherzo — Kräftig, nicht zu schnell","work.title":"Symphony No. 5","work.catalogue":"","work.movement":"III. Scherzo — Kräftig, nicht zu schnell","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"archive\"]","work.version.note":"Neither source identifies the performing edition. The Peters score used for commentary does not establish which edition was on the players’ desks.","performers.value":"[{\"name\":\"Peabody Symphony Orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\",\"classical-connect\"]","performers.note":"Commons and the Archive name the ensemble. The embedded tag ‘Murai/PSO’ is a research lead. Classical Connect separately credits a Peabody performance of this symphony to Hajime Teri Murai, but a link between its recording and these audio files is not established; no full conductor credit or individual players are assigned here.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"archive\",\"classical-connect\"]","session.date.note":"19 November 2006 is the Archive added/public date, repeated by Commons, not a documented performance date. Classical Connect separately lists a Peabody/Murai recording as ‘Recorded on 02/01/2003’, but its identity with these audio files is unconfirmed. The filename code PSO020103 is not decoded as a date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"archive\"]","session.place.note":"No venue is named. The orchestra’s association with Baltimore does not identify the recording location.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"archive\"]","carrier.label.note":"No original record label or session carrier is identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"archive\"]","carrier.catalogue.note":"No commercial catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifiers are supplied. The original recording medium is not established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"Neither a transfer engineer nor a mastering engineer is identified; uploading a file is not a transfer credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\"]","transfer.date.note":"The Archive addition and Commons upload dates do not establish a transfer date.","transfer.processing.value":"The Archive inventory lists 03.PSO020103-Mahler-5-III.mp3 as an original 192 kbps MP3 and its corresponding Ogg Vorbis file as a derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"commons\"]","transfer.processing.note":"Commons supplies an Ogg Vorbis upload with the embedded encoder Xiph.Org libVorbis I 20040629 and an MP3 access derivative. Its Source link mistakenly selects movement IV within the complete-symphony item. The corresponding movement file is identified from the item inventory and embedded movement title; byte identity and earlier editing or restoration are not established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/8/8d/Mahler_Symphony_No._5%2C_III._Scherzo.ogg/Mahler_Symphony_No._5%2C_III._Scherzo.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative from Wikimedia Commons; uploaded file: Ogg Vorbis. Duration rounded from Commons metadata.","digital.durationSeconds":1002,"rights.composition.value":"The underlying composition is out of copyright under the ordinary life-plus-70 rule.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Mahler died in 1911. This is a term calculation, not worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Commons applies CC0 1.0 Universal to this recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"archive\"]","rights.recording.note":"The upstream Archive item links instead to the older Creative Commons public-domain dedication. Neither reviewed record independently establishes the uploader’s authority over the performance. The Commons licence is reported as its rights statement, not independently cleared ownership.","rights.creditLine":"Gustav Mahler, Symphony No. 5, III. Scherzo — Kräftig, nicht zu schnell; Peabody Symphony Orchestra. Conductor, session date and venue unestablished. Internet Archive item Mahler_Symphony_5, via Wikimedia Commons; Commons states CC0 1.0 Universal.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mahler Symphony No. 5, III. Scherzo.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No._5%2C_III._Scherzo.ogg?oldid=643397910\",\"locator\":\"Summary, Licensing, original-file duration, transcode table and embedded Metadata. The Source URL selects movement IV, although the file title and embedded movement tag identify this movement.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Mahler Symphony 5\",\"url\":\"https://archive.org/metadata/Mahler_Symphony_5\",\"locator\":\"metadata.creator, licenseurl, addeddate and publicdate; files 03.PSO020103-Mahler-5-III.mp3 and 03.PSO020103-Mahler-5-III.ogg. Item describes complete movements I–V.\",\"accessed\":\"2026-10-17\"},{\"id\":\"classical-connect\",\"title\":\"Classical Connect — Symphony No. 5, Peabody Symphony Orchestra\",\"url\":\"https://www.classicalconnect.com/Orchestral_Music/Mahler/Symphony_No._5/3521\",\"locator\":\"Credits Hajime Teri Murai and states ‘Recorded on 02/01/2003, uploaded on 06/07/2010’. Consulted as a candidate provenance lead; the page does not expose an audio filename establishing identity with the selected Commons/Archive files.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Gustav Mahler — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Gustav_Mahler\",\"locator\":\"Biographical dates: 1860–1911.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January. No recording-rights calculation is made from this source.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 3 documented; 1 inferred"},{"id":"mahler-5-sturmisch-bewegt","composer":"Gustav Mahler","title":"Symphony No. 5","movement":"II. Stürmisch bewegt, mit größter Vehemenz","work.title":"Symphony No. 5","work.catalogue":"","work.movement":"II. Stürmisch bewegt, mit größter Vehemenz","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"archive\"]","work.version.note":"Neither source identifies the performing edition. The Peters score used for commentary does not establish which edition was on the players’ desks.","performers.value":"[{\"name\":\"Peabody Symphony Orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\",\"classical-connect\"]","performers.note":"Commons and the Archive name the ensemble. The embedded tag ‘Murai/PSO’ is a research lead. Classical Connect separately credits a Peabody performance of this symphony to Hajime Teri Murai, but a link between its recording and these audio files is not established; no full conductor credit or individual players are assigned here.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"archive\",\"classical-connect\"]","session.date.note":"19 November 2006 is the Archive added/public date, repeated by Commons, not a documented performance date. Classical Connect separately lists a Peabody/Murai recording as ‘Recorded on 02/01/2003’, but its identity with these audio files is unconfirmed. The filename code PSO020103 is not decoded as a date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"archive\"]","session.place.note":"No venue is named. The orchestra’s association with Baltimore does not identify the recording location.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"archive\"]","carrier.label.note":"No original record label or session carrier is identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"archive\"]","carrier.catalogue.note":"No commercial catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifiers are supplied. The original recording medium is not established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"Neither a transfer engineer nor a mastering engineer is identified; uploading a file is not a transfer credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\"]","transfer.date.note":"The Archive addition and Commons upload dates do not establish a transfer date.","transfer.processing.value":"The Archive inventory lists 02.PSO020103-Mahler-5-II.mp3 as an original 192 kbps MP3 and its corresponding Ogg Vorbis file as a derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"commons\"]","transfer.processing.note":"Commons supplies an Ogg Vorbis upload with the embedded encoder Xiph.Org libVorbis I 20040629 and an MP3 access derivative. Its Source link mistakenly selects movement IV within the complete-symphony item. The corresponding movement file is identified from the item inventory and embedded movement title; byte identity and earlier editing or restoration are not established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/a/a6/Mahler_Symphony_No._5%2C_II._St%C3%BCrmisch_bewegt%2C_mit_gr%C3%B6%C3%9Fter_Vehemenz.ogg/Mahler_Symphony_No._5%2C_II._St%C3%BCrmisch_bewegt%2C_mit_gr%C3%B6%C3%9Fter_Vehemenz.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative from Wikimedia Commons; uploaded file: Ogg Vorbis. Duration rounded from Commons metadata.","digital.durationSeconds":838,"rights.composition.value":"The underlying composition is out of copyright under the ordinary life-plus-70 rule.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Mahler died in 1911. This is a term calculation, not worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Commons applies CC0 1.0 Universal to this recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"archive\"]","rights.recording.note":"The upstream Archive item links instead to the older Creative Commons public-domain dedication. Neither reviewed record independently establishes the uploader’s authority over the performance. The Commons licence is reported as its rights statement, not independently cleared ownership.","rights.creditLine":"Gustav Mahler, Symphony No. 5, II. Stürmisch bewegt, mit größter Vehemenz; Peabody Symphony Orchestra. Conductor, session date and venue unestablished. Internet Archive item Mahler_Symphony_5, via Wikimedia Commons; Commons states CC0 1.0 Universal.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mahler Symphony No. 5, II. Stürmisch bewegt, mit größter Vehemenz.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No._5%2C_II._St%C3%BCrmisch_bewegt%2C_mit_gr%C3%B6%C3%9Fter_Vehemenz.ogg?oldid=525137707\",\"locator\":\"Summary, Licensing, original-file duration, transcode table and embedded Metadata. The Source URL selects movement IV, although the file title and embedded movement tag identify this movement.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Mahler Symphony 5\",\"url\":\"https://archive.org/metadata/Mahler_Symphony_5\",\"locator\":\"metadata.creator, licenseurl, addeddate and publicdate; files 02.PSO020103-Mahler-5-II.mp3 and 02.PSO020103-Mahler-5-II.ogg. Item describes complete movements I–V.\",\"accessed\":\"2026-10-17\"},{\"id\":\"classical-connect\",\"title\":\"Classical Connect — Symphony No. 5, Peabody Symphony Orchestra\",\"url\":\"https://www.classicalconnect.com/Orchestral_Music/Mahler/Symphony_No._5/3521\",\"locator\":\"Credits Hajime Teri Murai and states ‘Recorded on 02/01/2003, uploaded on 06/07/2010’. Consulted as a candidate provenance lead; the page does not expose an audio filename establishing identity with the selected Commons/Archive files.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Gustav Mahler — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Gustav_Mahler\",\"locator\":\"Biographical dates: 1860–1911.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January. No recording-rights calculation is made from this source.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 3 documented; 1 inferred"},{"id":"mahler-5-trauermarsch","composer":"Gustav Mahler","title":"Symphony No. 5","movement":"I. Trauermarsch — In gemessenem Schritt. Streng. Wie ein Kondukt","work.title":"Symphony No. 5","work.catalogue":"","work.movement":"I. Trauermarsch — In gemessenem Schritt. Streng. Wie ein Kondukt","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"archive\"]","work.version.note":"Neither source identifies the performing edition. The Peters score used for commentary does not establish which edition was on the players’ desks.","performers.value":"[{\"name\":\"Peabody Symphony Orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\",\"classical-connect\"]","performers.note":"Commons and the Archive name the ensemble. The embedded tag ‘Murai/PSO’ is a research lead. Classical Connect separately credits a Peabody performance of this symphony to Hajime Teri Murai, but a link between its recording and these audio files is not established; no full conductor credit or individual players are assigned here.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"archive\",\"classical-connect\"]","session.date.note":"19 November 2006 is the Archive added/public date, repeated by Commons, not a documented performance date. Classical Connect separately lists a Peabody/Murai recording as ‘Recorded on 02/01/2003’, but its identity with these audio files is unconfirmed. The filename code PSO020103 is not decoded as a date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"archive\"]","session.place.note":"No venue is named. The orchestra’s association with Baltimore does not identify the recording location.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"archive\"]","carrier.label.note":"No original record label or session carrier is identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"archive\"]","carrier.catalogue.note":"No commercial catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifiers are supplied. The original recording medium is not established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"Neither a transfer engineer nor a mastering engineer is identified; uploading a file is not a transfer credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\"]","transfer.date.note":"The Archive addition and Commons upload dates do not establish a transfer date.","transfer.processing.value":"The Archive inventory lists 01.PSO020103-Mahler-5-I.mp3 as an original 192 kbps MP3 and its corresponding Ogg Vorbis file as a derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"commons\"]","transfer.processing.note":"Commons supplies an Ogg Vorbis upload with the embedded encoder Xiph.Org libVorbis I 20040629 and an MP3 access derivative. Its Source link mistakenly selects movement IV within the complete-symphony item. The corresponding movement file is identified from the item inventory and embedded movement title; byte identity and earlier editing or restoration are not established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/bd/Mahler_Symphony_No._5%2C_I._Trauermarsch.ogg/Mahler_Symphony_No._5%2C_I._Trauermarsch.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative from Wikimedia Commons; uploaded file: Ogg Vorbis. Duration rounded from Commons metadata.","digital.durationSeconds":764,"rights.composition.value":"The underlying composition is out of copyright under the ordinary life-plus-70 rule.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Mahler died in 1911. This is a term calculation, not worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Commons applies CC0 1.0 Universal to this recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"archive\"]","rights.recording.note":"The upstream Archive item links instead to the older Creative Commons public-domain dedication. Neither reviewed record independently establishes the uploader’s authority over the performance. The Commons licence is reported as its rights statement, not independently cleared ownership.","rights.creditLine":"Gustav Mahler, Symphony No. 5, I. Trauermarsch — In gemessenem Schritt. Streng. Wie ein Kondukt; Peabody Symphony Orchestra. Conductor, session date and venue unestablished. Internet Archive item Mahler_Symphony_5, via Wikimedia Commons; Commons states CC0 1.0 Universal.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mahler Symphony No. 5, I. Trauermarsch.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_Symphony_No._5%2C_I._Trauermarsch.ogg?oldid=525137701\",\"locator\":\"Summary, Licensing, original-file duration, transcode table and embedded Metadata. The Source URL selects movement IV, although the file title and embedded movement tag identify this movement.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Mahler Symphony 5\",\"url\":\"https://archive.org/metadata/Mahler_Symphony_5\",\"locator\":\"metadata.creator, licenseurl, addeddate and publicdate; files 01.PSO020103-Mahler-5-I.mp3 and 01.PSO020103-Mahler-5-I.ogg. Item describes complete movements I–V.\",\"accessed\":\"2026-10-17\"},{\"id\":\"classical-connect\",\"title\":\"Classical Connect — Symphony No. 5, Peabody Symphony Orchestra\",\"url\":\"https://www.classicalconnect.com/Orchestral_Music/Mahler/Symphony_No._5/3521\",\"locator\":\"Credits Hajime Teri Murai and states ‘Recorded on 02/01/2003, uploaded on 06/07/2010’. Consulted as a candidate provenance lead; the page does not expose an audio filename establishing identity with the selected Commons/Archive files.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Gustav Mahler — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Gustav_Mahler\",\"locator\":\"Biographical dates: 1860–1911.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January. No recording-rights calculation is made from this source.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 unknown; 3 documented; 1 inferred"},{"id":"mahler-9-adagio","composer":"Gustav Mahler","title":"Symphony No. 9","movement":"IV. Adagio — Sehr langsam und noch zurückhaltend","work.title":"Symphony No. 9","work.catalogue":"GMW 50","work.movement":"IV. Adagio — Sehr langsam und noch zurückhaltend","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"catalogue\"]","work.version.note":"The recording sources identify the complete movement but do not establish the performing edition or any local alterations. The 1912 full score is used as a structural reference, not proof of the parts on the 1938 desks.","performers.value":"[{\"name\":\"Vienna Philharmonic\",\"role\":\"orchestra\"},{\"name\":\"Bruno Walter\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"programme\",\"loc\"]","performers.note":"Commons, the surviving concert-programme catalogue and the Library of Congress essay agree on orchestra and conductor.","session.date.value":"1938-01-16","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"programme\",\"loc\",\"pristine\"]","session.date.note":"16 January is the documented public concert date. Pristine gives 15–16 January 1938 for its reissue; the inspected evidence does not establish whether any rehearsal material entered the issued matrices. The Commons embedded “1962” digitising tag is not accepted as a performance or transfer date.","session.date.precision":"day","session.place.value":"Großer Musikvereinssaal, Vienna, Austria","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"programme\",\"loc\"]","session.place.note":"The concert-programme catalogue names the hall and city; Commons uses Musikvereinsaal de Vienne.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"pristine\"]","carrier.label.note":"Commons names only an unspecified audio CD. HMV made the original 78-rpm issue, but the CD label used for this upload has not been identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"pristine\"]","carrier.catalogue.note":"The source CD catalogue number is unknown. Pristine documents the historical ten-disc HMV set as DB 8569–8578; that does not identify the carrier transferred for Commons.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"pristine\",\"dahr\"]","carrier.matrixTakeSides.note":"Pristine lists the original complete-set matrix series 2VH 7027–7046. The inspected DAHR composer listing did not establish a matrix/take match for this digital source; no exhaustive absence is claimed. Specific takes and a verified movement-to-matrix mapping remain unestablished, so the complete-set series is not presented as a side identification for this file.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"loc\",\"pristine\"]","transfer.credits.note":"No engineer for the source CD or Commons transfer is identified. Gaisberg was the original recording producer and Charlie Gregory the recording engineer, not established digital-transfer credits. Andrew Rose’s named 2013 Pristine transfer is a different reissue and is not the source of this Commons upload.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"commons-data\"]","transfer.date.note":"No transfer date is established. The embedded digitising value 1962 is not corroborated as a transfer date and is not used as one; neither upload nor release dates substitute for it.","transfer.processing.value":"Commons supplies an Ogg Vorbis file and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"commons-data\"]","transfer.processing.note":"Embedded metadata names Xiph.Org libVorbis I 20100325 (Everywhere). The original 1938 performance was cut on alternating wax-recording machines, but the intervening CD restoration, equalisation, edits and mastering are not identified for this file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/0/0a/Mahler_-_Symphony_N%C2%B0_9_-_IV_%28B._Walter%2C_1938%29.ogg/Mahler_-_Symphony_N%C2%B0_9_-_IV_%28B._Walter%2C_1938%29.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis from an unidentified audio CD","digital.durationSeconds":1110.3066666666666,"rights.composition.value":"The underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"loc\",\"eu-term\"]","rights.composition.note":"Mahler died in 1911. This is a term calculation for the composition, not worldwide clearance of an unidentified edition or transfer.","rights.recording.value":"Territorial: Commons applies PD-EU-audio to the sound recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"pd-eu\"]","rights.recording.note":"The inspected template expressly concerns expired performer and producer rights in the European Union. This package is admitted on that territorial recording-rights basis, not merely the composition’s age. United States status is not established; no worldwide public-domain clearance is asserted.","rights.creditLine":"Gustav Mahler, Symphony No. 9, IV. Adagio — Sehr langsam und noch zurückhaltend; Vienna Philharmonic, Bruno Walter, conductor. Public concert, 16 January 1938, Großer Musikvereinssaal, Vienna. Unidentified audio CD via Wikimedia Commons; recording tagged PD-EU-audio (territorial, not established as US public domain).","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mahler - Symphony N° 9 - IV (B. Walter, 1938).ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_-_Symphony_N%C2%B0_9_-_IV_(B._Walter,_1938).ogg\",\"locator\":\"File-description Summary, date, performers, source “Cd audio”, Licensing PD-EU-audio, duration and MP3 transcode. The recording-specific template was inspected separately from generic Public domain metadata.\",\"accessed\":\"2026-10-17\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — embedded recording metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_-_Symphony_N%C2%B0_9_-_IV_(B._Walter,_1938).ogg#Metadata\",\"locator\":\"Ogg metadata: digitising field 1962 and Xiph.Org libVorbis I 20100325 (Everywhere). These tags do not independently date the performance, CD issue or transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"International Gustav Mahler Society — Wiener Philharmoniker 1937/38, fifth subscription concert\",\"url\":\"https://www.gustav-mahler.org/libraryid/10405\",\"locator\":\"Original printed programme V-002-001296: 16 January 1938; Großer Musikvereinssaal, Vienna; Vienna Philharmonic and Bruno Walter; Mahler Ninth and Mozart K. 504.\",\"accessed\":\"2026-10-17\"},{\"id\":\"loc\",\"title\":\"Erik Ryding — Mahler Symphony No. 9: Bruno Walter, conductor; Vienna Philharmonic Orchestra (1938)\",\"url\":\"https://lcweb2.loc.gov/static/programs/national-recording-preservation-board/documents/MahlerSymphonyNo9.pdf\",\"locator\":\"National Recording Registry essay, added 2015, pp. 1–4: premiere, performance date, Gaisberg and Gregory, alternating wax machines, Walter’s later account, and historical context.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pristine\",\"title\":\"Pristine Classical PASC389 — Walter Mahler Symphony No. 9 (1938)\",\"url\":\"https://www.pristineclassical.com/products/pasc389\",\"locator\":\"Reissue metadata: 15–16 January 1938; HMV DB 8569–8578; matrices 2VH 7027–7046; Andrew Rose’s separate 2013 transfer. Reproduced Gramophone review gives side allocation. Not a proven source in the Commons transfer chain.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"Discography of American Historical Recordings — Gustav Mahler\",\"url\":\"https://adp.library.ucsb.edu/index.php/mastertalent/detail/102815/Mahler_Gustav\",\"locator\":\"Composer discography consulted as a matrix-identification lead. The inspected listing did not establish the Walter Ninth’s takes or identify the source CD; it is not cited as proof of absence from DAHR.\",\"accessed\":\"2026-10-17\"},{\"id\":\"catalogue\",\"title\":\"Mahler-Online — Symphony No. 9, GMW 50\",\"url\":\"https://acdh-ch.pages.oeaw.ac.at/muwi/mahler-mei/mahler-wv-static/GMW_050.html\",\"locator\":\"Work identity, 1909–10 composition history, Toblach/New York, manuscript stages, 26 June 1912 premiere and first publication.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary authorial life-plus-70 term and calculation from the following 1 January. No universal recording clearance is inferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pd-eu\",\"title\":\"Wikimedia Commons — PD-EU-audio recording-rights template\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template states expiry of performer and producer rights for the sound recording in the EU; documentation distinguishes those rights from copyright in the underlying composition.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 unknown; 5 documented; 1 inferred"},{"id":"mahler-9-andante-comodo","composer":"Gustav Mahler","title":"Symphony No. 9","movement":"I. Andante comodo","work.title":"Symphony No. 9","work.catalogue":"GMW 50","work.movement":"I. Andante comodo","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"catalogue\"]","work.version.note":"The recording sources identify the complete movement but do not establish the performing edition or any local alterations. The 1912 full score is used as a structural reference, not proof of the parts on the 1938 desks.","performers.value":"[{\"name\":\"Vienna Philharmonic\",\"role\":\"orchestra\"},{\"name\":\"Bruno Walter\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"programme\",\"loc\"]","performers.note":"Commons, the surviving concert-programme catalogue and the Library of Congress essay agree on orchestra and conductor.","session.date.value":"1938-01-16","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"programme\",\"loc\",\"pristine\"]","session.date.note":"16 January is the documented public concert date. Pristine gives 15–16 January 1938 for its reissue; the inspected evidence does not establish whether any rehearsal material entered the issued matrices. The Commons embedded “1962” digitising tag is not accepted as a performance or transfer date.","session.date.precision":"day","session.place.value":"Großer Musikvereinssaal, Vienna, Austria","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"programme\",\"loc\"]","session.place.note":"The concert-programme catalogue names the hall and city; Commons uses Musikvereinsaal de Vienne.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"pristine\"]","carrier.label.note":"Commons names only an unspecified audio CD. HMV made the original 78-rpm issue, but the CD label used for this upload has not been identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"pristine\"]","carrier.catalogue.note":"The source CD catalogue number is unknown. Pristine documents the historical ten-disc HMV set as DB 8569–8578; that does not identify the carrier transferred for Commons.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"pristine\",\"dahr\"]","carrier.matrixTakeSides.note":"Pristine lists the original complete-set matrix series 2VH 7027–7046. The inspected DAHR composer listing did not establish a matrix/take match for this digital source; no exhaustive absence is claimed. 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The embedded digitising value 1962 is not corroborated as a transfer date and is not used as one; neither upload nor release dates substitute for it.","transfer.processing.value":"Commons supplies an Ogg Vorbis file and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"commons-data\"]","transfer.processing.note":"Embedded metadata names Xiph.Org libVorbis I 20100325 (Everywhere). 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No universal recording clearance is inferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pd-eu\",\"title\":\"Wikimedia Commons — PD-EU-audio recording-rights template\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template states expiry of performer and producer rights for the sound recording in the EU; documentation distinguishes those rights from copyright in the underlying composition.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 unknown; 5 documented; 1 inferred"},{"id":"mahler-9-landler","composer":"Gustav Mahler","title":"Symphony No. 9","movement":"II. Im Tempo eines gemächlichen Ländlers","work.title":"Symphony No. 9","work.catalogue":"GMW 50","work.movement":"II. 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Pristine gives 15–16 January 1938 for its reissue; the inspected evidence does not establish whether any rehearsal material entered the issued matrices. The Commons embedded “1962” digitising tag is not accepted as a performance or transfer date.","session.date.precision":"day","session.place.value":"Großer Musikvereinssaal, Vienna, Austria","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"programme\",\"loc\"]","session.place.note":"The concert-programme catalogue names the hall and city; Commons uses Musikvereinsaal de Vienne.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"pristine\"]","carrier.label.note":"Commons names only an unspecified audio CD. HMV made the original 78-rpm issue, but the CD label used for this upload has not been identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"pristine\"]","carrier.catalogue.note":"The source CD catalogue number is unknown. Pristine documents the historical ten-disc HMV set as DB 8569–8578; that does not identify the carrier transferred for Commons.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"pristine\",\"dahr\"]","carrier.matrixTakeSides.note":"Pristine lists the original complete-set matrix series 2VH 7027–7046. The inspected DAHR composer listing did not establish a matrix/take match for this digital source; no exhaustive absence is claimed. Specific takes and a verified movement-to-matrix mapping remain unestablished, so the complete-set series is not presented as a side identification for this file.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"loc\",\"pristine\"]","transfer.credits.note":"No engineer for the source CD or Commons transfer is identified. Gaisberg was the original recording producer and Charlie Gregory the recording engineer, not established digital-transfer credits. Andrew Rose’s named 2013 Pristine transfer is a different reissue and is not the source of this Commons upload.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"commons-data\"]","transfer.date.note":"No transfer date is established. The embedded digitising value 1962 is not corroborated as a transfer date and is not used as one; neither upload nor release dates substitute for it.","transfer.processing.value":"Commons supplies an Ogg Vorbis file and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"commons-data\"]","transfer.processing.note":"Embedded metadata names Xiph.Org libVorbis I 20100325 (Everywhere). The original 1938 performance was cut on alternating wax-recording machines, but the intervening CD restoration, equalisation, edits and mastering are not identified for this file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/60/Mahler_-_Symphony_N%C2%B0_9_-_II_%28B._Walter%2C_1938%29.ogg/Mahler_-_Symphony_N%C2%B0_9_-_II_%28B._Walter%2C_1938%29.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis from an unidentified audio CD","digital.durationSeconds":946.04,"rights.composition.value":"The underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"loc\",\"eu-term\"]","rights.composition.note":"Mahler died in 1911. This is a term calculation for the composition, not worldwide clearance of an unidentified edition or transfer.","rights.recording.value":"Territorial: Commons applies PD-EU-audio to the sound recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"pd-eu\"]","rights.recording.note":"The inspected template expressly concerns expired performer and producer rights in the European Union. This package is admitted on that territorial recording-rights basis, not merely the composition’s age. United States status is not established; no worldwide public-domain clearance is asserted.","rights.creditLine":"Gustav Mahler, Symphony No. 9, II. Im Tempo eines gemächlichen Ländlers; Vienna Philharmonic, Bruno Walter, conductor. Public concert, 16 January 1938, Großer Musikvereinssaal, Vienna. 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No universal recording clearance is inferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pd-eu\",\"title\":\"Wikimedia Commons — PD-EU-audio recording-rights template\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template states expiry of performer and producer rights for the sound recording in the EU; documentation distinguishes those rights from copyright in the underlying composition.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 unknown; 5 documented; 1 inferred"},{"id":"mahler-9-rondo-burleske","composer":"Gustav Mahler","title":"Symphony No. 9","movement":"III. Rondo-Burleske — Allegro assai. Sehr trotzig","work.title":"Symphony No. 9","work.catalogue":"GMW 50","work.movement":"III. Rondo-Burleske — Allegro assai. 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HMV made the original 78-rpm issue, but the CD label used for this upload has not been identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"pristine\"]","carrier.catalogue.note":"The source CD catalogue number is unknown. Pristine documents the historical ten-disc HMV set as DB 8569–8578; that does not identify the carrier transferred for Commons.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"pristine\",\"dahr\"]","carrier.matrixTakeSides.note":"Pristine lists the original complete-set matrix series 2VH 7027–7046. The inspected DAHR composer listing did not establish a matrix/take match for this digital source; no exhaustive absence is claimed. Specific takes and a verified movement-to-matrix mapping remain unestablished, so the complete-set series is not presented as a side identification for this file.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"loc\",\"pristine\"]","transfer.credits.note":"No engineer for the source CD or Commons transfer is identified. Gaisberg was the original recording producer and Charlie Gregory the recording engineer, not established digital-transfer credits. Andrew Rose’s named 2013 Pristine transfer is a different reissue and is not the source of this Commons upload.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"commons-data\"]","transfer.date.note":"No transfer date is established. The embedded digitising value 1962 is not corroborated as a transfer date and is not used as one; neither upload nor release dates substitute for it.","transfer.processing.value":"Commons supplies an Ogg Vorbis file and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"commons-data\"]","transfer.processing.note":"Embedded metadata names Xiph.Org libVorbis I 20100325 (Everywhere). The original 1938 performance was cut on alternating wax-recording machines, but the intervening CD restoration, equalisation, edits and mastering are not identified for this file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/0/0f/Mahler_-_Symphony_N%C2%B0_9_-_III_%28B._Walter%2C_1938%29.ogg/Mahler_-_Symphony_N%C2%B0_9_-_III_%28B._Walter%2C_1938%29.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis from an unidentified audio CD","digital.durationSeconds":685.8933333333333,"rights.composition.value":"The underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"loc\",\"eu-term\"]","rights.composition.note":"Mahler died in 1911. This is a term calculation for the composition, not worldwide clearance of an unidentified edition or transfer.","rights.recording.value":"Territorial: Commons applies PD-EU-audio to the sound recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"pd-eu\"]","rights.recording.note":"The inspected template expressly concerns expired performer and producer rights in the European Union. This package is admitted on that territorial recording-rights basis, not merely the composition’s age. United States status is not established; no worldwide public-domain clearance is asserted.","rights.creditLine":"Gustav Mahler, Symphony No. 9, III. Rondo-Burleske — Allegro assai. Sehr trotzig; Vienna Philharmonic, Bruno Walter, conductor. Public concert, 16 January 1938, Großer Musikvereinssaal, Vienna. 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The inspected listing did not establish the Walter Ninth’s takes or identify the source CD; it is not cited as proof of absence from DAHR.\",\"accessed\":\"2026-10-17\"},{\"id\":\"catalogue\",\"title\":\"Mahler-Online — Symphony No. 9, GMW 50\",\"url\":\"https://acdh-ch.pages.oeaw.ac.at/muwi/mahler-mei/mahler-wv-static/GMW_050.html\",\"locator\":\"Work identity, 1909–10 composition history, Toblach/New York, manuscript stages, 26 June 1912 premiere and first publication.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary authorial life-plus-70 term and calculation from the following 1 January. 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The Mahler Foundation’s discography lists the same three with the Royal Concertgebouw Orchestra, Amsterdam. The orchestra was not yet styled “Royal” in 1939.","session.date.value":"1939-10-05","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"wp-schuricht\",\"mf-history\"]","session.date.note":"The date is in the item’s title and date field and agrees with the Carl Schuricht article; the Mahler Foundation gives only “October 1939 broadcast concert, live”. It is not the upload date (the item was added on 2 July 2022).","session.date.precision":"day","session.place.value":"Concertgebouw, Amsterdam","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"mf-history\"]","session.place.note":"Named in the item title (“Concertgebouw Amsterdam”) and in the Mahler Foundation’s listing of a live Amsterdam concert; “Concertgebouw” names both the orchestra and the hall, and neither source names a room.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"archive\",\"mf-history\"]","carrier.label.note":"The item names no label and does not state the medium it was copied from. The Mahler Foundation’s discography records a Bel Age CD made “from acetates” of the broadcast; whether this file derives from that issue is not stated.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"archive\"]","carrier.catalogue.note":"No catalogue number is given for the source of this file.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"mf-history\"]","carrier.matrixTakeSides.note":"No acetate matrix, side or take numbers appear in the sources consulted; this is not a claim that they cannot be recovered.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item names an uploader account but no transfer or restoration engineer; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item’s added and public dates (2 July 2022) are upload dates, not transfer dates.","transfer.processing.value":"Internet Archive derivatives of a WAV original: this file is a variable-bit-rate MP3 (170 kbps); FLAC and spectrogram derivatives of the same WAV are also listed.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item description calls it “a good recording”. It does not describe noise reduction, speed correction or equalisation. The Internet Archive item also carries a separate 15-second clip (track 07, “Zwischenruf 6. 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The 1912 first edition is hosted on IMSLP as public domain.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"wp-lied\",\"mf-intro\",\"imslp\",\"mahler-archives\",\"cleveland\",\"li-2025\"]","rights.composition.note":"A term calculation (life plus 70 years; Bethge’s text has been free in life-plus-70 jurisdictions since 2017), not a clearance of every edition or translation.","rights.recording.value":"Treated as public domain in the European Union (territorial): a live broadcast of 5 October 1939 whose related rights, on the sources consulted, had expired before the extended terms applied on 1 November 2013. United States status is not established.","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"eu-2011-77\",\"mf-history\"]","rights.recording.note":"Before the 2011 extension, Directive 2006/116/EC gave performers and phonogram producers 50-year terms. 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The Mahler Foundation’s discography lists the same three with the Royal Concertgebouw Orchestra, Amsterdam. The orchestra was not yet styled “Royal” in 1939.","session.date.value":"1939-10-05","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"wp-schuricht\",\"mf-history\"]","session.date.note":"The date is in the item’s title and date field and agrees with the Carl Schuricht article; the Mahler Foundation gives only “October 1939 broadcast concert, live”. 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It does not describe noise reduction, speed correction or equalisation.","digital.streamUrl":"https://archive.org/download/06-das-lied-von-der-erde-mahler-concertgebouw-amsterdam-carl-schuricht-5.-x.-193/02%20-%20Das%20Lied%20von%20der%20Erde%20(Mahler)%20-%20Concertgebouw%20Amsterdam%20Carl%20SCHURICHT%20(5.X.1939)%20-%20Kerstin%20THORBORG%20(Alt)%20-%202.Der%20Einsame%20im%20Herbst.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"VBR MP3 (169 kbps) derivative supplied by the Internet Archive; original upload WAV","digital.durationSeconds":577.05,"rights.composition.value":"Music by Gustav Mahler (died 1911); words adapted by Mahler from Hans Bethge’s Die chinesische Flöte (Bethge died 1946), itself a paraphrase of Tang-dynasty poems by way of French and German translations. 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The 1912 first edition is hosted on IMSLP as public domain.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"wp-lied\",\"mf-intro\",\"imslp\",\"mahler-archives\",\"cleveland\",\"li-2025\"]","rights.composition.note":"A term calculation (life plus 70 years; Bethge’s text has been free in life-plus-70 jurisdictions since 2017), not a clearance of every edition or translation.","rights.recording.value":"Treated as public domain in the European Union (territorial): a live broadcast of 5 October 1939 whose related rights, on the sources consulted, had expired before the extended terms applied on 1 November 2013. United States status is not established.","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"eu-2011-77\",\"mf-history\"]","rights.recording.note":"Before the 2011 extension, Directive 2006/116/EC gave performers and phonogram producers 50-year terms. For a performance of 1939 the performer’s term ran 50 years from the performance, to 1989, unless a fixation of it in a phonogram was lawfully published or lawfully communicated to the public within that period, which would have started a longer term from that event. The live radio broadcast was a communication of the performance, not of a phonogram fixation, and the sources consulted document no earlier publication of the acetate fixation; the date of its first issue on disc is not given in them, so this is an inference, not a clearance. Directive 2011/77/EU lengthened terms to 70 years only for rights still protected on 1 November 2013 (Article 10(5)), so rights that had already expired were not revived. The item carries a Public Domain Mark 1.0 licence URL, which is the uploader’s statement and not the basis used here.","rights.creditLine":"Gustav Mahler, Das Lied von der Erde, III. 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The Mahler Foundation’s discography lists the same three with the Royal Concertgebouw Orchestra, Amsterdam. The orchestra was not yet styled “Royal” in 1939.","session.date.value":"1939-10-05","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"wp-schuricht\",\"mf-history\"]","session.date.note":"The date is in the item’s title and date field and agrees with the Carl Schuricht article; the Mahler Foundation gives only “October 1939 broadcast concert, live”. It is not the upload date (the item was added on 2 July 2022).","session.date.precision":"day","session.place.value":"Concertgebouw, Amsterdam","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"mf-history\"]","session.place.note":"Named in the item title (“Concertgebouw Amsterdam”) and in the Mahler Foundation’s listing of a live Amsterdam concert; “Concertgebouw” names both the orchestra and the hall, and neither source names a room.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"archive\",\"mf-history\"]","carrier.label.note":"The item names no label and does not state the medium it was copied from. The Mahler Foundation’s discography records a Bel Age CD made “from acetates” of the broadcast; whether this file derives from that issue is not stated.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"archive\"]","carrier.catalogue.note":"No catalogue number is given for the source of this file.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"mf-history\"]","carrier.matrixTakeSides.note":"No acetate matrix, side or take numbers appear in the sources consulted; this is not a claim that they cannot be recovered.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item names an uploader account but no transfer or restoration engineer; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item’s added and public dates (2 July 2022) are upload dates, not transfer dates.","transfer.processing.value":"Internet Archive derivatives of a WAV original: this file is a variable-bit-rate MP3 (173 kbps); FLAC and spectrogram derivatives of the same WAV are also listed.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item description calls it “a good recording”. It does not describe noise reduction, speed correction or equalisation.","digital.streamUrl":"https://archive.org/download/06-das-lied-von-der-erde-mahler-concertgebouw-amsterdam-carl-schuricht-5.-x.-193/04%20-%20Das%20Lied%20von%20der%20Erde%20(Mahler)%20-%20Concertgebouw%20Amsterdam%20Carl%20SCHURICHT%20(5.X.1939)%20-%20Kerstin%20THORBORG%20(Alt)%20-%204.Von%20der%20Sch%C3%B6nheit.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"VBR MP3 (173 kbps) derivative supplied by the Internet Archive; original upload WAV","digital.durationSeconds":404.72,"rights.composition.value":"Music by Gustav Mahler (died 1911); words adapted by Mahler from Hans Bethge’s Die chinesische Flöte (Bethge died 1946), itself a paraphrase of Tang-dynasty poems by way of French and German translations. 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For a performance of 1939 the performer’s term ran 50 years from the performance, to 1989, unless a fixation of it in a phonogram was lawfully published or lawfully communicated to the public within that period, which would have started a longer term from that event. The live radio broadcast was a communication of the performance, not of a phonogram fixation, and the sources consulted document no earlier publication of the acetate fixation; the date of its first issue on disc is not given in them, so this is an inference, not a clearance. Directive 2011/77/EU lengthened terms to 70 years only for rights still protected on 1 November 2013 (Article 10(5)), so rights that had already expired were not revived. The item carries a Public Domain Mark 1.0 licence URL, which is the uploader’s statement and not the basis used here.","rights.creditLine":"Gustav Mahler, Das Lied von der Erde, IV. 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The Mahler Foundation’s discography lists the same three with the Royal Concertgebouw Orchestra, Amsterdam. The orchestra was not yet styled “Royal” in 1939.","session.date.value":"1939-10-05","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"wp-schuricht\",\"mf-history\"]","session.date.note":"The date is in the item’s title and date field and agrees with the Carl Schuricht article; the Mahler Foundation gives only “October 1939 broadcast concert, live”. It is not the upload date (the item was added on 2 July 2022).","session.date.precision":"day","session.place.value":"Concertgebouw, Amsterdam","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"mf-history\"]","session.place.note":"Named in the item title (“Concertgebouw Amsterdam”) and in the Mahler Foundation’s listing of a live Amsterdam concert; “Concertgebouw” names both the orchestra and the hall, and neither source names a room.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"archive\",\"mf-history\"]","carrier.label.note":"The item names no label and does not state the medium it was copied from. The Mahler Foundation’s discography records a Bel Age CD made “from acetates” of the broadcast; whether this file derives from that issue is not stated.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"archive\"]","carrier.catalogue.note":"No catalogue number is given for the source of this file.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"mf-history\"]","carrier.matrixTakeSides.note":"No acetate matrix, side or take numbers appear in the sources consulted; this is not a claim that they cannot be recovered.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item names an uploader account but no transfer or restoration engineer; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item’s added and public dates (2 July 2022) are upload dates, not transfer dates.","transfer.processing.value":"Internet Archive derivatives of a WAV original: this file is a variable-bit-rate MP3 (189 kbps); FLAC and spectrogram derivatives of the same WAV are also listed.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item description calls it “a good recording”. 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For a performance of 1939 the performer’s term ran 50 years from the performance, to 1989, unless a fixation of it in a phonogram was lawfully published or lawfully communicated to the public within that period, which would have started a longer term from that event. The live radio broadcast was a communication of the performance, not of a phonogram fixation, and the sources consulted document no earlier publication of the acetate fixation; the date of its first issue on disc is not given in them, so this is an inference, not a clearance. Directive 2011/77/EU lengthened terms to 70 years only for rights still protected on 1 November 2013 (Article 10(5)), so rights that had already expired were not revived. The item carries a Public Domain Mark 1.0 licence URL, which is the uploader’s statement and not the basis used here.","rights.creditLine":"Gustav Mahler, Das Lied von der Erde, I. Das Trinklied vom Jammer der Erde; Carl Martin Öhmann, tenor; Concertgebouw Orchestra, Amsterdam; Carl Schuricht, conductor; live, 5 October 1939. Internet Archive item “Das Lied von der Erde (Mahler) – Concertgebouw Amsterdam Carl Schuricht (5. X. 1939)”, marked Public Domain Mark 1.0 by its uploader; treated here as EU public domain (territorial), US status not established.","rights.licenseUrl":"http://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Das Lied von der Erde (Mahler), Concertgebouw Amsterdam, Carl Schuricht (5. X. 1939)\",\"url\":\"https://archive.org/metadata/06-das-lied-von-der-erde-mahler-concertgebouw-amsterdam-carl-schuricht-5.-x.-193\",\"locator\":\"metadata: creator, date 1939-10-05, licenseurl (Public Domain Mark 1.0), description; file “01 - Das Lied von der Erde (Mahler) - Concertgebouw Amsterdam Carl SCHURICHT (5.X.1939) - Carl Martin ÖHMANN (Tenor) - 1.Das Trinklied vom Jammer der Erde.mp3” (VBR MP3 189 kbps, 536.03 s), original WAV.\",\"accessed\":\"2026-10-17\"},{\"id\":\"mf-history\",\"title\":\"Mahler Foundation — History: Das Lied von der Erde\",\"url\":\"https://mahlerfoundation.org/mahler/compositions/das-lied-von-der-erde/das-lied-von-der-erde-history/\",\"locator\":\"Recordings, versions with female and male soloists: Schuricht, Thorborg and Öhmann, Royal Concertgebouw Orchestra, “October 1939 broadcast concert, live (Bel Age CD, from acetates)”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"mahler-archives\",\"title\":\"The Mahler Archives — Das Lied von der Erde: texts and Chinese sources\",\"url\":\"http://www.mahlerarchives.net/Archive%20documents/DLvDE/DLvDE.htm\",\"locator\":\"One page per song (Der_Jugend.htm, Der_Trunkene.htm, Der_Abschied.htm and others): Chinese poem, French, Heilmann and Bethge versions beside Mahler’s text.\",\"accessed\":\"2026-10-17\"},{\"id\":\"cleveland\",\"title\":\"The Cleveland Orchestra — Das Lied von der Erde, note by Peter Laki\",\"url\":\"https://www.clevelandorchestra.com/works/das-lied-von-der-erde\",\"locator\":\"Paragraphs on each of the six movements, including the porcelain pavilion of Von der Jugend.\",\"accessed\":\"2026-10-17\"},{\"id\":\"li-2025\",\"title\":\"Edwin K. C. Li, Re-translating Mahler’s Das Lied von der Erde, Journal of the Royal Musical Association 150/2 (2025)\",\"url\":\"https://doi.org/10.1017/rma.2025.10043\",\"locator\":\"Footnote 3 (the Chinese poems generally agreed for each movement) and footnote 8 (doubts about the source of Von der Jugend).\",\"accessed\":\"2026-10-17\"},{\"id\":\"tenor-history\",\"title\":\"History of the Tenor — Carl Martin Öhman\",\"url\":\"https://historyofthetenor.com/carl-ohman/\",\"locator\":\"Swedish tenor, 1887–1967; Berlin ensemble to 1937; pupils Nicolai Gedda and Martti Talvela.\",\"accessed\":\"2026-10-17\"},{\"id\":\"utz-2018\",\"title\":\"Christian Utz, Multivalent Form in Gustav Mahler’s Lied von der Erde from the Perspective of Its Performance History, Musicologica Austriaca (2018)\",\"url\":\"https://musau.org/parts/neue-article-page/view/37\",\"locator\":\"Section 3 and Tables 2–4 (https://musau.org/assets/Uploads/2018/Utz/Utz-Mahler-Table02.pdf, Table03.pdf, Table04.pdf): bar structure of the first song; Schuricht 1939 measured refrain and Tempo I speeds and the ritardando at m. 381.\",\"accessed\":\"2026-10-17\"},{\"id\":\"mf-intro\",\"title\":\"Mahler Foundation — Introduction: Das Lied von der Erde\",\"url\":\"https://mahlerfoundation.org/mahler/compositions/das-lied-von-der-erde/das-lied-von-der-erde-introduction/\",\"locator\":\"Hans Bethge (1876–1946), Die chinesische Flöte; the six songs and their Chinese poets.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wp-schuricht\",\"title\":\"Wikipedia — Carl Schuricht\",\"url\":\"https://en.wikipedia.org/wiki/Carl_Schuricht\",\"locator\":\"Life and career: the 5 October 1939 Amsterdam performance of Das Lied von der Erde, disrupted by a heckler; Mahler banned in Germany 1933–45.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wp-thorborg\",\"title\":\"Wikipedia — Kerstin Thorborg\",\"url\":\"https://en.wikipedia.org/wiki/Kerstin_Thorborg\",\"locator\":\"Biography: the 1939 Concertgebouw recording under Schuricht.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wp-lied\",\"title\":\"Wikipedia — Das Lied von der Erde\",\"url\":\"https://en.wikipedia.org/wiki/Das_Lied_von_der_Erde\",\"locator\":\"Composition, Reception and Text sections: Mahler’s death on 18 May 1911; premiere 20 November 1911; Bethge’s Die chinesische Flöte.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Das Lied von der Erde, GMW 49 (Mahler, Gustav)\",\"url\":\"https://imslp.org/wiki/Das_Lied_von_der_Erde,_GMW_49_(Mahler,_Gustav)\",\"locator\":\"Complete Score #20582: Vienna, Universal Edition, 1912, plate U.E. 3637; Copyright Public Domain.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ue-hefling\",\"title\":\"Universal Edition — Das Lied von der Erde, work introduction by Stephen E. Hefling\",\"url\":\"https://www.universaledition.com/en/Works/Das-Lied-von-der-Erde/P0109538\",\"locator\":\"Composition in summer 1908; Bethge’s 83 paraphrases; seven poems chosen.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-2011-77\",\"title\":\"Directive 2011/77/EU amending Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Recitals 1–3 and 7; Article 1(2) (Article 3(1) of Directive 2006/116/EC); Article 10(5) transitional rule.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 unknown; 4 documented; 2 inferred"},{"id":"mahler-das-lied-trunkene","composer":"Gustav Mahler","title":"Das Lied von der Erde","movement":"V. Der Trunkene im Frühling — Allegro. Keck, aber nicht zu schnell","work.title":"Das Lied von der Erde","work.catalogue":"","work.movement":"V. Der Trunkene im Frühling — Allegro. Keck, aber nicht zu schnell","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"imslp\"]","work.version.note":"The item does not say which score edition the orchestra used or whether any passage was cut. The first edition (Universal Edition, 1912) is the score read for the notes on this page; the 1939 performing materials may differ.","performers.value":"[{\"name\":\"Carl Martin Öhmann\",\"role\":\"tenor\"},{\"name\":\"Concertgebouw Orchestra, Amsterdam\",\"role\":\"orchestra\"},{\"name\":\"Carl Schuricht\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"mf-history\",\"wp-thorborg\",\"wp-schuricht\",\"tenor-history\"]","performers.note":"The item credits Kerstin Thorborg (alto), Carl Martin Öhmann (tenor) and Carl Schuricht (conductor) for the whole concert, and names the singer on each track; Kerstin Thorborg does not sing in this song. The Mahler Foundation’s discography lists the same three with the Royal Concertgebouw Orchestra, Amsterdam. The orchestra was not yet styled “Royal” in 1939.","session.date.value":"1939-10-05","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"wp-schuricht\",\"mf-history\"]","session.date.note":"The date is in the item’s title and date field and agrees with the Carl Schuricht article; the Mahler Foundation gives only “October 1939 broadcast concert, live”. It is not the upload date (the item was added on 2 July 2022).","session.date.precision":"day","session.place.value":"Concertgebouw, Amsterdam","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"mf-history\"]","session.place.note":"Named in the item title (“Concertgebouw Amsterdam”) and in the Mahler Foundation’s listing of a live Amsterdam concert; “Concertgebouw” names both the orchestra and the hall, and neither source names a room.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"archive\",\"mf-history\"]","carrier.label.note":"The item names no label and does not state the medium it was copied from. The Mahler Foundation’s discography records a Bel Age CD made “from acetates” of the broadcast; whether this file derives from that issue is not stated.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"archive\"]","carrier.catalogue.note":"No catalogue number is given for the source of this file.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"mf-history\"]","carrier.matrixTakeSides.note":"No acetate matrix, side or take numbers appear in the sources consulted; this is not a claim that they cannot be recovered.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item names an uploader account but no transfer or restoration engineer; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item’s added and public dates (2 July 2022) are upload dates, not transfer dates.","transfer.processing.value":"Internet Archive derivatives of a WAV original: this file is a variable-bit-rate MP3 (190 kbps); FLAC and spectrogram derivatives of the same WAV are also listed.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item description calls it “a good recording”. It does not describe noise reduction, speed correction or equalisation.","digital.streamUrl":"https://archive.org/download/06-das-lied-von-der-erde-mahler-concertgebouw-amsterdam-carl-schuricht-5.-x.-193/05%20-%20Das%20Lied%20von%20der%20Erde%20(Mahler)%20-%20Concertgebouw%20Amsterdam%20Carl%20SCHURICHT%20(5.X.1939)%20-%20Carl%20Martin%20%C3%96HMANN%20(Tenor)%20-%205.Der%20Trunkene%20im%20Fr%C3%BChling.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"VBR MP3 (190 kbps) derivative supplied by the Internet Archive; original upload WAV","digital.durationSeconds":290.04,"rights.composition.value":"Music by Gustav Mahler (died 1911); words adapted by Mahler from Hans Bethge’s Die chinesische Flöte (Bethge died 1946), itself a paraphrase of Tang-dynasty poems by way of French and German translations. The 1912 first edition is hosted on IMSLP as public domain.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"wp-lied\",\"mf-intro\",\"imslp\",\"mahler-archives\",\"cleveland\",\"li-2025\"]","rights.composition.note":"A term calculation (life plus 70 years; Bethge’s text has been free in life-plus-70 jurisdictions since 2017), not a clearance of every edition or translation.","rights.recording.value":"Treated as public domain in the European Union (territorial): a live broadcast of 5 October 1939 whose related rights, on the sources consulted, had expired before the extended terms applied on 1 November 2013. United States status is not established.","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"eu-2011-77\",\"mf-history\"]","rights.recording.note":"Before the 2011 extension, Directive 2006/116/EC gave performers and phonogram producers 50-year terms. For a performance of 1939 the performer’s term ran 50 years from the performance, to 1989, unless a fixation of it in a phonogram was lawfully published or lawfully communicated to the public within that period, which would have started a longer term from that event. The live radio broadcast was a communication of the performance, not of a phonogram fixation, and the sources consulted document no earlier publication of the acetate fixation; the date of its first issue on disc is not given in them, so this is an inference, not a clearance. Directive 2011/77/EU lengthened terms to 70 years only for rights still protected on 1 November 2013 (Article 10(5)), so rights that had already expired were not revived. The item carries a Public Domain Mark 1.0 licence URL, which is the uploader’s statement and not the basis used here.","rights.creditLine":"Gustav Mahler, Das Lied von der Erde, V. Der Trunkene im Frühling; Carl Martin Öhmann, tenor; Concertgebouw Orchestra, Amsterdam; Carl Schuricht, conductor; live, 5 October 1939. Internet Archive item “Das Lied von der Erde (Mahler) – Concertgebouw Amsterdam Carl Schuricht (5. X. 1939)”, marked Public Domain Mark 1.0 by its uploader; treated here as EU public domain (territorial), US status not established.","rights.licenseUrl":"http://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Das Lied von der Erde (Mahler), Concertgebouw Amsterdam, Carl Schuricht (5. X. 1939)\",\"url\":\"https://archive.org/metadata/06-das-lied-von-der-erde-mahler-concertgebouw-amsterdam-carl-schuricht-5.-x.-193\",\"locator\":\"metadata: creator, date 1939-10-05, licenseurl (Public Domain Mark 1.0), description; file “05 - Das Lied von der Erde (Mahler) - Concertgebouw Amsterdam Carl SCHURICHT (5.X.1939) - Carl Martin ÖHMANN (Tenor) - 5.Der Trunkene im Frühling.mp3” (VBR MP3 190 kbps, 290.04 s), original WAV.\",\"accessed\":\"2026-10-17\"},{\"id\":\"mf-history\",\"title\":\"Mahler Foundation — History: Das Lied von der Erde\",\"url\":\"https://mahlerfoundation.org/mahler/compositions/das-lied-von-der-erde/das-lied-von-der-erde-history/\",\"locator\":\"Recordings, versions with female and male soloists: Schuricht, Thorborg and Öhmann, Royal Concertgebouw Orchestra, “October 1939 broadcast concert, live (Bel Age CD, from acetates)”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"mahler-archives\",\"title\":\"The Mahler Archives — Das Lied von der Erde: texts and Chinese sources\",\"url\":\"http://www.mahlerarchives.net/Archive%20documents/DLvDE/DLvDE.htm\",\"locator\":\"One page per song (Der_Jugend.htm, Der_Trunkene.htm, Der_Abschied.htm and others): Chinese poem, French, Heilmann and Bethge versions beside Mahler’s text.\",\"accessed\":\"2026-10-17\"},{\"id\":\"cleveland\",\"title\":\"The Cleveland Orchestra — Das Lied von der Erde, note by Peter Laki\",\"url\":\"https://www.clevelandorchestra.com/works/das-lied-von-der-erde\",\"locator\":\"Paragraphs on each of the six movements, including the porcelain pavilion of Von der Jugend.\",\"accessed\":\"2026-10-17\"},{\"id\":\"li-2025\",\"title\":\"Edwin K. C. Li, Re-translating Mahler’s Das Lied von der Erde, Journal of the Royal Musical Association 150/2 (2025)\",\"url\":\"https://doi.org/10.1017/rma.2025.10043\",\"locator\":\"Footnote 3 (the Chinese poems generally agreed for each movement) and footnote 8 (doubts about the source of Von der Jugend).\",\"accessed\":\"2026-10-17\"},{\"id\":\"tenor-history\",\"title\":\"History of the Tenor — Carl Martin Öhman\",\"url\":\"https://historyofthetenor.com/carl-ohman/\",\"locator\":\"Swedish tenor, 1887–1967; Berlin ensemble to 1937; pupils Nicolai Gedda and Martti Talvela.\",\"accessed\":\"2026-10-17\"},{\"id\":\"mf-intro\",\"title\":\"Mahler Foundation — Introduction: Das Lied von der Erde\",\"url\":\"https://mahlerfoundation.org/mahler/compositions/das-lied-von-der-erde/das-lied-von-der-erde-introduction/\",\"locator\":\"Hans Bethge (1876–1946), Die chinesische Flöte; the six songs and their Chinese poets.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wp-schuricht\",\"title\":\"Wikipedia — Carl Schuricht\",\"url\":\"https://en.wikipedia.org/wiki/Carl_Schuricht\",\"locator\":\"Life and career: the 5 October 1939 Amsterdam performance of Das Lied von der Erde, disrupted by a heckler; Mahler banned in Germany 1933–45.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wp-thorborg\",\"title\":\"Wikipedia — Kerstin Thorborg\",\"url\":\"https://en.wikipedia.org/wiki/Kerstin_Thorborg\",\"locator\":\"Biography: the 1939 Concertgebouw recording under Schuricht.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wp-lied\",\"title\":\"Wikipedia — Das Lied von der Erde\",\"url\":\"https://en.wikipedia.org/wiki/Das_Lied_von_der_Erde\",\"locator\":\"Composition, Reception and Text sections: Mahler’s death on 18 May 1911; premiere 20 November 1911; Bethge’s Die chinesische Flöte.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Das Lied von der Erde, GMW 49 (Mahler, Gustav)\",\"url\":\"https://imslp.org/wiki/Das_Lied_von_der_Erde,_GMW_49_(Mahler,_Gustav)\",\"locator\":\"Complete Score #20582: Vienna, Universal Edition, 1912, plate U.E. 3637; Copyright Public Domain.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ue-hefling\",\"title\":\"Universal Edition — Das Lied von der Erde, work introduction by Stephen E. Hefling\",\"url\":\"https://www.universaledition.com/en/Works/Das-Lied-von-der-Erde/P0109538\",\"locator\":\"Composition in summer 1908; Bethge’s 83 paraphrases; seven poems chosen.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-2011-77\",\"title\":\"Directive 2011/77/EU amending Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Recitals 1–3 and 7; Article 1(2) (Article 3(1) of Directive 2006/116/EC); Article 10(5) transitional rule.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 unknown; 4 documented; 2 inferred"},{"id":"mahler-kindertotenlieder-in-diesem-wetter-anderson","composer":"Gustav Mahler","title":"Kindertotenlieder","movement":"V. In diesem Wetter, in diesem Braus","work.title":"Kindertotenlieder","work.catalogue":"","work.movement":"V. In diesem Wetter, in diesem Braus","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"score-catalogue\"]","work.version.note":"The source identifies the orchestral song, but not its performing edition or editorial alterations. The listening notes use the low-voice orchestral score, C. F. Kahnt plate 4460, for passage-level scoring; they do not claim this exact printed edition was on the performers’ desks. In this transfer, songs IV–V have late pitch-class profiles about a semitone above the written score and the Fischer-Dieskau transfer. The cause—speed, transposition or other processing—has not been established. No tuning correction or numerical tempo comparison is asserted.","performers.value":"[{\"name\":\"Marian Anderson\",\"role\":\"contralto\"},{\"name\":\"San Francisco Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Pierre Monteux\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"earlier-issue\"]","performers.note":"The Commons description identifies all three performing credits; the independent catalogue corroborates the pairing.","session.date.value":"1950","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"Commons dates the recording to 1950; the day and month remain unestablished. The earlier RCA release catalogue is not used as a session-date source.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"earlier-issue\"]","session.place.note":"The consulted sources do not identify the recording venue. The orchestra’s home city is not used as proof of the session location.","carrier.label.value":"RCA","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"Commons names its source as “CD audio RCA”. This is the identified CD source label, not an assertion about the original session medium.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"earlier-issue\"]","carrier.catalogue.note":"No catalogue number identifying the CD used for the Commons upload is supplied. An independent University of the Arts Helsinki catalogue documents an earlier RCA Victor Red Seal LP, LM 1146, with these performers, coupled with Brahms’s Alto Rhapsody; its catalogue date is 1951 and its descriptive release range is 1951–1953. It identifies an earlier issue, not the CD transferred to Commons.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or original side identification is supplied. The absence of those details is not treated as proof that no historical identifiers exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The Commons uploader is not treated as a transfer or mastering engineer. No such credit for this particular CD-to-Ogg transfer is identified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is supplied; upload dates and historical recording dates are not substituted for it.","transfer.processing.value":"Commons provides an uploaded Ogg Vorbis file and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The embedded Ogg encoder is Xiph.Org libVorbis I 20100325 (Everywhere). The original session medium, earlier mastering, noise reduction and editing history are unestablished. In this transfer, songs IV–V have late pitch-class profiles about a semitone above the written score and the Fischer-Dieskau transfer. The cause—speed, transposition or other processing—has not been established. No tuning correction or numerical tempo comparison is asserted. The analyzed final-song derivative contains approximately twenty seconds at the analysis floor after the closing decay; this is not treated as sustained orchestral sound.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/3/31/Mahler_-_Kindertotenlieder%2C_V_%28Anderson%2C_Monteux%2C_1950%29.ogg/Mahler_-_Kindertotenlieder%2C_V_%28Anderson%2C_Monteux%2C_1950%29.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":370.8,"rights.composition.value":"The Sibley Music Library marks its early printed orchestral score, including Rückert’s text, as public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score-catalogue\"]","rights.composition.note":"The catalogue gives Mahler’s dates as 1860–1911 and Rückert’s as 1788–1866. This refers to the historical composition and text, not an unidentified modern performing edition; the catalogue’s inconsistent publication year is not adopted.","rights.recording.value":"Territorial — Commons applies PD-EU-audio to the sound recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"pd-eu-audio\"]","rights.recording.note":"The template concerns the rights of performers and phonogram producers, not merely the composition. The recording is accepted on that EU territorial basis. United States status and worldwide clearance are not established; no US pre-1926 claim is made.","rights.creditLine":"Gustav Mahler, Kindertotenlieder, V. In diesem Wetter, in diesem Braus; Marian Anderson, contralto; San Francisco Symphony Orchestra; Pierre Monteux, conductor. Recorded 1950. RCA CD source via Wikimedia Commons; Commons states PD-EU-audio (EU territorial status; US status unestablished).","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mahler - Kindertotenlieder, V (Anderson, Monteux, 1950).ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_-_Kindertotenlieder%2C_V_%28Anderson%2C_Monteux%2C_1950%29.ogg?oldid=1184616928\",\"locator\":\"File description: performers, recording date, CD source and PD-EU-audio licensing template; embedded Metadata and Transcode status. The named revision freezes the provenance claim.\",\"accessed\":\"2026-10-16\"},{\"id\":\"score-catalogue\",\"title\":\"Sibley Music Library — Kindertotenlieder, C. F. Kahnt plate 4460\",\"url\":\"https://urresearch.rochester.edu/institutionalPublicationPublicView.action?institutionalItemId=18098&versionNumber=1\",\"locator\":\"Full-score catalogue: five song titles, composer and poet dates, publisher and plate, 86-page miniature orchestral score; “This item is in the public domain.” The catalogue’s 1900 date predates completion and is not used.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work-catalogue\",\"title\":\"Paul Banks — Kindertotenlieder work catalogue\",\"url\":\"https://www.mahlercat.org.uk/Pages/KtL/KtL.htm\",\"locator\":\"Composition chronology, versions, original keys, scoring, first performance and publication history.\",\"accessed\":\"2026-10-16\"},{\"id\":\"pd-eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio template\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Licensing text: expiry of performers’ and producers’ sound-recording rights in the EU; not a substitute for composition copyright.\",\"accessed\":\"2026-10-16\"},{\"id\":\"earlier-issue\",\"title\":\"University of the Arts Helsinki — Marian Anderson / Pierre Monteux LP\",\"url\":\"https://taju.uniarts.fi/items/270fb74e-dba6-48b6-99e6-47c8895332b9\",\"locator\":\"Title and performer listing; RCA Victor Red Seal catalogue LM 1146, LP format, date and release-range description. This is a separate digitization, not the Commons CD.\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"6 unknown; 6 documented"},{"id":"mahler-kindertotenlieder-in-diesem-wetter","composer":"Gustav Mahler","title":"Kindertotenlieder","movement":"V. In diesem Wetter, in diesem Braus","work.title":"Kindertotenlieder","work.catalogue":"","work.movement":"V. In diesem Wetter, in diesem Braus","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"score-catalogue\"]","work.version.note":"The source identifies the orchestral song, but not its performing edition or editorial alterations. The listening notes use the low-voice orchestral score, C. F. Kahnt plate 4460, for passage-level scoring; they do not claim this exact printed edition was on the performers’ desks.","performers.value":"[{\"name\":\"Dietrich Fischer-Dieskau\",\"role\":\"baritone\"},{\"name\":\"Berlin Philharmonic\",\"role\":\"orchestra\"},{\"name\":\"Rudolf Kempe\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"naxos\"]","performers.note":"The Commons description identifies all three performing credits; the independent catalogue corroborates the pairing.","session.date.value":"20–21 June 1955","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"naxos\"]","session.date.note":"Commons and the Naxos reissue back cover give 20–21 June 1955. 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Naxos 8.111300 documents the same recording sessions, but is a different reissue: its catalogue number and Mark Obert-Thorn restoration credit are not attributed to the unidentified EMI CD.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or original side identification is supplied. The absence of those details is not treated as proof that no historical identifiers exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The Commons uploader is not treated as a transfer or mastering engineer. No such credit for this particular CD-to-Ogg transfer is identified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is supplied; upload dates and historical recording dates are not substituted for it.","transfer.processing.value":"Commons provides an uploaded Ogg Vorbis file and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The embedded Ogg encoder is Xiph.Org libVorbis I 20100325 (Everywhere). 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The earlier RCA release catalogue is not used as a session-date source.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"earlier-issue\"]","session.place.note":"The consulted sources do not identify the recording venue. The orchestra’s home city is not used as proof of the session location.","carrier.label.value":"RCA","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"Commons names its source as “CD audio RCA”. This is the identified CD source label, not an assertion about the original session medium.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"earlier-issue\"]","carrier.catalogue.note":"No catalogue number identifying the CD used for the Commons upload is supplied. An independent University of the Arts Helsinki catalogue documents an earlier RCA Victor Red Seal LP, LM 1146, with these performers, coupled with Brahms’s Alto Rhapsody; its catalogue date is 1951 and its descriptive release range is 1951–1953. It identifies an earlier issue, not the CD transferred to Commons.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or original side identification is supplied. The absence of those details is not treated as proof that no historical identifiers exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The Commons uploader is not treated as a transfer or mastering engineer. No such credit for this particular CD-to-Ogg transfer is identified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is supplied; upload dates and historical recording dates are not substituted for it.","transfer.processing.value":"Commons provides an uploaded Ogg Vorbis file and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The embedded Ogg encoder is Xiph.Org libVorbis I 20100325 (Everywhere). The original session medium, earlier mastering, noise reduction and editing history are unestablished.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/91/Mahler_-_Kindertotenlieder%2C_III_%28Anderson%2C_Monteux%2C_1950%29.ogg/Mahler_-_Kindertotenlieder%2C_III_%28Anderson%2C_Monteux%2C_1950%29.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":252.4,"rights.composition.value":"The Sibley Music Library marks its early printed orchestral score, including Rückert’s text, as public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score-catalogue\"]","rights.composition.note":"The catalogue gives Mahler’s dates as 1860–1911 and Rückert’s as 1788–1866. This refers to the historical composition and text, not an unidentified modern performing edition; the catalogue’s inconsistent publication year is not adopted.","rights.recording.value":"Territorial — Commons applies PD-EU-audio to the sound recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"pd-eu-audio\"]","rights.recording.note":"The template concerns the rights of performers and phonogram producers, not merely the composition. The recording is accepted on that EU territorial basis. United States status and worldwide clearance are not established; no US pre-1926 claim is made.","rights.creditLine":"Gustav Mahler, Kindertotenlieder, III. Wenn dein Mütterlein; Marian Anderson, contralto; San Francisco Symphony Orchestra; Pierre Monteux, conductor. Recorded 1950. RCA CD source via Wikimedia Commons; Commons states PD-EU-audio (EU territorial status; US status unestablished).","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mahler - Kindertotenlieder, III (Anderson, Monteux, 1950).ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_-_Kindertotenlieder%2C_III_%28Anderson%2C_Monteux%2C_1950%29.ogg?oldid=534533583\",\"locator\":\"File description: performers, recording date, CD source and PD-EU-audio licensing template; embedded Metadata and Transcode status. The named revision freezes the provenance claim.\",\"accessed\":\"2026-10-16\"},{\"id\":\"score-catalogue\",\"title\":\"Sibley Music Library — Kindertotenlieder, C. F. 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This is a separate digitization, not the Commons CD.\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"6 unknown; 6 documented"},{"id":"mahler-kindertotenlieder-wenn-dein-muetterlein","composer":"Gustav Mahler","title":"Kindertotenlieder","movement":"III. Wenn dein Mütterlein","work.title":"Kindertotenlieder","work.catalogue":"","work.movement":"III. Wenn dein Mütterlein","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"score-catalogue\"]","work.version.note":"The source identifies the orchestral song, but not its performing edition or editorial alterations. The listening notes use the low-voice orchestral score, C. F. Kahnt plate 4460, for passage-level scoring; they do not claim this exact printed edition was on the performers’ desks.","performers.value":"[{\"name\":\"Dietrich Fischer-Dieskau\",\"role\":\"baritone\"},{\"name\":\"Berlin Philharmonic\",\"role\":\"orchestra\"},{\"name\":\"Rudolf Kempe\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"naxos\"]","performers.note":"The Commons description identifies all three performing credits; the independent catalogue corroborates the pairing.","session.date.value":"20–21 June 1955","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"naxos\"]","session.date.note":"Commons and the Naxos reissue back cover give 20–21 June 1955. The two-day span is for the cycle’s sessions; the movement is not assigned to a particular day.","session.date.precision":"range","session.place.value":"Jesus-Christus-Kirche, Berlin","session.place.status":"documented","session.place.sourceIds":"[\"naxos\"]","session.place.note":"The Naxos back cover identifies Jesus-Christus-Kirche in Berlin for these sessions; this is session evidence, not evidence that the Commons transfer comes from that reissue.","carrier.label.value":"EMI","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"Commons names its source as “CD audio EMI”. This is the identified CD source label, not an assertion about the original session medium.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"naxos\"]","carrier.catalogue.note":"No catalogue number identifying the CD used for the Commons upload is supplied. Naxos 8.111300 documents the same recording sessions, but is a different reissue: its catalogue number and Mark Obert-Thorn restoration credit are not attributed to the unidentified EMI CD.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or original side identification is supplied. The absence of those details is not treated as proof that no historical identifiers exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The Commons uploader is not treated as a transfer or mastering engineer. No such credit for this particular CD-to-Ogg transfer is identified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is supplied; upload dates and historical recording dates are not substituted for it.","transfer.processing.value":"Commons provides an uploaded Ogg Vorbis file and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The embedded Ogg encoder is Xiph.Org libVorbis I 20100325 (Everywhere). The original session medium, earlier mastering, noise reduction and editing history are unestablished.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/6f/Mahler_-_Kindertotenlieder%2C_III_%28Fischer-Dieskau%2C_Kempe%2C_1955%29.ogg/Mahler_-_Kindertotenlieder%2C_III_%28Fischer-Dieskau%2C_Kempe%2C_1955%29.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":274,"rights.composition.value":"The Sibley Music Library marks its early printed orchestral score, including Rückert’s text, as public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score-catalogue\"]","rights.composition.note":"The catalogue gives Mahler’s dates as 1860–1911 and Rückert’s as 1788–1866. This refers to the historical composition and text, not an unidentified modern performing edition; the catalogue’s inconsistent publication year is not adopted.","rights.recording.value":"Territorial — Commons applies PD-EU-audio to the sound recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"pd-eu-audio\"]","rights.recording.note":"The template concerns the rights of performers and phonogram producers, not merely the composition. The recording is accepted on that EU territorial basis. United States status and worldwide clearance are not established; no US pre-1926 claim is made.","rights.creditLine":"Gustav Mahler, Kindertotenlieder, III. Wenn dein Mütterlein; Dietrich Fischer-Dieskau, baritone; Berlin Philharmonic; Rudolf Kempe, conductor. Recorded 20–21 June 1955. EMI CD source via Wikimedia Commons; Commons states PD-EU-audio (EU territorial status; US status unestablished).","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mahler - Kindertotenlieder, III (Fischer-Dieskau, Kempe, 1955).ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mahler_-_Kindertotenlieder%2C_III_%28Fischer-Dieskau%2C_Kempe%2C_1955%29.ogg?oldid=512026895\",\"locator\":\"File description: performers, recording date, CD source and PD-EU-audio licensing template; embedded Metadata and Transcode status. The named revision freezes the provenance claim.\",\"accessed\":\"2026-10-16\"},{\"id\":\"score-catalogue\",\"title\":\"Sibley Music Library — Kindertotenlieder, C. F. 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This recording’s chroma estimates read F major, whereas the first-edition orchestral score on IMSLP (22552) is notated in E♭ major; IMSLP lists the song in F major and notes transposed publications. The estimates suggest a possible pitch difference from that edition, but neither the arrangement’s key nor any transposition has been confirmed.","performers.value":"[{\"name\":\"Susan Kavinski\",\"role\":\"soprano (Chief Musician)\"},{\"name\":\"Richard Reed\",\"role\":\"English horn (Chief Musician)\"},{\"name\":\"United States Navy Concert Band\",\"role\":\"ensemble\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"As stated in the Commons description. No conductor is named in the consulted sources.","session.date.value":"c. December 2020","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"Commons gives the performance date as c. December 2020 and says the performance was “for the 2020 Midwest Clinic held in December 2020”. The exact session date of the pre-recorded virtual event is not stated.","session.date.precision":"approximate","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is named in the consulted sources.","carrier.label.value":null,"carrier.label.status":"not applicable","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"A born-digital online video; there is no physical release. The uploading YouTube channel was not verified.","carrier.catalogue.value":null,"carrier.catalogue.status":"not applicable","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No carrier catalogue number applies to an online video.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information applies to a born-digital recording.","transfer.credits.value":"Audio taken from YouTube video Dcua8t6J7bE and uploaded to Wikimedia Commons by the user Mysterymanblue.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\",\"youtube\"]","transfer.credits.note":"From the Commons Source field and file history. The YouTube page itself was not opened for content (the reader returned no metadata or transcript).","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The date of extracting or encoding the audio from the source video is not documented. 14 March 2021 is the documented Commons upload date (file history), not a known extraction or transfer date.","transfer.date.precision":null,"transfer.processing.value":"Audio extracted from a YouTube video and encoded as Ogg Vorbis (Xiph.Org libVorbis I 20200704, 390 kbps); streamed as an MP3 derivative generated by Commons.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"From the Commons file page and metadata. Audio taken from an online video has already passed through the video platform’s lossy coding; no restoration or noise reduction is documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/3/3b/%22Ich_bin_der_Welt_abhanden_gekommen%22_from_R%C3%BCckert-Lieder_-_United_States_Navy_Band.ogg/%22Ich_bin_der_Welt_abhanden_gekommen%22_from_R%C3%BCckert-Lieder_-_United_States_Navy_Band.ogg.mp3","digital.sourceChain":"[\"youtube\",\"commons\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis, 390 kbps","digital.durationSeconds":360.704,"rights.composition.value":"Public domain: Mahler died in 1911 and the poet Friedrich Rückert in 1866.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Commons applies PD/1923 tags to both the composition (author died 1911) and the lyrics (author died 1866). These cover the song and poem, not the unidentified band arrangement.","rights.recording.value":"Public domain in the United States as a work of a U.S. Navy sailor or employee made as part of official duties (Commons template PD-USGov-Navy); the file also carries the Public Domain Mark.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"This is a status under United States law for works of the federal government, as stated on Commons. The copyright status of the band arrangement itself is not addressed by the Commons tags and the arranger is unidentified.","rights.creditLine":"United States Navy Concert Band, with Susan Kavinski (soprano) and Richard Reed (English horn); performance c. December 2020, via Wikimedia Commons. Public domain as a work of the U.S. Navy; arranger not identified.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/deed.en","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:\\\"Ich bin der Welt abhanden gekommen\\\" from Rückert-Lieder - United States Navy Band.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:%22Ich_bin_der_Welt_abhanden_gekommen%22_from_R%C3%BCckert-Lieder_-_United_States_Navy_Band.ogg?oldid=1000341968\",\"locator\":\"File-description page, revision 1000341968 (19 February 2025): Musical work template (performer, description, composition date 1901, performance date c. December 2020, source YouTube), licensing block (PD-USGov-Navy for the performance; PD/1923 for lyrics and composition), file history (upload 14 March 2021) and metadata. Wikitext read through the revisions API; page read directly.\",\"accessed\":\"2026-10-17\"},{\"id\":\"youtube\",\"title\":\"YouTube video Dcua8t6J7bE (source named on Commons)\",\"url\":\"https://www.youtube.com/watch?v=Dcua8t6J7bE\",\"locator\":\"Not opened for content: the reader returned no metadata or transcript. No facts are taken from it beyond the identifier recorded in the Commons Source field.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP: Rückert Lieder, GMW 39-43 (Mahler, Gustav)\",\"url\":\"https://imslp.org/wiki/R%C3%BCckert_Lieder,_GMW_39-43_(Mahler,_Gustav)\",\"locator\":\"Work page: catalogue numbers (GMW 41 for this song), first performance 29 January 1905 with Friedrich Weidemann, and the scores listed. The orchestral score used for structure is IMSLP22552 (first edition, E♭ major), whose song occupies PDF pp. 13–23.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ue\",\"title\":\"Universal Edition: Mahler, Ich bin der Welt abhanden gekommen — from “Rückert-Lieder” (1901) for voice and orchestra\",\"url\":\"https://www.universaledition.com/en/Works/Ich-bin-der-Welt-abhanden-gekommen/P0086596\",\"locator\":\"Essay by Reinhold Kubik (autumn 2008): first draft dated 16 August 1901, the premiere of 29 January 1905 in the Brahms-Saal, Mahler’s remark about small halls, and the relation to the Fifth Symphony’s Adagietto.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"1 inferred; 6 documented; 2 unknown; 3 not applicable"},{"id":"mendelssohn-hebrides","composer":"Felix Mendelssohn","title":"The Hebrides, Op. 26","movement":"Allegro moderato","work.title":"The Hebrides","work.catalogue":"Op. 26","work.movement":"Allegro moderato","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The recording source does not identify a performing edition or arrangement.","performers.value":"[{\"name\":\"Musopen Symphony\",\"role\":\"orchestra attribution\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"No conductor or roster is supplied in the recording source.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"archive\"]","session.date.note":"Commons gives 2012, but the upstream description identifies 2012 as completion of the Kickstarter recording-release project. It does not give this performance’s session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the consulted source.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"archive\"]","carrier.label.note":"Musopen is the releasing project and rights source; the original commercial label, if any, is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or disc-side identifiers are supplied; the digital file format does not establish the original carrier.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The Archive item names its uploader but does not identify a transfer or mastering engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not session or transfer dates.","transfer.processing.value":"FLAC encoding described by the upstream collection as 32 bits per sample","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"This is the collection’s own description of its encoding, not verification of the source recording’s capture resolution or of restoration processing. Commons supplies the FLAC from which its MP3 derivative is served.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/24/Mendelssohn_-_Hebrides_Overture%2C_Op._26_%28Musopen_Symphony%29.flac/Mendelssohn_-_Hebrides_Overture%2C_Op._26_%28Musopen_Symphony%29.flac.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative of the Wikimedia Commons FLAC file","digital.durationSeconds":682.58,"rights.composition.value":"Public domain, as stated in the separate Commons musical-composition notice","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The composition notice is separate from Musopen’s release of the sound recording; it does not describe the rights of a modern score edition.","rights.recording.value":"Rule 1 — recording release: PD-author public-domain dedication by Musopen.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons explicitly applies PD-author by Musopen to the recording, separately from the composition. This is the programme’s explicit Musopen recording-release route, not an age-based inference or a claim that a Public Domain Mark is itself a licence. The session date is not needed for this route.","rights.creditLine":"Felix Mendelssohn: The Hebrides, Op. 26 — Musopen Symphony. Released by Musopen into the public domain; Musopen Collection as FLAC, Internet Archive, via Wikimedia Commons. Session date and conductor unidentified.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Mendelssohn - Hebrides Overture, Op. 26 (Musopen Symphony).flac\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=963510501\",\"locator\":\"Summary: description, date, source, author and permission; Licensing; File history; embedded metadata. 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The processing history before upload is unknown, and the bit rates are from the Commons media record and ffprobe.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/f/fb/Hankyung_Arte_Philharmonic_-_Mendelssohn%27s_Violin_Concerto_in_E_minor%2C_Op._64%2C_MWV_O_14_-_III._Allegretto_non_troppo-Allegro_molto_vivace.ogg/Hankyung_Arte_Philharmonic_-_Mendelssohn%27s_Violin_Concerto_in_E_minor%2C_Op._64%2C_MWV_O_14_-_III._Allegretto_non_troppo-Allegro_molto_vivace.ogg.mp3","digital.sourceChain":"[\"youtube\",\"commons\"]","digital.format":"MP3 derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":398.98,"rights.composition.value":"Public domain by age: Mendelssohn died in 1847.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"imslp\",\"wikipedia\"]","rights.composition.note":"The Commons file pages carry no composition notice. The conclusion rests on the composer’s death date, which the IMSLP work page and Wikipedia give; it does not license a modern critical edition.","rights.recording.value":"Creative Commons Attribution 3.0 (CC BY 3.0), through the “YouTube CC-BY” licence template on Commons. Rights rule 1: the licence covers the sound recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"template\",\"hkphil\"]","rights.recording.note":"The Commons file page applies {{YouTube CC-BY}}, whose text says the video or audio excerpt was released under the Creative Commons option on YouTube before August 2025 (then CC BY 3.0). The licence is set by the YouTube channel, which the Commons page does not name as author; the page shows no LicenseReview mark, and the YouTube page as fetched did not display its licence line, so the YouTube setting itself was not seen. The Commons author link goes to the orchestra’s own site (hkphil.com, titled 한경arte필하모닉), so the named author is the orchestra, but that site does not itself state the licence.","rights.creditLine":"Felix Mendelssohn, Violin Concerto in E minor, Op. 64, III. Allegretto non troppo — Allegro molto vivace — Soojin Han (violin), Hankyung Arte Philharmonic, Seokwon Hong (conductor); Seoul Arts Centre Concert Hall, 23 September 2022. CC BY 3.0, via YouTube and Wikimedia Commons.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Hankyung Arte Philharmonic - Mendelssohn's Violin Concerto in E minor, Op. 64, MWV O 14 - III. Allegretto non troppo-Allegro molto vivace.ogg\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=1182888459\",\"locator\":\"Summary: description, date 2023-02-18, source (From YouTube aegrdfHxXRA), author Hankyung Arte Philharmonic; Licensing: {{YouTube CC-BY}}. Raw wikitext read on the access date; file history: first revision 826031189 by Toast for Teddy, 2023-11-28.\",\"accessed\":\"2026-10-17\"},{\"id\":\"youtube\",\"title\":\"YouTube — Mendelssohn Violin Concerto - Soojin Han (video aegrdfHxXRA)\",\"url\":\"https://www.youtube.com/watch?v=aegrdfHxXRA\",\"locator\":\"Page header: channel 한수진 Soojin Han, uploaded 2023-02-18, duration 30:09. Description: Mendelssohn Violin Concerto in e minor op.64; Vn. Soojin Han; Cond. Seokwon Hong; Orch. Hankyung Arte Philharmonic; 23rd September 2022; Seoul Arts Centre Concert Hall. The licence line was not shown in the fetched text.\",\"accessed\":\"2026-10-17\"},{\"id\":\"template\",\"title\":\"Wikimedia Commons — Template:YouTube CC-BY (English text)\",\"url\":\"https://commons.wikimedia.org/wiki/Template:YouTube_CC-BY\",\"locator\":\"English text of the template (Template:YouTube CC-BY/i18n/en): released under the Creative Commons option on YouTube before August 2025; cc-by-3.0 licence box. Raw wikitext read on the access date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AHankyung%20Arte%20Philharmonic%20-%20Mendelssohn's%20Violin%20Concerto%20in%20E%20minor%2C%20Op.%2064%2C%20MWV%20O%2014%20-%20III.%20Allegretto%20non%20troppo-Allegro%20molto%20vivace.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Ctimestamp%7Cuser%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration 398.98 s, MIME application/ogg, Vorbis and MP3 derivatives, uploader and timestamp 2023-11-28.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Violin Concerto in E minor, Op.64 (Mendelssohn, Felix)\",\"url\":\"https://imslp.org/wiki/Violin_Concerto_in_E_minor,_Op.64_(Mendelssohn,_Felix)\",\"locator\":\"General information: composition years, first performance (13 March 1845, Leipzig, Ferdinand David, Gade conducting), dedication, instrumentation; composer’s dates.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wikipedia\",\"title\":\"Wikipedia — Violin Concerto (Mendelssohn)\",\"url\":\"https://en.wikipedia.org/wiki/Violin_Concerto_(Mendelssohn)\",\"locator\":\"Composition history, structure and legacy; the Kraków autograph with its different solo passage-work.\",\"accessed\":\"2026-10-17\"},{\"id\":\"hkphil\",\"title\":\"Hankyung Arte Philharmonic (한경arte필하모닉) — home page\",\"url\":\"https://www.hkphil.com/\",\"locator\":\"Site title 한경arte필하모닉 (the orchestra), the author link on the Commons page; news column: a September 2026 concert played by 한경아르떼필하모닉 under 홍석원, professor at Seoul National University.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 6 documented; 1 not applicable; 2 inferred"},{"id":"messiaen-nativite-dieu-parmi-nous","composer":"Olivier Messiaen","title":"La Nativité du Seigneur","movement":"IX. Dieu parmi nous","work.title":"La Nativité du Seigneur","work.catalogue":"","work.movement":"IX. Dieu parmi nous","work.version.value":"Organ cycle of 1935, published by Leduc in 1936; movement IX of nine, ending in a toccata.","work.version.status":"documented","work.version.sourceIds":"[\"sleeve\",\"wikipedia\",\"weir\"]","work.version.note":"The sleeve calls the work “The Nativity of Our Lord (published in 1936)”; Wikipedia gives Leduc as publisher and says movement IX alone formed the fourth book; Gillian Weir’s programme note describes the piece as ending in a toccata. The sleeve does not name an edition.","performers.value":"[{\"name\":\"Ernest White\",\"role\":\"organ\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve\",\"americanorganist\"]","performers.note":"“Ernest White playing the Memorial Hall Organ, Methuen, Mass.” on the sleeve; The American Organist of October 1952 lists the disc under “Ernest White, Methuen Memorial Hall, Mass.”. The sleeve names H. Vose Greenough as supervising engineer.","session.date.value":"August 1949","session.date.status":"documented","session.date.sourceIds":"[\"sleeve\"]","session.date.note":"The sleeve says “the present recording was accomplished in August of 1949”. The day is not given. The Internet Archive’s date of 1952 for the item is the year of issue, not of the session.","session.date.precision":"month","session.place.value":"Memorial Hall, Methuen, Massachusetts","session.place.status":"documented","session.place.sourceIds":"[\"sleeve\"]","session.place.note":"The sleeve names the “newly rebuilt organ at Memorial Hall in Methuen, Mass.”, an instrument originally built by Walcker in 1857–62 for the Boston Music Hall and redesigned under G. Donald Harrison of Aeolian-Skinner.","carrier.label.value":"Mercury Classics, 12-inch long-playing record","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"archive\",\"americanorganist\"]","carrier.label.note":"The Internet Archive record gives publisher Mercury Classics. The sleeve names the Mercury Classics label and, in its note on the artist, three earlier Ernest White discs on the same label (MG 10070, MG 15032, MG 15027).","carrier.catalogue.value":"Mercury Classics MG 10069","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve\",\"americanorganist\",\"teacher\"]","carrier.catalogue.note":"The sleeve prints “MG 10069”; The American Organist (October 1952) lists it at $4.85 and American Music Teacher (November–December 1952) reviews it. The Internet Archive record dates the item 1952.","carrier.matrixTakeSides.value":"Side 2, track 5 of the Internet Archive segmentation (“God Among Us”); matrix and take numbers not read","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"segments\"]","carrier.matrixTakeSides.note":"The track list on the sleeve gives nine pieces in order. The transferred track is the last on side 2, 428.5 seconds long.","transfer.credits.value":"Internet Archive LP digitisation; the ripping operator is not credited by name","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item sits in the Internet Archive’s Boston Public Library and other vinyl collections. Collection membership does not establish the original session.","transfer.date.value":"2019-10-08","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"From the ripping_date field (20191008). The sleeve was scanned on 18 September 2019.","transfer.processing.value":"Technics SL1200MK5 turntable, Audio-Technica AT95e cartridge, Radio Design Labs EZ-PH1 phono preamp and Focusrite Scarlett 2i2; side recorded to FLAC and segmented into a VBR MP3 per track.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"segments\"]","transfer.processing.note":"The lineage field states the signal chain. The final segmentation of this track is 890.892–1319.348 seconds of the side-2 capture, differing from an automatic start at 915.943 seconds, which suggests a manual correction. The level trace suggests that the first 1.3 seconds carry the end of the previous piece, followed by a short pause before the music of this piece begins at about 1.9 seconds; this is inferred from the trace, not heard. Equalisation, de-clicking and speed correction are not described. The pitch measured from the audio is about 32 cents (roughly a third of a semitone) above A = 440 Hz and steady; the organ’s tuning cannot be separated from the speed of the original recording or the transfer.","digital.streamUrl":"https://archive.org/download/lp_messiaen-la-nativite-du-seigneur-the-nativ_ernest-white-olivier-messiaen/disc1/02.05.%20God%20Among%20Us.mp3","digital.sourceChain":"[\"archive\",\"sleeve\",\"segments\"]","digital.format":"Internet Archive VBR MP3 derivative of the side-2 capture","digital.durationSeconds":428.46,"rights.composition.value":"Messiaen died in 1992, so the work is in copyright in the EU, under the life-plus-70 term, until the end of 2062.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"wikipediaTurangalila\"]","rights.composition.note":"The death year is taken from the Wikipedia article’s dates for Messiaen (1908–1992); the term is our calculation. Rights in the composition are separate from rights in the recording. No United States status is claimed.","rights.recording.value":"Territorial EU public-domain basis: first published by autumn 1952 (before 1963); US status not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"americanorganist\",\"teacher\",\"sleeve\"]","rights.recording.note":"Two American periodicals of autumn 1952 review the disc, so it had been published by then. The first-issue date is not established and may be earlier; the session was in 1949. An EU phonogram published in 1952 had run its 50-year term by the end of 2002 and was not revived by the 2011 extension, which applies to fixations still protected on 1 November 2013. No United States clearance is claimed. The Internet Archive item carries no licence.","rights.creditLine":"Olivier Messiaen, La Nativité du Seigneur, IX. Dieu parmi nous. Ernest White, organ of Memorial Hall, Methuen, Massachusetts. Recorded August 1949 (engineer H. Vose Greenough); Mercury Classics MG 10069, reviewed in The American Organist, October 1952. Internet Archive vinyl transfer, October 2019. Territorial EU public-domain recording basis; US status not established.","rights.licenseUrl":"https://archive.org/details/lp_messiaen-la-nativite-du-seigneur-the-nativ_ernest-white-olivier-messiaen","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Messiaen: La Nativite Du Seigneur (“The Nativity Of Our Lord”), Ernest White, Mercury Classics MG 10069: item record and file list\",\"url\":\"https://archive.org/metadata/lp_messiaen-la-nativite-du-seigneur-the-nativ_ernest-white-olivier-messiaen\",\"locator\":\"publisher Mercury Classics, publisher-catalog-number MG 10069, date 1952; lineage; scandate 20190918; ripping_date 20191008; file disc1/02.05 God Among Us.mp3, 7:08\",\"accessed\":\"2026-10-19\"},{\"id\":\"sleeve\",\"title\":\"Mercury Classics MG 10069 — scanned sleeve (Internet Archive PDF and OCR text)\",\"url\":\"https://archive.org/details/lp_messiaen-la-nativite-du-seigneur-the-nativ_ernest-white-olivier-messiaen\",\"locator\":\"Notes: “The Composer”, “The Music” (Messiaen’s preface and the epigraphs of the nine pieces), “The Artist and His Instrument” (Ernest White; the Methuen organ; “recording was accomplished in August of 1949 under the engineering supervision of H. Vose Greenough”)\",\"accessed\":\"2026-10-19\"},{\"id\":\"segments\",\"title\":\"Internet Archive — final track segmentation (segments.json)\",\"url\":\"https://archive.org/download/lp_messiaen-la-nativite-du-seigneur-the-nativ_ernest-white-olivier-messiaen/lp_messiaen-la-nativite-du-seigneur-the-nativ_ernest-white-olivier-messiaen_segments.json\",\"locator\":\"God Among Us: initial 915.943–1319.348 s, final 890.892–1319.348 s\",\"accessed\":\"2026-10-19\"},{\"id\":\"americanorganist\",\"title\":\"The American Organist, October 1952 (vol. 35, no. 10), record reviews (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_american-organist-1918_1952-10_35_10\",\"locator\":\"Review headed “Ernest White, Methuen Memorial Hall, Mass. 4-81 Walcker 1863, rebuilt by Aeolian-Skinner 1949”, Mercury 12” lp. MG-10069, $4.85, Messiaen, The Nativity of Our Lord; “Another recording of Messiaen’s difficult-to-play and difficult-to-enjoy religious meditations”; compared with an earlier disc by Noehren (June 1952)\",\"accessed\":\"2026-10-19\"},{\"id\":\"teacher\",\"title\":\"American Music Teacher, November–December 1952 (vol. 2, no. 2) (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_american-music-teacher_november-december-1952_2_2\",\"locator\":\"Review of Messiaen, La Nativité du Seigneur, played by Ernest White (Mercury MG 10069), quoting Mildred Andrews, University of Oklahoma: “a musical architect of real genius”\",\"accessed\":\"2026-10-19\"},{\"id\":\"wikipedia\",\"title\":\"Wikipedia — La Nativité du Seigneur\",\"url\":\"https://en.wikipedia.org/wiki/La_Nativit%C3%A9_du_Seigneur\",\"locator\":\"Composition in Grenoble, summer 1935; première at La Trinité on 27 February 1936 shared by Daniel-Lesur (1–3), Langlais (4–6) and Grunenwald (7–9); Leduc publication in four books, IV for piece 9 alone\",\"accessed\":\"2026-10-19\"},{\"id\":\"weir\",\"title\":\"Dame Gillian Weir — programme note on “Dieu parmi nous” (Hollywood Bowl / Los Angeles Philharmonic Association, © 2009)\",\"url\":\"https://www.hollywoodbowl.com/musicdb/pieces/18/dieu-parmi-nous-from-la-nativite-du-seigneur\",\"locator\":\"Description of the piece: the descent of God, a few serene bars, increasing intensity, “until a dazzling toccata signals the Incarnation”\",\"accessed\":\"2026-10-19\"},{\"id\":\"wikipediaTurangalila\",\"title\":\"Wikipedia — Turangalîla-Symphonie\",\"url\":\"https://en.wikipedia.org/wiki/Turangal%C3%AEla-Symphonie\",\"locator\":\"Opening paragraph: Olivier Messiaen (1908–1992)\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"12 documented"},{"id":"messiaen-turangalila-jardin","composer":"Olivier Messiaen","title":"Turangalîla-Symphonie","movement":"VI. Jardin du sommeil d’amour","work.title":"Turangalîla-Symphonie","work.catalogue":"","work.movement":"VI. Jardin du sommeil d’amour","work.version.value":"Original 1946–48 orchestration, movement VI of ten.","work.version.status":"inferred","work.version.sourceIds":"[\"wikipedia\",\"sleeve\"]","work.version.note":"Messiaen revised the orchestration in 1990, according to the Wikipedia article; a record dated 1962 predates that revision. The labels give no edition and do not say whether the performance is complete or cut.","performers.value":"[{\"name\":\"Yvonne Loriod\",\"role\":\"piano\"},{\"name\":\"Jeanne Loriod\",\"role\":\"ondes Martenot\"},{\"name\":\"Orchestre National de la R.T.F.\",\"role\":\"orchestra\"},{\"name\":\"Maurice Le Roux\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve\",\"wikipediaJeanne\"]","performers.note":"Credited on every label of the Vega set as “Yvonne Loriod – Piano, Jeanne Loriod – Ondes Martenot, Orchestre National de la R.T.F., Direction: Maurice Le Roux”. No individual orchestral players are named. Wikipedia’s article on Jeanne Loriod calls her the younger sister of Yvonne Loriod.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"sleeve\",\"wikipedia\"]","session.date.note":"The labels give no session date. The notice (P) 1962 is the year of the phonographic copyright and first issue, not a session date. The table of recordings in the Wikipedia article on the symphony says only “Recording supervised by Messiaen in 1961”; no primary source for that was found. The upload and ripping dates of the Internet Archive item (2022) concern the transfer only.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"sleeve\"]","session.place.note":"Neither the labels nor the sleeve text name a studio or hall.","carrier.label.value":"Vega (France), two 30 cm 33⅓ rpm LPs in the series “Présence de la musique contemporaine”, (P) 1962","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"archive\"]","carrier.label.note":"The Internet Archive record gives publisher Vega, country FR and date 1962, with a Discogs release identifier. The labels carry (P) 1962.","carrier.catalogue.value":"Vega 28.001/28.002 on the pressing transferred; face 3 is 28.002 face 3 (movements 6 and 7)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve\",\"roy\"]","carrier.catalogue.note":"Jean Roy’s 1962 index of discs lists the Le Roux recording as “2 disques 30 cm 33 t, Véga, 339-40 (mono)” and a stereo pair of numbers (read as 20.033-34; the OCR prints “20.033-54”). Wikipedia’s table gives Vega C 30 ST 20033/4, C 35 X 940 and VAL 127. Whether 28.001/28.002 is a renumbering or a later pressing of the same issue is not established. Both sources date the recording’s issue to 1962 or earlier.","carrier.matrixTakeSides.value":"28.002 face 3: N° 6 Jardin du sommeil d’amour 10′05″ and N° 7 Turangalîla II 4′00″; matrix and take numbers not read","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"sleeve\"]","carrier.matrixTakeSides.note":"Timings are those printed on the label. The transferred track of 10 min 13 s includes a few seconds of side lead-in and run-out.","transfer.credits.value":"Internet Archive LP digitisation (Cebu scanning centre); the ripping operator is not credited by name","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item sits in the Internet Archive’s University of Illinois audio-archive and John Rockwell vinyl collections. Collection membership does not establish the original session.","transfer.date.value":"2022-05-05","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"From the ripping_date field (20220505). The sleeve was scanned on 2 May 2022 and the item became public on the same day.","transfer.processing.value":"Technics SL1200MK5 turntable, Audio-Technica AT95e cartridge, Radio Design Labs EZ-PH1 phono preamp and Focusrite Scarlett 2i2; side recorded to FLAC and segmented into a VBR MP3 per track.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"segments\"]","transfer.processing.note":"The item’s lineage field states the signal chain. The final segmentation of this track is 3.995–617.415 seconds of the face-3 capture, edited from an automatic start at 9.411 seconds. Equalisation, de-clicking and speed correction are not described. The cut ranges are digital edits, not score alignment.","digital.streamUrl":"https://archive.org/download/lp_turangalila-symphonie_olivier-messiaen-yvonne-loriod-jeanne-l/disc2/03.01.%20Jardin%20Du%20Sommeil%20D'Amour.mp3","digital.sourceChain":"[\"archive\",\"sleeve\",\"segments\"]","digital.format":"Internet Archive VBR MP3 derivative of the face-3 capture","digital.durationSeconds":613.42,"rights.composition.value":"Messiaen died in 1992, so the symphony is in copyright in the EU, under the life-plus-70 term, until the end of 2062.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"wikipedia\"]","rights.composition.note":"The death year is taken from the Wikipedia article’s dates for Messiaen; the term is our calculation. Rights in the composition are separate from rights in the recording. No United States status is claimed.","rights.recording.value":"Territorial EU public-domain basis: first published in 1962 (before 1963); US status not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"sleeve\",\"roy\"]","rights.recording.note":"The labels carry (P) 1962, and Jean Roy’s index of discs, published in Paris in 1962, lists the performance on Vega. An EU phonogram published in 1962 had run its 50-year term by the end of 2012, before the 2011 extension applied (1 November 2013). The US term for a 1962 recording is longer, and no US clearance is claimed. The Internet Archive item carries no licence.","rights.creditLine":"Olivier Messiaen, Turangalîla-Symphonie, VI. Jardin du sommeil d’amour. Yvonne Loriod, piano; Jeanne Loriod, ondes Martenot; Orchestre National de la R.T.F.; Maurice Le Roux. Vega 28.001/28.002, (P) 1962; session date and place unknown. Internet Archive vinyl transfer, May 2022. Territorial EU public-domain recording basis; US status not established.","rights.licenseUrl":"https://archive.org/details/lp_turangalila-symphonie_olivier-messiaen-yvonne-loriod-jeanne-l","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Turangalila Symphonie (Vega 28.001/002): item record and file list\",\"url\":\"https://archive.org/metadata/lp_turangalila-symphonie_olivier-messiaen-yvonne-loriod-jeanne-l\",\"locator\":\"publisher Vega, publisher-catalog-number 28.001/002, country FR, date 1962; lineage; scandate 20220502; ripping_date 20220505; file disc2/03.01 Jardin Du Sommeil D'Amour.mp3, 613.42 s\",\"accessed\":\"2026-10-19\"},{\"id\":\"sleeve\",\"title\":\"Vega 28.001/28.002 — scanned sleeve and labels (Internet Archive PDF and OCR text)\",\"url\":\"https://archive.org/details/lp_turangalila-symphonie_olivier-messiaen-yvonne-loriod-jeanne-l\",\"locator\":\"Labels of faces 1–4 with timings (face 3: N° 6 Jardin du sommeil d’amour 10′05″) and notice (P) 1962; Messiaen’s note in French, English and German: commission, composition dates, first performance, cyclic themes\",\"accessed\":\"2026-10-19\"},{\"id\":\"segments\",\"title\":\"Internet Archive — final track segmentation (segments.json)\",\"url\":\"https://archive.org/download/lp_turangalila-symphonie_olivier-messiaen-yvonne-loriod-jeanne-l/lp_turangalila-symphonie_olivier-messiaen-yvonne-loriod-jeanne-l_segments.json\",\"locator\":\"Jardin Du Sommeil D'Amour: initial 9.411–617.415 s, final 3.995–617.415 s\",\"accessed\":\"2026-10-19\"},{\"id\":\"roy\",\"title\":\"Jean Roy, Présences contemporaines: musique française (Paris: Nouvelles Éditions Debresse, 1962)\",\"url\":\"https://archive.org/details/presencescontemp0000royj\",\"locator\":\"Index of works and discs, Messiaen: Turangalîla-Symphonie, Orchestre National de la R.T.F., dir. 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This does not license a later edition, arrangement or recording.","rights.recording.value":"Rule 1 — recording release: PD-author public-domain dedication by Musopen.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons explicitly applies PD-author by Musopen to the recording, separately from the composition. This is the programme’s explicit Musopen recording-release route, not an age-based inference or a claim that a Public Domain Mark is itself a licence. The session date is not needed for this route.","rights.creditLine":"Musopen Symphony (Commons credit); Czech National Symphony Orchestra (embedded and upstream credit; attribution unresolved). Musopen Kickstarter Project / Internet Archive, via Wikimedia Commons. Public-domain dedication attributed to Musopen.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Mozart - Symphony No. 40 in G minor, K550 - I. Molto allegro (Musopen Symphony).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Mozart_-_Symphony_No._40_in_G_minor,_K550_-_I._Molto_allegro_(Musopen_Symphony).flac?oldid=1258921827\",\"locator\":\"File-description wikitext revision 1258921827; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M155111447\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M155111447&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 1258921827. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3AMozart+-+Symphony+No.+40+in+G+minor%2C+K550+-+I.+Molto+allegro+%28Musopen+Symphony%29.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"upstream\",\"title\":\"Internet Archive: Musopen Collection as FLAC\",\"url\":\"https://archive.org/metadata/MusopenCollectionAsFlac\",\"locator\":\"metadata.description identifies the completed 2012 Kickstarter project and public-domain release; files entry Mozart_SymphonyNo.40inGMinor/WolfgangAmadeusMozart-SymphonyNo.40InGMinorK.550-01-MoltoAllegro.flac names Czech National Symphony Orchestra.\",\"accessed\":\"2026-10-16\"},{\"id\":\"musopen\",\"title\":\"Musopen work and recording page\",\"url\":\"https://musopen.org/music/1577-symphony-no-40-in-g-minor-k-550/\",\"locator\":\"Linked by Commons; retrieval returned HTTP 403. No additional session or performer evidence was obtained from this page.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Mozart - Symphony No. 40 in G minor, K550 - I. Molto allegro (Musopen Symphony).flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1258921827%7C661044101%7C642919319%7C1111732218%7C509438495%7C999902261%7C718748653%7C901919689%7C1204343741%7C718302093&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Mozart - Symphony No. 40 in G minor, K550 - I. Molto allegro (Musopen Symphony).flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"7 unknown; 2 disputed; 3 documented"},{"id":"mozart-41-finale","composer":"Wolfgang Amadeus Mozart","title":"Symphony No. 41 in C major, K. 551 “Jupiter”","movement":"IV. Finale: Molto allegro","work.title":"Symphony No. 41 in C major “Jupiter”","work.catalogue":"K. 551","work.movement":"IV. Finale: Molto allegro","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\"]","work.version.note":"The carrier identifies the work and movement, not the performing edition.","performers.value":"[{\"name\":\"Columbia Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Bruno Walter\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\"]","performers.note":"Credits in the item metadata and LP identification.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"archive\"]","session.date.note":"1961 is the catalogue’s LP release year, not an independently established recording-session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\"]","session.place.note":"No recording venue is established from the carrier metadata consulted.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"Vinyl LP containing the Jupiter and Haffner symphonies.","carrier.catalogue.value":"MS 6255","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\"]","carrier.catalogue.note":"publisher-catalog-number in the Archive metadata.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"The file is identified as disc 1, side 2, track 1; no matrix or take number is established.","transfer.credits.value":"Internet Archive vinyl digitisation; ripping operator associate-mann-borden","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The ripping operator is distinguished from the cataloguing and artwork-scanning account.","transfer.date.value":"8 July 2021","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"ripping_date 20210708231211; this is not the 17 June artwork scan or 9 July upload date.","transfer.processing.value":"Technics SL1200MK5 / Audio-Technica AT95e → Radio Design Labs EZ-PH1 → Focusrite Scarlett 2i2; ArchiveCD 2.2.56lp","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Documented capture chain; no unsupported claim about equalisation, pitch correction or restoration is made.","digital.streamUrl":"https://archive.org/download/lp_symphony-no-41-jupiter-symphony-no-35-haf_bruno-walter-columbia-symphony-orchestra-w_0/disc1/02.01.%20Symphony%20No.%2041%2C%20In%20C%20Major%2C%20K.%20551%20(%22Jupiter%22)%3A%20IV%20-%20Finale.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive MP3 access file from a vinyl LP digitisation","digital.durationSeconds":436.83,"rights.composition.value":"Underlying Mozart composition is out of copyright under the ordinary life-plus-70 rule","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"score\",\"eu-term\"]","rights.composition.note":"The public-domain 1880 orchestral score documents the composition; this does not by itself license Walter’s recording.","rights.recording.value":"Rule 3 — EU territorial route for a recording published before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"eu-term-2011\"]","rights.recording.note":"The item’s release metadata identifies the Columbia Masterworks MS 6255 LP as 1961. The programme accepts this pre-1963 publication route. This is not a United States or worldwide public-domain claim; the session date remains unknown.","rights.creditLine":"Columbia Symphony Orchestra conducted by Bruno Walter. Columbia Masterworks MS 6255, catalogue release year 1961. Internet Archive vinyl digitisation, 8 July 2021. EU pre-1963 publication basis; not asserted public domain worldwide.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Walter — Jupiter / Haffner, Columbia MS 6255\",\"url\":\"https://archive.org/metadata/lp_symphony-no-41-jupiter-symphony-no-35-haf_bruno-walter-columbia-symphony-orchestra-w_0\",\"locator\":\"metadata: creator, date/year 1961, publisher, publisher-catalog-number, source, lineage, ripping_date and ripping_operator; files entry disc1/02.01. Symphony No. 41, In C Major, K. 551 (\\\"Jupiter\\\"): IV - Finale.mp3.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Mozart, Symphony No. 41, Breitkopf & Härtel (1880)\",\"url\":\"https://imslp.org/wiki/Symphony_No.41_in_C_major,_K.551_(Mozart,_Wolfgang_Amadeus)\",\"locator\":\"Mozarts Werke VIII/41, plate W.A.M. 551; finale, PDF pp. 35–56 of numbered-measure scan.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1, 3 and 8; original composition and former phonogram term.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term-2011\",\"title\":\"Directive 2011/77/EU\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Amendment and transitional provisions for the phonogram term extension; programme’s EU pre-1963 route.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"4 unknown; 6 documented; 2 inferred"},{"id":"mozart-467-allegro-maestoso","composer":"Wolfgang Amadeus Mozart","title":"Piano Concerto No. 21 in C major, K. 467","movement":"I. Allegro maestoso","work.title":"Piano Concerto No. 21 in C major","work.catalogue":"K. 467","work.movement":"I. Allegro maestoso","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"bolig\",\"score\"]","work.version.note":"The exact performing edition is not identified. Bolig explicitly credits Artur Schnabel with the first-movement cadenza; the consulted public-domain score marks the cadenza slot but does not contain his notes. The Archive description says that an earlier file mix-up with K. 595 has been corrected; the current file attribution follows that corrected record, not the superseded review. No bar-by-bar or aural authentication of the transfer has been made.","performers.value":"[{\"name\":\"Artur Schnabel\",\"role\":\"piano\"},{\"name\":\"London Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Malcolm Sargent\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"sleeve\",\"lso\",\"bolig\"]","performers.note":"The Archive description, photographed LP sleeve and orchestra discography agree. Bolig and the Schnabel chronology identify a Bechstein piano. The later sleeve uses Sargent’s title Sir; that is not treated as evidence of his title at the 1937 session.","session.date.value":"1937-01-12","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"lso\",\"bolig\",\"schnabel\"]","session.date.note":"LSO session 0158 distinguishes K. 467, recorded on 12 January, from K. 459, recorded on 9 and 12 January. The date is independently stated in the Archive description and the side-level discographies.","session.date.precision":"day","session.place.value":"Abbey Road Studio 1, London, England","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"lso\",\"bolig\",\"schnabel\"]","session.place.note":"The Archive names Abbey Road Studios; the LSO register, Bolig and Schnabel chronology specify Studio 1. The recording venue is not inferred merely from the orchestra’s name.","carrier.label.value":"Angel Records — Great Recordings of the Century","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"sleeve\"]","carrier.label.note":"This is the documented mono LP used for Bob Varney’s transfer, not the original shellac carrier. The original recording was issued by His Master’s Voice.","carrier.catalogue.value":"COLH 67","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"sleeve\",\"lso\"]","carrier.catalogue.note":"The photographed sleeve prints COLH 67 and pairs K. 467 under Sargent with K. 595 under Barbirolli. LSO session 0158 dates COLH67 to November 1959 and the original K. 467 issue, HMV DB3099–3102, to November 1937. This movement originally occupied DB3099 and DB3100.","carrier.matrixTakeSides.value":"Probable original-side lineage: 2EA 4604-1, 2EA 4605-1, 2EA 4606-1 and 2EA 4607-2A; first movement parts 1–4 on HMV DB3099–3100.","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"bolig\",\"schnabel\",\"archive\"]","carrier.matrixTakeSides.note":"Those issued matrix/take numbers are explicitly documented by Bolig and the Schnabel chronology. Their survival in this particular Angel LP transfer is inferred, not established by runout inspection or take comparison. The LP’s own matrix/runout and pressing are unknown. No original side-join timestamps are assigned. A targeted DAHR search produced no directly usable session record, so no DAHR matrix entry is claimed.","transfer.credits.value":"Bob Varney","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\",\"archive-data\"]","transfer.credits.note":"The source expressly states ‘Transfer by Bob Varney’; this credit is not inferred from the uploader account.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive-data\"]","transfer.date.note":"The item was added on 19 April 2010, and the current MP3 has a later file timestamp following the documented correction. Neither is an identified analogue-to-digital transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\",\"archive-data\"]","transfer.processing.note":"The source identifies a mono LP transfer but gives no cartridge, equalisation, noise-reduction, editing or speed-correction procedure. Internet Archive labels the uploaded file VBR MP3 and original; ‘original’ here means the uploaded file, not an original session master.","digital.streamUrl":"https://archive.org/download/Mozart.PianoConcertoNo.21/01%20Allegro%20maestoso.mp3","digital.sourceChain":"[\"archive-data\",\"archive\",\"sleeve\",\"lso\"]","digital.format":"Internet Archive original-upload VBR MP3; documented source carrier: mono LP. Duration is the analysed file length, rounded to one decimal place.","digital.durationSeconds":812.2,"rights.composition.value":"Mozart’s concerto is public domain under the ordinary life-plus-70 term; Schnabel’s own cadenza is also beyond that term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"score\",\"score-catalogue\",\"schnabel\",\"bolig\",\"eu-term\"]","rights.composition.note":"Mozart died in 1791; the consulted score derives from the 1878 Breitkopf edition. Schnabel died in 1951, giving an ordinary life-plus-70 expiry at the end of 2021 for his authorship. This is a territorial term calculation, not clearance of every modern edition or a claim about US cadenza publication history.","rights.recording.value":"territorial — EU public-domain basis: first published in November 1937 on HMV DB3099–3102.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"lso\",\"bolig\",\"eu-term\",\"eu-extension\",\"archive-data\"]","rights.recording.note":"The LSO discography documents publication before 1963, independently of the 1937 session date. The ordinary EU 50-year sound-recording term had expired before the 2013 extension, which applies to recordings still protected at that date. This package uses that territorial basis only. US public-domain status is not established: this is not a recording first published by 1925. The Archive uploader links http://creativecommons.org/licenses/publicdomain/, but that declaration does not independently establish authority to release the performers’ or producer’s rights worldwide. The linked legal URL below is the term basis, not a Creative Commons grant.","rights.creditLine":"Wolfgang Amadeus Mozart, Piano Concerto No. 21 in C major, K. 467, I. Allegro maestoso. Artur Schnabel, piano; London Symphony Orchestra; Malcolm Sargent. Recorded 12 January 1937, Abbey Road Studio 1, London. Transfer by Bob Varney from Angel COLH 67, via Internet Archive. EU territorial public-domain basis; US status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Mozart: Piano Concerto No. 21\",\"url\":\"https://archive.org/details/Mozart.PianoConcertoNo.21\",\"locator\":\"Description: work, performers, 12 January 1937 at Abbey Road, Angel COLH 67 mono LP, transfer credit to Bob Varney and explicit correction of the previous file mix-up.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive — item and file metadata\",\"url\":\"https://archive.org/metadata/Mozart.PianoConcertoNo.21\",\"locator\":\"metadata.description and licenseurl; files entry 01 Allegro maestoso.mp3, source original, format VBR MP3, reported length 811.5; addeddate is an upload date. The separate analysis reports 812.2 seconds for the decoded file.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Angel COLH 67 — source LP sleeve photograph\",\"url\":\"https://archive.org/download/Mozart.PianoConcertoNo.21/DSCN9514.JPG\",\"locator\":\"Front cover: Angel Records, Great Recordings of the Century, COLH 67, Schnabel, K. 467 with LSO/Sargent and K. 595 with LSO/Barbirolli. No disc runout is pictured.\",\"accessed\":\"2026-10-17\"},{\"id\":\"lso\",\"title\":\"London Symphony Orchestra discography, August 2024\",\"url\":\"https://londonso-assets.s3.amazonaws.com/uploads/2024/08/Discography-August-2024.pdf#page=289\",\"locator\":\"Session 0158, PDF p. 289: producer Lawrance Collingwood, Abbey Road Studio 1, K. 467 recorded 12 January 1937, matrices 2EA4604–11, HMV DB3099–3102 issued November 1937; COLH67 issued November 1959.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bolig\",\"title\":\"John R. Bolig — His Master’s Voice Double-Sided Celebrity Recordings\",\"url\":\"https://www.examenapium.it/cs/biblio/Bolig2020.pdf#page=530\",\"locator\":\"Printed pp. 505–506, HMV DB3099–3102: eight side titles, matrix/take suffixes, Bechstein piano, LSO/Sargent, 12 January 1937 and Abbey Road Studio 1. DB3100 part 4 explicitly credits Schnabel’s cadenza. Cross-listing on p. 911 confirms the finale’s final side.\",\"accessed\":\"2026-10-17\"},{\"id\":\"schnabel\",\"title\":\"Classical Pianists — Artur Schnabel, Chronology II\",\"url\":\"https://classical-pianists.net/vii-b/artur-schnabel/chronology-2/\",\"locator\":\"AS-C021: K. 467 session, all eight mastered takes, Studio 1 and Schnabel cadenzas. Page heading gives Schnabel’s death on 15 August 1951.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Mozart, K. 467 — Breitkopf & Härtel 1878 full score, Broude reprint\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/9/95/IMSLP442212-PMLP05554-mozartpianoconcertoNo.21score.pdf\",\"locator\":\"Printed pp. 1–30: first-movement forces, orchestral and solo passages, development, recapitulation, cadenza sign and quiet close. Reprint plate 422; composer dates printed on p. 1.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — K. 467 score catalogue\",\"url\":\"https://imslp.org/wiki/Piano_Concerto_No.21_in_C_major,_K.467_(Mozart,_Wolfgang_Amadeus)\",\"locator\":\"Full Scores, item 442212: Mozarts Werke, Series XVI, volume 3, no. 21, Breitkopf 1878, plate W.A.M. 467; undated Broude reprint, plate 422; public-domain tag.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Hannah Chan-Hartley — Mozart, Hewitt & Beethoven’s Fifth, National Arts Centre\",\"url\":\"https://nac-cna.ca/en/event/notes/36107\",\"locator\":\"K. 467 note: first performance and concert advertisement; twelve-concerto period; musical accounts of all three movements.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1, 3 and 8: ordinary life-plus-70 authorship term, former 50-year phonogram and performance terms, and following-January calculation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — sound-recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), adding Article 10(5): extended terms apply to fixations and phonograms still protected on 1 November 2013; Article 2 gives the implementation date.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 7 documented; 2 inferred"},{"id":"mozart-467-andante","composer":"Wolfgang Amadeus Mozart","title":"Piano Concerto No. 21 in C major, K. 467","movement":"II. Andante","work.title":"Piano Concerto No. 21 in C major","work.catalogue":"K. 467","work.movement":"II. Andante","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"score\"]","work.version.note":"The performing edition and any local editorial changes are not identified. The consulted full score establishes the movement’s original forces, including the absence of trumpets and timpani, but is not claimed to be the copy used at the session. The Archive description explicitly says that an earlier file mix-up with K. 595 has been corrected; the current attribution follows the corrected record. No bar-by-bar or aural authentication of the transfer has been made.","performers.value":"[{\"name\":\"Artur Schnabel\",\"role\":\"piano\"},{\"name\":\"London Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Malcolm Sargent\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"sleeve\",\"lso\",\"bolig\"]","performers.note":"The item description, source LP sleeve and LSO discography agree. The later sleeve’s title Sir is not used to infer Sargent’s title at the 1937 session.","session.date.value":"1937-01-12","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"lso\",\"bolig\",\"schnabel\"]","session.date.note":"LSO session 0158 dates K. 467 to 12 January 1937; the 9 January date in the same entry belongs to K. 459. Both Andante sides are dated 12 January in the side-level discographies.","session.date.precision":"day","session.place.value":"Abbey Road Studio 1, London, England","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"lso\",\"bolig\",\"schnabel\"]","session.place.note":"The item names Abbey Road Studios; the LSO register, Bolig and Schnabel chronology specify Studio 1.","carrier.label.value":"Angel Records — Great Recordings of the Century","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"sleeve\"]","carrier.label.note":"The Archive expressly identifies a mono LP transfer. Angel is the transferred reissue label; the original shellac issue was on His Master’s Voice.","carrier.catalogue.value":"COLH 67","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"sleeve\",\"lso\"]","carrier.catalogue.note":"COLH 67 is visible on the photographed sleeve, which pairs K. 467 under Sargent with K. 595 under Barbirolli. The LSO discography dates the LP to November 1959 and the original K. 467 set, HMV DB3099–3102, to November 1937. The Andante occupied DB3101.","carrier.matrixTakeSides.value":"Probable original-side lineage: 2EA 4608-1 and 2EA 4609-2A; Andante parts 1–2 on HMV DB3101, concerto sides 5–6.","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"bolig\",\"schnabel\",\"archive\"]","carrier.matrixTakeSides.note":"The original issued matrices and takes are documented in both discographies, but their identity within this particular LP transfer has not been established by runout inspection or take comparison. The LP’s own matrix/runout and pressing are unknown. No side-join timing is assigned. A targeted DAHR search did not yield a usable session record, so no DAHR matrix entry is claimed.","transfer.credits.value":"Bob Varney","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\",\"archive-data\"]","transfer.credits.note":"The explicit source credit is ‘Transfer by Bob Varney’; it is not an assumption based on the uploader’s identity.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive-data\"]","transfer.date.note":"19 April 2010 is the item’s added date, not an identified transfer date. The later current-file timestamp and the correction notice likewise do not establish when the LP was digitised.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\",\"archive-data\"]","transfer.processing.note":"No cartridge, equalisation, restoration, editing or speed-correction procedure is documented. Internet Archive describes the file as original-upload VBR MP3; that descriptor does not imply access to an original recording master.","digital.streamUrl":"https://archive.org/download/Mozart.PianoConcertoNo.21/02%20Andante.mp3","digital.sourceChain":"[\"archive-data\",\"archive\",\"sleeve\",\"lso\"]","digital.format":"Internet Archive original-upload VBR MP3; documented source carrier: mono LP. Duration is the analysed file length, rounded to one decimal place.","digital.durationSeconds":498.2,"rights.composition.value":"Mozart’s concerto is public domain under the ordinary life-plus-70 authorship term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"score\",\"score-catalogue\",\"eu-term\"]","rights.composition.note":"Mozart died in 1791. The consulted public-domain full score derives from Breitkopf’s 1878 edition. This term calculation concerns the underlying composition and does not establish rights in an unidentified modern performing edition.","rights.recording.value":"territorial — EU public-domain basis: first published in November 1937 on HMV DB3099–3102.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"lso\",\"bolig\",\"eu-term\",\"eu-extension\",\"archive-data\"]","rights.recording.note":"Publication before 1963 is documented by the orchestra’s discography, not inferred only from the session date. The ordinary EU 50-year recording term had expired before the 2013 extension, which applies to recordings still protected at that date. This is a territorial basis, not worldwide clearance. US public-domain status is not established; the recording was not first published by 1925. The uploader’s http://creativecommons.org/licenses/publicdomain/ declaration does not independently establish authority to clear the original performers’ or producer’s rights in the US or elsewhere. The legal link below identifies the term basis rather than a Creative Commons licence.","rights.creditLine":"Wolfgang Amadeus Mozart, Piano Concerto No. 21 in C major, K. 467, II. Andante. Artur Schnabel, piano; London Symphony Orchestra; Malcolm Sargent. Recorded 12 January 1937, Abbey Road Studio 1, London. Transfer by Bob Varney from Angel COLH 67, via Internet Archive. EU territorial public-domain basis; US status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Mozart: Piano Concerto No. 21\",\"url\":\"https://archive.org/details/Mozart.PianoConcertoNo.21\",\"locator\":\"Description: work, performers, session date and venue, Angel COLH 67 mono LP, transfer by Bob Varney and correction of the former file mix-up.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive — item and file metadata\",\"url\":\"https://archive.org/metadata/Mozart.PianoConcertoNo.21\",\"locator\":\"metadata.description and licenseurl; files entry 02 Andante.mp3, source original, format VBR MP3, reported length 497.78. The separate analysis reports 498.2 seconds for the decoded file. addeddate is not a recording or transfer date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Angel COLH 67 — source LP sleeve photograph\",\"url\":\"https://archive.org/download/Mozart.PianoConcertoNo.21/DSCN9514.JPG\",\"locator\":\"Front cover prints Angel Records, Great Recordings of the Century, COLH 67 and the K. 467/Sargent and K. 595/Barbirolli couplings with Schnabel and the LSO; no runouts shown.\",\"accessed\":\"2026-10-17\"},{\"id\":\"lso\",\"title\":\"London Symphony Orchestra discography, August 2024\",\"url\":\"https://londonso-assets.s3.amazonaws.com/uploads/2024/08/Discography-August-2024.pdf#page=289\",\"locator\":\"Session 0158, PDF p. 289: K. 467 on 12 January 1937, Abbey Road Studio 1, matrices 2EA4604–11; original HMV DB3099–3102 issue November 1937; COLH67 reissue November 1959.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bolig\",\"title\":\"John R. Bolig — His Master’s Voice Double-Sided Celebrity Recordings\",\"url\":\"https://www.examenapium.it/cs/biblio/Bolig2020.pdf#page=530\",\"locator\":\"Printed pp. 505–506: HMV DB3099–3102. DB3101 has Andante parts 1–2, matrices 2EA4608-1 and 2EA4609-2A, with date, venue, Bechstein piano and ensemble credits.\",\"accessed\":\"2026-10-17\"},{\"id\":\"schnabel\",\"title\":\"Classical Pianists — Artur Schnabel, Chronology II\",\"url\":\"https://classical-pianists.net/vii-b/artur-schnabel/chronology-2/\",\"locator\":\"AS-C021, K. 467: all eight mastered takes, including sides 5–6, recorded 12 January 1937 at Abbey Road Studio 1.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Mozart, K. 467 — Breitkopf & Härtel 1878 full score, Broude reprint\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/9/95/IMSLP442212-PMLP05554-mozartpianoconcertoNo.21score.pdf\",\"locator\":\"II, printed pp. 31–39: muted string opening, triplet and pizzicato accompaniment, solo handover at bar 23, central dialogue, distant reprise and F-major close. Trumpets and timpani are absent. Composer dates appear on p. 1.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — K. 467 score catalogue\",\"url\":\"https://imslp.org/wiki/Piano_Concerto_No.21_in_C_major,_K.467_(Mozart,_Wolfgang_Amadeus)\",\"locator\":\"Full Scores, item 442212: Breitkopf & Härtel, 1878, plate W.A.M. 467; undated Broude reprint, plate 422; public-domain status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Hannah Chan-Hartley — Mozart, Hewitt & Beethoven’s Fifth, National Arts Centre\",\"url\":\"https://nac-cna.ca/en/event/notes/36107\",\"locator\":\"K. 467 account: 10 March 1785 first performance and pedal-keyboard advertisement; Andante’s orchestral opening, dissonances, temporarily interrupted pulse and A♭-major reprise.\",\"accessed\":\"2026-10-17\"},{\"id\":\"reception\",\"title\":\"Piano Concerto No. 21 — reception and cultural references\",\"url\":\"https://en.wikipedia.org/wiki/Piano_Concerto_No._21_(Mozart)#Cultural_references\",\"locator\":\"Cultural references: Bo Widerberg’s 1967 Elvira Madigan used Géza Anda’s performance; references to Michael Steinberg and Allen Hughes. This film association is separate from the Schnabel source recording.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1, 3 and 8: ordinary authorship term, former 50-year related-rights term, and calculation from the following January.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — sound-recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), adding Article 10(5): extended terms apply to recordings still protected on 1 November 2013; Article 2 gives the implementation date.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 7 documented; 2 inferred"},{"id":"mozart-467-finale","composer":"Wolfgang Amadeus Mozart","title":"Piano Concerto No. 21 in C major, K. 467","movement":"III. Allegro vivace assai","work.title":"Piano Concerto No. 21 in C major","work.catalogue":"K. 467","work.movement":"III. Allegro vivace assai","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"schnabel\",\"score\"]","work.version.note":"The performing edition is not identified. The Schnabel chronology credits his cadenzas for K. 467; the consulted orchestral score shows the finale’s cadenza slot but not the performed cadenza text. No internal cadenza themes or exact bar alignment are asserted. The Archive states that the former file mix-up with K. 595 has been corrected; attribution here follows the corrected item, without claiming independent aural authentication.","performers.value":"[{\"name\":\"Artur Schnabel\",\"role\":\"piano\"},{\"name\":\"London Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Malcolm Sargent\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"sleeve\",\"lso\",\"bolig\"]","performers.note":"The item, source LP sleeve and LSO discography identify the same performers. Bolig identifies the piano as a Bechstein. The honorific Sir belongs to the later source wording and is not used to date Sargent’s knighthood.","session.date.value":"1937-01-12","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"lso\",\"bolig\",\"schnabel\"]","session.date.note":"The LSO register dates K. 467 to 12 January 1937, separately from K. 459 on 9 and 12 January. Both finale matrix entries carry 12 January in the side-level discographies.","session.date.precision":"day","session.place.value":"Abbey Road Studio 1, London, England","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"lso\",\"bolig\",\"schnabel\"]","session.place.note":"The Archive names Abbey Road Studios; the LSO, Bolig and Schnabel records specify Studio 1.","carrier.label.value":"Angel Records — Great Recordings of the Century","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"sleeve\"]","carrier.label.note":"Angel is the label of the mono LP explicitly identified as the transfer source. The original 1937 issue was on His Master’s Voice.","carrier.catalogue.value":"COLH 67","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"sleeve\",\"lso\"]","carrier.catalogue.note":"The catalogue number appears on the photographed cover. The LSO discography dates this LP reissue to November 1959 and the complete original HMV set DB3099–3102 to November 1937. The finale occupied the two sides of DB3102.","carrier.matrixTakeSides.value":"Probable original-side lineage: 2EA 4610-2A and 2EA 4611-2A; finale parts 1–2 on HMV DB3102, concerto sides 7–8.","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"bolig\",\"schnabel\",\"archive\"]","carrier.matrixTakeSides.note":"These are documented issued takes in Bolig and the Schnabel chronology; their presence in the particular Angel LP transfer is inferred rather than established by runout inspection or take comparison. The LP pressing and its own matrix/runout are unknown. No original side-join timestamp is claimed. A targeted DAHR search did not produce a usable session record, so no DAHR matrix entry is cited.","transfer.credits.value":"Bob Varney","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\",\"archive-data\"]","transfer.credits.note":"The item explicitly states ‘Transfer by Bob Varney’, separately from its uploader metadata.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive-data\"]","transfer.date.note":"The item’s 19 April 2010 added date and the current file’s later timestamp do not identify when the LP was digitised. The correction notice is not a dated transfer log.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\",\"archive-data\"]","transfer.processing.note":"No playback equipment, equalisation, denoising, editing or speed-correction procedure is supplied. The VBR MP3 original-upload descriptor identifies the digital submission, not a session master or an unprocessed transfer.","digital.streamUrl":"https://archive.org/download/Mozart.PianoConcertoNo.21/03%20Allegro%20vivace%20assai.mp3","digital.sourceChain":"[\"archive-data\",\"archive\",\"sleeve\",\"lso\"]","digital.format":"Internet Archive original-upload VBR MP3; documented source carrier: mono LP. Duration is the analysed file length, rounded to one decimal place.","digital.durationSeconds":404.5,"rights.composition.value":"Mozart’s concerto, and Schnabel’s authorship of the credited cadenzas, are beyond the ordinary life-plus-70 term.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"score\",\"score-catalogue\",\"schnabel\",\"eu-term\"]","rights.composition.note":"Mozart died in 1791 and Schnabel in 1951. Under the ordinary life-plus-70 calculation, Schnabel’s authorship term ended in 2021. The consulted orchestral score derives from the public-domain 1878 edition. This is not worldwide clearance of unidentified editorial material or a conclusion about US cadenza publication history.","rights.recording.value":"territorial — EU public-domain basis: first published in November 1937 on HMV DB3099–3102.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"lso\",\"bolig\",\"eu-term\",\"eu-extension\",\"archive-data\"]","rights.recording.note":"The LSO discography expressly documents the 1937 publication, rather than merely the recording session. Its ordinary EU 50-year recording term had expired before the 2013 extension, which applies to recordings still protected at that date. The package relies on this territorial basis only. US status is not established, and the recording does not meet the publication-by-1925 cutoff. The uploader’s http://creativecommons.org/licenses/publicdomain/ declaration is recorded as source metadata, not independent proof of authority to release the performers’ or producer’s rights worldwide. The legal URL below is the term basis, not a Creative Commons grant.","rights.creditLine":"Wolfgang Amadeus Mozart, Piano Concerto No. 21 in C major, K. 467, III. Allegro vivace assai. Artur Schnabel, piano; London Symphony Orchestra; Malcolm Sargent. Recorded 12 January 1937, Abbey Road Studio 1, London. Transfer by Bob Varney from Angel COLH 67, via Internet Archive. EU territorial public-domain basis; US status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Mozart: Piano Concerto No. 21\",\"url\":\"https://archive.org/details/Mozart.PianoConcertoNo.21\",\"locator\":\"Description identifies K. 467, Schnabel/LSO/Sargent, 12 January 1937 at Abbey Road, Angel COLH 67 mono LP, transfer by Bob Varney and correction of an earlier file mix-up.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive — item and file metadata\",\"url\":\"https://archive.org/metadata/Mozart.PianoConcertoNo.21\",\"locator\":\"metadata.description and licenseurl; files entry 03 Allegro vivace assai.mp3, source original, format VBR MP3, reported length 404.16. The separate analysis reports 404.5 seconds for the decoded file. Upload and file timestamps are not session or transfer dates.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Angel COLH 67 — source LP sleeve photograph\",\"url\":\"https://archive.org/download/Mozart.PianoConcertoNo.21/DSCN9514.JPG\",\"locator\":\"Front cover: Angel Records, Great Recordings of the Century, COLH 67; K. 467 under Sargent and K. 595 under Barbirolli, both with Schnabel and the LSO. No runout photograph is provided.\",\"accessed\":\"2026-10-17\"},{\"id\":\"lso\",\"title\":\"London Symphony Orchestra discography, August 2024\",\"url\":\"https://londonso-assets.s3.amazonaws.com/uploads/2024/08/Discography-August-2024.pdf#page=289\",\"locator\":\"Session 0158, PDF p. 289: K. 467, 12 January 1937, Abbey Road Studio 1, matrices 2EA4604–11; HMV DB3099–3102 issued November 1937; COLH67 issued November 1959.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bolig\",\"title\":\"John R. Bolig — His Master’s Voice Double-Sided Celebrity Recordings\",\"url\":\"https://www.examenapium.it/cs/biblio/Bolig2020.pdf#page=530\",\"locator\":\"Printed pp. 505–506, DB3102, and p. 911, automatic coupling DB8355–8356: finale parts 1–2, matrices 2EA4610-2A and 2EA4611-2A, Bechstein piano, LSO/Sargent, date and Abbey Road Studio 1.\",\"accessed\":\"2026-10-17\"},{\"id\":\"schnabel\",\"title\":\"Classical Pianists — Artur Schnabel, Chronology II\",\"url\":\"https://classical-pianists.net/vii-b/artur-schnabel/chronology-2/\",\"locator\":\"AS-C021 gives all eight K. 467 mastered takes, including finale sides 7–8, and attributes the K. 467 cadenzas to Schnabel. Heading gives his death on 15 August 1951.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Mozart, K. 467 — Breitkopf & Härtel 1878 full score, Broude reprint\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/9/95/IMSLP442212-PMLP05554-mozartpianoconcertoNo.21score.pdf\",\"locator\":\"III, printed pp. 40–56: refrain, solo and orchestral exchanges, episodes, cadenza fermata on p. 55 and closing refrain and scales on p. 56. Composer dates printed on p. 1.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — K. 467 score catalogue\",\"url\":\"https://imslp.org/wiki/Piano_Concerto_No.21_in_C_major,_K.467_(Mozart,_Wolfgang_Amadeus)\",\"locator\":\"Full Scores, item 442212: Breitkopf 1878, plate W.A.M. 467; undated Broude reprint, plate 422; public-domain tag.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Hannah Chan-Hartley — Mozart, Hewitt & Beethoven’s Fifth, National Arts Centre\",\"url\":\"https://nac-cna.ca/en/event/notes/36107\",\"locator\":\"K. 467 note: twelve-concerto period of 1784–1786; finale’s varied refrain, contrasting first episode, developing second episode, woodwind dialogue and late cadenza.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1, 3 and 8: life-plus-70 authorship calculation, former 50-year related-rights term and following-January calculation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — sound-recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), adding Article 10(5): extended terms apply to fixations and phonograms still protected on 1 November 2013; Article 2 gives the implementation date.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 7 documented; 2 inferred"},{"id":"mozart-clarinet-adagio","composer":"Wolfgang Amadeus Mozart","title":"Clarinet Concerto in A major, K. 622","movement":"II. Adagio","work.title":"Clarinet Concerto in A major","work.catalogue":"K. 622","work.movement":"II. Adagio","work.version.value":"Basset-clarinet performance on an instrument built by William McColl.","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"soniventorum\"]","work.version.note":"The sources identify the instrument, not the edition or reconstruction used for Mozart’s solo part.","performers.value":"[{\"name\":\"William McColl\",\"role\":\"basset clarinet\"},{\"name\":\"University of Washington Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Abraham Kaplan\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"soniventorum\"]","performers.note":"","session.date.value":"December 1987","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"soniventorum\"]","session.date.note":"The performer archive explicitly says performed December 1987; no day is supplied.","session.date.precision":"month","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the sources consulted.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The label or imprint of the carrier used for this digital file is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No catalogue number identifying the transferred carrier is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":"Al Goldstein collection / Pandora Music repository","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"This is a collection and distribution credit, not proof that Goldstein made this transfer. No transfer engineer is identified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":"Ogg Vorbis encoding; embedded software tag: Xiph.Org libVorbis I 20020717.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons-data\"]","transfer.processing.note":"No tape transfer, editing or noise-treatment procedure is documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/99/Wolfgang_Amadeus_Mozart_-_Clarinet_Concerto_-_2._Adagio.ogg/Wolfgang_Amadeus_Mozart_-_Clarinet_Concerto_-_2._Adagio.ogg.mp3","digital.sourceChain":"[\"commons\",\"pandora\",\"soniventorum\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":452.7887301587302,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"The composer died in 1791. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 1 — recording licence/release: CC BY-SA 2.0 (EFF Open Audio License).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons explicitly applies cc-by-sa-2.0 to the McColl/Kaplan recording dated December 1987 and describes its EFF Open Audio License grant. Retain attribution and share-alike terms.","rights.creditLine":"Wolfgang Amadeus Mozart, Clarinet Concerto, K. 622, II; William McColl, basset clarinet; University of Washington Symphony Orchestra, Abraham Kaplan, December 1987. Al Goldstein collection / Pandora Music at ibiblio, via Wikimedia Commons. CC BY-SA 2.0; Commons supplies the MP3 access transcode.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/2.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Wolfgang Amadeus Mozart - Clarinet Concerto - 2. Adagio.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Wolfgang_Amadeus_Mozart_-_Clarinet_Concerto_-_2._Adagio.ogg?oldid=661044101\",\"locator\":\"File-description wikitext: work identification, Summary, Source and Licensing; file format, duration and Transcode status.\",\"accessed\":\"2026-10-16\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Wolfgang_Amadeus_Mozart_-_Clarinet_Concerto_-_2._Adagio.ogg#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"soniventorum\",\"title\":\"Soni Ventorum Wind Quintet — archive\",\"url\":\"https://soniventorum.com/soniventorum_archives.html\",\"locator\":\"Mozart, Concerto in A major for clarinet and orchestra, K. 622: William McColl, self-built basset clarinet; University Symphony Orchestra; Abraham Kaplan; December 1987.\",\"accessed\":\"2026-10-16\"},{\"id\":\"pandora\",\"title\":\"Pandora Music at ibiblio — source repository\",\"url\":\"http://music.ibiblio.org/pub/multimedia/pandora/vorbis/index.html\",\"locator\":\"Repository cited by Commons as the Al Goldstein collection. The historic licence link returned 404; the original source chain is preserved without inventing a new licence statement.\",\"accessed\":\"2026-10-16\"},{\"id\":\"composer\",\"title\":\"Wolfgang Amadeus Mozart — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart\",\"locator\":\"Lead paragraph: composer’s death year.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Wolfgang Amadeus Mozart - Clarinet Concerto - 2. Adagio.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1258921827%7C661044101%7C642919319%7C1111732218%7C509438495%7C999902261%7C718748653%7C901919689%7C1204343741%7C718302093&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Wolfgang Amadeus Mozart - Clarinet Concerto - 2. Adagio.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"6 documented; 5 unknown; 1 inferred"},{"id":"mozart-clarinet-allegro","composer":"Wolfgang Amadeus Mozart","title":"Clarinet Concerto in A major, K. 622","movement":"I. Allegro","work.title":"Clarinet Concerto in A major","work.catalogue":"K. 622","work.movement":"I. Allegro","work.version.value":"Basset-clarinet performance on an instrument constructed by William McColl","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"soniventorum\"]","work.version.note":"The sources establish the instrument, not the edition or reconstruction of the solo line. The nineteenth-century score is used only for the shared orchestral fabric and broad form.","performers.value":"[{\"name\":\"William McColl\",\"role\":\"basset clarinet\"},{\"name\":\"University of Washington Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Abraham Kaplan\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"soniventorum\"]","performers.note":"","session.date.value":"December 1987","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"soniventorum\"]","session.date.note":"The performer archive explicitly dates the performance to the month; no day is given.","session.date.precision":"month","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"soniventorum\"]","session.place.note":"An orchestra’s institutional affiliation is not proof of the venue; no recording venue is established.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original recording carrier and its label are not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No physical-carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifiers are supplied; this is not a claim that none existed.","transfer.credits.value":"Al Goldstein collection / Pandora Music repository at ibiblio","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Collection and distribution credit, not proof that Goldstein was the transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The upload and software dates are not treated as transfer dates.","transfer.processing.value":"Ogg Vorbis encoding; software tag Xiph.Org libVorbis I 20020717","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The tag documents the encoder, not a 2002 performance or transfer. No tape restoration or noise-reduction process is identified.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/22/Wolfgang_Amadeus_Mozart_-_Clarinet_Concerto_-_1._Allegro.ogg/Wolfgang_Amadeus_Mozart_-_Clarinet_Concerto_-_1._Allegro.ogg.mp3","digital.sourceChain":"[\"soniventorum\",\"commons\"]","digital.format":"Wikimedia Commons MP3 derivative of an uploaded Ogg Vorbis recording","digital.durationSeconds":746.0693424036281,"rights.composition.value":"Underlying Mozart composition is out of copyright under the ordinary life-plus-70 rule","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\",\"eu-term\"]","rights.composition.note":"Mozart died in 1791. This term calculation does not clear an unidentified modern edition or reconstruction.","rights.recording.value":"Rule 1 — CC BY-SA 2.0, through the documented EFF Open Audio License release","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"Commons explicitly licenses this recording, not merely the eighteenth-century composition. Retain attribution and share-alike requirements.","rights.creditLine":"William McColl, self-built basset clarinet; University of Washington Symphony Orchestra, Abraham Kaplan; December 1987. Al Goldstein collection / Pandora Music at ibiblio, via Wikimedia Commons. CC BY-SA 2.0. Wikimedia supplies the MP3 transcode; no further audio editing by this guide.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/2.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Wolfgang Amadeus Mozart - Clarinet Concerto - 1. 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Rondo: Allegro","work.title":"Clarinet Concerto in A major","work.catalogue":"K. 622","work.movement":"III. Rondo: Allegro","work.version.value":"Basset-clarinet performance on an instrument constructed by William McColl","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"soniventorum\"]","work.version.note":"The sources establish the instrument, not the edition or reconstruction of the solo line. The nineteenth-century score is used only for the shared orchestral fabric and broad form.","performers.value":"[{\"name\":\"William McColl\",\"role\":\"basset clarinet\"},{\"name\":\"University of Washington Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Abraham Kaplan\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"soniventorum\"]","performers.note":"","session.date.value":"December 1987","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"soniventorum\"]","session.date.note":"The performer archive explicitly dates the performance to the month; no day is given.","session.date.precision":"month","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"soniventorum\"]","session.place.note":"An orchestra’s institutional affiliation is not proof of the venue; no recording venue is established.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original recording carrier and its label are not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No physical-carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifiers are supplied; this is not a claim that none existed.","transfer.credits.value":"Al Goldstein collection / Pandora Music repository at ibiblio","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Collection and distribution credit, not proof that Goldstein was the transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The upload and software dates are not treated as transfer dates.","transfer.processing.value":"Ogg Vorbis encoding; software tag Xiph.Org libVorbis I 20020717","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The tag documents the encoder, not a 2002 performance or transfer. No tape restoration or noise-reduction process is identified.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/f/f2/Wolfgang_Amadeus_Mozart_-_Clarinet_Concerto_-_3._Allegro.ogg/Wolfgang_Amadeus_Mozart_-_Clarinet_Concerto_-_3._Allegro.ogg.mp3","digital.sourceChain":"[\"soniventorum\",\"commons\"]","digital.format":"Wikimedia Commons MP3 derivative of an uploaded Ogg Vorbis recording","digital.durationSeconds":531.3789569160998,"rights.composition.value":"Underlying Mozart composition is out of copyright under the ordinary life-plus-70 rule","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\",\"eu-term\"]","rights.composition.note":"Mozart died in 1791. This term calculation does not clear an unidentified modern edition or reconstruction.","rights.recording.value":"Rule 1 — CC BY-SA 2.0, through the documented EFF Open Audio License release","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"Commons explicitly licenses this recording, not merely the eighteenth-century composition. Retain attribution and share-alike requirements.","rights.creditLine":"William McColl, self-built basset clarinet; University of Washington Symphony Orchestra, Abraham Kaplan; December 1987. Al Goldstein collection / Pandora Music at ibiblio, via Wikimedia Commons. CC BY-SA 2.0. Wikimedia supplies the MP3 transcode; no further audio editing by this guide.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/2.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Wolfgang Amadeus Mozart - Clarinet Concerto - 3. Allegro.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Wolfgang_Amadeus_Mozart_-_Clarinet_Concerto_-_3._Allegro.ogg\",\"locator\":\"Summary, date, performer and instrument credit, explicit CC BY-SA 2.0/EFF OAL recording licence, file duration and embedded software tag.\",\"accessed\":\"2026-10-17\"},{\"id\":\"soniventorum\",\"title\":\"Soni Ventorum Wind Quintet — archive\",\"url\":\"https://soniventorum.com/soniventorum_archives.html\",\"locator\":\"Mozart, Concerto in A major, K. 622: University Symphony, Abraham Kaplan and William McColl using an instrument of his own construction; performed December 1987.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1 and 8; ordinary copyright term for the original composition.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Mozart, Clarinet Concerto, Breitkopf & Härtel (1881)\",\"url\":\"https://imslp.org/wiki/Clarinet_Concerto_in_A_major,_K.622_(Mozart,_Wolfgang_Amadeus)\",\"locator\":\"Mozarts Werke XII/20, plate W.A.M. 622, pp. 207–264; ordinary-clarinet text, used for unchanged orchestral parts and broad structure, not McColl’s low-register reconstruction.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 documented; 5 unknown; 1 inferred"},{"id":"mozart-don-giovanni-la-ci-darem","composer":"Wolfgang Amadeus Mozart","title":"Don Giovanni, K. 527","movement":"No. 7 Là ci darem la mano (Don Giovanni, Zerlina)","work.title":"Don Giovanni","work.catalogue":"K. 527","work.movement":"Act I, No. 7, Là ci darem la mano","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"loc\",\"dahr-matrix\"]","work.version.note":"An isolated duet on an acoustic disc, not a complete opera performance. The sources do not identify the performing edition or an acoustic orchestral arrangement; cut status is not inferred from duration alone.","performers.value":"[{\"name\":\"Mabel Garrison\",\"role\":\"soprano, Zerlina\"},{\"name\":\"Reinald Werrenrath\",\"role\":\"baritone, Don Giovanni\"},{\"name\":\"Josef Pasternack\",\"role\":\"conductor\"},{\"name\":\"Unidentified orchestra\",\"role\":\"orchestral accompaniment\"}]","performers.status":"documented","performers.sourceIds":"[\"loc\",\"dahr-matrix\"]","performers.note":"The institutional ensemble name is not supplied; “Victor Orchestra” is not silently inferred from the label.","session.date.value":"18 February 1920","session.date.status":"documented","session.date.sourceIds":"[\"loc\",\"dahr-matrix\"]","session.date.note":"Both primary catalogue records identify the recording date.","session.date.precision":"day","session.place.value":"Camden, New Jersey","session.place.status":"documented","session.place.sourceIds":"[\"loc\",\"dahr-matrix\"]","session.place.note":"City only; no studio address is established.","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"loc\",\"dahr-disc\"]","carrier.label.note":"","carrier.catalogue.value":"87569","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"loc\",\"dahr-disc\"]","carrier.catalogue.note":"10-inch, single-faced shellac disc, nominally 78 rpm; DAHR object catalogue dates the issue [1920].","carrier.matrixTakeSides.value":"B-23741, take 2; single-faced Victor 87569","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"loc\",\"dahr-matrix\"]","carrier.matrixTakeSides.note":"DAHR identifies take 2 as the master; takes 1 and 3 are listed as destroyed.","transfer.credits.value":"Library of Congress National Jukebox, access-file provider; UCSB Davidson Library, source collection","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"loc\",\"archive\"]","transfer.credits.note":"The specific transfer operator and facility are unknown. IA presents an access mirror of the National Jukebox file; its generic Packard Campus attribution does not establish the facility for this UCSB-sourced recording. Its claim of no added processing is an uploader statement, not a separate audio comparison.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"loc\",\"archive\"]","transfer.date.note":"The 2026 Internet Archive upload is not treated as the date of the Library of Congress transfer.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"loc\",\"archive\"]","transfer.processing.note":"The selected MP3 is described as a mirror of the National Jukebox access file. Transfer stylus, equalisation and restoration parameters are not established.","digital.streamUrl":"https://archive.org/download/loc-jukebox-35668-l-ci-darem-la-mano/jukebox-35668_l-ci-darem-la-mano.mp3","digital.sourceChain":"[\"dahr-disc\",\"loc\",\"archive\"]","digital.format":"Internet Archive MP3 mirror of a Library of Congress National Jukebox acoustic-disc transfer","digital.durationSeconds":191.97,"rights.composition.value":"Original Mozart music and Da Ponte libretto are out of copyright under the ordinary life-plus-70 rule","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"score\",\"eu-term\"]","rights.composition.note":"The historical score and text are distinguished from the recording and from any later translation.","rights.recording.value":"Rule 2 — United States recording published in 1920, before the programme cutoff","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"dahr-disc\",\"loc\",\"us-law\"]","rights.recording.note":"DAHR’s disc record supplies Victor [1920], separately from the 18 February recording date. Under 17 USC 1401, pre-1923 sound recordings entered the US public domain in 2022. The Archive Public Domain Mark is not itself treated as a licence.","rights.creditLine":"Mabel Garrison and Reinald Werrenrath, orchestra conducted by Josef Pasternack. Victor 87569, matrix B-23741 take 2; Camden, 18 February 1920; issue [1920]. Source disc: UCSB Davidson Library. National Jukebox transfer, Library of Congress, mirrored by Internet Archive. US pre-1923 publication basis.","rights.licenseUrl":"https://www.copyright.gov/title17/92chap14.html","sources":"[{\"id\":\"loc\",\"title\":\"Library of Congress National Jukebox: Là ci darem la mano\",\"url\":\"https://www.loc.gov/item/jukebox-35668/?fo=json\",\"locator\":\"Recording date and location, performers, conductor, Victor 87569, matrix B-23741 take 2, UCSB source collection and National Jukebox access file.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-matrix\",\"title\":\"Discography of American Historical Recordings: Victor matrix B-23741\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/700008923/B-23741-L_ci_darem_la_mano\",\"locator\":\"Session 18 February 1920, Camden; Garrison, Werrenrath and Pasternack; take 2 master and issued discs.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-disc\",\"title\":\"Discography of American Historical Recordings: Victor 87569\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/55816\",\"locator\":\"MARC carrier record: Victor [1920], 10-inch single-faced shellac disc. Previously opened successfully; a later retrieval returned a temporary database-connection error.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive: National Jukebox mirror\",\"url\":\"https://archive.org/metadata/loc-jukebox-35668-l-ci-darem-la-mano\",\"locator\":\"File jukebox-35668_l-ci-darem-la-mano.mp3, length and description of LOC source chain.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Mozart, Don Giovanni — historical vocal score\",\"url\":\"https://imslp.org/wiki/Don_Giovanni,_K.527_(Mozart,_Wolfgang_Amadeus)\",\"locator\":\"No. 7, Là ci darem la mano; Italian text, Andante 2/4 and Allegro 6/8. The arrangement heard on the acoustic disc is not identified.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Article 1, ordinary term for original music and text.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-law\",\"title\":\"United States Copyright Act, chapter 14\",\"url\":\"https://www.copyright.gov/title17/92chap14.html\",\"locator\":\"17 USC 1401(a)(2)(B)(i): recordings first published before 1923.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 7 documented; 2 inferred"},{"id":"mozart-requiem-communio","composer":"Wolfgang Amadeus Mozart","title":"Requiem in D minor, K. 626","movement":"XIV. Communio: Lux aeterna","work.title":"Requiem in D minor, K. 626","work.catalogue":"K. 626","work.movement":"XIV. Communio: Lux aeterna","work.version.value":"Traditional Süssmayr Communio, adapting Mozart’s Introitus and Kyrie; performing edition and Walter’s alterations unidentified.","work.version.status":"inferred","work.version.sourceIds":"[\"commons\",\"archive\",\"nma-preface\",\"nma-score\",\"score-scan\"]","work.version.note":"The NMA labels the movement Süssmayr after Mozart’s Introitus and Kyrie. This is not an independently completed final movement in Mozart’s surviving manuscript. Süssmayr’s 1800 letter explains reuse of the Kyrie fugue; Constanze’s reported instruction from Mozart is testimony, not independent verification of a complete plan. File duration includes a retained live-recording tail after the estimated musical close.","performers.value":"[{\"name\":\"Lisa della Casa\",\"role\":\"soprano\"},{\"name\":\"Wiener Staatsopernchor\",\"role\":\"chorus\"},{\"name\":\"Wiener Philharmoniker\",\"role\":\"orchestra\"},{\"name\":\"Franz Sauer\",\"role\":\"organ\"},{\"name\":\"Bruno Walter\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\",\"concert\",\"festival-catalogue\"]","performers.note":"Lisa della Casa is the soprano soloist for this movement. Commons and Internet Archive name the Wiener Staatsopernchor; the festival catalogue uses Konzertvereinigung Wiener Staatsopernchor. The primary concert archive confirms Walter, the orchestra, all four concert soloists and Franz Sauer, but leaves its choir field blank. Ira Malaniuk, Anton Dermota and Cesare Siepi belong to the full concert cast, not to an invented solo entrance in this movement.","session.date.value":"1956-07-26","session.date.status":"documented","session.date.sourceIds":"[\"concert\",\"commons\",\"archive\",\"discography\"]","session.date.note":"The primary concert archive identifies Thursday 26 July 1956; Commons, Internet Archive and the discography agree. This is the live performance date, not the date of first publication, a later commercial issue, digitisation or upload.","session.date.precision":"day","session.place.value":"Small Festival Hall (Kleines Festspielhaus), Salzburg, Austria","session.place.status":"documented","session.place.sourceIds":"[\"concert\",\"archive\",\"discography\"]","session.place.note":"The Vienna Philharmonic event archive supplies Small Festival Hall. Internet Archive calls the source a live Salzburg Festival performance; the discography uses the broader Festspielhaus designation. No studio session, microphone layout or original recording medium is inferred.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"archive\",\"discography\",\"festival-catalogue\"]","carrier.label.note":"The carrier actually used for this upload is unidentified. The discography lists Cetra, Nuova Era, Seven Seas and Orfeo issues of this performance. The official festival catalogue documents an Orfeo CD in 1996, but neither source ties that issue to the Ogg. A known issue is not a demonstrated transfer source.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"archive\",\"discography\",\"festival-catalogue\"]","carrier.catalogue.note":"No catalogue number is attached to the transferred source. Cetra LO516, Nuova Era 2209, Seven Seas K30Y307 and Orfeo C430961B are documented release leads only. The festival catalogue dates Orfeo C 430 961 B to 1996; that is not evidence of first release or byte provenance.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\",\"discography\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifiers are supplied for the source used. The file is a complete movement from a live performance; neither a shellac carrier nor an original tape generation is established. No physical side join is assigned to a musical event.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"D. Benjamin Miller is the Commons uploader, not an established transfer or mastering engineer. The Internet Archive uploader/scanner fields document repository submission, not who digitised, edited or restored the recording. No transfer-engineer credit has been found.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\",\"festival-catalogue\"]","transfer.date.note":"Internet Archive added/public date is 4 June 2018; Commons upload is 5 June 2018. These are not transfer dates. The embedded Commons digitising year 1956 duplicates the performance year without a transfer history and is not accepted as such evidence. The 1996 Orfeo issue is also not assigned as the date of this transfer.","transfer.processing.value":"Internet Archive lists the corresponding Ogg Vorbis movement file as an original upload; Commons supplies Ogg Vorbis and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"Here original means the repository’s uploaded file, not an original session master. The chain from the unidentified physical or broadcast source to the Ogg is undocumented. Session medium, tape generation, speed correction, equalisation, noise reduction, editing and restoration settings remain unknown; no such processing is inferred from the transfer’s sound.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/cf/W._A._Mozart_-_Requiem%2C_K._626_%28Bruno_Walter%2C_Wiener_Philharmoniker%2C_Wiener_Staatsopernchor%2C_1956%29_-_14._Communio_Lux_aeterna.ogg/W._A._Mozart_-_Requiem%2C_K._626_%28Bruno_Walter%2C_Wiener_Philharmoniker%2C_Wiener_Staatsopernchor%2C_1956%29_-_14._Communio_Lux_aeterna.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis; complete movement with retained live-recording tail","digital.durationSeconds":423.76,"rights.composition.value":"Underlying Mozart–Süssmayr composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"bso\",\"sussmayr-biography\",\"nma-preface\",\"eu-composition-term\"]","rights.composition.note":"Mozart died in 1791 and Süssmayr in 1803; the traditional full score was published in 1800. This is a term-based assessment of the historical composition, not a worldwide clearance, a licence for a modern critical edition, or evidence about the sound recording.","rights.recording.value":"Rule 1 — territorial recording claim: Commons applies PD-EU-audio; upstream Internet Archive applies Public Domain Mark 1.0.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"archive\",\"pd-eu-audio\",\"pdm\",\"eu-recording-term\"]","rights.recording.note":"The documented fact is the sources’ sound-recording rights assertion. PD-EU-audio is territorial: US status is not established, and no worldwide clearance is claimed. Public Domain Mark is not CC0 or a performer’s licence. The 1956 performance date does not prove first lawful publication or communication before 1963; that history is unestablished. The known 1996 Orfeo issue and 2018 uploads are not substituted for it. Admission therefore uses the explicit Commons PD-EU-audio route, not a calculated pre-1963-publication claim.","rights.creditLine":"Wolfgang Amadeus Mozart, Requiem in D minor, K. 626, XIV. Communio: Lux aeterna; traditional Süssmayr completion where applicable. Lisa della Casa, soprano; Wiener Staatsopernchor; Wiener Philharmoniker; Franz Sauer, organ; Bruno Walter, conductor. Live, Small Festival Hall, Salzburg, 26 July 1956. Internet Archive item MozartRequiemBruno via Wikimedia Commons. Commons states PD-EU-audio; EU territorial assertion, US status not established. Transfer and source carrier unidentified.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mozart Requiem, Walter/Vienna 1956, 14. Communio Lux aeterna\",\"url\":\"https://commons.wikimedia.org/wiki/File:W._A._Mozart_-_Requiem,_K._626_(Bruno_Walter,_Wiener_Philharmoniker,_Wiener_Staatsopernchor,_1956)_-_14._Communio_Lux_aeterna.ogg?oldid=628357402\",\"locator\":\"Summary: 26 July 1956, cast and upstream Internet Archive item; Licensing: PD-EU-audio. File history: D. Benjamin Miller uploaded the Ogg on 5 June 2018. Embedded digitizing year 1956 is not treated as an independently documented transfer date. Original file and MP3 transcode information inspected.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Mozart Requiem Bruno\",\"url\":\"https://archive.org/metadata/MozartRequiemBruno\",\"locator\":\"metadata.date: 1956-07-26; description: recorded live at the 1956 Salzburg Festival; creator credits; licenseurl: Public Domain Mark 1.0; addeddate/publicdate: 2018-06-04 15:13:21. Corresponding movement Ogg files are marked original; MP3 files are derivatives. No original carrier or transfer engineer is identified.\",\"accessed\":\"2026-10-18\"},{\"id\":\"concert\",\"title\":\"Vienna Philharmonic — Salzburg Festival, 26 July 1956\",\"url\":\"https://www.wienerphilharmoniker.at/en/konzerte/salzburg-festival/512/\",\"locator\":\"Primary event record: Thursday 26 July 1956, Small Festival Hall; Bruno Walter, Lisa Della Casa, Ira Malaniuk, Anton Dermota, Cesare Siepi and organist Franz Sauer; programme K. 183 and K. 626. The displayed 0:00 is not used as a start time. The choir field is blank.\",\"accessed\":\"2026-10-18\"},{\"id\":\"festival-catalogue\",\"title\":\"Salzburg Festival — Festspieldokumente Gesamtverzeichnis 2022\",\"url\":\"https://www.salzburgerfestspiele.at/wp-content/uploads/2022/08/festspieldokumente_gesamtverzeichnis_2022_web-1.pdf\",\"locator\":\"Printed p. 138, PDF p. 70: Walter/Vienna Philharmonic, Festspielhaus 1956, K. 183 and K. 626; named vocal soloists and Konzertvereinigung Wiener Staatsopernchor; Orfeo C 430 961 B, one CD, 1996. Evidence of a later issue, not the first issue or the carrier behind the upload.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discography\",\"title\":\"Altena, Reveyoso and Ryding — Bruno Walter discography\",\"url\":\"https://www.opusklassiek.nl/dirigenten/walter_discografie.pdf\",\"locator\":\"PDF p. 84, Mozart Requiem entry (f): 26 July 1956, Festspielhaus Salzburg, live, matching cast; LP Cetra LO516; CDs Nuova Era 2209, Seven Seas K30Y307 and Orfeo C430961B. The entry supplies no first-publication date or transfer lineage for this digital file.\",\"accessed\":\"2026-10-18\"},{\"id\":\"nma-preface\",\"title\":\"Leopold Nowak — Neue Mozart-Ausgabe, Requiem completions, preface\",\"url\":\"https://dme.mozarteum.at/DME/objs/pdf/nma_14_-23_-3_eng.pdf\",\"locator\":\"Documentary discussion of Mozart, Eybler and Süssmayr; Mozart’s completed Introitus and unfinished Lacrimosa; completion in 1792; first score publication 1800; Süssmayr’s letter of 8 February 1800 and Constanze’s of 27 March 1799. Printed p. XX, note 53 quotes Walter on cutting choral-doubling trombones, without identifying this session’s cuts.\",\"accessed\":\"2026-10-18\"},{\"id\":\"nma-score\",\"title\":\"Neue Mozart-Ausgabe — Requiem: Completions, traditional Süssmayr version\",\"url\":\"https://dme.mozarteum.at/DME/nma/nma_toc.php?l=2&vsep=14\",\"locator\":\"Section B: Introitus pp. 37–48; Dies irae pp. 62–77; Lacrimosa pp. 111–117; Communio pp. 179–199. Selected score pages were inspected as images. A reference for musical structure, not evidence that Walter used the 1965 edition in 1956.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score-scan\",\"title\":\"Mozart Requiem in full score — Breitkopf & Härtel, unabridged Dover reprint\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/7/79/IMSLP758680-PMLP2751-Mozart_Requiem%2C_K.626_-_Full_Score.pdf\",\"locator\":\"Title and publication pages identify Dover 1987 as an unabridged reprint of an undated Breitkopf & Härtel score, with a new contents page and instrumentation list. Musical pages inspected: Introitus pp. 1–8, Dies irae pp. 16–21, Lacrimosa pp. 49–54, Communio pp. 95–104. The scan does not identify the edition used for this performance.\",\"accessed\":\"2026-10-18\"},{\"id\":\"bso\",\"title\":\"Jan Swafford — Mozart Requiem, Boston Symphony Orchestra programme note\",\"url\":\"https://www.bso.org/works/mozart-requiem\",\"locator\":\"Composer dates, Walsegg memorial commission, incomplete state of the work and orchestral forces. The NMA is preferred for the documentary sequence and completion details; this programme’s conflicting first-performance statements are not used.\",\"accessed\":\"2026-10-18\"},{\"id\":\"sussmayr-biography\",\"title\":\"Erich Duda — Franz Xaver Süssmayr, Neue Deutsche Biographie\",\"url\":\"https://www.deutsche-biographie.de/sfz82024.html\",\"locator\":\"NDB 25 (2013), pp. 685–686: 1766–17 September 1803, Vienna; Mozart association and commission to complete the Requiem. Biographical facts only; no text or modern edition is republished.\",\"accessed\":\"2026-10-18\"},{\"id\":\"pd-eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Sound-recording rights assertion concerning performers and producers in the European Union; not a composition-only tag or a worldwide licence.\",\"accessed\":\"2026-10-18\"},{\"id\":\"pdm\",\"title\":\"Creative Commons — Public Domain Mark 1.0\",\"url\":\"https://creativecommons.org/publicdomain/mark/1.0/\",\"locator\":\"The mark identifies asserted public-domain status; it is not CC0 or a licence granted by a performer. The deed cautions that status may differ between jurisdictions and supplies no warranty.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-composition-term\",\"title\":\"Directive 2006/116/EC — term of authors’ rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1 and 8: ordinary life-plus-70 term and calculation from the following 1 January; Article 5 separately addresses critical and scientific publications. The composition calculation does not establish rights in a recording or unidentified modern edition.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-recording-term\",\"title\":\"Directive 2011/77/EU — sound-recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Amendments distinguish performance/fixation from lawful publication and communication; the extension applies to rights still protected on 1 November 2013. A 1956 session date alone does not prove pre-1963 lawful publication or the expiry of all recording rights.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"2 inferred; 5 documented; 5 unknown"},{"id":"mozart-requiem-dies-irae","composer":"Wolfgang Amadeus Mozart","title":"Requiem in D minor, K. 626","movement":"III. Dies irae — Allegro assai","work.title":"Requiem in D minor, K. 626","work.catalogue":"K. 626","work.movement":"III. Dies irae — Allegro assai","work.version.value":"Traditional Mozart–Süssmayr completion, Dies irae; performing edition and Walter’s alterations unidentified.","work.version.status":"inferred","work.version.sourceIds":"[\"commons\",\"archive\",\"nma-preface\",\"nma-score\",\"score-scan\"]","work.version.note":"Mozart left the vocal and bass framework and some instrumental indications; the traditional completed orchestration is used as the reference. The recording sources do not name a printed edition. The NMA preface quotes Walter’s policy of cutting some trombone doublings, but does not map it to this 1956 performance. The complete movement includes its orchestral postlude.","performers.value":"[{\"name\":\"Wiener Staatsopernchor\",\"role\":\"chorus\"},{\"name\":\"Wiener Philharmoniker\",\"role\":\"orchestra\"},{\"name\":\"Franz Sauer\",\"role\":\"organ\"},{\"name\":\"Bruno Walter\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\",\"concert\",\"festival-catalogue\"]","performers.note":"This movement is for chorus, without a solo vocal part; the concert’s vocal solo quartet is not credited as singing here. Commons and Internet Archive name the Wiener Staatsopernchor; the festival catalogue uses Konzertvereinigung Wiener Staatsopernchor. The primary concert archive confirms Walter, the orchestra, all four concert soloists and Franz Sauer, but leaves its choir field blank. Ira Malaniuk, Anton Dermota and Cesare Siepi belong to the full concert cast, not to an invented solo entrance in this movement.","session.date.value":"1956-07-26","session.date.status":"documented","session.date.sourceIds":"[\"concert\",\"commons\",\"archive\",\"discography\"]","session.date.note":"The primary concert archive identifies Thursday 26 July 1956; Commons, Internet Archive and the discography agree. This is the live performance date, not the date of first publication, a later commercial issue, digitisation or upload.","session.date.precision":"day","session.place.value":"Small Festival Hall (Kleines Festspielhaus), Salzburg, Austria","session.place.status":"documented","session.place.sourceIds":"[\"concert\",\"archive\",\"discography\"]","session.place.note":"The Vienna Philharmonic event archive supplies Small Festival Hall. Internet Archive calls the source a live Salzburg Festival performance; the discography uses the broader Festspielhaus designation. No studio session, microphone layout or original recording medium is inferred.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"archive\",\"discography\",\"festival-catalogue\"]","carrier.label.note":"The carrier actually used for this upload is unidentified. The discography lists Cetra, Nuova Era, Seven Seas and Orfeo issues of this performance. The official festival catalogue documents an Orfeo CD in 1996, but neither source ties that issue to the Ogg. A known issue is not a demonstrated transfer source.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"archive\",\"discography\",\"festival-catalogue\"]","carrier.catalogue.note":"No catalogue number is attached to the transferred source. Cetra LO516, Nuova Era 2209, Seven Seas K30Y307 and Orfeo C430961B are documented release leads only. The festival catalogue dates Orfeo C 430 961 B to 1996; that is not evidence of first release or byte provenance.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\",\"discography\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifiers are supplied for the source used. The file is a complete movement from a live performance; neither a shellac carrier nor an original tape generation is established. No physical side join is assigned to a musical event.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"D. Benjamin Miller is the Commons uploader, not an established transfer or mastering engineer. The Internet Archive uploader/scanner fields document repository submission, not who digitised, edited or restored the recording. No transfer-engineer credit has been found.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\",\"festival-catalogue\"]","transfer.date.note":"Internet Archive added/public date is 4 June 2018; Commons upload is 5 June 2018. These are not transfer dates. The embedded Commons digitising year 1956 duplicates the performance year without a transfer history and is not accepted as such evidence. The 1996 Orfeo issue is also not assigned as the date of this transfer.","transfer.processing.value":"Internet Archive lists the corresponding Ogg Vorbis movement file as an original upload; Commons supplies Ogg Vorbis and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"Here original means the repository’s uploaded file, not an original session master. The chain from the unidentified physical or broadcast source to the Ogg is undocumented. Session medium, tape generation, speed correction, equalisation, noise reduction, editing and restoration settings remain unknown; no such processing is inferred from the transfer’s sound.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/1/10/W._A._Mozart_-_Requiem%2C_K._626_%28Bruno_Walter%2C_Wiener_Philharmoniker%2C_Wiener_Staatsopernchor%2C_1956%29_-_03._Dies_irae.ogg/W._A._Mozart_-_Requiem%2C_K._626_%28Bruno_Walter%2C_Wiener_Philharmoniker%2C_Wiener_Staatsopernchor%2C_1956%29_-_03._Dies_irae.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis; complete movement","digital.durationSeconds":112.99,"rights.composition.value":"Underlying Mozart–Süssmayr composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"bso\",\"sussmayr-biography\",\"nma-preface\",\"eu-composition-term\"]","rights.composition.note":"Mozart died in 1791 and Süssmayr in 1803; the traditional full score was published in 1800. This is a term-based assessment of the historical composition, not a worldwide clearance, a licence for a modern critical edition, or evidence about the sound recording.","rights.recording.value":"Rule 1 — territorial recording claim: Commons applies PD-EU-audio; upstream Internet Archive applies Public Domain Mark 1.0.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"archive\",\"pd-eu-audio\",\"pdm\",\"eu-recording-term\"]","rights.recording.note":"The documented fact is the sources’ sound-recording rights assertion. PD-EU-audio is territorial: US status is not established, and no worldwide clearance is claimed. Public Domain Mark is not CC0 or a performer’s licence. The 1956 performance date does not prove first lawful publication or communication before 1963; that history is unestablished. The known 1996 Orfeo issue and 2018 uploads are not substituted for it. Admission therefore uses the explicit Commons PD-EU-audio route, not a calculated pre-1963-publication claim.","rights.creditLine":"Wolfgang Amadeus Mozart, Requiem in D minor, K. 626, III. Dies irae — Allegro assai; traditional Süssmayr completion where applicable. Wiener Staatsopernchor; Wiener Philharmoniker; Franz Sauer, organ; Bruno Walter, conductor. Live, Small Festival Hall, Salzburg, 26 July 1956. Internet Archive item MozartRequiemBruno via Wikimedia Commons. Commons states PD-EU-audio; EU territorial assertion, US status not established. Transfer and source carrier unidentified.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mozart Requiem, Walter/Vienna 1956, 03. Dies irae\",\"url\":\"https://commons.wikimedia.org/wiki/File:W._A._Mozart_-_Requiem,_K._626_(Bruno_Walter,_Wiener_Philharmoniker,_Wiener_Staatsopernchor,_1956)_-_03._Dies_irae.ogg?oldid=628355970\",\"locator\":\"Summary: 26 July 1956, cast and upstream Internet Archive item; Licensing: PD-EU-audio. File history: D. Benjamin Miller uploaded the Ogg on 5 June 2018. Embedded digitizing year 1956 is not treated as an independently documented transfer date. Original file and MP3 transcode information inspected.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Mozart Requiem Bruno\",\"url\":\"https://archive.org/metadata/MozartRequiemBruno\",\"locator\":\"metadata.date: 1956-07-26; description: recorded live at the 1956 Salzburg Festival; creator credits; licenseurl: Public Domain Mark 1.0; addeddate/publicdate: 2018-06-04 15:13:21. Corresponding movement Ogg files are marked original; MP3 files are derivatives. No original carrier or transfer engineer is identified.\",\"accessed\":\"2026-10-18\"},{\"id\":\"concert\",\"title\":\"Vienna Philharmonic — Salzburg Festival, 26 July 1956\",\"url\":\"https://www.wienerphilharmoniker.at/en/konzerte/salzburg-festival/512/\",\"locator\":\"Primary event record: Thursday 26 July 1956, Small Festival Hall; Bruno Walter, Lisa Della Casa, Ira Malaniuk, Anton Dermota, Cesare Siepi and organist Franz Sauer; programme K. 183 and K. 626. The displayed 0:00 is not used as a start time. The choir field is blank.\",\"accessed\":\"2026-10-18\"},{\"id\":\"festival-catalogue\",\"title\":\"Salzburg Festival — Festspieldokumente Gesamtverzeichnis 2022\",\"url\":\"https://www.salzburgerfestspiele.at/wp-content/uploads/2022/08/festspieldokumente_gesamtverzeichnis_2022_web-1.pdf\",\"locator\":\"Printed p. 138, PDF p. 70: Walter/Vienna Philharmonic, Festspielhaus 1956, K. 183 and K. 626; named vocal soloists and Konzertvereinigung Wiener Staatsopernchor; Orfeo C 430 961 B, one CD, 1996. Evidence of a later issue, not the first issue or the carrier behind the upload.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discography\",\"title\":\"Altena, Reveyoso and Ryding — Bruno Walter discography\",\"url\":\"https://www.opusklassiek.nl/dirigenten/walter_discografie.pdf\",\"locator\":\"PDF p. 84, Mozart Requiem entry (f): 26 July 1956, Festspielhaus Salzburg, live, matching cast; LP Cetra LO516; CDs Nuova Era 2209, Seven Seas K30Y307 and Orfeo C430961B. The entry supplies no first-publication date or transfer lineage for this digital file.\",\"accessed\":\"2026-10-18\"},{\"id\":\"nma-preface\",\"title\":\"Leopold Nowak — Neue Mozart-Ausgabe, Requiem completions, preface\",\"url\":\"https://dme.mozarteum.at/DME/objs/pdf/nma_14_-23_-3_eng.pdf\",\"locator\":\"Documentary discussion of Mozart, Eybler and Süssmayr; Mozart’s completed Introitus and unfinished Lacrimosa; completion in 1792; first score publication 1800; Süssmayr’s letter of 8 February 1800 and Constanze’s of 27 March 1799. Printed p. XX, note 53 quotes Walter on cutting choral-doubling trombones, without identifying this session’s cuts.\",\"accessed\":\"2026-10-18\"},{\"id\":\"nma-score\",\"title\":\"Neue Mozart-Ausgabe — Requiem: Completions, traditional Süssmayr version\",\"url\":\"https://dme.mozarteum.at/DME/nma/nma_toc.php?l=2&vsep=14\",\"locator\":\"Section B: Introitus pp. 37–48; Dies irae pp. 62–77; Lacrimosa pp. 111–117; Communio pp. 179–199. Selected score pages were inspected as images. A reference for musical structure, not evidence that Walter used the 1965 edition in 1956.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score-scan\",\"title\":\"Mozart Requiem in full score — Breitkopf & Härtel, unabridged Dover reprint\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/7/79/IMSLP758680-PMLP2751-Mozart_Requiem%2C_K.626_-_Full_Score.pdf\",\"locator\":\"Title and publication pages identify Dover 1987 as an unabridged reprint of an undated Breitkopf & Härtel score, with a new contents page and instrumentation list. Musical pages inspected: Introitus pp. 1–8, Dies irae pp. 16–21, Lacrimosa pp. 49–54, Communio pp. 95–104. The scan does not identify the edition used for this performance.\",\"accessed\":\"2026-10-18\"},{\"id\":\"bso\",\"title\":\"Jan Swafford — Mozart Requiem, Boston Symphony Orchestra programme note\",\"url\":\"https://www.bso.org/works/mozart-requiem\",\"locator\":\"Composer dates, Walsegg memorial commission, incomplete state of the work and orchestral forces. The NMA is preferred for the documentary sequence and completion details; this programme’s conflicting first-performance statements are not used.\",\"accessed\":\"2026-10-18\"},{\"id\":\"sussmayr-biography\",\"title\":\"Erich Duda — Franz Xaver Süssmayr, Neue Deutsche Biographie\",\"url\":\"https://www.deutsche-biographie.de/sfz82024.html\",\"locator\":\"NDB 25 (2013), pp. 685–686: 1766–17 September 1803, Vienna; Mozart association and commission to complete the Requiem. Biographical facts only; no text or modern edition is republished.\",\"accessed\":\"2026-10-18\"},{\"id\":\"pd-eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Sound-recording rights assertion concerning performers and producers in the European Union; not a composition-only tag or a worldwide licence.\",\"accessed\":\"2026-10-18\"},{\"id\":\"pdm\",\"title\":\"Creative Commons — Public Domain Mark 1.0\",\"url\":\"https://creativecommons.org/publicdomain/mark/1.0/\",\"locator\":\"The mark identifies asserted public-domain status; it is not CC0 or a licence granted by a performer. The deed cautions that status may differ between jurisdictions and supplies no warranty.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-composition-term\",\"title\":\"Directive 2006/116/EC — term of authors’ rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1 and 8: ordinary life-plus-70 term and calculation from the following 1 January; Article 5 separately addresses critical and scientific publications. The composition calculation does not establish rights in a recording or unidentified modern edition.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-recording-term\",\"title\":\"Directive 2011/77/EU — sound-recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Amendments distinguish performance/fixation from lawful publication and communication; the extension applies to rights still protected on 1 November 2013. A 1956 session date alone does not prove pre-1963 lawful publication or the expiry of all recording rights.\",\"accessed\":\"2026-10-18\"},{\"id\":\"mutopia\",\"title\":\"Mutopia — Dies irae, K. 626, Martin Norbäck engraving\",\"url\":\"https://www.mutopiaproject.org/cgibin/piece-info.cgi?id=364\",\"locator\":\"Public-domain engraving based on Breitkopf & Härtel 1877, edited by Brahms. Full score pp. 1–9 inspected; used with the NMA to distinguish structural observations from uncertain session-specific instrumental doublings.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"2 inferred; 5 documented; 5 unknown"},{"id":"mozart-requiem-introitus","composer":"Wolfgang Amadeus Mozart","title":"Requiem in D minor, K. 626","movement":"I. Introitus: Requiem aeternam — Adagio","work.title":"Requiem in D minor, K. 626","work.catalogue":"K. 626","work.movement":"I. Introitus: Requiem aeternam — Adagio","work.version.value":"Mozart’s completed Introitus, within the traditional Mozart–Süssmayr Requiem; performing edition unidentified.","work.version.status":"inferred","work.version.sourceIds":"[\"commons\",\"archive\",\"nma-preface\",\"nma-score\",\"score-scan\"]","work.version.note":"The NMA distinguishes the Introitus, fully orchestrated by Mozart, from the incomplete later movements. The file contains this complete opening movement, stopping before the Kyrie. The traditional version is an identification from the repertory and score comparison, not an edition named by the upload. Walter’s precise instrumental alterations are unestablished.","performers.value":"[{\"name\":\"Lisa della Casa\",\"role\":\"soprano\"},{\"name\":\"Wiener Staatsopernchor\",\"role\":\"chorus\"},{\"name\":\"Wiener Philharmoniker\",\"role\":\"orchestra\"},{\"name\":\"Franz Sauer\",\"role\":\"organ\"},{\"name\":\"Bruno Walter\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\",\"concert\",\"festival-catalogue\"]","performers.note":"Lisa della Casa is the soprano soloist for this movement. Commons and Internet Archive name the Wiener Staatsopernchor; the festival catalogue uses Konzertvereinigung Wiener Staatsopernchor. The primary concert archive confirms Walter, the orchestra, all four concert soloists and Franz Sauer, but leaves its choir field blank. Ira Malaniuk, Anton Dermota and Cesare Siepi belong to the full concert cast, not to an invented solo entrance in this movement.","session.date.value":"1956-07-26","session.date.status":"documented","session.date.sourceIds":"[\"concert\",\"commons\",\"archive\",\"discography\"]","session.date.note":"The primary concert archive identifies Thursday 26 July 1956; Commons, Internet Archive and the discography agree. This is the live performance date, not the date of first publication, a later commercial issue, digitisation or upload.","session.date.precision":"day","session.place.value":"Small Festival Hall (Kleines Festspielhaus), Salzburg, Austria","session.place.status":"documented","session.place.sourceIds":"[\"concert\",\"archive\",\"discography\"]","session.place.note":"The Vienna Philharmonic event archive supplies Small Festival Hall. Internet Archive calls the source a live Salzburg Festival performance; the discography uses the broader Festspielhaus designation. No studio session, microphone layout or original recording medium is inferred.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"archive\",\"discography\",\"festival-catalogue\"]","carrier.label.note":"The carrier actually used for this upload is unidentified. The discography lists Cetra, Nuova Era, Seven Seas and Orfeo issues of this performance. The official festival catalogue documents an Orfeo CD in 1996, but neither source ties that issue to the Ogg. A known issue is not a demonstrated transfer source.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"archive\",\"discography\",\"festival-catalogue\"]","carrier.catalogue.note":"No catalogue number is attached to the transferred source. Cetra LO516, Nuova Era 2209, Seven Seas K30Y307 and Orfeo C430961B are documented release leads only. The festival catalogue dates Orfeo C 430 961 B to 1996; that is not evidence of first release or byte provenance.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\",\"discography\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifiers are supplied for the source used. The file is a complete movement from a live performance; neither a shellac carrier nor an original tape generation is established. No physical side join is assigned to a musical event.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"D. Benjamin Miller is the Commons uploader, not an established transfer or mastering engineer. The Internet Archive uploader/scanner fields document repository submission, not who digitised, edited or restored the recording. No transfer-engineer credit has been found.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\",\"festival-catalogue\"]","transfer.date.note":"Internet Archive added/public date is 4 June 2018; Commons upload is 5 June 2018. These are not transfer dates. The embedded Commons digitising year 1956 duplicates the performance year without a transfer history and is not accepted as such evidence. The 1996 Orfeo issue is also not assigned as the date of this transfer.","transfer.processing.value":"Internet Archive lists the corresponding Ogg Vorbis movement file as an original upload; Commons supplies Ogg Vorbis and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"Here original means the repository’s uploaded file, not an original session master. The chain from the unidentified physical or broadcast source to the Ogg is undocumented. Session medium, tape generation, speed correction, equalisation, noise reduction, editing and restoration settings remain unknown; no such processing is inferred from the transfer’s sound.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/66/W._A._Mozart_-_Requiem%2C_K._626_%28Bruno_Walter%2C_Wiener_Philharmoniker%2C_Wiener_Staatsopernchor%2C_1956%29_-_01._Requiem_aeternam.ogg/W._A._Mozart_-_Requiem%2C_K._626_%28Bruno_Walter%2C_Wiener_Philharmoniker%2C_Wiener_Staatsopernchor%2C_1956%29_-_01._Requiem_aeternam.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis; complete movement","digital.durationSeconds":338.38,"rights.composition.value":"Underlying Mozart–Süssmayr composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"bso\",\"sussmayr-biography\",\"nma-preface\",\"eu-composition-term\"]","rights.composition.note":"Mozart died in 1791 and Süssmayr in 1803; the traditional full score was published in 1800. This is a term-based assessment of the historical composition, not a worldwide clearance, a licence for a modern critical edition, or evidence about the sound recording.","rights.recording.value":"Rule 1 — territorial recording claim: Commons applies PD-EU-audio; upstream Internet Archive applies Public Domain Mark 1.0.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"archive\",\"pd-eu-audio\",\"pdm\",\"eu-recording-term\"]","rights.recording.note":"The documented fact is the sources’ sound-recording rights assertion. PD-EU-audio is territorial: US status is not established, and no worldwide clearance is claimed. Public Domain Mark is not CC0 or a performer’s licence. The 1956 performance date does not prove first lawful publication or communication before 1963; that history is unestablished. The known 1996 Orfeo issue and 2018 uploads are not substituted for it. Admission therefore uses the explicit Commons PD-EU-audio route, not a calculated pre-1963-publication claim.","rights.creditLine":"Wolfgang Amadeus Mozart, Requiem in D minor, K. 626, I. Introitus: Requiem aeternam — Adagio; traditional Süssmayr completion where applicable. Lisa della Casa, soprano; Wiener Staatsopernchor; Wiener Philharmoniker; Franz Sauer, organ; Bruno Walter, conductor. Live, Small Festival Hall, Salzburg, 26 July 1956. Internet Archive item MozartRequiemBruno via Wikimedia Commons. Commons states PD-EU-audio; EU territorial assertion, US status not established. Transfer and source carrier unidentified.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mozart Requiem, Walter/Vienna 1956, 01. Requiem aeternam\",\"url\":\"https://commons.wikimedia.org/wiki/File:W._A._Mozart_-_Requiem,_K._626_(Bruno_Walter,_Wiener_Philharmoniker,_Wiener_Staatsopernchor,_1956)_-_01._Requiem_aeternam.ogg?oldid=899713458\",\"locator\":\"Summary: 26 July 1956, cast and upstream Internet Archive item; Licensing: PD-EU-audio. File history: D. Benjamin Miller uploaded the Ogg on 5 June 2018. Embedded digitizing year 1956 is not treated as an independently documented transfer date. Original file and MP3 transcode information inspected.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Mozart Requiem Bruno\",\"url\":\"https://archive.org/metadata/MozartRequiemBruno\",\"locator\":\"metadata.date: 1956-07-26; description: recorded live at the 1956 Salzburg Festival; creator credits; licenseurl: Public Domain Mark 1.0; addeddate/publicdate: 2018-06-04 15:13:21. Corresponding movement Ogg files are marked original; MP3 files are derivatives. No original carrier or transfer engineer is identified.\",\"accessed\":\"2026-10-18\"},{\"id\":\"concert\",\"title\":\"Vienna Philharmonic — Salzburg Festival, 26 July 1956\",\"url\":\"https://www.wienerphilharmoniker.at/en/konzerte/salzburg-festival/512/\",\"locator\":\"Primary event record: Thursday 26 July 1956, Small Festival Hall; Bruno Walter, Lisa Della Casa, Ira Malaniuk, Anton Dermota, Cesare Siepi and organist Franz Sauer; programme K. 183 and K. 626. The displayed 0:00 is not used as a start time. The choir field is blank.\",\"accessed\":\"2026-10-18\"},{\"id\":\"festival-catalogue\",\"title\":\"Salzburg Festival — Festspieldokumente Gesamtverzeichnis 2022\",\"url\":\"https://www.salzburgerfestspiele.at/wp-content/uploads/2022/08/festspieldokumente_gesamtverzeichnis_2022_web-1.pdf\",\"locator\":\"Printed p. 138, PDF p. 70: Walter/Vienna Philharmonic, Festspielhaus 1956, K. 183 and K. 626; named vocal soloists and Konzertvereinigung Wiener Staatsopernchor; Orfeo C 430 961 B, one CD, 1996. Evidence of a later issue, not the first issue or the carrier behind the upload.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discography\",\"title\":\"Altena, Reveyoso and Ryding — Bruno Walter discography\",\"url\":\"https://www.opusklassiek.nl/dirigenten/walter_discografie.pdf\",\"locator\":\"PDF p. 84, Mozart Requiem entry (f): 26 July 1956, Festspielhaus Salzburg, live, matching cast; LP Cetra LO516; CDs Nuova Era 2209, Seven Seas K30Y307 and Orfeo C430961B. The entry supplies no first-publication date or transfer lineage for this digital file.\",\"accessed\":\"2026-10-18\"},{\"id\":\"nma-preface\",\"title\":\"Leopold Nowak — Neue Mozart-Ausgabe, Requiem completions, preface\",\"url\":\"https://dme.mozarteum.at/DME/objs/pdf/nma_14_-23_-3_eng.pdf\",\"locator\":\"Documentary discussion of Mozart, Eybler and Süssmayr; Mozart’s completed Introitus and unfinished Lacrimosa; completion in 1792; first score publication 1800; Süssmayr’s letter of 8 February 1800 and Constanze’s of 27 March 1799. Printed p. XX, note 53 quotes Walter on cutting choral-doubling trombones, without identifying this session’s cuts.\",\"accessed\":\"2026-10-18\"},{\"id\":\"nma-score\",\"title\":\"Neue Mozart-Ausgabe — Requiem: Completions, traditional Süssmayr version\",\"url\":\"https://dme.mozarteum.at/DME/nma/nma_toc.php?l=2&vsep=14\",\"locator\":\"Section B: Introitus pp. 37–48; Dies irae pp. 62–77; Lacrimosa pp. 111–117; Communio pp. 179–199. Selected score pages were inspected as images. A reference for musical structure, not evidence that Walter used the 1965 edition in 1956.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score-scan\",\"title\":\"Mozart Requiem in full score — Breitkopf & Härtel, unabridged Dover reprint\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/7/79/IMSLP758680-PMLP2751-Mozart_Requiem%2C_K.626_-_Full_Score.pdf\",\"locator\":\"Title and publication pages identify Dover 1987 as an unabridged reprint of an undated Breitkopf & Härtel score, with a new contents page and instrumentation list. Musical pages inspected: Introitus pp. 1–8, Dies irae pp. 16–21, Lacrimosa pp. 49–54, Communio pp. 95–104. The scan does not identify the edition used for this performance.\",\"accessed\":\"2026-10-18\"},{\"id\":\"bso\",\"title\":\"Jan Swafford — Mozart Requiem, Boston Symphony Orchestra programme note\",\"url\":\"https://www.bso.org/works/mozart-requiem\",\"locator\":\"Composer dates, Walsegg memorial commission, incomplete state of the work and orchestral forces. The NMA is preferred for the documentary sequence and completion details; this programme’s conflicting first-performance statements are not used.\",\"accessed\":\"2026-10-18\"},{\"id\":\"sussmayr-biography\",\"title\":\"Erich Duda — Franz Xaver Süssmayr, Neue Deutsche Biographie\",\"url\":\"https://www.deutsche-biographie.de/sfz82024.html\",\"locator\":\"NDB 25 (2013), pp. 685–686: 1766–17 September 1803, Vienna; Mozart association and commission to complete the Requiem. Biographical facts only; no text or modern edition is republished.\",\"accessed\":\"2026-10-18\"},{\"id\":\"pd-eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Sound-recording rights assertion concerning performers and producers in the European Union; not a composition-only tag or a worldwide licence.\",\"accessed\":\"2026-10-18\"},{\"id\":\"pdm\",\"title\":\"Creative Commons — Public Domain Mark 1.0\",\"url\":\"https://creativecommons.org/publicdomain/mark/1.0/\",\"locator\":\"The mark identifies asserted public-domain status; it is not CC0 or a licence granted by a performer. The deed cautions that status may differ between jurisdictions and supplies no warranty.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-composition-term\",\"title\":\"Directive 2006/116/EC — term of authors’ rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1 and 8: ordinary life-plus-70 term and calculation from the following 1 January; Article 5 separately addresses critical and scientific publications. The composition calculation does not establish rights in a recording or unidentified modern edition.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-recording-term\",\"title\":\"Directive 2011/77/EU — sound-recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Amendments distinguish performance/fixation from lawful publication and communication; the extension applies to rights still protected on 1 November 2013. A 1956 session date alone does not prove pre-1963 lawful publication or the expiry of all recording rights.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"2 inferred; 5 documented; 5 unknown"},{"id":"mozart-requiem-lacrimosa","composer":"Wolfgang Amadeus Mozart","title":"Requiem in D minor, K. 626","movement":"VIII. Lacrimosa","work.title":"Requiem in D minor, K. 626","work.catalogue":"K. 626","work.movement":"VIII. Lacrimosa","work.version.value":"Traditional Süssmayr completion of Mozart’s Lacrimosa; performing edition and Walter’s alterations unidentified.","work.version.status":"inferred","work.version.sourceIds":"[\"commons\",\"archive\",\"nma-preface\",\"nma-score\",\"score-scan\"]","work.version.note":"Mozart’s surviving draft breaks off after bar 8. The conventional completion continues the movement and closes with the short Amen, rather than a later reconstructed Amen fugue. The NMA distinguishes Eybler’s separate attempted continuation from Süssmayr’s completed version. The upload does not identify its performing edition; no second-by-second authorship seam or session-specific trombone cut list is claimed.","performers.value":"[{\"name\":\"Wiener Staatsopernchor\",\"role\":\"chorus\"},{\"name\":\"Wiener Philharmoniker\",\"role\":\"orchestra\"},{\"name\":\"Franz Sauer\",\"role\":\"organ\"},{\"name\":\"Bruno Walter\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\",\"concert\",\"festival-catalogue\"]","performers.note":"This movement is for chorus, without a solo vocal part; the concert’s vocal solo quartet is not credited as singing here. Commons and Internet Archive name the Wiener Staatsopernchor; the festival catalogue uses Konzertvereinigung Wiener Staatsopernchor. The primary concert archive confirms Walter, the orchestra, all four concert soloists and Franz Sauer, but leaves its choir field blank. Ira Malaniuk, Anton Dermota and Cesare Siepi belong to the full concert cast, not to an invented solo entrance in this movement.","session.date.value":"1956-07-26","session.date.status":"documented","session.date.sourceIds":"[\"concert\",\"commons\",\"archive\",\"discography\"]","session.date.note":"The primary concert archive identifies Thursday 26 July 1956; Commons, Internet Archive and the discography agree. This is the live performance date, not the date of first publication, a later commercial issue, digitisation or upload.","session.date.precision":"day","session.place.value":"Small Festival Hall (Kleines Festspielhaus), Salzburg, Austria","session.place.status":"documented","session.place.sourceIds":"[\"concert\",\"archive\",\"discography\"]","session.place.note":"The Vienna Philharmonic event archive supplies Small Festival Hall. Internet Archive calls the source a live Salzburg Festival performance; the discography uses the broader Festspielhaus designation. No studio session, microphone layout or original recording medium is inferred.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"archive\",\"discography\",\"festival-catalogue\"]","carrier.label.note":"The carrier actually used for this upload is unidentified. The discography lists Cetra, Nuova Era, Seven Seas and Orfeo issues of this performance. The official festival catalogue documents an Orfeo CD in 1996, but neither source ties that issue to the Ogg. A known issue is not a demonstrated transfer source.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"archive\",\"discography\",\"festival-catalogue\"]","carrier.catalogue.note":"No catalogue number is attached to the transferred source. Cetra LO516, Nuova Era 2209, Seven Seas K30Y307 and Orfeo C430961B are documented release leads only. The festival catalogue dates Orfeo C 430 961 B to 1996; that is not evidence of first release or byte provenance.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\",\"discography\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifiers are supplied for the source used. The file is a complete movement from a live performance; neither a shellac carrier nor an original tape generation is established. No physical side join is assigned to a musical event.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"D. Benjamin Miller is the Commons uploader, not an established transfer or mastering engineer. The Internet Archive uploader/scanner fields document repository submission, not who digitised, edited or restored the recording. No transfer-engineer credit has been found.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\",\"festival-catalogue\"]","transfer.date.note":"Internet Archive added/public date is 4 June 2018; Commons upload is 5 June 2018. These are not transfer dates. The embedded Commons digitising year 1956 duplicates the performance year without a transfer history and is not accepted as such evidence. The 1996 Orfeo issue is also not assigned as the date of this transfer.","transfer.processing.value":"Internet Archive lists the corresponding Ogg Vorbis movement file as an original upload; Commons supplies Ogg Vorbis and an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"Here original means the repository’s uploaded file, not an original session master. The chain from the unidentified physical or broadcast source to the Ogg is undocumented. Session medium, tape generation, speed correction, equalisation, noise reduction, editing and restoration settings remain unknown; no such processing is inferred from the transfer’s sound.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/5b/W._A._Mozart_-_Requiem%2C_K._626_%28Bruno_Walter%2C_Wiener_Philharmoniker%2C_Wiener_Staatsopernchor%2C_1956%29_-_08._Lacrimosa.ogg/W._A._Mozart_-_Requiem%2C_K._626_%28Bruno_Walter%2C_Wiener_Philharmoniker%2C_Wiener_Staatsopernchor%2C_1956%29_-_08._Lacrimosa.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis; complete movement","digital.durationSeconds":205.17,"rights.composition.value":"Underlying Mozart–Süssmayr composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"bso\",\"sussmayr-biography\",\"nma-preface\",\"eu-composition-term\"]","rights.composition.note":"Mozart died in 1791 and Süssmayr in 1803; the traditional full score was published in 1800. This is a term-based assessment of the historical composition, not a worldwide clearance, a licence for a modern critical edition, or evidence about the sound recording.","rights.recording.value":"Rule 1 — territorial recording claim: Commons applies PD-EU-audio; upstream Internet Archive applies Public Domain Mark 1.0.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"archive\",\"pd-eu-audio\",\"pdm\",\"eu-recording-term\"]","rights.recording.note":"The documented fact is the sources’ sound-recording rights assertion. PD-EU-audio is territorial: US status is not established, and no worldwide clearance is claimed. Public Domain Mark is not CC0 or a performer’s licence. The 1956 performance date does not prove first lawful publication or communication before 1963; that history is unestablished. The known 1996 Orfeo issue and 2018 uploads are not substituted for it. Admission therefore uses the explicit Commons PD-EU-audio route, not a calculated pre-1963-publication claim.","rights.creditLine":"Wolfgang Amadeus Mozart, Requiem in D minor, K. 626, VIII. Lacrimosa; traditional Süssmayr completion where applicable. Wiener Staatsopernchor; Wiener Philharmoniker; Franz Sauer, organ; Bruno Walter, conductor. Live, Small Festival Hall, Salzburg, 26 July 1956. Internet Archive item MozartRequiemBruno via Wikimedia Commons. Commons states PD-EU-audio; EU territorial assertion, US status not established. Transfer and source carrier unidentified.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Mozart Requiem, Walter/Vienna 1956, 08. Lacrimosa\",\"url\":\"https://commons.wikimedia.org/wiki/File:W._A._Mozart_-_Requiem,_K._626_(Bruno_Walter,_Wiener_Philharmoniker,_Wiener_Staatsopernchor,_1956)_-_08._Lacrimosa.ogg?oldid=628356065\",\"locator\":\"Summary: 26 July 1956, cast and upstream Internet Archive item; Licensing: PD-EU-audio. File history: D. Benjamin Miller uploaded the Ogg on 5 June 2018. Embedded digitizing year 1956 is not treated as an independently documented transfer date. Original file and MP3 transcode information inspected.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Mozart Requiem Bruno\",\"url\":\"https://archive.org/metadata/MozartRequiemBruno\",\"locator\":\"metadata.date: 1956-07-26; description: recorded live at the 1956 Salzburg Festival; creator credits; licenseurl: Public Domain Mark 1.0; addeddate/publicdate: 2018-06-04 15:13:21. Corresponding movement Ogg files are marked original; MP3 files are derivatives. No original carrier or transfer engineer is identified.\",\"accessed\":\"2026-10-18\"},{\"id\":\"concert\",\"title\":\"Vienna Philharmonic — Salzburg Festival, 26 July 1956\",\"url\":\"https://www.wienerphilharmoniker.at/en/konzerte/salzburg-festival/512/\",\"locator\":\"Primary event record: Thursday 26 July 1956, Small Festival Hall; Bruno Walter, Lisa Della Casa, Ira Malaniuk, Anton Dermota, Cesare Siepi and organist Franz Sauer; programme K. 183 and K. 626. The displayed 0:00 is not used as a start time. The choir field is blank.\",\"accessed\":\"2026-10-18\"},{\"id\":\"festival-catalogue\",\"title\":\"Salzburg Festival — Festspieldokumente Gesamtverzeichnis 2022\",\"url\":\"https://www.salzburgerfestspiele.at/wp-content/uploads/2022/08/festspieldokumente_gesamtverzeichnis_2022_web-1.pdf\",\"locator\":\"Printed p. 138, PDF p. 70: Walter/Vienna Philharmonic, Festspielhaus 1956, K. 183 and K. 626; named vocal soloists and Konzertvereinigung Wiener Staatsopernchor; Orfeo C 430 961 B, one CD, 1996. Evidence of a later issue, not the first issue or the carrier behind the upload.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discography\",\"title\":\"Altena, Reveyoso and Ryding — Bruno Walter discography\",\"url\":\"https://www.opusklassiek.nl/dirigenten/walter_discografie.pdf\",\"locator\":\"PDF p. 84, Mozart Requiem entry (f): 26 July 1956, Festspielhaus Salzburg, live, matching cast; LP Cetra LO516; CDs Nuova Era 2209, Seven Seas K30Y307 and Orfeo C430961B. The entry supplies no first-publication date or transfer lineage for this digital file.\",\"accessed\":\"2026-10-18\"},{\"id\":\"nma-preface\",\"title\":\"Leopold Nowak — Neue Mozart-Ausgabe, Requiem completions, preface\",\"url\":\"https://dme.mozarteum.at/DME/objs/pdf/nma_14_-23_-3_eng.pdf\",\"locator\":\"Documentary discussion of Mozart, Eybler and Süssmayr; Mozart’s completed Introitus and unfinished Lacrimosa; completion in 1792; first score publication 1800; Süssmayr’s letter of 8 February 1800 and Constanze’s of 27 March 1799. Printed p. XX, note 53 quotes Walter on cutting choral-doubling trombones, without identifying this session’s cuts.\",\"accessed\":\"2026-10-18\"},{\"id\":\"nma-score\",\"title\":\"Neue Mozart-Ausgabe — Requiem: Completions, traditional Süssmayr version\",\"url\":\"https://dme.mozarteum.at/DME/nma/nma_toc.php?l=2&vsep=14\",\"locator\":\"Section B: Introitus pp. 37–48; Dies irae pp. 62–77; Lacrimosa pp. 111–117; Communio pp. 179–199. Selected score pages were inspected as images. A reference for musical structure, not evidence that Walter used the 1965 edition in 1956.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score-scan\",\"title\":\"Mozart Requiem in full score — Breitkopf & Härtel, unabridged Dover reprint\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/7/79/IMSLP758680-PMLP2751-Mozart_Requiem%2C_K.626_-_Full_Score.pdf\",\"locator\":\"Title and publication pages identify Dover 1987 as an unabridged reprint of an undated Breitkopf & Härtel score, with a new contents page and instrumentation list. Musical pages inspected: Introitus pp. 1–8, Dies irae pp. 16–21, Lacrimosa pp. 49–54, Communio pp. 95–104. The scan does not identify the edition used for this performance.\",\"accessed\":\"2026-10-18\"},{\"id\":\"bso\",\"title\":\"Jan Swafford — Mozart Requiem, Boston Symphony Orchestra programme note\",\"url\":\"https://www.bso.org/works/mozart-requiem\",\"locator\":\"Composer dates, Walsegg memorial commission, incomplete state of the work and orchestral forces. The NMA is preferred for the documentary sequence and completion details; this programme’s conflicting first-performance statements are not used.\",\"accessed\":\"2026-10-18\"},{\"id\":\"sussmayr-biography\",\"title\":\"Erich Duda — Franz Xaver Süssmayr, Neue Deutsche Biographie\",\"url\":\"https://www.deutsche-biographie.de/sfz82024.html\",\"locator\":\"NDB 25 (2013), pp. 685–686: 1766–17 September 1803, Vienna; Mozart association and commission to complete the Requiem. Biographical facts only; no text or modern edition is republished.\",\"accessed\":\"2026-10-18\"},{\"id\":\"pd-eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Sound-recording rights assertion concerning performers and producers in the European Union; not a composition-only tag or a worldwide licence.\",\"accessed\":\"2026-10-18\"},{\"id\":\"pdm\",\"title\":\"Creative Commons — Public Domain Mark 1.0\",\"url\":\"https://creativecommons.org/publicdomain/mark/1.0/\",\"locator\":\"The mark identifies asserted public-domain status; it is not CC0 or a licence granted by a performer. The deed cautions that status may differ between jurisdictions and supplies no warranty.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-composition-term\",\"title\":\"Directive 2006/116/EC — term of authors’ rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1 and 8: ordinary life-plus-70 term and calculation from the following 1 January; Article 5 separately addresses critical and scientific publications. The composition calculation does not establish rights in a recording or unidentified modern edition.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-recording-term\",\"title\":\"Directive 2011/77/EU — sound-recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Amendments distinguish performance/fixation from lawful publication and communication; the extension applies to rights still protected on 1 November 2013. A 1956 session date alone does not prove pre-1963 lawful publication or the expiry of all recording rights.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"2 inferred; 5 documented; 5 unknown"},{"id":"mussorgsky-night-bald-mountain","composer":"Modest Mussorgsky","title":"Night on Bald Mountain","movement":"Rimsky-Korsakov’s concert version","work.title":"Night on Bald Mountain","work.catalogue":"","work.movement":"Symphonic poem","work.version.value":"Rimsky-Korsakov’s 1886 concert version","work.version.status":"inferred","work.version.sourceIds":"[\"commons\"]","work.version.note":"Commons dates the composition to 1886, supporting this attribution rather than Mussorgsky’s 1867 score. The recording’s performing edition has not been checked against a score or by ear.","performers.value":"[]","performers.status":"unknown","performers.sourceIds":"[\"commons\"]","performers.note":"Commons says the performer ‘might be Skidmore College Orchestra’. That tentative attribution is not promoted to a documented orchestra or conductor.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"The source’s 1886 date is explicitly the composition date, not a recording date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the consulted source.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original release label is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or disc-side identifiers are supplied; the digital file format does not establish the original carrier.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or restoration engineer is identified; an uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. 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This is the programme’s explicit Musopen recording-release route, not an age-based inference or a claim that a Public Domain Mark is itself a licence. The session date is not needed for this route. The reproduced Musopen policy says use is unrestricted; resale and attribution requests are courtesy requests, not a non-commercial licence.","rights.creditLine":"Modest Mussorgsky: Night on Bald Mountain, attributed to Rimsky-Korsakov’s concert version — performers unidentified. Public-domain recording supplied by Musopen, via Wikimedia Commons. Musopen attribution retained as requested.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Modest Mussorgsky - night on bald mountain.ogg\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=642919319\",\"locator\":\"Summary: description, date, source, author and permission; Licensing; File history; embedded metadata. 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If the version is Ravel’s, his orchestration is not assessed in this dossier.","rights.recording.value":"Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons-audit\",\"commons-file\"]","rights.recording.note":"The file description applies PD-author|Musopen to the recording separately from PD-old-100 for the music, and cites the VRTS ticket; the page is in “Items with VRTS permission confirmed”. Musopen’s reproduced policy says the music is public domain with no restrictions; its requests not to sell the recordings and to credit Musopen are courtesy requests, not a non-commercial licence. The Internet Archive copy of the first Promenade is marked CC0 1.0. Session date is not needed for this route.","rights.creditLine":"Modest Mussorgsky: Pictures at an Exhibition — IX. La cabane sur des pattes de poule (Baba-Yaga). 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The access file is a Wikimedia MP3 derivative of the uploaded Ogg Vorbis file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/70/Modest_Mussorgsky_-_pictures_at_an_exhibition_-_v._ballet_des_poussins_dans_leurs_coques_-_scherzino._vivo_leggiero.ogg/70.mp3","digital.sourceChain":"[\"commons-file\",\"commons-api\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":78.2,"rights.composition.value":"Mussorgsky’s piano suite (he died in 1881) is public domain; Commons marks the music PD-old-100. An orchestration is a separate work with its own term and is not cleared here.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons-audit\"]","rights.composition.note":"The Commons notice covers Mussorgsky’s music only. 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If the version is Ravel’s, his orchestration is not assessed in this dossier.","rights.recording.value":"Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons-audit\",\"commons-file\"]","rights.recording.note":"The file description applies PD-author|Musopen to the recording separately from PD-old-100 for the music, and cites the VRTS ticket; the page is in “Items with VRTS permission confirmed”. Musopen’s reproduced policy says the music is public domain with no restrictions; its requests not to sell the recordings and to credit Musopen are courtesy requests, not a non-commercial licence. The Internet Archive copy of the first Promenade is marked CC0 1.0. Session date is not needed for this route.","rights.creditLine":"Modest Mussorgsky: Pictures at an Exhibition — III. Tuileries — Allegretto non troppo, capriccioso. Orchestral recording attributed to the Skidmore College Orchestra (conductor unknown); public-domain recording supplied by Musopen via Wikimedia Commons. Musopen attribution retained as requested.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons-file\",\"title\":\"Wikimedia Commons — File:Modest Mussorgsky - pictures at an exhibition - iii. tuileries - allegretto non troppo, capriccioso.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Modest_Mussorgsky_-_pictures_at_an_exhibition_-_iii._tuileries_-_allegretto_non_troppo,_capriccioso.ogg\",\"locator\":\"Summary (description, source, author, permission), Licensing templates, categories, file history.\",\"accessed\":\"2026-10-17\"},{\"id\":\"commons-api\",\"title\":\"Wikimedia Commons audio metadata API — File:Modest Mussorgsky - pictures at an exhibition - iii. tuileries - allegretto non troppo, capriccioso.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AModest%20Mussorgsky%20-%20pictures%20at%20an%20exhibition%20-%20iii.%20tuileries%20-%20allegretto%20non%20troppo%2C%20capriccioso.ogg&prop=videoinfo&viprop=url|size|mime|derivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 derivative URL.\",\"accessed\":\"2026-10-17\"},{\"id\":\"commons-audit\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Modest Mussorgsky - pictures at an exhibition - iii. tuileries - allegretto non troppo, capriccioso.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AModest%20Mussorgsky%20-%20pictures%20at%20an%20exhibition%20-%20iii.%20tuileries%20-%20allegretto%20non%20troppo%2C%20capriccioso.ogg&prop=revisions&rvprop=content&rvslots=main&format=json&formatversion=2\",\"locator\":\"Wikitext of the file page: Music {{PD-old-100}}, Recording {{PD-author|Musopen}}, {{PermissionTicket|id=2008012110017088}}, categories. Upload 2008-01-21T23:48:51Z by Raul654.\",\"accessed\":\"2026-10-17\"},{\"id\":\"fma-album\",\"title\":\"Free Music Archive — Skidmore College Orchestra, Mussorgsky’s Pictures at an Exhibition (album, released 6 April 2009)\",\"url\":\"https://freemusicarchive.org/music/Skidmore_College_Orchestra/Mussorgskys_Pictures_at_an_Exhibition\",\"locator\":\"Track list of fifteen titles with lengths; licence line “PD”; track page for this movement: https://freemusicarchive.org/music/Skidmore_College_Orchestra/Mussorgskys_Pictures_at_an_Exhibition/III_Tuileries_Allegretto_non_troppo_capriccioso/ (length 1:03).\",\"accessed\":\"2026-10-17\"},{\"id\":\"ia-promenade\",\"title\":\"Internet Archive — Pictures At An Exhibition - Promenade, Skidmore College Orchestra (Musopen CC0 recording)\",\"url\":\"https://archive.org/details/modest-mussorgsky-pictures-at-an-exhibition-promenade\",\"locator\":\"Description: “Performed by Skidmore College Orchestra date unknown, 2008 at the latest”; licence URL CC0 1.0. This item holds the first Promenade only; it is used for the orchestra attribution and date bound of the set.\",\"accessed\":\"2026-10-17\"},{\"id\":\"commons-talk\",\"title\":\"Wikimedia Commons — File talk page of the first Promenade file, “Copyright status of the recording (all movements)” (Csmpsn, 6 July 2015)\",\"url\":\"https://commons.wikimedia.org/wiki/File_talk:Modest_Mussorgsky_-_pictures_at_an_exhibition_-_promenade_-_allegro_giusto,_nel_modo_russico_senza_allegrezza,_ma.ogg\",\"locator\":\"Comment identifying the orchestration as Ravel’s and the performance as Skidmore’s; unsourced, so used only for the “inferred” version status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 8 unknown; 2 documented"},{"id":"mussorgsky-pictures-vecchio-castello","composer":"Modest Mussorgsky","title":"Pictures at an Exhibition","movement":"II. Il vecchio castello — Andante","work.title":"Pictures at an Exhibition","work.catalogue":"","work.movement":"II. Il vecchio castello — Andante","work.version.value":"Orchestral performance; Ravel’s 1922 orchestration is the probable version but is not named by any source","work.version.status":"inferred","work.version.sourceIds":"[\"fma-album\",\"commons-talk\"]","work.version.note":"Neither Commons, the Free Music Archive nor the Internet Archive names the orchestrator. The album’s four Promenades (none between “Samuel Goldenberg and Schmuÿle” and Limoges) match Ravel’s layout, and a 2015 Commons talk-page comment calls the recording Ravel’s orchestration of a rather poor Skidmore performance. The commenter gives no source. Instrument names in the listening notes follow Ravel’s scoring conditionally, as the introduction says; the audio report does not identify instruments.","performers.value":"[{\"name\":\"Skidmore College Orchestra\",\"role\":\"orchestra, as stated by the Free Music Archive; conductor unknown\"}]","performers.status":"inferred","performers.sourceIds":"[\"fma-album\",\"commons-file\"]","performers.note":"The Commons page names no performer (“see Musopen for performance author information”). The Free Music Archive album of 15 tracks by the Skidmore College Orchestra lists a track of the same title and length (4:46; this file is 4:44), and the Internet Archive item for the first Promenade credits the same orchestra. The identification of this file with that track rests on title and length; the Musopen performer page was not opened. Conductor: unknown.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"ia-promenade\",\"fma-album\",\"commons-file\"]","session.date.precision":null,"session.date.note":"No session date is documented. The Internet Archive item says “date unknown, 2008 at the latest”; the Free Music Archive lists the album as released 6 April 2009; this file was uploaded to Commons on 2008-01-21. None of these is a recording date.","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"fma-album\"]","session.place.note":"No venue is documented. The Free Music Archive biography describes the orchestra as a semi-professional ensemble of Skidmore students and regional professionals; this is not a recording location.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons-file\"]","carrier.label.note":"The original release is not identified; Musopen and the Free Music Archive are distribution channels.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons-file\"]","carrier.catalogue.note":"No catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons-file\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifiers are supplied.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons-file\"]","transfer.credits.note":"No transfer or restoration engineer is identified; the uploader of the Commons file (Raul654) is not assumed to be one.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons-file\"]","transfer.date.note":"Upload dates are not transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons-file\"]","transfer.processing.note":"No processing is disclosed. The access file is a Wikimedia MP3 derivative of the uploaded Ogg Vorbis file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/5f/Modest_Mussorgsky_-_pictures_at_an_exhibition_-_ii._il_vecchio_castello_-_andante.ogg/5f.mp3","digital.sourceChain":"[\"commons-file\",\"commons-api\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":284.7,"rights.composition.value":"Mussorgsky’s piano suite (he died in 1881) is public domain; Commons marks the music PD-old-100. An orchestration is a separate work with its own term and is not cleared here.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons-audit\"]","rights.composition.note":"The Commons notice covers Mussorgsky’s music only. If the version is Ravel’s, his orchestration is not assessed in this dossier.","rights.recording.value":"Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons-audit\",\"commons-file\"]","rights.recording.note":"The file description applies PD-author|Musopen to the recording separately from PD-old-100 for the music, and cites the VRTS ticket; the page is in “Items with VRTS permission confirmed”. Musopen’s reproduced policy says the music is public domain with no restrictions; its requests not to sell the recordings and to credit Musopen are courtesy requests, not a non-commercial licence. The Internet Archive copy of the first Promenade is marked CC0 1.0. Session date is not needed for this route.","rights.creditLine":"Modest Mussorgsky: Pictures at an Exhibition — II. Il vecchio castello — Andante. Orchestral recording attributed to the Skidmore College Orchestra (conductor unknown); public-domain recording supplied by Musopen via Wikimedia Commons. Musopen attribution retained as requested.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons-file\",\"title\":\"Wikimedia Commons — File:Modest Mussorgsky - pictures at an exhibition - ii. il vecchio castello - andante.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Modest_Mussorgsky_-_pictures_at_an_exhibition_-_ii._il_vecchio_castello_-_andante.ogg\",\"locator\":\"Summary (description, source, author, permission), Licensing templates, categories, file history.\",\"accessed\":\"2026-10-17\"},{\"id\":\"commons-api\",\"title\":\"Wikimedia Commons audio metadata API — File:Modest Mussorgsky - pictures at an exhibition - ii. il vecchio castello - andante.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AModest%20Mussorgsky%20-%20pictures%20at%20an%20exhibition%20-%20ii.%20il%20vecchio%20castello%20-%20andante.ogg&prop=videoinfo&viprop=url|size|mime|derivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 derivative URL.\",\"accessed\":\"2026-10-17\"},{\"id\":\"commons-audit\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Modest Mussorgsky - pictures at an exhibition - ii. il vecchio castello - andante.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3AModest%20Mussorgsky%20-%20pictures%20at%20an%20exhibition%20-%20ii.%20il%20vecchio%20castello%20-%20andante.ogg&prop=revisions&rvprop=content&rvslots=main&format=json&formatversion=2\",\"locator\":\"Wikitext of the file page: Music {{PD-old-100}}, Recording {{PD-author|Musopen}}, {{PermissionTicket|id=2008012110017088}}, categories. Upload 2008-01-21T23:48:24Z by Raul654.\",\"accessed\":\"2026-10-17\"},{\"id\":\"fma-album\",\"title\":\"Free Music Archive — Skidmore College Orchestra, Mussorgsky’s Pictures at an Exhibition (album, released 6 April 2009)\",\"url\":\"https://freemusicarchive.org/music/Skidmore_College_Orchestra/Mussorgskys_Pictures_at_an_Exhibition\",\"locator\":\"Track list of fifteen titles with lengths; licence line “PD”; track page for this movement: https://freemusicarchive.org/music/Skidmore_College_Orchestra/Mussorgskys_Pictures_at_an_Exhibition/II_Il_vecchio_castello_Andante/ (length 4:46).\",\"accessed\":\"2026-10-17\"},{\"id\":\"ia-promenade\",\"title\":\"Internet Archive — Pictures At An Exhibition - Promenade, Skidmore College Orchestra (Musopen CC0 recording)\",\"url\":\"https://archive.org/details/modest-mussorgsky-pictures-at-an-exhibition-promenade\",\"locator\":\"Description: “Performed by Skidmore College Orchestra date unknown, 2008 at the latest”; licence URL CC0 1.0. This item holds the first Promenade only; it is used for the orchestra attribution and date bound of the set.\",\"accessed\":\"2026-10-17\"},{\"id\":\"commons-talk\",\"title\":\"Wikimedia Commons — File talk page of the first Promenade file, “Copyright status of the recording (all movements)” (Csmpsn, 6 July 2015)\",\"url\":\"https://commons.wikimedia.org/wiki/File_talk:Modest_Mussorgsky_-_pictures_at_an_exhibition_-_promenade_-_allegro_giusto,_nel_modo_russico_senza_allegrezza,_ma.ogg\",\"locator\":\"Comment identifying the orchestration as Ravel’s and the performance as Skidmore’s; unsourced, so used only for the “inferred” version status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 8 unknown; 2 documented"},{"id":"nielsen-wind-quintet-menuet","composer":"Carl Nielsen","title":"Wind Quintet, Op. 43","movement":"II. Menuet","work.title":"Wind Quintet, Op. 43","work.catalogue":"Op. 43; FS 100; CNW 70","work.movement":"II. Menuet","work.version.value":"Original version for flute, oboe, clarinet in A, horn in F and bassoon. The Menuet, the Trio, the written-out return of the Menuet and the Coda are present.","work.version.status":"inferred","work.version.sourceIds":"[\"archive\",\"cne\"]","work.version.note":"The structure of the track (a Menuet, a Trio in F major, a return of the Menuet and a Coda) was compared with the printed bars of the Carl Nielsen Edition; no published list of the side was consulted. The label reads “2 Sats: Menuet”. Which score edition the players used is not stated.","performers.value":"[{\"name\":\"Det Kgl. Kapels Blæserkvintet (Wind Quintet of the Royal Orchestra, Copenhagen)\",\"role\":\"ensemble\"},{\"name\":\"Holger Gilbert-Jespersen\",\"role\":\"flute\"},{\"name\":\"Svend Christian Felumb\",\"role\":\"oboe\"},{\"name\":\"Aage Oxenvad\",\"role\":\"clarinet\"},{\"name\":\"Hans Sørensen\",\"role\":\"horn\"},{\"name\":\"Knud Lassen\",\"role\":\"bassoon\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"kelly\",\"cnw70\"]","performers.note":"The labels read “Det Kgl. Kapels Blæserkvintet. Gilbert Jespersen—Fløjte, Felumb—Oboe, Oxenvad—Klarinet, Kn. Lassen—Fagot & Hans Sørensen—Horn”. The Kelly files give the same five names, with Holger Gilbert-Jespersen in full, for the wind quintet of the Royal Orchestra, Copenhagen. The item description calls the ensemble the Wind Quintet of the Royal Danish Opera and says Gilbert-Jespersen joined in 1929; the Catalogue of Carl Nielsen’s Works lists him as the flautist at the Berlin performance of 29 March 1923, and Paul Hagemann as flautist at the first public performance on 9 October 1922.","session.date.value":"5 May 1936","session.date.status":"documented","session.date.sourceIds":"[\"kelly\",\"archive\"]","session.date.note":"The Kelly files list matrix 2CS 295 with four takes: takes 1 to 3 are dated January 1936 without a day, and take 4, the issued take, is dated 5 May 1936. The item description gives 24 January 1936 for the set as a whole and lists this side as 2CS 295-4. The rest of the quintet was recorded on 24 and 25 January 1936.","session.date.precision":"day","session.place.value":"Copenhagen, Denmark","session.place.status":"inferred","session.place.sourceIds":"[\"archive\",\"kelly\"]","session.place.note":"The item description places the quintet sessions in Copenhagen, and the Kelly files give “Royal Orchestra, Copenhagen” as the ensemble. The place field in the Kelly files reads “Someplace, Scandanavia”, a placeholder, and no place is stated for the May take specifically. The studio or hall is not stated.","carrier.label.value":"His Master’s Voice (The Gramophone Company, Ltd.), 12-inch records in the Scandinavian red-label D.B. series, pressed in England","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"The label scan reads “His Master’s Voice”, “Made in England” and “The Gramophone Co. Ltd.”, in Danish, with “Quintett” and the speed, 78. The item description calls DB 5200–5203 the first issue in the 12-inch Scandinavian Red Label series.","carrier.catalogue.value":"HMV D.B. 5201 (side A), “2 Sats: Menuet”; the set is D.B. 5200–5203, 12-inch, 78 rpm","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"mq\",\"tnr\"]","carrier.catalogue.note":"Read from the label scan of D.B. 5201 A, which also carries a hand-marked side number 3. The Musical Quarterly of April 1937 lists the set as DB 5200–3, and The New Records of August 1937 as four 12-inch discs, DB5200 to DB5203.","carrier.matrixTakeSides.value":"2CS 295-4 (D.B. 5201 A)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"kelly\"]","carrier.matrixTakeSides.note":"The label prints the matrix number 2CS 295 without a take; take 4 comes from the item description and agrees with the issued take in the Kelly files.","transfer.credits.value":"Internet Archive collection The Shellackophile’s Vintage Recordings; the person who made the transfer is not named in the item","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item belongs to the collection described as recordings of classical music from the 78-rpm era. Photographs of the labels are included in the item; their photographer is not named.","transfer.date.value":"Not stated; the item was made public on 17 March 2022","transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The public date of the item and the modification time of the uploaded FLAC file are the same day, which is an upload date and not a transfer date.","transfer.processing.value":"One disc side of 4 min 28 s as one track. Equalisation, noise reduction and speed correction are not described.","transfer.processing.status":"inferred","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The movement is a single side, and the surface noise of the track is steady, with no join.","digital.streamUrl":"https://archive.org/download/db-5200-3-nielsen-wind-quintet-iii/DB5200-3%20Nielsen%20Wind%20Quintet%20%28ii%29.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive derivative VBR MP3 from an uploaded FLAC","digital.durationSeconds":267.71,"rights.composition.value":"Public domain. Nielsen died on 3 October 1931, so the work has been out of copyright in the European Union (life plus 70 years) since the end of 2001. The first edition was published by Wilhelm Hansen, Copenhagen, in 1923, which makes it public domain in the United States as well.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"cnw70\",\"dbl\"]","rights.composition.note":"The dates are documented; the legal conclusion is ours. The Carl Nielsen Edition of 2003, used here only for bar numbers and the preface, is a separate publication under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 licence, and none of its text or music is reproduced.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"mq\",\"tnr\",\"archive\",\"kelly\"]","rights.recording.note":"The set was listed as Danish Gramophone DB 5200–3 in The Musical Quarterly of April 1937 and reviewed as four 12-inch discs in The New Records of August 1937, so it was published by then. The uploader’s date of 1936 is not an independent source. The United States status of a Danish recording published in 1936 or 1937 is not established.","rights.creditLine":"Carl Nielsen, Wind Quintet, Op. 43, II (Menuet). Det Kgl. Kapels Blæserkvintet (Wind Quintet of the Royal Orchestra, Copenhagen): Holger Gilbert-Jespersen, Svend Christian Felumb, Aage Oxenvad, Hans Sørensen, Knud Lassen. Recorded 5 May 1936 (take 4); issued as HMV D.B. 5201 and listed in The Musical Quarterly in April 1937. Transfer in the Internet Archive collection The Shellackophile’s Vintage Recordings, item db-5200-3-nielsen-wind-quintet-iii. Territorial EU basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/db-5200-3-nielsen-wind-quintet-iii","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Nielsen Wind Quintet (first recording, 1936): metadata, file inventory and label scans\",\"url\":\"https://archive.org/metadata/db-5200-3-nielsen-wind-quintet-iii\",\"locator\":\"metadata.description (players, recording date, issue numbers, matrices and side contents, “Side 3 (2CS 295-4): Second movement (Menuet)”); label scan of HMV DB5201 A (2CS 295, “2 Sats: Menuet”); track (ii), 4:28\",\"accessed\":\"2026-10-19\"},{\"id\":\"kelly\",\"title\":\"The Gramophone Company Discography (after Alan Kelly), Gramophone Company matrix files\",\"url\":\"https://www.gramophonecompanydiscography.com/\",\"locator\":\"Matrix series 2CS, number 295: “Quintet for wind instruments Op 43 (Nielsen), 5 del”, takes 1–3 dated January 1936, take 4 dated 5 May 1936 and issued as DB5201; matrices 2CS 291–297 and 296 for the rest of the quintet\",\"accessed\":\"2026-10-19\"},{\"id\":\"mq\",\"title\":\"The Musical Quarterly, vol. 23 no. 2, April 1937 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_musical-quarterly_1937-04_23_2\",\"locator\":\"“Quarterly Record-List”, Nielsen entries: Quintet, Op. 43; Taagen letter, Danish Gramophone DB 5200–3\",\"accessed\":\"2026-10-19\"},{\"id\":\"tnr\",\"title\":\"The New Records, vol. 5 (March 1937 – February 1938), H. Royer Smith Company, Philadelphia (Internet Archive scan)\",\"url\":\"https://archive.org/details/TNR05\",\"locator\":\"Vol. 5 no. 6, August 1937: entry for Nielsen’s Quintet for Wind Instruments, Op. 43, DB5200 to DB5203, four 12-inch discs at $2.50 each\",\"accessed\":\"2026-10-19\"},{\"id\":\"cnw70\",\"title\":\"Catalogue of Carl Nielsen’s Works (Royal Danish Library) — Quintet for flute, oboe, clarinet, horn and bassoon, Op. 43, CNW 70\",\"url\":\"https://www.kb.dk/dcm/cnw/document.xq?n=70\",\"locator\":\"Dedicatees; first edition (Wilhelm Hansen, Copenhagen 1923); performances of 30 April 1922 (private, Gothenburg), 9 October 1922 (Hagemann, Felumb, Oxenvad, Sørensen, Lassen) and 29 March 1923, Berlin (Gilbert-Jespersen)\",\"accessed\":\"2026-10-19\"},{\"id\":\"cne\",\"title\":\"Carl Nielsen Edition, series II, vol. 11, Chamber Music 2 (Edition Wilhelm Hansen, Copenhagen, 2003)\",\"url\":\"https://www.kb.dk/dcm/assets/cnu/pdf/CNU_II_11_chamber_music_2.pdf\",\"locator\":\"Quintet, Op. 43, second movement, pp. 121–128 (bar numbers 1–122); preface to the Quintet, pp. xxxv–xxxix\",\"accessed\":\"2026-10-19\"},{\"id\":\"dbl\",\"title\":\"Dansk Biografisk Leksikon — Carl Nielsen\",\"url\":\"https://biografiskleksikon.lex.dk/Carl_Nielsen\",\"locator\":\"Death on 3 October 1931 in Copenhagen\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"3 inferred; 8 documented; 1 unknown"},{"id":"nielsen-wind-quintet-variations","composer":"Carl Nielsen","title":"Wind Quintet, Op. 43","movement":"III. Præludium — Tema med variationer","work.title":"Wind Quintet, Op. 43","work.catalogue":"Op. 43; FS 100; CNW 70","work.movement":"III. Præludium — Tema med variationer","work.version.value":"Original version for flute, oboe (cor anglais in the Prelude and the theme), clarinet in A, horn in F and bassoon. The Prelude, the theme, all eleven variations and the closing Andantino festivo are present.","work.version.status":"inferred","work.version.sourceIds":"[\"archive\",\"cne\"]","work.version.note":"The scoring is that of the score in the Carl Nielsen Edition. That nothing is cut was established by comparing the structure of the track (pauses at the printed fermatas, variation lengths in bars) with the printed bars, not by comparison with a published list of the sides. The labels read “3 Sats: Præludium–Tema con variazioni”, parts 1 to 4; which score edition the players used is not stated.","performers.value":"[{\"name\":\"Det Kgl. Kapels Blæserkvintet (Wind Quintet of the Royal Orchestra, Copenhagen)\",\"role\":\"ensemble\"},{\"name\":\"Holger Gilbert-Jespersen\",\"role\":\"flute\"},{\"name\":\"Svend Christian Felumb\",\"role\":\"oboe and cor anglais\"},{\"name\":\"Aage Oxenvad\",\"role\":\"clarinet\"},{\"name\":\"Hans Sørensen\",\"role\":\"horn\"},{\"name\":\"Knud Lassen\",\"role\":\"bassoon\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"kelly\",\"cnw70\"]","performers.note":"The labels read “Det Kgl. Kapels Blæserkvintet. Gilbert Jespersen—Fløjte, Felumb—Oboe, Oxenvad—Klarinet, Kn. Lassen—Fagot & Hans Sørensen—Horn”. The Kelly files give the ensemble as the wind quintet of the Royal Orchestra, Copenhagen, with the same five names and Holger Gilbert-Jespersen in full. The item description calls the ensemble the Wind Quintet of the Royal Danish Opera and says Gilbert-Jespersen joined in 1929; the Catalogue of Carl Nielsen’s Works lists him as the flautist at the Berlin performance of 29 March 1923, and Paul Hagemann as flautist at the first public performance on 9 October 1922. The other four players are those named for that first performance.","session.date.value":"24 January 1936","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"kelly\"]","session.date.note":"The item description gives 24 January 1936, and the Kelly files date matrices 2CS 291–294 to that day. The first movement (matrices 296–297) was recorded on 25 January, and the Menuet side was remade as take 4 on 5 May 1936; neither is part of this track.","session.date.precision":"day","session.place.value":"Copenhagen, Denmark","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"kelly\"]","session.place.note":"The item description says “in Copenhagen, Denmark”, and the Kelly files give “Royal Orchestra, Copenhagen” as the ensemble. The place field in the Kelly files reads “Someplace, Scandanavia”, a placeholder. The studio or hall is not stated.","carrier.label.value":"His Master’s Voice (The Gramophone Company, Ltd.), 12-inch records in the Scandinavian red-label D.B. series, pressed in England","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"The label scans read “His Master’s Voice”, “Made in England” and “The Gramophone Co. Ltd.”, in Danish, with “Quintett” and the speed, 78. The item description calls DB 5200–5203 the first issue in the 12-inch Scandinavian Red Label series.","carrier.catalogue.value":"HMV D.B. 5201 (side B), D.B. 5202 (sides A and B) and D.B. 5203 (side A), parts 1 to 4 of the third movement; the set is D.B. 5200–5203, 12-inch, 78 rpm","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"mq\",\"tnr\"]","carrier.catalogue.note":"Read from the label scans of D.B. 5201 B (“1 Del”), D.B. 5202 A (“2 Del”), D.B. 5202 B (“3 Del”) and D.B. 5203 A (“4 Del”). The Musical Quarterly of April 1937 lists the set as DB 5200–3, and The New Records of August 1937 as four 12-inch discs, DB5200 to DB5203. Side B of D.B. 5203 carries the Taagen letter from Nielsen’s music for Moderen.","carrier.matrixTakeSides.value":"2CS 294-2 (D.B. 5201 B), 2CS 291-1 (D.B. 5202 A), 2CS 292-2 (D.B. 5202 B), 2CS 293-2 (D.B. 5203 A)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"kelly\"]","carrier.matrixTakeSides.note":"The labels print the matrix numbers 2CS 294, 291, 292 and 293 without takes; the takes come from the item description and agree with the issued takes in the Kelly files. The set was numbered as one sequence of sides, and the labels carry the hand-marked side numbers 4 to 7.","transfer.credits.value":"Internet Archive collection The Shellackophile’s Vintage Recordings; the person who made the transfer is not named in the item","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item belongs to the collection described as recordings of classical music from the 78-rpm era. Photographs of the labels are included in the item; their photographer is not named.","transfer.date.value":"Not stated; the item was made public on 17 March 2022","transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The public date of the item and the modification time of the uploaded FLAC file are the same day, which is an upload date and not a transfer date.","transfer.processing.value":"The four sides of the movement are joined in one track of 13 min 22 s. Equalisation, noise reduction and speed correction are not described.","transfer.processing.status":"inferred","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The item has one track for the whole movement, and the surface noise changes at about 3:22, 7:19 and 11:00, which are the joins between sides 4 and 5, 5 and 6, and 6 and 7.","digital.streamUrl":"https://archive.org/download/db-5200-3-nielsen-wind-quintet-iii/DB5200-3%20Nielsen%20Wind%20Quintet%20%28iii%29.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive derivative VBR MP3 from an uploaded FLAC","digital.durationSeconds":802.21,"rights.composition.value":"Public domain. Nielsen died on 3 October 1931, so the work has been out of copyright in the European Union (life plus 70 years) since the end of 2001. The first edition was published by Wilhelm Hansen, Copenhagen, in 1923, which makes it public domain in the United States as well.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"cnw70\",\"dbl\"]","rights.composition.note":"The dates are documented; the legal conclusion is ours. The Carl Nielsen Edition of 2003, used here only for bar numbers and the preface, is a separate publication under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 licence, and none of its text or music is reproduced.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"mq\",\"tnr\",\"archive\",\"kelly\"]","rights.recording.note":"The set was listed as Danish Gramophone DB 5200–3 in The Musical Quarterly of April 1937 and reviewed as four 12-inch discs in The New Records of August 1937, so it was published by then. The uploader’s date of 1936 is not an independent source. The United States status of a Danish recording published in 1936 or 1937 is not established.","rights.creditLine":"Carl Nielsen, Wind Quintet, Op. 43, III (Præludium — Tema med variationer). Det Kgl. Kapels Blæserkvintet (Wind Quintet of the Royal Orchestra, Copenhagen): Holger Gilbert-Jespersen, Svend Christian Felumb, Aage Oxenvad, Hans Sørensen, Knud Lassen. Recorded 24 January 1936; issued as HMV D.B. 5201–5203 and listed in The Musical Quarterly in April 1937. Transfer in the Internet Archive collection The Shellackophile’s Vintage Recordings, item db-5200-3-nielsen-wind-quintet-iii. Territorial EU basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/db-5200-3-nielsen-wind-quintet-iii","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Nielsen Wind Quintet (first recording, 1936): metadata, file inventory and label scans\",\"url\":\"https://archive.org/metadata/db-5200-3-nielsen-wind-quintet-iii\",\"locator\":\"metadata.description (players, recording date, issue numbers, matrices and side contents); label scans of HMV DB5200 A (2CS 296, “1 Sats: Allegro ben moderato, 1 Del”), DB5201 B (2CS 294, “1 Del”), DB5202 A (2CS 291, “2 Del”), DB5202 B (2CS 292, “3 Del”) and DB5203 A (2CS 293, “4 Del”); track (iii), 13:22\",\"accessed\":\"2026-10-19\"},{\"id\":\"kelly\",\"title\":\"The Gramophone Company Discography (after Alan Kelly), Gramophone Company matrix files\",\"url\":\"https://www.gramophonecompanydiscography.com/\",\"locator\":\"Matrix series 2CS, numbers 291–297 and 318: “Quintet for wind instruments Op 43 (Nielsen)”, parts 1 to 7, recording dates 24–25 January 1936 (295 take 4 on 5 May 1936), issue numbers DB5200–DB5203, and the Taagen letter (2CS 318)\",\"accessed\":\"2026-10-19\"},{\"id\":\"mq\",\"title\":\"The Musical Quarterly, vol. 23 no. 2, April 1937 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_musical-quarterly_1937-04_23_2\",\"locator\":\"“Quarterly Record-List”, Nielsen entries: Quintet, Op. 43; Taagen letter, Danish Gramophone DB 5200–3\",\"accessed\":\"2026-10-19\"},{\"id\":\"tnr\",\"title\":\"The New Records, vol. 5 (March 1937 – February 1938), H. Royer Smith Company, Philadelphia (Internet Archive scan)\",\"url\":\"https://archive.org/details/TNR05\",\"locator\":\"Vol. 5 no. 6, August 1937: entry for Nielsen’s Quintet for Wind Instruments, Op. 43, DB5200 to DB5203, four 12-inch discs at $2.50 each\",\"accessed\":\"2026-10-19\"},{\"id\":\"cnw70\",\"title\":\"Catalogue of Carl Nielsen’s Works (Royal Danish Library) — Quintet for flute, oboe, clarinet, horn and bassoon, Op. 43, CNW 70\",\"url\":\"https://www.kb.dk/dcm/cnw/document.xq?n=70\",\"locator\":\"Dedicatees; first edition (Wilhelm Hansen, Copenhagen 1923); performances of 9 October 1922 (Hagemann, Felumb, Oxenvad, Sørensen, Lassen) and 29 March 1923, Berlin (Gilbert-Jespersen)\",\"accessed\":\"2026-10-19\"},{\"id\":\"cne\",\"title\":\"Carl Nielsen Edition, series II, vol. 11, Chamber Music 2 (Edition Wilhelm Hansen, Copenhagen, 2003)\",\"url\":\"https://www.kb.dk/dcm/assets/cnu/pdf/CNU_II_11_chamber_music_2.pdf\",\"locator\":\"Quintet, Op. 43, third movement, pp. 129–149 (bar numbers 1–265); preface to the Quintet, pp. xxxv–xxxix\",\"accessed\":\"2026-10-19\"},{\"id\":\"dbl\",\"title\":\"Dansk Biografisk Leksikon — Carl Nielsen\",\"url\":\"https://biografiskleksikon.lex.dk/Carl_Nielsen\",\"locator\":\"Death on 3 October 1931 in Copenhagen; burial at Vestre Kirkegård\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 inferred; 9 documented; 1 unknown"},{"id":"origins-buxtehude-praeludium-137","composer":"origins-buxtehude","title":"Praeludium in C major, BuxWV 137","movement":"Prelude, Fugue and Chaconne","work.title":"Praeludium in C major, BuxWV 137","work.catalogue":"BuxWV 137","work.movement":"Prelude, Fugue and Chaconne","work.version.value":"One continuous organ work with prelude, fugue and Ciacona","work.version.status":"documented","work.version.sourceIds":"[\"score\",\"work\"]","work.version.note":"The edition used by the performer is not identified. The cited 2007 typesetting is used for editorial inspection, not claimed as the session score.","performers.value":"[{\"name\":\"Fabian Wöhrle\",\"role\":\"organ\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[]","session.date.note":"No performance date is supplied. The Commons upload of 9 October 2024 is not treated as the session.","session.date.precision":null,"session.place.value":"Catholic church of St. Petrus und Paulus, Gerstetten, Germany; Reiser organ, 1984, II/P/22","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[]","carrier.label.note":"No original recording label is identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[]","carrier.catalogue.note":"No original release catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[]","carrier.matrixTakeSides.note":"No original physical carrier, matrix or take is documented.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[]","transfer.credits.note":"No recording or transfer engineer is credited; the performer credit is not an engineering credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"Neither the upload date nor the linked video establishes a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[]","transfer.processing.note":"No mastering, trimming or processing chain is supplied.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/3/32/D._Buxtehude_Pr%C3%A4ludium%2C_Fuge_und_Chaconne_C-Dur_BuxWV_137_Fabian_W%C3%B6hrle_Kath._Kirche_Gerstetten.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3, 320 kbit/s, original Commons file","digital.durationSeconds":300.3,"rights.composition.value":"Public domain","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\",\"marien\"]","rights.composition.note":"Buxtehude died in 1707; the organ work was first published in 1875–76. The modern score typesetting has separate CC BY-SA 4.0 terms.","rights.recording.value":"Creative Commons Attribution-ShareAlike 4.0","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The uploader declares own work and CC BY-SA 4.0 with attribution to Fabian Wöhrle. The username Subbass1 is not independently identified as the performer.","rights.creditLine":"Dieterich Buxtehude, BuxWV 137; Fabian Wöhrle, organ. Recording supplied through Wikimedia Commons under CC BY-SA 4.0.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Fabian Wöhrle, BuxWV 137\",\"url\":\"https://commons.wikimedia.org/wiki/File:D._Buxtehude_Pr%C3%A4ludium%2C_Fuge_und_Chaconne_C-Dur_BuxWV_137_Fabian_W%C3%B6hrle_Kath._Kirche_Gerstetten.mp3\",\"locator\":\"Description, source video link, instrument, licensing and upload history.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Pierre Gouin / Les Éditions Outremontaises — BuxWV 137, 2007\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/2/20/IMSLP126836-WIMA.e9e1-Buxtehude_Praeludium_137.pdf\",\"locator\":\"Complete organ score, eight pages; modern typesetting CC BY-SA 4.0.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"IMSLP — Prelude in C major, BuxWV 137\",\"url\":\"https://imslp.org/wiki/Prelude_in_C_major,_BuxWV_137_(Buxtehude,_Dietrich)\",\"locator\":\"Work identification, first publication and score editions.\",\"accessed\":\"2026-10-17\"},{\"id\":\"marien\",\"title\":\"Marienkirche Lübeck — Dieterich Buxtehude\",\"url\":\"https://www.st-marien-luebeck.de/en/music/dieterich-buxtehude\",\"locator\":\"1668 appointment, Abendmusiken, Bach visit and death in 1707.\",\"accessed\":\"2026-10-17\"},{\"id\":\"notes\",\"title\":\"Relf Clark — notes on BuxWV 137\",\"url\":\"https://www.hyperion-records.co.uk/dw.asp?dc=W10872_GBAJY0861201\",\"locator\":\"Pedal opening, fugue relationship and eight three-bar ground statements; not the source recording.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"5 documented; 7 unknown"},{"id":"origins-corelli-concerto-6-4-first","composer":"origins-corelli","title":"Concerto grosso in D major, Op. 6 No. 4","movement":"I. Adagio — Allegro","work.title":"Concerto grosso in D major, Op. 6 No. 4","work.catalogue":"Op. 6 No. 4","work.movement":"I. Adagio — Allegro","work.version.value":"Opening Adagio–Allegro movement of the four-movement concerto grosso","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"work\"]","work.version.note":"The recording page identifies the movement. The original concertino/ripieno scoring is used as the editorial reference; the performers’ edition and exact continuo realization are not documented.","performers.value":"[{\"name\":\"Advent Chamber Orchestra\",\"role\":\"ensemble\"},{\"name\":\"Roxanna Pavel Goldstein\",\"role\":\"musical director\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"The source separately calls Elias Goldstein managing director. A management credit is not a conducting or solo-performance credit; concertino players are not named.","session.date.value":"2005–2006 season","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The source states selections from the 05–06 season, not an exact session date. The Commons upload on 11 February 2008 is separate.","session.date.precision":"range","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[]","session.place.note":"No specific performance venue or recording location is supplied.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[]","carrier.label.note":"The Al Goldstein collection/Pandora repository is the source collection, not an established original record label.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[]","carrier.catalogue.note":"No original catalogue number is documented.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[]","carrier.matrixTakeSides.note":"No original physical carrier, matrix or take is supplied.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[]","transfer.credits.note":"The repository collector and Commons uploader are not identified as recording or transfer engineers.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"No transfer date is documented; the upload date is not substituted.","transfer.processing.value":"Ogg Vorbis file identifies Xiph.Org libVorbis I 20040629 encoder","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"This is an encoder identifier, not a recording date or a documented mastering chain. Other processing is unknown.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/e/ee/Corelli_-_Concerto_Grosso_Op._6_No._4_-_1._Adagio_-_Allegro.ogg/Corelli_-_Concerto_Grosso_Op._6_No._4_-_1._Adagio_-_Allegro.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia MP3 transcode of the Commons Ogg Vorbis file","digital.durationSeconds":205.1,"rights.composition.value":"Public domain","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\"]","rights.composition.note":"Corelli died in 1713; Op. 6 was published in 1714. The composition’s status is separate from rights in this modern performance.","rights.recording.value":"Creative Commons Attribution-ShareAlike 2.0","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The Commons page explicitly supplies the EFF Open Audio License and its CC BY-SA 2.0 replacement terms for this recording. CC BY-SA 2.0 is selected here.","rights.creditLine":"Arcangelo Corelli; Advent Chamber Orchestra; Roxanna Pavel Goldstein, musical director. Al Goldstein collection / Pandora Music, via Wikimedia Commons. Recording licensed CC BY-SA 2.0.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/2.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Advent Chamber Orchestra, Corelli Op. 6 No. 4, first movement\",\"url\":\"https://commons.wikimedia.org/wiki/File:Corelli_-_Concerto_Grosso_Op._6_No._4_-_1._Adagio_-_Allegro.ogg\",\"locator\":\"Description, 2005–2006 season, ensemble leadership, source collection, licence, file metadata and upload history.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"IMSLP — 12 Concerti Grossi, Op. 6\",\"url\":\"https://imslp.org/wiki/12_Concerti_Grossi,_Op.6_(Corelli,_Arcangelo)\",\"locator\":\"1714 Amsterdam publication, original title and concertino/ripieno scoring.\",\"accessed\":\"2026-10-17\"},{\"id\":\"individual\",\"title\":\"IMSLP — Concerto grosso in D major, Op. 6 No. 4\",\"url\":\"https://imslp.org/wiki/Concerto_grosso_in_D_major,_Op.6_No.4_(Corelli,_Arcangelo)\",\"locator\":\"Four-movement work and Adagio–Allegro first movement.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Corelli — Op. 6 full score, Concerto IV\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/5/5e/IMSLP128514-PMLP28008-Corelli_-_Op._6.pdf\",\"locator\":\"PDF pages 65–70, printed pages 56–61: four-bar Adagio and repeated Allegro strains. The printed keyboard realization is not assumed to be used in this recording.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 documented; 6 unknown"},{"id":"origins-hildegard-o-frondens","composer":"origins-hildegard","title":"O frondens virga","movement":"Antiphon for the Virgin","work.title":"O frondens virga","work.catalogue":"Dendermonde manuscript, fol. 155r","work.movement":"Psalm antiphon for the Virgin","work.version.value":"Monophonic Marian antiphon, performed by a solo singer","work.version.status":"documented","work.version.sourceIds":"[\"society\",\"commons\",\"original\"]","work.version.note":"The Hildegard Society identifies the antiphon in the Dendermonde manuscript, not Ordo virtutum. The recording pages’ dramatic attribution and associated circa-1151 date are rejected. The performer’s edition is unknown.","work.date.value":null,"work.date.status":"unknown","work.date.sourceIds":"[\"society\"]","work.date.note":"Hildegard’s twelfth-century authorship is established; an exact composition year is not. The Society treats reasons for omission from the Riesencodex as possibilities, not facts.","work.completeness.value":"Complete nominated antiphon performance with final applause removed","work.completeness.status":"documented","work.completeness.sourceIds":"[\"commons\",\"original\"]","work.completeness.note":"The derivative’s source note explicitly identifies applause removal. No musical abridgement is documented, and Contrapunctus makes no further cut.","work.mode.value":"D mode in the manuscript","work.mode.status":"documented","work.mode.sourceIds":"[\"society\"]","work.mode.note":"Beverly Lomer gives D mode, range A below the final to the D above, principally syllabic writing, neumatic elements and short melismas. These written pitches do not establish the performance’s absolute pitch or tuning.","performers.value":"[{\"name\":\"Makemi\",\"role\":\"solo voice\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"original\"]","performers.note":"The creator says performed live by self. The original’s embedded author tag reads Magdalen Kadel; the public credit retains the explicitly licensed username rather than expanding the performer’s name from an embedded tag alone.","session.date.value":"2006","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"original\"]","session.date.note":"The edited file’s description states 2006 and live performance. The original was uploaded on 23 March 2006; that day is not promoted to a session date. The derivative was uploaded on 1 October 2008.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"original\"]","session.place.note":"Neither file description names the venue or town.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"original\"]","carrier.label.note":"No recording label is identified; the source is a creator-uploaded performance.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"original\"]","carrier.catalogue.note":"No release catalogue number is given.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"original\"]","carrier.matrixTakeSides.note":"The original session medium and any take identifier are not documented.","transfer.credits.value":"Original performance upload by Makemi; applause-removed derivative uploaded by Adam Cuerden","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\",\"original\"]","transfer.credits.note":"These are uploader and derivative-provenance credits. A separately named recording engineer is not established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"original\"]","transfer.date.note":"The 2008 derivative upload dates the deposited file, not necessarily the editing operation. No separate mastering date is known.","transfer.processing.value":"Applause at the end removed from O frondens.ogg; Ogg Vorbis derivative and Wikimedia MP3 transcode","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"original\"]","transfer.processing.note":"The source explicitly describes this non-musical trim. The derivative names Xiph.Org libVorbis I 20040629. No other restoration, tuning correction or musical edit is established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/a/ad/O_frondens_2.ogg/O_frondens_2.ogg.mp3","digital.sourceChain":"[\"commons\",\"original\"]","digital.format":"MP3 access derivative of the applause-removed Ogg Vorbis file","digital.durationSeconds":96.1,"rights.composition.value":"Public-domain medieval composition","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"society\"]","rights.composition.note":"The Commons Composition block applies public-domain status to Hildegard’s work. It does not license the modern sound recording.","rights.recording.value":"Rule 1 — CC BY-SA 3.0 Unported, performer’s release","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"original\",\"licence\"]","rights.recording.note":"The separately headed Performance block names Makemi as copyright holder and grants CC BY-SA 3.0 through GFDL migration; the original creator upload supplies the same licensing chain. audio.mjs selects the composition’s Public domain tag, so that automatic result is not used as recording clearance.","rights.creditLine":"Hildegard of Bingen, O frondens virga, Marian antiphon; performed live by Makemi, 2006. Original recording released by Makemi; applause-removed derivative uploaded by Adam Cuerden, Wikimedia Commons. CC BY-SA 3.0. No additional audio edit by Contrapunctus.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — O frondens 2.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:O_frondens_2.ogg?oldid=1189290018\",\"locator\":\"Summary, Source, separate Composition and Performance licensing blocks, derivative upload history and metadata. Its Ordo virtutum attribution is erroneous.\",\"accessed\":\"2026-10-17\"},{\"id\":\"original\",\"title\":\"Wikimedia Commons — creator’s O frondens.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:O_frondens.ogg?oldid=1189289748\",\"locator\":\"Own-work statement, live-performance description, self-licensing, 23 March 2006 upload and embedded author tag.\",\"accessed\":\"2026-10-17\"},{\"id\":\"society\",\"title\":\"International Society of Hildegard von Bingen Studies — O frondens virga\",\"url\":\"https://www.hildegard-society.org/2014/10/o-frondens-virga-antiphon.html\",\"locator\":\"Psalm antiphon for the Virgin, D 155r; Beverly Lomer’s Music and Rhetoric commentary: mode, range, phrasing and manuscript transmission.\",\"accessed\":\"2026-10-17\"},{\"id\":\"licence\",\"title\":\"Creative Commons Attribution-ShareAlike 3.0 Unported\",\"url\":\"https://creativecommons.org/licenses/by-sa/3.0/\",\"locator\":\"Licence linked specifically in the recording’s Performance block.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","editorial.timing":"audio.mjs analyze completed before annotation; cache/analysis/origins-hildegard-o-frondens.txt was read. The short continuous antiphon has one authored section; no invented internal joins. Three cues at 32-second intervals, two musical and one contextual, use the short-work exception.","editorial.orchestra":"Omitted because this is one unaccompanied voice. D mode describes the manuscript, not a claim of sounding D or A=440.","editorial.withheldClaims":"[\"Ordo virtutum membership and circa-1151 composition date\",\"Reason for omission from the Riesencodex\",\"Exact live venue or day\",\"Exact sung words at cue times\",\"Tuning, transposition and instrumental accompaniment\"]","evidence":"7 documented; 5 unknown"},{"id":"origins-josquin-mille-regretz","composer":"origins-josquin","title":"Mille regretz","movement":"Four-voice chanson · attributed to Josquin des Prez","work.title":"Mille regretz","work.catalogue":"NJE 28.25; attributed to Josquin des Prez","work.movement":"Four-part French chanson","work.version.value":"Four-part unaccompanied vocal chanson; exact performing edition unknown","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"imslp\",\"score\"]","work.version.note":"The inspected Smijers score has superius, contratenor, tenor and bassus, 41 bars. It supports texture and scoring, not a claim that this choir used that edition, its spelling or its pitch level.","work.authorship.value":"Traditionally attributed to Josquin des Prez; attribution disputed","work.authorship.status":"disputed","work.authorship.sourceIds":"[\"imslp\",\"work-history\"]","work.authorship.note":"The traditional name is retained as a qualified attribution, not a settled authorship claim. IMSLP notes modern dispute and David Fallows’s defence of Josquin; Commons’s unqualified composer label is insufficient to settle the issue.","work.authorship.alternatives":"[{\"value\":\"Josquin des Prez, traditional attribution defended by Fallows\",\"sourceIds\":[\"imslp\"]},{\"value\":\"Authorship uncertain; attribution to Josquin questioned\",\"sourceIds\":[\"imslp\",\"work-history\"]}]","work.date.value":null,"work.date.status":"unknown","work.date.sourceIds":"[\"imslp\",\"work-history\"]","work.date.note":"A sixteenth-century chanson, but no exact date of composition is established. Publication references are not converted into a composition year.","work.completeness.value":"Whole nominated Collegium Vocale file","work.completeness.status":"documented","work.completeness.sourceIds":"[\"commons\"]","work.completeness.note":"The downloaded performance is retained intact, including its quiet tail. No editorial excerpt or sung-word cut is introduced.","work.scoreEdition.value":"Albert Smijers, p. 63; catalogue and scanned-page plate numbers differ","work.scoreEdition.status":"disputed","work.scoreEdition.sourceIds":"[\"imslp\",\"score\"]","work.scoreEdition.note":"IMSLP attributes the scan to Utrecht: Vereniging voor Nederlandse Muziekgeschiedenis, 1925, plate 16845, and identifies it as public domain. The inspected page’s footer instead reads 28032. The relationship between the catalogue imprint and this scanned impression is unresolved; the scan’s printing date is not independently established. The entire one-page, four-part score was viewed.","work.scoreEdition.alternatives":"[{\"value\":\"1925 edition, plate 16845, as catalogued by IMSLP\",\"sourceIds\":[\"imslp\"]},{\"value\":\"Scanned p. 63 bears plate 28032; impression date unestablished\",\"sourceIds\":[\"score\"]}]","performers.value":"[{\"name\":\"Collegium Vocale Bydgoszcz\",\"role\":\"vocal ensemble\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"youtube\"]","performers.note":"Commons credits Collegium Vocale and links the CVBydgoszcz YouTube account. No director, individual singers or exact number of performers is confirmed by the available recording metadata.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"youtube\",\"archived-youtube\"]","session.date.note":"Commons gives 24 September 2016 in its Date field, but does not establish that as the performance session. The 2017 MQS description and 3 January 2018 Commons import are also not session dates.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"Bydgoszcz identifies the ensemble, not a documented recording location.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No original commercial label is established. The page’s MQS edition description is not treated as an original recording imprint.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No release catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"Original medium and session take identification are not documented.","transfer.credits.value":"Imported from YouTube by Paterm to Wikimedia Commons","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"This credits the known import, not an unverified recording, production or mastering engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"Commons import was 3 January 2018, and the current MP3 transcode is dated 25 February 2026. Neither establishes when the original performance was recorded or mastered.","transfer.processing.value":"YouTube audio imported as Opus; Wikimedia MP3 access transcode","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The source embeds Lavf57.25.100. Earlier encoding, editing, noise reduction, pitch correction and production settings remain unknown. No additional processing or trim by Contrapunctus.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/d/db/Josquin_Desprez_--_Mille_regretz.opus/Josquin_Desprez_--_Mille_regretz.opus.mp3","digital.sourceChain":"[\"commons\",\"youtube\",\"archived-youtube\"]","digital.format":"MP3 derivative of the Opus YouTube import","digital.durationSeconds":115.9,"rights.composition.value":"Historical chanson outside ordinary composition copyright terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"imslp\",\"score\",\"work-history\"]","rights.composition.note":"The authorship dispute does not make the sixteenth-century composition a modern work. This does not confer any rights in the Collegium Vocale recording.","rights.recording.value":"Rule 1 — CC BY 3.0 Unported as explicitly declared for the recording on Commons","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"licence\"]","rights.recording.note":"The YouTube CC-BY template credits Collegium Vocale and expressly concerns this audio import, not merely the composition. Commons still marks external licence review as pending. The original YouTube page and its linked Wayback capture were opened but did not expose a usable source licence; independent confirmation of the former YouTube setting is therefore unavailable. The nominated recording is retained with that limitation visible, not described as licence-review approved.","rights.externalLicenceReview.value":null,"rights.externalLicenceReview.status":"unknown","rights.externalLicenceReview.sourceIds":"[\"commons\",\"youtube\",\"archived-youtube\"]","rights.externalLicenceReview.note":"Pending on Commons at research time. Current YouTube access and the specified archived capture did not provide a playable or independently inspectable licensed source. No alternate recording is substituted.","rights.creditLine":"Mille regretz, traditionally attributed to Josquin des Prez; performed by Collegium Vocale Bydgoszcz. YouTube import by Paterm, Wikimedia Commons. Recording declared CC BY 3.0 Unported; external licence review remains pending. MP3 access derivative, no new editorial audio cut.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Josquin Desprez -- Mille regretz.opus\",\"url\":\"https://commons.wikimedia.org/wiki/File:Josquin_Desprez_--_Mille_regretz.opus?oldid=1188278257\",\"locator\":\"Performance credit and CVBydgoszcz link, Date field, 2017 MQS description, YouTube CC BY 3.0 licence, review-needed notice, source archive, upload and transcode history.\",\"accessed\":\"2026-10-17\"},{\"id\":\"youtube\",\"title\":\"Collegium Vocale — nominated YouTube source\",\"url\":\"https://www.youtube.com/watch?v=tPDjEDm46aY\",\"locator\":\"Source identified by the Commons import. Opened, but no usable source description or licence was exposed; not independent confirmation of licensing or session metadata.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archived-youtube\",\"title\":\"Wayback capture of the nominated YouTube source\",\"url\":\"https://web.archive.org/web/20200308103940/https://www.youtube.com/watch?v=tPDjEDm46aY\",\"locator\":\"Capture linked by Commons; opened and returned video unavailable. No independently viewable historical licence was obtained.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Mille regretz, attributed to Josquin\",\"url\":\"https://cn.imslp.org/wiki/Mille_regretz_(Josquin_Desprez)\",\"locator\":\"Attribution discussion, catalogue number, four-part scoring, Smijers edition imprint and public-domain status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Mille regretz — Smijers score scan, imprint discrepancy\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/b/b3/IMSLP559228-PMLP236034-24._Mille_regretz.pdf\",\"locator\":\"One-page score, printed p. 63, No. 24, 41 bars; viewed in full. Footer reads 28032, differing from IMSLP’s catalogued plate 16845. Four parts, central intensification and extended final textual sentence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-history\",\"title\":\"Mille regretz — text and attribution overview\",\"url\":\"https://en.wikipedia.org/wiki/Mille_regretz\",\"locator\":\"Four-line French poem of separation and regret; authorship controversy. Biographical and imperial anecdotes are not promoted into public claims.\",\"accessed\":\"2026-10-17\"},{\"id\":\"licence\",\"title\":\"Creative Commons Attribution 3.0 Unported\",\"url\":\"https://creativecommons.org/licenses/by/3.0/\",\"locator\":\"Licence declared for the imported performance by the Commons page.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","editorial.timing":"audio.mjs analyze completed before annotation; cache/analysis/origins-josquin-mille-regretz.txt was read. The three broad score-proportion sections are supported by measured level and novelty changes, not forced word alignment. Four cues include two musical and two contextual observations under the short-work exception.","editorial.orchestra":"A one-entry chorus timeline records the verified four-part unaccompanied scoring. It does not claim four singers or uninterrupted activity in every voice. No performing pitch or transposition is asserted.","editorial.withheldClaims":"[\"Certain Josquin authorship\",\"Exact composition or recording date\",\"Recording venue, director and individual singers\",\"Passed external licence review\",\"Charles V’s personal reaction\",\"Exact sung words, tempo, key or tuning in this performance\"]","evidence":"5 documented; 6 unknown; 1 inferred"},{"id":"origins-machaut-douce-dame-jolie","composer":"origins-machaut","title":"Douce dame jolie / L’espoir que j’ai","movement":"Machaut and Janequin · Weckerlin arrangements · complete Victor side","work.title":"Douce dame jolie / L’espoir que j’ai","work.catalogue":"Victor matrix B-15595; take 4","work.movement":"Complete paired Victor side: Machaut and Janequin in later arrangements","work.version.value":"Two songs from J.-B. Weckerlin’s Échos du temps passé, volume I, performed with harp and lute","work.version.status":"documented","work.version.sourceIds":"[\"label\",\"dahr\",\"bnf-weckerlin\"]","work.version.note":"The label numbers Machaut’s Douce dame jolie first and Janequin’s L’espoir que j’ai second; DAHR quotes the collection title and volume from Victor’s ledgers. BnF describes the published collection as voice with piano, so the precise harp-and-lute adaptation is not established from that score.","work.date.value":"Fourteenth- and sixteenth-century songs; nineteenth-century published arrangement collection","work.date.status":"documented","work.date.sourceIds":"[\"label\",\"bnf-weckerlin\"]","work.date.note":"The label prints 1350 A.D. and 1530 A.D. as historical song dates; these are retained only as label assertions, not verified composition dates. BnF dates volume I to 1853–1857.","work.completeness.value":"Entire published two-song acoustic side; not a complete original Machaut virelai","work.completeness.status":"documented","work.completeness.sourceIds":"[\"label\",\"loc\",\"archive\"]","work.completeness.note":"No digital mid-phrase extract is made. Original stanza completeness and the exact boundary between the two arranged songs are unestablished; the side remains one authored section.","performers.value":"[{\"name\":\"Lambert Murphy\",\"role\":\"tenor\"},{\"name\":\"Stefano Di Stefano\",\"role\":\"harp\"},{\"name\":\"William Carlino\",\"role\":\"lute\"}]","performers.status":"documented","performers.sourceIds":"[\"label\",\"dahr\",\"loc\",\"bolig\"]","performers.note":"DAHR identifies Raymond Dixon as Murphy’s pseudonym, not a second singer. Di Stefano is credited for takes 3–4; Francis J. Lapitino belongs only to discarded takes 1–2 and is not credited on this issued take.","session.date.value":"1915-03-17","session.date.status":"documented","session.date.sourceIds":"[\"dahr\",\"loc\",\"bolig\"]","session.date.note":"Take 4 was made on 17 March 1915. The earlier matrix date 14 January 1915 refers to destroyed takes 1–2, not the recording streamed here.","session.date.precision":"day","session.place.value":"New York, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"dahr\",\"loc\",\"bolig\"]","session.place.note":"DAHR specifies New York for takes 3–4. Camden belongs to the January takes and is not substituted for this session; the studio address is unknown.","carrier.label.value":"Victor Talking Machine Company; blue label","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label\",\"bolig\"]","carrier.label.note":"The viewed label names Victor and Lambert Murphy and specifies tenor with harp and lute, in French.","carrier.catalogue.value":"45083-B, 10-inch disc","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label\",\"dahr\",\"loc\"]","carrier.catalogue.note":"The side suffix B is visible on the label. LOC and DAHR identify the 10-inch carrier.","carrier.matrixTakeSides.value":"B-15595, take 4; side 45083-B","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr\",\"loc\",\"label\",\"bolig\"]","carrier.matrixTakeSides.note":"DAHR marks take 4 as Master and links the same audio. Matrix/take identification comes from discographic records, not from claiming to read an illegible run-out inscription.","carrier.publication.value":"May 1916","carrier.publication.status":"documented","carrier.publication.sourceIds":"[\"bolig\"]","carrier.publication.note":"Bolig’s entry 45083 gives May-16 as release date. This corrects the Archive mirror’s claim of first publication in 1915, which conflates release with the session year.","transfer.credits.value":"Source disc: UCSB Davidson Library, Department of Special Collections; National Jukebox digital access; Hessel Digital Library mirror","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"loc\",\"archive\"]","transfer.credits.note":"LOC identifies the source collection. The mirror credits digitisation to the Library of Congress Packard Campus; DAHR also describes the audio as from the UCSB Library. No individual transfer engineer is established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"loc\",\"archive\"]","transfer.date.note":"The original disc-transfer date is unknown. The Archive mirror states LOC retrieval on 30 September 2026 and repository publication on 10 October 2026; neither is the 1915 session or 1916 release.","transfer.processing.value":"Archive describes its MP3 as a bit-exact copy of the LOC-served MP3, with no processing","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"loc\"]","transfer.processing.note":"This records the mirror’s provenance statement, not an independently performed checksum comparison. Original stylus, speed correction, equalisation and noise-reduction settings are unknown. No additional audio cut is made.","digital.streamUrl":"https://archive.org/download/loc-jukebox-12087-douce-dame-jolie/jukebox-12087_douce-dame-jolie.mp3","digital.sourceChain":"[\"archive\",\"loc\",\"dahr\"]","digital.format":"MP3 mirror of the complete National Jukebox side","digital.durationSeconds":98.8,"rights.composition.value":"Historical songs and Weckerlin collection are outside ordinary composition copyright terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"bnf-weckerlin\",\"label\"]","rights.composition.note":"BnF gives Weckerlin’s dates 1821–1910 and the collection’s publication in 1853–1857. The exact person responsible for adapting its piano accompaniment to harp and lute is not established. Recording admission rests independently on the documented pre-cutoff publication.","rights.recording.value":"Rule 2 — United States public domain: published May 1916","rights.recording.status":"documented","rights.recording.sourceIds":"[\"bolig\",\"label\",\"dahr\",\"loc\",\"archive\"]","rights.recording.note":"Victor 45083’s documented 1916 publication precedes the project’s 1925 cutoff. source.rights uses us-published-before-cutoff with published 1916. The Archive Public Domain Mark is corroborative, not the sole basis; its 1915 first-publication claim and simplified statutory explanation are not repeated. This is a US basis, not a claim of worldwide clearance.","rights.creditLine":"Machaut, Douce dame jolie, and Janequin, L’espoir que j’ai, from Weckerlin’s Échos du temps passé; Lambert Murphy, tenor, Stefano Di Stefano, harp, William Carlino, lute. Recorded New York, 17 March 1915; Victor 45083-B, matrix B-15595, take 4; released May 1916. Source disc UCSB; Library of Congress, National Jukebox; Hessel Digital Library mirror on Internet Archive. US public-domain recording.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"label\",\"title\":\"Victor 45083-B — viewed blue-label scan\",\"url\":\"https://archive.org/download/loc-jukebox-12087-douce-dame-jolie/jukebox-12087_label.jpg\",\"locator\":\"Numbered pair of songs, historical dates printed on label, Weckerlin collection, Murphy, tenor with harp and lute, catalogue side and Victor imprint.\",\"accessed\":\"2026-10-17\"},{\"id\":\"loc\",\"title\":\"Library of Congress National Jukebox — Douce dame jolie, JSON record\",\"url\":\"https://www.loc.gov/item/jukebox-12087/?fo=json\",\"locator\":\"item.recording_date, recording_catalog_number, recording_matrix_number, recording_take_number, contributors, location, repository, paired other_title and rights statement.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"DAHR — Victor matrix B-15595, Douce dame jolie\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/700000578\",\"locator\":\"Personnel, pseudonym note, Weckerlin title note and take table: takes 1–2 Camden January 1915; takes 3–4 New York March 1915; take 4 master, Victor 45083.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bolig\",\"title\":\"John R. Bolig, The Victor Discography: Green, Blue, and Purple Labels\",\"url\":\"https://adp-assets.library.ucsb.edu/BoligGreenBluePurple.pdf\",\"locator\":\"Blue Label (10-inch), entry 45083, printed p. 32: B-15595-4, 17-Mar-15 session, May-16 release, New York. Introduction distinguishes recording from release dates.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — loc-jukebox-12087-douce-dame-jolie metadata\",\"url\":\"https://archive.org/metadata/loc-jukebox-12087-douce-dame-jolie\",\"locator\":\"MP3 filename and duration, mirror chain, LOC retrieval date, Public Domain Mark and description. Its 1915 first-publication assertion is corrected by Bolig.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf-weckerlin\",\"title\":\"Bibliothèque nationale de France — Échos du temps passé, volume I\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb433342267\",\"locator\":\"Weckerlin dates; Paris, Flaxland, 1853–1857; voice-and-piano arrangement description; Douce dame jolie at p. 10 and L’espoir que j’ai at p. 22.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","editorial.timing":"audio.mjs analyze completed before annotation; cache/analysis/origins-machaut-douce-dame-jolie.txt was read. Its novelty peaks do not establish which song is sounding. The complete paired side is one section, with no invented inter-song transition or cut point. Three cues use the short-recording exception.","editorial.orchestra":"Omitted with reason: the documented accompaniment is harp and lute, whereas the identified Weckerlin publication is for voice and piano. No score of the exact recorded adaptation was verified; a piano score is not used to invent the distribution of harp and lute notes.","editorial.withheldClaims":"[\"Complete original virelai or complete Machaut stanza cycle\",\"Exact 1350 or 1530 composition dates\",\"Two separate tenors from duplicate pseudonym records\",\"1915 publication\",\"Instrument entrances, inter-song boundary and sung-word timings\",\"Playback-speed accuracy, portamento details and transfer engineering settings\"]","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"origins-monteverdi-quel-augellin","composer":"origins-monteverdi","title":"Quel augellin che canta","movement":"Madrigals, Book IV · No. 13, SV 87","work.title":"Quel augellin che canta","work.catalogue":"SV 87; Madrigals, Book IV, No. 13","work.movement":"Five-part madrigal","work.version.value":"Five-part unaccompanied vocal setting, SSATB","work.version.status":"documented","work.version.sourceIds":"[\"imslp\",\"score\",\"fma-track\"]","work.version.note":"The opened score supplies two soprano, alto, tenor and bass parts, without instruments. Neither the exact edition used by the choir nor its performance transposition is established.","work.publication.value":"1603, Fourth Book of Madrigals","work.publication.status":"documented","work.publication.sourceIds":"[\"imslp\"]","work.publication.note":"Publication date, not a guessed composition year.","work.text.value":"Giovanni Battista Guarini, adapted from Il pastor fido, Act I, scene 1","work.text.status":"documented","work.text.sourceIds":"[\"imslp\",\"poem\",\"score\"]","work.text.note":"LiederNet identifies lines 175–186 and distinguishes Monteverdi’s adapted text. Public prose paraphrases the imagery; no copyrighted modern translation or exact timed syllable is supplied.","work.completeness.value":"Whole nominated Tudor Consort madrigal track","work.completeness.status":"documented","work.completeness.sourceIds":"[\"fma-track\",\"fma-album\",\"commons\"]","work.completeness.note":"The published concert track is retained intact, including its quiet tail. It is not grouped as a multi-movement set merely because it appears in Book IV or on an album.","work.scoreEdition.value":"Daniel Van Gilst, 2019, CC0, four-page SSATB score","work.scoreEdition.status":"documented","work.scoreEdition.sourceIds":"[\"imslp\",\"score\"]","work.scoreEdition.note":"The complete score was opened and viewed. This modern engraving is dedicated to the public domain under CC0. Its transposition is not used to identify the choir’s sounding key or pitch standard.","performers.value":"[{\"name\":\"The Tudor Consort\",\"role\":\"vocal ensemble\"},{\"name\":\"Alastair Carey\",\"role\":\"director\"}]","performers.status":"documented","performers.sourceIds":"[\"fma-track\",\"fma-album\",\"commons\"]","performers.note":"The track description and Carey’s album notes agree. Five written parts do not establish five individual singers, and no instrumental players are credited.","session.date.value":"2005-11-02","session.date.status":"documented","session.date.sourceIds":"[\"fma-track\",\"fma-album\"]","session.date.note":"The track names the Ordizia concert; the album’s first-person liner notes explicitly date it to Wednesday 2 November 2005. The 19 August 2010 date on FMA and Commons is an online release, not the recording session.","session.date.precision":"day","session.place.value":"Parroquial Church, Ordizia, Spain","session.place.status":"documented","session.place.sourceIds":"[\"fma-track\",\"fma-album\",\"commons\"]","session.place.note":"The track and album notes name the venue. The later Rome concert and 2006 New Zealand recording described elsewhere in the same album notes belong to different tracks.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"fma-album\"]","carrier.label.note":"The album was prepared for the Tudor Consort’s twentieth anniversary, but no original imprint is named. FMA and Commons are access repositories.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"fma-album\"]","carrier.catalogue.note":"No commercial catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"fma-album\"]","carrier.matrixTakeSides.note":"The notes refer to a disc but supply no matrix, mastering identifier or take number.","carrier.album.value":"Live in Concert, track 5","carrier.album.status":"documented","carrier.album.sourceIds":"[\"fma-track\",\"fma-album\"]","carrier.album.note":"A mixed concert anthology, with different sessions explicitly distinguished in the liner notes.","transfer.credits.value":"Timothy Hurd, producer and engineer; Commons import by ComputerHotline","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"fma-album\",\"commons\"]","transfer.credits.note":"Hurd is explicitly credited at album level. The Commons uploader is not presented as the original engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"fma-track\",\"fma-album\",\"commons\"]","transfer.date.note":"The 2005 concert date, 2010 FMA release and 11 April 2020 Commons upload do not establish a mastering or transfer date.","transfer.processing.value":"FMA MP3 source converted to Ogg for Commons; Wikimedia MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"fma-track\"]","transfer.processing.note":"Original recording medium, microphones, editing and equalisation settings are not supplied. No further processing or audio trim is introduced here.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/c6/The_Tudor_Consort_-_05_-_Claudio_Monteverdi_-_Quel_Augelin_Che_Canta.ogg/The_Tudor_Consort_-_05_-_Claudio_Monteverdi_-_Quel_Augelin_Che_Canta.ogg.mp3","digital.sourceChain":"[\"commons\",\"fma-track\",\"fma-album\"]","digital.format":"MP3 access derivative of the Commons Ogg import from FMA","digital.durationSeconds":120.3,"rights.composition.value":"Public-domain 1603 madrigal; inspected engraving dedicated under CC0","rights.composition.status":"documented","rights.composition.sourceIds":"[\"imslp\",\"score\"]","rights.composition.note":"Historical composition rights and Van Gilst’s engraving status are separate from the Tudor Consort’s sound recording rights.","rights.recording.value":"Rule 1 — CC BY 3.0 Unported","rights.recording.status":"documented","rights.recording.sourceIds":"[\"fma-track\",\"fma-album\",\"commons\",\"licence\"]","rights.recording.note":"The external FMA track was opened directly and explicitly licenses this human choral performance under CC BY 3.0, without a NonCommercial condition. Commons contains a 2024 review template referring anomalously to a Flickr image; that text is not relied upon as verification of an FMA recording. The actual FMA recording page supplies independent evidence.","rights.creditLine":"Monteverdi, Quel augellin che canta, SV 87; The Tudor Consort, directed by Alastair Carey. Recorded live, Parroquial Church, Ordizia, Spain, 2 November 2005. Timothy Hurd, producer and engineer. Source: The Tudor Consort / Free Music Archive; Commons import by ComputerHotline. Recording CC BY 3.0; transcoded access copy, no new editorial audio cut.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Tudor Consort, Quel Augelin Che Canta\",\"url\":\"https://commons.wikimedia.org/wiki/File:The_Tudor_Consort_-_05_-_Claudio_Monteverdi_-_Quel_Augelin_Che_Canta.ogg?oldid=1179712687\",\"locator\":\"Ordizia and Carey credits, FMA source, CC BY licence, 2010 Date field, 2020 upload and anomalous Flickr-worded review template.\",\"accessed\":\"2026-10-17\"},{\"id\":\"fma-track\",\"title\":\"Free Music Archive — Claudio Monteverdi: Quel Augelin Che Canta\",\"url\":\"https://freemusicarchive.org/music/The_Tudor_Consort/Live_in_Concert/05_Quel_Augelin_Che_Canta\",\"locator\":\"Recording description, Ordizia venue, Alastair Carey, Released 19 August 2010 and explicit CC BY 3.0 recording licence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"fma-album\",\"title\":\"Free Music Archive — The Tudor Consort, Live in Concert\",\"url\":\"https://freemusicarchive.org/music/The_Tudor_Consort/Live_in_Concert\",\"locator\":\"Alastair Carey’s liner notes identify the first group of tracks with Wednesday 2 November 2005 in Ordizia; distinguish later Rome and New Zealand sessions; name Timothy Hurd as producer and engineer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Quel augellin che canta sì dolcemente, SV 87\",\"url\":\"https://imslp.org/wiki/Quel_augellin_che_canta_s%C3%AC_dolcemente,_SV_87_(Monteverdi,_Claudio)\",\"locator\":\"Book IV, No. 13, 1603 publication, five unaccompanied voices, Guarini source and Daniel Van Gilst’s 2019 CC0 edition.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Monteverdi — Quel augellin che canta, ed. 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No modern translation is reproduced.\",\"accessed\":\"2026-10-17\"},{\"id\":\"licence\",\"title\":\"Creative Commons Attribution 3.0 Unported\",\"url\":\"https://creativecommons.org/licenses/by/3.0/\",\"locator\":\"Licence linked directly by the FMA track for the recording.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","editorial.timing":"audio.mjs analyze completed before annotation; cache/analysis/origins-monteverdi-quel-augellin.txt was read. Broad score-proportion joins use measured boundaries near 0:40 and 1:26, not exact phrase or word alignment. Four 30-second-spaced cues include two musical and two contextual observations under the short-work exception.","editorial.orchestra":"One chorus timeline entry represents the score’s five vocal parts. Its note explicitly distinguishes the upper-trio opening from later fuller writing without fabricating entry times or claiming that all five parts sing continuously.","editorial.withheldClaims":"[\"Exact composition date\",\"2010 as the session year\",\"Uncredited instrumental accompaniment or continuo\",\"Number or identities of individual singers\",\"Performing edition, transposition, pitch standard and precise word timestamps\"]","evidence":"8 documented; 4 unknown"},{"id":"origins-palestrina-sicut-lilium","composer":"origins-palestrina","title":"Sicut lilium inter spinas","movement":"Motet","work.title":"Sicut lilium inter spinas","work.catalogue":"Motettorum liber primus, No. 21","work.movement":"Five-part motet","work.version.value":"Unaccompanied motet for cantus, altus, tenor, second tenor and bassus","work.version.status":"documented","work.version.sourceIds":"[\"imslp\",\"score\",\"fma-track\"]","work.version.note":"The five-part score is the motet, not the Mass of the same name. The album lists the motet as track 1 and the Mass movements separately. The choir’s exact performing edition and pitch are not identified.","work.publication.value":"Rome, 1569, first book of motets","work.publication.status":"documented","work.publication.sourceIds":"[\"imslp\",\"motet-notes\"]","work.publication.note":"1569 is publication, not an asserted exact composition year. Suggestions that it may be an early work are not converted into a date.","work.text.value":"Song of Songs, beginning with the lily among thorns comparison, followed by Alleluia","work.text.status":"documented","work.text.sourceIds":"[\"score\",\"motet-notes\"]","work.text.note":"The text is described as a whole; no line is assigned an exact timestamp without alignment.","work.completeness.value":"Whole nominated motet track","work.completeness.status":"documented","work.completeness.sourceIds":"[\"fma-track\",\"fma-album\",\"commons\"]","work.completeness.note":"No Mass movement is appended, and no editorial audio excerpt is made.","work.scoreEdition.value":"Theodor de Witt, Palestrina’s Werke, volume I, Leipzig: Breitkopf & Härtel, 1862, plate 10414","work.scoreEdition.status":"documented","work.scoreEdition.sourceIds":"[\"imslp\",\"score\"]","work.scoreEdition.note":"Public-domain edition. Motet No. 21 spans printed pp. 90–94, PDF pp. 104–108; those pages were opened and viewed, including the final cadence on p. 94.","performers.value":"[{\"name\":\"The Tudor Consort\",\"role\":\"vocal ensemble\"},{\"name\":\"Michael Stewart\",\"role\":\"director\"}]","performers.status":"documented","performers.sourceIds":"[\"fma-track\",\"fma-album\",\"concert\"]","performers.note":"These are credits for the nominated recording, not the separate Hyperion performances consulted for programme notes. Individual singers and choir size are not identified.","session.date.value":"2007-07-29","session.date.status":"inferred","session.date.sourceIds":"[\"fma-album\",\"concert\"]","session.date.note":"FMA describes a live minidisc recording and gives the album date as 29 July 2007. The choir’s own archive documents the matching Renaissance Influences programme on that date. Their conjunction supports a probable session date, but the track description does not explicitly identify the session day. The FMA track’s 20 August 2010 is its online release.","session.date.precision":"day","session.place.value":"Sacred Heart Cathedral, Hill Street, Wellington, New Zealand","session.place.status":"inferred","session.place.sourceIds":"[\"concert\",\"fma-album\"]","session.place.note":"The official archive supplies the venue for the matching 29 July 2007 concert. The link between that concert and the recording is inferred from title, director, programme and album date, not stated in the track description.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"fma-album\"]","carrier.label.note":"No original recording label or commercial imprint is named; Free Music Archive is the distribution platform.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"fma-album\"]","carrier.catalogue.note":"The album title and track number are known, but no release catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"not applicable","carrier.matrixTakeSides.sourceIds":"[\"fma-album\"]","carrier.matrixTakeSides.note":"The source describes a live minidisc recording, not a pressed disc matrix; no session take number is supplied.","carrier.album.value":"Renaissance influences — Pizzetti: Messa di Requiem / Palestrina: Missa Sicut lilium inter spinas, track 1","carrier.album.status":"documented","carrier.album.sourceIds":"[\"fma-album\"]","carrier.album.note":"The motet remains an independently authored recording here; the album is not turned into a multi-movement set.","transfer.credits.value":"Commons import from FMA by ComputerHotline","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\",\"fma-album\"]","transfer.credits.note":"The recording or minidisc-transfer engineer is not named. The uploader credit does not imply that ComputerHotline made the original recording.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"fma-track\",\"fma-album\"]","transfer.date.note":"The online track release is 20 August 2010; the Commons upload is 11 April 2020. No separate minidisc transfer or mastering date is established.","transfer.processing.value":"Live minidisc source; FMA MP3 converted to Ogg for Commons, with Wikimedia MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"fma-album\",\"commons\"]","transfer.processing.note":"The source format chain is described by the album and Commons source entry. Microphone placement, equalisation, noise reduction and any earlier editing are unknown. No additional trim by Contrapunctus.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/90/The_Tudor_Consort_-_01_-_Palestrina_-_Sicut_lilium_inter_spinas.ogg/The_Tudor_Consort_-_01_-_Palestrina_-_Sicut_lilium_inter_spinas.ogg.mp3","digital.sourceChain":"[\"commons\",\"fma-track\",\"fma-album\"]","digital.format":"MP3 access derivative of the Commons Ogg import from FMA","digital.durationSeconds":279,"rights.composition.value":"Public-domain sixteenth-century motet","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"imslp\",\"motet-notes\",\"score\"]","rights.composition.note":"The 1569 work and public-domain 1862 score are distinct from the Tudor Consort’s modern performance rights.","rights.recording.value":"Rule 1 — CC BY 3.0 Unported","rights.recording.status":"documented","rights.recording.sourceIds":"[\"fma-track\",\"fma-album\",\"commons\",\"licence\"]","rights.recording.note":"The external FMA track was opened directly and explicitly licenses the Tudor Consort performance under CC BY 3.0; no NonCommercial restriction is attached. Commons still displays a pending external licence review, so that template is not treated as a passed review. Independent FMA evidence supports the actual sound recording licence.","rights.creditLine":"Palestrina, Sicut lilium inter spinas; The Tudor Consort, directed by Michael Stewart. Live minidisc recording from Renaissance Influences; probably 29 July 2007, Sacred Heart Cathedral, Wellington. Source: The Tudor Consort / Free Music Archive; Commons import by ComputerHotline. Recording CC BY 3.0; transcoded access copy, no new editorial audio cut.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Tudor Consort, Sicut lilium inter spinas\",\"url\":\"https://commons.wikimedia.org/wiki/File:The_Tudor_Consort_-_01_-_Palestrina_-_Sicut_lilium_inter_spinas.ogg?oldid=1196580566\",\"locator\":\"FMA source and conversion chain, CC BY licence, review-needed notice, 2010 Date field and 2020 upload. The 2010 date is interpreted using the external track’s Released label.\",\"accessed\":\"2026-10-17\"},{\"id\":\"fma-track\",\"title\":\"Free Music Archive — Palestrina: Sicut lilium inter spinas\",\"url\":\"https://freemusicarchive.org/music/The_Tudor_Consort/Renaissance_influences_-_Pizzetti_Messa_di_Requiem__Palestrina_Missa_Sicut_lilium_inter_spinas/01_Sicut_lilium_inter_spinas\",\"locator\":\"Tudor Consort track, Released 20 August 2010 and explicit CC BY 3.0 licence for the recording.\",\"accessed\":\"2026-10-17\"},{\"id\":\"fma-album\",\"title\":\"Free Music Archive — Renaissance Influences album\",\"url\":\"https://freemusicarchive.org/music/The_Tudor_Consort/Renaissance_influences_-_Pizzetti_Messa_di_Requiem__Palestrina_Missa_Sicut_lilium_inter_spinas\",\"locator\":\"Album date 29 July 2007, track list separating motet and Mass, live minidisc recording statement, Michael Stewart credit and programme description.\",\"accessed\":\"2026-10-17\"},{\"id\":\"concert\",\"title\":\"The Tudor Consort — Renaissance Influences, 2007 concert archive\",\"url\":\"https://www.tudor-consort.org.nz/performances/2007/renaissanceinfluences/\",\"locator\":\"Sunday 29 July 2007, Michael Stewart, Sacred Heart Cathedral, Hill Street, Wellington, matching Pizzetti/Palestrina programme.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Palestrina, Motettorum liber primus\",\"url\":\"https://imslp.org/wiki/Motettorum_-_Liber_Primus_(Palestrina,_Giovanni_Pierluigi_da)\",\"locator\":\"1569 Rome publication, motet No. 21, five-part scoring, Theodor de Witt edition imprint and public-domain designation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Palestrina’s Werke, volume I, 1862 — viewed motet score\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/f/f5/IMSLP55722-PMLP115176-Tomus_I.pdf\",\"locator\":\"Printed pp. 90–94 (PDF pp. 104–108), No. 21; cantus, altus, tenor, quintus labelled tenor secundus, bassus; imitative openings and overlapping text phrases.\",\"accessed\":\"2026-10-17\"},{\"id\":\"motet-notes\",\"title\":\"John Milsom — Sicut lilium inter spinas programme note\",\"url\":\"https://www.hyperion-records.co.uk/dw.asp?dc=W15060_GBLLH1645012\",\"locator\":\"Five-voice motet, first book published Rome 1569, Song of Songs text. Used for work history, not recording credits.\",\"accessed\":\"2026-10-17\"},{\"id\":\"mass-notes\",\"title\":\"Peter Phillips — Missa Sicut lilium inter spinas programme note\",\"url\":\"https://www.hyperion-records.co.uk/dw.asp?dc=W15061_810202\",\"locator\":\"The Mass’s borrowing from the motet, including the opening point. Used for the later-reuse context cue, not the recording’s session history.\",\"accessed\":\"2026-10-17\"},{\"id\":\"licence\",\"title\":\"Creative Commons Attribution 3.0 Unported\",\"url\":\"https://creativecommons.org/licenses/by/3.0/\",\"locator\":\"Licence linked directly by the FMA recording page.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","editorial.timing":"audio.mjs analyze completed before annotation; cache/analysis/origins-palestrina-sicut-lilium.txt was read. Broad score-proportion joins are supported by measured boundaries at 1:36 and 3:34, without claiming exact sung-text alignment. Eight cues at 35-second intervals include five musical and three life/world observations.","editorial.orchestra":"One whole-recording chorus entry represents the verified five vocal parts, not continuous activity in all five or an asserted number of singers. No instruments or unverified continuo are added.","editorial.withheldClaims":"[\"Exact composition date\",\"Certain recording date and venue rather than the documented inference\",\"2010 as a session year\",\"Individual singers and recording engineer\",\"Exact sung words, part entries, performing transposition and tuning\"]","evidence":"5 documented; 3 inferred; 3 unknown; 1 not applicable"},{"id":"origins-pange-lingua","composer":"origins-gregorian","title":"Pange lingua gloriosi corporis mysterium","movement":"Traditional plainchant hymn","work.title":"Pange lingua gloriosi corporis mysterium","work.catalogue":"","work.movement":"Traditional plainchant hymn","work.version.value":"Traditional Latin plainchant, identified by the performer as mode III; solo voice","work.version.status":"documented","work.version.sourceIds":"[\"commons\"]","work.version.note":"The source names the chant version but does not identify a printed edition. Gregorian chant is a repertory designation, not an attribution to Pope Gregory.","work.authorship.value":"Traditional melody; text by Thomas Aquinas","work.authorship.status":"documented","work.authorship.sourceIds":"[\"commons\",\"hymn-history\"]","work.authorship.note":"The text is distinguished from the earlier Pange lingua Passion hymn usually credited to Venantius Fortunatus. Aquinas is not credited as composer of the melody.","work.date.value":null,"work.date.status":"unknown","work.date.sourceIds":"[\"commons\",\"hymn-history\"]","work.date.note":"The text belongs to the thirteenth century. The date of the traditional tune is not established; no exact medieval year is supplied.","work.completeness.value":"Whole nominated Pange lingua file, not its cropped Tantum ergo derivative","work.completeness.status":"documented","work.completeness.sourceIds":"[\"commons\"]","work.completeness.note":"Commons separately lists the derivative Tantum Ergo I Gregorian.ogg. The original file is retained without a new edit; individual stanza words have not been aligned.","performers.value":"[{\"name\":\"Gareth Hughes\",\"role\":\"voice\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"The file description explicitly names the singer; uploader Garzo is linked in that description. No instrumental accompaniment or additional singer is credited.","session.date.value":"2005-03-14","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The prose explicitly says recorded on this date. This is not inferred solely from the same-day upload timestamp.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or town is given. A singer’s residence or profile is not substituted for the session location.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"An original recording label or imprint is not identified; Commons is the repository.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No release catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No original session carrier, matrix or take number is documented.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The singer/uploader is documented, but a separate recording or mastering engineer is not named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The recording and upload date does not establish a separate conversion or mastering date.","transfer.processing.value":"Ogg Vorbis source; Wikimedia MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Embedded software is Xiph.Org libVorbis I 20020717. No microphone, editing, equalisation, noise reduction or pitch correction is documented. Contrapunctus has not trimmed the file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/0/01/Pange_Lingua_Latin_in_Latin.ogg/Pange_Lingua_Latin_in_Latin.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 derivative of the performer’s Ogg Vorbis upload","digital.durationSeconds":205.2,"rights.composition.value":"Traditional chant and thirteenth-century text are outside ordinary composition copyright terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\",\"hymn-history\"]","rights.composition.note":"This concerns the historical melody and text, not the separate copyright in Hughes’s recording or an unidentified modern edition.","rights.recording.value":"Rule 1 — CC BY-SA 3.0 Unported","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"licence\"]","rights.recording.note":"The creator’s recording is licensed on Commons under CC BY-SA 3.0 through the GFDL migration. This is a recording licence, not a composition-only public-domain tag. Attribution and share-alike terms are retained.","rights.creditLine":"Traditional Pange lingua gloriosi corporis mysterium; text by Thomas Aquinas; sung by Gareth Hughes, recorded 14 March 2005. Original upload by Garzo, Wikimedia Commons. CC BY-SA 3.0; MP3 access derivative; no new editorial audio cut.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Pange Lingua Latin in Latin.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Pange_Lingua_Latin_in_Latin.ogg?oldid=1044347227\",\"locator\":\"Description names Gareth Hughes, mode III and recording date 2005-03-14; licensing, original upload, derivative link, transcode and embedded software.\",\"accessed\":\"2026-10-17\"},{\"id\":\"hymn-history\",\"title\":\"Hugh Henry, Pange Lingua Gloriosi, Catholic Encyclopedia (1911)\",\"url\":\"https://www.newadvent.org/cathen/11441c.htm\",\"locator\":\"The Hymn of St. Thomas Aquinas: author, Corpus Christi Office, six stanzas, relation to the older Passion hymn and separate Tantum ergo use.\",\"accessed\":\"2026-10-17\"},{\"id\":\"licence\",\"title\":\"Creative Commons Attribution-ShareAlike 3.0 Unported\",\"url\":\"https://creativecommons.org/licenses/by-sa/3.0/\",\"locator\":\"Licence linked by the recording’s Commons page.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","editorial.timing":"audio.mjs analyze completed before annotation; cache/analysis/origins-pange-lingua.txt was read. Section markers group recurring stanzas approximately using measured level troughs, not word alignment. Automatic major/minor labels are not published as the chant’s mode or pitch standard.","editorial.orchestra":"Omitted: a solo monophonic recording, not an ensemble. No artificial bass or instrumental forces are supplied.","editorial.withheldClaims":"[\"Exact origin date of the melody\",\"Printed performing edition\",\"Venue and recording equipment\",\"Exact stanza or syllable timestamps\",\"Tuning standard and pitch-drift measurements\"]","evidence":"5 documented; 6 unknown; 1 inferred"},{"id":"origins-purcell-fairy-queen-chaconne","composer":"origins-purcell","title":"The Fairy Queen, Z. 629","movement":"Act V. Chaconne","work.title":"The Fairy Queen, Z. 629","work.catalogue":"Z. 629","work.movement":"Act V. Chaconne","work.version.value":"Original four-part instrumental dance; sounding pitch approximately A=415","work.version.status":"inferred","work.version.sourceIds":"[\"commons\",\"score\"]","work.version.note":"The file identifies the Act V Chaconne. Approximate pitch is inferred by comparing its written C major ending with the recording’s prominent sustained peaks near 494–495 Hz, about a semitone below modern C5. The session source does not state a tuning reference; no exact temperament or edition is claimed.","performers.value":"[{\"name\":\"Orquestra de música antiga de l’Esmuc\",\"role\":\"early-music orchestra\"},{\"name\":\"Alba Roca\",\"role\":\"concertmaster and director\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"The source credits Cor i Orquestra for the larger production. This track is the instrumental Chaconne; the production’s choir credit does not establish singing in this dance.","session.date.value":"2018-04-07","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The source gives performance_date as 07/04/2018.","session.date.precision":"day","session.place.value":"Sala de teclats, Museu de la Música de Barcelona, Barcelona, Spain","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[]","carrier.label.note":"The school is the credited source, not an established original record label.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[]","carrier.catalogue.note":"No original commercial catalogue number is given. Track 27/28 is a programme/file sequence, not a catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[]","carrier.matrixTakeSides.note":"No original physical carrier, matrix or take is documented.","transfer.credits.value":"Marc Urrutia, sonology student, sound recording","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The source credits Marc Urrutia for sonology. No separate later transfer engineer is identified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"The performance date is documented, but no distinct transfer date is given.","transfer.processing.value":"ORTF microphone technique","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"This is the documented capture method. No later mastering, equalisation or editing chain is supplied.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/65/Purcell_TheFairyQueen_ActV_Chaconne_Z629_Esmuc.flac/Purcell_TheFairyQueen_ActV_Chaconne_Z629_Esmuc.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia MP3 transcode of the Commons FLAC file","digital.durationSeconds":162.2,"rights.composition.value":"Public domain","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work\",\"abbey\"]","rights.composition.note":"The Fairy Queen dates from 1692; Purcell died in 1695. Bart Dunn’s 2016 score typesetting is separately licensed CC BY 4.0.","rights.recording.value":"Creative Commons Attribution-ShareAlike 4.0","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The recording-specific ESMUC source and permission declaration license this performance CC BY-SA 4.0.","rights.creditLine":"Henry Purcell; Orquestra de música antiga de l’Esmuc; Alba Roca, concertmaster and director; Marc Urrutia, sound recording. Escola Superior de Música de Catalunya, CC BY-SA 4.0, via Wikimedia Commons.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — ESMUC, The Fairy Queen, Act V Chaconne\",\"url\":\"https://commons.wikimedia.org/wiki/File:Purcell_TheFairyQueen_ActV_Chaconne_Z629_Esmuc.flac\",\"locator\":\"Performance date, ensemble, director, room, sound-recording credit, microphone technique and licence.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Bart Dunn — Suite from The Fairy Queen, 2016, after Shedlock\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/6/69/IMSLP435506-PMLP237007-Suite_from_The_Fairy_Queen_Complete.pdf\",\"locator\":\"Chaconne, printed pages 48–53; modern typesetting CC BY 4.0. Original instrumental scoring, not an arrangement for another ensemble.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"IMSLP — The Fairy Queen, Z.629\",\"url\":\"https://imslp.org/wiki/The_Fairy_Queen,_Z.629_(Purcell,_Henry)\",\"locator\":\"Work catalogue, 1692 premiere and Act V instrumental Chaconne.\",\"accessed\":\"2026-10-17\"},{\"id\":\"abbey\",\"title\":\"Westminster Abbey — Henry Purcell and family\",\"url\":\"https://www.westminster-abbey.org/abbey-commemorations/commemorations/henry-purcell-family\",\"locator\":\"Organist appointment, royal occasions and death on 21 November 1695.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"1 inferred; 7 documented; 4 unknown"},{"id":"poulenc-bestiaire-bernac","composer":"Francis Poulenc","title":"Le Bestiaire ou Cortège d’Orphée, FP 15","movement":"","work.title":"Le Bestiaire ou Cortège d’Orphée","work.catalogue":"FP 15","work.movement":"","work.version.value":"The six songs for voice and piano (Le Dromadaire, La Chèvre du Thibet, La Sauterelle, Le Dauphin, L’Écrevisse, La Carpe); the edition is not stated.","work.version.status":"documented","work.version.sourceIds":"[\"gss47\",\"johnson\"]","work.version.note":"The dealer’s supplement lists the six titles and says the composer is at the piano. Johnson’s note gives the six poems as numbers 10, 4, 17, 19, 22 and 23 of Apollinaire’s collection. The printed edition used by the performers is not named.","performers.value":"[{\"name\":\"Pierre Bernac\",\"role\":\"baritone\"},{\"name\":\"Francis Poulenc\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"gss47\"]","performers.note":"The Internet Archive item credits Pierre Bernac and Francis Poulenc and lists baritone and piano; the 1947 supplement says “with the composer at the piano”.","session.date.value":"Not stated","session.date.status":"unknown","session.date.sourceIds":"[\"archive\",\"gss47\",\"gram47\"]","session.date.note":"The record was listed as an import by April 1947 and appears in a numbered list of reviewed records in The Gramophone of September 1947, with a reference to the August issue, p. 34. The session date is not given in the sources consulted.","session.place.value":"Not stated","session.place.status":"unknown","session.place.sourceIds":"[\"archive\"]","session.place.note":"No source consulted names the studio.","carrier.label.value":"His Master’s Voice (HMV), 12-inch 78 rpm","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"gss47\"]","carrier.label.note":"The supplement lists a 12-inch imported record, No. G-DB6299, with Montparnasse on the other side.","carrier.catalogue.value":"DB 6299","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"gss47\",\"gram47\"]","carrier.catalogue.note":"The Internet Archive label data read “D.B.6299”; the list in The Gramophone reads “H.M.V. DB6299”.","carrier.matrixTakeSides.value":"2EA 10804-1 (Le Bestiaire); Montparnasse on the other side, 2EA 10807-1","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"From the item description of this side and of the separate transfer of the Montparnasse side. The take number of the matrix is as given by the transferring archive.","transfer.credits.value":"George Blood, L.P., for the Great 78 Project (Internet Archive); disc from the Bowling Green collection","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item description names the engineer’s firm and lists the collections georgeblood and 78rpm_bowling_green.","transfer.date.value":"Not stated; the item was made public on 3 November 2023","transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The public date of the item is an upload date, not the date of the transfer.","transfer.processing.value":"Four stylus sizes were tried; the preferred version was equalised with turnover 375 Hz and roll-off −12 dB, and copied under the friendlier file name.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"As stated in the item description. The published MP3 is the Internet Archive derivative of that file.","digital.streamUrl":"https://archive.org/download/78_le-bestiaire_pierre-bernac-francis-poulenc-apollinaire-poulenc_gbia0525306a/LE%20BESTIAIRE%20-%20PIERRE%20BERNAC%20%26%20FRANCIS%20POULENC.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive derivative MP3 from a FLAC transfer","digital.durationSeconds":284,"rights.composition.value":"Poulenc died in 1963, so the music is in copyright in the EU under the life-plus-70 term, which runs to the end of 2033; national wartime extensions, which can lengthen the term for older works in France, were not assessed. The 1911 text is by Apollinaire, who died in 1918; rights in the poems are not assessed here.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"johnson\"]","rights.composition.note":"Rights in the composition are stated separately from rights in the recording. The United States status of the music is not established here.","rights.recording.value":"Rule 3 — territorial EU public domain: first published before 1963; on sale as an import by April 1947 and reviewed in The Gramophone in 1947.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"gss47\",\"gram47\"]","rights.recording.note":"The United States status of a recording made in France in the 1940s is not established.","rights.creditLine":"Francis Poulenc, Le Bestiaire ou Cortège d’Orphée, FP 15. Pierre Bernac, baritone; Francis Poulenc, piano. HMV DB 6299, on sale as an import by April 1947. Transfer by George Blood, L.P., for the Great 78 Project; Internet Archive item 78_le-bestiaire_pierre-bernac-francis-poulenc-apollinaire-poulenc_gbia0525306a. Territorial EU basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/78_le-bestiaire_pierre-bernac-francis-poulenc-apollinaire-poulenc_gbia0525306a","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — LE BESTIAIRE (Pierre Bernac & Francis Poulenc): metadata and file inventory\",\"url\":\"https://archive.org/metadata/78_le-bestiaire_pierre-bernac-francis-poulenc-apollinaire-poulenc_gbia0525306a\",\"locator\":\"metadata.description (matrix 2EA10804-1, catalogue D.B.6299, stylus and equalisation note), collections georgeblood and 78rpm_bowling_green; file LE BESTIAIRE - PIERRE BERNAC & FRANCIS POULENC.mp3 (4:44)\",\"accessed\":\"2026-10-19\"},{\"id\":\"gss47\",\"title\":\"The Gramophone Shop Supplement, April 1947 (Internet Archive scan)\",\"url\":\"https://archive.org/details/gramophone-shop-supplement-1947-04\",\"locator\":\"Entry “POULENC: Montparnasse & Le Bestiaire … 12-inch imported record (2 sides), No. G-DB6299; price $2.62”\",\"accessed\":\"2026-10-19\"},{\"id\":\"gram47\",\"title\":\"The Gramophone, September 1947, vol. 25 no. 292 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_gramophone_1947-09_25_292\",\"locator\":\"Numbered list of reviewed records: “H.M.V. DB6299. Le Bestiaire and Montparnasse (Poulenc), Bernac. Aug., p. 34”\",\"accessed\":\"2026-10-19\"},{\"id\":\"johnson\",\"title\":\"Graham Johnson — note on Le bestiaire, ou Cortège d’Orphée, FP 15a, Hyperion CDA68021/4\",\"url\":\"https://www.hyperion-records.co.uk/dw.asp?dc=W12466_68021\",\"locator\":\"Apollinaire’s collection, the twelve settings, the reduction to six, the dedication to Durey, and the six poems chosen (numbers 10, 4, 17, 19, 22, 23)\",\"accessed\":\"2026-10-19\"},{\"id\":\"wikisource\",\"title\":\"Apollinaire — Le Bestiaire, ou Cortège d’Orphée (1911), French Wikisource\",\"url\":\"https://fr.wikisource.org/wiki/Le_Bestiaire,_ou_Cort%C3%A8ge_d%E2%80%99Orph%C3%A9e\",\"locator\":\"Table of contents with page numbers; the pages for Le Dromadaire (16), La Chèvre du Thibet (10), La Sauterelle (24), Le Dauphin (27), L’Écrevisse (30) and La Carpe (31)\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"9 documented; 3 unknown"},{"id":"poulenc-double-concerto-larghetto","composer":"Francis Poulenc","title":"Concerto for Two Pianos in D minor, FP 61","movement":"II. Larghetto","work.title":"Concerto for Two Pianos in D minor","work.catalogue":"FP 61","work.movement":"II. Larghetto","work.version.value":"Original orchestral scoring; complete second movement","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"label-3\",\"label-4\",\"score\"]","work.version.note":"The transfer joins the two 78-rpm sides containing the Larghetto. The source identifies the original concerto, not a piano reduction. The exact edition used by the performers is unknown. The section landmarks are provisional passage timings, established from the score and the transfer; they have not been reviewed by ear.","performers.value":"[{\"name\":\"Arthur Whittemore\",\"role\":\"piano\"},{\"name\":\"Jack Lowe\",\"role\":\"piano\"},{\"name\":\"RCA Victor Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Dimitri Mitropoulos\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"label-3\",\"label-4\",\"rca-review\"]","performers.note":"The original labels and RCA’s contemporary advertisement name all four performing credits. The sources consulted do not allocate the first and second piano parts to the individual pianists.","session.date.value":"1947","session.date.status":"documented","session.date.sourceIds":"[\"archive\"]","session.date.note":"The transfer description gives 15 December 1947. The year is retained here; the exact day has not been checked against a session ledger. The item-level date 1947 is the recording year, not the commercial publication year.","session.date.precision":"year","session.place.value":"NBC Studio 3-A, New York City, United States","session.place.status":"documented","session.place.sourceIds":"[\"archive\"]","session.place.note":"Venue as identified by the transfer description.","carrier.label.value":"RCA Victor Red Seal","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label-3\",\"label-4\"]","carrier.label.note":"Original shellac-record imprint.","carrier.catalogue.value":"DM-1235; record 12-0368","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label-3\",\"label-4\",\"rca-review\"]","carrier.catalogue.note":"The automatic-sequence album contains three 12-inch records. RCA’s September 1948 magazine advertises both M-1235 and DM-1235. The Larghetto occupies record 12-0368 in the transferred DM set.","carrier.matrixTakeSides.value":"Sides 3–4: 12-0368-A and 12-0368-B; matrices D7-RC-8226 and D7-RC-8227","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"label-3\",\"label-4\"]","carrier.matrixTakeSides.note":"Side and record numbers were read on the labels, which also print the corresponding manual-sequence numbers 12-0364-A/B. Matrix numbers are transcribed from the transfer description; no take suffix or stamper has been established.","transfer.credits.value":"Internet Archive, Shellackophile Recordings collection","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Host and collection are identified. The original record producer is RCA; no separate personal transfer-engineer credit has been established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item was uploaded on 3 April 2022. Its digitisation date is not stated.","transfer.processing.value":"Uploaded FLAC transfer; Internet Archive VBR MP3 derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive-files\"]","transfer.processing.note":"The complete-movement MP3 derives from the uploaded FLAC. Playback equipment, side-join method, equalisation, pitch correction and noise reduction are not documented.","digital.streamUrl":"https://archive.org/download/dm-1235-poulenc-double-concerto-i/DM1235%20Poulenc%20Double%20Concerto%20%28ii%29.mp3","digital.sourceChain":"[\"label-3\",\"label-4\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a joined shellac transfer","digital.durationSeconds":404.77,"rights.composition.value":"Separate composition copyright remains in force in life-plus-70 territories; IMSLP identifies public-domain status in Canada.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"work-catalogue\",\"programme-note\"]","rights.composition.note":"Poulenc died in 1963. IMSLP explicitly warns that this work remains protected in the EU and probably in the US. The accepted historical-phonogram rule below does not clear the underlying composition; no separate permission or worldwide composition licence has been established.","rights.recording.value":"Territorial EU public-domain basis: commercial publication in 1948, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rca-review\",\"archive\",\"eu-term\"]","rights.recording.note":"RCA’s September 1948 magazine advertises M/DM-1235 with performers, format and prices. Under the project’s pre-1963 phonogram rule, the former 50-year term expired before the 2013 extension. The recording is not offered under a Creative Commons licence; US recording status is not established.","rights.creditLine":"Francis Poulenc, Concerto for Two Pianos, FP 61: II. Larghetto; Arthur Whittemore and Jack Lowe, RCA Victor Symphony Orchestra, Dimitri Mitropoulos. Recorded 1947; RCA Victor Red Seal DM-1235, published 1948. Shellackophile collection / Internet Archive transfer. Territorial EU phonogram basis only; the underlying composition remains separately protected.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Poulenc Double Concerto, Whittemore and Lowe, 1947\",\"url\":\"https://archive.org/metadata/dm-1235-poulenc-double-concerto-i/metadata\",\"locator\":\"Description distinguishes the 15 December 1947 session in NBC Studio 3-A from the 1948 issue; gives carrier and matrix details. Collection and 2022 upload date are separate metadata.\",\"accessed\":\"2026-10-19\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — Larghetto derivative and source FLAC\",\"url\":\"https://archive.org/metadata/dm-1235-poulenc-double-concerto-i/files\",\"locator\":\"DM1235 Poulenc Double Concerto (ii).mp3, 404.77 seconds; derivative of the complete-movement FLAC, 404.72 seconds.\",\"accessed\":\"2026-10-19\"},{\"id\":\"label-3\",\"title\":\"RCA Victor DM-1235 — original side 3 label\",\"url\":\"https://archive.org/download/dm-1235-poulenc-double-concerto-i/DM1235%20label%203.JPG\",\"locator\":\"12-0368-A, side 3; Larghetto, part 1; Whittemore, Lowe, RCA Victor Symphony Orchestra and Dimitri Mitropoulos.\",\"accessed\":\"2026-10-19\"},{\"id\":\"label-4\",\"title\":\"RCA Victor DM-1235 — original side 4 label\",\"url\":\"https://archive.org/download/dm-1235-poulenc-double-concerto-i/DM1235%20label%204.JPG\",\"locator\":\"12-0368-B, side 4; Larghetto, concluded; same performers as side 3.\",\"accessed\":\"2026-10-19\"},{\"id\":\"rca-review\",\"title\":\"RCA Victor Record Review, September 1948 — Music of Poulenc\",\"url\":\"https://www.worldradiohistory.com/ARCHIVE-RCA/RCA-Victor-Record-Review/RCA-Victor-Record-Review-1948-09.pdf\",\"locator\":\"PDF p. 6 advertises the recorded première as M/DM-1235, three 12-inch RCA Victor records, and names the pianists, orchestra and conductor. Cover and masthead establish September 1948.\",\"accessed\":\"2026-10-19\"},{\"id\":\"score\",\"title\":\"Poulenc — Concerto for Two Pianos, full score\",\"url\":\"https://petruccimusiclibrary.ca/files/imglnks/caimg/d/d9/IMSLP376787-PMLP489112-Poulenc_-_Concerto_for_Two_Pianos_%28orch._score%29.pdf\",\"locator\":\"Rouart, Lerolle & Cie., plate R.L. 11887, Larghetto pp. 37–63. Opening, Plus allant at rehearsal 34, Tempo I on p. 59 and the closing page inspected visually. Score used for research, not republished.\",\"accessed\":\"2026-10-19\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Concerto for Two Pianos, FP 61\",\"url\":\"https://imslp.org/wiki/Concerto_for_2_Pianos%2C_FP_61_%28Poulenc%2C_Francis%29\",\"locator\":\"1932 composition, 1933 publication, movement titles and instrumentation; explicit Canada versus EU/US composition-rights warning.\",\"accessed\":\"2026-10-19\"},{\"id\":\"programme-note\",\"title\":\"Steven Ledbetter — Boston Symphony note on Poulenc's Two-Piano Concerto\",\"url\":\"https://www.bso.org/works/poulenc-concerto-in-d-minor-for-two-pianos\",\"locator\":\"Poulenc's dates, the Polignac commission, Venice première and the composer's explanation of the Mozartian Larghetto opening.\",\"accessed\":\"2026-10-19\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(2)–(3): former 50-year phonogram term and extension for recordings still protected on 1 November 2013.\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"11 documented; 1 unknown"},{"id":"poulenc-tel-jour-telle-nuit-7-9","composer":"Francis Poulenc","title":"Tel jour telle nuit, FP 86","movement":"VII–IX: Je n’ai envie que de t’aimer; Figure de force brûlante et farouche; Nous avons fait la nuit","work.title":"Tel jour telle nuit","work.catalogue":"FP 86","work.movement":"VII–IX: Je n’ai envie que de t’aimer; Figure de force brûlante et farouche; Nous avons fait la nuit","work.version.value":"Songs 7, 8 and 9 of the nine-song cycle for voice and piano, on the third side of the set.","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"gss48\"]","work.version.note":"The Internet Archive item lists the three songs on this side in this order. The dealer’s supplement lists the nine songs and says the cycle occupies three sides. The printed edition used is not named.","performers.value":"[{\"name\":\"Pierre Bernac\",\"role\":\"baritone\"},{\"name\":\"Francis Poulenc\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"gss48\"]","performers.note":"The Internet Archive item credits Pierre Bernac and Francis Poulenc and lists baritone and piano; the March 1948 supplement names both and cites “the composer’s participation in the recording”.","session.date.value":"Not stated","session.date.status":"unknown","session.date.sourceIds":"[\"archive\",\"gss48\"]","session.date.note":"The set was listed as an import by March 1948. The Internet Archive metadata for the other two sides of the set gives “1948-12”, which is later than that listing and so cannot be the date of recording or first issue.","session.place.value":"Not stated","session.place.status":"unknown","session.place.sourceIds":"[\"archive\"]","session.place.note":"No source consulted names the studio.","carrier.label.value":"His Master’s Voice (HMV), 12-inch 78 rpm","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"gss48\"]","carrier.label.note":"The supplement lists two 12-inch imported records, Nos. G-DB6383/4.","carrier.catalogue.value":"DB 6384, side 1 (the cycle’s first six songs are on the two sides of DB 6383)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"gss48\"]","carrier.catalogue.note":"The Internet Archive label data read “D.B.6384” for this side, with Dans le jardin d’Anna on the other; the other transfers of the set read “D.B.6383”.","carrier.matrixTakeSides.value":"2EA 11110-1 (this side); the reverse, Dans le jardin d’Anna, is 2EA 11131","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"From the item descriptions of the two transfers.","transfer.credits.value":"George Blood, L.P., for the Great 78 Project (Internet Archive); disc from the Goodfriend collection","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item description names the engineer’s firm and lists the collections georgeblood and 78rpm_goodfriend.","transfer.date.value":"Not stated; the item was made public on 1 July 2024","transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The public date of the item is an upload date, not the date of the transfer.","transfer.processing.value":"Four stylus sizes were tried; the preferred version was equalised with turnover 375 Hz and roll-off −12 dB, and copied under the friendlier file name.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"As stated in the item description. The published MP3 is the Internet Archive derivative of that file.","digital.streamUrl":"https://archive.org/download/78_tel-jour-telle-nuit-no-3_pierre-bernac-francis-poulenc-poulenc_gbia0553972a/TEL%20JOUR%20TELLE%20NUIT%20No.%203%20-%20PIERRE%20BERNAC%20%26%20FRANCIS%20POULENC.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive derivative MP3 from a FLAC transfer","digital.durationSeconds":285.7,"rights.composition.value":"Poulenc died in 1963, so the music is in copyright in the EU under the life-plus-70 term, which runs to the end of 2033; national wartime extensions, which can lengthen the term for older works in France, were not assessed. The poems are by Paul Éluard, who died in 1952; rights in the poems are not assessed here.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"johnson\"]","rights.composition.note":"Rights in the composition are stated separately from rights in the recording. The dates of death are those given in the cited note; the United States status of the music and the poems is not established here.","rights.recording.value":"Rule 3 — territorial EU public domain: first published before 1963; listed as an import by March 1948.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"gss48\"]","rights.recording.note":"The United States status of a recording made in France in the 1940s is not established.","rights.creditLine":"Francis Poulenc, Tel jour telle nuit, FP 86, songs 7–9. Pierre Bernac, baritone; Francis Poulenc, piano. HMV DB 6384, listed as an import by March 1948. Transfer by George Blood, L.P., for the Great 78 Project; Internet Archive item 78_tel-jour-telle-nuit-no-3_pierre-bernac-francis-poulenc-poulenc_gbia0553972a. Territorial EU basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/78_tel-jour-telle-nuit-no-3_pierre-bernac-francis-poulenc-poulenc_gbia0553972a","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — TEL JOUR TELLE NUIT No. 3 (Pierre Bernac & Francis Poulenc): metadata and file inventory\",\"url\":\"https://archive.org/metadata/78_tel-jour-telle-nuit-no-3_pierre-bernac-francis-poulenc-poulenc_gbia0553972a\",\"locator\":\"metadata.description (songs a–c, matrix 2EA11110-1, catalogue D.B.6384, stylus and equalisation note), collections georgeblood and 78rpm_goodfriend; file TEL JOUR TELLE NUIT No. 3 - PIERRE BERNAC & FRANCIS POULENC.mp3 (4:46). The companion items for the other sides give matrices 2EA11108-2 and 2EA11109-1 (D.B.6383) and 2EA11131 (Dans le jardin d’Anna)\",\"accessed\":\"2026-10-19\"},{\"id\":\"gss48\",\"title\":\"The Gramophone Shop Supplement, March 1948 (Internet Archive scan)\",\"url\":\"https://archive.org/details/gramophone-shop-supplement-1948-03\",\"locator\":\"Entry “POULENC: Tel jour, tel nuit — Song Cycle (3 sides) & Dans le Jardin d’Anna (1 side) … Two 12-inch imported records, Nos. G-DB6383/4; price $5.24”, with the nine song titles\",\"accessed\":\"2026-10-19\"},{\"id\":\"johnson\",\"title\":\"Graham Johnson — note on Tel jour telle nuit, FP 86, Hyperion CDH55366\",\"url\":\"https://www.hyperion-records.co.uk/dw.asp?dc=W4310_66147\",\"locator\":\"Composition at Noizay and Lyon, December 1936 to January 1937; the dedicatees; Éluard’s four proposed titles; Éluard’s dates 1895–1952 in the page header\",\"accessed\":\"2026-10-19\"},{\"id\":\"check\",\"title\":\"John Check — “Poulenc’s voice”, review of Roger Nichols, Poulenc: A Biography, The New Criterion, 21 May 2020\",\"url\":\"https://newcriterion.com/dispatch/poulencs-voice/\",\"locator\":\"Paragraph on “Nous avons fait la nuit”: the leap on “Je ris encore” and the piano postlude after “toujours nouveau”\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"9 documented; 3 unknown"},{"id":"price-my-soul-anchored","composer":"Florence Price","title":"My Soul’s Been Anchored in de Lord","movement":"","work.title":"My Soul’s Been Anchored in de Lord","work.catalogue":"Arrangement of a spiritual for voice and piano (composed 1931; published 1937); no opus number","work.movement":"","work.version.value":"Price’s arrangement for voice and piano, as sung by Marian Anderson on Victor 1799. The disc label gives the title as “My Soul’s Been Anchored in the Lord”.","work.version.status":"inferred","work.version.sourceIds":"[\"dahr-matrix\",\"catalog\",\"archive\"]","work.version.note":"The Discography of American Historical Recordings names Florence Price as arranger, from the disc label, and the Remick edition of 1937 is annotated “As sung by Marian Anderson (Victor Record No. 1799)”. Which printed or manuscript version the singer and pianist used (key, cuts, ending) is not stated, and neither the Remick nor the Gamble edition was seen. The Internet Archive file is titled “My Souls Been Anchored In The Lord”.","performers.value":"[{\"name\":\"Marian Anderson\",\"role\":\"contralto\"},{\"name\":\"Kosti Vehanen\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"dahr-matrix\",\"archive\"]","performers.note":"The Discography of American Historical Recordings lists Anderson as vocalist (contralto) and Vehanen as pianist, and describes the matrix as a contralto vocal solo with piano. The Internet Archive creator field lists Price, Anderson and Vehanen.","session.date.value":"1936-02-04","session.date.status":"documented","session.date.sourceIds":"[\"dahr-matrix\"]","session.date.note":"Matrix BS-99538 was recorded on 4 February 1936; takes 1, 1A, 2 and 2A are listed for that day and take 2 is the master issued on Victor 1799 and Gramophone DA-1560. The Internet Archive date of 1937 is the year of release, not of the session.","session.date.precision":"day","session.place.value":"New York, New York, Studio 3","session.place.status":"documented","session.place.sourceIds":"[\"dahr-matrix\"]","session.place.note":"As given for every take of the matrix in the Discography of American Historical Recordings.","carrier.label.value":"Victor (Camden, N.J.), 10-inch double-faced Red Seal; the same take was issued as Gramophone DA-1560","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr-object\",\"dahr-da1560\",\"archive\"]","carrier.label.note":"The Discography of American Historical Recordings describes Victor 1799 as a 10-inch double-faced Red Seal and lists the same two matrices under Gramophone DA-1560. The Internet Archive item gives the publisher as Victor.","carrier.catalogue.value":"Victor 1799, side B (coupled with Burleigh’s “Go Down, Moses”, matrix BS-99537); released February 1937","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr-object\",\"arg\",\"archive\"]","carrier.catalogue.note":"Release date 2/1937 is given by the Discography of American Historical Recordings from the Victor catalogue. The American Record Guide reviewed the disc in February 1937 at $1.50. The Internet Archive item records the side as “1799-B”, which is the label side designation; its “Matrix number: 1799B” is not a Victor matrix number.","carrier.matrixTakeSides.value":"BS-99538, take 2","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr-matrix\"]","carrier.matrixTakeSides.note":"Take 2 is the master issued on Victor 1799 and on Gramophone DA-1560. That the Internet Archive transfer is of the Victor 1799 pressing rests on the item’s description (“Victor (1799-B)”).","transfer.credits.value":"Digitised by George Blood, L.P. for the Internet Archive’s Great 78 Project","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive-meta\"]","transfer.credits.note":"The item metadata gives George Blood, L.P. as the scanning centre and the item belongs to the collections 78rpm, georgeblood, archiveofcontemporarymusic and audio_music.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive-meta\"]","transfer.date.note":"The Internet Archive lists the item as added on 11 February 2017; that is the upload, not the date of the transfer.","transfer.processing.value":"Four styli (2.0, 2.3, 2.8 and 3.3 mil truncated conical) were used; the transfers were made flat and also equalised with a turnover of 500. The preferred version is the equalised transfer with the 2.3 mil stylus, copied as the file used here (named “restored”).","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive-meta\"]","transfer.processing.note":"From the item description. Noise reduction and any speed correction are not described.","digital.streamUrl":"https://archive.org/download/78_my-souls-been-anchored-in-the-lord_florence-b.-price-marian-anderson-kosti-vehanen_gbia0000781b/My%20Souls%20Been%20Anchored%20In%20The%20Lord%20-%20Florence%20B.%20Price-restored.mp3","digital.sourceChain":"[\"archive-meta\",\"archive\"]","digital.format":"Internet Archive VBR MP3 derivative of a 24-bit FLAC; one disc side, no concatenation or edits by Contrapunctus","digital.durationSeconds":131.67,"rights.composition.value":"Price died on 3 June 1953, so her arrangement has been out of copyright in the EU and the United Kingdom (life plus 70 years) since 1 January 2024. In the United States it was registered for copyright on 12 August 1937 by Gamble Hinged Music Co.; whether that copyright was renewed was not checked. The underlying spiritual is traditional.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"catalog\"]","rights.composition.note":"The registration is documented by the Price Works Catalog. The EU term is a calculation from her death date, which the composer chapter on this site gives. Rights in the composition are separate from rights in the recording and do not block publication.","rights.recording.value":"Territorial EU public domain: first published before 1963 (Victor 1799, released February 1937). United States status not established: a recording first published in 1937 is still within the term of federal protection for pre-1972 recordings, and the Internet Archive item sits in the collection that was the subject of UMG Recordings, Inc. v. Internet Archive.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"dahr-object\",\"arg\",\"copyright-office\",\"mbw\",\"ia-blog\",\"archive-meta\"]","rights.recording.note":"The release date comes from the Victor catalogue as given by the Discography of American Historical Recordings, and a review of the disc appeared in February 1937. For recordings first published between 1923 and 1946 the Copyright Office describes a term of 95 years plus 5 years after first publication, which for 1937 runs to the end of 2037. The Great 78 Project was the subject of a lawsuit by record companies, settled confidentially in September 2025 (reported by Music Business Worldwide, and acknowledged by the Internet Archive on 15 September 2025); its terms were not published. The item’s curation note of 22 August 2025 reads “lawsuit temporary undark and noindex”: the item was restored to view but is withheld from search indexing. On 19 October 2026 the Internet Archive record of the British pressing of the same take (HMV DA 1560, item 78_my-souls-been-anchored-in-the-lord_marian-anderson-kosti-vehanen-price_gbia0125732b) was marked dark. If the Internet Archive withdraws this item, the stream will fail.","rights.creditLine":"Florence Price, My Soul’s Been Anchored in de Lord (arrangement for voice and piano). Marian Anderson, contralto; Kosti Vehanen, piano. Recorded 4 February 1936, New York (Victor matrix BS-99538, take 2); issued on Victor 1799 in February 1937. Transfer by George Blood, L.P. for the Internet Archive’s Great 78 Project, item 78_my-souls-been-anchored-in-the-lord_florence-b.-price-marian-anderson-kosti-vehanen_gbia0000781b. Territorial EU basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/78_my-souls-been-anchored-in-the-lord_florence-b.-price-marian-anderson-kosti-vehanen_gbia0000781b","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: My Soul's Been Anchored In The Lord (Florence B. Price; Marian Anderson; Kosti Vehanen), Victor 1799-B\",\"url\":\"https://archive.org/details/78_my-souls-been-anchored-in-the-lord_florence-b.-price-marian-anderson-kosti-vehanen_gbia0000781b\",\"locator\":\"Item page: publisher Victor (1799-B), publication date 1937, 2:12 file, transfer description, note on the other side of the disc\",\"accessed\":\"2026-10-19\"},{\"id\":\"archive-meta\",\"title\":\"Internet Archive item metadata and file manifest\",\"url\":\"https://archive.org/metadata/78_my-souls-been-anchored-in-the-lord_florence-b.-price-marian-anderson-kosti-vehanen_gbia0000781b\",\"locator\":\"metadata.description (styli, equalisation, preferred version), scanningcenter, addeddate, curation note, noindex flag; MP3 derivative of 131.67 s FLAC\",\"accessed\":\"2026-10-19\"},{\"id\":\"dahr-matrix\",\"title\":\"Discography of American Historical Recordings: Victor matrix BS-99538, My soul's been anchored in the Lord / Marian Anderson; Kosti Vehanen\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/200023267\",\"locator\":\"Takes 1, 1A, 2, 2A of 4 February 1936, New York, Studio 3; take 2 master on Victor 1799 and Gramophone DA-1560; Price as arranger (disc label); Anderson contralto, Vehanen piano\",\"accessed\":\"2026-10-19\"},{\"id\":\"dahr-object\",\"title\":\"Discography of American Historical Recordings: Victor 1799 (10-in. double-faced Red Seal)\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/detail/12544\",\"locator\":\"Matrices BS-99537 and BS-99538; release date 2/1937, source Victor catalog\",\"accessed\":\"2026-10-19\"},{\"id\":\"dahr-da1560\",\"title\":\"Discography of American Historical Recordings: Gramophone DA-1560 (10-in.)\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/detail/168533\",\"locator\":\"Matrices BS-99537 and BS-99538 released under this number\",\"accessed\":\"2026-10-19\"},{\"id\":\"arg\",\"title\":\"The American Record Guide, vol. 2 no. 10 (February 1937), Internet Archive scan\",\"url\":\"https://archive.org/details/sim_american-record-guide_1937-02_2_10\",\"locator\":\"Record reviews: “Spirituals: Go Down Moses, and My Soul’s Been Anchored in the Lord”, 10-inch Victor 1799, $1.50, signed A. P. D.; read in the scan’s text layer\",\"accessed\":\"2026-10-19\"},{\"id\":\"catalog\",\"title\":\"Florence B. Price Works Catalog: My Soul's Been Anchored in the Lord\",\"url\":\"https://fbpricecatalog.net/price-my-souls-been-anchored/\",\"locator\":\"Composition year 1931; manuscript of 30 September 1931 dedicated to Abbie Mitchell; copyright 12 August 1937, Gamble Hinged Music Co., E pub. 63815; Remick Music edition 1937 annotated “As sung by Marian Anderson (Victor Record No. 1799)”\",\"accessed\":\"2026-10-19\"},{\"id\":\"loc\",\"title\":\"Library of Congress, In The Muse: Marian Anderson’s #LincolnMemorialMoment (Cait Miller, 12 May 2022)\",\"url\":\"https://blogs.loc.gov/music/2022/05/marian-andersons-lincoln-memorial-moment/\",\"locator\":\"Set list of 9 April 1939 with the three spirituals; 75,000 people; six microphones; Kosti Vehanen at the piano\",\"accessed\":\"2026-10-19\"},{\"id\":\"songofamerica\",\"title\":\"Song of America: My Soul’s Been Anchored in the Lord\",\"url\":\"https://songofamerica.net/song/my-souls-been-anchored-in-the-lord\",\"locator\":\"Printed text of the song; Hildegard Publishing edition listed as the sheet music\",\"accessed\":\"2026-10-19\"},{\"id\":\"copyright-office\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: 95 years after first publication, plus 5 years for recordings first published 1923–1946\",\"accessed\":\"2026-10-19\"},{\"id\":\"mbw\",\"title\":\"Music Business Worldwide: Labels settle copyright lawsuit against Internet Archive over streaming of vintage vinyl records (16 September 2025)\",\"url\":\"https://www.musicbusinessworldwide.com/labels-settle-copyright-lawsuit-against-internet-archive-over-streaming-of-vintage-vinyl-records\",\"locator\":\"Confidential settlement of UMG Recordings, Inc. v. Internet Archive over the Great 78 Project; dismissal expected within 45 days\",\"accessed\":\"2026-10-19\"},{\"id\":\"ia-blog\",\"title\":\"Internet Archive Blogs: An Update on the Great 78s Lawsuit (Chris Freeland, 15 September 2025)\",\"url\":\"https://blog.archive.org/2025/09/15/an-update-on-the-great-78s-lawsuit/\",\"locator\":\"The parties have reached a confidential resolution of all claims\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 inferred; 9 documented; 1 unknown"},{"id":"prokofiev-classical-symphony","composer":"Sergei Prokofiev","title":"Symphony No. 1 in D major, Op. 25, “Classical”","movement":"Complete · Allegro — Larghetto — Gavotte — Molto vivace","work.title":"Symphony No. 1 in D major, “Classical”","work.catalogue":"Op. 25","work.movement":"Complete: I. Allegro; II. Larghetto; III. Gavotte, Non troppo allegro; IV. Finale, Molto vivace","work.version.value":"Original orchestral work","work.version.status":"documented","work.version.sourceIds":"[\"publisher\",\"sleeve\"]","work.version.note":"The performing edition is not named by the carrier.","performers.value":"[{\"name\":\"Philharmonia Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Nicolai Malko\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve\",\"ia\"]","performers.note":"Malko’s forename follows the spelling on the original LP.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[]","session.date.note":"The original sleeve does not give a session date. The 1957 publication year is not presented as a recording date.","session.date.precision":null,"session.place.value":"England","session.place.status":"documented","session.place.sourceIds":"[\"sleeve\"]","session.place.note":"The sleeve states “Recorded in England”; no more specific venue is identified there.","carrier.label.value":"RCA Victor Red Seal","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"ia\"]","carrier.label.note":"","carrier.catalogue.value":"LM-2092","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve\",\"ia\"]","carrier.catalogue.note":"United States LP, dated 1957; paired with Prokofiev’s Seventh Symphony.","carrier.matrixTakeSides.value.side":"2","carrier.matrixTakeSides.value.band":"2","carrier.matrixTakeSides.value.matrix":null,"carrier.matrixTakeSides.value.take":null,"carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"sleeve\",\"ia-files\"]","carrier.matrixTakeSides.note":"The four movements occupy one indexed MP3 corresponding to the second work on side 2. Matrix and take numbers are not supplied.","transfer.credits.value":"Internet Archive LP digitisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"ia\"]","transfer.credits.note":"Institutional contributor; no personal account identifiers are reproduced.","transfer.date.value":"2021-10-06","transfer.date.status":"documented","transfer.date.sourceIds":"[\"ia\"]","transfer.date.note":"The Archive ripping_date is 20211006015738; the separate sleeve-scanning date is not used.","transfer.processing.value":"Technics SL1200MK5 with Audio-Technica AT95e → Radio Design Labs EZ-PH1 → Focusrite Scarlett 2i2","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"ia\"]","transfer.processing.note":"The lineage documents the playback chain. Equalisation and restoration settings are not supplied.","digital.streamUrl":"https://archive.org/download/lp_symphony-no-7-classical-symphony_sergei-prokofiev-nicolai-malko-philharmoni/disc1/02.02.%20First%20Movement%3A%20Allegro%3B%20Second%20Movement%3A%20Larghetto%3B%20Third%20Movement%3A%20Gavotte%3A%20Non%20Troppo%20Allegro%3B%20Fourth%20Movement%3A%20Finale%3A%20Molto%20Vivace.mp3","digital.sourceChain":"[\"sleeve\",\"ia\",\"ia-files\"]","digital.format":"VBR MP3, Internet Archive LP transfer","digital.durationSeconds":825.7,"rights.composition.value":"Public domain under the ordinary EU life-plus-70 term; Prokofiev died in 1953.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Territorial copyright assessment, not a worldwide permission statement.","rights.recording.value":"EU public domain on the pre-1963 lawful-publication basis: RCA Victor LM-2092 was published in 1957.","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"ia\",\"sleeve\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The former 50-year term expired before the 2013 extension. This is the repository’s eu-published-before-1963 basis, not an Archive Creative Commons grant. United States recording rights are not established.","rights.creditLine":"Sergei Prokofiev: Symphony No. 1, Op. 25, “Classical” — Philharmonia Orchestra; Nicolai Malko, conductor. RCA Victor Red Seal LM-2092 (1957); transfer by Internet Archive. Territorial EU public-domain basis; US recording status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"ia\",\"title\":\"Internet Archive: Symphony No. 7 / Classical Symphony\",\"url\":\"https://archive.org/metadata/lp_symphony-no-7-classical-symphony_sergei-prokofiev-nicolai-malko-philharmoni/metadata\",\"locator\":\"Philharmonia Orchestra, Nicolai Malko, RCA Victor Red Seal LM-2092, 1957 publication date, ripping_date and lineage.\",\"accessed\":\"2026-10-18\"},{\"id\":\"ia-files\",\"title\":\"Internet Archive file inventory\",\"url\":\"https://archive.org/metadata/lp_symphony-no-7-classical-symphony_sergei-prokofiev-nicolai-malko-philharmoni/files\",\"locator\":\"disc1/02.02: all four movements of the Classical Symphony in one VBR MP3.\",\"accessed\":\"2026-10-18\"},{\"id\":\"sleeve\",\"title\":\"RCA Victor LM-2092: original sleeve and labels\",\"url\":\"https://archive.org/download/lp_symphony-no-7-classical-symphony_sergei-prokofiev-nicolai-malko-philharmoni/lp_symphony-no-7-classical-symphony_sergei-prokofiev-nicolai-malko-philharmoni_djvu.txt\",\"locator\":\"Performers; “Recorded in England”; 1957 RCA date; Irvine Kolodin’s notes on both symphonies.\",\"accessed\":\"2026-10-18\"},{\"id\":\"publisher\",\"title\":\"Boosey & Hawkes: Classical Symphony in D, Symphony No. 1\",\"url\":\"https://www.boosey.com/cr/music/Serge-Prokofieff-Classical-Symphony-in-D-Symphony-No-1/4801\",\"locator\":\"Work catalogue, orchestration and Gerard McBurney’s programme note.\",\"accessed\":\"2026-10-18\"},{\"id\":\"composer\",\"title\":\"Boosey & Hawkes: Serge Prokofieff\",\"url\":\"https://www.boosey.com/composer/Serge+Prokofieff\",\"locator\":\"Composer dates, 1891–1953.\",\"accessed\":\"2026-10-18\"},{\"id\":\"laphil\",\"title\":\"Herbert Glass: Symphony No. 1, “Classical”\",\"url\":\"https://www.laphil.com/works/symphony-no-1-classical\",\"locator\":\"Prokofiev’s autobiographical account, orchestration, movement descriptions and première.\",\"accessed\":\"2026-10-18\"},{\"id\":\"philharmonia\",\"title\":\"Philharmonia programme, 10 April 2025\",\"url\":\"https://philharmonia-assets.s3.eu-west-1.amazonaws.com/uploads/2025/04/03122720/10.04.25_RFH_online.pdf\",\"locator\":\"Andrew Mellor, p. 4: thematic descriptions, dates, Gavotte and piano-encore use.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC: term of copyright and related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1, 3 and 8: life-plus-70 authors’ term, former 50-year phonogram term, calendar-year calculation.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU: extension of the phonogram term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2)–(3): 70-year term and application to rights still protected on 1 November 2013.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","editorial.timingNote":"Four movement-level sections follow the carrier’s order and the pauses and changes in the analysed transfer. Musical notes use passage precision, not bar alignment.","evidence":"9 documented; 1 unknown; 2 inferred"},{"id":"prokofiev-piano-sonata-2","composer":"Sergei Prokofiev","title":"Piano Sonata No. 2, Op. 14","movement":"Complete · Allegro ma non troppo — Scherzo — Andante — Vivace","work.title":"Piano Sonata No. 2 in D minor","work.catalogue":"Op. 14","work.movement":"Complete · Allegro ma non troppo — Scherzo — Andante — Vivace","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition, revision and any editorial interventions are not identified in the consulted recording documentation.","performers.value":"[{\"name\":\"E. M. Zinger\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"The description uses E.M. Zinger; the category names Yevsey Singer. No expanded personal name is asserted here.","session.date.value":"8 October 1962","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"structured\"]","session.date.note":"Date stated on Commons and repeated in structured data; no independent session record was recovered.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"The source credit is “Архив НГК им. М. И. Глинки”. It identifies a holding archive, not a recording venue; the institution’s abbreviated name is not expanded without further evidence.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original recording label is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":"Архив НГК им. М. И. Глинки — source archive as credited on Commons.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No named transfer or restoration engineer, transfer date or archive item identifier is supplied.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Embedded encoder: Xiph.Org libVorbis I 20120203 (Omnipresent). Commons master: Ogg Vorbis, 44.1 kHz, 2 channels.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"embedded\"]","transfer.processing.note":"These are file properties, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/2e/Prokofiev_-_Sonata_No._2_%28E.M._Zinger%29.ogg/Prokofiev_-_Sonata_No._2_%28E.M._Zinger%29.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis, 44.1 kHz, 2 channels","digital.durationSeconds":978.8322902494331,"rights.composition.value":"The original 1913 publication is public domain in the United States.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"work-source\",\"us-work-term\"]","rights.composition.note":"The CC BY-SA tag is a claim about this recording, not permission from Prokofiev’s estate. Composition status in other jurisdictions, including any special extensions, has not been established here.","rights.recording.value":"Rule 1 — recording licence/release: CC BY-SA 4.0 International.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons explicitly applies cc-by-sa-4.0 to the E. M. Zinger recording dated 8 October 1962 and credits the Glinka conservatory archive as source. This records the file page’s recording licence, not an independently recovered rights-holder contract.","rights.creditLine":"E. M. Zinger, piano. Source archive: Архив НГК им. М. И. Глинки, via Wikimedia Commons. CC BY-SA 4.0 as stated by Commons; the underlying rights-holder permission is not independently verified.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Prokofiev - Sonata No. 2 (E.M. Zinger).ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Prokofiev_-_Sonata_No._2_(E.M._Zinger).ogg?oldid=1111732218\",\"locator\":\"File-description wikitext revision 1111732218; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M125805649\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M125805649&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 1111732218. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3AProkofiev+-+Sonata+No.+2+%28E.M.+Zinger%29.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work-source\",\"title\":\"Piano Sonata No. 2 (Prokofiev): publication history\",\"url\":\"https://en.wikipedia.org/wiki/Piano_Sonata_No._2_(Prokofiev)\",\"locator\":\"Opening: composed 1912; first published by P. Jurgenson in 1913.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-work-term\",\"title\":\"Commons: US expiry for published compositions\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-US-expired\",\"locator\":\"Published works before 1931 are public domain in the United States as of 2026; the template expressly excludes sound recordings.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Prokofiev - Sonata No. 2 (E.M. Zinger).ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1258921827%7C661044101%7C642919319%7C1111732218%7C509438495%7C999902261%7C718748653%7C901919689%7C1204343741%7C718302093&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Prokofiev - Sonata No. 2 (E.M. Zinger).ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"6 unknown; 5 documented; 1 inferred"},{"id":"prokofiev-toccata","composer":"Sergei Prokofiev","title":"Toccata in D minor, Op. 11","movement":"","work.title":"Toccata in D minor","work.catalogue":"Op. 11","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording sources.","performers.value":"[{\"name\":\"Martha Argerich\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"","session.date.value":"1962 on Commons; July 1960 in the DG recital discography.","session.date.status":"disputed","session.date.sourceIds":"[\"commons\",\"commons-data\",\"discography\",\"original-discography\"]","session.date.note":"Commons’ filename and date field say 1962, with an unsupported 1 January day. The matching DG recital programme is documented as July 1960. The specific digital file has not been compared with the carrier, so the discrepancy is preserved rather than silently corrected.","session.date.alternatives":"[{\"value\":\"1962 — Commons attribution; day and month unestablished.\",\"sourceIds\":[\"commons\",\"commons-data\"]},{\"value\":\"July 1960 — DG Piano Recital session.\",\"sourceIds\":[\"discography\",\"original-discography\"]}]","session.date.precision":null,"session.place.value":"Beethoven-Saal, Hanover, Germany","session.place.status":"inferred","session.place.sourceIds":"[\"discography\",\"original-discography\"]","session.place.note":"This is the venue of the identified DG recital. Its applicability to this particular Commons file depends on resolving the recording-date and carrier match.","carrier.label.value":"Deutsche Grammophon","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"","carrier.catalogue.value":"138 672 SLPM — original recital issue; transferred copy unidentified.","carrier.catalogue.status":"inferred","carrier.catalogue.sourceIds":"[\"discography\"]","carrier.catalogue.note":"The discography links this programme to the 1961 LP. The Commons source names only Deutsche Grammophon and does not identify which pressing or reissue supplied the FLAC.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No restoration, equalisation, noise-reduction or editing procedure is documented for the upstream audio.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/3/31/Serge_Prokofiev_-_Toccata%2C_op._11_%28Martha_Argerich%2C_1962%29.flac/Serge_Prokofiev_-_Toccata%2C_op._11_%28Martha_Argerich%2C_1962%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: FLAC","digital.durationSeconds":249,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"The composer died in 1953. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\"]","rights.recording.note":"Commons applies PD-EU-audio and attributes Argerich’s DG recording to 1962. The dossier preserves the competing 1960 recital session and 1961 original-issue attribution; every candidate precedes 1963. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. A recording date alone is not represented as an independently verified first-publication date.","rights.creditLine":"Sergei Prokofiev, Toccata, Op. 11; Martha Argerich, piano. Deutsche Grammophon; Wikimedia Commons. Session date disputed: Commons 1962 / DG recital July 1960. PD-EU-audio is an EU expiry claim, not worldwide permission.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Serge Prokofiev - Toccata, op. 11 (Martha Argerich, 1962).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Serge_Prokofiev_-_Toccata,_op._11_(Martha_Argerich,_1962).flac?oldid=509438495\",\"locator\":\"File-description wikitext: work identification, Summary, Source and Licensing; file format, duration and Transcode status.\",\"accessed\":\"2026-10-16\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Serge_Prokofiev_-_Toccata,_op._11_(Martha_Argerich,_1962).flac#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"discography\",\"title\":\"Discogs — Martha Argerich, Début Recital, DG 447 430-2\",\"url\":\"https://www.discogs.com/release/16263832-Martha-Argerich-D%C3%A9but-Recital\",\"locator\":\"Track list and recording notes: Hanover, Beethoven-Saal, July 1960; original recital issued as DG 138 672 SLPM in 1961. The 1971 session belongs to the added Liszt Sonata, not the Rhapsody or Toccata.\",\"accessed\":\"2026-10-16\"},{\"id\":\"original-discography\",\"title\":\"Discogs — Martha Argerich, Piano Recital\",\"url\":\"https://www.discogs.com/master/593563-Martha-Argerich-Piano-Recital\",\"locator\":\"Master-release notes: recorded Hanover, Beethovensaal, July 1960; phonogram date 1961.\",\"accessed\":\"2026-10-16\"},{\"id\":\"composer\",\"title\":\"Sergei Prokofiev — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Sergei_Prokofiev\",\"locator\":\"Lead paragraph: composer’s death year.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights after 50 or 70 years; underlying composition requires a separate rights basis.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): extension applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-recordings\",\"title\":\"17 U.S.C. § 1401 — pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Section (a)(2): terms depend on first publication; post-1956 recordings fixed before 15 February 1972 remain within the statutory term until 15 February 2067.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Serge Prokofiev - Toccata, op. 11 (Martha Argerich, 1962).flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1258921827%7C661044101%7C642919319%7C1111732218%7C509438495%7C999902261%7C718748653%7C901919689%7C1204343741%7C718302093&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Serge Prokofiev - Toccata, op. 11 (Martha Argerich, 1962).flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3), inserting Article 10(5): extension applies to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-audio\",\"title\":\"Wikimedia Commons — recording-specific scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation concern performers’ and producers’ rights, not merely composition copyright; territorial European expiry.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"5 unknown; 3 documented; 1 disputed; 3 inferred"},{"id":"puccini-e-lucevan-le-stelle","composer":"Giacomo Puccini","title":"Tosca","movement":"Act III · E lucevan le stelle — piano-accompanied recording","work.title":"Tosca","work.catalogue":"","work.movement":"Act III · E lucevan le stelle — piano-accompanied recording","work.version.value":"Piano-accompanied acoustic recording; exact reduction unestablished","work.version.status":"documented","work.version.sourceIds":"[\"commons\"]","work.version.note":"Tenor and piano are explicitly documented. No score for Cottone’s particular reduction has been identified; no orchestra timeline is supplied.","performers.value":"[{\"name\":\"Enrico Caruso\",\"role\":\"tenor\"},{\"name\":\"Salvatore Cottone\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"upstream\"]","performers.note":"Both the Commons description and the opened upstream transfer explicitly credit piano accompaniment. This is not an orchestral recording; no orchestral instrument is described in its listening notes.","session.date.value":"1902-04-11","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"upstream\"]","session.date.note":"The original transfer description identifies 11 April 1902; Commons repeats it. The 2011 YouTube and 2018 Commons uploads are not recording dates.","session.date.precision":"day","session.place.value":"Grand Hotel, Milan, Italy","session.place.status":"documented","session.place.sourceIds":"[\"upstream\"]","session.place.note":"City/place as stated in the cited recording source; no more precise room or studio inferred.","carrier.label.value":"Gramophone & Typewriter / Gramophone Concert Record","carrier.label.status":"inferred","carrier.label.sourceIds":"[\"friedman\",\"label\"]","carrier.label.note":"Historical identification is inferred by combining the named 1902 performance in the transfer description with Friedman’s first-session matrix discussion and the reproduced G.C. 52349 label. The exact disc used by this transfer is not demonstrated.","carrier.catalogue.value":"G.C. 52349 — historical issue associated with the 1902 recording; source pressing unestablished","carrier.catalogue.status":"inferred","carrier.catalogue.sourceIds":"[\"friedman\",\"label\"]","carrier.catalogue.note":"Historical identification is inferred by combining the named 1902 performance in the transfer description with Friedman’s first-session matrix discussion and the reproduced G.C. 52349 label. The exact disc used by this transfer is not demonstrated.","carrier.matrixTakeSides.value":"1790 — historical matrix associated with Caruso’s April 1902 recording; take and source-pressing markings unestablished","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"friedman\",\"label\"]","carrier.matrixTakeSides.note":"Historical identification is inferred by combining the named 1902 performance in the transfer description with Friedman’s first-session matrix discussion and the reproduced G.C. 52349 label. The exact disc used by this transfer is not demonstrated.","transfer.credits.value":"Tom Frøkjær — upstream uploader and presenter of the direct 78 transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"upstream\"]","transfer.credits.note":"The video title calls this a direct transfer from an original 78 and the channel is Tom Frøkjær. A separate engineer credit is not supplied. No restoration method, transfer equipment or transfer date is inferred.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date established. The Commons, Archive and YouTube upload dates are not treated as digitisation or restoration dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"upstream\"]","transfer.processing.note":"The source identifies a direct 78 transfer but does not document equalisation, denoising, pitch correction or speed correction.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/0/00/E_lucevan_le_stelle_%281902%29.opus/E_lucevan_le_stelle_%281902%29.opus.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Opus","digital.durationSeconds":153.92,"rights.composition.value":"Underlying Puccini composition and historical libretto are public domain where ordinary life-plus-70 terms apply; no modern edition is claimed cleared.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"biography\"]","rights.composition.note":"Commons marks the historical work public domain. This does not by itself establish the sound recording’s rights; the recording basis is separately documented below.","rights.recording.value":"Rule 2 — United States public domain: the original 1902 Caruso sound recording was commercially pressed before 1923.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"upstream\",\"friedman\",\"label\",\"us-recording-term\"]","rights.recording.note":"This is a sound-recording basis, not a grant inferred from the composer-only tag. Friedman documents early pressings of matrix 1790 and a metal-part marking in use during 1903–1905; the source transfer identifies the April 1902 performance. Its particular pressing is unknown. The YouTube page supplies no separate CC licence and none is asserted. No worldwide clearance claim.","rights.creditLine":"Giacomo Puccini, Tosca: E lucevan le stelle. Enrico Caruso, tenor; Salvatore Cottone, piano; Milan, 11 April 1902. Direct 78 transfer presented by Tom Frøkjær, YouTube kIMt7i7zeFc, imported by Racconish to Wikimedia Commons.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — E lucevan le stelle (1902).opus\",\"url\":\"https://commons.wikimedia.org/wiki/File:E_lucevan_le_stelle_(1902).opus\",\"locator\":\"Description explicitly names Caruso and Cottone’s piano; 11 April 1902; source YouTube kIMt7i7zeFc; upload by Racconish in 2018 and Opus metadata; MP3 derivative. Upload and session kept distinct.\",\"accessed\":\"2026-10-17\"},{\"id\":\"upstream\",\"title\":\"Tom Frøkjær — Caruso, E lucevan le stelle, direct transfer from original 78\",\"url\":\"https://www.youtube.com/watch?v=kIMt7i7zeFc\",\"locator\":\"Opened video description: first recording session, Grand Hotel in Milan, 11 April 1902; Salvatore Cottone piano. Channel Tom Frøkjær, upload 7 September 2011. No CC or non-commercial licence stated in the returned description. No musical audition claimed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"friedman\",\"title\":\"Howard Friedman — Collector’s Guide to Gramophone Company Record Labels, page 7\",\"url\":\"https://musicweb-international.com/Friedman/page7.htm\",\"locator\":\"Discussion of multiple pressings of matrix 1790, Caruso’s first E lucevan from April 1902, and CO markings dating metal parts to 1903–1905. Primary-label reproductions accompany the analysis.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Gramophone Concert Record G.C. 52349 — reproduced label\",\"url\":\"https://musicweb-international.com/Friedman/images/Image838.jpg\",\"locator\":\"Opened image: red Gramophone Concert Record label, G.C. 52349, Milan. Reproduction illustrates the historical issue, not the unidentified disc used for this transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"synopsis\",\"title\":\"Opéra national de Paris — Tosca, 2025–26\",\"url\":\"https://www.operadeparis.fr/en/season-25-26/opera/tosca\",\"locator\":\"Acts I–III synopses; Roman locations, painter and Attavanti, Scarpia’s coercion, letter before execution. Used for dramatic context, not timings.\",\"accessed\":\"2026-10-17\"},{\"id\":\"biography\",\"title\":\"Puccini Festival — Giacomo Puccini\",\"url\":\"https://www.puccinifestival.it/en/giacomo-puccini/\",\"locator\":\"Biography and work entries: early church work, Milan studies, librettists, source authors, premieres, composer’s death in 1924.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-recording-term\",\"title\":\"U.S. Copyright Office — Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: recordings first published before 1923 ceased receiving the specified federal remedies after 31 December 2021. Sound-recording basis, distinct from composition copyright.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 documented; 3 inferred; 2 unknown"},{"id":"puccini-mi-chiamano-mimi","composer":"Giacomo Puccini","title":"La bohème","movement":"Act I · Sì, mi chiamano Mimì","work.title":"La bohème","work.catalogue":"","work.movement":"Act I · Sì, mi chiamano Mimì","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The recording source does not identify a performing edition or arrangement.","performers.value":"[{\"name\":\"Claudia Muzio\",\"role\":\"soprano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"No accompanists or conductor are identified.","session.date.value":"1911","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The Commons description attributes the performance to 1911; no day, month, session location or primary discographic document is supplied.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the consulted source.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original release label is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or disc-side identifiers are supplied; the digital file format does not establish the original carrier.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or restoration engineer is identified; an uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. The access-file encoding is recorded separately.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/a/a1/Puccini_Mi_chiamano_Mim%C3%AC_par_Claudia_Muzio.ogg/Puccini_Mi_chiamano_Mim%C3%AC_par_Claudia_Muzio.ogg.mp3","digital.sourceChain":"[\"commons\",\"youtube\"]","digital.format":"MP3 access derivative of the Wikimedia Commons Ogg Vorbis file","digital.durationSeconds":240.849,"rights.composition.value":"Public domain in jurisdictions applying an unextended life-plus-70-year term","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Giacomo Puccini died in 1924. This assessment concerns the original composition, not a later edition, arrangement or this recording; it is not a worldwide rights clearance.","rights.recording.value":"Rule 2 — sound recording public domain in the United States (first published by 1925).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-us-term\",\"rights-audit-muzio-discography\"]","rights.recording.note":"Commons attributes the Muzio performance to 1911 but supplies only general PD-old, not a recording licence. The UCSB-published Bolig discography identifies the original commercial recording as matrix 298aj, recorded in Milan on 20 June 1911, issued as HMV 053264 and Victor 55028. Rule 2 uses this pre-1926 original recording/issue identification, not Puccini’s death or the modern YouTube upload. The exact first-release day is not supplied by that entry.","rights.creditLine":"Giacomo Puccini: La bohème, Act I, Sì, mi chiamano Mimì — Claudia Muzio, soprano, attributed to 1911. Via Wikimedia Commons from a cited YouTube source; carrier and transfer unidentified. Commons applies PD-old; separate recording-rights evidence is incomplete.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:Puccini_Mi_chiamano_Mim%C3%AC_par_Claudia_Muzio.ogg#Licensing","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Puccini Mi chiamano Mimì par Claudia Muzio.ogg\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=999902261\",\"locator\":\"Summary: description, date, source, author and permission; Licensing; File history; embedded metadata. The source revision is fixed; current file metadata was retrieved on the access date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3APuccini+Mi+chiamano+Mim%C3%AC+par+Claudia+Muzio.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 URL; source for digital.durationSeconds, digital.format and digital.streamUrl.\",\"accessed\":\"2026-10-16\"},{\"id\":\"youtube\",\"title\":\"YouTube source named by Commons — AGfXCEGnHyI\",\"url\":\"https://www.youtube.com/watch?v=AGfXCEGnHyI\",\"locator\":\"Upstream URL in the Commons Source field. Retrieval supplied no transcript or usable discographic description; no transfer credit or carrier identity was independently recovered.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Puccini Mi chiamano Mimì par Claudia Muzio.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1258921827%7C661044101%7C642919319%7C1111732218%7C509438495%7C999902261%7C718748653%7C901919689%7C1204343741%7C718302093&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Puccini Mi chiamano Mimì par Claudia Muzio.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-us-term\",\"title\":\"US Copyright Office — terms for pre-1972 sound recordings\",\"url\":\"https://www.copyright.gov/music-modernization/faq.html\",\"locator\":\"Title II: first publication determines the term; 1923–1946 recordings receive 95 years plus five years. Publications through 1925 have expired by 1 January 2026.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-muzio-discography\",\"title\":\"John R. Bolig — The Victor Discography: Green, Blue, and Purple Labels\",\"url\":\"https://adp-assets.library.ucsb.edu/BoligGreenBluePurple.pdf\",\"locator\":\"Blue Label Double-Sided (12-inch), printed p. 130, entry Victor 55028: Muzio, Mi chiamano Mimi, matrix 298aj, Milan 20 June 1911; HMV 053264. Opened full text via reader fallback; no exact release day is printed.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"8 unknown; 3 documented; 1 inferred"},{"id":"puccini-o-mimi-tu-piu-non-torni","composer":"Giacomo Puccini","title":"La bohème","movement":"Act IV · O Mimì, tu più non torni","work.title":"La bohème","work.catalogue":"","work.movement":"Act IV · O Mimì, tu più non torni","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"Acoustic recording of the named excerpt. Performing edition, cuts and studio instrumental substitutions are unestablished. No instrument-by-instrument timeline is supplied; the modern opera full score does not document this session.","performers.value":"[{\"name\":\"Enrico Caruso\",\"role\":\"tenor\"},{\"name\":\"Antonio Scotti\",\"role\":\"baritone\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"dahr\"]","performers.note":"DAHR and LOC identify the vocal roles and orchestra accompaniment, but not the orchestra’s name, conductor or acoustic substitutions. No individual instrumental timeline is asserted.","session.date.value":"1907-03-17","session.date.status":"documented","session.date.sourceIds":"[\"dahr\",\"loc\"]","session.date.note":"The 17 March date and take 1 are documented by DAHR and LOC. Commons gives only the year 1907. The LOC transfer is a corroborating discographic source, not the streamed file.","session.date.precision":"day","session.place.value":"New York, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"dahr\",\"loc\"]","session.place.note":"City/place as stated in the cited recording source; no more precise room or studio inferred.","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"dahr\",\"issue\",\"loc\"]","carrier.label.note":"Original master and issues are documented. The pressing used by R. Wolfe is not identified; LOC’s Victor 8000 disc does not prove that Wolfe transferred the same pressing.","carrier.catalogue.value":"Victor 89006; later Victor 8000; Gramophone 054127","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"dahr\",\"issue\",\"loc\"]","carrier.catalogue.note":"Original master and issues are documented. The pressing used by R. Wolfe is not identified; LOC’s Victor 8000 disc does not prove that Wolfe transferred the same pressing.","carrier.matrixTakeSides.value":"C-4315, take 1; 12-inch master","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"dahr\",\"issue\",\"loc\"]","carrier.matrixTakeSides.note":"Original master and issues are documented. The pressing used by R. Wolfe is not identified; LOC’s Victor 8000 disc does not prove that Wolfe transferred the same pressing.","transfer.credits.value":"R. Wolfe — transfer credited by Commons; Adam Cuerden — slight hiss reduction attributed from Commons upload context","transfer.credits.status":"inferred","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Commons explicitly credits the upstream transfer to R. Wolfe and documents slight hiss reduction. Adam Cuerden uploaded the altered file; his responsibility for the reduction is an attribution from that context rather than an independently named transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date established. The Commons, Archive and YouTube upload dates are not treated as digitisation or restoration dates.","transfer.processing.value":"Slight hiss reduction documented on Commons; parameters unestablished","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Only the described processing is documented; no equipment, filter settings, pitch correction or speed correction is inferred.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/93/La_boh%C3%A8me%2C_O_Mim%C3%AC%2C_tu_pi%C3%B9_non_torni_%28Caruso%2C_Scotti%29.ogg/La_boh%C3%A8me%2C_O_Mim%C3%AC%2C_tu_pi%C3%B9_non_torni_%28Caruso%2C_Scotti%29.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive-unavailable\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":184.92,"rights.composition.value":"Underlying Puccini composition and historical libretto are public domain where ordinary life-plus-70 terms apply; no modern edition is claimed cleared.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"biography\"]","rights.composition.note":"Commons marks the historical work public domain. This does not by itself establish the sound recording’s rights; the recording basis is separately documented below.","rights.recording.value":"Rule 2 — United States public domain: original sound recording issued as Victor 89006 in 1907, before 1923.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"issue\",\"moses\",\"us-recording-term\"]","rights.recording.note":"DAHR’s original-issue MARC gives [1907]; Moses places Victor 89006 in the 1906–1908 release group. Commons applies PD-US. The upstream Archive item is unavailable, so its original metadata and transfer licence cannot be independently inspected. No separate CC grant or worldwide clearance is asserted.","rights.creditLine":"Giacomo Puccini, La bohème: O Mimì, tu più non torni. Enrico Caruso and Antonio Scotti, New York, 17 March 1907; C-4315-1. Internet Archive transfer credited to R. Wolfe, via Wikimedia Commons; slight hiss reduction in the Commons version uploaded by Adam Cuerden.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Caruso and Scotti, O Mimì\",\"url\":\"https://commons.wikimedia.org/wiki/File:La_boh%C3%A8me,_O_Mim%C3%AC,_tu_pi%C3%B9_non_torni_(Caruso,_Scotti).ogg\",\"locator\":\"Description identifies C-4315, 1907; Source credits R. Wolfe; modification specifies slight hiss reduction; Adam Cuerden upload, PD-US/PD-old and MP3 derivative.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"DAHR — Victor matrix C-4315\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/200006027\",\"locator\":\"Take 1, 17 March 1907 New York; Victor 89006 and 8000, Gramophone 054127; tenor/baritone duet with orchestra.\",\"accessed\":\"2026-10-17\"},{\"id\":\"issue\",\"title\":\"DAHR — Victor 89006\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/56538\",\"locator\":\"MARC 264 gives Victor [1907]; C-4315 take 1; 12-inch single-faced Red Seal. Original issue, not proof of the transferred carrier.\",\"accessed\":\"2026-10-17\"},{\"id\":\"loc\",\"title\":\"Library of Congress — Ah Mimi, tu piu, JSON catalogue\",\"url\":\"https://www.loc.gov/item/jukebox-124594/?fo=json\",\"locator\":\"item.recording_date 1907-03-17, New York; Victor 8000, C-4315/1; Caruso tenor, Scotti baritone, with orchestra. LOC’s own stream is not used for this listening package.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-unavailable\",\"title\":\"Internet Archive — linked R. Wolfe transfer (not opened)\",\"url\":\"https://archive.org/details/OMimiTuPiuNonTorni\",\"locator\":\"Not opened: item page returned 404 and metadata endpoint could not retrieve item. No facts or numbers are cited from this unavailable source; R. Wolfe attribution is documented on Commons.\",\"accessed\":\"2026-10-17\"},{\"id\":\"synopsis\",\"title\":\"Royal Opera House — La bohème, 3 October 2017 cinema programme\",\"url\":\"http://static.roh.org.uk/showings/la-boheme-live-2017/en.pdf\",\"locator\":\"Page 2, Acts I and IV: first meeting, café departure, two men recalling absent lovers, friends’ meal and Mimì’s later return.\",\"accessed\":\"2026-10-17\"},{\"id\":\"moses\",\"title\":\"Julian Morton Moses — American Celebrity Recordings 1900–1925, UCSB Historical Discographies edition\",\"url\":\"https://adp-assets.library.ucsb.edu/AmericanCelebrityRecordings.pdf\",\"locator\":\"Introduction explains that artist sections group records by release years, not session dates. Caruso: Victor Red Seal 1906–1908 includes 89006 and 95200; 1909–1911 includes 87043. Destinn: Victor Red Seal 1914–1917 includes 88487. Opened as extracted text; not used to infer exact take or transfer pressing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"biography\",\"title\":\"Puccini Festival — Giacomo Puccini\",\"url\":\"https://www.puccinifestival.it/en/giacomo-puccini/\",\"locator\":\"Biography and work entries: early church work, Milan studies, librettists, source authors, premieres, composer’s death in 1924.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-recording-term\",\"title\":\"U.S. Copyright Office — Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: recordings first published before 1923 ceased receiving the specified federal remedies after 31 December 2021. Sound-recording basis, distinct from composition copyright.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 9 documented; 1 inferred"},{"id":"puccini-o-soave-fanciulla","composer":"Giacomo Puccini","title":"La bohème","movement":"Act I · O soave fanciulla","work.title":"La bohème","work.catalogue":"","work.movement":"Act I · O soave fanciulla","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"Acoustic recording of the named excerpt. Performing edition, cuts and studio instrumental substitutions are unestablished. No instrument-by-instrument timeline is supplied; the modern opera full score does not document this session.","performers.value":"[{\"name\":\"Nellie Melba\",\"role\":\"soprano\"},{\"name\":\"Enrico Caruso\",\"role\":\"tenor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"dahr\"]","performers.note":"DAHR describes accompaniment as orchestra but does not name the orchestra, conductor or acoustic session’s instruments. No theatre-score orchestra timeline is published.","session.date.value":"1907-03-24","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"dahr\"]","session.date.note":"Take 1 is the master. DAHR lists take 2 on this day and takes 3–4 on 1 April as destroyed; those later sessions are not substituted for the source’s date.","session.date.precision":"day","session.place.value":"New York, New York, United States","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"dahr\"]","session.place.note":"City/place as stated in the cited recording source; no more precise room or studio inferred.","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"dahr\",\"issue\"]","carrier.label.note":"These identify the master and original issues. The actual pressing or reissue used before the Internet Archive upload is unestablished; later LP remaster dates in DAHR are not assigned to this transfer.","carrier.catalogue.value":"Victor 95200; Gramophone 054129","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"dahr\",\"issue\"]","carrier.catalogue.note":"These identify the master and original issues. The actual pressing or reissue used before the Internet Archive upload is unestablished; later LP remaster dates in DAHR are not assigned to this transfer.","carrier.matrixTakeSides.value":"C-4326, take 1; 12-inch master","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"dahr\",\"issue\"]","carrier.matrixTakeSides.note":"These identify the master and original issues. The actual pressing or reissue used before the Internet Archive upload is unestablished; later LP remaster dates in DAHR are not assigned to this transfer.","transfer.credits.value":"Adam Cuerden — restoration; source digitisation engineer unestablished","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Commons explicitly requires credit to both Adam Cuerden and commons.wikimedia.org for use of this restoration. The upstream original MP3 is about 3:21 while the restored stream is about 3:16; the processing that accounts for this difference is not reconstructed.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date established. The Commons, Archive and YouTube upload dates are not treated as digitisation or restoration dates.","transfer.processing.value":"Restored by Adam Cuerden; detailed restoration settings unestablished","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Only the described processing is documented; no equipment, filter settings, pitch correction or speed correction is inferred.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/69/Enrico_Caruso_-_Nellie_Melba_-_La_boh%C3%A8me_-_O_soave_fanciulla_%28restored%29.ogg/Enrico_Caruso_-_Nellie_Melba_-_La_boh%C3%A8me_-_O_soave_fanciulla_%28restored%29.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\",\"archive-files\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":195.58,"rights.composition.value":"Underlying Puccini composition and historical libretto are public domain where ordinary life-plus-70 terms apply; no modern edition is claimed cleared.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"biography\"]","rights.composition.note":"Commons marks the historical work public domain. This does not by itself establish the sound recording’s rights; the recording basis is separately documented below.","rights.recording.value":"Rules 1 and 2 — attribution-only release of Adam Cuerden’s restoration; underlying sound recording commercially issued in 1907 and public domain in the United States.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"issue\",\"archive\",\"us-recording-term\"]","rights.recording.note":"The restoration is not treated as unrestricted public domain. Commons’ explicit permission allows all uses with credit to Adam Cuerden and commons.wikimedia.org; the credit is included in the listening introduction and this dossier. DAHR’s issue MARC gives [1907]. The opened upstream Archive metadata supplies no licence URL and no non-commercial restriction. No worldwide public-domain claim for the restoration.","rights.creditLine":"Giacomo Puccini, La bohème: O soave fanciulla. Nellie Melba and Enrico Caruso, New York, 24 March 1907; Victor C-4326-1 / 95200. Restoration by Adam Cuerden, via commons.wikimedia.org. All uses of this restored file must credit Adam Cuerden and commons.wikimedia.org.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:Enrico_Caruso_-_Nellie_Melba_-_La_boh%C3%A8me_-_O_soave_fanciulla_(restored).ogg#fileinfotpl_perm","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — O soave fanciulla, restored\",\"url\":\"https://commons.wikimedia.org/wiki/File:Enrico_Caruso_-_Nellie_Melba_-_La_boh%C3%A8me_-_O_soave_fanciulla_(restored).ogg\",\"locator\":\"Description: Melba/Caruso, New York 24 March 1907, C4326 / 95200. Permission: Adam Cuerden’s attribution-only grant requiring credit to Adam Cuerden and commons.wikimedia.org. Inspected explicit restoration permission, not only generic public-domain labels.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"DAHR — Victor matrix C-4326\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/200006039\",\"locator\":\"Master take 1, 24 March 1907 New York, Victor 95200 and Gramophone 054129. Other takes destroyed. Vocal duet with orchestra, whose players/conductor are not identified.\",\"accessed\":\"2026-10-17\"},{\"id\":\"issue\",\"title\":\"DAHR — Victor 95200\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/57198\",\"locator\":\"MARC 264 gives Victor [1907]; C-4326 take 1; 12-inch single-faced Red Seal.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Collected Works of Caruso part 1 metadata\",\"url\":\"https://archive.org/metadata/Caruso_part1/metadata\",\"locator\":\"Source 78. Added/public date 2004, not a session date; no licenseurl in the opened metadata, and no non-commercial restriction is stated there.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — Caruso part 1 file list\",\"url\":\"https://archive.org/metadata/Caruso_part1/files\",\"locator\":\"Caruso-OSoaveFanciullawNellieMelba.mp3, original 128 kbps MP3, 3:21; Ogg derivative 201.38 s. The Commons restored access file is shorter; no unsupported processing explanation is supplied.\",\"accessed\":\"2026-10-17\"},{\"id\":\"libretto\",\"title\":\"Illica and Giacosa — La bohème, Quadro primo\",\"url\":\"https://it.wikisource.org/wiki/La_boh%C3%A8me/Quadro_primo\",\"locator\":\"Closing duet: declarations, brief negotiation about going out, lovers leave together and final singing is marked outside. Used for passage-general dramatic structure, not source-recording spatialisation or word timings.\",\"accessed\":\"2026-10-17\"},{\"id\":\"synopsis\",\"title\":\"Royal Opera House — La bohème, 3 October 2017 cinema programme\",\"url\":\"http://static.roh.org.uk/showings/la-boheme-live-2017/en.pdf\",\"locator\":\"Page 2, Acts I and IV: first meeting, café departure, two men recalling absent lovers, friends’ meal and Mimì’s later return.\",\"accessed\":\"2026-10-17\"},{\"id\":\"moses\",\"title\":\"Julian Morton Moses — American Celebrity Recordings 1900–1925, UCSB Historical Discographies edition\",\"url\":\"https://adp-assets.library.ucsb.edu/AmericanCelebrityRecordings.pdf\",\"locator\":\"Introduction explains that artist sections group records by release years, not session dates. Caruso: Victor Red Seal 1906–1908 includes 89006 and 95200; 1909–1911 includes 87043. Destinn: Victor Red Seal 1914–1917 includes 88487. Opened as extracted text; not used to infer exact take or transfer pressing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"biography\",\"title\":\"Puccini Festival — Giacomo Puccini\",\"url\":\"https://www.puccinifestival.it/en/giacomo-puccini/\",\"locator\":\"Biography and work entries: early church work, Milan studies, librettists, source authors, premieres, composer’s death in 1924.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-recording-term\",\"title\":\"U.S. Copyright Office — Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: recordings first published before 1923 ceased receiving the specified federal remedies after 31 December 2021. Sound-recording basis, distinct from composition copyright.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 10 documented"},{"id":"puccini-recondita-armonia","composer":"Giacomo Puccini","title":"Tosca","movement":"Act I · Recondita armonia","work.title":"Tosca","work.catalogue":"","work.movement":"Act I · Recondita armonia","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"Acoustic recording of the named excerpt. Performing edition, cuts and studio instrumental substitutions are unestablished. No instrument-by-instrument timeline is supplied; the modern opera full score does not document this session.","performers.value":"[{\"name\":\"Enrico Caruso\",\"role\":\"tenor\"},{\"name\":\"Victor Orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"dahr\"]","performers.note":"DAHR names the Victor Orchestra, but no conductor or session instrumentation is established. The usual opera full score is not evidence of acoustic-session substitutions.","session.date.value":"1909-11-06","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"dahr\"]","session.date.note":"DAHR and the current Commons description agree on 6 November 1909. The candidate’s 11 June is not retained; this is not a US/European ambiguous-date conversion.","session.date.precision":"day","session.place.value":"Camden, New Jersey, United States","session.place.status":"documented","session.place.sourceIds":"[\"dahr\"]","session.place.note":"City/place as stated in the cited recording source; no more precise room or studio inferred.","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"dahr\",\"issue\"]","carrier.label.note":"These identify the original master and documented issues, not the unidentified physical pressing or later release used for this digital transfer.","carrier.catalogue.value":"Victor 87043; later Victor 511 and Gramophone 7-52004 / DA-112","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"dahr\",\"issue\"]","carrier.catalogue.note":"These identify the original master and documented issues, not the unidentified physical pressing or later release used for this digital transfer.","carrier.matrixTakeSides.value":"B-8347, take 1; 10-inch master","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"dahr\",\"issue\"]","carrier.matrixTakeSides.note":"These identify the original master and documented issues, not the unidentified physical pressing or later release used for this digital transfer.","transfer.credits.value":"Adam Cuerden — restoration; original digitisation engineer unestablished","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Commons documents click and hiss removal and links an unrestored counterpart. The uploader is not credited as the original digitisation engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date established. The Commons, Archive and YouTube upload dates are not treated as digitisation or restoration dates.","transfer.processing.value":"Click and hiss removal; restored Ogg Vorbis supplied to Commons","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Only the described processing is documented; no equipment, filter settings, pitch correction or speed correction is inferred.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/a/a7/Enrico_Caruso%2C_Recondita_armonia_%28Tosca%29.ogg/Enrico_Caruso%2C_Recondita_armonia_%28Tosca%29.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\",\"archive-files\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":144.99,"rights.composition.value":"Underlying Puccini composition and historical libretto are public domain where ordinary life-plus-70 terms apply; no modern edition is claimed cleared.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"biography\"]","rights.composition.note":"Commons marks the historical work public domain. This does not by itself establish the sound recording’s rights; the recording basis is separately documented below.","rights.recording.value":"Rule 2 — United States public domain: original sound recording commercially issued in 1909, before 1923.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"issue\",\"moses\",\"us-recording-term\"]","rights.recording.note":"DAHR’s Victor 87043 issue MARC gives [1909]; Moses places the issue in the 1909–1911 release group. Commons’ PD-US label is therefore supported by sound-recording issue evidence, not merely Puccini’s death year. No claim of worldwide clearance.","rights.creditLine":"Giacomo Puccini, Tosca: Recondita armonia. Enrico Caruso and Victor Orchestra, Camden, 6 November 1909, B-8347-1. Internet Archive Caruso_part2 via Wikimedia Commons; restoration by Adam Cuerden.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Caruso, Recondita armonia\",\"url\":\"https://commons.wikimedia.org/wiki/File:Enrico_Caruso,_Recondita_armonia_(Tosca).ogg\",\"locator\":\"Description identifies matrix B-8347 and 6 November 1909; Source, PD-US/PD-old tags, click/hiss removal and unrestored counterpart; MP3 derivative. Inspected description separately from embedded metadata.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"DAHR — Victor matrix B-8347\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/200008418\",\"locator\":\"Tenor and Victor Orchestra; take 1, 6 November 1909, Camden; Victor and Gramophone issues. Later electrically re-orchestrated dubs are listed separately and are not asserted for this source.\",\"accessed\":\"2026-10-17\"},{\"id\":\"issue\",\"title\":\"DAHR — Victor 87043\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/55387\",\"locator\":\"MARC 264: Victor [1909]; B-8347, take 1, 10-inch single-faced Red Seal; work, singer and orchestral description.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Collected Works of Caruso part 2 metadata\",\"url\":\"https://archive.org/metadata/Caruso_part2/metadata\",\"locator\":\"Source 78; no licenseurl in the opened metadata. Publicdate/addeddate in 2004 are repository dates, not the recording session.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — Caruso part 2 file list\",\"url\":\"https://archive.org/metadata/Caruso_part2/files\",\"locator\":\"Caruso-Reconditaarmonia.mp3, original 128 kbps MP3, about 2:25; Ogg derivative. A separate ReconditeArmonia file also exists: it is not silently substituted. Commons identifies the restored file’s source item, not a uniquely proven carrier.\",\"accessed\":\"2026-10-17\"},{\"id\":\"libretto\",\"title\":\"Recondita armonia — aria text\",\"url\":\"https://en.wikipedia.org/wiki/Recondita_armonia\",\"locator\":\"Italian text: contrasting hair and eyes; art combines beauties; final thought remains Tosca. Consulted for passage-general textual explanation, not word-level timing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"synopsis\",\"title\":\"Opéra national de Paris — Tosca, 2025–26\",\"url\":\"https://www.operadeparis.fr/en/season-25-26/opera/tosca\",\"locator\":\"Acts I–III synopses; Roman locations, painter and Attavanti, Scarpia’s coercion, letter before execution. Used for dramatic context, not timings.\",\"accessed\":\"2026-10-17\"},{\"id\":\"moses\",\"title\":\"Julian Morton Moses — American Celebrity Recordings 1900–1925, UCSB Historical Discographies edition\",\"url\":\"https://adp-assets.library.ucsb.edu/AmericanCelebrityRecordings.pdf\",\"locator\":\"Introduction explains that artist sections group records by release years, not session dates. Caruso: Victor Red Seal 1906–1908 includes 89006 and 95200; 1909–1911 includes 87043. Destinn: Victor Red Seal 1914–1917 includes 88487. Opened as extracted text; not used to infer exact take or transfer pressing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"biography\",\"title\":\"Puccini Festival — Giacomo Puccini\",\"url\":\"https://www.puccinifestival.it/en/giacomo-puccini/\",\"locator\":\"Biography and work entries: early church work, Milan studies, librettists, source authors, premieres, composer’s death in 1924.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-recording-term\",\"title\":\"U.S. Copyright Office — Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: recordings first published before 1923 ceased receiving the specified federal remedies after 31 December 2021. Sound-recording basis, distinct from composition copyright.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 10 documented"},{"id":"puccini-vissi-darte","composer":"Giacomo Puccini","title":"Tosca","movement":"Act II · Vissi d’arte","work.title":"Tosca","work.catalogue":"","work.movement":"Act II · Vissi d’arte","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"Acoustic recording of the named excerpt. Performing edition, cuts and studio instrumental substitutions are unestablished. No instrument-by-instrument timeline is supplied; the modern opera full score does not document this session.","performers.value":"[{\"name\":\"Emmy Destinn\",\"role\":\"soprano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Only Destinn is named in the accessible recording description. Accompanists and conductor are unestablished; no instrumentation timeline is supplied.","session.date.value":"1914-04-23","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"Session date explicitly stated by Commons with catalogue and matrix/take; not inferred from upload date. A live-performance venue is not asserted.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording place established from the accessible sources. The recording label’s location is not a session venue.","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"moses\"]","carrier.label.note":"Commons explicitly names label, issue and take. Moses corroborates the issue in a 1914–1917 release group. The transferred physical pressing is not inspected.","carrier.catalogue.value":"Victor 88487","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"moses\"]","carrier.catalogue.note":"Commons explicitly names label, issue and take. Moses corroborates the issue in a 1914–1917 release group. The transferred physical pressing is not inspected.","carrier.matrixTakeSides.value":"C-14508, take 4","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"moses\"]","carrier.matrixTakeSides.note":"Commons explicitly names label, issue and take. Moses corroborates the issue in a 1914–1917 release group. The transferred physical pressing is not inspected.","transfer.credits.value":"Tim Ecker — digital transfer; Adam Cuerden — slight restoration","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Both roles are explicitly credited by Commons. The linked upstream Internet Archive item returned 404 and its metadata endpoint returned an error, so its original transfer parameters and licence are not independently recoverable here.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date established. The Commons, Archive and YouTube upload dates are not treated as digitisation or restoration dates.","transfer.processing.value":"Slight restoration by Adam Cuerden; detailed filters and settings unestablished","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Only the described processing is documented; no equipment, filter settings, pitch correction or speed correction is inferred.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/66/Emmy_Destinn%2C_Vissi_d%27arte_%28Tosca%29.ogg/Emmy_Destinn%2C_Vissi_d%27arte_%28Tosca%29.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive-unavailable\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":190.56,"rights.composition.value":"Underlying Puccini composition and historical libretto are public domain where ordinary life-plus-70 terms apply; no modern edition is claimed cleared.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"biography\"]","rights.composition.note":"Commons marks the historical work public domain. This does not by itself establish the sound recording’s rights; the recording basis is separately documented below.","rights.recording.value":"Rule 2 — United States public domain: Victor 88487 was commercially issued in the 1914–1917 release group, before 1923.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"moses\",\"us-recording-term\"]","rights.recording.note":"The publication range, not the 1914 session alone, supports eligibility. Commons marks this recording public domain. The unavailable upstream item supplies no inspectable licence; no claim of an upstream CC grant, exact publication day, or worldwide clearance is made.","rights.creditLine":"Giacomo Puccini, Tosca: Vissi d’arte. Emmy Destinn, 23 April 1914; Victor 88487, C-14508-4. Digital transfer by Tim Ecker; slight restoration by Adam Cuerden, via Wikimedia Commons.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Emmy Destinn, Vissi d’arte\",\"url\":\"https://commons.wikimedia.org/wiki/File:Emmy_Destinn,_Vissi_d%27arte_(Tosca).ogg\",\"locator\":\"Description: Victor 88487, C-14508-4, 23 April 1914. Source credits Tim Ecker and Adam Cuerden; PD-US and PD-old; MP3 transcode. Metadata inspected, not treated as an independent discography.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-unavailable\",\"title\":\"Internet Archive — linked Destinn transfer (not opened)\",\"url\":\"https://archive.org/details/VrsAcoustics-88487-EmmyDestinn\",\"locator\":\"Not opened: item page returned 404; metadata endpoint could not retrieve item. No facts or numbers are taken from this unavailable page; transfer credit comes from Commons.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-attempt\",\"title\":\"DAHR matrix search — C-14508 (not opened)\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/search?Matrix%5BMatrixNumber%5D=C-14508\",\"locator\":\"Not opened: search returned a browser-verification challenge; general DAHR search returned 503. No independent DAHR matrix/session confirmation claimed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"libretto\",\"title\":\"Vissi d’arte — aria text\",\"url\":\"https://en.wikipedia.org/wiki/Vissi_d%27arte\",\"locator\":\"Italian text: art and love, charity, prayers, repeated question to God. Not used to align words or publish a vocal range.\",\"accessed\":\"2026-10-17\"},{\"id\":\"synopsis\",\"title\":\"Opéra national de Paris — Tosca, 2025–26\",\"url\":\"https://www.operadeparis.fr/en/season-25-26/opera/tosca\",\"locator\":\"Acts I–III synopses; Roman locations, painter and Attavanti, Scarpia’s coercion, letter before execution. Used for dramatic context, not timings.\",\"accessed\":\"2026-10-17\"},{\"id\":\"moses\",\"title\":\"Julian Morton Moses — American Celebrity Recordings 1900–1925, UCSB Historical Discographies edition\",\"url\":\"https://adp-assets.library.ucsb.edu/AmericanCelebrityRecordings.pdf\",\"locator\":\"Introduction explains that artist sections group records by release years, not session dates. Caruso: Victor Red Seal 1906–1908 includes 89006 and 95200; 1909–1911 includes 87043. Destinn: Victor Red Seal 1914–1917 includes 88487. Opened as extracted text; not used to infer exact take or transfer pressing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"biography\",\"title\":\"Puccini Festival — Giacomo Puccini\",\"url\":\"https://www.puccinifestival.it/en/giacomo-puccini/\",\"locator\":\"Biography and work entries: early church work, Milan studies, librettists, source authors, premieres, composer’s death in 1924.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-recording-term\",\"title\":\"U.S. Copyright Office — Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: recordings first published before 1923 ceased receiving the specified federal remedies after 31 December 2021. Sound-recording basis, distinct from composition copyright.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 9 documented"},{"id":"rachmaninoff-barcarolle-op10-3","composer":"Sergei Rachmaninoff","title":"Barcarolle, Op. 10 No. 3","movement":"Moderato","work.title":"Barcarolle","work.catalogue":"Op. 10 No. 3","work.movement":"Moderato","work.version.value":"Solo piano, performed by the composer","work.version.status":"documented","work.version.sourceIds":"[\"booklet\",\"dahr-edison-barc\"]","work.version.note":"No performing score edition is identified, and the printed text is not asserted to match the performance.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"booklet\",\"dahr-edison-barc\"]","performers.note":"","session.date.value":"1919-04","session.date.status":"disputed","session.date.sourceIds":"[\"dahr-edison-barc\",\"booklet\",\"archive\",\"chronology\",\"loc-csb\"]","session.date.note":"Sources agree on April 1919 and disagree on the day. The Archive filenames, the RCA register and the Library of Congress bulletin give 23 April; DAHR’s Edison ledger entry and the Classical Pianists chronology give 24 April. The day is not resolved here.","session.date.precision":"month","session.date.alternatives":"[{\"value\":\"1919-04-23\",\"sourceIds\":[\"booklet\",\"archive\",\"loc-csb\"]},{\"value\":\"1919-04-24\",\"sourceIds\":[\"dahr-edison-barc\",\"chronology\"]}]","session.place.value":"New York, New York","session.place.status":"documented","session.place.sourceIds":"[\"dahr-edison-barc\",\"loc-csb\"]","session.place.note":"DAHR gives New York for every take. The Library of Congress bulletin names Edison Studios, New York. The label place of publication, Orange, New Jersey, is not the session place.","carrier.label.value":"Edison Diamond Disc; RCA/BMG reissue","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr-edison-barc\",\"densmore\",\"loc-csb\",\"booklet\"]","carrier.label.note":"Edison is the original label (released at Orange, New Jersey, according to DAHR’s label record); the uploader identifies the 1992 RCA/BMG set as the immediate source of the file.","carrier.catalogue.value":"Edison Diamond Disc 82202 (10-inch double-faced; Barcarolle on side L, Chopin’s Valse in A♭, Op. 64 No. 3, on side R); RCA-BMG 09026 61265 2, CD 10 (1992)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr-edison-barc\",\"densmore\",\"loc-csb\",\"booklet\"]","carrier.catalogue.note":"The side assignment and disc number are documented by the Edison list and the Library of Congress bulletin; the disc used for the 1992 transfer is not identified. DAHR’s MARC record for the disc gives 10-inch, 80 rpm and a bracketed publication year of [1919], which predates the release documented by Densmore (February 1921) and by the Library of Congress ([1921]) and is not followed for the release date; either year is before 1926.","carrier.matrixTakeSides.value":"Edison matrix 6743, take C (side L)","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"booklet\",\"archive\",\"dahr-edison-barc\"]","carrier.matrixTakeSides.note":"The RCA register names Edison 6743-C for CD 10, track 16, and the Archive file is that track. Edison issued all three takes (A, B, C) on the same catalogue number, so the disc number alone does not identify the take, and no comparison of takes was made. DAHR gives its own take dates (24 April 1919) which differ from the RCA register (23 April).","transfer.credits.value":"John Pfeiffer, reissue producer; Ward Marston, disc-to-DAT transfer; André Gauthier, remastering supervisor; Anthony Salvatore, remastering engineer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"booklet\",\"archive\"]","transfer.credits.note":"These are the credits printed for the 1992 RCA/BMG set. Their connection to this access file rests on the uploader’s identification of the item as CD 10 of that set. The later ripper and uploader are not named as engineers.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"booklet\",\"archive\"]","transfer.date.note":"The set was issued in 1992, but the dates of the disc-to-DAT transfer, the remastering and the later CD extraction are not stated. The Internet Archive upload of 11 October 2025 is not a transfer date.","transfer.processing.value":"Disc-to-DAT transfer, then digital remastering at BMG/RCA Studios, New York City; the Internet Archive derives its VBR MP3 from an uploaded WAV.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"booklet\",\"archive-data\"]","transfer.processing.note":"The booklet says surface imperfections were reduced without radical removal of all surface noise. It gives no equalisation, pitch-correction, noise-reduction or editing settings, and none is inferred from the audio analysis. The booklet’s essay says the Edison engineer evidently placed the upright piano too far from the recording horns, so the sound is distant.","digital.streamUrl":"https://archive.org/download/195-complete-rachmaninoff-cd-10/201%20-%20Complete%20RACHMANINOFF%20-%20CD%2010%20-Rachmaninov%20-%20Barcarolle%2C%20Op.%2010%2C%20No.%203%20(rec.%2023.IV.1919%20for%20Edison).mp3","digital.sourceChain":"[\"archive\",\"archive-data\",\"booklet\",\"dahr-edison-barc\"]","digital.format":"VBR MP3 access derivative; the uploaded source is a WAV taken from a 1992 CD reissue of an acoustic disc","digital.durationSeconds":235.67,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Rachmaninoff died in 1943. This is a territorial term calculation, not worldwide clearance or a statement about any modern edition.","rights.recording.value":"US public domain: the issued sound recording was published by 1925 (Edison Diamond Disc 82202, released February 1921).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"densmore\",\"loc-csb\",\"dahr-edison-barc\",\"archive\",\"us-term\"]","rights.recording.note":"Densmore’s Edison list gives a February 1921 release for 82202, and the Library of Congress Cataloging Service Bulletin 61 catalogues the disc as Edison [1921]; this is independent of the April 1919 session date. The Archive item’s Public Domain Mark is noted but not relied on. The 1992 booklet carries an all-rights-reserved reissue notice: no claim is made that its text, artwork or compilation is public domain, or that any new creative contribution to the mastering is cleared worldwide.","rights.creditLine":"Sergei Rachmaninoff, piano — Barcarolle, Op. 10 No. 3. Edison Diamond Disc 82202-L, matrix 6743 (New York, April 1919). Digital source: RCA/BMG Complete Recordings (1992), CD 10, via Internet Archive; Public Domain Mark 1.0 is the item’s licence statement.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Complete Rachmaninoff, CD 10\",\"url\":\"https://archive.org/details/195-complete-rachmaninoff-cd-10\",\"locator\":\"Uploader identifies RCA-BMG 09026 61265 2 (1992), CD 10, with track filenames carrying recording dates; the item description says tracks 195–202 were made in April 1919 for Edison and all others by Victor; the item links the original booklet and carries Public Domain Mark 1.0.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive item metadata and file manifest\",\"url\":\"https://archive.org/metadata/195-complete-rachmaninoff-cd-10\",\"locator\":\"Track-specific WAV originals, FLAC and generated VBR MP3 access files, durations and the licence URL (https://creativecommons.org/publicdomain/mark/1.0/). The item’s 2025 public date is an upload date, not a session or transfer date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"booklet\",\"title\":\"RCA: Sergei Rachmaninoff, The Complete Recordings, 10-CD booklet (1992)\",\"url\":\"https://archive.org/download/9-0023-sergei-rachmaninoff-complete-recordings-booklet-to-10-cd-set-rca-bmg-09026-61265-2-1992/9-0023%20Sergei%20RACHMANINOFF%20-%20Complete%20Recordings%20-%20Booklet%20to%2010%20CD%20Set%20RCA-BMG%2009026%2061265%202%20(1992)_djvu.txt\",\"locator\":\"Printed p. 20: reissue and transfer credits; essays “The Composer” and “The Recordings” (Edison sessions, Victor contract, microphone-less horn recording); “The Performances of Rachmaninoff”: register of dates, matrices and CD/track numbers; closing remastering notice. OCR text consulted against the track listing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-edison-barc\",\"title\":\"DAHR: Edison matrix 6743, Barcarolle\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/2000153820\",\"locator\":\"Take table: takes A, B and C, all dated 24 April 1919, New York; all masters, issued on Edison 82202 (coupled with Chopin’s Valse in A♭, matrix 6736); MARC for Edison 82202: 10-in., 80 rpm, [1919] (https://adp.library.ucsb.edu/index.php/objects/refer/234970).\",\"accessed\":\"2026-10-17\"},{\"id\":\"densmore\",\"title\":\"Richard Densmore’s Edison Diamond Discs: Edison Records list\",\"url\":\"https://www.densmore-edisondd.info/EdisonRecordsList/index.html\",\"locator\":\"Numerical list: 82187 (3/12/20, 12/1920) with Prelude in C sharp minor on side R and Polka de W. R. on side L; 82202 (8/2/20, 2/1921) with Chopin Valse Op. 64 No. 3 on side R and Rachmaninoff Barcarolle Op. 10 on side L; alphabetical index entries for both titles.\",\"accessed\":\"2026-10-17\"},{\"id\":\"loc-csb\",\"title\":\"Library of Congress Cataloging Service Bulletin No. 61 (Summer 1993)\",\"url\":\"https://loc.gov/cds/PDFdownloads/csb/CSB_061.pdf\",\"locator\":\"p. 3: record for Edison 82202, Barcarolle, op. 10, with Chopin Valse in A♭, op. 64 no. 3; Edison [1921]; “Recorded at Edison Studios, New York, Apr. 19 (2nd work) and Apr. 23 (1st work), 1919”; acoustic recording.\",\"accessed\":\"2026-10-17\"},{\"id\":\"chronology\",\"title\":\"Classical Pianists: Sergei Rachmaninoff — Chronology II\",\"url\":\"https://classical-pianists.net/vii-b/sergei-rachmaninoff/chronology-2/\",\"locator\":\"Section “SVR-C#001. April 1919: New York City”: Edison matrices 6742–6744 dated 24 April 1919, with takes A–C; concert programmes 1918–1923; reproduced review by W. J. Henderson, The Sun, 22 December 1918.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wiki-op10\",\"title\":\"Wikipedia: Morceaux de salon, Op. 10 (Rachmaninoff)\",\"url\":\"https://en.wikipedia.org/wiki/Morceaux_de_salon,_Op._10_(Rachmaninoff)\",\"locator\":\"Opening paragraph: solo piano set composed in 1894.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp-op10\",\"title\":\"IMSLP: 7 Morceaux de salon, Op.10 (Rachmaninoff, Sergei)\",\"url\":\"https://imslp.org/wiki/7_Morceaux_de_salon,_Op.10_(Rachmaninoff,_Sergei)\",\"locator\":\"Piece list including Nocturne, Valse, Barcarolle and Humoresque; 1940 version of No. 5 in the Muzgiz edition note.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-barc\",\"title\":\"Piano Street: Barcarolle, Op. 10 No. 3 (score scan)\",\"url\":\"https://www.pianostreet.com/rachmaninoff-sheet-music/7-morceaux-de-salon-op-10/barcarolle-op-10-no-3.htm\",\"locator\":\"Ten pages: Moderato, Con moto (ppp), Presto (pppp), Allegro moderato, Meno mosso, second Con moto, closing pppp sextuplets. Used for form and markings only; the performing edition is not identified.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term section: pre-1972 sound recordings first published before 1923 had already lost remedies on 31 December 2021; recordings published 1923–1946 receive 100 years from publication, so those published in or before 1925 are in the public domain from 1 January 2026.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP: Sergei Rachmaninoff\",\"url\":\"https://imslp.org/wiki/Category:Rachmaninoff,_Sergei\",\"locator\":\"Life dates: 1 April 1873–28 March 1943.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary life-plus-70 author term, calculated from the following 1 January.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 1 disputed; 2 inferred; 1 unknown"},{"id":"rachmaninoff-concerto-2-adagio-rachmaninoff-1929-side1","composer":"Sergei Rachmaninoff","title":"Piano Concerto No. 2, Op. 18","movement":"II. Adagio sostenuto — opening 78-rpm side only","work.title":"Piano Concerto No. 2 in C minor","work.catalogue":"Op. 18","work.movement":"II. Adagio sostenuto — opening 78-rpm side only","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"dahr-matrix\"]","work.version.note":"The performing edition is not identified. This file is the complete transfer of the slow movement’s first original side, part 4 of the concerto’s disc sequence. It omits the subsequent sides, including the later central section, cadenza and return; no sides have been joined.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"},{\"name\":\"Philadelphia Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Leopold Stokowski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"label\",\"dahr-matrix\"]","performers.note":"The HMV label uses Philadelphia Symphony Orchestra; DAHR identifies the ensemble as the Philadelphia Orchestra.","session.date.value":"10 April 1929","session.date.status":"documented","session.date.sourceIds":"[\"dahr-matrix\"]","session.date.note":"DAHR identifies take 1 as the issued master. The Archive’s November 1929 date describes the HMV issue, not the recording session.","session.date.precision":"day","session.place.value":"Academy of Music, Philadelphia, Pennsylvania","session.place.status":"documented","session.place.sourceIds":"[\"dahr-matrix\"]","session.place.note":"The matrix’s Take Date and Place table names the Academy of Music. Camden in the issue’s MARC publisher imprint is not adopted as a recording venue.","carrier.label.value":"His Master’s Voice / The Gramophone Co. Ltd.","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label\",\"archive\"]","carrier.label.note":"UK 12-inch 78-rpm pressing, manufactured at Hayes, Middlesex, England according to the label.","carrier.catalogue.value":"D.B. 1334","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label\",\"dahr-issue\",\"archive\"]","carrier.catalogue.note":"The label marks the side No. 4 and 2nd Movement–Adagio sostenuto (1st Record). The other face contains the first movement’s third side. Internet Archive dates the HMV issue to November 1929; DAHR’s generated MARC imprint gives [1929].","carrier.matrixTakeSides.value":"Victor CVE-48966, take 1; Gramophone face number 2-05744; concerto part 4","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label\",\"archive\",\"dahr-matrix\",\"dahr-issue\"]","carrier.matrixTakeSides.note":"DAHR connects the master take to DB-1334 and distinguishes 2-05744 as a Gramophone face number. The Archive transcribes A48966 as another disc identifier; it is not treated as a separate performance or take.","transfer.credits.value":"Phoebe Pugh, transfer and metadata; Akin Gaddis, disc cleaning; George Blood, L.P., digitisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Credits are the Archive’s user_transferred, user_metadataentered, user_cleaned and scanningcenter fields. The carrier belongs to the Leif Druedahl collection.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item was made public on 20 April 2023; this is an upload date, not a documented transfer date.","transfer.processing.value":"Digitised at 78 rpm; preferred 3.3-mil truncated-conical stylus transfer, equalised with turnover 500.0; 24-bit FLAC master and VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The Archive documents four stylus transfers and identifies the chosen stylus in the preferred FLAC comment. No additional restoration or speed correction has been applied for this edition. Surface noise limits automatic onset and pitch-class estimates; these are not treated as counts of played notes or verified changes of key.","digital.streamUrl":"https://archive.org/download/78_concerto-no-2-in-c-minor-op-18-2nd-movement-1st-record_sergei-rachmaninoff-and_gbia7026859b/CONCERTO%20NO.%202%20IN%20C%20MINOR%2C%20OP.%2018%202nd%20Movement%20(1st%20Rec%20-%20SERGEI%20RACHMANINOFF%20and%20the%20PHILADELPHIA%20SYMPHONY%20ORCHESTRA.mp3","digital.sourceChain":"[\"label\",\"archive\"]","digital.format":"VBR MP3 derivative of the George Blood 24-bit FLAC transfer; one original 78-rpm side, unjoined","digital.durationSeconds":184.57,"rights.composition.value":"Public domain in ordinary life-plus-70 jurisdictions.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"bso\",\"eu-original\"]","rights.composition.note":"Rachmaninoff died on 28 March 1943. 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Reeder’s separate RACHMANINOFFPianoConcertoNo.2InCMinor-NEWTRANSFER carries CC BY-NC-SA 3.0 and is expressly excluded, not an upstream source for this audio. This is a territorial recording-term assessment, not a worldwide licence or a claim that the modern transfer has been freely licensed.","rights.creditLine":"Sergei Rachmaninoff, piano; Philadelphia Orchestra; Leopold Stokowski, conductor. Recorded 10 April 1929. HMV D.B. 1334, Adagio opening side only; Leif Druedahl collection, digitised by George Blood, L.P., via Internet Archive. 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The EU assessment is not US clearance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"excluded-transfer\",\"title\":\"Excluded F. Reeder transfer: non-commercial licence\",\"url\":\"https://archive.org/metadata/RACHMANINOFFPianoConcertoNo.2InCMinor-NEWTRANSFER\",\"locator\":\"metadata.licenseurl is http://creativecommons.org/licenses/by-nc-sa/3.0/; description credits F. Reeder. Consulted solely to document exclusion; no audio from this item is used.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 9 documented; 1 inferred"},{"id":"rachmaninoff-concerto-2-adagio","composer":"Sergei Rachmaninoff","title":"Piano Concerto No. 2, Op. 18","movement":"II. Adagio sostenuto","work.title":"Piano Concerto No. 2 in C minor","work.catalogue":"Op. 18","work.movement":"II. 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No day or month is adopted without session documentation.","session.date.precision":"year","session.place.value":"Warsaw","session.place.status":"documented","session.place.sourceIds":"[\"discography\"]","session.place.note":"The original issue identifies the recording collaboration with Polskie Nagrania in Warsaw; a particular hall is not documented in this source.","carrier.label.value":"Deutsche Grammophon","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"discography\"]","carrier.label.note":"","carrier.catalogue.value":"138 076 SLPM","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"discography\"]","carrier.catalogue.note":"Documented original stereo issue. The precise LP, CD or digital edition copied into the Commons FLAC is unknown.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"reissue\",\"embedded\"]","transfer.credits.note":"The original recording credits name Heinz Wildhagen (recording engineer) and Hans Weber (recording supervisor). They are not documented as the transfer or restoration staff for this FLAC.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Embedded encoder: libFLAC 1.3.2 20170101. Commons master: FLAC, 16-bit, 44.1 kHz, 2 channels.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"embedded\"]","transfer.processing.note":"These are file properties, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/f/f3/Sergei_Rachmaninov_-_Concerto_no._2_for_Piano_and_Orchestra_in_C_minor_-_2._Adagio_sostenuto_%28Sviatoslav_Richter%2C_Stanis%C5%82aw_Wis%C5%82ocki%2C_Warsaw_National_Philharmonic_Orchestra%2C_1959%29.flac/Sergei_Rachmaninov_-_Concerto_no._2_for_Piano_and_Orchestra_in_C_minor_-_2._Adagio_sostenuto_%28Sviatoslav_Richter%2C_Stanis%C5%82aw_Wis%C5%82ocki%2C_Warsaw_National_Philharmonic_Orchestra%2C_1959%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative; Commons master: FLAC, 16-bit, 44.1 kHz, 2 channels","digital.durationSeconds":714.2666666666667,"rights.composition.value":"Original composition is public domain in ordinary life-plus-70 jurisdictions.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer-authority\",\"author-term\"]","rights.composition.note":"The composer died in 1943. Rights in the 1959 recording are separate; this is not a worldwide clearance for every edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\"]","rights.recording.note":"Commons applies PD-EU-audio to Richter/Wisłocki’s DG recording attributed to 1959. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. A recording date alone is not represented as an independently verified first-publication date.","rights.creditLine":"Sviatoslav Richter, piano; Warsaw National Philharmonic Orchestra; Stanisław Wisłocki, conductor. Deutsche Grammophon source, via Wikimedia Commons. Commons asserts EU public-domain recording status (PD-EU-audio); rights elsewhere are not established.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Sergei Rachmaninov - Concerto no. 2 for Piano and Orchestra in C minor - 2. Adagio sostenuto (Sviatoslav Richter, Stanisław Wisłocki, Warsaw National Philharmonic Orchestra, 1959).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Sergei_Rachmaninov_-_Concerto_no._2_for_Piano_and_Orchestra_in_C_minor_-_2._Adagio_sostenuto_(Sviatoslav_Richter,_Stanis%C5%82aw_Wis%C5%82ocki,_Warsaw_National_Philharmonic_Orchestra,_1959).flac?oldid=718748653\",\"locator\":\"File-description wikitext revision 718748653; Description, Date, Source, Author and licensing templates. 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Refers to original issue 138 076.\",\"accessed\":\"2026-10-16\"},{\"id\":\"composer-authority\",\"title\":\"New York Public Library: Rachmaninoff authority heading\",\"url\":\"https://www.nypl.org/research/research-catalog/bib/b16031975\",\"locator\":\"Author authority: Rachmaninoff, Sergei, 1873–1943. This entry describes a different Richter/Sanderling recording and is cited only for the composer’s lifespan.\",\"accessed\":\"2026-10-16\"},{\"id\":\"author-term\",\"title\":\"Directive 2006/116/EC: authors’ copyright terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from 1 January after the relevant event; this citation concerns authors, not the later amended recording term.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-recording\",\"title\":\"Commons: scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template text and documentation: performers’ and producers’ rights in the EU; explicitly not a composition-rights tag.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-recording-law\",\"title\":\"17 U.S.C. § 1401: pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Section (a)(2): terms depend on first publication, with separate periods for 1923–1946, 1947–1956 and later recordings.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Sergei Rachmaninov - Concerto no. 2 for Piano and Orchestra in C minor - 2. Adagio sostenuto (Sviatoslav Richter, Stanisław Wisłocki, Warsaw National Philharmonic Orchestra, 1959).flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1258921827%7C661044101%7C642919319%7C1111732218%7C509438495%7C999902261%7C718748653%7C901919689%7C1204343741%7C718302093&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Sergei Rachmaninov - Concerto no. 2 for Piano and Orchestra in C minor - 2. 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Youngrok Lee’s DG discography gives 26–28 April 1959 for the concerto; this secondary refinement is not promoted to a precisely verified day for the finale. Commons’ 1 January display is not treated as a session day.","session.date.precision":"year","session.place.value":"Warsaw Philharmonic Hall, Warsaw, Poland","session.place.status":"inferred","session.place.sourceIds":"[\"discography\",\"dg-catalogue\",\"commons\"]","session.place.note":"Two secondary discographies locate the matched Richter/Wisłocki concerto at the Philharmonic Hall. Commons itself does not specify the hall; the connection follows the matching personnel and year.","carrier.label.value":"Deutsche Grammophon","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"discography\"]","carrier.label.note":"The selected Commons record names Deutsche Grammophon as source.","carrier.catalogue.value":"Deutsche Grammophon 138 076 SLPM (stereo LP); corresponding mono issue 18 596 LPM","carrier.catalogue.status":"inferred","carrier.catalogue.sourceIds":"[\"discography\",\"dg-catalogue\",\"commons\"]","carrier.catalogue.note":"These catalogue numbers belong to the documented matching concerto release. The uploader does not identify the particular LP pressing, CD or other carrier used for the FLAC.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"discography\",\"dg-catalogue\"]","carrier.matrixTakeSides.note":"No matrix, take, tape-reel or transferred side identifier is established for this file.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The upload does not name a transfer, restoration or mastering engineer. The uploader is not assumed to have performed those tasks.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"1959 is the performance year; the Commons upload date is not a documented date for a transfer or mastering session.","transfer.processing.value":"Wikimedia Commons supplies an MP3 access derivative of the uploaded FLAC.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The antecedent mastering, editing, equalisation and restoration history is not described. A lossless uploaded container does not prove an unprocessed original source.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/60/Sergei_Rachmaninov_-_Concerto_no._2_for_Piano_and_Orchestra_in_C_minor_-_3._Allegro_scherzando_(Sviatoslav_Richter%2C_Stanis%C5%82aw_Wis%C5%82ocki%2C_Warsaw_National_Philharmonic_Orchestra%2C_1959).flac/Sergei_Rachmaninov_-_Concerto_no._2_for_Piano_and_Orchestra_in_C_minor_-_3._Allegro_scherzando_(Sviatoslav_Richter%2C_Stanis%C5%82aw_Wis%C5%82ocki%2C_Warsaw_National_Philharmonic_Orchestra%2C_1959).flac.mp3","digital.sourceChain":"[\"commons\",\"discography\",\"dg-catalogue\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: FLAC","digital.durationSeconds":699.7,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Rachmaninoff died in 1943. This is a territorial term calculation, not worldwide clearance or a statement about an unidentified modern performing edition.","rights.recording.value":"Territorial public domain: Commons applies PD-EU-audio to this 1959 recording.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"discography\",\"dg-catalogue\"]","rights.recording.note":"Eligibility rests on the recording-specific PD-EU-audio notice and the documented pre-1963 commercial recording/release, not a composition-only tag. This is territorial: US public-domain status is not established. No worldwide licence or clearance of an unidentified later creative remaster is asserted.","rights.creditLine":"Sviatoslav Richter, piano; Warsaw National Philharmonic Orchestra; Stanisław Wisłocki, conductor — Deutsche Grammophon, 1959. Source: Wikimedia Commons, PD-EU-audio (territorial; US status not established).","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: Richter/Wisłocki, Piano Concerto No. 2, finale\",\"url\":\"https://commons.wikimedia.org/wiki/File:Sergei_Rachmaninov_-_Concerto_no._2_for_Piano_and_Orchestra_in_C_minor_-_3._Allegro_scherzando_(Sviatoslav_Richter,_Stanis%C5%82aw_Wis%C5%82ocki,_Warsaw_National_Philharmonic_Orchestra,_1959).flac\",\"locator\":\"File description, source Deutsche Grammophon, performer/date credits, recording-specific PD-EU-audio notice, FLAC original and MP3 transcode; revision 718748672.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"Pianist Discography: DG 138 076\",\"url\":\"https://pianistdiscography.com/discography/pianistLabel.php?cdnum=2186\",\"locator\":\"Concerto personnel, product number, 1959 release and Warsaw Philharmonic Hall session references.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dg-catalogue\",\"title\":\"Youngrok Lee: DG 138 051–100 LP catalogue\",\"url\":\"https://lee.classite.com/music/dgg-lps/dg-138051-100.htm\",\"locator\":\"Entry 138 076: concerto sessions 26–28 April 1959, Philharmonie, Warsaw; stereo and mono catalogue numbers. 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The HMV label calls the movement Allegro moderato; DAHR gives Moderato.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"},{\"name\":\"Philadelphia Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Leopold Stokowski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"label\",\"dahr-matrix\"]","performers.note":"The HMV label uses Philadelphia Symphony Orchestra; DAHR identifies the ensemble as the Philadelphia Orchestra.","session.date.value":"10 April 1929","session.date.status":"documented","session.date.sourceIds":"[\"dahr-matrix\"]","session.date.note":"DAHR identifies take 3 as the issued master. 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Internet Archive dates the issue to 1930; DAHR’s generated MARC imprint gives [1929]. Publication was therefore documented well before 1963, without resolving the precise first issue date.","carrier.matrixTakeSides.value":"Victor CVE-48963, take 3; Gramophone face number 42-600; concerto part 1","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label\",\"archive\",\"dahr-matrix\",\"dahr-issue\"]","carrier.matrixTakeSides.note":"DAHR connects the master take to DB-1333 and distinguishes 42-600 as a Gramophone face number. 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The EU assessment is not US clearance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"excluded-transfer\",\"title\":\"Excluded F. Reeder transfer: non-commercial licence\",\"url\":\"https://archive.org/metadata/RACHMANINOFFPianoConcertoNo.2InCMinor-NEWTRANSFER\",\"locator\":\"metadata.licenseurl is http://creativecommons.org/licenses/by-nc-sa/3.0/; description credits F. Reeder. Consulted solely to document exclusion; no audio from this item is used.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 9 documented; 1 inferred"},{"id":"rachmaninoff-concerto-2-moderato","composer":"Sergei Rachmaninoff","title":"Piano Concerto No. 2, Op. 18","movement":"I. Moderato","work.title":"Piano Concerto No. 2 in C minor","work.catalogue":"Op. 18","work.movement":"I. 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Commons’ 1 January 1959 is a year-level placeholder.","session.date.precision":"range","session.place.value":"Philharmonie, Warsaw, Poland","session.place.status":"documented","session.place.sourceIds":"[\"discography\"]","session.place.note":"","carrier.label.value":"Deutsche Grammophon","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"","carrier.catalogue.value":"138 076 — original issue; transferred copy unidentified.","carrier.catalogue.status":"inferred","carrier.catalogue.sourceIds":"[\"discography\"]","carrier.catalogue.note":"The discography identifies the original LP, but Commons does not identify which pressing or reissue supplied this FLAC.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No restoration, equalisation, noise-reduction or editing procedure is documented for the upstream audio.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/99/Sergei_Rachmaninov_-_Concerto_no._2_for_Piano_and_Orchestra_in_C_minor_-_1._Moderato_%28Sviatoslav_Richter%2C_Stanis%C5%82aw_Wis%C5%82ocki%2C_Warsaw_National_Philharmonic_Orchestra%2C_1959%29.flac/Sergei_Rachmaninov_-_Concerto_no._2_for_Piano_and_Orchestra_in_C_minor_-_1._Moderato_%28Sviatoslav_Richter%2C_Stanis%C5%82aw_Wis%C5%82ocki%2C_Warsaw_National_Philharmonic_Orchestra%2C_1959%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: FLAC","digital.durationSeconds":668.6266666666667,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"The composer died in 1943. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\"]","rights.recording.note":"Commons applies PD-EU-audio to Richter/Wisłocki’s DG recording attributed to 1959; the dossier preserves the 26–28 April session range. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. 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Its December 2007 upload is not promoted to an exact session date.","session.date.precision":"range","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"Neither the file description nor the cited provenance identifies a recording venue.","carrier.label.value":"Musopen (digital distributor)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"This identifies the published digital source, not an independently established original commercial recording label.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or physical side is documented; a modern date alone is not used to assert that none existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Gilanyan is credited as pianist; no separate engineering, transfer or mastering credit is established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The performance date is a range, and no distinct transfer or mastering date is supplied.","transfer.processing.value":"Commons stores an Ogg Vorbis file sourced from Musopen and supplies an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No original recording medium or equalisation, restoration, editing or noise-reduction settings are identified.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/8/8a/Sergei_Rachmaninoff_-_Etudes-Tableaux%2C_Op._39%2C_No._5.oga/Sergei_Rachmaninoff_-_Etudes-Tableaux%2C_Op._39%2C_No._5.oga.mp3","digital.sourceChain":"[\"commons\",\"musopen\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis attributed to Musopen","digital.durationSeconds":271.5,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Rachmaninoff died in 1943. This is a territorial term calculation, not worldwide clearance or a statement about an unidentified modern performing edition.","rights.recording.value":"Commons records a public-domain release by Karine Gilanyan, represented by Musopen, together with an attribution-only notice.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The PD-author statement is explicitly attached to the performer’s recording, not solely to Rachmaninoff’s composition. The accompanying attribution notice is honoured in the credit line. The upstream Musopen URL returned HTTP 403 during this audit, so its current page was not independently read; the source and release are reported from the explicit Commons description, not an inferred licence from the upload date.","rights.creditLine":"Karine Gilanyan, piano — Rachmaninoff, Étude-tableau in E♭ minor, Op. 39 No. 5. Recording provided by Musopen; source Wikimedia Commons, which records the performer’s public-domain release and requires attribution.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:Sergei_Rachmaninoff_-_Etudes-Tableaux,_Op._39,_No._5.oga","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: Karine Gilanyan, Étude-tableau Op. 39 No. 5\",\"url\":\"https://commons.wikimedia.org/wiki/File:Sergei_Rachmaninoff_-_Etudes-Tableaux,_Op._39,_No._5.oga\",\"locator\":\"Performer, 2005–07 date range, Musopen provenance, PD-author release by Karine Gilanyan represented by Musopen, and accompanying attribution notice; revision 1227005986.\",\"accessed\":\"2026-10-17\"},{\"id\":\"musopen\",\"title\":\"Musopen: Études-tableaux, Op. 39\",\"url\":\"https://musopen.org/music/1208-etudes-tableaux-op-39/\",\"locator\":\"Upstream source linked by Commons. Direct retrieval returned HTTP 403 on the access date; no current-page licence or additional session detail is claimed as independently verified.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Rachmaninoff: Études-tableaux Op. 39, piano score\",\"url\":\"https://ks15.imslp.org/files/imglnks/usimg/f/f5/IMSLP39591-PMLP01894-Rachmaninoff-Etudes-Op39.pdf\",\"locator\":\"No. 5, printed pp. 63–71 (PDF pp. 28–36): Appassionato, lyric middle, Tempo I/pesante return and morendo close.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP: Études-tableaux, Op. 39\",\"url\":\"https://imslp.org/wiki/Etudes-tableaux,_Op.39_(Rachmaninoff,_Sergei)\",\"locator\":\"Nine pieces, composed 1916–17, published in 1917 by Edition Russe.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Nigel Simeone: programme note, Phillips Collection\",\"url\":\"https://www.phillipscollection.org/event/2016-11-12-vadym-kholodenko-0\",\"locator\":\"Rachmaninoff section dates Op. 39 to 1916–17 and places it before the composer’s permanent departure from Russia; its descriptions of Nos. 7 and 9 are not applied to No. 5.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP: Sergei Rachmaninoff\",\"url\":\"https://imslp.org/wiki/Category:Rachmaninoff,_Sergei\",\"locator\":\"Life dates: 1 April 1873–28 March 1943.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary life-plus-70 author term, calculated from the following 1 January.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 unknown; 5 documented; 1 inferred"},{"id":"rachmaninoff-lilacs-piano","composer":"Sergei Rachmaninoff","title":"Lilacs, Op. 21 No. 5 (composer’s piano transcription)","movement":"","work.title":"Lilacs (composer’s piano transcription)","work.catalogue":"Op. 21 No. 5","work.movement":"","work.version.value":"Solo-piano transcription of the song Lilacs (1902), made by the composer in 1913","work.version.status":"documented","work.version.sourceIds":"[\"booklet\",\"sudbin\",\"dahr-lil\"]","work.version.note":"The RCA register labels the track “Transcription: Rachmaninoff”, DAHR catalogues it as piano solo and Sudbin dates the transcription to summer 1913. The performing edition, and whether the composer varied the printed text, are not identified.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"booklet\",\"dahr-lil\"]","performers.note":"","session.date.value":"1923-12-27","session.date.status":"documented","session.date.sourceIds":"[\"dahr-lil\",\"booklet\",\"archive\"]","session.date.note":"DAHR’s approved take 9 is dated 27 December 1923; the Archive filename and the RCA register give the same date. Earlier takes from 1920, 1922 and October 1923 were not issued.","session.date.precision":"day","session.place.value":"Camden, New Jersey","session.place.status":"documented","session.place.sourceIds":"[\"dahr-lil\"]","session.place.note":"DAHR gives Camden, New Jersey for takes 8–9; the Church Building laboratory is named only for the first take of 1920.","carrier.label.value":"Victor (Red Seal); RCA/BMG reissue","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr-lil\",\"dahr-1051\",\"archive\",\"booklet\"]","carrier.label.note":"Victor is the original label; the uploader identifies the 1992 RCA/BMG set as the immediate source of the file.","carrier.catalogue.value":"Victor 1051 (10-inch double-faced, coupled with Tchaikovsky’s Humoresque); RCA-BMG 09026 61265 2, CD 10 (1992)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr-lil\",\"dahr-1051\",\"archive\",\"booklet\"]","carrier.catalogue.note":"Victor 64906 was an earlier single-faced number marked not issued. The disc used for the 1992 transfer is not identified.","carrier.matrixTakeSides.value":"B-24123, take 9","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"booklet\",\"dahr-lil\",\"archive\"]","carrier.matrixTakeSides.note":"DAHR names the matrix, takes and issues. The link between that take and this digital file rests on the RCA register (which names the matrix and take for the CD track) and the uploader’s CD identification; no waveform or run-out comparison with the disc was made.","transfer.credits.value":"John Pfeiffer, reissue producer; Ward Marston, disc-to-DAT transfer; André Gauthier, remastering supervisor; Anthony Salvatore, remastering engineer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"booklet\",\"archive\"]","transfer.credits.note":"These are the credits printed for the 1992 RCA/BMG set. Their connection to this access file rests on the uploader’s identification of the item as CD 10 of that set. The later ripper and uploader are not named as engineers.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"booklet\",\"archive\"]","transfer.date.note":"The set was issued in 1992, but the dates of the disc-to-DAT transfer, the remastering and the later CD extraction are not stated. The Internet Archive upload of 11 October 2025 is not a transfer date.","transfer.processing.value":"Disc-to-DAT transfer, then digital remastering at BMG/RCA Studios, New York City; the Internet Archive derives its VBR MP3 from an uploaded WAV.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"booklet\",\"archive-data\"]","transfer.processing.note":"The booklet says surface imperfections were reduced without radical removal of all surface noise. It gives no equalisation, pitch-correction, noise-reduction or editing settings, and none is inferred from the audio analysis.","digital.streamUrl":"https://archive.org/download/195-complete-rachmaninoff-cd-10/191%20-%20Complete%20RACHMANINOFF%20-%20CD%2010%20-%20Rachmaninov%20-%20Lilacs%2C%20Op.%2021%2C%20No.%205%20(rec.%2027.XII.1923).mp3","digital.sourceChain":"[\"archive\",\"archive-data\",\"booklet\",\"dahr-lil\"]","digital.format":"VBR MP3 access derivative; the uploaded source is a WAV taken from a 1992 CD reissue of an acoustic disc","digital.durationSeconds":153.4,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Rachmaninoff died in 1943. This is a territorial term calculation, not worldwide clearance or a statement about any modern edition. The song text is Ekaterina Beketova’s and the transcription is the composer’s own.","rights.recording.value":"US public domain: the issued sound recording was published by 1925 (Victor 1051, recorded 1923).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"dahr-1051\",\"ia78-lil\",\"victor-1925\",\"archive\",\"us-term\"]","rights.recording.note":"DAHR’s catalogue record for Victor 1051 gives a publication date of [1923], and an Internet Archive digitisation of Victrola 1051-A gives 1923; both are catalogue-derived years, not release days. The 1925 Victor catalogue lists “Lilacs (Rachmaninoff, Op. 21, No. 5)” on 1051, which establishes publication no later than 1925 independently of the session date. The Archive item’s Public Domain Mark is noted but not relied on. The 1992 booklet carries an all-rights-reserved reissue notice: no claim is made that its text, artwork or compilation is public domain, or that any new creative contribution to the mastering is cleared worldwide.","rights.creditLine":"Sergei Rachmaninoff, piano — Lilacs, Op. 21 No. 5 (his piano transcription). Victor 1051, matrix B-24123 take 9 (Camden, New Jersey, 27 December 1923). Digital source: RCA/BMG Complete Recordings (1992), CD 10, via Internet Archive; Public Domain Mark 1.0 is the item’s licence statement.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Complete Rachmaninoff, CD 10\",\"url\":\"https://archive.org/details/195-complete-rachmaninoff-cd-10\",\"locator\":\"Uploader identifies RCA-BMG 09026 61265 2 (1992), CD 10, with track filenames carrying recording dates; the item description says tracks 195–202 were made in April 1919 for Edison and all others by Victor; the item links the original booklet and carries Public Domain Mark 1.0.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive item metadata and file manifest\",\"url\":\"https://archive.org/metadata/195-complete-rachmaninoff-cd-10\",\"locator\":\"Track-specific WAV originals, FLAC and generated VBR MP3 access files, durations and the licence URL (https://creativecommons.org/publicdomain/mark/1.0/). The item’s 2025 public date is an upload date, not a session or transfer date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"booklet\",\"title\":\"RCA: Sergei Rachmaninoff, The Complete Recordings, 10-CD booklet (1992)\",\"url\":\"https://archive.org/download/9-0023-sergei-rachmaninoff-complete-recordings-booklet-to-10-cd-set-rca-bmg-09026-61265-2-1992/9-0023%20Sergei%20RACHMANINOFF%20-%20Complete%20Recordings%20-%20Booklet%20to%2010%20CD%20Set%20RCA-BMG%2009026%2061265%202%20(1992)_djvu.txt\",\"locator\":\"Printed p. 20: reissue and transfer credits; essays “The Composer” and “The Recordings” (Edison sessions, Victor contract, microphone-less horn recording); “The Performances of Rachmaninoff”: register of dates, matrices and CD/track numbers; closing remastering notice. OCR text consulted against the track listing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-lil\",\"title\":\"DAHR: Victor matrix B-24123, Lilacs, op. 21 no. 5\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/700009327\",\"locator\":\"Take table: take 1 (17 May 1920, Camden), takes 2–3 (24 February 1922), takes 4–7 (24–25 October 1923), takes 8–9 (27 December 1923, Camden), takes 10–12 (28 December 1923); take 9 master, issued Victor 1051, Gramophone 5761 and DA-666; Victor 64906 marked not issued.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-1051\",\"title\":\"DAHR: Victor 1051 (10-in. double-faced Red Seal)\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/1572\",\"locator\":\"Coupling of Lilacs (B-24123) with Tchaikovsky’s Humoresque, Op. 10 No. 2 (B-28690); MARC publication date [1923].\",\"accessed\":\"2026-10-17\"},{\"id\":\"ia78-lil\",\"title\":\"Internet Archive 78rpm item: Lilacs (Victrola 1051-A)\",\"url\":\"https://archive.org/details/78_lilacs_sergei-rachmaninoff-rachmaninoff_gbia0567843a\",\"locator\":\"Item metadata: Victrola 1051-A, publication date 1923, acoustic, piano solo (Op. 21, No. 5); a separate digitisation of the disc, not the source of the file used here.\",\"accessed\":\"2026-10-17\"},{\"id\":\"victor-1925\",\"title\":\"1925 Catalog of Victor Records, Victor Talking Machine Company\",\"url\":\"https://archive.org/download/catalogueofvicto00vict_0/catalogueofvicto00vict_0_djvu.txt\",\"locator\":\"Title page: copyright 1925. OCR text of the Red Seal listings; the entries relevant here are named in the recording fields. Contemporary evidence that the record was on sale by 1925, independent of the session date. Entry relevant here: “Lilacs (Rachmaninoff, Op. 21, No. 5) Piano Rachmaninoff 1051”.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-lil\",\"title\":\"Piano Street: Lilacs, Op. 21 No. 5 (score scan)\",\"url\":\"https://www.pianostreet.com/rachmaninoff-sheet-music/transcriptions/lilacs.htm\",\"locator\":\"Four pages of the piano transcription in A♭ major: Non allegro, accel. and fermata over a trill, più mosso, a tempo, the closing run. Used for form and markings only; the performing edition is not identified.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sudbin\",\"title\":\"Yevgeny Sudbin: Rachmaninov Liner Notes (2005)\",\"url\":\"https://www.yevgenysudbin.com/artist.php?view=prog&rid=458\",\"locator\":\"Section “Song Transcriptions”: Lilacs composed summer 1902, transcribed summer 1913, with cadenzas and a coda.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp-op21\",\"title\":\"IMSLP: 12 Romances, Op.21 (Rachmaninoff, Sergei)\",\"url\":\"https://imslp.org/wiki/12_Romances,_Op.21_(Rachmaninoff,_Sergei)\",\"locator\":\"Work info: No. 5 Lilacs, text by Ekaterina Beketova, dedication A. N. Strekalova.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term section: pre-1972 sound recordings first published before 1923 had already lost remedies on 31 December 2021; recordings published 1923–1946 receive 100 years from publication, so those published in or before 1925 are in the public domain from 1 January 2026.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP: Sergei Rachmaninoff\",\"url\":\"https://imslp.org/wiki/Category:Rachmaninoff,_Sergei\",\"locator\":\"Life dates: 1 April 1873–28 March 1943.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary life-plus-70 author term, calculated from the following 1 January.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 2 inferred; 1 unknown"},{"id":"rachmaninoff-polichinelle","composer":"Sergei Rachmaninoff","title":"Polichinelle, Op. 3 No. 4","movement":"Allegro vivace","work.title":"Polichinelle","work.catalogue":"Op. 3 No. 4","work.movement":"Allegro vivace","work.version.value":"Solo piano, performed by the composer","work.version.status":"documented","work.version.sourceIds":"[\"booklet\",\"dahr-pol\"]","work.version.note":"No performing score edition is identified, and the printed text is not asserted to match the performance.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"booklet\",\"dahr-pol\"]","performers.note":"","session.date.value":"1923-03-06","session.date.status":"documented","session.date.sourceIds":"[\"dahr-pol\",\"booklet\",\"archive\"]","session.date.note":"DAHR’s approved take 2 is dated 6 March 1923; the Archive filename and the RCA register give the same date. Take 1 of 20 October 1920 was destroyed.","session.date.precision":"day","session.place.value":"New York, New York","session.place.status":"documented","session.place.sourceIds":"[\"dahr-pol\"]","session.place.note":"DAHR gives New York for the approved take; the 1920 take was made in Camden, New Jersey.","carrier.label.value":"Victor (Red Seal); RCA/BMG reissue","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr-pol\",\"dahr-6452\",\"archive\",\"booklet\"]","carrier.label.note":"Victor is the original label; the uploader identifies the 1992 RCA/BMG set as the immediate source of the file.","carrier.catalogue.value":"Victor 74807 (12-inch single-faced) and Victor 6452 (12-inch double-faced, with Chopin’s Nocturne in F♯ major); RCA-BMG 09026 61265 2, CD 10 (1992)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr-pol\",\"dahr-6452\",\"archive\",\"booklet\"]","carrier.catalogue.note":"The disc used for the 1992 transfer is not identified.","carrier.matrixTakeSides.value":"C-24643, take 2","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"booklet\",\"dahr-pol\",\"archive\"]","carrier.matrixTakeSides.note":"DAHR names the matrix, takes and issues. The link between that take and this digital file rests on the RCA register (which names the matrix and take for the CD track) and the uploader’s CD identification; no waveform or run-out comparison with the disc was made.","transfer.credits.value":"John Pfeiffer, reissue producer; Ward Marston, disc-to-DAT transfer; André Gauthier, remastering supervisor; Anthony Salvatore, remastering engineer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"booklet\",\"archive\"]","transfer.credits.note":"These are the credits printed for the 1992 RCA/BMG set. Their connection to this access file rests on the uploader’s identification of the item as CD 10 of that set. The later ripper and uploader are not named as engineers.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"booklet\",\"archive\"]","transfer.date.note":"The set was issued in 1992, but the dates of the disc-to-DAT transfer, the remastering and the later CD extraction are not stated. The Internet Archive upload of 11 October 2025 is not a transfer date.","transfer.processing.value":"Disc-to-DAT transfer, then digital remastering at BMG/RCA Studios, New York City; the Internet Archive derives its VBR MP3 from an uploaded WAV.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"booklet\",\"archive-data\"]","transfer.processing.note":"The booklet says surface imperfections were reduced without radical removal of all surface noise. It gives no equalisation, pitch-correction, noise-reduction or editing settings, and none is inferred from the audio analysis.","digital.streamUrl":"https://archive.org/download/195-complete-rachmaninoff-cd-10/192%20-%20Complete%20RACHMANINOFF%20-%20CD%2010%20-%20Rachmaninov%20-%20Polichinelle%2C%20Op.%203%2C%20No.%204%20(rec.%206.III.1923).mp3","digital.sourceChain":"[\"archive\",\"archive-data\",\"booklet\",\"dahr-pol\"]","digital.format":"VBR MP3 access derivative; the uploaded source is a WAV taken from a 1992 CD reissue of an acoustic disc","digital.durationSeconds":218.53,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Rachmaninoff died in 1943. This is a territorial term calculation, not worldwide clearance or a statement about any modern edition.","rights.recording.value":"US public domain: the issued sound recording was published by 1925 (Victor 6452, recorded 1923).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"dahr-6452\",\"victor-1925\",\"archive\",\"us-term\"]","rights.recording.note":"DAHR’s catalogue record for Victor 6452 gives a publication date of [1923], a catalogue-derived year rather than a release day. The 1925 Victor catalogue lists “In F Sharp Major (Op. 15, No. 2) and Polichinelle — Piano — Rachmaninoff”, which establishes publication no later than 1925 independently of the session date. The Archive item’s Public Domain Mark is noted but not relied on. The 1992 booklet carries an all-rights-reserved reissue notice: no claim is made that its text, artwork or compilation is public domain, or that any new creative contribution to the mastering is cleared worldwide.","rights.creditLine":"Sergei Rachmaninoff, piano — Polichinelle, Op. 3 No. 4. Victor 74807 and 6452, matrix C-24643 take 2 (New York, 6 March 1923). Digital source: RCA/BMG Complete Recordings (1992), CD 10, via Internet Archive; Public Domain Mark 1.0 is the item’s licence statement.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Complete Rachmaninoff, CD 10\",\"url\":\"https://archive.org/details/195-complete-rachmaninoff-cd-10\",\"locator\":\"Uploader identifies RCA-BMG 09026 61265 2 (1992), CD 10, with track filenames carrying recording dates; the item description says tracks 195–202 were made in April 1919 for Edison and all others by Victor; the item links the original booklet and carries Public Domain Mark 1.0.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive item metadata and file manifest\",\"url\":\"https://archive.org/metadata/195-complete-rachmaninoff-cd-10\",\"locator\":\"Track-specific WAV originals, FLAC and generated VBR MP3 access files, durations and the licence URL (https://creativecommons.org/publicdomain/mark/1.0/). The item’s 2025 public date is an upload date, not a session or transfer date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"booklet\",\"title\":\"RCA: Sergei Rachmaninoff, The Complete Recordings, 10-CD booklet (1992)\",\"url\":\"https://archive.org/download/9-0023-sergei-rachmaninoff-complete-recordings-booklet-to-10-cd-set-rca-bmg-09026-61265-2-1992/9-0023%20Sergei%20RACHMANINOFF%20-%20Complete%20Recordings%20-%20Booklet%20to%2010%20CD%20Set%20RCA-BMG%2009026%2061265%202%20(1992)_djvu.txt\",\"locator\":\"Printed p. 20: reissue and transfer credits; essays “The Composer” and “The Recordings” (Edison sessions, Victor contract, microphone-less horn recording); “The Performances of Rachmaninoff”: register of dates, matrices and CD/track numbers; closing remastering notice. OCR text consulted against the track listing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-pol\",\"title\":\"DAHR: Victor matrix C-24643, Polichinelle, op. 3, no. 4\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/700009866\",\"locator\":\"Take table: take 1 (20 October 1920, Camden, destroyed); take 2 (6 March 1923, New York) master, issued Victor 74807, Victor 6452, Gramophone 05729 and DB-845.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-6452\",\"title\":\"DAHR: Victor 6452 (12-in. double-faced Red Seal)\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/41140\",\"locator\":\"Coupling of Polichinelle (C-24643) with Chopin’s Nocturne in F♯ major (C-27118); MARC publication date [1923].\",\"accessed\":\"2026-10-17\"},{\"id\":\"victor-1925\",\"title\":\"1925 Catalog of Victor Records, Victor Talking Machine Company\",\"url\":\"https://archive.org/download/catalogueofvicto00vict_0/catalogueofvicto00vict_0_djvu.txt\",\"locator\":\"Title page: copyright 1925. OCR text of the Red Seal listings; the entries relevant here are named in the recording fields. Contemporary evidence that the record was on sale by 1925, independent of the session date. Entry relevant here: “In F Sharp Major (Op. 15, No. 2) and Polichinelle Piano Rachmaninoff”, i.e. the Victor 6452 coupling.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-pol\",\"title\":\"Piano Street: Polichinelle, Op. 3 No. 4 (score scan)\",\"url\":\"https://www.pianostreet.com/rachmaninoff-sheet-music/morceaux-de-fantaisie/polichinelle-op-3-4.htm\",\"locator\":\"Eight pages: Allegro vivace, Agitato, return of the opening gestures, closing fff chords with fermata. Used for form and markings only; the performing edition is not identified.\",\"accessed\":\"2026-10-17\"},{\"id\":\"hyp-op3\",\"title\":\"Hyperion Records: Morceaux de fantaisie, Op 3, CDA66081\",\"url\":\"https://www.hyperion-records.co.uk/dw.asp?dc=W6690_66081\",\"locator\":\"Note by Robert Matthew-Walker (1983): composition of the set, Slonov’s title for Polichinelle, the fifth piece, Gutheil’s publication in February 1893 and dedication to Arensky.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp-op3\",\"title\":\"IMSLP: Morceaux de fantaisie, Op.3 (Rachmaninoff, Sergei)\",\"url\":\"https://imslp.org/wiki/Morceaux_de_fantaisie,_Op.3_(Rachmaninoff,_Sergei)\",\"locator\":\"Work info: five pieces, composed 1892, first published Moscow, Gutheil, 1893; dedication Arensky; extra information note that Nos. 3 and 5 were revised (No. 3 in 1940, No. 5 in 1922).\",\"accessed\":\"2026-10-17\"},{\"id\":\"chronology\",\"title\":\"Classical Pianists: Sergei Rachmaninoff — Chronology II\",\"url\":\"https://classical-pianists.net/vii-b/sergei-rachmaninoff/chronology-2/\",\"locator\":\"Section “SVR-C#001. April 1919: New York City”: Edison matrices 6742–6744 dated 24 April 1919, with takes A–C; concert programmes 1918–1923; reproduced review by W. J. Henderson, The Sun, 22 December 1918.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term section: pre-1972 sound recordings first published before 1923 had already lost remedies on 31 December 2021; recordings published 1923–1946 receive 100 years from publication, so those published in or before 1925 are in the public domain from 1 January 2026.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP: Sergei Rachmaninoff\",\"url\":\"https://imslp.org/wiki/Category:Rachmaninoff,_Sergei\",\"locator\":\"Life dates: 1 April 1873–28 March 1943.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary life-plus-70 author term, calculated from the following 1 January.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 2 inferred; 1 unknown"},{"id":"rachmaninoff-polka-vr","composer":"Sergei Rachmaninoff","title":"Polka de V.R. (Polka de W. R.)","movement":"Allegretto","work.title":"Polka de V.R. (Polka de W. R.)","work.catalogue":"Threlfall & Norris II/18","work.movement":"Allegretto","work.version.value":"Composer’s arrangement for piano (1911) of Franz Behr’s Scherzpolka Lachtäubchen, Op. 303, as played by him","work.version.status":"documented","work.version.sourceIds":"[\"hyperion\",\"imslp-polka\"]","work.version.note":"The printed title is Polka de W. R. (W. for Wassily, the composer’s father); the RCA set and the Archive file use V.R. Behr’s theme is transposed from F to A♭ with an added counter-melody and without Behr’s middle section. The score prints ossia alternatives, and the edition used by the composer for this recording is not identified.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"booklet\",\"dahr-edison-polka\"]","performers.note":"","session.date.value":"1919-04","session.date.status":"disputed","session.date.sourceIds":"[\"dahr-edison-polka\",\"booklet\",\"archive\",\"chronology\"]","session.date.note":"Sources agree on April 1919 and disagree on the day. The Archive filenames, the RCA register give 23 April; DAHR’s Edison ledger entry and the Classical Pianists chronology give 24 April. The day is not resolved here.","session.date.precision":"month","session.date.alternatives":"[{\"value\":\"1919-04-23\",\"sourceIds\":[\"booklet\",\"archive\"]},{\"value\":\"1919-04-24\",\"sourceIds\":[\"dahr-edison-polka\",\"chronology\"]}]","session.place.value":"New York, New York","session.place.status":"documented","session.place.sourceIds":"[\"dahr-edison-polka\"]","session.place.note":"DAHR gives New York for every take. The label place of publication, Orange, New Jersey, is not the session place.","carrier.label.value":"Edison Diamond Disc; RCA/BMG reissue","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr-edison-polka\",\"densmore\",\"fau\",\"booklet\"]","carrier.label.note":"Edison is the original label (released at Orange, New Jersey, according to DAHR’s label record); the uploader identifies the 1992 RCA/BMG set as the immediate source of the file.","carrier.catalogue.value":"Edison Diamond Disc 82187 (10-inch double-faced; Polka on side L, Prelude in C♯ minor on side R); RCA-BMG 09026 61265 2, CD 10 (1992)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr-edison-polka\",\"densmore\",\"fau\",\"booklet\"]","carrier.catalogue.note":"The side assignment and disc number are documented by the Edison list and the Florida Atlantic catalogue; the disc used for the 1992 transfer is not identified. DAHR’s MARC record for the disc gives 10-inch, 80 rpm and a bracketed publication year of [1919], which predates the release documented by the National Park Service and Densmore (December 1920) and is not followed for the release date; either proposed publication year predates 1926.","carrier.matrixTakeSides.value":"Edison matrix 6744, take B (side L)","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"booklet\",\"archive\",\"dahr-edison-polka\"]","carrier.matrixTakeSides.note":"The RCA register names Edison 6744-B for CD 10, track 15, and the Archive file is that track. Edison issued all three takes (A, B, C) on the same catalogue number, so the disc number alone does not identify the take, and no comparison of takes was made. DAHR gives its own take dates (24 April 1919) which differ from the RCA register (23 April).","transfer.credits.value":"John Pfeiffer, reissue producer; Ward Marston, disc-to-DAT transfer; André Gauthier, remastering supervisor; Anthony Salvatore, remastering engineer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"booklet\",\"archive\"]","transfer.credits.note":"These are the credits printed for the 1992 RCA/BMG set. Their connection to this access file rests on the uploader’s identification of the item as CD 10 of that set. The later ripper and uploader are not named as engineers.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"booklet\",\"archive\"]","transfer.date.note":"The set was issued in 1992, but the dates of the disc-to-DAT transfer, the remastering and the later CD extraction are not stated. The Internet Archive upload of 11 October 2025 is not a transfer date.","transfer.processing.value":"Disc-to-DAT transfer, then digital remastering at BMG/RCA Studios, New York City; the Internet Archive derives its VBR MP3 from an uploaded WAV.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"booklet\",\"archive-data\"]","transfer.processing.note":"The booklet says surface imperfections were reduced without radical removal of all surface noise. It gives no equalisation, pitch-correction, noise-reduction or editing settings, and none is inferred from the audio analysis. The booklet’s essay says the Edison engineer evidently placed the upright piano too far from the recording horns, so the sound is distant.","digital.streamUrl":"https://archive.org/download/195-complete-rachmaninoff-cd-10/200%20-%20Complete%20RACHMANINOFF%20-%20CD%2010%20-Rachmaninov%20-%20Polka%20de%20V.R.%20(rec.%2023.IV.1919%20for%20Edison).mp3","digital.sourceChain":"[\"archive\",\"archive-data\",\"booklet\",\"dahr-edison-polka\"]","digital.format":"VBR MP3 access derivative; the uploaded source is a WAV taken from a 1992 CD reissue of an acoustic disc","digital.durationSeconds":248.8,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Rachmaninoff died in 1943. This is a territorial term calculation, not worldwide clearance or a statement about any modern edition. Franz Behr died in 1898, so the underlying polka is also out of copyright on the same calculation.","rights.recording.value":"US public domain: the issued sound recording was published by 1925 (Edison Diamond Disc 82187, released December 1920).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"edison-nps\",\"densmore\",\"dahr-edison-polka\",\"archive\",\"us-term\"]","rights.recording.note":"The National Park Service catalogue and Densmore’s list both give a December 1920 release for Edison 82187, whose side L carries the Polka; this is independent of the April 1919 session date. The Archive item’s Public Domain Mark is noted but not relied on. The 1992 booklet carries an all-rights-reserved reissue notice: no claim is made that its text, artwork or compilation is public domain, or that any new creative contribution to the mastering is cleared worldwide.","rights.creditLine":"Sergei Rachmaninoff, piano — Polka de V.R. (Polka de W. R.). Edison Diamond Disc 82187-L, matrix 6744 (New York, April 1919). Digital source: RCA/BMG Complete Recordings (1992), CD 10, via Internet Archive; Public Domain Mark 1.0 is the item’s licence statement.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Complete Rachmaninoff, CD 10\",\"url\":\"https://archive.org/details/195-complete-rachmaninoff-cd-10\",\"locator\":\"Uploader identifies RCA-BMG 09026 61265 2 (1992), CD 10, with track filenames carrying recording dates; the item description says tracks 195–202 were made in April 1919 for Edison and all others by Victor; the item links the original booklet and carries Public Domain Mark 1.0.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive item metadata and file manifest\",\"url\":\"https://archive.org/metadata/195-complete-rachmaninoff-cd-10\",\"locator\":\"Track-specific WAV originals, FLAC and generated VBR MP3 access files, durations and the licence URL (https://creativecommons.org/publicdomain/mark/1.0/). The item’s 2025 public date is an upload date, not a session or transfer date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"booklet\",\"title\":\"RCA: Sergei Rachmaninoff, The Complete Recordings, 10-CD booklet (1992)\",\"url\":\"https://archive.org/download/9-0023-sergei-rachmaninoff-complete-recordings-booklet-to-10-cd-set-rca-bmg-09026-61265-2-1992/9-0023%20Sergei%20RACHMANINOFF%20-%20Complete%20Recordings%20-%20Booklet%20to%2010%20CD%20Set%20RCA-BMG%2009026%2061265%202%20(1992)_djvu.txt\",\"locator\":\"Printed p. 20: reissue and transfer credits; essays “The Composer” and “The Recordings” (Edison sessions, Victor contract, microphone-less horn recording); “The Performances of Rachmaninoff”: register of dates, matrices and CD/track numbers; closing remastering notice. OCR text consulted against the track listing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-edison-polka\",\"title\":\"DAHR: Edison matrix 6744, Polka de W. R.\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/2000153821\",\"locator\":\"Take table: takes A, B and C, all dated 24 April 1919, New York; all masters, issued on Edison 82187; sources cited by DAHR include Thomas Edison National Historical Park ledgers and Wile for the take date. Issue record https://adp.library.ucsb.edu/index.php/objects/refer/234955: Edison 82187, 10-in. double-faced, with the Prelude in C sharp minor (matrix 6742), MARC [Orange, N.J.] [1919], 80 rpm\",\"accessed\":\"2026-10-17\"},{\"id\":\"edison-nps\",\"title\":\"National Park Service — Edison National Historic Site: Classical Instrumental\",\"url\":\"https://web.archive.org/web/20071108225217/http://www.nps.gov/archive/edis/edisonia/classical.htm\",\"locator\":\"Entry ‘Prelude in C sharp minor, Op. 3’: Edison Diamond Disc 82187-R, matrix 6742-C-2-3, recording year 1919, release December 1920. Archived 8 November 2007. The disc’s other side (82187-L) carries the Polka de W. R.\",\"accessed\":\"2026-10-17\"},{\"id\":\"densmore\",\"title\":\"Richard Densmore’s Edison Diamond Discs: Edison Records list\",\"url\":\"https://www.densmore-edisondd.info/EdisonRecordsList/index.html\",\"locator\":\"Numerical list: 82187 (3/12/20, 12/1920) with Prelude in C sharp minor on side R and Polka de W. R. on side L; 82202 (8/2/20, 2/1921) with Chopin Valse Op. 64 No. 3 on side R and Rachmaninoff Barcarolle Op. 10 on side L; alphabetical index entries for both titles.\",\"accessed\":\"2026-10-17\"},{\"id\":\"fau\",\"title\":\"Florida Atlantic University Recorded Sound Archives: Polka de W. R.; Prelude in C# minor\",\"url\":\"https://rsa.fau.edu/album/17098\",\"locator\":\"Catalogue entry: Edison 82187-L / 82187-R, 78 RPM 10-in., date recorded 1919-04, tracks Polka de W. R. and Prelude in C Sharp Minor.\",\"accessed\":\"2026-10-17\"},{\"id\":\"chronology\",\"title\":\"Classical Pianists: Sergei Rachmaninoff — Chronology II\",\"url\":\"https://classical-pianists.net/vii-b/sergei-rachmaninoff/chronology-2/\",\"locator\":\"Section “SVR-C#001. April 1919: New York City”: Edison matrices 6742–6744 dated 24 April 1919, with takes A–C; concert programmes 1918–1923; reproduced review by W. J. Henderson, The Sun, 22 December 1918.\",\"accessed\":\"2026-10-17\"},{\"id\":\"hyperion\",\"title\":\"Hyperion Records: Polka de W R (Behr/Rachmaninov), CDA66486\",\"url\":\"https://www.hyperion-records.co.uk/dw.asp?dc=W5662_GBAJY9148612\",\"locator\":\"Note by Jeremy Nicholas (2001): the polka is Franz Behr’s Scherzpolka Op. 303, transposed F major to A♭, with an added counter-melody; recordings of 1919, 1921 and 1928 and one piano roll.\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp-polka\",\"title\":\"IMSLP: Polka de W.R. (Rachmaninoff, Sergei)\",\"url\":\"https://imslp.org/wiki/Polka_de_W.R._(Rachmaninoff,_Sergei)\",\"locator\":\"Work info: key A♭, 1911, first publication London, Hawkes & Sons, dedication Leopold Godowsky, based on Behr’s La Rieuse, Op. 303; alternative title Полька В.Р.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-polka\",\"title\":\"Piano Street: Polka de W. R. (score scan)\",\"url\":\"https://www.pianostreet.com/rachmaninoff-sheet-music/polka-de-w-r.htm\",\"locator\":\"Eight pages of the Hawkes & Son edition: Allegretto, Poco più mosso, Meno mosso, the passage in four sharps at Tempo precedente (scherzando), Tempo I, closing Meno mosso. Used for form and markings only; the printed ossia passages mean the edition used by the composer for the recording is not identified.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term section: pre-1972 sound recordings first published before 1923 had already lost remedies on 31 December 2021; recordings published 1923–1946 receive 100 years from publication, so those published in or before 1925 are in the public domain from 1 January 2026.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP: Sergei Rachmaninoff\",\"url\":\"https://imslp.org/wiki/Category:Rachmaninoff,_Sergei\",\"locator\":\"Life dates: 1 April 1873–28 March 1943.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary life-plus-70 author term, calculated from the following 1 January.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 1 disputed; 2 inferred; 1 unknown"},{"id":"rachmaninoff-prelude-c-sharp-minor-victor-1921","composer":"Sergei Rachmaninoff","title":"Prelude in C♯ minor, Op. 3 No. 2","movement":"","work.title":"Prelude in C♯ minor, Op. 3 No. 2","work.catalogue":"Op. 3 No. 2","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"source\"]","work.version.note":"No modern performing edition is established; the source audio is not locally edited or concatenated.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\",\"matrix\",\"issue\"]","performers.note":"The Archive dates the recording 1921. DAHR lists two issued takes on the same catalogue number; the transferred label does not resolve which was used.","session.date.value":"1921","session.date.status":"documented","session.date.sourceIds":"[\"source\",\"matrix\",\"issue\"]","session.date.note":"The Archive dates the recording 1921. DAHR lists two issued takes on the same catalogue number; the transferred label does not resolve which was used.","session.date.precision":"year","session.place.value":"New York","session.place.status":"documented","session.place.sourceIds":"[\"source\",\"matrix\",\"issue\"]","session.place.note":"Named by the cited source; not inferred from an ensemble’s home city.","carrier.label.value":"Victor (Victrola pressing)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\",\"matrix\",\"issue\"]","carrier.label.note":"","carrier.catalogue.value":"814-A","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\",\"matrix\",\"issue\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":"B-25650; take 3 or 13 not established for this transfer","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\",\"matrix\",\"issue\"]","carrier.matrixTakeSides.note":"","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"An uploader is not automatically a transfer engineer; no engineer is securely credited for this exact derivative.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Transfer date is not established; upload dates are not session or transfer dates.","transfer.processing.value":"Four stylus transfers recorded flat and equalised with500Hz turnover; preferred version selected by George Blood, L.P.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"The friendly filename is the source engineer’s preferred derivative.","digital.streamUrl":"https://archive.org/download/78_prelude-in-c-sharp-minor_sergei-rachmaninoff_gbia0284165a/Prelude%20in%20C%20Sharp%20Minor%20-%20Sergei%20Rachmaninoff.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access stream; original source identified in the linked recording item.","digital.durationSeconds":209.64,"rights.composition.value":"The underlying composition is public domain where the ordinary life-plus-70 term has expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This does not clear an unidentified modern edition or establish worldwide rights.","rights.recording.value":"US public domain: the original Victor 66016 issue was publicly advertised for sale by 16 June 1922, before the 1925 cutoff.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"matrix\",\"issue\",\"publication-advertisement\",\"term\"]","rights.recording.note":"Programme rule 2. The Morning Oregonian of 16 June 1922, page 8, advertises Victor Red Seal 66016, Prelude in C-sharp minor, Rachmaninoff, at $1.25. DAHR links the two candidate 1921 takes to both original single-faced 66016 and later double-faced 814. The source rights year 1922 is a demonstrated publication bound, not the session year or the contradictory Victor 814 MARC [1920] date. This transfer’s take remains unresolved; no modern free licence is inferred from the Archive upload.","rights.creditLine":"Prelude in C♯ minor, Op. 3 No. 2; Sergei Rachmaninoff, piano, recorded 1921. Original Victor 66016 publicly advertised by 16 June 1922; transferred from Victor 814. US public-domain recording. Source: Internet Archive.","rights.licenseUrl":"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/","sources":"[{\"id\":\"source\",\"title\":\"Internet Archive — recording item\",\"url\":\"https://archive.org/details/78_prelude-in-c-sharp-minor_sergei-rachmaninoff_gbia0284165a\",\"locator\":\"Recording attribution, source, date, licence and transfer description; not the upload date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"matrix\",\"title\":\"DAHR — Victor B-25650\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/700010909\",\"locator\":\"Take 3: 14 October 1921; take 13: 13 December 1921; both issued on Victor 66016 and Victor 814. This identifies the same recording candidates across original and later catalogue numbers.\",\"accessed\":\"2026-10-17\"},{\"id\":\"issue\",\"title\":\"DAHR — Victor 814\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/52653\",\"locator\":\"Both 1921 takes are listed. Its autogenerated MARC [1920] conflicts with the recorded-take chronology and is not used as a session date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"publication-advertisement\",\"title\":\"The Morning Oregonian, 16 June 1922, page 8 — Wiley B. Allen advertisement\",\"url\":\"https://oregonnews.uoregon.edu/lccn/sn83025138/1922-06-16/ed-1/seq-8.pdf\",\"locator\":\"Dated newspaper page; Wiley B. Allen Co. record advertisement, Red Seal Records list, second row: 66016, Prelude in C Sharp Minor, Rachmaninoff, $1.25. Contemporary proof of public availability by this date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"US Copyright Office — pre 1972 sound recordings\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Recordings first published before 1923 and the annual expiration schedule for 1923–1946 publications; as of 2026 the cutoff is 1925.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 8 documented; 1 inferred"},{"id":"rachmaninoff-prelude-c-sharp-minor-victor-1928","composer":"Sergei Rachmaninoff","title":"Prelude in C♯ minor, Op. 3 No. 2","movement":"","work.title":"Prelude in C♯ minor, Op. 3 No. 2","work.catalogue":"Op. 3 No. 2","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"source\"]","work.version.note":"No modern performing edition is established; the source audio is not locally edited or concatenated.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\",\"matrix\",\"issue\",\"uk-issue\"]","performers.note":"DAHR identifies the issued take and the Archive names Victor 1326-A. The earlier 1925 matrix-series entry is not the date of this issued performance.","session.date.value":"4 April 1928","session.date.status":"documented","session.date.sourceIds":"[\"source\",\"matrix\",\"issue\",\"uk-issue\"]","session.date.note":"DAHR identifies the issued take and the Archive names Victor 1326-A. The earlier 1925 matrix-series entry is not the date of this issued performance.","session.date.precision":"day","session.place.value":"New York","session.place.status":"documented","session.place.sourceIds":"[\"source\",\"matrix\",\"issue\",\"uk-issue\"]","session.place.note":"Named by the cited source; not inferred from an ensemble’s home city.","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\",\"matrix\",\"issue\",\"uk-issue\"]","carrier.label.note":"","carrier.catalogue.value":"1326-A","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\",\"matrix\",\"issue\",\"uk-issue\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":"BVE-25650, take 23","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\",\"matrix\",\"issue\",\"uk-issue\"]","carrier.matrixTakeSides.note":"","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"An uploader is not automatically a transfer engineer; no engineer is securely credited for this exact derivative.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Transfer date is not established; upload dates are not session or transfer dates.","transfer.processing.value":"Western Electric equalisation (modified250N-0);10kHz low-pass; iZotope RX10 de-click and spectral de-noise.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"These treatments are stated by the uploader; they affect timbre and noise, so no raw-session tonal comparison is asserted.","digital.streamUrl":"https://archive.org/download/prelude-in-c-sharp-minor/Relude%20in%20C-sharp%20Minor.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access stream; original source identified in the linked recording item.","digital.durationSeconds":211,"rights.composition.value":"The underlying composition is public domain where the ordinary life-plus-70 term has expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This does not clear an unidentified modern edition or establish worldwide rights.","rights.recording.value":"Territorial: EU public domain under the pre-1963 publication rule; Victor 1326 and Gramophone DA-996 are dated 1928.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"matrix\",\"issue\",\"uk-issue\",\"term\"]","rights.recording.note":"Programme rule 3. The Archive has no licence URL. DAHR establishes the issued recording, not just the composition. US status is not established.","rights.creditLine":"Prelude in C♯ minor, Op. 3 No. 2; Sergei Rachmaninoff, piano. Territorial: EU public domain under the pre-1963 publication rule; Victor 1326 and Gramophone DA-996 are dated 1928. Source: Internet Archive.","rights.licenseUrl":"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng","sources":"[{\"id\":\"source\",\"title\":\"Internet Archive — recording item\",\"url\":\"https://archive.org/details/prelude-in-c-sharp-minor\",\"locator\":\"Recording attribution, source, date, licence and transfer description; not the upload date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"matrix\",\"title\":\"DAHR — Victor BVE-25650\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/700010910/BVE-25650-Prelude_in_C_sharp_minor\",\"locator\":\"Issued take 23 recorded 4 April 1928 in New York.\",\"accessed\":\"2026-10-17\"},{\"id\":\"issue\",\"title\":\"DAHR — Victor 1326\",\"url\":\"https://adp.library.ucsb.edu/index.php/object/detail/86692/Victor_1326\",\"locator\":\"Catalogue couples the electrical Prelude with Spinning Song; MARC publication [1928].\",\"accessed\":\"2026-10-17\"},{\"id\":\"uk-issue\",\"title\":\"DAHR — Gramophone DA-996\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/79186\",\"locator\":\"British Gramophone issue of the same take; MARC publication [1928].\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"EU Directive 2011/77 — transitional term provisions\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected under the former rules as at 1 November 2013. An expired pre-1963 publication term is not revived.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 8 documented; 1 inferred"},{"id":"rachmaninoff-prelude-c-sharp-minor-woerner-2005","composer":"Sergei Rachmaninoff","title":"Prelude in C♯ minor, Op. 3 No. 2","movement":"","work.title":"Prelude in C♯ minor, Op. 3 No. 2","work.catalogue":"Op. 3 No. 2","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"source\"]","work.version.note":"No modern performing edition is established; the source audio is not locally edited or concatenated.","performers.value":"[{\"name\":\"Martin Wörner\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Commons credits Martin Wörner at the piano and Tobias Lohner as recordist. No venue is given.","session.date.value":"May 2005","session.date.status":"documented","session.date.sourceIds":"[\"source\"]","session.date.note":"Commons credits Martin Wörner at the piano and Tobias Lohner as recordist. No venue is given.","session.date.precision":"month","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"source\"]","session.place.note":"Recording venue is not established in the consulted sources.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"source\"]","carrier.label.note":"No commercial label or original carrier is identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"source\"]","carrier.catalogue.note":"Catalogue number of the transferred carrier is not established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"source\"]","carrier.matrixTakeSides.note":"No matrix/take identifier is established; absence from the source does not mean none existed.","transfer.credits.value":"Tobias Lohner, recording","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"Recordist credit, not a claim of later restoration.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Transfer date is not established; upload dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"Restoration and equalisation details are not established for this exact access derivative.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/1/1a/Sergei_Rachmaninoff_-_Morceaux_de_fantasie_op._3_No._2_c_sharp_minor.ogg/Sergei_Rachmaninoff_-_Morceaux_de_fantasie_op._3_No._2_c_sharp_minor.ogg.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access stream; original source identified in the linked recording item.","digital.durationSeconds":232.84,"rights.composition.value":"The underlying composition is public domain where the ordinary life-plus-70 term has expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This does not clear an unidentified modern edition or establish worldwide rights.","rights.recording.value":"CC BY-SA 4.0, applied to the recording with Wikimedia permission ticket 2016021310010529.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"term\"]","rights.recording.note":"Programme rule 1: explicit recording licence. Credit Martin Wörner, piano, and Tobias Lohner, recording. Audio is streamed unchanged from the Commons derivative.","rights.creditLine":"Prelude in C♯ minor, Op. 3 No. 2; Martin Wörner, piano (recording: Tobias Lohner). CC BY-SA 4.0, applied to the recording with Wikimedia permission ticket 2016021310010529. Source: Wikimedia Commons.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — recording file\",\"url\":\"https://commons.wikimedia.org/wiki/File:Sergei_Rachmaninoff_-_Morceaux_de_fantasie_op._3_No._2_c_sharp_minor.ogg\",\"locator\":\"Recording attribution, source, date, licence and transfer description; not the upload date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"Creative Commons Attribution-ShareAlike 4.0\",\"url\":\"https://creativecommons.org/licenses/by-sa/4.0/\",\"locator\":\"Recording licence terms: sharing and adaptation, including commercial use, with attribution, a licence link, change indication and ShareAlike for adaptations.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 unknown; 4 documented; 1 inferred"},{"id":"rachmaninoff-prelude-c-sharp-minor","composer":"Sergei Rachmaninoff","title":"Prelude in C♯ minor, Op. 3 No. 2","movement":"","work.title":"Prelude in C♯ minor","work.catalogue":"Op. 3 No. 2","work.movement":"","work.version.value":"Solo piano, performed by the composer","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"nps\"]","work.version.note":"No performing score edition is identified.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"nps\"]","performers.note":"","session.date.value":"1919-04-24","session.date.status":"documented","session.date.sourceIds":"[\"original\",\"nps\"]","session.date.note":"The earlier Commons file gives 24 April 1919. The primary National Park Service catalogue confirms only the year 1919; December 1920 is the release date.","session.date.precision":"day","session.place.value":"New York City","session.place.status":"documented","session.place.sourceIds":"[\"original\"]","session.place.note":"City given by the earlier Commons description; no studio is identified. The National Park Service entry does not supply a venue.","carrier.label.value":"Edison Records — Diamond Disc","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"nps\"]","carrier.label.note":"","carrier.catalogue.value":"82187-R","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"nps\"]","carrier.catalogue.note":"Released December 1920. The transferred museum object is NPS EDIS 73898; that museum number is not the commercial catalogue number.","carrier.matrixTakeSides.value":"Matrix 6742-C-2-3 [2-1]; side R of Edison Diamond Disc 82187","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"nps\"]","carrier.matrixTakeSides.note":"The complete matrix string is transcribed as printed by the National Park Service; its suffixes are not independently decoded into take or pressing information.","transfer.credits.value":"Adam Cuerden — cleanup and restoration; source audio published by the United States National Park Service","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\",\"original\",\"nps\"]","transfer.credits.note":"The National Park Service supplies the source disc identification and audio file. It does not name the original transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"original\",\"nps\"]","transfer.date.note":"No original transfer or restoration date is stated. The National Park Service page update (2004), earlier Commons upload (2007), Adam Cuerden’s original upload (2009) and Commons import (2014) are not treated as transfer dates.","transfer.processing.value":"Cleaned and restored copy of the earlier Commons file Prelude 3 2 Rach playing.ogg","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"original\"]","transfer.processing.note":"Commons credits Adam Cuerden, but gives no restoration settings or speed-correction log. No aural comparison has been made.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/b9/Sergei_Rachmaninoff_performs_Rachmaninoff%27s_Prelude_in_C_sharp_minor%2C_Op._3.ogg/Sergei_Rachmaninoff_performs_Rachmaninoff%27s_Prelude_in_C_sharp_minor%2C_Op._3.ogg.mp3","digital.sourceChain":"[\"commons\",\"original\",\"nps\"]","digital.format":"MP3 access derivative of the Wikimedia Commons Ogg Vorbis file","digital.durationSeconds":227.908,"rights.composition.value":"Public domain under the Commons notice for an author who died in 1943","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The notice scopes its life-term assertion to countries with life plus 80 years or fewer. This concerns Rachmaninoff’s composition, not an assertion that any modern edition is unrestricted.","rights.recording.value":"Rule 2 — sound recording public domain in the United States (first published by 1925).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-us-term\",\"rights-audit-edison-publication\"]","rights.recording.note":"Commons applies PD-old-auto-record-expired and identifies Edison Diamond Disc 82187-R, matrix 6742-C-2-3 [2-1]. The opened National Park Service catalogue independently distinguishes the 1919 recording from its December 1920 release. December 1920 is before the programme’s 1925 US first-publication cutoff; this is a sound-recording term, not merely the composition’s status.","rights.creditLine":"Sergei Rachmaninoff: Prelude in C♯ minor, Op. 3 No. 2, played by the composer (1919). Edison Diamond Disc 82187-R, matrix 6742-C-2-3 [2-1], NPS EDIS 73898. National Park Service source audio; cleanup and restoration by Adam Cuerden; via Wikimedia Commons. Public-domain recording in the United States.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Sergei Rachmaninoff performs Rachmaninoff's Prelude in C sharp minor, Op. 3.ogg\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=1204343741\",\"locator\":\"Summary: description, date, source, author and permission; Licensing; File history; embedded metadata. The source revision is fixed; current file metadata was retrieved on the access date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3ASergei+Rachmaninoff+performs+Rachmaninoff%27s+Prelude+in+C+sharp+minor%2C+Op.+3.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 URL; source for digital.durationSeconds, digital.format and digital.streamUrl.\",\"accessed\":\"2026-10-16\"},{\"id\":\"original\",\"title\":\"Wikimedia Commons — Prelude 3 2 Rach playing.ogg\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=1094407918\",\"locator\":\"Summary gives New York City, 24 April 1919, and links the National Park Service source. The restored file explicitly identifies this earlier Commons file as its source copy.\",\"accessed\":\"2026-10-16\"},{\"id\":\"nps\",\"title\":\"National Park Service — Edison National Historic Site: Classical Instrumental\",\"url\":\"https://web.archive.org/web/20071108225217/http://www.nps.gov/archive/edis/edisonia/classical.htm\",\"locator\":\"Entry ‘Prelude in C sharp minor, Op. 3’: Edison Diamond Disc, matrix 6742-C-2-3 [2-1], recording year 1919, release 82187-R, December 1920, NPS object EDIS 73898; audio link EDIS-SRP-0192-13.mp3. Archived 8 November 2007; page states updated 5 November 2004.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Sergei Rachmaninoff performs Rachmaninoff's Prelude in C sharp minor, Op. 3.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1258921827%7C661044101%7C642919319%7C1111732218%7C509438495%7C999902261%7C718748653%7C901919689%7C1204343741%7C718302093&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Sergei Rachmaninoff performs Rachmaninoff's Prelude in C sharp minor, Op. 3.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-us-term\",\"title\":\"US Copyright Office — terms for pre-1972 sound recordings\",\"url\":\"https://www.copyright.gov/music-modernization/faq.html\",\"locator\":\"Title II: first publication determines the term; 1923–1946 recordings receive 95 years plus five years. Publications through 1925 have expired by 1 January 2026.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-edison-publication\",\"title\":\"National Park Service — Edison catalogue, archived 8 November 2007\",\"url\":\"https://web.archive.org/web/20071108225217/http://www.nps.gov/archive/edis/edisonia/classical.htm\",\"locator\":\"Prelude in C sharp minor, Op. 3: Edison Diamond Disc 82187-R, matrix 6742-C-2-3 [2-1], recording 1919, release December 1920, museum object EDIS 73898.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"11 documented; 1 unknown"},{"id":"rachmaninoff-prelude-op23-5","composer":"Sergei Rachmaninoff","title":"Prelude in G minor, Op. 23 No. 5","movement":"Alla marcia","work.title":"Prelude in G minor","work.catalogue":"Op. 23 No. 5","work.movement":"Alla marcia","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"booklet\"]","work.version.note":"Original solo-piano work; the performing edition and any unnotated changes are not identified. The score used for commentary is not asserted to be the copy used at the session.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"booklet\",\"dahr\"]","performers.note":"The source item, reissue register and Victor matrix record agree on the pianist.","session.date.value":"1920-05-17","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"booklet\",\"dahr\"]","session.date.note":"The filename date is independently corroborated by the reissue register and DAHR’s approved take; it is not an upload or CD release date.","session.date.precision":"day","session.place.value":"Camden, New Jersey, Church Building Laboratory","session.place.status":"documented","session.place.sourceIds":"[\"dahr\"]","session.place.note":"DAHR explicitly names the Church Bldg. Laboratory for the approved take.","carrier.label.value":"Victor; RCA/BMG reissue","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr\",\"archive\",\"booklet\"]","carrier.label.note":"Victor identifies the original commercial issue; the uploader identifies the later RCA/BMG CD set as its immediate source.","carrier.catalogue.value":"Victor 74628 (12-inch); RCA-BMG 09026 61265 2, CD 10 (1992)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr\",\"archive\",\"booklet\"]","carrier.catalogue.note":"The Victor number and CD set are separately documented. The physical disc transferred for the 1992 mastering is not identified.","carrier.matrixTakeSides.value":"C-23984-4; one issued side","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"booklet\",\"dahr\",\"archive\"]","carrier.matrixTakeSides.note":"DAHR documents this approved matrix/take and the RCA booklet names it for the reissued track. Its linkage to the current digital file follows the uploader’s stated CD provenance and matching work/date, not an independent waveform or run-out comparison.","transfer.credits.value":"John Pfeiffer, reissue producer; Ward Marston, disc-to-DAT transfer; André Gauthier, remastering supervisor; Anthony Salvatore, remastering engineer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"booklet\",\"archive\"]","transfer.credits.note":"These are the original 1992 set’s credits. Their connection to the current access file follows the uploader’s identification of that set; the later ripper/uploader is not named as a mastering engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"booklet\",\"archive\"]","transfer.date.note":"The set was issued in 1992, but the date of the disc-to-DAT transfer and the later CD extraction are not stated. The Archive upload occurred in 2025 and is not a transfer-session date.","transfer.processing.value":"Disc-to-DAT transfer, followed by digital remastering at BMG/RCA Studios, New York City; Archive derives its VBR MP3 from an uploaded WAV.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"booklet\",\"archive-data\"]","transfer.processing.note":"The booklet says surface imperfections were reduced without radical removal of all surface noise. It does not give equalisation, pitch-correction, noise-reduction or editing settings. No such settings are inferred from the audio analysis.","digital.streamUrl":"https://archive.org/download/195-complete-rachmaninoff-cd-10/186%20-%20Complete%20RACHMANINOFF%20-%20CD%2010%20-%20Rachmaninov%20-%20Prelude%2C%20Op.%2023%2C%20No.%205%20(rec.%2017.V.1920).mp3","digital.sourceChain":"[\"archive\",\"archive-data\",\"booklet\",\"dahr\"]","digital.format":"VBR MP3 access derivative; uploaded source identified as WAV from a 1992 CD reissue of an acoustic Victor disc","digital.durationSeconds":215.6,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Rachmaninoff died in 1943. This is a territorial term calculation, not worldwide clearance or a statement about an unidentified modern performing edition.","rights.recording.value":"US public domain: the issued sound recording was commercially available by 1925; Internet Archive also applies Public Domain Mark 1.0 to the access file.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"archive-data\",\"dahr\",\"booklet\",\"victor-1925\",\"us-term\"]","rights.recording.note":"Victor’s contemporary 1925 catalogue lists this Prelude on record 6261, which DAHR maps to the same C-23984 take 4 as the earlier single-faced 74628. This establishes publication no later than 1925, independently of the 1920 session date, and eligibility under the project’s pre-1926 US recording rule. The exact first-publication day remains unknown. The 1992 booklet retains an all-rights-reserved reissue notice: no claim is made that its text, artwork or compilation is public domain, or that any unidentified new creative contribution to the mastering is independently cleared worldwide.","rights.creditLine":"Sergei Rachmaninoff, piano — Victor 74628, matrix C-23984-4. Digital source: RCA/BMG Complete Recordings (1992), CD 10, via Internet Archive; Public Domain Mark 1.0 is the item’s recording-rights statement.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"victor-1925\",\"title\":\"1925 Catalog of Victor Records, Victor Talking Machine Company\",\"url\":\"https://archive.org/download/catalogueofvicto00vict_0/catalogueofvicto00vict_0_djvu.txt\",\"locator\":\"Title page: copyright 1925. Red Seal section, “The Rachmaninoff Records—Continued”: Op. 23 No. 5 and Op. 32 No. 5 both on 6261; Op. 32 No. 12 on 812. Contemporary publication evidence, linked to takes through DAHR.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive: Complete Rachmaninoff, CD 10\",\"url\":\"https://archive.org/details/195-complete-rachmaninoff-cd-10\",\"locator\":\"Uploader identifies RCA-BMG 09026 61265 2 (1992), CD 10; selected filenames state individual recording dates; item links the original booklet and Public Domain Mark 1.0.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive item metadata and file manifest\",\"url\":\"https://archive.org/metadata/195-complete-rachmaninoff-cd-10\",\"locator\":\"Track-specific WAV originals and generated VBR MP3 access files, durations and licence URL; 2025 upload dates are not session dates.\",\"accessed\":\"2026-10-17\"},{\"id\":\"booklet\",\"title\":\"RCA: Sergei Rachmaninoff, The Complete Recordings, 10-CD booklet (1992)\",\"url\":\"https://archive.org/download/9-0023-sergei-rachmaninoff-complete-recordings-booklet-to-10-cd-set-rca-bmg-09026-61265-2-1992/9-0023%20Sergei%20RACHMANINOFF%20-%20Complete%20Recordings%20-%20Booklet%20to%2010%20CD%20Set%20RCA-BMG%2009026%2061265%202%20%281992%29_djvu.txt\",\"locator\":\"Printed p. 20: reissue/transfer credits; essays “The Composer” and “The Recordings”; discographic register pp. 70–71: dates and matrices of the three selected preludes; closing remastering and rights notice. OCR consulted against the named track register.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"DAHR: Victor matrix C-23984-4\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/700009183\",\"locator\":\"Take table: performer, date, place, master status, original issue and later reissues.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Gutheil first edition: Ten Preludes, Op. 23\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/c/c9/IMSLP105592-PMLP02017-Rachmaninov_-_23_-_10_Preludes_(ed.Gutheil).pdf\",\"locator\":\"No. 5, printed pp. 20–25. Original piano score inspected; the later modified Ray Alston edition was not used as authority.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term section: recordings first published before 1923 ceased receiving the stated remedies on 31 December 2021; later historic publication periods have different terms.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP: Sergei Rachmaninoff\",\"url\":\"https://imslp.org/wiki/Category:Rachmaninoff,_Sergei\",\"locator\":\"Life dates: 1 April 1873–28 March 1943.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary life-plus-70 author term, calculated from the following 1 January.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 8 documented; 2 inferred"},{"id":"rachmaninoff-prelude-op32-10","composer":"Sergei Rachmaninoff","title":"Prelude in B minor, Op. 32 No. 10","movement":"Lento","work.title":"Prelude in B minor","work.catalogue":"Op. 32 No. 10","work.movement":"Lento","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The original solo-piano work is identified, but the pianist’s performing edition is not named.","performers.value":"[{\"name\":\"La Pianista\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Commons names the performer La Pianista, associated with user LaPianista. No unverified civil name is substituted.","session.date.value":"2010-05-12","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The description explicitly identifies this as the performance/recording date rather than merely the upload date.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No venue or town is identified; neither the performer’s location nor upload metadata establishes the session place.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The recording is posted as the performer’s own work; no original commercial label or physical carrier is named.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side is supplied. A modern date alone is not proof that no earlier physical recording medium existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The performer identifies the recording as own work, but no separate recording, editing or mastering engineer credit is supplied.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The performance date is documented; a distinct editing, transfer or encoding date is not.","transfer.processing.value":"Commons stores an Ogg Vorbis file and provides an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No equalisation, editing, noise reduction or mastering method is described. The digital file format does not establish the session equipment.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/4/4e/Rachmaninoff_Prelude_in_B_Minor%2C_Op._32%2C_No._10.oga/Rachmaninoff_Prelude_in_B_Minor%2C_Op._32%2C_No._10.oga.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":321,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Rachmaninoff died in 1943. This is a territorial term calculation, not worldwide clearance or a statement about an unidentified modern performing edition.","rights.recording.value":"Creative Commons Attribution 3.0 Unported, applied explicitly to the recording by La Pianista.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The page has separate notices for recording and composition. CC BY 3.0 governs this performance; the composition’s public-domain notice is not substituted for the recording licence.","rights.creditLine":"La Pianista (LaPianista), piano — Rachmaninoff, Prelude in B minor, Op. 32 No. 10, recorded 12 May 2010. Source: Wikimedia Commons. Recording licensed CC BY 3.0; this stream is Commons’ MP3 access transcode.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: La Pianista, Prelude in B minor, Op. 32 No. 10\",\"url\":\"https://commons.wikimedia.org/wiki/File:Rachmaninoff_Prelude_in_B_Minor,_Op._32,_No._10.oga\",\"locator\":\"Description and performance date; “For the Recording” CC BY 3.0 notice and separate “For the Composition” public-domain notice; revision 1227005124.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Rachmaninoff: Prelude Op. 32 No. 10, Gutheil engraving in Boosey & Hawkes reprint\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/e/ee/IMSLP868406-PMLP2018-B%26H-1992-Rachmaninoff-Preludes-Op.32-No.10.pdf\",\"locator\":\"Printed pp. 92–95: Lento, pesante, central chordal expansion, L’istesso tempo, decorated passage and a tempo, come prima return.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP: Thirteen Preludes, Op. 32\",\"url\":\"https://imslp.org/wiki/13_Preludes,_Op.32_(Rachmaninoff,_Sergei)\",\"locator\":\"1910 composition, 1911 publication and the twenty-four-key collection.\",\"accessed\":\"2026-10-17\"},{\"id\":\"recollection\",\"title\":\"Preludes, Op. 32: documented recollection of Benno Moiseiwitsch\",\"url\":\"https://en.wikipedia.org/wiki/Preludes,_Op._32_(Rachmaninoff)\",\"locator\":\"Böcklin association attributed to Moiseiwitsch’s recollection, citing Bertensson and Leyda, A Lifetime in Music, p. 296; not treated as an inscription in the score.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP: Sergei Rachmaninoff\",\"url\":\"https://imslp.org/wiki/Category:Rachmaninoff,_Sergei\",\"locator\":\"Life dates: 1 April 1873–28 March 1943.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary life-plus-70 author term, calculated from the following 1 January.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 unknown; 4 documented; 1 inferred"},{"id":"rachmaninoff-prelude-op32-12","composer":"Sergei Rachmaninoff","title":"Prelude in G♯ minor, Op. 32 No. 12","movement":"Allegro","work.title":"Prelude in G♯ minor","work.catalogue":"Op. 32 No. 12","work.movement":"Allegro","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"booklet\"]","work.version.note":"Original solo-piano work; the performing edition and any unnotated changes are not identified. The score used for commentary is not asserted to be the copy used at the session.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"booklet\",\"dahr\"]","performers.note":"The source item, reissue register and Victor matrix record agree on the pianist.","session.date.value":"1921-01-21","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"booklet\",\"dahr\"]","session.date.note":"The filename date is independently corroborated by the reissue register and DAHR’s approved take; it is not an upload or CD release date.","session.date.precision":"day","session.place.value":"Camden, New Jersey","session.place.status":"documented","session.place.sourceIds":"[\"dahr\"]","session.place.note":"DAHR specifies Camden for take 5 but no venue. The Church Building Laboratory named for earlier rejected takes is not automatically assigned to the issued take.","carrier.label.value":"Victor; RCA/BMG reissue","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr\",\"archive\",\"booklet\"]","carrier.label.note":"Victor identifies the original commercial issue; the uploader identifies the later RCA/BMG CD set as its immediate source.","carrier.catalogue.value":"Victor 64963 (10-inch); RCA-BMG 09026 61265 2, CD 10 (1992)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr\",\"archive\",\"booklet\"]","carrier.catalogue.note":"The Victor number and CD set are separately documented. The physical disc transferred for the 1992 mastering is not identified.","carrier.matrixTakeSides.value":"B-24642-5; one issued side","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"booklet\",\"dahr\",\"archive\"]","carrier.matrixTakeSides.note":"DAHR documents this approved matrix/take and the RCA booklet names it for the reissued track. Its linkage to the current digital file follows the uploader’s stated CD provenance and matching work/date, not an independent waveform or run-out comparison.","transfer.credits.value":"John Pfeiffer, reissue producer; Ward Marston, disc-to-DAT transfer; André Gauthier, remastering supervisor; Anthony Salvatore, remastering engineer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"booklet\",\"archive\"]","transfer.credits.note":"These are the original 1992 set’s credits. Their connection to the current access file follows the uploader’s identification of that set; the later ripper/uploader is not named as a mastering engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"booklet\",\"archive\"]","transfer.date.note":"The set was issued in 1992, but the date of the disc-to-DAT transfer and the later CD extraction are not stated. The Archive upload occurred in 2025 and is not a transfer-session date.","transfer.processing.value":"Disc-to-DAT transfer, followed by digital remastering at BMG/RCA Studios, New York City; Archive derives its VBR MP3 from an uploaded WAV.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"booklet\",\"archive-data\"]","transfer.processing.note":"The booklet says surface imperfections were reduced without radical removal of all surface noise. It does not give equalisation, pitch-correction, noise-reduction or editing settings. No such settings are inferred from the audio analysis.","digital.streamUrl":"https://archive.org/download/195-complete-rachmaninoff-cd-10/187%20-%20Complete%20RACHMANINOFF%20-%20CD%2010%20-%20Rachmaninov%20-%20Prelude%2C%20Op.%2032%2C%20No.%2012%20(rec.%2021.I.1921).mp3","digital.sourceChain":"[\"archive\",\"archive-data\",\"booklet\",\"dahr\"]","digital.format":"VBR MP3 access derivative; uploaded source identified as WAV from a 1992 CD reissue of an acoustic Victor disc","digital.durationSeconds":153.8,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Rachmaninoff died in 1943. This is a territorial term calculation, not worldwide clearance or a statement about an unidentified modern performing edition.","rights.recording.value":"US public domain: the issued sound recording was commercially available by 1925; Internet Archive also applies Public Domain Mark 1.0 to the access file.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"archive-data\",\"dahr\",\"booklet\",\"victor-1925\",\"us-term\"]","rights.recording.note":"Victor’s contemporary 1925 catalogue lists this Prelude on record 812, which DAHR maps to the same B-24642 take 5 as the earlier single-faced 64963. This establishes publication no later than 1925, independently of the 1921 session date, and eligibility under the project’s pre-1926 US recording rule. The exact first-publication day remains unknown. The 1992 booklet retains an all-rights-reserved reissue notice: no claim is made that its text, artwork or compilation is public domain, or that any unidentified new creative contribution to the mastering is independently cleared worldwide.","rights.creditLine":"Sergei Rachmaninoff, piano — Victor 64963, matrix B-24642-5. Digital source: RCA/BMG Complete Recordings (1992), CD 10, via Internet Archive; Public Domain Mark 1.0 is the item’s recording-rights statement.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"victor-1925\",\"title\":\"1925 Catalog of Victor Records, Victor Talking Machine Company\",\"url\":\"https://archive.org/download/catalogueofvicto00vict_0/catalogueofvicto00vict_0_djvu.txt\",\"locator\":\"Title page: copyright 1925. Red Seal section, “The Rachmaninoff Records—Continued”: Op. 23 No. 5 and Op. 32 No. 5 both on 6261; Op. 32 No. 12 on 812. 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OCR consulted against the named track register.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"DAHR: Victor matrix B-24642-5\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/700009865\",\"locator\":\"Take table: performer, date, place, master status, original issue and later reissues.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Gutheil first edition (1911): Thirteen Preludes, Op. 32\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/e/e0/IMSLP105591-PMLP02018-Rachmaninov_-_32_-_13_Preludes_(ed.Gutheil).pdf\",\"locator\":\"No. 12, printed pp. 48–51.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term section: recordings first published before 1923 ceased receiving the stated remedies on 31 December 2021; later historic publication periods have different terms.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP: Sergei Rachmaninoff\",\"url\":\"https://imslp.org/wiki/Category:Rachmaninoff,_Sergei\",\"locator\":\"Life dates: 1 April 1873–28 March 1943.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary life-plus-70 author term, calculated from the following 1 January.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 8 documented; 2 inferred"},{"id":"rachmaninoff-prelude-op32-5","composer":"Sergei Rachmaninoff","title":"Prelude in G major, Op. 32 No. 5","movement":"Moderato","work.title":"Prelude in G major","work.catalogue":"Op. 32 No. 5","work.movement":"Moderato","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"booklet\"]","work.version.note":"Original solo-piano work; the performing edition and any unnotated changes are not identified. The score used for commentary is not asserted to be the copy used at the session.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"booklet\",\"dahr\"]","performers.note":"The source item, reissue register and Victor matrix record agree on the pianist.","session.date.value":"1920-05-03","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"booklet\",\"dahr\"]","session.date.note":"The filename date is independently corroborated by the reissue register and DAHR’s approved take; it is not an upload or CD release date.","session.date.precision":"day","session.place.value":"Camden, New Jersey, Church Building Laboratory","session.place.status":"documented","session.place.sourceIds":"[\"dahr\"]","session.place.note":"DAHR explicitly names the Church Bldg. Laboratory for the approved take.","carrier.label.value":"Victor; RCA/BMG reissue","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr\",\"archive\",\"booklet\"]","carrier.label.note":"Victor identifies the original commercial issue; the uploader identifies the later RCA/BMG CD set as its immediate source.","carrier.catalogue.value":"Victor 74645 (12-inch); RCA-BMG 09026 61265 2, CD 10 (1992)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr\",\"archive\",\"booklet\"]","carrier.catalogue.note":"The Victor number and CD set are separately documented. The physical disc transferred for the 1992 mastering is not identified.","carrier.matrixTakeSides.value":"C-23985-1; one issued side","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"booklet\",\"dahr\",\"archive\"]","carrier.matrixTakeSides.note":"DAHR documents this approved matrix/take and the RCA booklet names it for the reissued track. Its linkage to the current digital file follows the uploader’s stated CD provenance and matching work/date, not an independent waveform or run-out comparison.","transfer.credits.value":"John Pfeiffer, reissue producer; Ward Marston, disc-to-DAT transfer; André Gauthier, remastering supervisor; Anthony Salvatore, remastering engineer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"booklet\",\"archive\"]","transfer.credits.note":"These are the original 1992 set’s credits. Their connection to the current access file follows the uploader’s identification of that set; the later ripper/uploader is not named as a mastering engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"booklet\",\"archive\"]","transfer.date.note":"The set was issued in 1992, but the date of the disc-to-DAT transfer and the later CD extraction are not stated. The Archive upload occurred in 2025 and is not a transfer-session date.","transfer.processing.value":"Disc-to-DAT transfer, followed by digital remastering at BMG/RCA Studios, New York City; Archive derives its VBR MP3 from an uploaded WAV.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"booklet\",\"archive-data\"]","transfer.processing.note":"The booklet says surface imperfections were reduced without radical removal of all surface noise. It does not give equalisation, pitch-correction, noise-reduction or editing settings. No such settings are inferred from the audio analysis.","digital.streamUrl":"https://archive.org/download/195-complete-rachmaninoff-cd-10/189%20-%20Complete%20RACHMANINOFF%20-%20CD%2010%20-%20Rachmaninov%20-%20Prelude%2C%20Op.%2032%2C%20No.%205%20(rec.%203.V.1920).mp3","digital.sourceChain":"[\"archive\",\"archive-data\",\"booklet\",\"dahr\"]","digital.format":"VBR MP3 access derivative; uploaded source identified as WAV from a 1992 CD reissue of an acoustic Victor disc","digital.durationSeconds":183,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Rachmaninoff died in 1943. This is a territorial term calculation, not worldwide clearance or a statement about an unidentified modern performing edition.","rights.recording.value":"US public domain: the issued sound recording was commercially available by 1925; Internet Archive also applies Public Domain Mark 1.0 to the access file.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"archive-data\",\"dahr\",\"booklet\",\"victor-1925\",\"us-term\"]","rights.recording.note":"Victor’s contemporary 1925 catalogue lists this Prelude on record 6261, which DAHR maps to the same C-23985 take 1 as the earlier single-faced 74645. This establishes publication no later than 1925, independently of the 1920 session date, and eligibility under the project’s pre-1926 US recording rule. The exact first-publication day remains unknown. The 1992 booklet retains an all-rights-reserved reissue notice: no claim is made that its text, artwork or compilation is public domain, or that any unidentified new creative contribution to the mastering is independently cleared worldwide.","rights.creditLine":"Sergei Rachmaninoff, piano — Victor 74645, matrix C-23985-1. Digital source: RCA/BMG Complete Recordings (1992), CD 10, via Internet Archive; Public Domain Mark 1.0 is the item’s recording-rights statement.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"victor-1925\",\"title\":\"1925 Catalog of Victor Records, Victor Talking Machine Company\",\"url\":\"https://archive.org/download/catalogueofvicto00vict_0/catalogueofvicto00vict_0_djvu.txt\",\"locator\":\"Title page: copyright 1925. Red Seal section, “The Rachmaninoff Records—Continued”: Op. 23 No. 5 and Op. 32 No. 5 both on 6261; Op. 32 No. 12 on 812. Contemporary publication evidence, linked to takes through DAHR.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive: Complete Rachmaninoff, CD 10\",\"url\":\"https://archive.org/details/195-complete-rachmaninoff-cd-10\",\"locator\":\"Uploader identifies RCA-BMG 09026 61265 2 (1992), CD 10; selected filenames state individual recording dates; item links the original booklet and Public Domain Mark 1.0.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive item metadata and file manifest\",\"url\":\"https://archive.org/metadata/195-complete-rachmaninoff-cd-10\",\"locator\":\"Track-specific WAV originals and generated VBR MP3 access files, durations and licence URL; 2025 upload dates are not session dates.\",\"accessed\":\"2026-10-17\"},{\"id\":\"booklet\",\"title\":\"RCA: Sergei Rachmaninoff, The Complete Recordings, 10-CD booklet (1992)\",\"url\":\"https://archive.org/download/9-0023-sergei-rachmaninoff-complete-recordings-booklet-to-10-cd-set-rca-bmg-09026-61265-2-1992/9-0023%20Sergei%20RACHMANINOFF%20-%20Complete%20Recordings%20-%20Booklet%20to%2010%20CD%20Set%20RCA-BMG%2009026%2061265%202%20%281992%29_djvu.txt\",\"locator\":\"Printed p. 20: reissue/transfer credits; essays “The Composer” and “The Recordings”; discographic register pp. 70–71: dates and matrices of the three selected preludes; closing remastering and rights notice. OCR consulted against the named track register.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"DAHR: Victor matrix C-23985-1\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/700009184/C-23985-Prelude_in_G_major_op._32_no._5\",\"locator\":\"Take table: performer, date, place, master status, original issue and later reissues.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Gutheil first edition (1911): Thirteen Preludes, Op. 32\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/e/e0/IMSLP105591-PMLP02018-Rachmaninov_-_32_-_13_Preludes_(ed.Gutheil).pdf\",\"locator\":\"No. 5, printed pp. 22–25.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term section: recordings first published before 1923 ceased receiving the stated remedies on 31 December 2021; later historic publication periods have different terms.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP: Sergei Rachmaninoff\",\"url\":\"https://imslp.org/wiki/Category:Rachmaninoff,_Sergei\",\"locator\":\"Life dates: 1 April 1873–28 March 1943.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary life-plus-70 author term, calculated from the following 1 January.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 8 documented; 2 inferred"},{"id":"rachmaninoff-serenade-op3-5","composer":"Sergei Rachmaninoff","title":"Sérénade, Op. 3 No. 5","movement":"Sostenuto — Tempo di Valse","work.title":"Sérénade","work.catalogue":"Op. 3 No. 5","work.movement":"Sostenuto — Tempo di Valse","work.version.value":"Original (1892) version of the Sérénade, as played by the composer in 1922; performing text not identified","work.version.status":"inferred","work.version.sourceIds":"[\"wiki-recs\",\"henle\",\"imslp-op3\"]","work.version.note":"Wikipedia’s list of the composer’s recordings labels the 4 November 1922 recording the 1892 version, and the 1940 revised version was published only in 1940 (Henle). IMSLP’s page says No. 5 was revised in 1922; the Henle report documents the revised text as Charles Foley’s 1940 edition, so that remark is not followed. Henle also states that the composer’s own recording diverges from the printed notation of the original version in many places. Henle does not identify which composer recording it means; the cited original score is therefore not assumed to be a literal transcript of the 1922 performance.","performers.value":"[{\"name\":\"Sergei Rachmaninoff\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"booklet\",\"dahr-ser\"]","performers.note":"","session.date.value":"1922-11-04","session.date.status":"documented","session.date.sourceIds":"[\"dahr-ser\",\"booklet\",\"archive\"]","session.date.note":"DAHR’s approved take 5 is dated 4 November 1922; takes 1–3 were made on 1 November. The Archive filename and the RCA register give the same date for the reissued track.","session.date.precision":"day","session.place.value":"New York, New York","session.place.status":"documented","session.place.sourceIds":"[\"dahr-ser\"]","session.place.note":"DAHR gives New York for every take; no studio is named.","carrier.label.value":"Victor (Red Seal); RCA/BMG reissue","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr-ser\",\"dahr-66129\",\"dahr-816\",\"archive\",\"booklet\"]","carrier.label.note":"Victor is the original label; the uploader identifies the 1992 RCA/BMG set as the immediate source of the file.","carrier.catalogue.value":"Victor 66129 (10-inch single-faced) and Victor 816 (10-inch double-faced, with Bizet’s Minuet); RCA-BMG 09026 61265 2, CD 10 (1992)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr-ser\",\"dahr-66129\",\"dahr-816\",\"archive\",\"booklet\"]","carrier.catalogue.note":"The Victor numbers and the CD set are separately documented. The disc used for the 1992 transfer is not identified.","carrier.matrixTakeSides.value":"B-27110, take 5","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"booklet\",\"dahr-ser\",\"archive\"]","carrier.matrixTakeSides.note":"DAHR names the matrix, takes and issues. The link between that take and this digital file rests on the RCA register (which names the matrix and take for the CD track) and the uploader’s CD identification; no waveform or run-out comparison with the disc was made.","transfer.credits.value":"John Pfeiffer, reissue producer; Ward Marston, disc-to-DAT transfer; André Gauthier, remastering supervisor; Anthony Salvatore, remastering engineer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"booklet\",\"archive\"]","transfer.credits.note":"These are the credits printed for the 1992 RCA/BMG set. Their connection to this access file rests on the uploader’s identification of the item as CD 10 of that set. The later ripper and uploader are not named as engineers.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"booklet\",\"archive\"]","transfer.date.note":"The set was issued in 1992, but the dates of the disc-to-DAT transfer, the remastering and the later CD extraction are not stated. The Internet Archive upload of 11 October 2025 is not a transfer date.","transfer.processing.value":"Disc-to-DAT transfer, then digital remastering at BMG/RCA Studios, New York City; the Internet Archive derives its VBR MP3 from an uploaded WAV.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"booklet\",\"archive-data\"]","transfer.processing.note":"The booklet says surface imperfections were reduced without radical removal of all surface noise. It gives no equalisation, pitch-correction, noise-reduction or editing settings, and none is inferred from the audio analysis.","digital.streamUrl":"https://archive.org/download/195-complete-rachmaninoff-cd-10/190%20-%20Complete%20RACHMANINOFF%20-%20CD%2010%20-Rachmaninov%20-%20Serenade%2C%20Op.%203%2C%20No.%205%20(rec.%204.XI.1922).mp3","digital.sourceChain":"[\"archive\",\"archive-data\",\"booklet\",\"dahr-ser\"]","digital.format":"VBR MP3 access derivative; the uploaded source is a WAV taken from a 1992 CD reissue of an acoustic disc","digital.durationSeconds":190.27,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Rachmaninoff died in 1943. This is a territorial term calculation, not worldwide clearance or a statement about any modern edition.","rights.recording.value":"US public domain: the issued sound recording was published by 1925 (Victor 66129 and 816, recorded 1922).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"dahr-66129\",\"dahr-816\",\"ia78-ser\",\"victor-1925\",\"archive\",\"us-term\"]","rights.recording.note":"DAHR’s catalogue records for Victor 66129 and 816 give a publication date of [1922], and an Internet Archive digitisation of Victrola 66129 gives 1922; both are catalogue-derived years, not release days. The 1925 Victor catalogue lists the Serenade (Op. 3, No. 5) coupled with the Minuet from L’Arlésienne, which establishes publication no later than 1925 independently of the session date. The Archive item’s Public Domain Mark is noted but not relied on. The 1992 booklet carries an all-rights-reserved reissue notice: no claim is made that its text, artwork or compilation is public domain, or that any new creative contribution to the mastering is cleared worldwide.","rights.creditLine":"Sergei Rachmaninoff, piano — Sérénade, Op. 3 No. 5. Victor 66129 and 816, matrix B-27110 take 5 (New York, 4 November 1922). Digital source: RCA/BMG Complete Recordings (1992), CD 10, via Internet Archive; Public Domain Mark 1.0 is the item’s licence statement.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Complete Rachmaninoff, CD 10\",\"url\":\"https://archive.org/details/195-complete-rachmaninoff-cd-10\",\"locator\":\"Uploader identifies RCA-BMG 09026 61265 2 (1992), CD 10, with track filenames carrying recording dates; the item description says tracks 195–202 were made in April 1919 for Edison and all others by Victor; the item links the original booklet and carries Public Domain Mark 1.0.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive-data\",\"title\":\"Internet Archive item metadata and file manifest\",\"url\":\"https://archive.org/metadata/195-complete-rachmaninoff-cd-10\",\"locator\":\"Track-specific WAV originals, FLAC and generated VBR MP3 access files, durations and the licence URL (https://creativecommons.org/publicdomain/mark/1.0/). The item’s 2025 public date is an upload date, not a session or transfer date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"booklet\",\"title\":\"RCA: Sergei Rachmaninoff, The Complete Recordings, 10-CD booklet (1992)\",\"url\":\"https://archive.org/download/9-0023-sergei-rachmaninoff-complete-recordings-booklet-to-10-cd-set-rca-bmg-09026-61265-2-1992/9-0023%20Sergei%20RACHMANINOFF%20-%20Complete%20Recordings%20-%20Booklet%20to%2010%20CD%20Set%20RCA-BMG%2009026%2061265%202%20(1992)_djvu.txt\",\"locator\":\"Printed p. 20: reissue and transfer credits; essays “The Composer” and “The Recordings” (Edison sessions, Victor contract, microphone-less horn recording); “The Performances of Rachmaninoff”: register of dates, matrices and CD/track numbers; closing remastering notice. OCR text consulted against the track listing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-ser\",\"title\":\"DAHR: Victor matrix B-27110, Serenade\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/800001056\",\"locator\":\"Take table: takes 1–3 on 1 November 1922 and 4–5 on 4 November 1922, New York; take 5 master, issued Victor 66129, Victor 816, Gramophone 5685 and DA-372, and RCA Victor ARM3-0260 (LP); ledger note 11/1/1922: “Steinway piano, style B-211833.”\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-66129\",\"title\":\"DAHR: Victor 66129 (Red Seal 10-in. single-faced)\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/42100\",\"locator\":\"Single issue of B-27110 take 5; MARC publication date [1922].\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-816\",\"title\":\"DAHR: Victor 816 (10-in. double-faced Red Seal)\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/78539\",\"locator\":\"Coupling of Serenade (B-27110) with Minuet from L’Arlésienne (B-26134); MARC publication date [1922].\",\"accessed\":\"2026-10-17\"},{\"id\":\"ia78-ser\",\"title\":\"Internet Archive 78rpm item: Serenade (Victrola 66129)\",\"url\":\"https://archive.org/details/78_serenade_sergei-rachmaninoff-rachmaninoff_gbia0478759a\",\"locator\":\"Item metadata: Victrola 66129, publication date 1922, acoustic, piano solo (Op. 3, No. 5); a separate digitisation of the disc, not the source of the file used here.\",\"accessed\":\"2026-10-17\"},{\"id\":\"victor-1925\",\"title\":\"1925 Catalog of Victor Records, Victor Talking Machine Company\",\"url\":\"https://archive.org/download/catalogueofvicto00vict_0/catalogueofvicto00vict_0_djvu.txt\",\"locator\":\"Title page: copyright 1925. OCR text of the Red Seal listings; the entries relevant here are named in the recording fields. Contemporary evidence that the record was on sale by 1925, independent of the session date. Entry relevant here: “Minuet—Rachmaninoff Piano and Serenade (Op.3) Rachmaninoff”, i.e. the Victor 816 coupling.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-ser\",\"title\":\"Piano Street: Sérénade, Op. 3 No. 5, 1892 version (score scan)\",\"url\":\"https://www.pianostreet.com/rachmaninoff-sheet-music/morceaux-de-fantaisie/serenade-op-3-no-5.htm\",\"locator\":\"Four pages of the 1892 version: Sostenuto, Tempo di Valse, closing ppp–pppp chords and final ff chord with fermata. Used for form and markings only; the performing edition is not identified.\",\"accessed\":\"2026-10-17\"},{\"id\":\"hyp-op3\",\"title\":\"Hyperion Records: Morceaux de fantaisie, Op 3, CDA66081\",\"url\":\"https://www.hyperion-records.co.uk/dw.asp?dc=W6690_66081\",\"locator\":\"Note by Robert Matthew-Walker (1983): composition of the set, Slonov’s title for Polichinelle, the fifth piece, Gutheil’s publication in February 1893 and dedication to Arensky.\",\"accessed\":\"2026-10-17\"},{\"id\":\"henle\",\"title\":\"Henle Urtext HN 1491: Rachmaninoff, Morceaux de fantaisie Op. 3, critical report (Dominik Rahmer, Munich, spring 2022)\",\"url\":\"https://www.henle.de/media/76/20/d9/1697725714/1491-1697725714-sync.pdf\",\"locator\":\"Comments on No. 5 Sérénade (bars 103–104): the composer’s own recording “diverges from the printed notation of this version in many places”; appendix on the revised 1940 Sérénade (Charles Foley edition, “Revised and as played by the composer”).\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp-op3\",\"title\":\"IMSLP: Morceaux de fantaisie, Op.3 (Rachmaninoff, Sergei)\",\"url\":\"https://imslp.org/wiki/Morceaux_de_fantaisie,_Op.3_(Rachmaninoff,_Sergei)\",\"locator\":\"Work info: five pieces, composed 1892, first published Moscow, Gutheil, 1893; dedication Arensky; extra information note that Nos. 3 and 5 were revised (No. 3 in 1940, No. 5 in 1922).\",\"accessed\":\"2026-10-17\"},{\"id\":\"wiki-recs\",\"title\":\"Wikipedia: Sergei Rachmaninoff recordings\",\"url\":\"https://en.wikipedia.org/wiki/Sergei_Rachmaninoff_recordings\",\"locator\":\"Discography tables: Serenade in B-flat, Op. 3, No. 5 (1892 version), 4 November 1922 and 3 January 1936, RCA; Lilacs, Polichinelle, Polka de W.R., Barcarolle with session dates.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"U.S. Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term section: pre-1972 sound recordings first published before 1923 had already lost remedies on 31 December 2021; recordings published 1923–1946 receive 100 years from publication, so those published in or before 1925 are in the public domain from 1 January 2026.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP: Sergei Rachmaninoff\",\"url\":\"https://imslp.org/wiki/Category:Rachmaninoff,_Sergei\",\"locator\":\"Life dates: 1 April 1873–28 March 1943.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary life-plus-70 author term, calculated from the following 1 January.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 inferred; 8 documented; 1 unknown"},{"id":"rameau-gavotte-six-doubles","composer":"Jean-Philippe Rameau","title":"Nouvelles Suites de pièces de clavecin · Suite in A minor","movement":"Gavotte et six doubles","work.title":"Nouvelles Suites de pièces de clavecin: Suite in A minor","work.catalogue":"","work.movement":"Gavotte et six doubles","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition, revision and any editorial interventions are not identified in the consulted recording documentation.","performers.value":"[{\"name\":\"Marcelle Meyer\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Commons names Marcelle Meyer and identifies her 1953 Paris session.","session.date.value":"29–30 October 1953","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The author/session line explicitly gives these dates. The separate Date field and structured inception of 31 January 2015 concern the digital item, not this session.","session.date.precision":"range","session.place.value":"Salle Adyar, Paris","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"","carrier.label.value":"Les Discophiles Français","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"","carrier.catalogue.value":"DF 98/99","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"Carrier reference supplied by the Médiathèque musicale Mahler source credit; matrix, take and track-side allocation are not supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":"Médiathèque musicale Mahler, fonds Discophiles Français.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"This is the source-collection credit. A named transfer or restoration engineer is not given.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Embedded encoder: Lavf55.19.100. Commons master: FLAC, 24-bit, 44.1 kHz, 2 channels.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"embedded\"]","transfer.processing.note":"These are file properties, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented. The inherited Windows Media fields do not prove the complete encoding history, so no lossless-source claim is made beyond the present FLAC container.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/b4/Rameau-_Nouvelles_Suites_de_pi%C3%A8ces_de_clavecin-_Suite_en_la_mineur_-_Gavotte_et_six_doubles.flac/Rameau-_Nouvelles_Suites_de_pi%C3%A8ces_de_clavecin-_Suite_en_la_mineur_-_Gavotte_et_six_doubles.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative; Commons master: FLAC, 24-bit, 44.1 kHz, 2 channels","digital.durationSeconds":407.13868480725625,"rights.composition.value":"Public-domain original composition, as asserted by Commons.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The musical-composition tag is PD-old-70-1923. This does not license a later edition, arrangement or recording.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\"]","rights.recording.note":"Commons applies PD-EU-audio and identifies Meyer’s 29–30 October 1953 session and Les Discophiles Français DF 98/99. The 2015 digital-item date is not the recording date. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. A recording date alone is not represented as an independently verified first-publication date.","rights.creditLine":"Marcelle Meyer, piano. Les Discophiles Français DF 98/99; Médiathèque musicale Mahler, fonds Discophiles Français, via Wikimedia Commons. Commons asserts EU public-domain recording status (PD-EU-audio); rights elsewhere are not established.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Rameau- Nouvelles Suites de pièces de clavecin- Suite en la mineur - Gavotte et six doubles.flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Rameau-_Nouvelles_Suites_de_pi%C3%A8ces_de_clavecin-_Suite_en_la_mineur_-_Gavotte_et_six_doubles.flac?oldid=427863970\",\"locator\":\"File-description wikitext revision 427863970; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M38131986\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M38131986&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 427863970. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3ARameau-+Nouvelles+Suites+de+pi%C3%A8ces+de+clavecin-+Suite+en+la+mineur+-+Gavotte+et+six+doubles.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-recording\",\"title\":\"Commons: scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template text and documentation: performers’ and producers’ rights in the EU; explicitly not a composition-rights tag.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-recording-law\",\"title\":\"17 U.S.C. § 1401: pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Section (a)(2): terms depend on first publication, with separate periods for 1923–1946, 1947–1956 and later recordings.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Rameau- Nouvelles Suites de pièces de clavecin- Suite en la mineur - Gavotte et six doubles.flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=427863970&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Rameau- Nouvelles Suites de pièces de clavecin- Suite en la mineur - Gavotte et six doubles.flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3), inserting Article 10(5): extension applies to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-audio\",\"title\":\"Wikimedia Commons — recording-specific scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation concern performers’ and producers’ rights, not merely composition copyright; territorial European expiry.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"3 unknown; 9 documented"},{"id":"rameau-la-poule","composer":"Jean-Philippe Rameau","title":"La Poule","movement":"","work.title":"La Poule","work.catalogue":"Nouvelles Suites de pièces de clavecin, G-major/minor suite","work.movement":"","work.version.value":"Solo piano performance of the harpsichord character piece","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"discography\",\"score\",\"score-item\"]","work.version.note":"The hosted item is La Poule alone, not the whole suite. The collection is conventionally dated about 1728; this is an approximate publication date, not a documented composition day. Meyer’s performing edition, editorial interventions and repeat choices are unestablished. The reference score supplies the musical design, not evidence that Meyer used that edition.","performers.value":"[{\"name\":\"Marcelle Meyer\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"discography\"]","performers.note":"The recording is performed on piano; the harpsichord designation belongs to Rameau’s original work.","session.date.value":"29–30 October 1953","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"discography\"]","session.date.note":"Commons’ Author field and the discography identify this two-day Rameau session. Neither allocates La Poule to one of the two days. The Commons Date and structured inception fields say 22 August 2019, matching the upload, not the performance.","session.date.precision":"range","session.place.value":"Salle Adyar, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"discography\"]","session.place.note":"The venue is stated in both opened recording sources; no session log or microphone layout is available.","carrier.label.value":"Les Discophiles Français","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"discography\"]","carrier.label.note":"The named source collection is the Médiathèque musicale Mahler’s fonds Discophiles Français.","carrier.catalogue.value":"DF 98/99","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"discography\"]","carrier.catalogue.note":"The paired catalogue reference identifies the Rameau programme; the individual disc and side used for this transfer are not allocated. The chronology identifies an LP issue, not a 78-rpm side.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"discography\"]","carrier.matrixTakeSides.note":"No matrix, take, pressing inscription or exact side allocation is established from the opened sources.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The source collection and uploader Flopinot2012 are identified. Neither is automatically the transfer or restoration engineer; no such engineer is credited.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"22 August 2019 is the upload date. The transfer date is not supplied.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"FLAC upload and Commons MP3 derivative are documented, but restoration, equalisation, speed correction, editing and the transferred carrier’s physical condition are not. No quality claim is inferred from the lossless upload format.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/29/Jean-Philippe_Rameau_-_La_Poule_%28Marcelle_Meyer%2C_1953%29.flac/Jean-Philippe_Rameau_-_La_Poule_%28Marcelle_Meyer%2C_1953%29.flac.mp3","digital.sourceChain":"[\"commons\",\"discography\"]","digital.format":"Wikimedia Commons MP3 derivative of FLAC; source credited to Médiathèque musicale Mahler, fonds Discophiles Français","digital.durationSeconds":186.3,"rights.composition.value":"Public-domain underlying composition","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"biography\"]","rights.composition.note":"Commons applies PD-old-70-expired to the work; Rameau died in 1764. This is separate from copyright in the recorded performance or an unidentified edition.","rights.recording.value":"Territorial — Commons PD-EU-audio sound-recording status","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"rights-tag\"]","rights.recording.note":"The sound-recording-specific PD-EU-audio tag is the programme’s acceptance basis. It states expiry of European performers’ and producers’ rights. US public-domain status is not established and is not asserted. The composition’s public-domain statement does not establish the recording’s US status, and the session date is not substituted for a proven first-publication date.","rights.creditLine":"Jean-Philippe Rameau, La Poule; Marcelle Meyer, piano. Salle Adyar, Paris, 29–30 October 1953 according to Commons and the recording chronology; Les Discophiles Français DF 98/99. Médiathèque musicale Mahler collection, via Wikimedia Commons. Territorial PD-EU-audio; US public-domain status not established.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — La Poule, Marcelle Meyer\",\"url\":\"https://commons.wikimedia.org/wiki/File:Jean-Philippe_Rameau_-_La_Poule_(Marcelle_Meyer,_1953).flac\",\"locator\":\"Author session, Source DF 98/99, Date/upload distinction and Licensing; opened revision 508310590.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"Classical Pianists — Marcelle Meyer chronology\",\"url\":\"https://classical-pianists.net/viii/marcelle-meyer/chronology/\",\"locator\":\"MaMe-C#015: Rameau books, Salle Adyar, 29–30 October 1953, DF 98/99 LP.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Rameau — Nouvelles suites, keyboard score scan\",\"url\":\"https://archive.org/download/imslp-suites-de-pices-de-clavecin-rameau-jean-philippe/Rameau_-_nouvelles_suite.pdf\",\"locator\":\"PDF pp. 27–30, printed pp. 86–89: La Poule, opening syllables, first-strain repeat, second strain and final cadence. 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Compared with the existing composer biography.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-tag\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Recording-specific European term statement; explicitly separate from underlying composition copyright.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 4 unknown"},{"id":"rameau-niais-de-sologne","composer":"Jean-Philippe Rameau","title":"Les Niais de Sologne","movement":"With the first and second doubles","work.title":"Les Niais de Sologne","work.catalogue":"RCT 3, no. 2","work.movement":"With the first and second doubles","work.version.value":"Complete keyboard piece and its two doubles, performed on piano","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"catalogue\",\"score\",\"discography\"]","work.version.note":"The original is for harpsichord. Meyer’s edition is unidentified. The three large sections follow the theme and two doubles; their times are broad passage guideposts.","performers.value":"[{\"name\":\"Marcelle Meyer\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"discography\"]","performers.note":"Named in the file attribution and in the discography of the complete Rameau keyboard recordings.","session.date.value":"1953-10-29/1953-10-30","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"discography\"]","session.date.note":"The two-day session range is documented; the day and take of this individual piece are unspecified.","session.date.precision":"range","session.place.value":"Salle Adyar, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"discography\"]","session.place.note":"Recording venue stated by both sources.","carrier.label.value":"Les Discophiles Français","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"discography\"]","carrier.label.note":"Label of the collection cited by the uploader.","carrier.catalogue.value":"DF 98/99","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"discography\"]","carrier.catalogue.note":"The complete Rameau keyboard collection; the Commons file is a single-piece extract.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"discography\"]","carrier.matrixTakeSides.note":"The pressing, runout and take underlying the selected digital file are unidentified.","transfer.credits.value":"Commons uploader: Flopinot2012; source collection: Médiathèque musicale Mahler, fonds Discophiles Français","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The file credits the collection and uploader; the digitisation engineer is unidentified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"22 August 2019 is the upload date. No transfer date is supplied.","transfer.processing.value":"Commons MP3 derivative of an uploaded FLAC","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The analogue playback chain and any restoration or pitch correction are unspecified.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/2f/Jean-Philippe_Rameau_-_Les_Niais_de_Sologne_%28Marcelle_Meyer%2C_1953%29.flac/Jean-Philippe_Rameau_-_Les_Niais_de_Sologne_%28Marcelle_Meyer%2C_1953%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative; uploaded source is FLAC","digital.durationSeconds":323.964807256236,"rights.composition.value":"Public domain: Rameau’s composition published in 1724","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"catalogue\"]","rights.composition.note":"Commons applies PD-old-70-expired to the composition. The modern Gouin engraving is consulted as a research source and is not redistributed here.","rights.recording.value":"Public domain in the European Union under Commons’ PD-EU-audio designation","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The host’s licence field is Public domain. Commons separately warns of continuing US protection for this pre-1972 sound recording; the territorial EU designation is not worldwide clearance.","rights.creditLine":"Jean-Philippe Rameau, Les Niais de Sologne with two doubles; Marcelle Meyer, piano, Paris, 29–30 October 1953. Les Discophiles Français DF 98/99; Médiathèque musicale Mahler collection; Commons upload by Flopinot2012. Commons PD-EU-audio; US recording restrictions remain.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:Jean-Philippe_Rameau_-_Les_Niais_de_Sologne_(Marcelle_Meyer,_1953).flac#Licensing","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Meyer, Les Niais de Sologne\",\"url\":\"https://commons.wikimedia.org/wiki/File:Jean-Philippe_Rameau_-_Les_Niais_de_Sologne_(Marcelle_Meyer,_1953).flac\",\"locator\":\"Summary and author/session field, DF 98/99 source credit, licensing, file history, duration and MP3 transcode.\",\"accessed\":\"2026-10-18\"},{\"id\":\"catalogue\",\"title\":\"IMSLP — Suite in D major, RCT 3\",\"url\":\"https://imslp.org/wiki/Suite_in_D_major,_RCT_3_(Rameau,_Jean-Philippe)\",\"locator\":\"General Information: no. 2, Les niais de Sologne with two doubles; 1724 publication and harpsichord scoring.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Rameau — Les Niais de Sologne, Pierre Gouin edition\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/d/df/IMSLP132660-WIMA.e0b8-Rameau_Les_Niais.pdf\",\"locator\":\"Les Éditions Outremontaises, 2005, after a facsimile of the 1736 edition. Pages 1, 3, 5 and 7 inspected visually: even-note marking, triplets, left-hand semiquavers and closing reprise.\",\"accessed\":\"2026-10-18\"},{\"id\":\"dictionary\",\"title\":\"Dictionnaire de l’Académie française — Niais, aise\",\"url\":\"https://www.dictionnaire-academie.fr/article/A1N0043-04\",\"locator\":\"First edition, 1694, sub-entry under Nid: proverbial niais de Sologne who feigns simplicity and errs to his own advantage.\",\"accessed\":\"2026-10-18\"},{\"id\":\"devine\",\"title\":\"Steven Devine — Rameau Pièces de Clavecin, Volume 1\",\"url\":\"https://eclassical.textalk.se/shop/17115/art89/4850889-2fc822-RES10131_booklet_300dpi.pdf\",\"locator\":\"Resonus RES10131 booklet, p. 4: notes égales, triplets against duplets and the second double’s left-hand writing.\",\"accessed\":\"2026-10-18\"},{\"id\":\"esfahani\",\"title\":\"Mahan Esfahani — Rameau Suite in D major\",\"url\":\"https://www.hyperion-records.co.uk/dw.asp?dc=W15934_68071&vw=dc\",\"locator\":\"Hyperion notes, 2014: title’s proverb, first-double triplets, second-double melody in the right hand and passagework in the left.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discography\",\"title\":\"Classical Pianists — Marcelle Meyer chronology\",\"url\":\"https://classical-pianists.net/viii/marcelle-meyer/chronology/\",\"locator\":\"MaMe-C#015: Rameau keyboard works, Salle Adyar, 29–30 October 1953, Les Discophiles Français DF 98/99.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"10 documented; 2 unknown"},{"id":"ravel-bolero-ravel-1930","composer":"Maurice Ravel","title":"Boléro","movement":"","work.title":"Boléro","work.catalogue":"","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"source\"]","work.version.note":"No modern performing edition is established; the source audio is not locally edited or concatenated.","performers.value":"[{\"name\":\"Orchestre des Concerts Lamoureux\",\"role\":\"orchestra\"},{\"name\":\"Maurice Ravel\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"source\",\"catalogue\"]","performers.note":"Commons attributes this complete transfer to Ravel in 1930. BnF confirms Ravel/Lamoureux and a 1935 published pressing. The session month, venue and actual transferred pressing are not established.","session.date.value":"1930","session.date.status":"documented","session.date.sourceIds":"[\"source\",\"catalogue\"]","session.date.note":"The recording year comes from the Commons description. Its separate 1928 Date field concerns the composition; the 1935 BnF date concerns a published pressing. No session month or day is established.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"source\",\"catalogue\"]","session.place.note":"The consulted recording sources do not establish a session venue. Paris must not be inferred merely from the orchestra’s identity.","carrier.label.value":"Polydor (historic issue; transferred pressing unidentified)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\",\"catalogue\"]","carrier.label.note":"","carrier.catalogue.value":"566030 / 566031","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\",\"catalogue\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":"1812 BMP, 1813 BMP, 1814 BMP, 1815 BMP","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\",\"catalogue\"]","carrier.matrixTakeSides.note":"","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"An uploader is not automatically a transfer engineer; no engineer is securely credited for this exact derivative.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Transfer date is not established; upload dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"Restoration and equalisation details are not established for this exact access derivative.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/c3/Bolero-Maurice_Ravel-1930.ogg/Bolero-Maurice_Ravel-1930.ogg.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access stream; original source identified in the linked recording item.","digital.durationSeconds":952.4244897959184,"rights.composition.value":"The underlying composition is public domain where the ordinary life-plus-70 term has expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This does not clear an unidentified modern edition or establish worldwide rights.","rights.recording.value":"Territorial: EU public domain; this Ravel/Lamoureux recording was published no later than 1935.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"catalogue\",\"term\"]","rights.recording.note":"Programme rule 3. BnF’s P 1935 Polydor issue establishes publication before 1963, without treating the Commons composition-only PD-old-70 tag as a recording licence. US status is not established. Upstream Typepad page now redirects to an unavailable parked domain.","rights.creditLine":"Boléro; Orchestre des Concerts Lamoureux, Maurice Ravel. Territorial: EU public domain; this Ravel/Lamoureux recording was published no later than 1935. Source: Wikimedia Commons.","rights.licenseUrl":"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — recording file\",\"url\":\"https://commons.wikimedia.org/wiki/File:Bolero-Maurice_Ravel-1930.ogg\",\"locator\":\"Recording attribution, source, date, licence and transfer description; not the upload date.\",\"accessed\":\"2026-10-17\"},{\"id\":\"catalogue\",\"title\":\"Bibliothèque nationale de France — Polydor Boléro\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb38509551s\",\"locator\":\"Ravel and Orchestre des Concerts Lamoureux; catalogue 566030/31, matrices 1812–1815 BMP; P 1935 publication established from the wax inscription.\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"EU Directive 2011/77 — transitional term provisions\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj/eng\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected under the former rules as at 1 November 2013. An expired pre-1963 publication term is not revived.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"5 unknown; 6 documented; 1 inferred"},{"id":"ravel-bolero","composer":"Maurice Ravel","title":"Boléro","movement":"","work.title":"Boléro","work.catalogue":"","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording sources.","performers.value":"[{\"name\":\"Ferenc Fricsay\",\"role\":\"conductor\"},{\"name\":\"Berlin Symphonic Orchestra\",\"role\":\"orchestra, as credited\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"The English ensemble name is retained as Commons gives it. It has not been normalised to the Berlin Philharmonic or a particular incarnation of the Berlin radio orchestra.","session.date.value":null,"session.date.status":"disputed","session.date.sourceIds":"[\"commons\",\"commons-data\"]","session.date.note":"The filename says November 1959, the description says November 1956, and embedded metadata labels 1954 as ‘Date and time of digitising’. That last tag is not established as either a session date or a genuine digitisation date. The 1928 date elsewhere on Commons concerns the composition.","session.date.alternatives":"[{\"value\":\"November 1959 — filename attribution.\",\"sourceIds\":[\"commons\"]},{\"value\":\"November 1956 — description attribution.\",\"sourceIds\":[\"commons\"]},{\"value\":\"1954 — unexplained embedded ‘Date and time of digitising’ tag; not a verified session date.\",\"sourceIds\":[\"commons-data\"]}]","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"The orchestra’s credited name does not establish a recording venue. The conflicting date information prevents a secure match to a discographic session.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The label or imprint of the carrier used for this digital file is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No catalogue number identifying the transferred carrier is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":"Pablo Varela — audio restoration","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons-data\"]","transfer.credits.note":"The embedded ‘Image title’ field explicitly says ‘Audio Restoration: Pablo Varela (2015)’. This does not identify the original recording engineer.","transfer.date.value":"2015","transfer.date.status":"documented","transfer.date.sourceIds":"[\"commons-data\"]","transfer.date.note":"Year attached to the named audio-restoration credit. It is distinct from the unexplained 1954 digitising tag and from the contested session years.","transfer.processing.value":"Audio restoration, credited to Pablo Varela; Ogg Vorbis encoding.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons-data\"]","transfer.processing.note":"The embedded credit does not identify equalisation, noise reduction, speed correction or other restoration operations. Encoder tags name Lavf56.36.100 and Lavc56.41.100 libvorbis.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/73/Bolero-Maurice_Ravel-Berlin_Symphonic_Orchestra-Ferenc_Fricsay-November_1959.ogg/Bolero-Maurice_Ravel-Berlin_Symphonic_Orchestra-Ferenc_Fricsay-November_1959.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":806,"rights.composition.value":"Commons applies PD-old-70 to the composition.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The tag concerns a copyright term measured from the composer’s death. It is not a recording licence, nor a worldwide determination of composition rights.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\",\"rights-audit-fricsay-carriers\"]","rights.recording.note":"Commons supplies only composition-level PD-old-70; its description says November 1956, its filename says November 1959, and the dossier preserves an unexplained 1954 embedded date. All three attributions precede 1963. The opened Fricsay/RIAS commercial-carrier listing also documents French 1955 and German 1958 editions, but has not been matched to this transfer and does not settle its session. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. 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No additional performer is inferred.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"The 7 June 2010 date on Commons is the IMSLP upload by Carolus for audio #66548, not a recording session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"Neither Commons nor the IMSLP/Pandora source identifies this recording’s venue.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No original carrier label is identified. Pandora Records / Al Goldstein Archive is the documented digital publisher, not proof of a particular commercial issue.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is identified; file and IMSLP identifiers are not carrier catalogue numbers.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifiers are supplied. 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Only this complete opening movement is selected; the other four movements are not present.","performers.value":"[{\"name\":\"Guy Campion\",\"role\":\"piano four hands\"},{\"name\":\"Mario Vachon\",\"role\":\"piano four hands\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"duo\"]","performers.note":"The duo is identified, but the sources do not assign primo and secondo to individual pianists.","session.date.value":"1992","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"commons-meta\"]","session.date.note":"The file description explicitly says “enregistrement : 1992”. An embedded digitising tag instead says 1991; its meaning is not established and it is not silently treated as a second verified session date.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified. 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The uploader and source collection are not automatically transfer-engineering credits.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is established. 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This is not a claim that such identifiers cannot exist.","transfer.credits.value":"Uploaded to Wikimedia Commons by the user Юрій Булка on 3 April 2014","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\",\"commons-data\"]","transfer.credits.note":"The Commons file history and credit line give the uploader and the cooperation. A recording or mastering engineer is not named, and an uploader is not automatically one.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer or mastering date is given. The upload date is not treated as one.","transfer.date.precision":null,"transfer.processing.value":"Commons holds the uploaded lossless FLAC (51687561 bytes); the site streams Commons’ MP3 derivative of it.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons-data\"]","transfer.processing.note":"The format and size are read from Commons’ file metadata. 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The recording itself is licensed separately (see the recording field).","rights.recording.value":"CC BY-SA 3.0, applied to this recording by Wikimedia Commons; permission recorded in Wikimedia VRT ticket 2014040310015687.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"commons-data\"]","rights.recording.note":"The licence covers the sound recording, not only the composition. The VRT ticket is not publicly readable, so the Commons licence template and permission field are the evidence seen. Share-alike and attribution apply to reuse.","rights.creditLine":"Maurice Ravel, Miroirs, IV. Alborada del gracioso; Olena Havyuk-Sheremet, piano; performance dated 1 April 2014 on Wikimedia Commons. Created by students and/or teachers of Lviv Conservatory as part of the cooperation with Wikimedia Ukraine. 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The archived webpage’s 2009 update is also not a session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original recording label is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"embedded\"]","transfer.credits.note":"No transfer or restoration engineer is credited in the consulted sources.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Embedded encoder: Xiph.Org libVorbis I 20040629. Commons master: Ogg Vorbis, 44.1 kHz, 2 channels.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"embedded\"]","transfer.processing.note":"These are file properties, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/24/Ravel_-_String_Quartet%2C_mvt_2_-_US_Army_Band.ogg/Ravel_-_String_Quartet%2C_mvt_2_-_US_Army_Band.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis, 44.1 kHz, 2 channels","digital.durationSeconds":350.1745351473923,"rights.composition.value":"Public-domain original composition, as asserted by Commons.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The musical-composition tag is PD-old-auto-expired, 1937. This does not license a later edition, arrangement or recording.","rights.recording.value":"Rule 1 — recording-specific public-domain release: PD-USGov-Military-Army (US-law basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-us-government\"]","rights.recording.note":"Commons expressly applies PD-USGov-Military-Army to the recording or official federal-government performance, not only to the composition. Under 17 U.S.C. § 105(a), official US Government works are not protected by US copyright. This is rule 1’s recording-specific public-domain release route, not rule 2’s publication-date route; it does not establish worldwide public-domain status.","rights.creditLine":"String players of the United States Army Band. U.S. Army Strings audio-download source, via Wikimedia Commons. Recording: U.S. federal-government work, public domain in the United States.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Army","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Ravel - String Quartet, mvt 2 - US Army Band.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Ravel_-_String_Quartet,_mvt_2_-_US_Army_Band.ogg?oldid=1044306038\",\"locator\":\"File-description wikitext revision 1044306038; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M123574152\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M123574152&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 1044306038. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3ARavel+-+String+Quartet%2C+mvt+2+-+US+Army+Band.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"upstream\",\"title\":\"U.S. Army Strings: archived audio-download page\",\"url\":\"https://web.archive.org/web/20161016172826/http://www.usarmyband.com:80/Audio/army_strings_audio_downloads.html\",\"locator\":\"Archived page identifies the U.S. Army Strings and its MP3 download service. The retrieved page supplies no player names or session date; “Updated 19 May 2009” is a webpage date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Ravel - String Quartet, mvt 2 - US Army Band.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1044306038&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Ravel - String Quartet, mvt 2 - US Army Band.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-us-government\",\"title\":\"17 U.S.C. § 105 — United States Government works\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/105\",\"locator\":\"Subsection (a): US copyright protection is unavailable for works of the US Government; historical notes distinguish foreign protection.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"5 documented; 7 unknown"},{"id":"ravel-tombeau-forlane","composer":"Maurice Ravel","title":"Le Tombeau de Couperin","movement":"III. 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The upstream description explicitly identifies a live recording in January 2007.","session.date.value":"2007-01","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"upstream\"]","session.date.note":"The date is explicitly identified as the performance or recording date; later publication/upload dates are not substituted.","session.date.precision":"month","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"upstream\"]","session.place.note":"No recording venue is identified. A performer’s home or teaching location is not a session location.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No record label or imprint identifying a physical carrier is supplied.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifier is established; absence of metadata is not proof that none exists.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified. The uploader and source collection are not automatically transfer-engineering credits.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is established. Upload dates and embedded year tags are not treated as transfer-session dates.","transfer.processing.value":"Wikimedia Commons supplies an MP3 access derivative of the uploaded Ogg Opus file.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The source is an Opus extraction from the linked live video. Its conversion settings and any trims are not documented; the video’s 2010 publication and embedded 2010 tags are not the January 2007 session date.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/8/84/Maurice_Ravel_-_azuma_-_Le_Tombeau_de_Couperin._III._Forlane_%28live%29.opus/Maurice_Ravel_-_azuma_-_Le_Tombeau_de_Couperin._III._Forlane_%28live%29.opus.mp3","digital.sourceChain":"[\"upstream\",\"commons\"]","digital.format":"MP3 access derivative; source Ogg Opus","digital.durationSeconds":414.1,"rights.composition.value":"The original 1918 solo-piano edition is catalogued as public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"catalogue\",\"bnf\"]","rights.composition.note":"This reports the score repository’s status, not worldwide legal clearance or the rights in this sound recording; later editions and national exceptions require separate consideration.","rights.recording.value":"Commons licenses this recording under CC BY 3.0.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The Commons licensing statement is reported as the reuse basis. MP3 transcoding is supplied by Wikimedia; no additional audio edit is made here.","rights.creditLine":"Maurice Ravel, Le Tombeau de Couperin, III. Forlane; azuma. Via Wikimedia Commons; CC BY 3.0. Wikimedia MP3 access transcoding; no additional audio changes.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Maurice Ravel - azuma - Le Tombeau de Couperin. III. 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The original video was uploaded on 19 November 2017; the embedded copyright and digitising tags say 2017. None establishes the recording session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"upstream\"]","session.place.note":"No recording venue is identified. A performer’s home or teaching location is not a session location.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No record label or imprint identifying a physical carrier is supplied.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifier is established; absence of metadata is not proof that none exists.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified. The uploader and source collection are not automatically transfer-engineering credits.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is established. Upload dates and embedded year tags are not treated as transfer-session dates.","transfer.processing.value":"Wikimedia Commons supplies an MP3 access derivative of the uploaded Ogg Opus file.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"This documents the access formats, not the original recording medium or any restoration procedure.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/7b/Maurice_Ravel_-_Le_Tombeau_de_Couperin._II._Fugue.opus/Maurice_Ravel_-_Le_Tombeau_de_Couperin._II._Fugue.opus.mp3","digital.sourceChain":"[\"upstream\",\"commons\"]","digital.format":"MP3 access derivative; source Ogg Opus","digital.durationSeconds":205.1,"rights.composition.value":"The original 1918 solo-piano edition is catalogued as public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"catalogue\",\"bnf\"]","rights.composition.note":"This reports the score repository’s status, not worldwide legal clearance or the rights in this sound recording; later editions and national exceptions require separate consideration.","rights.recording.value":"Commons licenses this recording under CC BY 3.0.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The Commons licensing statement is reported as the reuse basis. MP3 transcoding is supplied by Wikimedia; no additional audio edit is made here.","rights.creditLine":"Maurice Ravel, Le Tombeau de Couperin, II. Fugue; Alan Chan. Via Wikimedia Commons; CC BY 3.0. Wikimedia MP3 access transcoding; no additional audio changes.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Maurice Ravel - Le Tombeau de Couperin. II. 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The upstream description explicitly identifies a live recording in January 2007.","session.date.value":"2007-01","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"upstream\"]","session.date.note":"The date is explicitly identified as the performance or recording date; later publication/upload dates are not substituted.","session.date.precision":"month","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"upstream\"]","session.place.note":"No recording venue is identified. 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The uploader and source collection are not automatically transfer-engineering credits.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is established. Upload dates and embedded year tags are not treated as transfer-session dates.","transfer.processing.value":"Wikimedia Commons supplies an MP3 access derivative of the uploaded Ogg Opus file.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The source is an Opus extraction from the linked live video. 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Plate D. & F. 9569; movement dedication at its heading.\",\"accessed\":\"2026-10-17\"},{\"id\":\"catalogue\",\"title\":\"IMSLP — original piano suite\",\"url\":\"https://imslp.org/wiki/Le_tombeau_de_Couperin_(piano)_(Ravel,_Maurice)\",\"locator\":\"Instrumentation, keys, six movements, 1918 first publication and public-domain first-edition scan.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bnf\",\"title\":\"Bibliothèque nationale de France — Le tombeau de Couperin, piano\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb13917720k\",\"locator\":\"Composition July 1914–November 1917; all six dedications; premiere by Marguerite Long, Salle Gaveau, 11 April 1919.\",\"accessed\":\"2026-10-17\"},{\"id\":\"lyon\",\"title\":\"Coline Miallier — Le Tombeau de Couperin, Orchestre national de Lyon\",\"url\":\"https://www.auditorium-lyon.com/en/node/13646\",\"locator\":\"Notes dated 25 and 27 November 2021: each movement remembers a friend killed at the front; historical dance forms; separate 1919 orchestration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"kansas\",\"title\":\"Eric T. 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Prélude","work.version.value":"Original solo-piano version","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"score\"]","work.version.note":"The work version is identified. The edition actually used by the performers is not established. This is one movement in a mixed-performer selection; the Rigaudon is absent.","performers.value":"[{\"name\":\"Isaac David\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Performer credited in the Commons description.","session.date.value":"2017","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The date is explicitly identified as the performance or recording date; later publication/upload dates are not substituted.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"upstream\"]","session.place.note":"No recording venue is identified. A performer’s home or teaching location is not a session location.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No record label or imprint identifying a physical carrier is supplied.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifier is established; absence of metadata is not proof that none exists.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified. The uploader and source collection are not automatically transfer-engineering credits.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is established. Upload dates and embedded year tags are not treated as transfer-session dates.","transfer.processing.value":"Wikimedia Commons supplies an MP3 access derivative of the uploaded Ogg Opus file.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"upstream\"]","transfer.processing.note":"The original pianist’s page distinguishes this piano version from separately offered vibraphone and re-rhythmised files. The selected Commons file is the piano version; no additional processing history is established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/68/Maurice_Ravel_-_Isaac_David_-_Le_Tombeau_de_Couperin._I._Pr%C3%A9lude.opus/Maurice_Ravel_-_Isaac_David_-_Le_Tombeau_de_Couperin._I._Pr%C3%A9lude.opus.mp3","digital.sourceChain":"[\"upstream\",\"commons\"]","digital.format":"MP3 access derivative; source Ogg Opus","digital.durationSeconds":240.1,"rights.composition.value":"The original 1918 solo-piano edition is catalogued as public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"catalogue\",\"bnf\"]","rights.composition.note":"This reports the score repository’s status, not worldwide legal clearance or the rights in this sound recording; later editions and national exceptions require separate consideration.","rights.recording.value":"Commons licenses this recording under CC BY-SA 4.0.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The Commons licensing statement is reported as the reuse basis. MP3 transcoding is supplied by Wikimedia; no additional audio edit is made here.","rights.creditLine":"Maurice Ravel, Le Tombeau de Couperin, I. Prélude; Isaac David. Via Wikimedia Commons; CC BY-SA 4.0. Wikimedia MP3 access transcoding; no additional audio changes.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Maurice Ravel - Isaac David - Le Tombeau de Couperin. I. 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Toccata","work.version.value":"Original solo-piano version","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"score\"]","work.version.note":"The work version is identified. The edition actually used by the performers is not established. This is one movement in a mixed-performer selection; the Rigaudon is absent.","performers.value":"[{\"name\":\"Marcelle Meyer\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Performer credited in the Commons description.","session.date.value":"1954-03-05–1954-03-08","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The Commons author credit gives Paris, Salle Adyar, 5–8 March 1954. The date span covers the stated sessions, not an identified day for this individual track; 22 September 2023 is the Commons upload date.","session.date.precision":"range","session.place.value":"Salle Adyar, Paris","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"The venue is stated in the author credit; no exact day within the session range is established.","carrier.label.value":"Les Discophiles Français","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The Commons source credits the Médiathèque musicale Mahler, fonds discophiles français.","carrier.catalogue.value":"DF 100/1","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"The catalogue reference is given by Commons; no matrix or original side is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identifier is established; absence of metadata is not proof that none exists.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified. The uploader and source collection are not automatically transfer-engineering credits.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is established. Upload dates and embedded year tags are not treated as transfer-session dates.","transfer.processing.value":"Wikimedia Commons supplies an MP3 access derivative of the uploaded FLAC file.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"This documents the access formats, not the original recording medium or any restoration procedure.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/be/Maurice_Ravel_-_Le_Tombeau_de_Couperin_-_Toccata_%28Marcelle_Meyer%29.flac/Maurice_Ravel_-_Le_Tombeau_de_Couperin_-_Toccata_%28Marcelle_Meyer%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative; source FLAC","digital.durationSeconds":236.3,"rights.composition.value":"The original 1918 solo-piano edition is catalogued as public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"catalogue\",\"bnf\"]","rights.composition.note":"This reports the score repository’s status, not worldwide legal clearance or the rights in this sound recording; later editions and national exceptions require separate consideration.","rights.recording.value":"Commons marks this recording PD-EU-audio.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"This is a territorial European rights statement, accepted for Commons streaming. The same page carries a US pre-1972 sound-recording warning. No United States public-domain claim is made for the 1954 recording.","rights.creditLine":"Maurice Ravel, Le Tombeau de Couperin, VI. Toccata; Marcelle Meyer. Médiathèque musicale Mahler, fonds discophiles français; Les Discophiles Français DF 100/1. Via Wikimedia Commons; PD-EU-audio, not a US public-domain assertion.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Maurice Ravel - Le Tombeau de Couperin - Toccata (Marcelle Meyer).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Le_Tombeau_de_Couperin_-_Toccata_%28Marcelle_Meyer%29.flac\",\"locator\":\"Description, source, author, licensing and file history; not all dates describe recording sessions.\",\"accessed\":\"2026-10-17\"},{\"id\":\"commons-meta\",\"title\":\"Wikimedia Commons — embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Maurice_Ravel_-_Le_Tombeau_de_Couperin_-_Toccata_%28Marcelle_Meyer%29.flac#metadata\",\"locator\":\"Embedded author, copyright and digitising tags, where present; not independent confirmation of the file description.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Ravel, Le Tombeau de Couperin, original piano score (Durand, 1918)\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/b/ba/IMSLP918879-PMLP04975-Ravel-M68-Le-Tombeau-de-Couperin-FE.pdf\",\"locator\":\"Durand score, printed pp. 24–32. 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Its duration alone does not establish cuts or prove completeness. The guide does not label it an unabridged modern concert version. An orchestra animation is omitted because the acoustic scoring and exact alignment to the concert score have not been established.","performers.value":"[{\"name\":\"Symphony Orchestra (Gramophone Company)\",\"role\":\"orchestra\"},{\"name\":\"Albert Coates\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"dahr\",\"bolig\"]","performers.note":"The archive uploader calls the ensemble “Victor Symphony”. DAHR identifies the Gramophone Company Symphony Orchestra for the same matrix and catalogue issue; Victor is the American label, not sufficient evidence of a distinct orchestra.","session.date.value":"28 April and 5 May 1922","session.date.status":"documented","session.date.sourceIds":"[\"bolig\",\"dahr\"]","session.date.note":"Parts 1–2: 28 April; Parts 3–4: 5 May. The archive’s 1922-05-01 field is not accepted as an actual session date.","session.date.precision":"day","session.place.value":"Hayes, Middlesex, England; Room 1","session.place.status":"documented","session.place.sourceIds":"[\"bolig\",\"dahr\"]","session.place.note":"The room and locality are supplied by discographical records, not inferred from the later American issue.","carrier.label.value":"Victor, American blue-label issue; corresponding HMV issues D670–D671","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"bolig\"]","carrier.label.note":"The archive identifies the transferred Victor discs; Bolig supplies the British catalogue equivalents.","carrier.catalogue.value":"Victor 55176–55177; HMV D670–D671","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"bolig\"]","carrier.catalogue.note":"Bolig records North American issue in November 1922. The HMV equivalents are not substituted for the physical Victor carrier claimed by the upload.","carrier.matrixTakeSides.value":"Part 1: Cc1260-3 (55176; D670; 3-0749). Part 2: Cc1261-3 (55176; D670; 3-0750). Part 3: Cc1262-3 (55177; D671; 3-0751). Part 4: Cc1293-2 (55177; D671; 3-0752).","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"bolig\",\"dahr\"]","carrier.matrixTakeSides.note":"Issued takes and matrices come from Bolig’s Victor/HMV discography; Part 1 is corroborated by DAHR. They have not been read from run-out photographs of the discs used for this transfer.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Animating Apothecary Archives is identified as the upload source, not independently established as the transfer or mastering engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The Internet Archive upload date, 23 February 2023, is not a documented digitisation date.","transfer.processing.value":"The uploader reports some light filtering. Four issued sides are already joined in the supplied file.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Filter settings, equipment, stylus, playback speed and any additional edits are not supplied; no further processing is inferred.","digital.streamUrl":"https://archive.org/download/1922-don-juan-richard-strauss-albert-coates-and-victor-symphony-vic-55176-77-4-sides/1922%20Don%20Juan%20-%20Richard%20Strauss%20-%20Albert%20Coates%20and%20Victor%20Symphony%20VIC%2055176-77%204%20sides.mp3","digital.sourceChain":"[\"archive\",\"bolig\",\"dahr\"]","digital.format":"MP3 supplied by Internet Archive as the single four-side transfer","digital.durationSeconds":849.13,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"larner\",\"eu-term\"]","rights.composition.note":"Strauss died in 1949. This term calculation does not clear an unidentified modern edition or assert worldwide status.","rights.recording.value":"Rule 2: American first publication in November 1922, within the programme’s 1925 cutoff.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"bolig\",\"dahr\",\"us-recordings\"]","rights.recording.note":"Bolig gives November 1922 for Victor 55176–55177; his introduction explains that these issue months are drawn from North American supplements. The recording dates and the archive’s Public Domain Mark are corroborating context, not substitutes for publication evidence. No non-commercial condition is present on the supplied transfer.","rights.creditLine":"Richard Strauss, Don Juan, Op. 20; Symphony Orchestra of the Gramophone Company, Albert Coates. Recorded at Hayes, 28 April and 5 May 1922; Victor 55176–55177, issued November 1922. Transfer supplied by Animating Apothecary Archives via Internet Archive; engineer unidentified.","rights.licenseUrl":"https://www.law.cornell.edu/uscode/text/17/1401","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Albert Coates, Don Juan, Victor 55176–77, four sides\",\"url\":\"https://archive.org/details/1922-don-juan-richard-strauss-albert-coates-and-victor-symphony-vic-55176-77-4-sides\",\"locator\":\"Item description and metadata: acoustic four-part transfer, Victor 12-inch blue-label discs, uploader and light filtering; file list supplies the MP3.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bolig\",\"title\":\"John R. Bolig, The Victor Discography: Green, Blue, and Purple Labels (1909–1930)\",\"url\":\"https://adp-assets.library.ucsb.edu/BoligGreenBluePurple.pdf\",\"locator\":\"Printed pp. 163–164: Victor 55176–55177, Parts 1–4, matrices/takes, recording dates, Hayes Room 1, HMV equivalents and November 1922 issue. Printed p. xv explains that italic issue months refer to North American monthly supplements.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr\",\"title\":\"Discography of American Historical Recordings — Cc1260, Don Juan Part 1\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/2000007287/Cc1260-Don_Juan\",\"locator\":\"Gramophone Company Symphony Orchestra, Albert Coates; master take 3, 28 April 1922, Hayes Room 1; Victor 55176 and HMV D670/3-0749.\",\"accessed\":\"2026-10-17\"},{\"id\":\"critical\",\"title\":\"Richard Strauss critical edition — Don Juan introduction\",\"url\":\"https://schott-production.s3.eu-central-1.amazonaws.com/public_content/element/321495/dl/don_juan_einleitung_introduction.pdf\",\"locator\":\"PDF pp. 1–5 (printed XI–XV): Lenau, dedication to Thuille, autograph completion 30 September 1888, Weimar première 11 November 1889, early reception and orchestral writing. Preferred over retrospective anecdotes about the first ideas arising in Italy.\",\"accessed\":\"2026-10-17\"},{\"id\":\"laphil\",\"title\":\"Herbert Glass — Don Juan, LA Phil programme note\",\"url\":\"https://www.laphil.com/works/don-juan\",\"locator\":\"Opening flourish, unison horn idea, extended wind melody, Lenau and Hanslick’s 1890 criticism. Programme-note interpretation is distinguished from recording-specific timing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"larner\",\"title\":\"Gerald Larner — Don Juan, tone poem, Op. 20\",\"url\":\"https://geraldlarner.com/work/strauss-richard-don-juan-tone-poem-op-20\",\"locator\":\"Composer dates 1864–1949; structural sequence, lyrical episodes, E-major recapitulation and E-minor coda. Its retrospective composition anecdote is not adopted over the critical edition.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1 and 8: ordinary life-plus-70 term and calculation from the next January.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-recordings\",\"title\":\"17 U.S.C. § 1401 — pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Section (a)(2), including first publication before 1923; used with the programme’s historical-recording cutoff.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"richard-strauss-im-abendrot","composer":"Richard Strauss","title":"Four Last Songs","movement":"IV. Im Abendrot — Andante","work.title":"Four Last Songs","work.catalogue":"TrV 296","work.movement":"IV. Im Abendrot — Andante","work.version.value":"Complete song in the original scoring for soprano and orchestra, sung in German","work.version.status":"documented","work.version.sourceIds":"[\"label-scan\",\"archive\",\"score\"]","work.version.note":"The fourth song is separately banded on the LP and transferred as one complete track. The published score places the orchestral prelude on pp. 44–46, the vocal stanzas on pp. 46–54, and the postlude on pp. 54–55. Hall sections and musical cues use approximate score-proportion passage timings; no bar alignment or syllable-level timing is asserted. The edition of the orchestral parts used at the session is unknown.","performers.value":"[{\"name\":\"Elisabeth Schwarzkopf\",\"role\":\"soprano\"},{\"name\":\"Philharmonia Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Otto Ackermann\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"label-scan\",\"archive\",\"reissue-session\"]","performers.note":"All three credits appear on the original side-one label. The consulted sources do not identify the individual orchestral soloists. This is the Ackermann recording, distinct from Schwarzkopf’s later recording with George Szell.","session.date.value":"1953-09","session.date.status":"documented","session.date.sourceIds":"[\"reissue-session\",\"naxos-session\"]","session.date.note":"Warner’s reissue metadata, reproduced by Presto, dates the Four Last Songs to 25 September 1953 and the accompanying Capriccio scene to 26 September. Naxos gives 25–26 September for the songs. Month-level precision retains the date on which both accounts agree; the exact day and take of Im Abendrot remain unresolved.","session.date.precision":"month","session.place.value":"Watford Town Hall, Watford, England","session.place.status":"documented","session.place.sourceIds":"[\"reissue-session\",\"label-scan\"]","session.place.note":"The Warner track documentation names Watford Town Hall. The original Angel label states Recorded in England.","carrier.label.value":"Angel Records","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label-scan\",\"archive\"]","carrier.label.note":"The source is an original Angel vinyl LP transfer, not the later Warner or Naxos digital remaster.","carrier.catalogue.value":"35084; ANG. 35084","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label-scan\",\"archive\"]","carrier.catalogue.note":"Internet Archive catalogues this United States release as 1954. The booklet carries the 1954 copyright notice for Edward Cushing’s English translations.","carrier.matrixTakeSides.value":"Side 1, band 4; printed side matrix XAX-380; label number 1-35084","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label-scan\",\"tracklist\"]","carrier.matrixTakeSides.note":"XAX-380 and 1-35084 are visible on the side-one label; the track listing places Im Abendrot fourth on that side. No take number or pressing-specific runout suffix has been established.","transfer.credits.value":"Internet Archive LP digitisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The institutional contributor is credited; no personal account identifier or additional restoration credit is reproduced.","transfer.date.value":"2021-06-22","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The ripping_date field is 20210622081253. The sleeve scan is dated 31 May 2021; neither date is a recording-session or LP-publication date.","transfer.processing.value":"Technics SL1200MK5 turntable with Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; whole-side 24-bit FLAC transfer and segmented VBR MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The playback chain is stated in the item metadata. The whole-side FLAC is marked Processed by SoX; the selected MP3 is derived through the item’s segment data. Equalisation settings, pitch adjustment, noise reduction and other restoration decisions are unknown.","digital.streamUrl":"https://archive.org/download/lp_four-last-songs-capriccio-op-85-closing_richard-strauss-elisabeth-schwarzkopf-phil/disc1/01.04.%20Four%20Last%20Songs%3A%20Im%20Abendrot.mp3","digital.sourceChain":"[\"label-scan\",\"archive\",\"tracklist\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a vinyl LP transfer","digital.durationSeconds":439.44,"rights.composition.value":"Strauss’s music and Eichendorff’s German poem are public domain under ordinary EU life-plus-70 terms.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"poet\",\"work-catalogue\",\"score\"]","rights.composition.note":"Strauss died in 1949 and Eichendorff in 1857. This assessment concerns Im Abendrot alone, not the three other songs’ Hermann Hesse texts. The score was first published in 1950 and remains identified by IMSLP as protected in the United States; no US composition clearance is asserted. The copyrighted English translation in the LP booklet is not reproduced.","rights.recording.value":"Territorial EU public domain under the pre-1963 commercial-publication rule: Angel 35084 was published in 1954.","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"label-scan\",\"eu-term\"]","rights.recording.note":"The documented 1954 lawful commercial issue predates the programme’s 1963 cutoff. Its former 50-year phonogram term had expired before the 2013 extension, which applies to recordings still protected on 1 November 2013. This is a territorial term assessment, not a Creative Commons licence or a declaration of US or worldwide public-domain status. The transferred LP, not a modern commercial remaster, supplies the audio.","rights.creditLine":"Richard Strauss, Four Last Songs: IV. Im Abendrot, text by Joseph von Eichendorff; Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann. Recorded September 1953, Watford Town Hall; Angel 35084 (1954); Internet Archive LP transfer. Territorial EU public-domain basis; US rights not cleared.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Angel 35084 item metadata\",\"url\":\"https://archive.org/metadata/lp_four-last-songs-capriccio-op-85-closing_richard-strauss-elisabeth-schwarzkopf-phil/metadata\",\"locator\":\"Creator credits; publisher Angel Records; catalogue 35084 / ANG. 35084; country US; date 1954; source Vinyl LP; transfer equipment, ripping_date and ripping_operator fields.\",\"accessed\":\"2026-10-18\"},{\"id\":\"label-scan\",\"title\":\"Angel 35084 — original sleeve, booklet and labels\",\"url\":\"https://archive.org/download/lp_four-last-songs-capriccio-op-85-closing_richard-strauss-elisabeth-schwarzkopf-phil/lp_four-last-songs-capriccio-op-85-closing_richard-strauss-elisabeth-schwarzkopf-phil.pdf\",\"locator\":\"Seven-page scan: cover and booklet; German sung texts and 1954 translation copyright on p. 4; Andrew Porter’s work notes on p. 5; side-one label on p. 6, visually inspected for performers, Recorded in England, 1-35084 and XAX-380.\",\"accessed\":\"2026-10-18\"},{\"id\":\"tracklist\",\"title\":\"Internet Archive — Angel 35084 disc and band listing\",\"url\":\"https://archive.org/download/lp_four-last-songs-capriccio-op-85-closing_richard-strauss-elisabeth-schwarzkopf-phil/disc-metadata.json\",\"locator\":\"Disc 1, side-index 1, ordinal 4: Four Last Songs: Im Abendrot; album date 1954.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — selected Im Abendrot derivative and transfer files\",\"url\":\"https://archive.org/metadata/lp_four-last-songs-capriccio-op-85-closing_richard-strauss-elisabeth-schwarzkopf-phil/files\",\"locator\":\"disc1/01.04. Four Last Songs: Im Abendrot.mp3: VBR MP3, length 439.44 seconds, derived from segment data; whole-side source is 24bit Flac with the comment Processed by SoX.\",\"accessed\":\"2026-10-18\"},{\"id\":\"reissue-session\",\"title\":\"Warner Classics 5674952 — track-level session documentation via Presto Music\",\"url\":\"https://www.prestomusic.com/classical/products/7949101--strauss-r-vier-letzte-lieder-etc\",\"locator\":\"Four Last Songs: Schwarzkopf, Philharmonia Orchestra and Ackermann; recorded 25 September 1953 at Watford Town Hall. The adjacent Capriccio scene is separately dated 26 September 1953. Used for session attribution, not as the streamed carrier.\",\"accessed\":\"2026-10-18\"},{\"id\":\"naxos-session\",\"title\":\"Naxos Historical 8.111145 — original reissue back cover\",\"url\":\"https://cdn.naxos.com/SharedFiles/pdf/rear/8.111145r.pdf\",\"locator\":\"Tracks 1–4 list Schwarzkopf, Philharmonia Orchestra and Otto Ackermann; session dates 25 and 26 September 1953. This broader date range is retained in the session note; the Naxos remaster is not used for the audio.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Richard Strauss — Four Last Songs, Boosey & Hawkes full score\",\"url\":\"https://petruccimusiclibrary.ca/files/imglnks/caimg/8/83/IMSLP615036-PMLP36684-Strauss_-_Four_Last_Songs.pdf\",\"locator\":\"1950, plate B. & H. 16918; Im Abendrot, printed pp. 44–55, inspected visually. Prelude; first vocal stanza after B; paired flute trills around D–E and solo violin in the third stanza; final question and orchestral postlude around G–I; both flautists change to piccolo at I.\",\"accessed\":\"2026-10-18\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Four Last Songs, TrV 296\",\"url\":\"https://imslp.org/wiki/4_Letzte_Lieder,_TrV_296_(Strauss,_Richard)\",\"locator\":\"Catalogue TrV 296; four song titles and poets; first publication 1950; work marked non-public-domain in the United States.\",\"accessed\":\"2026-10-18\"},{\"id\":\"composer\",\"title\":\"IMSLP — Richard Strauss biographical dates\",\"url\":\"https://imslp.org/wiki/Category:Strauss,_Richard\",\"locator\":\"11 June 1864–8 September 1949.\",\"accessed\":\"2026-10-18\"},{\"id\":\"poet\",\"title\":\"IMSLP — Joseph von Eichendorff biographical dates\",\"url\":\"https://imslp.org/wiki/Category:Eichendorff,_Joseph_von\",\"locator\":\"10 March 1788–26 November 1857.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — sound-recording term and transitional provisions\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077&from=EN\",\"locator\":\"Recitals 1–3 describe the previous 50-year term; Article 1(2) extends relevant terms; Article 1(3), adding Article 10(5), restricts the extension to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-18\"},{\"id\":\"composition-history\",\"title\":\"Bryan Gilliam — Boston Symphony Four Last Songs programme note\",\"url\":\"https://www.bso.org/works/four-last-songs\",\"locator\":\"Quotes Ernst Roth’s account: final sketch of Im Abendrot dated Montreux, 27 April 1948; full score completed 6 May 1948. Describes Roth’s posthumous title and ordering. The page’s conflicting première-venue and quotation-instrument details are not used.\",\"accessed\":\"2026-10-18\"},{\"id\":\"song-programme\",\"title\":\"Calvin Dotsey — Metaphysical Sunset: Strauss’s Four Last Songs\",\"url\":\"https://houstonsymphony.org/strauss-four-last-songs/\",\"locator\":\"Houston Symphony, 12 November 2019: Eichendorff’s couple, paired flute larks, sunset prelude and quotation from Death and Transfiguration. Score inspection supplies the final change to piccolos.\",\"accessed\":\"2026-10-18\"},{\"id\":\"tone-poem-history\",\"title\":\"Calvin Dotsey — The Ultimate Mystery: Strauss’s Death and Transfiguration\",\"url\":\"https://houstonsymphony.org/strausss-death-transfiguration/\",\"locator\":\"Houston Symphony, 30 October 2019: the tone poem was completed in 1889; account of its transfiguration theme.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"10 documented; 2 inferred"},{"id":"richard-strauss-till-eulenspiegel","composer":"Richard Strauss","title":"Till Eulenspiegels lustige Streiche, Op. 28","movement":"","work.title":"Till Eulenspiegel’s Merry Pranks","work.catalogue":"Op. 28","work.movement":"","work.version.value":"Concert-band transcription by Herb Weber.","work.version.status":"documented","work.version.sourceIds":"[\"commons\"]","work.version.note":"This recording is not the original orchestral scoring.","performers.value":"[{\"name\":\"United States Navy Band\",\"role\":\"concert band\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Commons does not identify a conductor for this track.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"2001 identifies the album Celebrations, not an explicitly documented recording session. No session day, month or year is established.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the sources consulted.","carrier.label.value":"United States Navy","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The file page credits the United States Navy with the recording; this is the issuing institution, not a separately identified commercial imprint.","carrier.catalogue.value":"Celebrations (2001), track 8; catalogue number unestablished.","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"This identifies the source album and track, not a matrix or label catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No restoration, equalisation, noise-reduction or editing procedure is documented for the upstream audio.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/f/f3/Till_Eulenspiegel%27s_Merry_Pranks_-_United_States_Navy_Band.opus/Till_Eulenspiegel%27s_Merry_Pranks_-_United_States_Navy_Band.opus.mp3","digital.sourceChain":"[\"commons\",\"usaf\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Opus","digital.durationSeconds":947.621,"rights.composition.value":"Commons applies PD-old-auto-expired, with Richard Strauss’s death year 1949.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"This is the stated basis for the underlying composition. The government-work claim for the US Navy transcription and recording is a separate issue.","rights.recording.value":"Rule 1 — recording-specific public-domain release: PD-USGov-Military-Navy (US-law basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-us-government\"]","rights.recording.note":"Commons expressly applies PD-USGov-Military-Navy to the recording or official federal-government performance, not only to the composition. Under 17 U.S.C. § 105(a), official US Government works are not protected by US copyright. This is rule 1’s recording-specific public-domain release route, not rule 2’s publication-date route; it does not establish worldwide public-domain status.","rights.creditLine":"Richard Strauss, Till Eulenspiegel’s Merry Pranks, Op. 28; transcribed by Herb Weber; United States Navy Band. Celebrations (2001), track 8. US Navy government-work public-domain claim in the United States; streamed from Wikimedia Commons.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Navy","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Till Eulenspiegel's Merry Pranks - United States Navy Band.opus\",\"url\":\"https://commons.wikimedia.org/wiki/File:Till_Eulenspiegel%27s_Merry_Pranks_-_United_States_Navy_Band.opus?oldid=1263822001\",\"locator\":\"File-description wikitext: work identification, Summary, Source and Licensing; file format, duration and Transcode status.\",\"accessed\":\"2026-10-16\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Till_Eulenspiegel%27s_Merry_Pranks_-_United_States_Navy_Band.opus#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"usaf\",\"title\":\"United States Air Force — public-domain music collection\",\"url\":\"https://www.music.af.mil/Multimedia/Music/Public-Domain-Music/\",\"locator\":\"Source linked by Commons for the military-band recording. The page returned HTTP 403 on access; the album and track identification below are taken from Commons, not independently recovered from this page.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Till Eulenspiegel's Merry Pranks - United States Navy Band.opus\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1263822001&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Till Eulenspiegel's Merry Pranks - United States Navy Band.opus; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-us-government\",\"title\":\"17 U.S.C. § 105 — United States Government works\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/105\",\"locator\":\"Subsection (a): US copyright protection is unavailable for works of the US Government; historical notes distinguish foreign protection.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"6 documented; 6 unknown"},{"id":"rimsky-korsakov-prophet-chaliapin-1921","composer":"Nikolai Rimsky-Korsakov","title":"The Prophet, Op. 49 No. 2","movement":"","work.title":"The Prophet","work.catalogue":"Op. 49 No. 2","work.movement":"","work.version.value":"Bass solo with orchestra; Russian text by Alexander Pushkin","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"dahr-session\",\"work\"]","work.version.note":"The performing orchestral edition is not identified. The song, No. 2, dates from 1897; the source collection’s blanket 1882 date belongs to No. 1.","performers.value":"[{\"name\":\"Fyodor Chaliapin\",\"role\":\"bass\"},{\"name\":\"Percy Pitt\",\"role\":\"conductor\"},{\"name\":\"Orchestra not named\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"dahr-session\"]","performers.note":"DAHR supplies the conductor; no ensemble identity is inferred.","session.date.value":"1921-10-10","session.date.status":"documented","session.date.sourceIds":"[\"dahr-session\"]","session.date.note":"","session.date.precision":"day","session.place.value":"Hayes, Middlesex, England, Room 1","session.place.status":"documented","session.place.sourceIds":"[\"dahr-session\"]","session.place.note":"","carrier.label.value":"Victrola / Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"dahr-issue\"]","carrier.label.note":"","carrier.catalogue.value":"6058-B","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"dahr-issue\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":"Cc550, take 1","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr-session\"]","carrier.matrixTakeSides.note":"Internet Archive dates this pressing 1923; DAHR dates the Victor 6058 issue [1922]. Both precede the 1925 publication cutoff. The session was in 1921, not 1923. IA’s “6058B” matrix field is the issue side number, not the Gramophone matrix.","transfer.credits.value":"Dean Santos; George Blood, L.P.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The archive names the transfer operator and scanning centre, not the original recording engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Upload dates are not treated as transfer dates.","transfer.processing.value":"Transferred at 78 rpm. The preferred named FLAC uses a 3.3 mil truncated-conical stylus; turnover 0, rolloff 0; the streamed MP3 derives from that FLAC.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Surface noise and transfer equalisation prevent absolute sound-quality or loudness comparisons.","digital.streamUrl":"https://archive.org/download/78_the-prophet_feodor-chaliapin-poushkin-rimsky-korsakow_gbia7040685b/The%20Prophet%20-%20Feodor%20Chaliapin%20-%20Poushkin.mp3","digital.sourceChain":"[\"archive\",\"dahr-session\",\"dahr-issue\"]","digital.format":"MP3 access derivative; one source file, no concatenation or audio edits by Contrapunctus","digital.durationSeconds":230.55,"rights.composition.value":"Underlying song and Pushkin text are public domain under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"work\",\"dahr-session\"]","rights.composition.note":"Rimsky-Korsakov died in 1908 and Pushkin in 1837; the song was published in 1898. No rights in an unidentified modern edition are asserted.","rights.recording.value":"US public domain: sound recording published before the 1925 cutoff","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"dahr-session\",\"dahr-issue\",\"us-term\"]","rights.recording.note":"Internet Archive dates this pressing 1923; DAHR dates the Victor 6058 issue [1922]. Both precede the 1925 publication cutoff. The session was in 1921, not 1923. IA’s “6058B” matrix field is the issue side number, not the Gramophone matrix. No non-commercial licence is present in the inspected archive metadata.","rights.creditLine":"The Prophet; Fyodor Chaliapin, bass; orchestra conducted by Percy Pitt. 1921-10-10; Cc550, take 1; Victrola 6058-B. Transfer: Dean Santos; George Blood, L.P.; Internet Archive Great 78 Project. Recording: US public domain.","rights.licenseUrl":"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — The Prophet\",\"url\":\"https://archive.org/metadata/78_the-prophet_feodor-chaliapin-poushkin-rimsky-korsakow_gbia7040685b\",\"locator\":\"metadata, preferred FLAC/MP3 file records, transfer credits, technical notes and issue number.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-session\",\"title\":\"DAHR — Cc550, take 1\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/2000007905\",\"locator\":\"Date, place, issued take, personnel and issue links.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-issue\",\"title\":\"DAHR — Victor 6058\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/162250\",\"locator\":\"Matrix coupling and MARC 264 publication statement [1922].\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"IMSLP — 2 Romances, Op. 49\",\"url\":\"https://imslp.org/wiki/2_Romances,_Op.49_(Rimsky-Korsakov,_Nikolay)\",\"locator\":\"No. 2: The Prophet; composition 1897, first publication 1898; text by Pushkin.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"US Copyright Office — pre-1972 sound-recording terms\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term section: recordings first published before 1923; 1923–1946 recordings receive 95 years plus five years.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"rimsky-korsakov-prophet-chaliapin-1927","composer":"Nikolai Rimsky-Korsakov","title":"The Prophet, Op. 49 No. 2","movement":"","work.title":"The Prophet","work.catalogue":"Op. 49 No. 2","work.movement":"","work.version.value":"Bass solo with orchestra; Russian text by Alexander Pushkin","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"work\"]","work.version.note":"The orchestral edition and any local alterations are not established.","performers.value":"[{\"name\":\"Fyodor Chaliapin\",\"role\":\"bass\"},{\"name\":\"Albert Coates\",\"role\":\"conductor\"},{\"name\":\"Orchestra not named\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"upstream\"]","performers.note":"The source does not identify an orchestra by name.","session.date.value":"1927-10-20","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"upstream\",\"discography\"]","session.date.note":"1928 is the release year, not the performance date.","session.date.precision":"day","session.place.value":"London, United Kingdom","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"upstream\"]","session.place.note":"No particular studio is established.","carrier.label.value":"Disque “Gramophone”","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"upstream\"]","carrier.label.note":"","carrier.catalogue.value":"DB 1103","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"upstream\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":"Cc10957, take 2; order number 2-022043","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"upstream\",\"discography\"]","carrier.matrixTakeSides.note":"The June 1927 take 1 on Victor 7199 is a different performance. The discography places take 2 under 20 October 1927.","transfer.credits.value":"Swiss Foundation Public Domain; Martin Osterwalder collection","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\",\"upstream\"]","transfer.credits.note":"Collection and institutional transfer provenance are documented; no individual engineer is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"upstream\"]","transfer.date.note":"The 21 April 2016 Commons upload is not a transfer date.","transfer.processing.value":"Record cleaning machine and ELP laser turntable","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"upstream\"]","transfer.processing.note":"The source categories identify Keith Monks Archivist Duo Omni, RCM Mk. IX, and ELP LT-2XA. Detailed restoration, pitch adjustment and equalisation are not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/1/13/PDP-CH_-_Feodor_Chaliapin_-_The_Prophet%2C_Op._49_-_Rimsky-Korsakov_-_Pushkin_-_Gramophone-db1103-2-022043.flac/PDP-CH_-_Feodor_Chaliapin_-_The_Prophet%2C_Op._49_-_Rimsky-Korsakov_-_Pushkin_-_Gramophone-db1103-2-022043.flac.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative; one source file, no concatenation or audio edits by Contrapunctus","digital.durationSeconds":264.75,"rights.composition.value":"Underlying song and Pushkin text are public domain under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"work\",\"upstream\"]","rights.composition.note":"Rimsky-Korsakov died in 1908 and Pushkin in 1837; the song was published in 1898. No rights in an unidentified modern edition are asserted.","rights.recording.value":"territorial — European public domain; first published 1928","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"upstream\",\"eu-term\"]","rights.recording.note":"Allowed on documented publication before 1963: the former 50-year recording term expired before the 2013 extension. US recording status is not established. Commons’ PD-old-70 composition tag is not treated as a recording licence; the upstream item contains no non-commercial restriction. Upstream worldwide/US expiry assertions are not adopted.","rights.creditLine":"The Prophet; Fyodor Chaliapin, bass; orchestra conducted by Albert Coates. London, 20 October 1927; Disque “Gramophone” DB 1103, released 1928. Swiss Foundation Public Domain / Martin Osterwalder collection, via Wikimedia Commons. Recording rights: territorial European public domain; US status unestablished.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — The Prophet, DB 1103\",\"url\":\"https://commons.wikimedia.org/wiki/File:PDP-CH_-_Feodor_Chaliapin_-_The_Prophet,_Op._49_-_Rimsky-Korsakov_-_Pushkin_-_Gramophone-db1103-2-022043.flac\",\"locator\":\"Summary: date, matrix, conductor, first release 1928; source and transcode status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"upstream\",\"title\":\"Swiss Foundation Public Domain — original collection entry\",\"url\":\"https://pool.publicdomainproject.org/index.php?title=Gramophone-db1103-2-022043\",\"locator\":\"Carrier, first recording and release dates, source references, equipment categories and rights statement.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"Feodor Chaliapin — complete discography\",\"url\":\"https://artmusiclounge.files.wordpress.com/2016/03/chaliapin-discography.pdf\",\"locator\":\"Page 5: 20 October 1927; Cc10957-2 and Cc11709-1. Page 6 lists Cc11709-2 as unpublished.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"IMSLP — 2 Romances, Op. 49\",\"url\":\"https://imslp.org/wiki/2_Romances,_Op.49_(Rimsky-Korsakov,_Nikolay)\",\"locator\":\"No. 2: The Prophet; composition 1897, first publication 1898; text by Pushkin.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recital 1 and Article 1(3): extension applies to recordings still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"rimsky-korsakov-scheherazade-festival","composer":"Nikolai Rimsky-Korsakov","title":"Scheherazade, Op. 35","movement":"IV. Festival at Baghdad — The Sea — The Ship Breaks against the Cliff","work.title":"Scheherazade, Op. 35","work.catalogue":"Op. 35","work.movement":"IV. Festival at Baghdad — The Sea — The Ship Breaks against the Cliff","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The recording documentation does not identify the performing edition. No revision or editorial intervention is inferred from the file title.","performers.value":"[{\"name\":\"San Francisco Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Pierre Monteux\",\"role\":\"conductor\"},{\"name\":\"Naoum Blinder\",\"role\":\"solo violin\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\"]","performers.note":"","session.date.value":"3–4 March 1942","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"archive\"]","session.date.note":"Dates cover the complete suite; this movement is not assigned to either day separately.","session.date.precision":"range","session.place.value":"War Memorial Opera House, San Francisco","session.place.status":"documented","session.place.sourceIds":"[\"archive\"]","session.place.note":"","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"archive\"]","carrier.label.note":"","carrier.catalogue.value":"DM-920","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"archive\"]","carrier.catalogue.note":"Original 78-rpm album, not a matrix number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\"]","carrier.matrixTakeSides.note":"The Commons and Archive sources identify DM-920 but not matrices, takes or side allocations. A DAHR search for Monteux and Scheherazade did not locate a matching entry; none is invented.","transfer.credits.value":"Bob Varney","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Transferred from the original Victor 78-rpm set.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not transfer dates.","transfer.processing.value":"Transfer from original 78-rpm discs; described on Commons as restored","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"Stylus, equalisation, noise reduction, speed correction and side-join processing are not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/2f/Rimsky-Korsakov._Scheherazade%2C_Symphonic_Suite%2C_Op._35_-_04_Festival_At_Baghdad_The_Sea.ogg/Rimsky-Korsakov._Scheherazade%2C_Symphonic_Suite%2C_Op._35_-_04_Festival_At_Baghdad_The_Sea.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"Wikimedia Commons MP3 access derivative; source Ogg Vorbis","digital.durationSeconds":700.7477551020409,"rights.composition.value":"Public-domain original composition in life-plus-70 jurisdictions","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The composer died in 1908. This assessment does not cover a later edition or arrangement.","rights.recording.value":"Rule 1 — CC0 1.0 Universal Public Domain Dedication stated for this recording file","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"Commons explicitly supplies CC0 for this sound file; this is the programme’s recording-licence route, not a composition-only tag or an age-based clearance. The uploader’s chain of title is not independently established.","rights.creditLine":"San Francisco Symphony Orchestra, Pierre Monteux; Naoum Blinder, violin. Victor DM-920, recorded 3–4 March 1942. Transfer by Bob Varney, Internet Archive, via Wikimedia Commons. Scheherazade, Op. 35, IV. Festival at Baghdad — The Sea — The Ship Breaks against the Cliff. Commons CC0 dedication.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Rimsky-Korsakov. Scheherazade, Symphonic Suite, Op. 35 - 04 Festival At Baghdad The Sea.ogg\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=718302109\",\"locator\":\"File-description revision: description, source, author, date and recording-specific licensing template.\",\"accessed\":\"2026-10-17\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&format=json&formatversion=2&titles=File%3ARimsky-Korsakov.+Scheherazade%2C+Symphonic+Suite%2C+Op.+35+-+04+Festival+At+Baghdad+The+Sea.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives\",\"locator\":\"Duration, MIME type and MP3 derivative URL. Measured file duration is not the date or identity of the performance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Scheherazade\",\"url\":\"https://archive.org/metadata/Sheherazade/metadata\",\"locator\":\"Description credits orchestra, conductor, violinist, sessions, venue, Victor DM-920 and Bob Varney’s transfer. The licence URL is the historical Creative Commons public-domain dedication.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 8 documented; 1 inferred"},{"id":"rimsky-korsakov-scheherazade-kalendar","composer":"Nikolai Rimsky-Korsakov","title":"Scheherazade, Op. 35","movement":"II. The Story of the Kalender Prince","work.title":"Scheherazade, Op. 35","work.catalogue":"Op. 35","work.movement":"II. The Story of the Kalender Prince","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The recording documentation does not identify the performing edition. No revision or editorial intervention is inferred from the file title.","performers.value":"[{\"name\":\"San Francisco Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Pierre Monteux\",\"role\":\"conductor\"},{\"name\":\"Naoum Blinder\",\"role\":\"solo violin\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\"]","performers.note":"","session.date.value":"3–4 March 1942","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"archive\"]","session.date.note":"Dates cover the complete suite; this movement is not assigned to either day separately.","session.date.precision":"range","session.place.value":"War Memorial Opera House, San Francisco","session.place.status":"documented","session.place.sourceIds":"[\"archive\"]","session.place.note":"","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"archive\"]","carrier.label.note":"","carrier.catalogue.value":"DM-920","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"archive\"]","carrier.catalogue.note":"Original 78-rpm album, not a matrix number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\"]","carrier.matrixTakeSides.note":"The Commons and Archive sources identify DM-920 but not matrices, takes or side allocations. A DAHR search for Monteux and Scheherazade did not locate a matching entry; none is invented.","transfer.credits.value":"Bob Varney","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Transferred from the original Victor 78-rpm set.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not transfer dates.","transfer.processing.value":"Transfer from original 78-rpm discs; described on Commons as restored","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"Stylus, equalisation, noise reduction, speed correction and side-join processing are not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/d/d0/Rimsky-Korsakov._Scheherazade%2C_Symphonic_Suite%2C_Op._35_-_02_The_Story_Of_The_Kalandar_Prince.ogg/Rimsky-Korsakov._Scheherazade%2C_Symphonic_Suite%2C_Op._35_-_02_The_Story_Of_The_Kalandar_Prince.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"Wikimedia Commons MP3 access derivative; source Ogg Vorbis","digital.durationSeconds":625.680544217687,"rights.composition.value":"Public-domain original composition in life-plus-70 jurisdictions","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The composer died in 1908. This assessment does not cover a later edition or arrangement.","rights.recording.value":"Rule 1 — CC0 1.0 Universal Public Domain Dedication stated for this recording file","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"Commons explicitly supplies CC0 for this sound file; this is the programme’s recording-licence route, not a composition-only tag or an age-based clearance. The uploader’s chain of title is not independently established.","rights.creditLine":"San Francisco Symphony Orchestra, Pierre Monteux; Naoum Blinder, violin. Victor DM-920, recorded 3–4 March 1942. Transfer by Bob Varney, Internet Archive, via Wikimedia Commons. Scheherazade, Op. 35, II. The Story of the Kalender Prince. Commons CC0 dedication.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Rimsky-Korsakov. Scheherazade, Symphonic Suite, Op. 35 - 02 The Story Of The Kalandar Prince.ogg\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=718302084\",\"locator\":\"File-description revision: description, source, author, date and recording-specific licensing template.\",\"accessed\":\"2026-10-17\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&format=json&formatversion=2&titles=File%3ARimsky-Korsakov.+Scheherazade%2C+Symphonic+Suite%2C+Op.+35+-+02+The+Story+Of+The+Kalandar+Prince.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives\",\"locator\":\"Duration, MIME type and MP3 derivative URL. Measured file duration is not the date or identity of the performance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Scheherazade\",\"url\":\"https://archive.org/metadata/Sheherazade/metadata\",\"locator\":\"Description credits orchestra, conductor, violinist, sessions, venue, Victor DM-920 and Bob Varney’s transfer. The licence URL is the historical Creative Commons public-domain dedication.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 8 documented; 1 inferred"},{"id":"rimsky-korsakov-scheherazade-prince","composer":"Nikolai Rimsky-Korsakov","title":"Scheherazade, Op. 35","movement":"III. The Young Prince and the Young Princess","work.title":"Scheherazade","work.catalogue":"Op. 35","work.movement":"III. The Young Prince and the Young Princess","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The recording source does not identify a performing edition or arrangement.","performers.value":"[{\"name\":\"San Francisco Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Pierre Monteux\",\"role\":\"conductor\"},{\"name\":\"Naoum Blinder\",\"role\":\"solo violin\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\"]","performers.note":"","session.date.value":"3–4 March 1942","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"archive\"]","session.date.note":"These dates describe the complete suite’s sessions; no source assigns this movement to one of the two days.","session.date.precision":"range","session.place.value":"War Memorial Opera House, San Francisco","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"archive\"]","session.place.note":"","carrier.label.value":"Victor Red Seal Records","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"carrier-image\"]","carrier.label.note":"","carrier.catalogue.value":"DM-920","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"archive\"]","carrier.catalogue.note":"Album number of the original Victor 78 rpm set, not an individual side or matrix number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\",\"carrier-image\"]","carrier.matrixTakeSides.note":"The sources identify album DM-920 but give no matrices, take numbers or side allocation for this movement. The supplied cover image does not resolve them.","transfer.credits.value":"Bob Varney — transfer from the original Victor 78 rpm set","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Commons additionally describes the file as restored, without naming a separate restoration engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The Archive item was made public on 19 August 2009, but the transfer date itself is not stated.","transfer.processing.value":"Transferred from the original Victor 78 rpm set; described on Commons as restored","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"Stylus, equalisation, speed correction, noise reduction and side-join settings are not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/21/Rimsky-Korsakov._Scheherazade%2C_Symphonic_Suite%2C_Op._35_-_03_The_Young_Prince_And_Princess.ogg/Rimsky-Korsakov._Scheherazade%2C_Symphonic_Suite%2C_Op._35_-_03_The_Young_Prince_And_Princess.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative of the Wikimedia Commons Ogg Vorbis file","digital.durationSeconds":495.904,"rights.composition.value":"Public domain in jurisdictions applying an unextended life-plus-70-year term","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"archive\"]","rights.composition.note":"Nikolai Rimsky-Korsakov died in 1908. This assessment concerns the original composition, not a later edition, arrangement or this recording; it is not a worldwide rights clearance.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\"]","rights.recording.note":"Commons identifies the original Victor DM-920 78-rpm set and Monteux/San Francisco sessions of 3–4 March 1942. Its CC0 tag does not independently prove that the uploader could waive Victor’s recording rights; this assessment instead uses the historic commercial recording under rule 3. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. A recording date alone is not represented as an independently verified first-publication date.","rights.creditLine":"Nikolai Rimsky-Korsakov: Scheherazade, Op. 35, III. The Young Prince and the Young Princess — San Francisco Symphony Orchestra, Pierre Monteux; Naoum Blinder, violin. Victor DM-920, recorded 3–4 March 1942. Transfer by Bob Varney, Internet Archive, via Wikimedia Commons; the file is designated CC0, with underlying recording rights not independently cleared.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Rimsky-Korsakov. Scheherazade, Symphonic Suite, Op. 35 - 03 The Young Prince And Princess.ogg\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=718302093\",\"locator\":\"Summary: description, date, source, author and permission; Licensing; File history; embedded metadata. The source revision is fixed; current file metadata was retrieved on the access date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3ARimsky-Korsakov.+Scheherazade%2C+Symphonic+Suite%2C+Op.+35+-+03+The+Young+Prince+And+Princess.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 URL; source for digital.durationSeconds, digital.format and digital.streamUrl.\",\"accessed\":\"2026-10-16\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Scheherazade, transfer by Bob Varney\",\"url\":\"https://archive.org/metadata/Sheherazade/metadata\",\"locator\":\"description: orchestra, conductor, violinist, 3–4 March 1942, War Memorial Opera House, Victor DM-920 and transfer by Bob Varney; publicdate is 19 August 2009, not a stated transfer date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"carrier-image\",\"title\":\"Victor Scheherazade album cover supplied with the transfer\",\"url\":\"https://archive.org/download/Sheherazade/DSCN9173.JPG\",\"locator\":\"Lower cover inscription: San Francisco Symphony Orchestra, Pierre Monteux, conductor, Victor Red Seal Records. No readable matrix or individual disc-side numbers are shown.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Rimsky-Korsakov. Scheherazade, Symphonic Suite, Op. 35 - 03 The Young Prince And Princess.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1258921827%7C661044101%7C642919319%7C1111732218%7C509438495%7C999902261%7C718748653%7C901919689%7C1204343741%7C718302093&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Rimsky-Korsakov. Scheherazade, Symphonic Suite, Op. 35 - 03 The Young Prince And Princess.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3), inserting Article 10(5): extension applies to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-audio\",\"title\":\"Wikimedia Commons — recording-specific scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation concern performers’ and producers’ rights, not merely composition copyright; territorial European expiry.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"3 unknown; 8 documented; 1 inferred"},{"id":"rimsky-korsakov-scheherazade-sea","composer":"Nikolai Rimsky-Korsakov","title":"Scheherazade, Op. 35","movement":"I. The Sea and Sinbad’s Ship","work.title":"Scheherazade, Op. 35","work.catalogue":"Op. 35","work.movement":"I. The Sea and Sinbad’s Ship","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The recording documentation does not identify the performing edition. No revision or editorial intervention is inferred from the file title.","performers.value":"[{\"name\":\"San Francisco Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Pierre Monteux\",\"role\":\"conductor\"},{\"name\":\"Naoum Blinder\",\"role\":\"solo violin\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\"]","performers.note":"","session.date.value":"3–4 March 1942","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"archive\"]","session.date.note":"Dates cover the complete suite; this movement is not assigned to either day separately.","session.date.precision":"range","session.place.value":"War Memorial Opera House, San Francisco","session.place.status":"documented","session.place.sourceIds":"[\"archive\"]","session.place.note":"","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"archive\"]","carrier.label.note":"","carrier.catalogue.value":"DM-920","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"archive\"]","carrier.catalogue.note":"Original 78-rpm album, not a matrix number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"archive\"]","carrier.matrixTakeSides.note":"The Commons and Archive sources identify DM-920 but not matrices, takes or side allocations. A DAHR search for Monteux and Scheherazade did not locate a matching entry; none is invented.","transfer.credits.value":"Bob Varney","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Transferred from the original Victor 78-rpm set.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not transfer dates.","transfer.processing.value":"Transfer from original 78-rpm discs; described on Commons as restored","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"Stylus, equalisation, noise reduction, speed correction and side-join processing are not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/4/4e/Rimsky-Korsakov._Scheherazade%2C_Symphonic_Suite%2C_Op._35_-_01_The_Sea_And_Sinbads_Ship.ogg/Rimsky-Korsakov._Scheherazade%2C_Symphonic_Suite%2C_Op._35_-_01_The_Sea_And_Sinbads_Ship.ogg.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"Wikimedia Commons MP3 access derivative; source Ogg Vorbis","digital.durationSeconds":498.8009070294785,"rights.composition.value":"Public-domain original composition in life-plus-70 jurisdictions","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The composer died in 1908. This assessment does not cover a later edition or arrangement.","rights.recording.value":"Rule 1 — CC0 1.0 Universal Public Domain Dedication stated for this recording file","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"Commons explicitly supplies CC0 for this sound file; this is the programme’s recording-licence route, not a composition-only tag or an age-based clearance. The uploader’s chain of title is not independently established.","rights.creditLine":"San Francisco Symphony Orchestra, Pierre Monteux; Naoum Blinder, violin. Victor DM-920, recorded 3–4 March 1942. Transfer by Bob Varney, Internet Archive, via Wikimedia Commons. Scheherazade, Op. 35, I. The Sea and Sinbad’s Ship. Commons CC0 dedication.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Rimsky-Korsakov. Scheherazade, Symphonic Suite, Op. 35 - 01 The Sea And Sinbads Ship.ogg\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=628862047\",\"locator\":\"File-description revision: description, source, author, date and recording-specific licensing template.\",\"accessed\":\"2026-10-17\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&format=json&formatversion=2&titles=File%3ARimsky-Korsakov.+Scheherazade%2C+Symphonic+Suite%2C+Op.+35+-+01+The+Sea+And+Sinbads+Ship.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives\",\"locator\":\"Duration, MIME type and MP3 derivative URL. Measured file duration is not the date or identity of the performance.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Scheherazade\",\"url\":\"https://archive.org/metadata/Sheherazade/metadata\",\"locator\":\"Description credits orchestra, conductor, violinist, sessions, venue, Victor DM-920 and Bob Varney’s transfer. The licence URL is the historical Creative Commons public-domain dedication.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 8 documented; 1 inferred"},{"id":"rimsky-korsakov-scheherazade-stokowski-side1","composer":"Nikolai Rimsky-Korsakov","title":"Scheherazade, Op. 35 — III. The Young Prince and the Young Princess","movement":"Opening disc side only","work.title":"Scheherazade, Op. 35 — III. The Young Prince and the Young Princess","work.catalogue":"","work.movement":"Opening disc side only","work.version.value":"III. Andantino quasi allegretto, part 1 of the recorded movement","work.version.status":"documented","work.version.sourceIds":"[\"source\"]","work.version.note":"Only this complete first 78-rpm side is streamed; the movement continues on later sides.","performers.value":"[{\"name\":\"Philadelphia Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Leopold Stokowski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Performer spelling normalised; no uncredited accompanist or soloist added.","session.date.value":"1934-11-12","session.date.status":"documented","session.date.sourceIds":"[\"source\"]","session.date.note":"The recording year is stated in the cited source.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"source\"]","session.place.note":"Not established by the consulted recording sources.","carrier.label.value":"HMV","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\"]","carrier.label.note":"","carrier.catalogue.value":"DB 2525","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\"]","carrier.catalogue.note":"Source catalogue identification; no independent label inspection is claimed.","carrier.matrixTakeSides.value":"First side; source identifier 2a84519","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\"]","carrier.matrixTakeSides.note":"The identifier is transcribed from the source filename. A matrix inscription and take number have not been independently verified.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"The source supplier/uploader is identified below, but an individual transfer engineer is not established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Upload dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"No restoration, equalisation or speed correction is established from the source. Playback uses the supplied MP3 access file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/8/82/Hmv-db2525-2a84519.ogg/Hmv-db2525-2a84519.ogg.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access file; no concatenation or playback pitch alteration","digital.durationSeconds":227.54133333333334,"rights.composition.value":"Public-domain underlying composition as identified by the source.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This field concerns the underlying composition, separately from the sound-recording permission. No claim is made about an unidentified modern edition.","rights.recording.value":"Territorial — EU public-domain sound recording, first published 1935","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"eu-term\"]","rights.recording.note":"Accepted under programme rule 3: first publication before 1963, so the EU 50-year recording term expired before the 2013 extension. US status is not established. The Commons composition-only PD-old-70 tag is not used as a sound-recording licence.","rights.creditLine":"Scheherazade, Op. 35 — III. The Young Prince and the Young Princess; Philadelphia Orchestra, Leopold Stokowski. First disc side only. Territorial — EU public-domain sound recording, first published 1935. Source: Wikimedia Commons.","rights.licenseUrl":"https://eur-lex.europa.eu/eli/dir/2011/77/oj","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — Hmv-db2525-2a84519.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Hmv-db2525-2a84519.ogg\",\"locator\":\"Recording description, source attribution, licence and file metadata; inspected independently of the comparison plan.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — extension and transitional rule\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj\",\"locator\":\"Article 1, amending Directive 2006/116/EC; Article 10(5), protection still in force on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 4 unknown"},{"id":"rossini-barber-overture","composer":"Gioachino Rossini","title":"Il barbiere di Siviglia","movement":"Overture","work.title":"Il barbiere di Siviglia","work.catalogue":"","work.movement":"Overture","work.version.value":"Orchestral overture","work.version.status":"documented","work.version.sourceIds":"[\"sleeve\",\"score\"]","work.version.note":"The LP identifies the overture. The particular edition and orchestral parts used in the session are not established. The historical Ricordi score supplies the listening guide’s broad formal divisions, not a claim of bar-by-bar alignment.","performers.value":"[{\"name\":\"Chicago Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Fritz Reiner\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve\",\"archive\"]","performers.note":"Named on the original RCA sleeve. Individual orchestral players are not identified.","session.date.value":"1958-11-22","session.date.status":"documented","session.date.sourceIds":"[\"session-review\"]","session.date.note":"The dated review of RCA’s reissue gives this session date for the Rossini programme. This is distinct from the 1959 LP publication and the 2021 transfer; a particular session take has not been established.","session.date.precision":"day","session.place.value":"Orchestra Hall, Chicago, Illinois, United States","session.place.status":"documented","session.place.sourceIds":"[\"session-review\"]","session.place.note":"The reissue review names the recording venue.","carrier.label.value":"RCA Victor Red Seal","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"archive\"]","carrier.label.note":"Original US mono LP, not a later Living Stereo CD or SACD.","carrier.catalogue.value":"LM 2318 — Rossini Overtures","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve\",\"archive\"]","carrier.catalogue.note":"The sleeve bears LM-2318 and © RCA 1959; the Internet Archive catalogue dates this issue to 1959.","carrier.matrixTakeSides.value":"Side 2, band 1","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"sleeve\",\"archive-files\"]","carrier.matrixTakeSides.note":"The sleeve’s running order and the segmented filename agree. The runout matrix, stamper, session take and original tape number are not established.","transfer.credits.value":"Internet Archive LP transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Attributed to the institution; the source’s operator-account address is not reproduced. The original sleeve separately credits Richard Mohr as musical director and Lewis Layton as recording engineer; those are not digital-transfer credits.","transfer.date.value":"2021-11-12","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item’s ripping_date is 20211112022420. Its 27 October 2021 scan date records a different event.","transfer.processing.value":"Technics SL1200MK5 turntable with Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; segmented VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The source documents this playback and digitisation chain. Equalisation, pitch correction, noise reduction and any further restoration settings are not established.","digital.streamUrl":"https://archive.org/download/lp_rossini-overtures_gioacchino-rossini-the-chicago-symphony-or_0/disc1/02.01.%20The%20Barber%20Of%20Seville.mp3","digital.sourceChain":"[\"sleeve\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a mono vinyl LP transfer","digital.durationSeconds":423.02,"rights.composition.value":"Rossini’s underlying composition is out of copyright under ordinary life-plus-70 terms.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"work-catalogue\",\"score\"]","rights.composition.note":"Rossini died in 1868. The overture originated in Aureliano in Palmira in 1813 and was reused in Elisabetta in 1815 and Barber in 1816. This assessment does not clear unidentified modern editions.","rights.recording.value":"Territorial EU public-domain basis: documented commercial publication in 1959, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"sleeve\",\"eu-term\"]","rights.recording.note":"Selected under the project’s eu-published-before-1963 rule. The pre-extension fifty-year term had expired before 1 November 2013. This is not a worldwide public-domain claim, a Creative Commons licence, or a claim that the 1959 recording is out of copyright in the United States.","rights.creditLine":"Gioachino Rossini — Il barbiere di Siviglia, Overture. Chicago Symphony Orchestra; Fritz Reiner. RCA Victor Red Seal LM 2318 (1959); LP transfer from Internet Archive.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Rossini Overtures, RCA Victor Red Seal LM 2318 — item metadata\",\"url\":\"https://archive.org/metadata/lp_rossini-overtures_gioacchino-rossini-the-chicago-symphony-or_0/metadata\",\"locator\":\"Publication date, label, catalogue, lineage, ripping_date and ripping_operator\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive: Rossini Overtures — file manifest\",\"url\":\"https://archive.org/metadata/lp_rossini-overtures_gioacchino-rossini-the-chicago-symphony-or_0/files\",\"locator\":\"disc1/02.01. The Barber Of Seville.mp3; VBR MP3; 423.02 seconds\",\"accessed\":\"2026-10-18\"},{\"id\":\"sleeve\",\"title\":\"RCA Victor Red Seal LM-2318: original sleeve transcription\",\"url\":\"https://archive.org/download/lp_rossini-overtures_gioacchino-rossini-the-chicago-symphony-or_0/lp_rossini-overtures_gioacchino-rossini-the-chicago-symphony-or_0_djvu.txt\",\"locator\":\"Side 2 running order; performer and production credits; © RCA 1959\",\"accessed\":\"2026-10-18\"},{\"id\":\"session-review\",\"title\":\"Peter J. Lawson: Rossini Overtures, Reiner and the Chicago Symphony Orchestra — MusicWeb International, June 2005\",\"url\":\"https://www.musicweb-international.com/classrev/2005/june05/Rossini_overtures_82876658442.htm\",\"locator\":\"Recording information: Orchestra Hall, Chicago, 22 November 1958\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Rossini: Il barbiere di Siviglia, Act I — Ricordi full score, Dover reprint\",\"url\":\"https://ks15.imslp.org/files/imglnks/usimg/c/c8/IMSLP517981-PMLP7237-Rossini_-_Il_barbiere_di_Siviglia_-_Act_I_(orch._score)_(etc).pdf\",\"locator\":\"Sinfonia, printed/PDF pp. 1–22; Andante maestoso, Allegro vivo and Più mosso\",\"accessed\":\"2026-10-18\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP: Il barbiere di Siviglia — work catalogue\",\"url\":\"https://imslp.org/wiki/Il_barbiere_di_Siviglia_(Rossini,_Gioachino)\",\"locator\":\"General information and overture reuse note\",\"accessed\":\"2026-10-18\"},{\"id\":\"composer\",\"title\":\"Rossini Opera Festival: Gioachino Rossini — biographical sketch and opera chronology\",\"url\":\"https://www.rossinioperafestival.it/en/foundation/rof-people/gioachino-rossini/\",\"locator\":\"1813, 1815, 1816 and 1868 entries\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU amending Directive 2006/116/EC on the term of protection\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Article 1; amended Article 3 and Article 10(5), transitional protection on 1 November 2013\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"11 documented; 1 inferred"},{"id":"rossini-largo-al-factotum","composer":"Gioachino Rossini","title":"Il barbiere di Siviglia","movement":"Act I · Largo al factotum","work.title":"Il barbiere di Siviglia","work.catalogue":"","work.movement":"Act I — Largo al factotum","work.version.value":"Figaro’s Italian-language entrance aria, recorded as a standalone acoustic disc side","work.version.status":"documented","work.version.sourceIds":"[\"label\",\"archive\",\"discography\"]","work.version.note":"The label identifies Act I, a baritone and orchestral accompaniment. This is the published aria side, not a complete opera or a recording of the surrounding recitatives. The performing edition, cuts and exact studio orchestration are not established. The listening guide groups broad passages from the historical full score; it does not claim word-level synchronisation.","performers.value":"[{\"name\":\"Titta Ruffo\",\"role\":\"baritone — Figaro\"},{\"name\":\"Josef Pasternack\",\"role\":\"conductor\"},{\"name\":\"Unidentified orchestra\",\"role\":\"orchestral accompaniment\"}]","performers.status":"documented","performers.sourceIds":"[\"label\",\"discography\",\"archive\"]","performers.note":"Bolig and Milmo identify Pasternack as conductor. The label states ‘Baritone with orchestra’; neither it nor the consulted discography names the orchestral players.","session.date.value":"1920-04-19","session.date.status":"documented","session.date.sourceIds":"[\"discography\",\"ruffo-discography\",\"archive\"]","session.date.note":"All three sources associate matrix C-23945, take 2, with this date. It is not Ruffo’s separate 1912 recording of the same aria.","session.date.precision":"day","session.place.value":"Camden, New Jersey, United States","session.place.status":"documented","session.place.sourceIds":"[\"discography\"]","session.place.note":"Bolig and Milmo list Camden for this matrix. No particular studio room or street address is established.","carrier.label.value":"Victor Talking Machine Company — Victrola","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label\"]","carrier.label.note":"The accompanying National Jukebox label image shows a red Victrola label and the Victor Talking Machine Company name.","carrier.catalogue.value":"6263-A; also issued as Victor 88391","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label\",\"discography\",\"ruffo-discography\"]","carrier.catalogue.note":"The transferred carrier’s label reads 6263-A. The discographies connect the same matrix with both Victor numbers and HMV DB 405; the exact pressing date of the photographed copy is unknown.","carrier.matrixTakeSides.value":"C-23945, take 2; side A of Victor 6263","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"label\",\"discography\"]","carrier.matrixTakeSides.note":"The matrix and take are identified by the catalogue metadata and discography; the label establishes the side. Stamper and pressing-run details are not established.","transfer.credits.value":"Library of Congress Packard Campus for Audio Visual Conservation; National Jukebox MP3 mirrored by Hessel Digital Library","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\",\"loc\"]","transfer.credits.note":"These are the digitisation and mirror credits stated in the Internet Archive item, which links to the original National Jukebox record. The Library of Congress record identifies its source disc as Victor 6263-A, matrix C-23945-2. No individual transfer engineer is identified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The Library of Congress digitisation date is not supplied. The mirror describes a 30 September 2026 retrieval of the LOC MP3; that is a copying event, not the recording or digitisation date.","transfer.processing.value":"The mirror reports a bit-exact copy of the Library of Congress MP3, with no processing added by the uploader.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\",\"loc\"]","transfer.processing.note":"The uploader states a bit-exact copy. The Library of Congress master WAV of Victor 6263-A has the same duration, 247.78 seconds, and the same performance at the same speed and pitch throughout; byte identity with the Library’s own access MP3 has not been checked. The original stylus, playback speed, equalisation, noise reduction and restoration settings remain unknown.","digital.streamUrl":"https://archive.org/download/loc-jukebox-188720-largo-al-factotum/jukebox-188720_largo-al-factotum.mp3","digital.sourceChain":"[\"label\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 mirror of a Library of Congress National Jukebox acoustic-disc transfer","digital.durationSeconds":247.83,"rights.composition.value":"Rossini’s music and Sterbini’s Italian libretto are out of copyright under ordinary life-plus-70 terms.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"work-catalogue\",\"score\"]","rights.composition.note":"Rossini died in 1868 and Sterbini in 1831. This assessment covers the historical work, not unidentified modern arrangements or editions.","rights.recording.value":"US public domain: first published no later than 1924, on double-faced Victor 6263; the mirror carries the Public Domain Mark.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"victor-1924\",\"loc\",\"discography\",\"us-term\"]","rights.recording.note":"Selected under the project’s us-published-before-cutoff rule. Victor’s 1924 catalogue lists the Ruffo Largo al factotum on 6263, which is absent from the 1923 catalogue; the Library of Congress identifies 6263-A as this matrix. The same recording was also issued on single-faced Victor 88391, replacing Ruffo’s 1912 recording under that number; the mirror states first publication in 1920, but no dated release source was found. On either date, US protection ended no later than 31 December 2024. The Public Domain Mark is a status declaration, not a new licence grant or a worldwide clearance.","rights.creditLine":"Gioachino Rossini — Largo al factotum. Titta Ruffo, baritone; Josef Pasternack, conductor; orchestra. Victor C-23945-2 (19 April 1920), carrier 6263-A. Library of Congress National Jukebox transfer, mirrored by Hessel Digital Library on Internet Archive.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Largo al factotum — National Jukebox 188720 mirror metadata\",\"url\":\"https://archive.org/metadata/loc-jukebox-188720-largo-al-factotum/metadata\",\"locator\":\"Session, matrix, digitisation credit, first-publication statement, Public Domain Mark and mirror provenance\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive: National Jukebox 188720 — file manifest\",\"url\":\"https://archive.org/metadata/loc-jukebox-188720-largo-al-factotum/files\",\"locator\":\"jukebox-188720_largo-al-factotum.mp3; VBR MP3; 247.83 seconds\",\"accessed\":\"2026-10-18\"},{\"id\":\"label\",\"title\":\"Victrola 6263-A: label image accompanying National Jukebox 188720\",\"url\":\"https://archive.org/download/loc-jukebox-188720-largo-al-factotum/jukebox-188720_label.jpg\",\"locator\":\"Titta Ruffo; Barbiere di Siviglia — Largo al factotum; Act I; baritone with orchestra; Italian; 6263-A\",\"accessed\":\"2026-10-18\"},{\"id\":\"discography\",\"title\":\"John R. Bolig and John Milmo: His Master’s Voice Celebrity Series Recordings and Historical Reissues, 1924–1958 (2020)\",\"url\":\"https://www.examenapium.it/cs/biblio/Bolig2020.pdf\",\"locator\":\"PDF p. 312, DB 405: C-23945-2, 19 April 1920, Camden; Ruffo and Pasternack; Victor 88391 and 6263\",\"accessed\":\"2026-10-18\"},{\"id\":\"ruffo-discography\",\"title\":\"Titta Ruffo official website: Recordings — discography\",\"url\":\"https://tittaruffo.com/en/recordings/\",\"locator\":\"Rossini, Il barbiere di Siviglia, Largo al factotum: C-23945-2, 19 April 1920; acoustic Victor recording history\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Rossini: Il barbiere di Siviglia, Act I — Ricordi full score, Dover reprint\",\"url\":\"https://ks15.imslp.org/files/imglnks/usimg/c/c8/IMSLP517981-PMLP7237-Rossini_-_Il_barbiere_di_Siviglia_-_Act_I_(orch._score)_(etc).pdf\",\"locator\":\"Printed/PDF pp. 54–73, Figaro’s Cavatina\",\"accessed\":\"2026-10-18\"},{\"id\":\"libretto\",\"title\":\"Cesare Sterbini: Il barbiere di Siviglia — libretto\",\"url\":\"https://www.librettidopera.it/barb_siv/rid.html\",\"locator\":\"Act I, scene 2: Figaro’s entrance, aria and following recitative\",\"accessed\":\"2026-10-18\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP: Il barbiere di Siviglia — work catalogue\",\"url\":\"https://imslp.org/wiki/Il_barbiere_di_Siviglia_(Rossini,_Gioachino)\",\"locator\":\"General information; 1816 work and Cesare Sterbini’s life dates\",\"accessed\":\"2026-10-18\"},{\"id\":\"composer\",\"title\":\"Rossini Opera Festival: Gioachino Rossini — biographical sketch and opera chronology\",\"url\":\"https://www.rossinioperafestival.it/en/foundation/rof-people/gioachino-rossini/\",\"locator\":\"1816 and 1868 entries\",\"accessed\":\"2026-10-18\"},{\"id\":\"loc\",\"title\":\"Library of Congress National Jukebox — Largo al factotum (jukebox-188720)\",\"url\":\"https://www.loc.gov/item/jukebox-188720/\",\"locator\":\"JSON record: 19 April 1920; Camden, New Jersey; Ruffo, Pasternack; master WAV dlc_victor_6263_01_c23945_02 (Victor 6263, matrix C-23945, take 2).\",\"accessed\":\"2026-10-18\"},{\"id\":\"victor-1924\",\"title\":\"Victor Talking Machine Company — Victor Records (1924 catalogue)\",\"url\":\"https://archive.org/details/catalogueofvicto00vict\",\"locator\":\"Copyright 1924. Opera numbers: “Barbiere di Siviglia—Largo al factotum … 6263”, coupled with Rigoletto—Pari siamo, Ruffo. The 1923 catalogue (archive.org 1923catalogueofv00unse) lists 88391 but not 6263.\",\"accessed\":\"2026-10-18\"},{\"id\":\"us-term\",\"title\":\"US Copyright Office: Classics Protection and Access Act\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term: recordings first published before 1923 (protected until 31 December 2021) and 1923–1946 (100 years after first publication)\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"rossini-william-tell-overture","composer":"Gioachino Rossini","title":"Guillaume Tell","movement":"Overture · wind-ensemble transcription attributed to Wenzel Sedlak","work.title":"Guillaume Tell","work.catalogue":"","work.movement":"Overture","work.version.value":"Wind-ensemble transcription attributed to Wenzel Sedlak, adapted for the Marine Band’s Grand Scenes recording","work.version.status":"documented","work.version.sourceIds":"[\"booklet\",\"album\",\"commons\"]","work.version.note":"The booklet explicitly says the attribution to Sedlak has not been conclusively proved. The overture comes from a fifteen-movement suite preserved at the Augustinian monastery in Brno. For this recording, the flute part was modified using Rossini’s orchestral part, two added trumpet parts were removed, and contrabassoon and string bass reinforced the bass. This is a small wind ensemble with double bass, not Rossini’s original full orchestral scoring.","performers.value":"[{\"name\":\"United States Marine Band\",\"role\":\"wind ensemble with contrabassoon and double bass\"},{\"name\":\"Timothy Foley\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"booklet\",\"album\",\"commons\"]","performers.note":"The booklet marks the players participating in the Rossini: flute, two oboes, two B-flat clarinets, two bassoons, contrabassoon, two horns and string bass. No trumpet or cello performance is attributed to this transcription.","session.date.value":"2000-06-05/2000-06-09","session.date.status":"documented","session.date.sourceIds":"[\"booklet\",\"commons\"]","session.date.note":"The album was recorded during this five-day period. The day and take used for the overture are not separately identified.","session.date.precision":"range","session.place.value":"Center for the Arts, George Mason University, Fairfax, Virginia, United States","session.place.status":"documented","session.place.sourceIds":"[\"booklet\",\"commons\"]","session.place.note":"The album production credits name this venue. No individual room or stage position is specified.","carrier.label.value":"United States Marine Band","carrier.label.status":"documented","carrier.label.sourceIds":"[\"booklet\",\"album\"]","carrier.label.note":"Official Marine Band recording in its educational album series.","carrier.catalogue.value":"Grand Scenes — album 20, track 2","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"album\",\"booklet\"]","carrier.catalogue.note":"The official album page supplies the series number and running order. No separate commercial catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"booklet\",\"commons\"]","carrier.matrixTakeSides.note":"No session take identifier, original master identifier or CD pressing matrix is supplied in the consulted sources.","transfer.credits.value":"Original editing and mastering: Bob Katz, Digital Domain. Wikimedia Commons upload: TonyTheTiger.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"booklet\",\"commons\"]","transfer.credits.note":"The booklet separately credits producers Denis R. Burian and Michael J. Colburn, and recording engineers Karl J. Jackson and Kevan D. Lewis. These original production credits are distinct from the later Commons upload and MP3 conversion.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"booklet\",\"commons\"]","transfer.date.note":"The original capture medium and dates of mastering and Ogg conversion are not documented. Commons records the current Ogg upload on 14 April 2011; that is not a recording-session date.","transfer.processing.value":"Ogg Vorbis file on Wikimedia Commons, with a Commons-hosted MP3 transcode.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The file page credits the Marine Band’s web audio as its source. The exact intervening conversion settings, original capture chain, equalisation and any noise processing are not established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/4/43/Gioachino_Rossini%2C_William_Tell_Overture_%28military_band_version%2C_2000%29.ogg/Gioachino_Rossini%2C_William_Tell_Overture_%28military_band_version%2C_2000%29.ogg.mp3","digital.sourceChain":"[\"album\",\"booklet\",\"commons\"]","digital.format":"MP3 transcode of the Commons Ogg Vorbis file","digital.durationSeconds":662.02,"rights.composition.value":"The historical composition and the arrangement used on this album are identified as public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"booklet\",\"commons\",\"composer\"]","rights.composition.note":"Rossini died in 1868. The official booklet states that its selections are public domain unless otherwise noted; it places no copyright exception on this overture. The qualified Sedlak attribution is retained rather than treating uncertain authorship as proof of rights.","rights.recording.value":"US public domain — official United States Marine Band recording, tagged PD-USGov-Military-Marines by Wikimedia Commons.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"booklet\",\"us-government\"]","rights.recording.note":"The official album and booklet corroborate the federal performance and production. Section 105 excludes qualifying US Government works from US copyright protection; this is not a Creative Commons licence or an assertion that every government work is public domain in every jurisdiction.","rights.creditLine":"Gioachino Rossini — Guillaume Tell, Overture; wind transcription attributed to Wenzel Sedlak, adapted for this recording. United States Marine Band; Timothy Foley. Grand Scenes (recorded 2000), via Wikimedia Commons. Public domain US Government recording.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: Gioachino Rossini, William Tell Overture (military band version, 2000)\",\"url\":\"https://commons.wikimedia.org/wiki/File:Gioachino_Rossini,_William_Tell_Overture_(military_band_version,_2000).ogg\",\"locator\":\"Description, source credit, duration, licensing, file history and MP3 transcode; pastoral section 5:14 and finale 7:30\",\"accessed\":\"2026-10-18\"},{\"id\":\"album\",\"title\":\"United States Marine Band: Grand Scenes\",\"url\":\"https://www.marineband.marines.mil/Audio-Resources/Marine-Band-Albums/Grand-Scenes/\",\"locator\":\"Official album 20; recorded 2000; track 2, Overture to William Tell\",\"accessed\":\"2026-10-18\"},{\"id\":\"booklet\",\"title\":\"United States Marine Band: Grand Scenes — booklet, notes by Frank P. Byrne\",\"url\":\"https://www.marineband.marines.mil/Portals/175/Docs/Audio/Educational_Series/grand_scenes/grand_scenes.pdf\",\"locator\":\"PDF pp. 5–6, overture and transcription notes; pp. 11–12, personnel, recording and production credits, public-domain statement\",\"accessed\":\"2026-10-18\"},{\"id\":\"work-history\",\"title\":\"Rossini Opera Festival: Guillaume Tell — history and synopsis\",\"url\":\"https://www.rossinioperafestival.it/en/stories/guillaume-tell/\",\"locator\":\"Four-act opera; Paris première, 3 August 1829; Act I in the canton of Uri\",\"accessed\":\"2026-10-18\"},{\"id\":\"orchestral-note\",\"title\":\"Orrin Howard: William Tell Overture — Los Angeles Philharmonic\",\"url\":\"https://www.laphil.com/works/william-tell-overture\",\"locator\":\"Original orchestral opening for five solo cellos, storm and pastoral melody with flute decorations\",\"accessed\":\"2026-10-18\"},{\"id\":\"composer\",\"title\":\"Rossini Opera Festival: Gioachino Rossini — biographical sketch and opera chronology\",\"url\":\"https://www.rossinioperafestival.it/en/foundation/rof-people/gioachino-rossini/\",\"locator\":\"1829 and 1868 entries\",\"accessed\":\"2026-10-18\"},{\"id\":\"us-government\",\"title\":\"US Copyright Office: Copyright Law, Chapter 1\",\"url\":\"https://www.copyright.gov/title17/92chap1.html#105\",\"locator\":\"Sections 101 and 105: definition and copyright treatment of United States Government works\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"10 documented; 2 unknown"},{"id":"saint-saens-cygne-bokor","composer":"Camille Saint-Saëns","title":"Le Carnaval des animaux","movement":"XIII. Le Cygne — cello and piano","work.title":"Le Carnaval des animaux","work.catalogue":"","work.movement":"XIII. Le Cygne","work.version.value":"Cello with piano","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"work\"]","work.version.note":"The accompanist and performing edition are not identified.","performers.value":"[{\"name\":\"Judith Bokor\",\"role\":\"cello\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"archive\"]","performers.note":"An unidentified pianist accompanies her. Biographical references to her regular accompanists do not establish the player on this side.","session.date.value":"Circa 1925; exact day unresolved","session.date.status":"disputed","session.date.sourceIds":"[\"commons\",\"archive\"]","session.date.note":"Commons gives 5 June 1925. The upstream discography dates matrix F 87 only circa 1925; its exact 5 June dates belong to FX 51/56, not this side.","session.date.precision":"approximate","session.date.alternatives":"[{\"value\":\"5 June 1925\",\"sourceIds\":[\"commons\"]},{\"value\":\"Circa 1925\",\"sourceIds\":[\"archive\"]}]","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is established by the sources.","carrier.label.value":"Columbia","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"","carrier.catalogue.value":"Columbia D 9758 (upstream) / D 9768 (Commons)","carrier.catalogue.status":"disputed","carrier.catalogue.sourceIds":"[\"archive\",\"commons\"]","carrier.catalogue.note":"The upstream file tags, table and companion label name D 9758; Commons says D 9768 and also mentions Polyphon 31314. The conflicting Columbia catalogue numbers remain explicit rather than being silently resolved.","carrier.catalogue.alternatives":"[{\"value\":\"Columbia D 9758\",\"sourceIds\":[\"archive\"]},{\"value\":\"Columbia D 9768\",\"sourceIds\":[\"commons\"]}]","carrier.matrixTakeSides.value":"F 87; take unknown","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"commons\"]","carrier.matrixTakeSides.note":"Both sources identify F 87. No take is supplied.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The upstream upload is associated with Rolf Sinnema; the page does not explicitly identify the transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"September 2023 is the upload date, not a documented transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"No restoration or speed-correction procedure is documented. The comparison rolls features by one semitone but does not change playback audio.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/6a/Judith_Bokor_plays_Le_Cygne_by_Saint-Sa%C3%ABns.flac/Judith_Bokor_plays_Le_Cygne_by_Saint-Sa%C3%ABns.flac.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; original uploaded source FLAC","digital.durationSeconds":154.14,"rights.composition.value":"Commons applies historical-composition public-domain tags.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"PD-old-70 and PD-US-expired do not themselves clear a sound recording.","rights.recording.value":"territorial","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"commons\"]","rights.recording.note":"Rule 3: the upstream catalogue identifies this historical Columbia D 9758/F 87 issue as circa 1925, establishing publication before 1963. Its European 50-year recording term expired before the 2013 extension. Exact first-publication year at the US cutoff is not independently established, and US public-domain status is not asserted. Opened IA metadata has no licenseurl and no non-commercial licence. The Commons composition-only tags are not the acceptance basis.","rights.creditLine":"Camille Saint-Saëns, Le Cygne; Judith Bokor, cello, with unidentified pianist; Columbia D 9758, matrix F 87, circa 1925. Rolf Sinnema collection on Internet Archive, via Wikimedia Commons. European recording-rights expiry only; US status unestablished.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Judith Bokor plays Le Cygne\",\"url\":\"https://commons.wikimedia.org/wiki/File:Judith_Bokor_plays_Le_Cygne_by_Saint-Sa%C3%ABns.flac\",\"locator\":\"Summary: exact date and D 9768 attribution; composition-only licensing tags; upstream source.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Bokor Columbia 1924–1925\",\"url\":\"https://archive.org/metadata/3-judith-bokor-col-d-17144-fx-16-17-kol-nidrei_202309\",\"locator\":\"metadata.licenseurl absent; description discography row 9 F 87 circa 1925; FLAC/MP3 tags identify D 9758, cello and piano.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Le Cygne — instrumentation and score outline\",\"url\":\"https://en.wikipedia.org/wiki/Le_cygne\",\"locator\":\"Movement XIII; G major; cello and piano arrangements.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 documented; 2 disputed; 4 unknown"},{"id":"saint-saens-cygne-weilerstein","composer":"Camille Saint-Saëns","title":"Le Carnaval des animaux","movement":"XIII. Le Cygne — cello and marimba","work.title":"Le Carnaval des animaux","work.catalogue":"","work.movement":"XIII. Le Cygne","work.version.value":"Cello and marimba","work.version.status":"documented","work.version.sourceIds":"[\"interview\",\"whitehouse\"]","work.version.note":"Weilerstein calls Yoder “a marimba player”; the White House describes him as a sixteen-year-old percussionist. Saint-Saëns wrote the movement for cello and two pianos; the performing edition is not established.","performers.value":"[{\"name\":\"Alisa Weilerstein\",\"role\":\"cello\"},{\"name\":\"Jason Yoder\",\"role\":\"marimba\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"interview\",\"whitehouse\"]","performers.note":"Commons names Weilerstein and Yoder; the instrument comes from Weilerstein’s interview and the White House page.","session.date.value":"4 November 2009","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The summary names the event and exact date; the infobox date 1886 refers to the composition.","session.date.precision":"day","session.place.value":"White House, Washington, DC","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No physical issue is identified for this source.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No physical catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or original recording medium is identified in the source.","transfer.credits.value":"Whitehouse.gov; audio extraction uploaded by TonyTheTiger","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Whitehouse.gov is credited for the video recording; the uploader is not identified as its recording engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"An upload date does not establish a recording or transfer date.","transfer.processing.value":"Audio extracted from the linked official video","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The 31 May 2011 file history says the audio portion of the video replaced an earlier extraction to eliminate clicking. No further processing is established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/2a/20091104_Alisa_Weilerstein_and_Jason_Yoder_-_Saint_Sa%C3%ABns%27_The_Swan.ogg/20091104_Alisa_Weilerstein_and_Jason_Yoder_-_Saint_Sa%C3%ABns%27_The_Swan.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; source OGG","digital.durationSeconds":176.208,"rights.composition.value":"Commons explicitly marks the composition as public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"This is separate from the performance licence and government-recording statement.","rights.recording.value":"CC BY 3.0 performance; US-government recording","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"Commons explicitly separates composition (PD-old), performance (CC BY 3.0) and recording (PD-USGov). Acceptance rests on those performance/recording statements, not the composition tag or the page’s speculative PD-self phrase.","rights.creditLine":"Camille Saint-Saëns, Le Cygne; Alisa Weilerstein, cello; Jason Yoder, marimba. White House, 4 November 2009. Whitehouse.gov recording, audio extraction via Wikimedia Commons. Performance CC BY 3.0; recording PD-USGov in the United States. No audio alteration by Contrapunctus.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — 20091104 Alisa Weilerstein and Jason Yoder - Saint Saëns' The Swan.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:20091104_Alisa_Weilerstein_and_Jason_Yoder_-_Saint_Sa%C3%ABns%27_The_Swan.ogg\",\"locator\":\"Summary, source, licensing, file history and transcode table.\",\"accessed\":\"2026-10-17\"},{\"id\":\"interview\",\"title\":\"Mike Telin, “An interview with cellist Alisa Weilerstein”, Cleveland Classical, 16 November 2009\",\"url\":\"https://clevelandclassical.wordpress.com/2009/11/16/an-interview-with-cellist-alisa-weilerstein/\",\"locator\":\"Weilerstein on the White House concert: “I also played The Swan with a marimba player named Jason Yoder.”\",\"accessed\":\"2026-10-18\"},{\"id\":\"whitehouse\",\"title\":\"The White House — Alisa Weilerstein and Jason Yoder Perform at the White House: 5 of 8\",\"url\":\"https://obamawhitehouse.archives.gov/photos-and-video/video/alisa-weilerstein-and-jason-yoder-perform-white-house-5-8\",\"locator\":\"Video caption: cellist Alisa Weilerstein and 16-year-old percussionist Jason Yoder perform The Swan at the Evening of Classical Music, 4 November 2009.\",\"accessed\":\"2026-10-18\"},{\"id\":\"work\",\"title\":\"Le Cygne — instrumentation and score outline\",\"url\":\"https://en.wikipedia.org/wiki/Le_cygne\",\"locator\":\"Movement XIII; G major; original cello/two-piano forces, often performed with one piano.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 4 unknown"},{"id":"saint-saens-danse-macabre-stokowski","composer":"Camille Saint-Saëns","title":"Danse macabre, Op. 40","movement":"","work.title":"Danse macabre, Op. 40","work.catalogue":"Op. 40","work.movement":"","work.version.value":"Symphonic poem for orchestra with solo violin, 1874; the whole work on two disc sides joined into one file","work.version.status":"documented","work.version.sourceIds":"[\"ia\",\"dahr1\",\"dahr2\",\"brz\"]","work.version.note":"The transferor says the file joins the two sides of Victor 6505. The score edition and any cuts are not established from the sources.","performers.value":"[{\"name\":\"Philadelphia Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Leopold Stokowski\",\"role\":\"conductor\"},{\"name\":\"Thaddeus Rich\",\"role\":\"solo violin\"}]","performers.status":"documented","performers.sourceIds":"[\"dahr1\",\"dahr2\",\"ia\"]","performers.note":"The Discography of American Historical Recordings, from the disc labels, names the Philadelphia Orchestra and Stokowski. The solo violinist is credited only in the transferor’s description of the Internet Archive item, which names Thaddeus Rich; the labels as transcribed by DAHR do not.","session.date.value":"1925-04-29","session.date.status":"documented","session.date.sourceIds":"[\"dahr1\",\"dahr2\"]","session.date.note":"Take date of the issued takes (take 2 of each side). DAHR also lists an earlier take 1 of each side under matrices C-27929 and C-27930.","session.date.precision":"day","session.place.value":"Camden, New Jersey","session.place.status":"documented","session.place.sourceIds":"[\"dahr1\",\"dahr2\"]","session.place.note":"Victor’s Camden studios; the DAHR entry names the city only.","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr1\",\"dahr2\",\"supp\"]","carrier.label.note":"DAHR lists later issues of the same takes as Victor 6653/6654 and 01527/01528, and Gramophone (HMV) DB 961 and others.","carrier.catalogue.value":"Victor 6505","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr1\",\"dahr2\",\"supp\"]","carrier.catalogue.note":"Twelve-inch double-sided Red Seal disc, Part 1 on one side and Part 2 on the other. Victor’s supplement of 1 December 1925 lists Danse Macabre by the Philadelphia Orchestra as 6505, 12-inch, $2.00.","carrier.matrixTakeSides.value":"CVE-27929 (Part 1) and CVE-27930 (Part 2), take 2 of each","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr1\",\"dahr2\"]","carrier.matrixTakeSides.note":"Matrix numbers and takes come from DAHR. Take 3 of each was destroyed. No runout inscription has been inspected.","transfer.credits.value":"Bob Varney","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"ia\"]","transfer.credits.note":"The Internet Archive item (added 16 September 2010) says “Transfer by Bob Varney from Victor 6505 issued in 1925”.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"ia\"]","transfer.date.note":"The Archive’s date of addition is not a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"ia\",\"other\"]","transfer.processing.note":"Equalisation, speed correction and noise reduction are not described. In this file the opening harp strokes sit close to concert pitch. A later Internet Archive transfer of the same sides (Philadelphia Symphony Orchestra – Danse Macabre, 2012, which is also the Wikimedia Commons file) runs about 2% faster and roughly a third of a semitone sharper, which is why this transfer is the one used.","digital.streamUrl":"https://archive.org/download/Saint-saensDanceMacabre/Saint-saensDanceMacabre-1925.mp3","digital.sourceChain":"[\"ia\"]","digital.format":"MP3 derivative supplied by the Internet Archive; both sides of Victor 6505 in one file","digital.durationSeconds":428.88,"rights.composition.value":"Public domain: Saint-Saëns died on 16 December 1921","rights.composition.status":"documented","rights.composition.sourceIds":"[\"societe\"]","rights.composition.note":"More than seventy years after the composer’s death; the underlying work is free of copyright in the EU and the US.","rights.recording.value":"Public domain in the United States: first published in 1925 on Victor 6505; this transfer carries a CC BY 3.0 licence from its maker","rights.recording.status":"documented","rights.recording.sourceIds":"[\"supp\",\"tmpl\",\"ia\"]","rights.recording.note":"Victor’s catalogue supplement of 1 December 1925 already lists 6505 among the records issued since the last edition of its catalogue, so first publication falls in 1925 or earlier. US sound recordings published before 1 January 1926 are public domain under 17 U.S.C. § 1401 (Wikimedia Commons template PD-US-record-expired). Publication in 1925 also falls before the project’s 1963 cut-off for the EU phonogram term. The Internet Archive item’s licence field names CC BY 3.0, which applies to Bob Varney’s transfer.","rights.creditLine":"Camille Saint-Saëns, Danse macabre, Op. 40; Philadelphia Orchestra, Leopold Stokowski. Victor 6505, recorded at Camden, New Jersey, 29 April 1925. Transfer by Bob Varney, Internet Archive, licensed CC BY 3.0.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"ia\",\"title\":\"Internet Archive — Dance Macabre (Camille Saint-Saens; Stokowski; Philadelphia Orchestra)\",\"url\":\"https://archive.org/details/Saint-saensDanceMacabre\",\"locator\":\"Description: Stokowski, Philadelphia Orchestra, Thaddeus Rich, violin solo; transfer by Bob Varney from Victor 6505 issued in 1925; licence field CC BY 3.0; MP3 of 428.88 seconds.\",\"accessed\":\"2026-10-19\"},{\"id\":\"other\",\"title\":\"Wikimedia Commons — PhiladelphiaSymphonyOrchestra-DanseMacabre.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:PhiladelphiaSymphonyOrchestra-DanseMacabre.ogg\",\"locator\":\"The other Internet Archive transfer of the same sides (concatenated Victor 6505-A and B, master numbers CVE-27929 and CVE-27930, record date 29 April 1925); 419 seconds.\",\"accessed\":\"2026-10-19\"},{\"id\":\"dahr1\",\"title\":\"Discography of American Historical Recordings — Victor matrix CVE-27929. Danse macabre, op. 40 / Philadelphia Orchestra; Leopold Stokowski\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/800001918/CVE-27929-Danse_macabre_op._40\",\"locator\":\"Part 1; take 2 master, 4/29/1925, Camden, New Jersey; Victor 6505 and reissues; instrumentation field.\",\"accessed\":\"2026-10-19\"},{\"id\":\"dahr2\",\"title\":\"Discography of American Historical Recordings — Victor matrix CVE-27930. Danse macabre, op. 40 / Philadelphia Orchestra; Leopold Stokowski\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/800001920/CVE-27930-Danse_macabre_op._40\",\"locator\":\"Part 2; take 2 master, 4/29/1925, Camden, New Jersey; Victor 6505; take 3 destroyed.\",\"accessed\":\"2026-10-19\"},{\"id\":\"supp\",\"title\":\"Victor Talking Machine Company — New Victor Records, catalogue supplement for 1 December 1925\",\"url\":\"https://archive.org/details/victor-dec-1st-1925\",\"locator\":\"Index of “Records issued since the last edition of the catalog”: Danse Macabre, Philadelphia Orch., 6505, 12-inch, $2.00. The Victor record catalog of 1926 (https://archive.org/details/catalogueofvicto00vict_3) lists it again, Orthophonic, 6505, 12-inch.\",\"accessed\":\"2026-10-19\"},{\"id\":\"tmpl\",\"title\":\"Wikimedia Commons — Template:PD-US-record-expired\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-US-record-expired\",\"locator\":\"Wording: public domain in the United States because published before 1 January 1926 (17 U.S.C. § 1401).\",\"accessed\":\"2026-10-19\"},{\"id\":\"brz\",\"title\":\"Palazzetto Bru Zane Mediabase — Danse macabre\",\"url\":\"https://www.bruzanemediabase.com/en/exploration/works/danse-macabre-camille-saint-saens\",\"locator\":\"Première at the Théâtre du Châtelet, 24 January 1875; song of 1872 to Henri Cazalis’s poem; solo violin scordatura; xylophone; Fossiles quotation; Saint-Saëns’s remark to Durand of March 1876.\",\"accessed\":\"2026-10-19\"},{\"id\":\"societe\",\"title\":\"Société Camille Saint-Saëns — Chronologie 1919–1921\",\"url\":\"https://camille-saint-saens.org/1919-1921/\",\"locator\":\"16 December 1921: death at Algiers.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"10 documented; 2 unknown"},{"id":"saint-saens-organ-symphony-part-1","composer":"Camille Saint-Saëns","title":"Symphony No. 3 in C minor, Op. 78 “Organ”","movement":"Part I — Adagio · Allegro moderato · Poco adagio","work.title":"Symphony No. 3 in C minor, Op. 78 “Organ”","work.catalogue":"Op. 78","work.movement":"Part I","work.version.value":"First half of the symphony’s two large movements, as divided on the transferred 78 rpm set","work.version.status":"documented","work.version.sourceIds":"[\"ia\"]","work.version.note":"The transferor describes the contents of sides 1–4. The labels do not give the tempo changes within each part.","performers.value":"[{\"name\":\"Philharmonic-Symphony Orchestra of New York\",\"role\":\"orchestra\"},{\"name\":\"Charles Munch\",\"role\":\"conductor\"},{\"name\":\"Édouard Nies-Berger\",\"role\":\"organ\"},{\"name\":\"Walter Hendl\",\"role\":\"piano, four hands (listed in James North’s discography; uncredited on the labels)\"}]","performers.status":"documented","performers.sourceIds":"[\"ia\",\"mw\"]","performers.note":"The transferor says Nies-Berger is credited on all labels but plays only on sides 3, 4, 7 and 8, and that the piano players are uncredited; MusicWeb’s review of the Pristine reissue names Walter Hendl and Arthur Schuller as pianists.","session.date.value":"1947-11-10","session.date.status":"documented","session.date.sourceIds":"[\"ia\"]","session.date.note":"Recorded on Monday 10 November 1947 per the transferor’s description; MusicWeb gives only “November 1947”.","session.date.precision":"day","session.place.value":"Carnegie Hall, New York City","session.place.status":"documented","session.place.sourceIds":"[\"ia\",\"mw\"]","session.place.note":"","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"ia\"]","carrier.label.note":"Issued in the United States in June 1948; also issued in France, Italy, the Netherlands and Britain.","carrier.catalogue.value":"MM-747 (12841-D to 12844-D); LP reissue ML-4120","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"ia\"]","carrier.catalogue.note":"Catalogue numbers as given by the transferor; no label has been inspected.","carrier.matrixTakeSides.value":"1–4; matrices XCO 39319 to XCO 39326","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"ia\"]","carrier.matrixTakeSides.note":"The transferor prints the last matrix as XCO 38326, evidently a typing slip. Takes are not identified.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"ia\"]","transfer.credits.note":"The Internet Archive item was uploaded on 31 March 2022 by a private collector; no transfer engineer is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"ia\"]","transfer.date.note":"The Archive’s upload date is not a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"ia\"]","transfer.processing.note":"The Archive supplies FLAC and a VBR MP3 derivative; equalisation and speed correction are not described.","digital.streamUrl":"https://archive.org/download/mm-747-saint-saens-sym-3-i/MM747%20Saint-Saens%20Sym%203%20(i).mp3","digital.sourceChain":"[\"ia\"]","digital.format":"VBR MP3 derivative of a 78 rpm transfer; the four sides of this half are joined in one file","digital.durationSeconds":1013.79,"rights.composition.value":"Public domain: Saint-Saëns died on 16 December 1921","rights.composition.status":"documented","rights.composition.sourceIds":"[\"societe\"]","rights.composition.note":"More than seventy years after the composer’s death.","rights.recording.value":"Territorial EU phonogram public-domain basis: commercial publication in 1948, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"ia\",\"pristine\",\"mw\"]","rights.recording.note":"The programme’s eu-published-before-1963 rule applies: the transferor documents the June 1948 issue as Columbia MM-747, Pristine and MusicWeb confirm the November 1947 session as Munch’s first American recording, and Columbia’s printed record catalogue for 1949 lists the eight-side set MM-747 (Munch, Nies-Berger). The 1948 catalog does not list it, which fits a mid-1948 issue. This is not US or worldwide clearance and not a Creative Commons licence.","rights.creditLine":"Camille Saint-Saëns, Symphony No. 3, Op. 78, Part I; Philharmonic-Symphony Orchestra of New York, Charles Munch, Édouard Nies-Berger (organ). Columbia Masterworks MM-747 (1948), Internet Archive transfer. Territorial EU phonogram basis only.","rights.licenseUrl":"","sources":"[{\"id\":\"ia\",\"title\":\"Internet Archive — Saint-Saens Symphony No. 3 (Munch, 1947), Columbia MM-747\",\"url\":\"https://archive.org/details/mm-747-saint-saens-sym-3-i\",\"locator\":\"Description: session date and place, issue in June 1948, set and matrix numbers, side contents, anchors at 8:47 and 6:55, organ on sides 3, 4, 7, 8, first American recording; file inventory.\",\"accessed\":\"2026-10-18\"},{\"id\":\"pristine\",\"title\":\"Pristine Classical — Munch: The Complete New York Philharmonic Recordings (PASC448)\",\"url\":\"https://www.pristineclassical.com/products/pasc448\",\"locator\":\"Munch’s first American recording; first recording of the work since Coppola’s 1930 set.\",\"accessed\":\"2026-10-18\"},{\"id\":\"mw\",\"title\":\"MusicWeb International — review of Pristine PASC448\",\"url\":\"http://musicweb-international.com/classrev/2016/Apr/Munch_NewYork_PASC448.htm\",\"locator\":\"Session, November 1947, Carnegie Hall; organist Édouard Nies-Berger; pianists Walter Hendl and Arthur Schuller.\",\"accessed\":\"2026-10-18\"},{\"id\":\"catalog\",\"title\":\"Columbia Records Inc. — Columbia Record Catalog (1949)\",\"url\":\"https://archive.org/details/columbiarecordca00unse_0\",\"locator\":\"Entry: Symphony No. 3 in C minor, Op. 78, Charles Muench conducting the Philharmonic-Symphony Orchestra of New York, E. Nies-Berger (organ), 8 sides, set MM-747. The Columbia Record Catalog (1948) at https://archive.org/details/columbiarecordca00unse has no such entry.\",\"accessed\":\"2026-10-19\"},{\"id\":\"societe\",\"title\":\"Société Camille Saint-Saëns — Chronologie 1919–1921\",\"url\":\"https://camille-saint-saens.org/1919-1921/\",\"locator\":\"16 December 1921: death at Algiers.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"8 documented; 3 unknown; 1 inferred"},{"id":"saint-saens-organ-symphony-part-2","composer":"Camille Saint-Saëns","title":"Symphony No. 3 in C minor, Op. 78 “Organ”","movement":"Part II — Scherzo · Presto · Maestoso · Allegro","work.title":"Symphony No. 3 in C minor, Op. 78 “Organ”","work.catalogue":"Op. 78","work.movement":"Part II","work.version.value":"Second half of the symphony’s two large movements, as divided on the transferred 78 rpm set","work.version.status":"documented","work.version.sourceIds":"[\"ia\"]","work.version.note":"The transferor describes the contents of sides 5–8. The labels do not give the tempo changes within each part.","performers.value":"[{\"name\":\"Philharmonic-Symphony Orchestra of New York\",\"role\":\"orchestra\"},{\"name\":\"Charles Munch\",\"role\":\"conductor\"},{\"name\":\"Édouard Nies-Berger\",\"role\":\"organ\"},{\"name\":\"Walter Hendl\",\"role\":\"piano, four hands (listed in James North’s discography; uncredited on the labels)\"}]","performers.status":"documented","performers.sourceIds":"[\"ia\",\"mw\"]","performers.note":"The transferor says Nies-Berger is credited on all labels but plays only on sides 3, 4, 7 and 8, and that the piano players are uncredited; MusicWeb’s review of the Pristine reissue names Walter Hendl and Arthur Schuller as pianists.","session.date.value":"1947-11-10","session.date.status":"documented","session.date.sourceIds":"[\"ia\"]","session.date.note":"Recorded on Monday 10 November 1947 per the transferor’s description; MusicWeb gives only “November 1947”.","session.date.precision":"day","session.place.value":"Carnegie Hall, New York City","session.place.status":"documented","session.place.sourceIds":"[\"ia\",\"mw\"]","session.place.note":"","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"ia\"]","carrier.label.note":"Issued in the United States in June 1948; also issued in France, Italy, the Netherlands and Britain.","carrier.catalogue.value":"MM-747 (12841-D to 12844-D); LP reissue ML-4120","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"ia\"]","carrier.catalogue.note":"Catalogue numbers as given by the transferor; no label has been inspected.","carrier.matrixTakeSides.value":"5–8; matrices XCO 39319 to XCO 39326","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"ia\"]","carrier.matrixTakeSides.note":"The transferor prints the last matrix as XCO 38326, evidently a typing slip. Takes are not identified.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"ia\"]","transfer.credits.note":"The Internet Archive item was uploaded on 31 March 2022 by a private collector; no transfer engineer is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"ia\"]","transfer.date.note":"The Archive’s upload date is not a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"ia\"]","transfer.processing.note":"The Archive supplies FLAC and a VBR MP3 derivative; equalisation and speed correction are not described.","digital.streamUrl":"https://archive.org/download/mm-747-saint-saens-sym-3-i/MM747%20Saint-Saens%20Sym%203%20(ii).mp3","digital.sourceChain":"[\"ia\"]","digital.format":"VBR MP3 derivative of a 78 rpm transfer; the four sides of this half are joined in one file","digital.durationSeconds":844.31,"rights.composition.value":"Public domain: Saint-Saëns died on 16 December 1921","rights.composition.status":"documented","rights.composition.sourceIds":"[\"societe\"]","rights.composition.note":"More than seventy years after the composer’s death.","rights.recording.value":"Territorial EU phonogram public-domain basis: commercial publication in 1948, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"ia\",\"pristine\",\"mw\"]","rights.recording.note":"The programme’s eu-published-before-1963 rule applies: the transferor documents the June 1948 issue as Columbia MM-747, Pristine and MusicWeb confirm the November 1947 session as Munch’s first American recording, and Columbia’s printed record catalogue for 1949 lists the eight-side set MM-747 (Munch, Nies-Berger). The 1948 catalog does not list it, which fits a mid-1948 issue. This is not US or worldwide clearance and not a Creative Commons licence.","rights.creditLine":"Camille Saint-Saëns, Symphony No. 3, Op. 78, Part II; Philharmonic-Symphony Orchestra of New York, Charles Munch, Édouard Nies-Berger (organ). Columbia Masterworks MM-747 (1948), Internet Archive transfer. Territorial EU phonogram basis only.","rights.licenseUrl":"","sources":"[{\"id\":\"ia\",\"title\":\"Internet Archive — Saint-Saens Symphony No. 3 (Munch, 1947), Columbia MM-747\",\"url\":\"https://archive.org/details/mm-747-saint-saens-sym-3-i\",\"locator\":\"Description: session date and place, issue in June 1948, set and matrix numbers, side contents, anchors at 8:47 and 6:55, organ on sides 3, 4, 7, 8, first American recording; file inventory.\",\"accessed\":\"2026-10-18\"},{\"id\":\"pristine\",\"title\":\"Pristine Classical — Munch: The Complete New York Philharmonic Recordings (PASC448)\",\"url\":\"https://www.pristineclassical.com/products/pasc448\",\"locator\":\"Munch’s first American recording; first recording of the work since Coppola’s 1930 set.\",\"accessed\":\"2026-10-18\"},{\"id\":\"mw\",\"title\":\"MusicWeb International — review of Pristine PASC448\",\"url\":\"http://musicweb-international.com/classrev/2016/Apr/Munch_NewYork_PASC448.htm\",\"locator\":\"Session, November 1947, Carnegie Hall; organist Édouard Nies-Berger; pianists Walter Hendl and Arthur Schuller.\",\"accessed\":\"2026-10-18\"},{\"id\":\"catalog\",\"title\":\"Columbia Records Inc. — Columbia Record Catalog (1949)\",\"url\":\"https://archive.org/details/columbiarecordca00unse_0\",\"locator\":\"Entry: Symphony No. 3 in C minor, Op. 78, Charles Muench conducting the Philharmonic-Symphony Orchestra of New York, E. Nies-Berger (organ), 8 sides, set MM-747. The Columbia Record Catalog (1948) at https://archive.org/details/columbiarecordca00unse has no such entry.\",\"accessed\":\"2026-10-19\"},{\"id\":\"societe\",\"title\":\"Société Camille Saint-Saëns — Chronologie 1919–1921\",\"url\":\"https://camille-saint-saens.org/1919-1921/\",\"locator\":\"16 December 1921: death at Algiers.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"8 documented; 3 unknown; 1 inferred"},{"id":"saint-saens-piano-concerto-5-andante-tagliaferro","composer":"Camille Saint-Saëns","title":"Piano Concerto No. 5 in F major, Op. 103 “Egyptian”","movement":"II. Andante","work.title":"Piano Concerto No. 5 in F major, Op. 103 “Egyptian”","work.catalogue":"Op. 103","work.movement":"II. Andante","work.version.value":"Second movement of the concerto for piano and orchestra, composed in Egypt in spring 1896; complete movement","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"henle\"]","work.version.note":"Commons describes the file as a complete piece for piano and orchestra. The orchestral edition used is not stated.","performers.value":"[{\"name\":\"Magda Tagliaferro\",\"role\":\"piano\"},{\"name\":\"Orchestre des Concerts Lamoureux\",\"role\":\"orchestra\"},{\"name\":\"Jean Fournet\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"musicweb\",\"discogs\"]","performers.note":"Named in the Commons description of this file and of the two other movements of the same performance. MusicWeb International’s review of the APR set of Tagliaferro’s 78-rpm recordings names the 1954 Concerto No. 5 with the Orchestre Lamoureux under Jean Fournet, and Discogs lists the Philips LP with the same performers. Individual orchestral players are not identified.","session.date.value":"1954","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"Commons gives the first recording date as 1954. The day and month are not stated. The file’s 2021 date is the upload date.","session.date.precision":"year","session.place.value":"Salle Apollo, Paris","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"musicweb\"]","session.place.note":"Place of recording as stated in the Commons description; MusicWeb’s review of APR 7312 gives Salle Apollo, Paris, 1954 for the Philips recording.","carrier.label.value":"Philips","carrier.label.status":"inferred","carrier.label.sourceIds":"[\"musicweb\",\"discogs\"]","carrier.label.note":"MusicWeb International’s review of APR 7312 lists the Salle Apollo recording of 1954 as a Philips recording, and Discogs lists the concerto on Philips. The Commons description itself credits a library collection and names no label.","carrier.catalogue.value":"Philips N 00664 R (10-inch LP, Netherlands, 1954)","carrier.catalogue.status":"inferred","carrier.catalogue.sourceIds":"[\"discogs\"]","carrier.catalogue.note":"Discogs gives this issue as the concerto by the same performers, Andante split across the two sides (“Andante” and “Andante (Concl.)”). Whether the Médiathèque’s file was transferred from this issue is not stated.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is given. The three movements are separate files on Commons.","transfer.credits.value":"Médiathèque Musicale Mahler, Paris 8e","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Named as the source in the Commons description; an individual transfer engineer is not identified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The Commons date field (14 August 2021) is the upload date, not a transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No restoration, equalisation or speed correction is described.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/5/56/Saint-Sa%C3%ABns_-_Concerto_pour_piano_n%C2%B05%2C_op.103_-_II._Andante_%28Magda_Tagliaferro%2C_Jean_Fournet_1954%29.flac/Saint-Sa%C3%ABns_-_Concerto_pour_piano_n%C2%B05%2C_op.103_-_II._Andante_%28Magda_Tagliaferro%2C_Jean_Fournet_1954%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; source FLAC","digital.durationSeconds":709.48,"rights.composition.value":"Public domain: Saint-Saëns died on 16 December 1921","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"societe\"]","rights.composition.note":"Commons tags the composition PD-old-70-1923. This is separate from the sound recording.","rights.recording.value":"Territorial — Commons tag PD-EU-audio for a 1954 recording","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"commons\",\"tmpl\",\"discogs\"]","rights.recording.note":"The tag asserts publication in the European Union more than 70 years ago with performers’ and producers’ rights expired. The Commons description gives the recording year, 1954; Discogs dates the Dutch Philips LP of the concerto to 1954, which supports first publication in the EU before 1956. US status is not established.","rights.creditLine":"Camille Saint-Saëns, Piano Concerto No. 5, Op. 103, II. Andante; Magda Tagliaferro, piano; Orchestre des Concerts Lamoureux, Jean Fournet. Recorded 1954, Salle Apollo, Paris. Source: Médiathèque Musicale Mahler, Paris, via Wikimedia Commons. Territorial EU public-domain tag (PD-EU-audio).","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Saint-Saëns - Concerto pour piano n°5, op.103 - II. Andante (Magda Tagliaferro, Jean Fournet 1954).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Saint-Sa%C3%ABns_-_Concerto_pour_piano_n%C2%B05,_op.103_-_II._Andante_(Magda_Tagliaferro,_Jean_Fournet_1954).flac\",\"locator\":\"Description (performers, orchestra, conductor), source credit, 1st recording date 1954, place of recording, licence tags PD-old-70-1923 and PD-EU-audio.\",\"accessed\":\"2026-10-18\"},{\"id\":\"tmpl\",\"title\":\"Wikimedia Commons — Template:PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Wording: not protected because published in the European Union more than 50 or 70 years ago and the rights of its performers and producers have expired.\",\"accessed\":\"2026-10-18\"},{\"id\":\"henle\",\"title\":\"G. Henle Verlag — Saint-Saëns, Piano Concerto no. 5 F major op. 103 (Egyptian), HN 1144, preface by Peter Jost (2018)\",\"url\":\"https://www.henle.de/Piano-Concerto-no.-5-F-major-op.-103-Egyptian/HN-1144\",\"locator\":\"Preface: composition in Egypt, March–April 1896; jubilee concert at the Salle Pleyel on 2 June 1896; the composer’s description of the Andante.\",\"accessed\":\"2026-10-18\"},{\"id\":\"musicweb\",\"title\":\"MusicWeb International — Magda Tagliaferro, The Complete 78-rpm Solo and Concerto Recordings, APR 7312\",\"url\":\"http://www.musicweb-international.com/classrev/2020/Sep/Tagliaferro-78s-7312.htm\",\"locator\":\"Review: the 1954 recording of Saint-Saëns’s Piano Concerto No. 5 with the Orchestre Lamoureux under Jean Fournet; category list: Philips recording, Salle Apollo, Paris, 1954.\",\"accessed\":\"2026-10-19\"},{\"id\":\"discogs\",\"title\":\"Discogs — Saint-Saëns: Concerto for Piano and Orchestra No. 5 in F major, Tagliaferro, Orchestre des Concerts Lamoureux, Fournet (Philips N 00664 R)\",\"url\":\"https://www.discogs.com/release/11815762-C-Saint-Sa%C3%ABns-LOrchestre-Des-Concerts-Lamoureux-Magda-Tagliaferro-Jean-Fournet-Concerto-For-Piano-A\",\"locator\":\"Year 1954; country Netherlands; 10-inch mono LP; tracklist A2 Andante, B1 Andante (Concl.).\",\"accessed\":\"2026-10-19\"},{\"id\":\"societe\",\"title\":\"Société Camille Saint-Saëns — Chronologie 1919–1921\",\"url\":\"https://camille-saint-saens.org/1919-1921/\",\"locator\":\"16 December 1921: death at Algiers.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"6 documented; 3 inferred; 3 unknown"},{"id":"satie-gymnopedie-1-laucke","composer":"Erik Satie","title":"Trois Gymnopédies","movement":"I. Lent et douloureux — guitar arrangement","work.title":"Trois Gymnopédies","work.catalogue":"","work.movement":"I. Lent et douloureux","work.version.value":"Michael Laucke’s arrangement for solo guitar","work.version.status":"documented","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performer’s description says the arrangement retains the piano original’s notes within six strings. This is the arranger’s statement, not an editorial note-by-note certification. Pitch-class comparison with the D-major piano recording supports a transposition to A; exact guitar voicings and octaves have not been score-aligned.","performers.value":"[{\"name\":\"Michael Laucke\",\"role\":\"guitar; arranger\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"The file title names the performer; the summary credits his Commons account Mlaucke and describes his arrangement.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"Commons gives 23 July 2001 as the work/file date, but does not explicitly identify it as the session date. The listening page preserves it only as a source date; the 19 November 2015 upload is not a recording date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"The file page does not identify a recording venue.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The file is described as the uploader’s own work; no source release or carrier label is established.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or physical source identifier is supplied.","transfer.credits.value":"Mlaucke uploaded the FLAC to Wikimedia Commons","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Upload credit does not establish a recording or mastering engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer or mastering date is supplied. Commons records upload on 19 November 2015 and its MP3 transcode on 25 February 2026.","transfer.processing.value":"FLAC source; Wikimedia Commons MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No original editing or mastering procedure is documented. Playback is unchanged. For comparison only, tools/compare.py rotates the guitar’s chroma features by five semitones upwards (--transpose-b -5); this changes neither the stream nor its time axis.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/a/a6/Satie_Gymnopedie_No_1_performed_by_Michael_Laucke.flac/Satie_Gymnopedie_No_1_performed_by_Michael_Laucke.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative of the Commons FLAC","digital.durationSeconds":171.89,"rights.composition.value":"Public-domain underlying piano composition, as stated on Commons","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"score\"]","rights.composition.note":"The page’s PD-because explanation concerns Satie’s death in 1925. It does not dedicate Laucke’s performance or arrangement to the public domain.","rights.recording.value":"CC BY-SA 4.0 International","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"licence\"]","rights.recording.note":"Accepted under the recording-licence rule. The copyright-holder declaration explicitly releases this work under CC BY-SA 4.0; Commons records VRT permission ticket 2016052310032124. The API’s Public domain summary conflates the composition tag with the recording and is not used as the recording’s licence.","rights.creditLine":"Erik Satie, Gymnopédie No. 1; arranged and performed by Michael Laucke (Mlaucke). Source date 23 July 2001; session date not established. Via Wikimedia Commons, CC BY-SA 4.0; streamed without editorial audio alteration.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Satie Gymnopedie No 1 performed by Michael Laucke.flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Satie_Gymnopedie_No_1_performed_by_Michael_Laucke.flac\",\"locator\":\"Summary, Licensing, VRT ticket 2016052310032124, file history and transcode status; page read directly.\",\"accessed\":\"2026-10-17\"},{\"id\":\"licence\",\"title\":\"Creative Commons Attribution-ShareAlike 4.0 International\",\"url\":\"https://creativecommons.org/licenses/by-sa/4.0/\",\"locator\":\"Recording licence linked by the copyright-holder declaration on Commons.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Mutopia 37 — Satie, Gymnopédie No. 1\",\"url\":\"https://www.mutopiaproject.org/cgibin/piece-info.cgi?id=37\",\"locator\":\"Evin Robertson’s public-domain piano encoding; local gymnopedie_1.ly, opening and alternative endings. It is not Laucke’s guitar score.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"6 documented; 6 unknown"},{"id":"satie-gymnopedie-1","composer":"Erik Satie","title":"Trois Gymnopédies","movement":"I. Lent et douloureux","work.title":"Trois Gymnopédies","work.catalogue":"","work.movement":"I. Lent et douloureux","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition, revision and any editorial interventions are not identified in the consulted recording documentation.","performers.value":"[{\"name\":\"Robin Alciatore\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"embedded\"]","performers.note":"","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"embedded\"]","session.date.note":"Commons estimates the item as circa 2008, but no session date is identified and the audio comments supply none. The estimate is not promoted to a documented recording date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"Musopen is the distributor; no original record label or physical release is named.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"embedded\"]","transfer.credits.note":"No transfer or restoration engineer is credited in the consulted sources.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Embedded encoder: Xiph.Org libVorbis I 20050304. Commons master: Ogg Vorbis, 44.1 kHz, 2 channels.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"embedded\"]","transfer.processing.note":"These are file properties, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/90/Erik_Satie_-_gymnopedies_-_la_1_ere._lent_et_douloureux.ogg/Erik_Satie_-_gymnopedies_-_la_1_ere._lent_et_douloureux.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis, 44.1 kHz, 2 channels","digital.durationSeconds":183.58857142857144,"rights.composition.value":"Original composition is public domain in the United States and ordinary life-plus-70 jurisdictions.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"work-source\",\"us-work-term\",\"author-term\"]","rights.composition.note":"The cited biography places publication in 1888 and Satie’s death in 1925. This does not determine the performance’s rights.","rights.recording.value":"Rule 1 — recording licence/release: PD-author by Robin Alciatore; Musopen recording release.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons explicitly applies PD-author to pianist Robin Alciatore and reproduces Musopen’s unrestricted public-domain recording policy. The requests concerning direct resale and attribution are stated as courtesy requests, not a CC BY-NC licence. The approximate 2008 item date is not established as the session date.","rights.creditLine":"Robin Alciatore, piano. Musopen, via Wikimedia Commons. Public-domain dedication attributed to Robin Alciatore; Musopen courtesy credit retained.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Erik Satie - gymnopedies - la 1 ere. lent et douloureux.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Erik_Satie_-_gymnopedies_-_la_1_ere._lent_et_douloureux.ogg?oldid=1232019273\",\"locator\":\"File-description wikitext revision 1232019273; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M3432550\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M3432550&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 1232019273. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3AErik+Satie+-+gymnopedies+-+la+1+ere.+lent+et+douloureux.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"upstream\",\"title\":\"Musopen: original source site and historic FAQ\",\"url\":\"http://www.musopen.com/faq.html\",\"locator\":\"The Commons description quotes the historic public-domain FAQ and requests inline Musopen credit. The original site and FAQ now redirect to musopen.org; retrieval returned HTTP 403.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work-source\",\"title\":\"Encyclopedia.com: Erik Satie\",\"url\":\"https://www.encyclopedia.com/people/literature-and-arts/music-history-composers-and-performers-biographies/erik-satie\",\"locator\":\"Carol Brennan, Contemporary Musicians: death 1 July 1925; Gymnopédies included in the publisher’s catalogue in 1888. Used for rights chronology, not recording provenance.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-work-term\",\"title\":\"Commons: US expiry for published compositions\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-US-expired\",\"locator\":\"Published works before 1931 are public domain in the United States as of 2026; the template expressly excludes sound recordings.\",\"accessed\":\"2026-10-16\"},{\"id\":\"author-term\",\"title\":\"Directive 2006/116/EC: authors’ copyright terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from 1 January after the relevant event; this citation concerns authors, not the later amended recording term.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Erik Satie - gymnopedies - la 1 ere. lent et douloureux.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1232019273&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Erik Satie - gymnopedies - la 1 ere. lent et douloureux.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"8 unknown; 3 documented; 1 inferred"},{"id":"satie-morceaux-poire","composer":"Erik Satie","title":"Trois morceaux en forme de poire","movement":"Complete · seven pieces for piano four hands","work.title":"Trois morceaux en forme de poire","work.catalogue":null,"work.movement":"Complete: Manière de commencement; Prolongation du même; I. Lentement; II. Enlevé; III. Brutal; En plus; Redite","work.version.value":"Original version for piano four hands","work.version.status":"documented","work.version.sourceIds":"[\"score\",\"sleeve\"]","work.version.note":"All seven pieces are included. The two players’ primo and secondo assignments and their performing edition are not specified on the carrier.","performers.value":"[{\"name\":\"Francis Poulenc\",\"role\":\"piano four hands\"},{\"name\":\"Jacques Février\",\"role\":\"piano four hands\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve\",\"ia\",\"bnf-1962\"]","performers.note":"Both are named as pianists on the transferred Musidisc LP and on the earlier Club français du disque issue.","session.date.value":"1959-01-14","session.date.status":"documented","session.date.sourceIds":"[\"diapason\",\"ia\"]","session.date.note":"Diapason’s reissue credits give 14 January 1959 for this work and these pianists; the Archive item gives the recording year 1959.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[]","session.place.note":"No recording venue is given in the consulted carrier, Archive or reissue credits.","carrier.label.value":"Musidisc, Collection Richesse Classique","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\"]","carrier.label.note":"","carrier.catalogue.value":"RC 717","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve\",\"ia\"]","carrier.catalogue.note":"The transferred LP is dated 1970 by the Archive uploader. This is a later issue: the same work and pianists are catalogued by the BnF on Club français du disque 272, legal deposit 1962.","carrier.matrixTakeSides.value.sideA":"band II: Manière de commencement through Piece II","carrier.matrixTakeSides.value.sideB":"band I: Piece III, En plus, Redite","carrier.matrixTakeSides.value.matrix":null,"carrier.matrixTakeSides.value.take":null,"carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"sleeve\"]","carrier.matrixTakeSides.note":"The transfer joins the work across the original LP side break. Matrix and take numbers are not supplied.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[]","transfer.credits.note":"The transfer engineer is not named. Internet Archive hosts the uploaded transfer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"The item’s 2025 upload date does not establish when the LP was transferred.","transfer.processing.value":"MP3 derivative of the uploaded FLAC transfer","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"ia-files\"]","transfer.processing.note":"The file inventory identifies the FLAC parent. Playback equipment, equalisation, side-join procedure and restoration processing are not documented.","digital.streamUrl":"https://archive.org/download/2-poulenc-fevrier-satie-3-morceaux-en-forme-de-poire/2%20Poulenc%2C%20F%C3%A9vrier%20-%20Satie%203%20morceaux%20en%20forme%20de%20poire.mp3","digital.sourceChain":"[\"bnf-1962\",\"sleeve\",\"ia\",\"ia-files\"]","digital.format":"VBR MP3 derived from an uploaded LP-transfer FLAC","digital.durationSeconds":815.5,"rights.composition.value":"Public domain under the ordinary EU life-plus-70 term; Satie died in 1925.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"manuscript\",\"score\",\"eu-term\"]","rights.composition.note":"The original score was published in 1911. This is a territorial assessment, not a worldwide permission statement.","rights.recording.value":"EU public domain on the pre-1963 lawful-publication basis: the Poulenc–Février performance was issued on Club français du disque 272 by 1962.","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"bnf-1962\",\"ia\",\"sleeve\",\"diapason\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The BnF legal-deposit record documents the 1962 issue; the 1959 session and performer/work identity connect it to the later Musidisc RC 717 transfer. Matrix-level take identity is not established. The 1970 reissue date is not used as the first-publication date. The former 50-year term expired before the 2013 extension. No Archive Creative Commons grant or US recording clearance is claimed.","rights.creditLine":"Erik Satie: Trois morceaux en forme de poire — Francis Poulenc and Jacques Février, piano four hands (1959). Club français du disque 272, published by 1962; transferred from Musidisc RC 717, hosted by Internet Archive. Territorial EU public-domain basis; US recording status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"ia\",\"title\":\"Internet Archive: Poulenc and Février play Satie\",\"url\":\"https://archive.org/metadata/2-poulenc-fevrier-satie-3-morceaux-en-forme-de-poire/metadata\",\"locator\":\"Names both pianists, recording year 1959, Musidisc RC 717 and reissue year 1970.\",\"accessed\":\"2026-10-18\"},{\"id\":\"ia-files\",\"title\":\"Internet Archive file inventory\",\"url\":\"https://archive.org/metadata/2-poulenc-fevrier-satie-3-morceaux-en-forme-de-poire/files\",\"locator\":\"Complete-work MP3 and its FLAC parent; FLAC duration 815.49 seconds; sleeve image attachments.\",\"accessed\":\"2026-10-18\"},{\"id\":\"sleeve\",\"title\":\"Musidisc RC 717: transferred LP back sleeve\",\"url\":\"https://archive.org/download/2-poulenc-fevrier-satie-3-morceaux-en-forme-de-poire/Poulenc%20Fevrier%20-%20Satie%204mains%20Musidisc%20RC%20717%202.jpg\",\"locator\":\"Performer names, catalogue, work and movement order, timings, and the split between sides A and B.\",\"accessed\":\"2026-10-18\"},{\"id\":\"bnf-1962\",\"title\":\"BnF: Satie, 3 morceaux en forme de poire; Poulenc and Février\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb37818925p\",\"locator\":\"Club français du disque 272, one 45-rpm 17-cm disc, legal-deposit publication date 1962.\",\"accessed\":\"2026-10-18\"},{\"id\":\"diapason\",\"title\":\"Les Indispensables de Diapason: Erik Satie, Enregistrements 1937 à 1959\",\"url\":\"https://www.qobuz.com/us-en/album/erik-satie-enregistrements-1937-a-1959-danco-bernac-markevitch-poulenc-milhaud/3770003441625\",\"locator\":\"Track 3 credits: Francis Poulenc, piano; Jacques Février, piano; recorded 14 January 1959. This later commercial remaster is a documentary source, not the streamed audio.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Satie: Trois morceaux en forme de poire, R.L. & Cie. 9799\",\"url\":\"https://hdl.handle.net/1802/22763\",\"locator\":\"Sibley Music Library scan of the Salabert reprint of the 1911 score; all seven movements, pp. 2–31; composer dates 1866–1925. Redite, pp. 30–31: the upper part’s repeated figure precedes its bien chanté melody; the closing dynamics are piano in the upper part and pianissimo in the lower.\",\"accessed\":\"2026-10-18\"},{\"id\":\"manuscript\",\"title\":\"BnF: Satie’s autograph, September 1903, RES-218\",\"url\":\"https://catalogue.bnf.fr/ark:/12148/cb44003526t\",\"locator\":\"Full title and the red-ink Recommendations on p. 30, signed 6 November 1903.\",\"accessed\":\"2026-10-18\"},{\"id\":\"work-history\",\"title\":\"Trois morceaux en forme de poire: composition and movement sources\",\"url\":\"https://en.wikipedia.org/wiki/Trois_Morceaux_en_forme_de_poire\",\"locator\":\"Structure and music section identifies the reused cabaret songs, drawing on Steven Moore Whiting, Satie the Bohemian.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC: term of copyright and related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1, 3 and 8: life-plus-70 authors’ term, former 50-year phonogram term, calendar-year calculation.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU: extension of the phonogram term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2)–(3): 70-year term and application to rights still protected on 1 November 2013.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","editorial.timingNote":"Seven movement-level sections follow the printed score and the transfer’s intervening pauses. Musical notes have passage precision; no bar-level listening review is claimed.","evidence":"7 documented; 3 unknown; 2 inferred"},{"id":"scarlatti-sonata-k119","composer":"Domenico Scarlatti","title":"Sonata in D major, K. 119","movement":"Allegro","work.title":"Keyboard Sonata in D major","work.catalogue":"K. 119","work.movement":"","work.version.value":"Keyboard sonata performed on piano.","work.version.status":"documented","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performer’s instrument is identified; the edition used is not.","performers.value":"[{\"name\":\"Marcelle Meyer\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"","session.date.value":"November 1954","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The author field explicitly identifies this session month. The separate September 2023 file-description and upload dates are not performance or transfer dates.","session.date.precision":"month","session.place.value":"Salle Adyar, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"","carrier.label.value":"Les Discophiles Français","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"","carrier.catalogue.value":"DF 139 1-2 (source notation)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"Commons supplies this reference for the Médiathèque musicale Mahler’s Discophiles français collection. The spacing and punctuation are retained; the reference has not been silently reinterpreted as a catalogue number, matrix or side pair.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The Médiathèque musicale Mahler’s Discophiles français collection is credited as the source, but no transfer or mastering engineer is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No restoration, equalisation, noise-reduction or editing procedure is documented for the upstream audio.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/f/f8/Domenico_Scarlatti_-_Sonate_en_r%C3%A9_majeur_Kk.119_%28Marcelle_Meyer%2C_1954%29.flac/Domenico_Scarlatti_-_Sonate_en_r%C3%A9_majeur_Kk.119_%28Marcelle_Meyer%2C_1954%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: FLAC","digital.durationSeconds":282.58666666666664,"rights.composition.value":"Commons applies PD-old-70-1923 to the composition.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The historic recording has its own separate rights statement.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\"]","rights.recording.note":"Commons applies PD-EU-audio and identifies Meyer’s November 1954 session and Les Discophiles Français DF 139 1-2. The 2023 digital-item date is not the recording date. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. A recording date alone is not represented as an independently verified first-publication date.","rights.creditLine":"Domenico Scarlatti, Sonata in D major, K. 119; Marcelle Meyer, piano, Salle Adyar, Paris, November 1954. Les Discophiles Français, source reference ‘DF 139 1-2’; Médiathèque musicale Mahler; Wikimedia Commons. European expiry claim only; US recording rights are not cleared here.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Domenico Scarlatti - Sonate en ré majeur Kk.119 (Marcelle Meyer, 1954).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Domenico_Scarlatti_-_Sonate_en_r%C3%A9_majeur_Kk.119_(Marcelle_Meyer,_1954).flac?oldid=1208738189\",\"locator\":\"File-description wikitext: work identification, Summary, Source and Licensing; file format, duration and Transcode status.\",\"accessed\":\"2026-10-16\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Domenico_Scarlatti_-_Sonate_en_r%C3%A9_majeur_Kk.119_(Marcelle_Meyer,_1954).flac#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights after 50 or 70 years; underlying composition requires a separate rights basis.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): extension applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-recordings\",\"title\":\"17 U.S.C. § 1401 — pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Section (a)(2): terms depend on first publication; post-1956 recordings fixed before 15 February 1972 remain within the statutory term until 15 February 2067.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-record-tag\",\"title\":\"Wikimedia Commons — PD-US-record warning\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-US-record\",\"locator\":\"Current template text and documentation: pre-1972 recordings may remain protected; not a free-use licence.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Domenico Scarlatti - Sonate en ré majeur Kk.119 (Marcelle Meyer, 1954).flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1208738189%7C1227005699%7C955665701%7C1220972757%7C911313164%7C963517023%7C1191098375%7C392869837%7C1189153589%7C1183107191&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Domenico Scarlatti - Sonate en ré majeur Kk.119 (Marcelle Meyer, 1954).flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3), inserting Article 10(5): extension applies to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-audio\",\"title\":\"Wikimedia Commons — recording-specific scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation concern performers’ and producers’ rights, not merely composition copyright; territorial European expiry.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"8 documented; 4 unknown"},{"id":"scarlatti-sonata-k380","composer":"Domenico Scarlatti","title":"Sonata in E major, K. 380","movement":"Andante commodo","work.title":"Sonata in E major","work.catalogue":"K. 380","work.movement":"Andante commodo","work.version.value":"Solo piano performance of the keyboard sonata","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"discography\",\"work-index\",\"score\"]","work.version.note":"A single complete sonata is hosted, not a movement from a multi-movement set. The date 1754 is retained as a Venice-manuscript copy date, not a proven composition date. Meyer’s edition and editorial interventions are unknown. The Longo reference score’s fingering, dynamics and other editorial directions are not attributed to Scarlatti or to Meyer. The two repeated halves are mapped provisionally from the score and audio report, not a note-by-note alignment.","performers.value":"[{\"name\":\"Marcelle Meyer\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"discography\"]","performers.note":"Both recording sources identify Meyer; the chronology identifies the Scarlatti piano session. No historical keyboard type is inferred from the composition’s age.","session.date.value":"November 1954","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"discography\"]","session.date.note":"Month and year are stated in the Commons Author field and chronology MaMe-C#019; no session day is known. 23 September 2023 is the Commons upload date, despite its appearance as Date and structured inception.","session.date.precision":"month","session.place.value":"Salle Adyar, Paris, France","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"discography\"]","session.place.note":"Venue stated in the opened recording sources; no session log or piano make is supplied.","carrier.label.value":"Les Discophiles Français","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"discography\"]","carrier.label.note":"Named by Commons and the recording chronology.","carrier.catalogue.value":"DF 139 1-2","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"discography\"]","carrier.catalogue.note":"Commons supplies the reference exactly as DF 139 1-2; the chronology gives DF 139 as an LP issue including K. 380. The suffix has not been decoded into a take, matrix or exact track side. First-publication date is unestablished.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"discography\"]","carrier.matrixTakeSides.note":"The consulted sources do not establish a matrix, take or pressing-specific inscription for this transfer. The catalogue suffix is not silently promoted into a matrix number.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The Médiathèque musicale Mahler collection is credited as source and Flopinot2012 as uploader, not explicitly as transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The transfer date is not supplied. The 23 September 2023 upload and 2026 MP3 transcoding are later digital events.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Restoration, equalisation, noise reduction, edits and speed correction are undocumented. The analysis’s global B major estimate is not proof of transposition, mistuning or a wrong file; the score’s key is E major and local estimates include E near the close.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/6/68/Domenico_Scarlatti_-_Sonate_en_mi_majeur_Kk.380_%28Marcelle_Meyer%2C_1954%29.flac/Domenico_Scarlatti_-_Sonate_en_mi_majeur_Kk.380_%28Marcelle_Meyer%2C_1954%29.flac.mp3","digital.sourceChain":"[\"commons\",\"discography\"]","digital.format":"Wikimedia Commons MP3 access derivative of uploaded FLAC; source credited to Médiathèque musicale Mahler, fonds Discophiles Français","digital.durationSeconds":330.5,"rights.composition.value":"Public-domain underlying composition","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"work-index\",\"biography\"]","rights.composition.note":"Commons applies PD-old-70-expired to the work; Scarlatti died in 1757. This does not establish recording rights or clear an unidentified performing edition.","rights.recording.value":"Territorial — Commons PD-EU-audio sound-recording status","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"rights-tag\"]","rights.recording.note":"The programme accepts the recording-specific PD-EU-audio statement territorially. US public-domain status is not established and is not asserted; Commons also carries its pre-1972 US-recording copyright warning. The generic public-domain metadata and composition-only tag are not the sound-recording clearance. No first-publication date is invented from November 1954.","rights.creditLine":"Domenico Scarlatti, Sonata in E major, K. 380; Marcelle Meyer, piano. Salle Adyar, Paris, November 1954 according to Commons and the recording chronology; Les Discophiles Français DF 139 1-2. Médiathèque musicale Mahler collection, via Wikimedia Commons. Territorial PD-EU-audio; US public-domain status not established.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Scarlatti Kk.380, Marcelle Meyer\",\"url\":\"https://commons.wikimedia.org/wiki/File:Domenico_Scarlatti_-_Sonate_en_mi_majeur_Kk.380_(Marcelle_Meyer,_1954).flac\",\"locator\":\"Summary, Author, DF 139 1-2 source, Licensing and File history; opened revision 1208738154. The displayed zero-bitrate transcode status is not used to deny an MP3 that the analyser successfully downloaded.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"Classical Pianists — Marcelle Meyer chronology\",\"url\":\"https://classical-pianists.net/viii/marcelle-meyer/chronology/\",\"locator\":\"MaMe-C#019: November 1954, Salle Adyar, K. 380, Les Discophiles Français DF 139 LP.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-index\",\"title\":\"IMSLP — Keyboard Sonata in E major, K.380\",\"url\":\"https://imslp.org/wiki/Keyboard_Sonata_in_E_major,_K.380_(Scarlatti,_Domenico)\",\"locator\":\"Work identity, key, Andante commodo heading and source list. The generic 1754 date is qualified as a manuscript-copy date in the listening metadata.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Scarlatti — Sonata in E major, Longo keyboard edition\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/7/7d/IMSLP691879-PMLP297350-keyboard_Sonata_in_E_major,_K.380.pdf\",\"locator\":\"Four-page score: 3/4 metre, first-half repeat after bar 40, second half and final repeat. Used for form and pitches, not to attribute later editorial dynamics or fingering to the composer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"biography\",\"title\":\"Cristina Fernandes — Scarlatti, Giuseppe Domenico, Treccani\",\"url\":\"https://www.treccani.it/enciclopedia/giuseppe-domenico-scarlatti_%28Dizionario-Biografico%29/\",\"locator\":\"Roman appointments, 1719 Portuguese service, 1729 move to Spain, manuscript-copy history and uncertain composition chronology; compared with the existing composer biography.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-tag\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Recording-specific European performers’ and producers’ rights statement.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 4 unknown"},{"id":"scarlatti-sonata-k513","composer":"Domenico Scarlatti","title":"Sonata in C major, K. 513, “Pastorale”","movement":"Moderato – Molto allegro; Presto","work.title":"Sonata in C major, K. 513, “Pastorale”","work.catalogue":"K. 513; L. S3; P. 176","work.movement":"Moderato – Molto allegro; Presto","work.version.value":"Complete two-movement sonata for keyboard, performed on harpsichord","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"catalogue\",\"score\"]","work.version.note":"Hansen’s performing edition is unidentified. The section map includes the repeat of the first movement’s Moderato and Molto allegro, followed by Presto; times are broad passage guideposts.","performers.value":"[{\"name\":\"Eliza Hansen\",\"role\":\"harpsichord\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Commons explicitly identifies Hansen and the harpsichord. The instrument’s builder, model and pitch standard are not established from the selected file’s documentation.","session.date.value":"1953-10-22/1953-10-23","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The author/session field gives 22–23 October 1953. The individual take’s day is unspecified.","session.date.precision":"range","session.place.value":"Beethovensaal, Hannover, Germany","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"Commons gives Hannover and spells the venue ‘Beetovensaal’; the conventional spelling is used here.","carrier.label.value":"Archiv","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"Label name transcribed from the source credit.","carrier.catalogue.value":"13001 AP","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"The catalogue reference supplied by the Médiathèque musicale Mahler source credit.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"The source credit does not identify a pressing matrix, take or side.","transfer.credits.value":"Commons uploader: Flopinot2012; source collection: Médiathèque musicale Mahler","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Collection and upload credits are documented; the transfer engineer is unidentified.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"13 October 2023 is the upload date. The digitisation date is unspecified.","transfer.processing.value":"Commons MP3 derivative of an uploaded FLAC","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Playback equipment, restoration and any pitch correction are unspecified.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/74/Domenico_Scarlatti_-_Sonate_en_ut_majeur_Kk.513_%28Eliza_Hansen_1953%29.flac/Domenico_Scarlatti_-_Sonate_en_ut_majeur_Kk.513_%28Eliza_Hansen_1953%29.flac.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative; uploaded source is FLAC","digital.durationSeconds":324.045782312925,"rights.composition.value":"Public domain: Scarlatti’s eighteenth-century composition","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"catalogue\",\"manuscripts\"]","rights.composition.note":"Commons applies PD-old-70-expired. The 1756 date belongs to the Venice manuscript copy. Gouin’s modern score is cited for research and is not redistributed here.","rights.recording.value":"Public domain in the European Union under Commons’ PD-EU-audio designation","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The host’s licence field is Public domain. Its licensing section also warns of continuing US protection for this pre-1972 sound recording. The EU designation does not provide worldwide clearance.","rights.creditLine":"Domenico Scarlatti, Sonata in C major, K. 513, Pastorale; Eliza Hansen, harpsichord, Hannover, 22–23 October 1953. Archiv 13001 AP; Médiathèque musicale Mahler collection; Commons upload by Flopinot2012. Commons PD-EU-audio; US recording restrictions remain.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:Domenico_Scarlatti_-_Sonate_en_ut_majeur_Kk.513_(Eliza_Hansen_1953).flac#Licensing","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Hansen, Scarlatti Sonata K. 513\",\"url\":\"https://commons.wikimedia.org/wiki/File:Domenico_Scarlatti_-_Sonate_en_ut_majeur_Kk.513_(Eliza_Hansen_1953).flac\",\"locator\":\"Description identifies the harpsichord and performer; author field supplies session range and Hannover venue. Source reference Archiv 13001 AP; licensing, file history, duration and MP3 transcode.\",\"accessed\":\"2026-10-18\"},{\"id\":\"catalogue\",\"title\":\"IMSLP — Keyboard Sonata in C major, K. 513\",\"url\":\"https://imslp.org/wiki/Keyboard_Sonata_in_C_major,_K.513_(Scarlatti,_Domenico)\",\"locator\":\"General Information: catalogue concordances, C major, keyboard, two movements: Pastorale, Moderato–Molto allegro; Presto.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Scarlatti — Sonata K. 513, Pierre Gouin edition\",\"url\":\"https://s9.imslp.org/files/imglnks/usimg/f/f0/IMSLP292935-PMLP475319-Scarlatti_Sonate_K.513.pdf\",\"locator\":\"Les Éditions Outremontaises, 2013; all four pages inspected visually. Moderato in twelve-eight; Molto allegro from bar 17; Presto in three-eight from bar 36; repeat signs and final cadence.\",\"accessed\":\"2026-10-18\"},{\"id\":\"manuscripts\",\"title\":\"Sonate K. 513 — manuscript witnesses\",\"url\":\"https://fr.wikipedia.org/wiki/Sonate_K._513\",\"locator\":\"Manuscrits: Venice XII, no. 30, Ms. 9783 (1756), copied for Maria Bárbara; also Parma XIV, no. 30.\",\"accessed\":\"2026-10-18\"},{\"id\":\"programme\",\"title\":\"Giulio d’Amore — Scarlatti Sonata in C major, K. 513\",\"url\":\"https://www.flaminioonline.it/Guide/Scarlatti/Scarlatti-Sonata513.html\",\"locator\":\"Accademia Nazionale di Santa Cecilia programme, Rome, 13 February 1998: southern Italian pastoral associations and fast toccata-like conclusion.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"10 documented; 2 unknown"},{"id":"schoenberg-quartet-2-entrueckung","composer":"Arnold Schoenberg","title":"String Quartet No. 2, Op. 10","movement":"IV. Entrückung — Sehr langsam","work.title":"String Quartet No. 2","work.catalogue":"Op. 10","work.movement":"IV. Entrückung — Sehr langsam","work.version.value":"String quartet with soprano","work.version.status":"documented","work.version.sourceIds":"[\"commons\"]","work.version.note":"The source identifies the Carmel String Quartet and Rona Israel-Kolatt. No particular score edition is supplied.","performers.value":"[{\"name\":\"Carmel String Quartet\",\"role\":\"string quartet\"},{\"name\":\"Rona Israel-Kolatt\",\"role\":\"soprano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"","session.date.value":"2007","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"Year given for this recording; the 27 April 2008 upload is not the session date.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the consulted source.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original release label is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or disc-side identifiers are supplied; the digital file format does not establish the original carrier.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or restoration engineer is identified; an uploader is not assumed to be the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not session or transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No source-transfer or restoration processing is disclosed. The access-file encoding is recorded separately.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/8/85/Schoenberg_Quartet_No._2_4th_movement.OGG/Schoenberg_Quartet_No._2_4th_movement.OGG.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative of the Wikimedia Commons Ogg Vorbis file","digital.durationSeconds":627.905,"rights.composition.value":"Public domain, as asserted in the Commons composition notice","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Commons gives Schoenberg’s death in 1951, a life-plus-70 scope and pre-1931 United States publication. This public-domain notice concerns the composition; it does not replace the quartet’s recording licence.","rights.recording.value":"Rule 1 — recording licence/release: CC BY 3.0 Unported recording permission.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-carmel-license\",\"rights-audit-cc-by-3-entity\"]","rights.recording.note":"The Commons Permission field explicitly grants free use of the Carmel Quartet’s 2007 recording under Creative Commons 3.0. MediaInfo P275 specifies Q14947546, identified by Wikidata as CC BY 3.0 Unported. The PD-old-70-expired template elsewhere concerns the composition and is not used as the recording basis.","rights.creditLine":"Arnold Schoenberg: String Quartet No. 2, Op. 10, IV. Entrückung — Carmel String Quartet and Rona Israel-Kolatt, soprano (2007). Recording: CC BY 3.0, via Wikimedia Commons; MP3 access derivative. Composition rights are separate.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Schoenberg Quartet No. 2 4th movement.OGG\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=1255091829\",\"locator\":\"Summary: description, date, source, author and permission; Licensing; File history; embedded metadata. The source revision is fixed; current file metadata was retrieved on the access date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3ASchoenberg+Quartet+No.+2+4th+movement.OGG&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 URL; source for digital.durationSeconds, digital.format and digital.streamUrl.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Schoenberg Quartet No. 2 4th movement.OGG\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1255091829&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Schoenberg Quartet No. 2 4th movement.OGG; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-carmel-license\",\"title\":\"Commons MediaInfo — Carmel recording licence\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M3948035&props=claims&format=json\",\"locator\":\"M3948035 P275 gives Q14947546 for the sound recording.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-cc-by-3-entity\",\"title\":\"Wikidata — CC BY 3.0 Unported identifier\",\"url\":\"https://www.wikidata.org/w/api.php?action=wbgetentities&ids=Q14947546&props=labels&languages=en&format=json\",\"locator\":\"English label identifies Q14947546 as Creative Commons Attribution 3.0 Unported.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"5 documented; 7 unknown"},{"id":"schoenberg-verklarte-nacht-side-1","composer":"Arnold Schoenberg","title":"Verklärte Nacht, Op. 4","movement":"LP side 1 (bars 1–228)","work.title":"Verklärte Nacht","work.catalogue":"Op. 4","work.movement":"LP side 1 (bars 1–228)","work.version.value":"Original version for two violins, two violas and two cellos; one continuous work divided across two LP sides.","work.version.status":"documented","work.version.sourceIds":"[\"sleeve\",\"session\",\"score\"]","work.version.note":"The break between bars 228 and 229 is an editorial score/audio inference: side 1 ends with the E♭-minor-to-B♭ link on score p. 25; side 2 begins with the D major Sehr breit und langsam on p. 26. Not the 1917 or 1943 string-orchestra arrangement.","performers.value":"[{\"name\":\"Felix Slatkin\",\"role\":\"first violin; Hollywood String Quartet\"},{\"name\":\"Paul Shure\",\"role\":\"second violin; Hollywood String Quartet\"},{\"name\":\"Paul Robyn\",\"role\":\"viola; Hollywood String Quartet\"},{\"name\":\"Eleanor Aller\",\"role\":\"cello; Hollywood String Quartet\"},{\"name\":\"Alvin Dinkin\",\"role\":\"second viola\"},{\"name\":\"Kurt Reher\",\"role\":\"second cello\"}]","performers.status":"documented","performers.sourceIds":"[\"session\",\"sleeve\",\"label-a\",\"label-b\"]","performers.note":"The quartet’s four members are supplemented by Dinkin and Reher. The source does not identify a conductor; none is invented.","session.date.value":"21–22 August 1950","session.date.status":"documented","session.date.sourceIds":"[\"session\"]","session.date.note":"These are recording dates, independently distinguished from the 1950 release year and 2021 transfer.","session.date.precision":"range","session.place.value":"Hollywood, California","session.place.status":"documented","session.place.sourceIds":"[\"session\"]","session.place.note":"The archive establishes the city, not a specific studio or room.","carrier.label.value":"Capitol Records — Capitol Classics","carrier.label.status":"documented","carrier.label.sourceIds":"[\"issue\",\"label-a\",\"label-b\"]","carrier.label.note":"","carrier.catalogue.value":"L-8118; mono 10-inch LP, issued 1950","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"issue\",\"label-a\",\"label-b\"]","carrier.catalogue.note":"The later P-8304 reissue is not the source carrier used here.","carrier.matrixTakeSides.value":"Side 1; printed label suffix (L-8118) Y","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label-a\"]","carrier.matrixTakeSides.note":"This is the observed printed side identification, not a claimed session matrix or take. Runout inscriptions and take numbers are not established.","transfer.credits.value":"Internet Archive; ripping operator associate-johnmark-layos","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Separate from original Capitol production and later reissue credits.","transfer.date.value":"19 November 2021","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"ripping_date 20211119100224. Sleeve-scan and upload dates are not treated as the sound-transfer date.","transfer.processing.value":"Technics SL-1200MK5 with Audio-Technica AT95e cartridge → RDL EZ-PH1 preamplifier → Focusrite Scarlett 2i2; ArchiveCD 2.2.57lp; Internet Archive MP3 derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Both side ripping notes say “scratchy disc”. FLAC comments identify SoX processing but do not establish restoration settings; scratch-sensitive onset counts are not used as musical pulse evidence.","digital.streamUrl":"https://archive.org/download/lp_schoenberg-verklaerte-nacht-op-4-transfigu_the-hollywood-string-quartet/disc1/01.01.%20Schoenberg%20Verklaerte%20Nacht%20(Part%201).mp3","digital.sourceChain":"[\"archive\",\"sleeve\",\"session\",\"issue\"]","digital.format":"MP3 (Internet Archive VBR derivative of mono vinyl LP)","digital.durationSeconds":883.22,"rights.composition.value":"The original sextet score was published in 1905; its early-publication public-domain basis in the United States is separate from rights in later editions or arrangements.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"work\",\"score\"]","rights.composition.note":"This record contains instrumental music, not a sung or recited translation of Dehmel’s poem. No later editorial score or translation licence is asserted.","rights.recording.value":"EU territorial phonogram-term basis: first lawful publication in 1950, before 1963. US recording status not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"issue\",\"term\"]","rights.recording.note":"Programme rule 3; the Arnold Schönberg Center independently identifies the 1950 original issue. No Creative Commons licence is claimed for the Archive transfer.","rights.creditLine":"Hollywood String Quartet with Alvin Dinkin and Kurt Reher; recorded in Hollywood, 21–22 August 1950. Capitol L-8118 (1950); LP transfer supplied by Internet Archive. EU territorial recording-term basis; US status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/eli/dir/2011/77/oj","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Capitol L-8118 LP transfer\",\"url\":\"https://archive.org/details/lp_schoenberg-verklaerte-nacht-op-4-transfigu_the-hollywood-string-quartet\",\"locator\":\"Metadata, disc1 MP3/FLAC files, ripping notes and digitisation lineage\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Capitol L-8118 original sleeve and label OCR\",\"url\":\"https://archive.org/download/lp_schoenberg-verklaerte-nacht-op-4-transfigu_the-hollywood-string-quartet/lp_schoenberg-verklaerte-nacht-op-4-transfigu_the-hollywood-string-quartet_djvu.txt\",\"locator\":\"Six named performers, original-version statement, composer’s programme note and label’s personal-supervision credit\",\"accessed\":\"2026-10-17\"},{\"id\":\"session\",\"title\":\"Arnold Schönberg Audio Archive: Hollywood String Quartet recording 47\",\"url\":\"https://archive.schoenberg.at/av/aufnahme.php?id_aufnahme=47&action=view\",\"locator\":\"Hollywood, California, 21–22 August 1950; all six performers. Reissue production entries are not assumed to describe the original session or this transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"issue\",\"title\":\"Arnold Schönberg Audio Archive: Capitol L 8118\",\"url\":\"https://archive.schoenberg.at/av/tontraeger.php?id_tontraeger=870&action=view\",\"locator\":\"Record 870: mono 10-inch LP, release 1950, programme notes by Arnold Schoenberg\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-a\",\"title\":\"Capitol L-8118 side-one label\",\"url\":\"https://archive.schoenberg.at/av/diskographie/Capitol-L8118-label-A.jpg\",\"locator\":\"Label visibly reads SIDE 1 and (L-8118) Y; six performer names. Runout details are not transcribed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-b\",\"title\":\"Capitol L-8118 side-two label\",\"url\":\"https://archive.schoenberg.at/av/diskographie/Capitol-L8118-label-B.jpg\",\"locator\":\"Label visibly reads SIDE 2 and (L-8118) Z; six performer names. Runout details are not transcribed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Arnold Schönberg Center: Verklärte Nacht, Op. 4, original sextet catalogue\",\"url\":\"https://archive2.schoenberg.at/compositions/werke_einzelansicht.php?werke_id=420&herkunft=allewerke\",\"locator\":\"Composition September–1 December 1899; premiere 18 March 1902; first publication 1905, Dreililien-Verlag, plate 345\",\"accessed\":\"2026-10-17\"},{\"id\":\"essay\",\"title\":\"Therese Muxeneder: Transfigured Night, Op. 4, with Schoenberg’s 1950 analysis\",\"url\":\"https://schoenberg.at/en/schoenberg/kompositionen/transfigured-night-op-4\",\"locator\":\"Poem and five-part outline; Payerbach; Dehmel letter of 12 December 1912; original sextet versus 1917/1943 orchestral versions; composer’s theme examples\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Verklärte Nacht, Dreililien 1905 sextet score, composer’s copy E1\",\"url\":\"https://archive2.schoenberg.at/compositions/manuskripte.php?werke_id=420&id_quelle=1213&id_gatt=&id_untergatt=&herkunft=allewerke\",\"locator\":\"Visually inspected pp. 2–3, 12–13, 24–27, 44–45, 50–51. Image index identifies bars 204–228 on pp. 24–25 and bars 229–250 on pp. 26–27; final page ends at bar 418.\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"Directive 2011/77/EU amending the term of phonogram protection\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj\",\"locator\":\"Article 1(2) and 1(3): term and transitional applicability on 1 November 2013\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"11 documented; 1 inferred"},{"id":"schoenberg-verklarte-nacht-side-2","composer":"Arnold Schoenberg","title":"Verklärte Nacht, Op. 4","movement":"LP side 2 (bars 229–418)","work.title":"Verklärte Nacht","work.catalogue":"Op. 4","work.movement":"LP side 2 (bars 229–418)","work.version.value":"Original version for two violins, two violas and two cellos; one continuous work divided across two LP sides.","work.version.status":"documented","work.version.sourceIds":"[\"sleeve\",\"session\",\"score\"]","work.version.note":"The break between bars 228 and 229 is an editorial score/audio inference: side 1 ends with the E♭-minor-to-B♭ link on score p. 25; side 2 begins with the D major Sehr breit und langsam on p. 26. Not the 1917 or 1943 string-orchestra arrangement.","performers.value":"[{\"name\":\"Felix Slatkin\",\"role\":\"first violin; Hollywood String Quartet\"},{\"name\":\"Paul Shure\",\"role\":\"second violin; Hollywood String Quartet\"},{\"name\":\"Paul Robyn\",\"role\":\"viola; Hollywood String Quartet\"},{\"name\":\"Eleanor Aller\",\"role\":\"cello; Hollywood String Quartet\"},{\"name\":\"Alvin Dinkin\",\"role\":\"second viola\"},{\"name\":\"Kurt Reher\",\"role\":\"second cello\"}]","performers.status":"documented","performers.sourceIds":"[\"session\",\"sleeve\",\"label-a\",\"label-b\"]","performers.note":"The quartet’s four members are supplemented by Dinkin and Reher. The source does not identify a conductor; none is invented.","session.date.value":"21–22 August 1950","session.date.status":"documented","session.date.sourceIds":"[\"session\"]","session.date.note":"These are recording dates, independently distinguished from the 1950 release year and 2021 transfer.","session.date.precision":"range","session.place.value":"Hollywood, California","session.place.status":"documented","session.place.sourceIds":"[\"session\"]","session.place.note":"The archive establishes the city, not a specific studio or room.","carrier.label.value":"Capitol Records — Capitol Classics","carrier.label.status":"documented","carrier.label.sourceIds":"[\"issue\",\"label-a\",\"label-b\"]","carrier.label.note":"","carrier.catalogue.value":"L-8118; mono 10-inch LP, issued 1950","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"issue\",\"label-a\",\"label-b\"]","carrier.catalogue.note":"The later P-8304 reissue is not the source carrier used here.","carrier.matrixTakeSides.value":"Side 2; printed label suffix (L-8118) Z","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label-b\"]","carrier.matrixTakeSides.note":"This is the observed printed side identification, not a claimed session matrix or take. Runout inscriptions and take numbers are not established.","transfer.credits.value":"Internet Archive; ripping operator associate-johnmark-layos","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Separate from original Capitol production and later reissue credits.","transfer.date.value":"19 November 2021","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"ripping_date 20211119100224. Sleeve-scan and upload dates are not treated as the sound-transfer date.","transfer.processing.value":"Technics SL-1200MK5 with Audio-Technica AT95e cartridge → RDL EZ-PH1 preamplifier → Focusrite Scarlett 2i2; ArchiveCD 2.2.57lp; Internet Archive MP3 derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Both side ripping notes say “scratchy disc”. FLAC comments identify SoX processing but do not establish restoration settings; scratch-sensitive onset counts are not used as musical pulse evidence.","digital.streamUrl":"https://archive.org/download/lp_schoenberg-verklaerte-nacht-op-4-transfigu_the-hollywood-string-quartet/disc1/02.01.%20Schoenberg%20Verklaerte%20Nacht%20(Conclusion).mp3","digital.sourceChain":"[\"archive\",\"sleeve\",\"session\",\"issue\"]","digital.format":"MP3 (Internet Archive VBR derivative of mono vinyl LP)","digital.durationSeconds":828.75,"rights.composition.value":"The original sextet score was published in 1905; its early-publication public-domain basis in the United States is separate from rights in later editions or arrangements.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"work\",\"score\"]","rights.composition.note":"This record contains instrumental music, not a sung or recited translation of Dehmel’s poem. No later editorial score or translation licence is asserted.","rights.recording.value":"EU territorial phonogram-term basis: first lawful publication in 1950, before 1963. US recording status not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"issue\",\"term\"]","rights.recording.note":"Programme rule 3; the Arnold Schönberg Center independently identifies the 1950 original issue. No Creative Commons licence is claimed for the Archive transfer.","rights.creditLine":"Hollywood String Quartet with Alvin Dinkin and Kurt Reher; recorded in Hollywood, 21–22 August 1950. Capitol L-8118 (1950); LP transfer supplied by Internet Archive. EU territorial recording-term basis; US status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/eli/dir/2011/77/oj","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Capitol L-8118 LP transfer\",\"url\":\"https://archive.org/details/lp_schoenberg-verklaerte-nacht-op-4-transfigu_the-hollywood-string-quartet\",\"locator\":\"Metadata, disc1 MP3/FLAC files, ripping notes and digitisation lineage\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Capitol L-8118 original sleeve and label OCR\",\"url\":\"https://archive.org/download/lp_schoenberg-verklaerte-nacht-op-4-transfigu_the-hollywood-string-quartet/lp_schoenberg-verklaerte-nacht-op-4-transfigu_the-hollywood-string-quartet_djvu.txt\",\"locator\":\"Six named performers, original-version statement, composer’s programme note and label’s personal-supervision credit\",\"accessed\":\"2026-10-17\"},{\"id\":\"session\",\"title\":\"Arnold Schönberg Audio Archive: Hollywood String Quartet recording 47\",\"url\":\"https://archive.schoenberg.at/av/aufnahme.php?id_aufnahme=47&action=view\",\"locator\":\"Hollywood, California, 21–22 August 1950; all six performers. Reissue production entries are not assumed to describe the original session or this transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"issue\",\"title\":\"Arnold Schönberg Audio Archive: Capitol L 8118\",\"url\":\"https://archive.schoenberg.at/av/tontraeger.php?id_tontraeger=870&action=view\",\"locator\":\"Record 870: mono 10-inch LP, release 1950, programme notes by Arnold Schoenberg\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-a\",\"title\":\"Capitol L-8118 side-one label\",\"url\":\"https://archive.schoenberg.at/av/diskographie/Capitol-L8118-label-A.jpg\",\"locator\":\"Label visibly reads SIDE 1 and (L-8118) Y; six performer names. Runout details are not transcribed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-b\",\"title\":\"Capitol L-8118 side-two label\",\"url\":\"https://archive.schoenberg.at/av/diskographie/Capitol-L8118-label-B.jpg\",\"locator\":\"Label visibly reads SIDE 2 and (L-8118) Z; six performer names. Runout details are not transcribed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"Arnold Schönberg Center: Verklärte Nacht, Op. 4, original sextet catalogue\",\"url\":\"https://archive2.schoenberg.at/compositions/werke_einzelansicht.php?werke_id=420&herkunft=allewerke\",\"locator\":\"Composition September–1 December 1899; premiere 18 March 1902; first publication 1905, Dreililien-Verlag, plate 345\",\"accessed\":\"2026-10-17\"},{\"id\":\"essay\",\"title\":\"Therese Muxeneder: Transfigured Night, Op. 4, with Schoenberg’s 1950 analysis\",\"url\":\"https://schoenberg.at/en/schoenberg/kompositionen/transfigured-night-op-4\",\"locator\":\"Poem and five-part outline; Payerbach; Dehmel letter of 12 December 1912; original sextet versus 1917/1943 orchestral versions; composer’s theme examples\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Verklärte Nacht, Dreililien 1905 sextet score, composer’s copy E1\",\"url\":\"https://archive2.schoenberg.at/compositions/manuskripte.php?werke_id=420&id_quelle=1213&id_gatt=&id_untergatt=&herkunft=allewerke\",\"locator\":\"Visually inspected pp. 2–3, 12–13, 24–27, 44–45, 50–51. Image index identifies bars 204–228 on pp. 24–25 and bars 229–250 on pp. 26–27; final page ends at bar 418.\",\"accessed\":\"2026-10-17\"},{\"id\":\"term\",\"title\":\"Directive 2011/77/EU amending the term of phonogram protection\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj\",\"locator\":\"Article 1(2) and 1(3): term and transitional applicability on 1 November 2013\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"11 documented; 1 inferred"},{"id":"schubert-8-allegro-moderato","composer":"Franz Schubert","title":"Symphony No. 8 in B minor “Unfinished”, D. 759","movement":"I. Allegro moderato","work.title":"Symphony No. 8 in B minor “Unfinished”","work.catalogue":"D. 759","work.movement":"I. Allegro moderato","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"pristine\"]","work.version.note":"The performing edition and any cuts or retouchings by the conductor are not identified in the sources consulted.","performers.value":"[{\"name\":\"Philadelphia Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Leopold Stokowski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"bolig\",\"pristine\"]","performers.note":"","session.date.value":"28 April 1927","session.date.status":"documented","session.date.sourceIds":"[\"bolig\",\"pristine\",\"archive\"]","session.date.note":"Bolig dates all three sides of the first movement (CVE-29052, -29053 and -29054) to 28 April 1927. The Internet Archive description and Pristine give the two session days (28 and 30 April 1927) for the symphony as a whole.","session.date.precision":"day","session.place.value":"Academy of Music, Philadelphia, Pennsylvania, United States","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"bolig\",\"pristine\"]","session.place.note":"","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"bolig\",\"pristine\"]","carrier.label.note":"Stokowski’s earlier acoustic recording of 1924 used the same matrix numbers without the CVE prefix and different issue numbers (Bolig lists 74894–74897 and 6459–6460); this transfer is the electrical recording of 1927 by its description, session dates and Victor numbers.","carrier.catalogue.value":"Victor 6663–6665 (album M-16)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"pristine\",\"bolig\"]","carrier.catalogue.note":"The Internet Archive description says “Originally issued as Victor 6663, 6664 & 6665. (Later as a set as M-16.)”; Pristine gives the same numbers and album. Bolig also lists later Victor and HMV issues of the same sides. The disc and side on which the movement boundary falls are not identified; the allocation of matrices to movements follows Bolig’s part numbers.","carrier.matrixTakeSides.value":"Parts 1–3: CVE-29052, take 6; CVE-29053, take 6; CVE-29054, take 6","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"bolig\",\"pristine\"]","carrier.matrixTakeSides.note":"Bolig and the Pristine producer’s note agree on the matrices and takes of the first movement. The DAHR matrix pages could not be opened on 17 October 2026 (503 error). No run-out inspection has been made of the digital surrogate.","transfer.credits.value":"Bob Varney","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The Internet Archive description reads “Transfer by Bob Varney”.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"No transfer date is identified. The Internet Archive item was added on 24 January 2011, which is an upload date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\",\"pristine\"]","transfer.processing.note":"The stylus, equalisation, speed and noise treatment are not documented. The file runs 10:28; Pristine’s own restoration runs 10:33, so the two transfers differ by a few seconds, and where the side joins fall in this file is not known.","digital.streamUrl":"https://archive.org/download/SchubertSymphonyNo.8unfinished_347/01_schubertNo.8M1.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Uploader-supplied MP3, classified as the original file by the Internet Archive (encoding history unknown); the Archive’s Ogg Vorbis file is its derivative","digital.durationSeconds":628.14,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Schubert died in 1828. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"pristine\",\"goldenbook\",\"eu-audio\",\"eu-extension\"]","rights.recording.note":"The Internet Archive item carries a CC0 licence URL declared by the uploader, which is not treated as authority to waive Victor’s rights. The pre-1963 European rule applies because the recording was made in 1927 and was on sale by January 1928 (a Victor advertisement in The Golden Book Magazine offers Records Nos. 6663-4-5), so the 50-year term expired before the 2013 extension; the exact first issue date is not established. This is territorial, not a worldwide licence. The recording was published after 1925, so a US public-domain basis is not established.","rights.recording.alternatives":"[{\"value\":\"Pre-1963 European public domain — territorial basis.\",\"sourceIds\":[\"eu-audio\",\"eu-extension\"]},{\"value\":\"CC0 — licence URL on the Internet Archive item, uploader’s declaration.\",\"sourceIds\":[\"archive\"]}]","rights.creditLine":"Franz Schubert, Symphony No. 8 in B minor “Unfinished”, I. Allegro moderato; Philadelphia Orchestra, Leopold Stokowski, April 1927. Victor 6663–6665 (album M-16); transfer by Bob Varney, Internet Archive. Rights metadata conflicts; public domain in the EU only; no worldwide recording clearance is asserted.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Schubert: Symphony No. 8 (Unfinished)\",\"url\":\"https://archive.org/details/SchubertSymphonyNo.8unfinished_347\",\"locator\":\"metadata.description: Stokowski and the Philadelphia Orchestra, recorded 28 and 30 April 1927 at the Academy of Music, Philadelphia; originally issued as Victor 6663, 6664 and 6665, later as set M-16; transfer by Bob Varney. licenseurl creativecommons.org/publicdomain/zero/1.0/; added 24 January 2011; files 01_schubertNo.8M1.mp3 (628.14 s) and 02_schubertNo.8M2.mp3 (714.73 s). Metadata read at https://archive.org/metadata/SchubertSymphonyNo.8unfinished_347.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pristine\",\"title\":\"Pristine Classical — STOKOWSKI Beethoven: Symphony No. 7; Schubert: Symphony No. 8 (1927), PASC 483\",\"url\":\"https://www.pristineclassical.com/products/pasc483\",\"locator\":\"Track list and producer’s note: Schubert Symphony No. 8, recorded 28 and 30 April 1927 in the Academy of Music, Philadelphia; matrix numbers CVE 29052-6, 29053-6, 29054-6, 29055-6, 29056-7 and 29057-7; first issued on Victor 6663 through 6665 in album M-16; Pristine’s timings 10:33 and 12:00.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bolig\",\"title\":\"John R. Bolig — His Master’s Voice Celebrity Series Recordings and Historical Reissues, 1924–1958\",\"url\":\"https://www.examenapium.it/cs/biblio/Bolig2020.pdf\",\"locator\":\"Entries DB 7–9 for Symphony No. 8 in B minor, Philadelphia Orchestra, Stokowski: first movement parts 1–3, CVE-29052-6, -29053-6 and -29054-6, 28 April 1927; second movement part 1, CVE-29055-7, 28 April 1927, parts 2 and 3, CVE-29056-7 and -29057-7, 30 April 1927; Victor 6663–6665 and later issues; Philadelphia, Academy of Music. The text was read from an extract of the book on 17 October 2026; the PDF could not be fetched directly.\",\"accessed\":\"2026-10-17\"},{\"id\":\"goldenbook\",\"title\":\"The Golden Book Magazine, January 1928 — Victor advertisement\",\"url\":\"https://commons.wikimedia.org/wiki/File:The_Golden_Book_1928-01.pdf\",\"locator\":\"PDF p. 20: Victor advertisement for Schubert’s Unfinished Symphony, Records Nos. 6663-4-5 by Leopold Stokowski and the Philadelphia Symphony Orchestra; the issue is dated January 1928 by its Commons file description. The PDF was read at https://upload.wikimedia.org/wikipedia/commons/2/20/The_Golden_Book_1928-01.pdf.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Wikipedia — Franz Schubert\",\"url\":\"https://en.wikipedia.org/wiki/Franz_Schubert\",\"locator\":\"Lead paragraph: 31 January 1797 – 19 November 1828.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights; the underlying composition requires a separate basis; territorial.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 8 documented; 1 inferred"},{"id":"schubert-8-andante-con-moto","composer":"Franz Schubert","title":"Symphony No. 8 in B minor “Unfinished”, D. 759","movement":"II. Andante con moto","work.title":"Symphony No. 8 in B minor “Unfinished”","work.catalogue":"D. 759","work.movement":"II. Andante con moto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"pristine\"]","work.version.note":"The performing edition and any cuts or retouchings by the conductor are not identified in the sources consulted.","performers.value":"[{\"name\":\"Philadelphia Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Leopold Stokowski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"bolig\",\"pristine\"]","performers.note":"","session.date.value":"28 and 30 April 1927: part 1 on 28 April, parts 2 and 3 on 30 April","session.date.status":"documented","session.date.sourceIds":"[\"bolig\",\"pristine\",\"archive\"]","session.date.note":"Bolig dates CVE-29055 (part 1) to 28 April 1927 and CVE-29056 and CVE-29057 (parts 2 and 3) to 30 April 1927; the Internet Archive description and Pristine give the two session days for the symphony. Bolig calls the movement “Allegro con moto”; the usual marking is Andante con moto.","session.date.precision":"day","session.place.value":"Academy of Music, Philadelphia, Pennsylvania, United States","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"bolig\",\"pristine\"]","session.place.note":"","carrier.label.value":"Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"bolig\",\"pristine\"]","carrier.label.note":"Stokowski’s earlier acoustic recording of 1924 used the same matrix numbers without the CVE prefix and different issue numbers (Bolig lists 74894–74897 and 6459–6460); this transfer is the electrical recording of 1927 by its description, session dates and Victor numbers.","carrier.catalogue.value":"Victor 6663–6665 (album M-16)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"pristine\",\"bolig\"]","carrier.catalogue.note":"The Internet Archive description says “Originally issued as Victor 6663, 6664 & 6665. (Later as a set as M-16.)”; Pristine gives the same numbers and album. Bolig also lists later Victor and HMV issues of the same sides. The disc and side on which the movement boundary falls are not identified; the allocation of matrices to movements follows Bolig’s part numbers.","carrier.matrixTakeSides.value":"Parts 1–3: CVE-29055, take 7 (Bolig) or take 6 (Pristine); CVE-29056, take 7; CVE-29057, take 7","carrier.matrixTakeSides.status":"disputed","carrier.matrixTakeSides.sourceIds":"[\"bolig\",\"pristine\"]","carrier.matrixTakeSides.note":"The two discographic sources agree on the matrices and on takes 7 for CVE-29056 and CVE-29057 but differ on the take of CVE-29055. Neither can be checked against a label image here, and the DAHR matrix pages could not be opened on 17 October 2026 (503 error).","carrier.matrixTakeSides.alternatives":"[{\"value\":\"CVE-29055, take 7 — Bolig.\",\"sourceIds\":[\"bolig\"]},{\"value\":\"CVE-29055, take 6 — Pristine producer’s note.\",\"sourceIds\":[\"pristine\"]}]","transfer.credits.value":"Bob Varney","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The Internet Archive description reads “Transfer by Bob Varney”.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"No transfer date is identified. The Internet Archive item was added on 24 January 2011, which is an upload date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\",\"pristine\"]","transfer.processing.note":"The stylus, equalisation, speed and noise treatment are not documented. The file runs 11:55; Pristine’s own restoration runs 12:00, so the two transfers differ by a few seconds, and where the side joins fall in this file is not known.","digital.streamUrl":"https://archive.org/download/SchubertSymphonyNo.8unfinished_347/02_schubertNo.8M2.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Uploader-supplied MP3, classified as the original file by the Internet Archive (encoding history unknown); the Archive’s Ogg Vorbis file is its derivative","digital.durationSeconds":714.73,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Schubert died in 1828. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"pristine\",\"goldenbook\",\"eu-audio\",\"eu-extension\"]","rights.recording.note":"The Internet Archive item carries a CC0 licence URL declared by the uploader, which is not treated as authority to waive Victor’s rights. The pre-1963 European rule applies because the recording was made in 1927 and was on sale by January 1928 (a Victor advertisement in The Golden Book Magazine offers Records Nos. 6663-4-5), so the 50-year term expired before the 2013 extension; the exact first issue date is not established. This is territorial, not a worldwide licence. The recording was published after 1925, so a US public-domain basis is not established.","rights.recording.alternatives":"[{\"value\":\"Pre-1963 European public domain — territorial basis.\",\"sourceIds\":[\"eu-audio\",\"eu-extension\"]},{\"value\":\"CC0 — licence URL on the Internet Archive item, uploader’s declaration.\",\"sourceIds\":[\"archive\"]}]","rights.creditLine":"Franz Schubert, Symphony No. 8 in B minor “Unfinished”, II. Andante con moto; Philadelphia Orchestra, Leopold Stokowski, April 1927. Victor 6663–6665 (album M-16); transfer by Bob Varney, Internet Archive. Rights metadata conflicts; public domain in the EU only; no worldwide recording clearance is asserted.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Schubert: Symphony No. 8 (Unfinished)\",\"url\":\"https://archive.org/details/SchubertSymphonyNo.8unfinished_347\",\"locator\":\"metadata.description: Stokowski and the Philadelphia Orchestra, recorded 28 and 30 April 1927 at the Academy of Music, Philadelphia; originally issued as Victor 6663, 6664 and 6665, later as set M-16; transfer by Bob Varney. licenseurl creativecommons.org/publicdomain/zero/1.0/; added 24 January 2011; files 01_schubertNo.8M1.mp3 (628.14 s) and 02_schubertNo.8M2.mp3 (714.73 s). Metadata read at https://archive.org/metadata/SchubertSymphonyNo.8unfinished_347.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pristine\",\"title\":\"Pristine Classical — STOKOWSKI Beethoven: Symphony No. 7; Schubert: Symphony No. 8 (1927), PASC 483\",\"url\":\"https://www.pristineclassical.com/products/pasc483\",\"locator\":\"Track list and producer’s note: Schubert Symphony No. 8, recorded 28 and 30 April 1927 in the Academy of Music, Philadelphia; matrix numbers CVE 29052-6, 29053-6, 29054-6, 29055-6, 29056-7 and 29057-7; first issued on Victor 6663 through 6665 in album M-16; Pristine’s timings 10:33 and 12:00.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bolig\",\"title\":\"John R. Bolig — His Master’s Voice Celebrity Series Recordings and Historical Reissues, 1924–1958\",\"url\":\"https://www.examenapium.it/cs/biblio/Bolig2020.pdf\",\"locator\":\"Entries DB 7–9 for Symphony No. 8 in B minor, Philadelphia Orchestra, Stokowski: first movement parts 1–3, CVE-29052-6, -29053-6 and -29054-6, 28 April 1927; second movement part 1, CVE-29055-7, 28 April 1927, parts 2 and 3, CVE-29056-7 and -29057-7, 30 April 1927; Victor 6663–6665 and later issues; Philadelphia, Academy of Music. The text was read from an extract of the book on 17 October 2026; the PDF could not be fetched directly.\",\"accessed\":\"2026-10-17\"},{\"id\":\"goldenbook\",\"title\":\"The Golden Book Magazine, January 1928 — Victor advertisement\",\"url\":\"https://commons.wikimedia.org/wiki/File:The_Golden_Book_1928-01.pdf\",\"locator\":\"PDF p. 20: Victor advertisement for Schubert’s Unfinished Symphony, Records Nos. 6663-4-5 by Leopold Stokowski and the Philadelphia Symphony Orchestra; the issue is dated January 1928 by its Commons file description. The PDF was read at https://upload.wikimedia.org/wikipedia/commons/2/20/The_Golden_Book_1928-01.pdf.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Wikipedia — Franz Schubert\",\"url\":\"https://en.wikipedia.org/wiki/Franz_Schubert\",\"locator\":\"Lead paragraph: 31 January 1797 – 19 November 1828.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights; the underlying composition requires a separate basis; territorial.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"3 unknown; 7 documented; 1 disputed; 1 inferred"},{"id":"schubert-impromptu-gflat","composer":"Franz Schubert","title":"Impromptu in G♭ major, D. 899 No. 3","movement":"Andante","work.title":"Impromptu in G♭ major","work.catalogue":"D. 899 No. 3; Op. 90 No. 3","work.movement":"Andante","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition, revision and any editorial interventions are not identified in the consulted recording documentation.","performers.value":"[{\"name\":\"Chiara Bertoglio\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"upstream\"]","performers.note":"","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"structured\",\"embedded\",\"upstream\"]","session.date.note":"The Commons date of 20 December 2012 matches the IMSLP submission date of recording #262601. The embedded tag says 2012 but does not identify a session. No recording date is established.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":"Chiara Bertoglio — digital publisher","carrier.label.status":"documented","carrier.label.sourceIds":"[\"upstream\"]","carrier.label.note":"IMSLP’s Publisher Info identifies the performer; it does not identify a physical record label.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"upstream\",\"embedded\"]","transfer.credits.note":"IMSLP credits Chiara Bertoglio as performer and publisher and Schiarak as uploader. It does not name a transfer or restoration engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"IMSLP distributes an MP3; Commons holds an Ogg Vorbis file tagged Lavc59.56.100 libvorbis and supplies an MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"upstream\",\"embedded\"]","transfer.processing.note":"Inherited M4A compatibility tags do not establish the complete intermediate encoding chain. No restoration settings are documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/3/31/Schubert%27s_Impromptu_no._3_in_G-flat_major%2C_D.899_-_Chiara_Bertoglio.ogg/Schubert%27s_Impromptu_no._3_in_G-flat_major%2C_D.899_-_Chiara_Bertoglio.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream\",\"musopen\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis, 48 kHz, 2 channels","digital.durationSeconds":357.84,"rights.composition.value":"Original composition is public domain in the United States and ordinary life-plus-70 jurisdictions.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"upstream\",\"composer-authority\",\"us-work-term\",\"author-term\"]","rights.composition.note":"No. 3 was first published in 1857; Schubert died in 1828. Modern editions are a separate rights question.","rights.recording.value":"Rule 1 — recording licence/release: CC BY 3.0 Unported.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\"]","rights.recording.note":"Commons explicitly applies cc-by-3.0 to Chiara Bertoglio’s recording and identifies the performer as author. The 20 December 2012 item/submission date is not treated as a session date.","rights.creditLine":"Chiara Bertoglio, piano. Published by Chiara Bertoglio through IMSLP, also cited by Musopen, via Wikimedia Commons. CC BY 3.0.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Schubert's Impromptu no. 3 in G-flat major, D.899 - Chiara Bertoglio.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Schubert%27s_Impromptu_no._3_in_G-flat_major,_D.899_-_Chiara_Bertoglio.ogg?oldid=1227005699\",\"locator\":\"File-description wikitext revision 1227005699; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M128915095\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M128915095&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 1227005699. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3ASchubert%27s+Impromptu+no.+3+in+G-flat+major%2C+D.899+-+Chiara+Bertoglio.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"upstream\",\"title\":\"IMSLP: 4 Impromptus, D. 899 — Chiara Bertoglio recording\",\"url\":\"https://imslp.org/wiki/4_Impromptus%2C_D.899_(Schubert%2C_Franz)\",\"locator\":\"Performances, recording #262601 (PMLP02062-03.mp3): uploader Schiarak, 20 December 2012; performer and publisher Chiara Bertoglio, CC BY 3.0. General Information: No. 3 first published 1857.\",\"accessed\":\"2026-10-16\"},{\"id\":\"musopen\",\"title\":\"Musopen: 4 Impromptus, D. 899\",\"url\":\"https://musopen.org/music/6961-4-impromptus-d-899-op-90/\",\"locator\":\"Also linked by Commons. Retrieval returned HTTP 403; no independent session evidence was obtained.\",\"accessed\":\"2026-10-16\"},{\"id\":\"composer-authority\",\"title\":\"IMSLP: Franz Schubert\",\"url\":\"https://imslp.org/wiki/Category:Schubert,_Franz\",\"locator\":\"Composer heading gives 31 January 1797–19 November 1828.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-work-term\",\"title\":\"Commons: US expiry for published compositions\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-US-expired\",\"locator\":\"Published works before 1931 are public domain in the United States as of 2026; the template expressly excludes sound recordings.\",\"accessed\":\"2026-10-16\"},{\"id\":\"author-term\",\"title\":\"Directive 2006/116/EC: authors’ copyright terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from 1 January after the relevant event; this citation concerns authors, not the later amended recording term.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Schubert's Impromptu no. 3 in G-flat major, D.899 - Chiara Bertoglio.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1208738189%7C1227005699%7C955665701%7C1220972757%7C911313164%7C963517023%7C1191098375%7C392869837%7C1189153589%7C1183107191&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Schubert's Impromptu no. 3 in G-flat major, D.899 - Chiara Bertoglio.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"7 unknown; 4 documented; 1 inferred"},{"id":"schubert-quintet-956-adagio","composer":"Franz Schubert","title":"String Quintet in C major, D. 956","movement":"II. Adagio","work.title":"String Quintet in C major","work.catalogue":"D. 956 (Op. 163)","work.movement":"II. Adagio","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"discogs\"]","work.version.note":"The performing edition is not identified. The Internet Archive file names print the posthumous opus number 163 for the work, which Schubert’s catalogue gives as D. 956.","performers.value":"[{\"name\":\"Isaac Stern\",\"role\":\"violin\"},{\"name\":\"Alexander Schneider\",\"role\":\"violin\"},{\"name\":\"Milton Katims\",\"role\":\"viola\"},{\"name\":\"Pablo Casals\",\"role\":\"cello\"},{\"name\":\"Paul Tortelier\",\"role\":\"cello\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"substack\"]","performers.note":"The Internet Archive item lists these five performers as creators; the Substack essay assigns the roles and calls the recording a Columbia release made at the Prades Festival. Which cellist plays the first cello part and which the second is not stated in any source consulted.","session.date.value":"1952 (the Casals Festival at Prades); one secondary source says July","session.date.status":"documented","session.date.sourceIds":"[\"sleeve\",\"discogs\",\"sixmoons\",\"substack\"]","session.date.note":"The LP sleeve notes say the recordings were made in Prades during the Casals Festival of 1952; the Discogs master release and a 6moons review also say 1952. Only the Substack essay by John Buxton gives a month, July 1952, so the month is not treated as established, and the day is not stated.","session.date.precision":"year","session.place.value":"Prades, France (Prades Festival); the venue within Prades is not identified","session.place.status":"documented","session.place.sourceIds":"[\"sleeve\",\"substack\",\"discogs\",\"sixmoons\"]","session.place.note":"The sleeve notes say the recordings were made in Prades during the Casals Festival of 1952. Substack says the recording was made in Prades, France during the Prades Festival; Discogs and 6moons say it was recorded at the Prades Festival in 1952.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"The label is the item’s publisher metadata and the title shown on its page.","carrier.catalogue.value":"ML 4714 / SL-183, Casals Festival at Prades, Third Series","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\"]","carrier.catalogue.note":"The Internet Archive item page prints “Columbia Masterworks (ML 4714 / SL-183)” with publication date 1953. A 1976 CBS Classics reissue (61043) and a Philips issue (A 01188 L) are listed on Discogs and are not this carrier.","carrier.matrixTakeSides.value":"Side 1, second track of the LP (file 01.02 on the Internet Archive); matrix and take numbers are not established","carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"The Internet Archive file for the Adagio is a derivative linked to a segments file, so the cut between the first movement and the Adagio is the Internet Archive’s. No matrix or take numbers appear in the sources consulted.","transfer.credits.value":"Internet Archive LP digitisation: ripped by an Internet Archive associate at the Cebu scanning centre (rip station archivelp-rip-cebu04); the cover was scanned and the item created by another associate","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item metadata names a ripping operator and a ripping scanner, a scanning centre (cebu) and a separate scanning operator. The item is listed in several vinyl collections, including the Boston Public Library’s; which physical copy was digitised is not stated.","transfer.date.value":"4 January 2021 (the ripping date recorded in the item metadata)","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The metadata gives ripping_date 20210104123741. The artwork scan date and public date are 24 November 2020 and the added date is 4 January 2021; these are separate events and the scan and upload dates are not transfer dates.","transfer.date.precision":"day","transfer.processing.value":"Technics SL1200MK5 turntable with Audio-Technica AT95e cartridge, Radio Design Labs EZ-PH1 phono preamp and Focusrite Scarlett 2i2 interface; the Adagio file is an MP3 derivative of the side","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The hardware chain is the lineage field of the item metadata; the file inventory also reports generic SoX processing of the side files, with no settings. The equalisation curve, noise treatment, original recording engineering and playing-speed accuracy are not documented and are not inferred from the equipment names.","digital.streamUrl":"https://archive.org/download/lp_casals-festival-at-prades-third-series-qui_franz-schubert-isaac-stern-alexander-schne/disc1/01.02.%20Quintet%20In%20C%20Major%2C%20Op.%20163%3A%20Second%20Movement%3A%20Adagio.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"MP3 derivative supplied by the Internet Archive","digital.durationSeconds":794.23,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"eu-term\"]","rights.composition.note":"Schubert died in 1828. This is a term calculation, not a worldwide clearance or a statement about an unidentified modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"discogs\",\"eu-audio\",\"eu-extension\"]","rights.recording.note":"The Internet Archive item gives publication date 1953 and the Discogs master release gives the year 1953, so the 50-year European term expired before the 2013 extension. The item carries no licence statement; no US public-domain basis is claimed, and the 1953 date is not independently verified against a label image.","rights.recording.alternatives":"[{\"value\":\"Pre-1963 European public domain — territorial basis, publication 1953.\",\"sourceIds\":[\"archive\",\"discogs\",\"eu-audio\",\"eu-extension\"]},{\"value\":\"No licence or rights statement on the Internet Archive item.\",\"sourceIds\":[\"archive\"]}]","rights.creditLine":"Franz Schubert, String Quintet in C major, D. 956, II. Adagio; Isaac Stern and Alexander Schneider, violins, Milton Katims, viola, Pablo Casals and Paul Tortelier, cellos; Prades Festival, 1952. Columbia Masterworks ML 4714 / SL-183, 1953; Internet Archive LP digitisation. Public domain in the EU only (pre-1963 publication); no worldwide recording clearance is asserted.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Casals Festival At Prades, Third Series: Quintet In C Major — opus 163\",\"url\":\"https://archive.org/details/lp_casals-festival-at-prades-third-series-qui_franz-schubert-isaac-stern-alexander-schne\",\"locator\":\"Item page and metadata: creators Schubert, Stern, Schneider, Katims, Casals and Tortelier; publisher Columbia Masterworks (ML 4714 / SL-183); publication date 1953; source Vinyl LP; file disc1/01.02 “Second Movement: Adagio” 794.23 s; lineage (Technics SL1200MK5, Audio-Technica AT95e, RDL EZ-PH1, Focusrite Scarlett 2i2), ripping_date 20210104123741, scanning centre cebu; no licence URL. Metadata read at https://archive.org/metadata/lp_casals-festival-at-prades-third-series-qui_franz-schubert-isaac-stern-alexander-schne.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"LP sleeve notes — Casals Festival at Prades, Third Series (Columbia Masterworks), as OCR text on the Internet Archive\",\"url\":\"https://archive.org/download/lp_casals-festival-at-prades-third-series-qui_franz-schubert-isaac-stern-alexander-schne/lp_casals-festival-at-prades-third-series-qui_franz-schubert-isaac-stern-alexander-schne_djvu.txt\",\"locator\":\"Sleeve text: “The recordings, made in Prades during the Casals Festival of 1952, are devoted to the chamber music of Schubert, Schumann and Brahms”; the Schubert Quintet in C major, Op. 163, with Stern, Schneider, Katims, Casals and Tortelier listed on the sleeve; note on the Adagio citing Einstein.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discogs\",\"title\":\"Discogs — Casals Festival At Prades, Third Series: Quintet In C Major — opus 163 (master release)\",\"url\":\"https://www.discogs.com/master/760597\",\"locator\":\"Master release: year 1953; note “Recorded at Prades Festival, 1952.” Related releases listed: Philips A 01188 L and CBS Classics 61043 (1976, ℗ 1953).\",\"accessed\":\"2026-10-17\"},{\"id\":\"substack\",\"title\":\"John Buxton — Building a Collection #24: Schubert’s String Quintet in C major\",\"url\":\"https://classicalguy.substack.com/p/building-a-collection-24-schuberts\",\"locator\":\"“The Essential Recording”: recorded by Columbia Records in July 1952 in Prades, France during the Prades Festival; players Stern (then 32), Schneider, Katims, Tortelier and Casals; Casals’s grunting audible in several places; quotes Jonathan Blumhofer’s programme note.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sixmoons\",\"title\":\"6moons — Casals & friends play Schubert’s String Quintet in C Major D956\",\"url\":\"https://6moons.com/worldmusic/casals.html\",\"locator\":\"Review of the Sony Classical Casals Edition CD: the quintet “was recorded at the Prades festival in 1952”, with Stern, Schneider, Casals, Tortelier and Katims.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Wikipedia — Franz Schubert\",\"url\":\"https://en.wikipedia.org/wiki/Franz_Schubert\",\"locator\":\"Lead paragraph: 31 January 1797 – 19 November 1828.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights; the underlying composition requires a separate basis; territorial.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 unknown; 9 documented; 1 inferred"},{"id":"schubert-winterreise-fruhlingstraum","composer":"Franz Schubert","title":"Winterreise, D. 911","movement":"11. Frühlingstraum","work.title":"Winterreise","work.catalogue":"D. 911 (Op. 89)","work.movement":"No. 11, Frühlingstraum","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"archive\",\"utz\"]","work.version.note":"Utz measures this song at 4:11, the longest side of the set; no source consulted states the performing text or the key of the transfer. The transposition from the first edition and the absolute pitch of the transfer are not established here.","performers.value":"[{\"name\":\"Hans Duhan\",\"role\":\"baritone\"},{\"name\":\"Ferdinand Foll\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"label\",\"archive\",\"utz\"]","performers.note":"The label photograph of the scanned copy names Kammersänger Hans Duhan, baritone of the Vienna State Opera, with Prof. Ferdinand Foll at the piano; the Internet Archive description names the same two performers. Utz reports that Duhan recorded nineteen songs with Foll on 27 April, 2 May and 4 May 1928 and the remaining five (Nos. 16, 17, 19, 20, 23) with Lene Orthmann on 11 July 1928, so Orthmann does not play on this side. The Commons file description names only Duhan.","session.date.value":"2 May 1928","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"utz\"]","session.date.note":"The Internet Archive description of the disc that carries this side gives the recording date. Utz lists the same three Foll session days (27 April, 2 May and 4 May 1928) without assigning songs to days, so the song-by-day assignment rests on the Internet Archive uploader’s labelling. Commons gives only the year 1928.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"utz\"]","session.place.note":"No source consulted names the studio or city of the session.","carrier.label.value":"Gramola Record (The Gramophone Company (Czechoslovakia) Limited), as printed on the scanned copy","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"The label photograph of this scanned copy shows a Gramola Record imprint, whereas the photographed first disc carries the His Master’s Voice imprint; the photographed copies of this set carry both imprints. The label gives no date, and nothing here dates the first issue or shows that the audio transfer derives from the photographed copy.","carrier.catalogue.value":"ES 386","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label\",\"commons\",\"archive\"]","carrier.catalogue.note":"The label photograph of the scanned copy prints Cat. No. ES 386, and the Commons file name and the Internet Archive description agree.","carrier.matrixTakeSides.value":"CK 2956, take 1 (run-out “Ck 2956” with I); side No. 11 (label number 0942032); reverse side: Einsamkeit (matrix BK 2957-2). Disc 6 of 12 of the set; 30 cm.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label\",\"archive\",\"commons\"]","carrier.matrixTakeSides.note":"The label photograph of the scanned copy shows the matrix and take in the run-out; the Internet Archive description and the Commons file name give the same matrix and take. The set was issued as twelve discs, one song to a side (Utz). The photograph is of one copy and does not identify the copy from which the audio was transferred.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"No transfer engineer is named. The Commons file was uploaded on 11 August 2015 by the user Patachonf and re-uploaded on 10 and 15 February 2022 by the user Mitar; the Internet Archive item was added on 25 April 2019 by the uploader recordplayer78. These are upload facts, not transfer credits.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\"]","transfer.date.note":"No transfer date is identified. Upload dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"Both hosts hold a FLAC file. The Commons duration (259.24 s) and the Internet Archive FLAC length (259.12 s) agree within 0.15 s, which suggests the same digitisation; which host received it first is not established, and the source disc, stylus, equalisation and noise treatment are undocumented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/b6/11_-_Fr%C3%BChlingstraum_%28CK_2956-1%2C_ES_386%29.flac/11_-_Fr%C3%BChlingstraum_%28CK_2956-1%2C_ES_386%29.flac.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: FLAC","digital.durationSeconds":259.23918367346937,"rights.composition.value":"Both the music and the poem are out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"wp-winterreise\",\"eu-term\"]","rights.composition.note":"Schubert died in 1828 and the poet Wilhelm Müller in 1827. This is a term calculation, not a worldwide clearance or a statement about any modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"eu-audio\",\"eu-extension\",\"archive\"]","rights.recording.note":"Commons applies PD-EU-audio to this recording, attributed to 1928. The Internet Archive item carries a Creative Commons Public Domain Mark 1.0 licence URL, which is the uploader’s assertion and is not treated as authority to waive any rights. The publication date of the original disc is not documented; the EU basis here depends on the recording being first published before 1963, which is inferred from its 1928 session. Not established as public domain in the United States.","rights.recording.alternatives":"[{\"value\":\"PD-EU-audio — European performers’ and producers’ rights claimed expired.\",\"sourceIds\":[\"commons\",\"eu-audio\"]},{\"value\":\"Public Domain Mark 1.0 — licence URL on the Internet Archive item, uploader’s assertion.\",\"sourceIds\":[\"archive\"]}]","rights.creditLine":"Franz Schubert, Winterreise, No. 11, “Frühlingstraum”, text by Wilhelm Müller; Hans Duhan, baritone, Ferdinand Foll, piano, 2 May 1928. Disc: matrix CK 2956. File via Wikimedia Commons (PD-EU-audio; territorial). Rights metadata: public domain in the EU only; no worldwide recording clearance is claimed.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — 11 - Frühlingstraum (CK 2956-1, ES 386).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:11_-_Fr%C3%BChlingstraum_(CK_2956-1,_ES_386).flac\",\"locator\":\"File-description wikitext: French description, Date 1928, Source “Hans Duhan, Gramophe(ne)”, Author “Schubert, 1827”, licence template PD-EU-audio; file history gives the 2015 and 2022 uploads.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Winterreise (Duhan), disc 6 of 12\",\"url\":\"https://archive.org/details/Winterreise11Duhan\",\"locator\":\"metadata.description: “Complete recording from 1928, part 6 of 12”; labels, catalogue number, matrix numbers, pianists and recording date(s); licenseurl creativecommons.org/publicdomain/mark/1.0/; added 25 April 2019. Metadata read at https://archive.org/metadata/Winterreise11Duhan.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Internet Archive — label photograph of the scanned copy, disc 6 of 12\",\"url\":\"https://archive.org/download/Winterreise11Duhan/Winterreise%2011%20Duhan.jpg\",\"locator\":\"Photograph of the label and run-out of the uploader’s copy: imprint, title, performers, catalogue number and run-out matrix and take, as described in the carrier fields. It dates nothing and does not show the copy from which the audio was transferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"utz\",\"title\":\"Christian Utz — Exzentrisch geformte Klang-Landschaften (ZGMTH 18, 2021)\",\"url\":\"https://www.gmth.de/zeitschrift/artikel/1132.aspx\",\"locator\":\"§2 and footnotes 23–25: the earliest complete Winterreise, Hans Duhan for HMV, nineteen songs with Ferdinand Foll on 27 April, 2 May and 4 May 1928, five with Lene Orthmann on 11 July, a set of twelve discs with one song to a side; footnote 25 and §4 for Gute Nacht’s omitted strophe and the song durations.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wp-winterreise\",\"title\":\"Wikipedia — Winterreise\",\"url\":\"https://en.wikipedia.org/wiki/Winterreise\",\"locator\":\"Lead and “Authorship and composition”: Winterreise, D. 911, Op. 89, a setting of 24 poems by Wilhelm Müller, who died in 1827; Schubert’s death on 19 November 1828; the recordings section lists the 1928 Duhan set.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Wikipedia — Franz Schubert\",\"url\":\"https://en.wikipedia.org/wiki/Franz_Schubert\",\"locator\":\"Lead paragraph: 31 January 1797 – 19 November 1828.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights; the underlying composition requires a separate basis; territorial.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"5 unknown; 6 documented; 1 inferred"},{"id":"schubert-winterreise-gute-nacht","composer":"Franz Schubert","title":"Winterreise, D. 911","movement":"1. Gute Nacht","work.title":"Winterreise","work.catalogue":"D. 911 (Op. 89)","work.movement":"No. 1, Gute Nacht","work.version.value":"Abridged: the second strophe, bars 7–38 (the seconda volta), is not sung; the song runs about 4:02","work.version.status":"documented","work.version.sourceIds":"[\"utz\",\"commons\"]","work.version.note":"Utz lists Duhan and Foll 1928 among five early recordings that omit the second strophe, probably because the song would not otherwise fit on one side, and gives a measured length of 4:02 against a calculated 5:14 with the strophe. The key, any transposition and the absolute pitch of the transfer are not established here.","performers.value":"[{\"name\":\"Hans Duhan\",\"role\":\"baritone\"},{\"name\":\"Ferdinand Foll\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"label\",\"archive\",\"utz\"]","performers.note":"The label photograph of the scanned copy names Kammersänger Hans Duhan, baritone of the Vienna State Opera, with Prof. Ferdinand Foll at the piano; the Internet Archive description names the same two performers. Utz reports that Duhan recorded nineteen songs with Foll on 27 April, 2 May and 4 May 1928 and the remaining five (Nos. 16, 17, 19, 20, 23) with Lene Orthmann on 11 July 1928, so Orthmann does not play on this side. The Commons file description names only Duhan.","session.date.value":"27 April 1928","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"utz\"]","session.date.note":"The Internet Archive description of the disc that carries this side gives the recording date. Utz lists the same three Foll session days (27 April, 2 May and 4 May 1928) without assigning songs to days, so the song-by-day assignment rests on the Internet Archive uploader’s labelling. Commons gives only the year 1928.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"utz\"]","session.place.note":"No source consulted names the studio or city of the session.","carrier.label.value":"His Master’s Voice, as printed on the scanned copy (manufactured by The Gramophone Company (Czechoslovakia) Limited, Ústí nad Labem)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"The label photograph of this scanned copy shows the His Master’s Voice imprint; the photographed copies of the later discs (3, 6, 12) carry Gramola Record labels, so the photographed copies of this set carry both imprints. The label gives no date, and nothing here dates the first issue or shows that the audio transfer derives from the photographed copy.","carrier.catalogue.value":"ES 383","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label\",\"commons\",\"archive\"]","carrier.catalogue.note":"The label photograph of the scanned copy prints Cat. No. ES 383, and the Commons file name and the Internet Archive description agree.","carrier.matrixTakeSides.value":"CK 2946, take 2 (run-out “Ck 2946” with II); side No. 1 (label number 0942026); reverse side: Die Wetterfahne (matrix CK 2947-2). Disc 1 of 12 of the set; 30 cm.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label\",\"archive\",\"commons\"]","carrier.matrixTakeSides.note":"The label photograph of the scanned copy shows the matrix and take in the run-out; the Internet Archive description and the Commons file name give the same matrix and take. The set was issued as twelve discs, one song to a side (Utz). The photograph is of one copy and does not identify the copy from which the audio was transferred.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"No transfer engineer is named. The Commons file was uploaded on 11 August 2015 by the user Patachonf and re-uploaded on 10 and 15 February 2022 by the user Mitar; the Internet Archive item was added on 25 April 2019 by the uploader recordplayer78. These are upload facts, not transfer credits.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\"]","transfer.date.note":"No transfer date is identified. Upload dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"Both hosts hold a FLAC file. The Commons duration (249.00 s) and the Internet Archive FLAC length (248.85 s) agree within 0.15 s, which suggests the same digitisation; which host received it first is not established, and the source disc, stylus, equalisation and noise treatment are undocumented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/d/de/01_-_Gute_Nacht_%28CK_2946-2%2C_ES_383%29.flac/01_-_Gute_Nacht_%28CK_2946-2%2C_ES_383%29.flac.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: FLAC","digital.durationSeconds":248.9991836734694,"rights.composition.value":"Both the music and the poem are out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"wp-winterreise\",\"eu-term\"]","rights.composition.note":"Schubert died in 1828 and the poet Wilhelm Müller in 1827. This is a term calculation, not a worldwide clearance or a statement about any modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"eu-audio\",\"eu-extension\",\"archive\"]","rights.recording.note":"Commons applies PD-EU-audio to this recording, attributed to 1928. The Internet Archive item carries a Creative Commons Public Domain Mark 1.0 licence URL, which is the uploader’s assertion and is not treated as authority to waive any rights. The publication date of the original disc is not documented; the EU basis here depends on the recording being first published before 1963, which is inferred from its 1928 session. Not established as public domain in the United States.","rights.recording.alternatives":"[{\"value\":\"PD-EU-audio — European performers’ and producers’ rights claimed expired.\",\"sourceIds\":[\"commons\",\"eu-audio\"]},{\"value\":\"Public Domain Mark 1.0 — licence URL on the Internet Archive item, uploader’s assertion.\",\"sourceIds\":[\"archive\"]}]","rights.creditLine":"Franz Schubert, Winterreise, No. 1, “Gute Nacht”, text by Wilhelm Müller; Hans Duhan, baritone, Ferdinand Foll, piano, 27 April 1928. Disc: matrix CK 2946. File via Wikimedia Commons (PD-EU-audio; territorial). Rights metadata: public domain in the EU only; no worldwide recording clearance is claimed.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — 01 - Gute Nacht (CK 2946-2, ES 383).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:01_-_Gute_Nacht_(CK_2946-2,_ES_383).flac\",\"locator\":\"File-description wikitext: French description, Date 1928, Source “Hans Duhan, Gramophe(ne)”, Author “Schubert, 1827”, licence template PD-EU-audio; file history gives the 2015 and 2022 uploads.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Winterreise (Duhan), disc 1 of 12\",\"url\":\"https://archive.org/details/Winterreise01Duhan\",\"locator\":\"metadata.description: “Complete recording from 1928, part 1 of 12”; labels, catalogue number, matrix numbers, pianists and recording date(s); licenseurl creativecommons.org/publicdomain/mark/1.0/; added 25 April 2019. Metadata read at https://archive.org/metadata/Winterreise01Duhan.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Internet Archive — label photograph of the scanned copy, disc 1 of 12\",\"url\":\"https://archive.org/download/Winterreise01Duhan/Winterreise%2001%20Duhan.jpg\",\"locator\":\"Photograph of the label and run-out of the uploader’s copy: imprint, title, performers, catalogue number and run-out matrix and take, as described in the carrier fields. It dates nothing and does not show the copy from which the audio was transferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"utz\",\"title\":\"Christian Utz — Exzentrisch geformte Klang-Landschaften (ZGMTH 18, 2021)\",\"url\":\"https://www.gmth.de/zeitschrift/artikel/1132.aspx\",\"locator\":\"§2 and footnotes 23–25: the earliest complete Winterreise, Hans Duhan for HMV, nineteen songs with Ferdinand Foll on 27 April, 2 May and 4 May 1928, five with Lene Orthmann on 11 July, a set of twelve discs with one song to a side; footnote 25 and §4 for Gute Nacht’s omitted strophe and the song durations.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wp-winterreise\",\"title\":\"Wikipedia — Winterreise\",\"url\":\"https://en.wikipedia.org/wiki/Winterreise\",\"locator\":\"Lead and “Authorship and composition”: Winterreise, D. 911, Op. 89, a setting of 24 poems by Wilhelm Müller, who died in 1827; Schubert’s death on 19 November 1828; the recordings section lists the 1928 Duhan set.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Wikipedia — Franz Schubert\",\"url\":\"https://en.wikipedia.org/wiki/Franz_Schubert\",\"locator\":\"Lead paragraph: 31 January 1797 – 19 November 1828.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights; the underlying composition requires a separate basis; territorial.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 documented; 4 unknown; 1 inferred"},{"id":"schubert-winterreise-leiermann","composer":"Franz Schubert","title":"Winterreise, D. 911","movement":"24. Der Leiermann","work.title":"Winterreise","work.catalogue":"D. 911 (Op. 89)","work.movement":"No. 24, Der Leiermann","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"archive\",\"utz\"]","work.version.note":"Utz measures this song at 3:10 against a mean of 3:41 and describes a clear slowing in its second part. No source consulted states the key of the transfer; the transposition from the first edition and the absolute pitch are not established here.","performers.value":"[{\"name\":\"Hans Duhan\",\"role\":\"baritone\"},{\"name\":\"Ferdinand Foll\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"label\",\"archive\",\"utz\"]","performers.note":"The label photograph of the scanned copy names Kammersänger Hans Duhan, baritone of the Vienna State Opera, with Prof. Ferdinand Foll at the piano; the Internet Archive description names the same two performers. Utz reports that Duhan recorded nineteen songs with Foll on 27 April, 2 May and 4 May 1928 and the remaining five (Nos. 16, 17, 19, 20, 23) with Lene Orthmann on 11 July 1928, so Orthmann does not play on this side. The Commons file description names only Duhan.","session.date.value":"4 May 1928","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"utz\"]","session.date.note":"The Internet Archive description of the disc that carries this side gives the recording date. Utz lists the same three Foll session days (27 April, 2 May and 4 May 1928) without assigning songs to days, so the song-by-day assignment rests on the Internet Archive uploader’s labelling. Commons gives only the year 1928.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"utz\"]","session.place.note":"No source consulted names the studio or city of the session.","carrier.label.value":"Gramola Record (The Gramophone Company (Czechoslovakia) Limited), as printed on the scanned copy","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"The label photograph of this scanned copy shows a Gramola Record imprint, whereas the photographed first disc carries the His Master’s Voice imprint; the photographed copies of this set carry both imprints. The label gives no date, and nothing here dates the first issue or shows that the audio transfer derives from the photographed copy.","carrier.catalogue.value":"ER 276","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label\",\"commons\",\"archive\"]","carrier.catalogue.note":"The label photograph of the scanned copy prints Cat. No. ER 276, and the Commons file name agrees. The Internet Archive text description of the disc reads “ER 376”, which the photograph does not support; the discrepancy is the uploader’s.","carrier.matrixTakeSides.value":"BK 2969, take 1 (run-out “Bk 2969” with I); side No. 24 (label number 942922); reverse side: Die Nebensonnen (matrix CL 4401-1; pianist Lene Orthmann, 11 July 1928). Disc 12 of 12 of the set; 25 cm.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label\",\"archive\",\"commons\"]","carrier.matrixTakeSides.note":"The label photograph of the scanned copy shows the matrix and take in the run-out; the Internet Archive description and the Commons file name give the same matrix and take. The set was issued as twelve discs, one song to a side (Utz). The photograph is of one copy and does not identify the copy from which the audio was transferred.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"No transfer engineer is named. The Commons file was uploaded on 11 August 2015 by the user Patachonf and re-uploaded on 10 and 15 February 2022 by the user Mitar; the Internet Archive item was added on 25 April 2019 by the uploader recordplayer78. These are upload facts, not transfer credits.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\"]","transfer.date.note":"No transfer date is identified. Upload dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"Both hosts hold a FLAC file. The Commons duration (195.50 s) and the Internet Archive FLAC length (195.41 s) agree within 0.15 s, which suggests the same digitisation; which host received it first is not established, and the source disc, stylus, equalisation and noise treatment are undocumented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/71/24_-_Der_Leiermann_%28BK_2969-1%2C_ER_276%29.flac/24_-_Der_Leiermann_%28BK_2969-1%2C_ER_276%29.flac.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: FLAC","digital.durationSeconds":195.50040816326532,"rights.composition.value":"Both the music and the poem are out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"wp-winterreise\",\"eu-term\"]","rights.composition.note":"Schubert died in 1828 and the poet Wilhelm Müller in 1827. This is a term calculation, not a worldwide clearance or a statement about any modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"eu-audio\",\"eu-extension\",\"archive\"]","rights.recording.note":"Commons applies PD-EU-audio to this recording, attributed to 1928. The Internet Archive item carries a Creative Commons Public Domain Mark 1.0 licence URL, which is the uploader’s assertion and is not treated as authority to waive any rights. The publication date of the original disc is not documented; the EU basis here depends on the recording being first published before 1963, which is inferred from its 1928 session. Not established as public domain in the United States.","rights.recording.alternatives":"[{\"value\":\"PD-EU-audio — European performers’ and producers’ rights claimed expired.\",\"sourceIds\":[\"commons\",\"eu-audio\"]},{\"value\":\"Public Domain Mark 1.0 — licence URL on the Internet Archive item, uploader’s assertion.\",\"sourceIds\":[\"archive\"]}]","rights.creditLine":"Franz Schubert, Winterreise, No. 24, “Der Leiermann”, text by Wilhelm Müller; Hans Duhan, baritone, Ferdinand Foll, piano, 4 May 1928. Disc: matrix BK 2969. File via Wikimedia Commons (PD-EU-audio; territorial). Rights metadata: public domain in the EU only; no worldwide recording clearance is claimed.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — 24 - Der Leiermann (BK 2969-1, ER 276).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:24_-_Der_Leiermann_(BK_2969-1,_ER_276).flac\",\"locator\":\"File-description wikitext: French description, Date 1928, Source “Hans Duhan, Gramophe(ne)”, Author “Schubert, 1827”, licence template PD-EU-audio; file history gives the 2015 and 2022 uploads.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Winterreise (Duhan), disc 12 of 12\",\"url\":\"https://archive.org/details/Winterreise24Duhan\",\"locator\":\"metadata.description: “Complete recording from 1928, part 12 of 12”; labels, catalogue number, matrix numbers, pianists and recording date(s); licenseurl creativecommons.org/publicdomain/mark/1.0/; added 25 April 2019. Metadata read at https://archive.org/metadata/Winterreise24Duhan.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Internet Archive — label photograph of the scanned copy, disc 12 of 12\",\"url\":\"https://archive.org/download/Winterreise24Duhan/Winterreise%2024%20Duhan.jpg\",\"locator\":\"Photograph of the label and run-out of the uploader’s copy: imprint, title, performers, catalogue number and run-out matrix and take, as described in the carrier fields. It dates nothing and does not show the copy from which the audio was transferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"utz\",\"title\":\"Christian Utz — Exzentrisch geformte Klang-Landschaften (ZGMTH 18, 2021)\",\"url\":\"https://www.gmth.de/zeitschrift/artikel/1132.aspx\",\"locator\":\"§2 and footnotes 23–25: the earliest complete Winterreise, Hans Duhan for HMV, nineteen songs with Ferdinand Foll on 27 April, 2 May and 4 May 1928, five with Lene Orthmann on 11 July, a set of twelve discs with one song to a side; footnote 25 and §4 for Gute Nacht’s omitted strophe and the song durations.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wp-winterreise\",\"title\":\"Wikipedia — Winterreise\",\"url\":\"https://en.wikipedia.org/wiki/Winterreise\",\"locator\":\"Lead and “Authorship and composition”: Winterreise, D. 911, Op. 89, a setting of 24 poems by Wilhelm Müller, who died in 1827; Schubert’s death on 19 November 1828; the recordings section lists the 1928 Duhan set.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Wikipedia — Franz Schubert\",\"url\":\"https://en.wikipedia.org/wiki/Franz_Schubert\",\"locator\":\"Lead paragraph: 31 January 1797 – 19 November 1828.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights; the underlying composition requires a separate basis; territorial.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"5 unknown; 6 documented; 1 inferred"},{"id":"schubert-winterreise-lindenbaum","composer":"Franz Schubert","title":"Winterreise, D. 911","movement":"5. Der Lindenbaum","work.title":"Winterreise","work.catalogue":"D. 911 (Op. 89)","work.movement":"No. 5, Der Lindenbaum","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"archive\",\"utz\"]","work.version.note":"The recording appears to sing all six strophes; no source consulted states the performing text or the key of the transfer. Utz classifies recordings by transposition from the first edition, but the value for this song and the absolute pitch of the transfer are not established here.","performers.value":"[{\"name\":\"Hans Duhan\",\"role\":\"baritone\"},{\"name\":\"Ferdinand Foll\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"label\",\"archive\",\"utz\"]","performers.note":"The label photograph of the scanned copy names Kammersänger Hans Duhan, baritone of the Vienna State Opera, with Prof. Ferdinand Foll at the piano; the Internet Archive description names the same two performers. Utz reports that Duhan recorded nineteen songs with Foll on 27 April, 2 May and 4 May 1928 and the remaining five (Nos. 16, 17, 19, 20, 23) with Lene Orthmann on 11 July 1928, so Orthmann does not play on this side. The Commons file description names only Duhan.","session.date.value":"2 May 1928","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"utz\"]","session.date.note":"The Internet Archive description of the disc that carries this side gives the recording date. Utz lists the same three Foll session days (27 April, 2 May and 4 May 1928) without assigning songs to days, so the song-by-day assignment rests on the Internet Archive uploader’s labelling. Commons gives only the year 1928.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"utz\"]","session.place.note":"No source consulted names the studio or city of the session.","carrier.label.value":"Gramola Record (The Gramophone Company (Czechoslovakia) Limited), as printed on the scanned copy","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"The label photograph of this scanned copy shows a Gramola Record imprint, whereas the photographed first disc carries the His Master’s Voice imprint; the photographed copies of this set carry both imprints. The label gives no date, and nothing here dates the first issue or shows that the audio transfer derives from the photographed copy.","carrier.catalogue.value":"ES 384","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label\",\"commons\",\"archive\"]","carrier.catalogue.note":"The label photograph of the scanned copy prints Cat. No. ES 384, and the Commons file name and the Internet Archive description agree.","carrier.matrixTakeSides.value":"CK 2950, take 2 (run-out “Ck 2950” with II); side No. 5 (label number 0942028); reverse side: Wasserflut (matrix CK 2951-2). Disc 3 of 12 of the set; 30 cm.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label\",\"archive\",\"commons\"]","carrier.matrixTakeSides.note":"The label photograph of the scanned copy shows the matrix and take in the run-out; the Internet Archive description and the Commons file name give the same matrix and take. The set was issued as twelve discs, one song to a side (Utz). The photograph is of one copy and does not identify the copy from which the audio was transferred.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"archive\"]","transfer.credits.note":"No transfer engineer is named. The Commons file was uploaded on 11 August 2015 by the user Patachonf and re-uploaded on 10 and 15 February 2022 by the user Mitar; the Internet Archive item was added on 25 April 2019 by the uploader recordplayer78. These are upload facts, not transfer credits.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"archive\"]","transfer.date.note":"No transfer date is identified. Upload dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\",\"archive\"]","transfer.processing.note":"Both hosts hold a FLAC file. The Commons duration (256.00 s) and the Internet Archive FLAC length (255.88 s) agree within 0.15 s, which suggests the same digitisation; which host received it first is not established, and the source disc, stylus, equalisation and noise treatment are undocumented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/8/86/05_-_Der_Lindenbaum_%28CK_2950-2%2C_ES_384%29.flac/05_-_Der_Lindenbaum_%28CK_2950-2%2C_ES_384%29.flac.mp3","digital.sourceChain":"[\"commons\",\"archive\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: FLAC","digital.durationSeconds":256,"rights.composition.value":"Both the music and the poem are out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"wp-winterreise\",\"eu-term\"]","rights.composition.note":"Schubert died in 1828 and the poet Wilhelm Müller in 1827. This is a term calculation, not a worldwide clearance or a statement about any modern edition.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"eu-audio\",\"eu-extension\",\"archive\"]","rights.recording.note":"Commons applies PD-EU-audio to this recording, attributed to 1928. The Internet Archive item carries a Creative Commons Public Domain Mark 1.0 licence URL, which is the uploader’s assertion and is not treated as authority to waive any rights. The publication date of the original disc is not documented; the EU basis here depends on the recording being first published before 1963, which is inferred from its 1928 session. Not established as public domain in the United States.","rights.recording.alternatives":"[{\"value\":\"PD-EU-audio — European performers’ and producers’ rights claimed expired.\",\"sourceIds\":[\"commons\",\"eu-audio\"]},{\"value\":\"Public Domain Mark 1.0 — licence URL on the Internet Archive item, uploader’s assertion.\",\"sourceIds\":[\"archive\"]}]","rights.creditLine":"Franz Schubert, Winterreise, No. 5, “Der Lindenbaum”, text by Wilhelm Müller; Hans Duhan, baritone, Ferdinand Foll, piano, 2 May 1928. Disc: matrix CK 2950. File via Wikimedia Commons (PD-EU-audio; territorial). Rights metadata: public domain in the EU only; no worldwide recording clearance is claimed.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-EU-audio","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — 05 - Der Lindenbaum (CK 2950-2, ES 384).flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:05_-_Der_Lindenbaum_(CK_2950-2,_ES_384).flac\",\"locator\":\"File-description wikitext: French description, Date 1928, Source “Hans Duhan, Gramophe(ne)”, Author “Schubert, 1827”, licence template PD-EU-audio; file history gives the 2015 and 2022 uploads.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — Winterreise (Duhan), disc 3 of 12\",\"url\":\"https://archive.org/details/Winterreise05Duhan\",\"locator\":\"metadata.description: “Complete recording from 1928, part 3 of 12”; labels, catalogue number, matrix numbers, pianists and recording date(s); licenseurl creativecommons.org/publicdomain/mark/1.0/; added 25 April 2019. Metadata read at https://archive.org/metadata/Winterreise05Duhan.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Internet Archive — label photograph of the scanned copy, disc 3 of 12\",\"url\":\"https://archive.org/download/Winterreise05Duhan/Winterreise%2005%20Duhan.jpg\",\"locator\":\"Photograph of the label and run-out of the uploader’s copy: imprint, title, performers, catalogue number and run-out matrix and take, as described in the carrier fields. It dates nothing and does not show the copy from which the audio was transferred.\",\"accessed\":\"2026-10-17\"},{\"id\":\"utz\",\"title\":\"Christian Utz — Exzentrisch geformte Klang-Landschaften (ZGMTH 18, 2021)\",\"url\":\"https://www.gmth.de/zeitschrift/artikel/1132.aspx\",\"locator\":\"§2 and footnotes 23–25: the earliest complete Winterreise, Hans Duhan for HMV, nineteen songs with Ferdinand Foll on 27 April, 2 May and 4 May 1928, five with Lene Orthmann on 11 July, a set of twelve discs with one song to a side; footnote 25 and §4 for Gute Nacht’s omitted strophe and the song durations.\",\"accessed\":\"2026-10-17\"},{\"id\":\"wp-winterreise\",\"title\":\"Wikipedia — Winterreise\",\"url\":\"https://en.wikipedia.org/wiki/Winterreise\",\"locator\":\"Lead and “Authorship and composition”: Winterreise, D. 911, Op. 89, a setting of 24 poems by Wilhelm Müller, who died in 1827; Schubert’s death on 19 November 1828; the recordings section lists the 1928 Duhan set.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"Wikipedia — Franz Schubert\",\"url\":\"https://en.wikipedia.org/wiki/Franz_Schubert\",\"locator\":\"Lead paragraph: 31 January 1797 – 19 November 1828.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from the following 1 January; national exceptions and editions require separate consideration.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — transitional sound-recording term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extended term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-audio\",\"title\":\"Wikimedia Commons — PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation: expiry of European performers’ and producers’ rights; the underlying composition requires a separate basis; territorial.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"5 unknown; 6 documented; 1 inferred"},{"id":"schumann-kinderszenen-almost-too-serious","composer":"Robert Schumann","title":"Kinderszenen, Op. 15","movement":"No. 10 · Fast zu ernst — Almost Too Serious","work.title":"Kinderszenen","work.catalogue":"Op. 15","work.movement":"No. 10 · Fast zu ernst — Almost Too Serious","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons-data\",\"album\"]","work.version.note":"The sources do not say which printed edition Donald Betts played from. Schumann’s Kinderszenen exist in a pre-publication printing, the 1839 first edition and its revised second issue, and Clara Schumann’s later edition; the recording is not matched to any of them here.","performers.value":"[{\"name\":\"Donald Betts\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"commons-data\",\"album\"]","performers.note":"The Commons description says only “see Musopen for performance author information”. The embedded Artist and Album Artist tags of the file name Donald Betts; the album page lists him as the pianist of Schumann’s Scenes from Childhood on the album The Inner Voice.","session.date.value":"2005-05","session.date.status":"inferred","session.date.sourceIds":"[\"album\",\"commons-data\"]","session.date.note":"The album page gives “Recorded May 2005” for the album The Inner Voice, which contains all thirteen Kinderszenen. The link from this Commons file to that album rests on its embedded tags (Album: The Inner Voice; Artist: Donald Betts; track number 10); the file itself records no session date. The Commons upload date (22 January 2008) is not a session date.","session.date.precision":"month","session.place.value":"Janet Wallace Concert Hall, Macalester College, St Paul, Minnesota, USA","session.place.status":"inferred","session.place.sourceIds":"[\"album\",\"commons-data\"]","session.place.note":"Stated on the album page for the album as a whole; the file-to-album link is by embedded tags, as for the date.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"album\"]","carrier.label.note":"The album page carries a copyright line in Donald Betts’s name and names no record label. The Commons file comes from Musopen, a free-music site, not from a commercial carrier.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"album\"]","carrier.catalogue.note":"No catalogue number is given for the album or for this track.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"album\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":"Recording and mastering: Russ Borud. Editing and design: Paul Cantrell. Production assistance: Jane C. Betts.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"album\"]","transfer.credits.note":"These are the album’s production credits. 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The extraction and encoding settings are not given; these bounds have not been checked by ear.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/8/81/20091104_Awadagin_Pratt_-_Scriabin%2C_%C3%89tude_Op._8_No._12.ogg/20091104_Awadagin_Pratt_-_Scriabin%2C_%C3%89tude_Op._8_No._12.ogg.mp3","digital.sourceChain":"[\"commons\",\"white-house\"]","digital.format":"MP3 access derivative of the Wikimedia Commons Ogg Vorbis file","digital.durationSeconds":124,"rights.composition.value":"Public domain, as stated in the Commons composition notice","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The composition is separately tagged PD-old-100.","rights.recording.value":"Rule 1 — recording-specific public-domain release: PD-USGov (US-law basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-us-government\"]","rights.recording.note":"Commons expressly applies PD-USGov to the recording or official federal-government performance, not only to the composition. Under 17 U.S.C. § 105(a), official US Government works are not protected by US copyright. This is rule 1’s recording-specific public-domain release route, not rule 2’s publication-date route; it does not establish worldwide public-domain status. Commons separately specifies CC BY 3.0 for Pratt’s performance; the speculative PD-release suggestion is not needed.","rights.creditLine":"Alexander Scriabin: Étude in D♯ minor, Op. 8 No. 12 — Awadagin Pratt, piano, White House Classical Music Student Workshop Concert, 4 November 2009. Performance credited under CC BY 3.0; official White House recording public domain in the United States. Excerpt via Wikimedia Commons.","rights.licenseUrl":"https://creativecommons.org/licenses/by/3.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:20091104 Awadagin Pratt - Scriabin, Étude Op. 8 No. 12.ogg\",\"url\":\"https://commons.wikimedia.org/w/index.php?oldid=955665701\",\"locator\":\"Summary: description, date, source, author and permission; Licensing; File history; embedded metadata. The source revision is fixed; current file metadata was retrieved on the access date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"media\",\"title\":\"Wikimedia Commons audio metadata API\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&titles=File%3A20091104+Awadagin+Pratt+-+Scriabin%2C+%C3%89tude+Op.+8+No.+12.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cderivatives&format=json&formatversion=2\",\"locator\":\"videoinfo[0]: duration, source MIME type and MP3 URL; source for digital.durationSeconds, digital.format and digital.streamUrl.\",\"accessed\":\"2026-10-16\"},{\"id\":\"white-house\",\"title\":\"The White House — White House Workshop: Classical Music\",\"url\":\"https://obamawhitehouse.archives.gov/photos-and-video/video/white-house-workshop-classical-music\",\"locator\":\"Video heading and description: 4 November 2009, public domain; transcript names Awadagin Pratt on piano and the East Room. The pasted transcript’s press-release line says 26 October; it is not treated as a separate performance date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:20091104 Awadagin Pratt - Scriabin, Étude Op. 8 No. 12.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1208738189%7C1227005699%7C955665701%7C1220972757%7C911313164%7C963517023%7C1191098375%7C392869837%7C1189153589%7C1183107191&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:20091104 Awadagin Pratt - Scriabin, Étude Op. 8 No. 12.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-us-government\",\"title\":\"17 U.S.C. § 105 — United States Government works\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/105\",\"locator\":\"Subsection (a): US copyright protection is unavailable for works of the US Government; historical notes distinguish foreign protection.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"5 unknown; 6 documented; 1 not applicable"},{"id":"scriabin-sonata-5","composer":"Alexander Scriabin","title":"Piano Sonata No. 5, Op. 53","movement":"Complete · Allegro impetuoso con stravaganza","work.title":"Piano Sonata No. 5 in F-sharp major","work.catalogue":"Op. 53","work.movement":"Complete, in one movement","work.version.value":"Original solo-piano work","work.version.status":"documented","work.version.sourceIds":"[\"score\",\"sleeve\"]","work.version.note":"The performing edition is not identified on the carrier.","performers.value":"[{\"name\":\"Victor Merzhanov\",\"role\":\"piano\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve\"]","performers.note":"The sleeve uses this English spelling; the Archive creator field also gives the pianist’s name in Russian.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[]","session.date.note":"No recording date is supplied. 1958 is the LP publication year, not a session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[]","session.place.note":"No session location is supplied by the carrier or Archive metadata.","carrier.label.value":"Monitor Records","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve\",\"ia\"]","carrier.label.note":"","carrier.catalogue.value":"MC 2013 / MC-2013","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve\",\"ia\"]","carrier.catalogue.note":"United States LP, issued in 1958.","carrier.matrixTakeSides.value.side":"2","carrier.matrixTakeSides.value.band":"1","carrier.matrixTakeSides.value.matrix":null,"carrier.matrixTakeSides.value.take":null,"carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"sleeve\",\"ia-files\"]","carrier.matrixTakeSides.note":"The band and side are identified; no matrix or take number is supplied.","transfer.credits.value":"Internet Archive LP digitisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"ia\"]","transfer.credits.note":"Institutional contributor; no personal account identifiers are reproduced.","transfer.date.value":"2019-12-11","transfer.date.status":"documented","transfer.date.sourceIds":"[\"ia\"]","transfer.date.note":"The Archive ripping_date is 20191211032814; the separately recorded sleeve-scanning date is not used.","transfer.processing.value":"Technics SL1200MK5 with Audio-Technica AT95e → Radio Design Labs EZ-PH1 → Focusrite Scarlett 2i2","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"ia\"]","transfer.processing.note":"The lineage documents the playback chain. Equalisation and restoration settings are not supplied.","digital.streamUrl":"https://archive.org/download/lp_merzhanov-plays-brahms-paganini-variations/disc1/02.01.%20Sonata%20No.5%20Op.53.mp3","digital.sourceChain":"[\"sleeve\",\"ia\",\"ia-files\"]","digital.format":"VBR MP3, Internet Archive LP transfer","digital.durationSeconds":706.6,"rights.composition.value":"Public domain under the ordinary EU life-plus-70 term; Scriabin died in 1915.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"score\",\"eu-term\"]","rights.composition.note":"Territorial copyright assessment, not a worldwide permission statement.","rights.recording.value":"EU public domain on the pre-1963 lawful-publication basis: Monitor MC 2013 was published in 1958.","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"ia\",\"sleeve\",\"contemporary-review\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"High Fidelity’s September 1958 review lists the exact Monitor MC 2013 programme, pianist and retail price, establishing commercial publication by that date. The former 50-year term expired before the 2013 extension. This is the repository’s eu-published-before-1963 basis, not an Archive Creative Commons grant. United States recording rights are not established.","rights.creditLine":"Alexander Scriabin: Piano Sonata No. 5, Op. 53 — Victor Merzhanov, piano. Monitor MC 2013 (1958); transfer by Internet Archive. Territorial EU public-domain basis; US recording status not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"ia\",\"title\":\"Internet Archive: Merzhanov plays Brahms, Paganini Variations / Scriabin Sonata No. 5\",\"url\":\"https://archive.org/metadata/lp_merzhanov-plays-brahms-paganini-variations/metadata\",\"locator\":\"Creator, publisher, catalogue, 1958 publication date, source medium, contributor, ripping_date and lineage.\",\"accessed\":\"2026-10-18\"},{\"id\":\"ia-files\",\"title\":\"Internet Archive file inventory\",\"url\":\"https://archive.org/metadata/lp_merzhanov-plays-brahms-paganini-variations/files\",\"locator\":\"disc1/02.01. Sonata No.5 Op.53.mp3; VBR MP3 derivative.\",\"accessed\":\"2026-10-18\"},{\"id\":\"sleeve\",\"title\":\"Monitor MC 2013: original sleeve and labels\",\"url\":\"https://archive.org/download/lp_merzhanov-plays-brahms-paganini-variations/lp_merzhanov-plays-brahms-paganini-variations_djvu.txt\",\"locator\":\"Victor Merzhanov, piano; side two, band 1. Leonard Altman’s historical work-date statements are not used.\",\"accessed\":\"2026-10-18\"},{\"id\":\"contemporary-review\",\"title\":\"High Fidelity, September 1958 — review of Monitor MC 2013\",\"url\":\"https://worldradiohistory.com/Archive-All-Audio/Archive-High-Fidelity/50s/High-Fidelity-1958-Sep.pdf\",\"locator\":\"Printed p. 62, PDF p. 64: Brahms Paganini Variations; Scriabin Sonata No. 5 and four études; Victor Merzhanov, piano; Monitor MC 2013, 12-inch LP, $4.98. Establishes commercial availability before 1963.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Scriabin: Fifth Sonata, author’s edition; Sibley Music Library scan\",\"url\":\"https://hdl.handle.net/1802/30620\",\"locator\":\"Complete score, pp. 2–19; library authority gives Scriabin’s death in 1915. The library dates its copy 1910; IMSLP catalogues the engraving as the author’s edition of about 1908.\",\"accessed\":\"2026-10-18\"},{\"id\":\"larner\",\"title\":\"Gerald Larner: Piano Sonata No. 5 in F-sharp major, Op. 53 (1907)\",\"url\":\"https://geraldlarner.com/work/scriabin-piano-sonata-no-5-in-f-sharp-major-op-53-1907\",\"locator\":\"One-movement form, themes, development and final E-flat-major climax.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC: term of copyright and related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1, 3 and 8: life-plus-70 authors’ term, former 50-year phonogram term, calendar-year calculation.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU: extension of the phonogram term\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2)–(3): 70-year term and application to rights still protected on 1 November 2013.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","editorial.timingNote":"Seven broad score-proportion sections follow the score’s thematic order and the transfer’s recurring contrasts. Notes use passage precision; no bar-level listening review or score alignment is claimed.","evidence":"8 documented; 2 unknown; 2 inferred"},{"id":"shostakovich-5-allegretto","composer":"Dmitri Shostakovich","title":"Symphony No. 5 in D minor, Op. 47","movement":"II. Allegretto","work.title":"Symphony No. 5 in D minor","work.catalogue":"Op. 47","work.movement":"II. Allegretto","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"sleeve-labels\",\"score-editorial\",\"score\"]","work.version.note":"The work and movement are identified, but the exact performing edition is not. The historical score supports broad orchestration and formal observations, not a claim of bar-exact agreement with Rodzinski’s materials. The movement is the entire supplied source track; no local audio edit is made. The set’s finale has a separately disclosed reported cut.","performers.value":"[{\"name\":\"Philharmonic Symphony Orchestra of London\",\"role\":\"orchestra\"},{\"name\":\"Artur Rodzinski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve-labels\",\"archive\",\"reissue-session\",\"label-reissue\",\"work-history\"]","performers.note":"Original sleeve and labels establish the displayed credit. Later Westminster reissue documentation and the publisher’s discography identify the orchestra as the Royal Philharmonic Orchestra. That cross-identification is not substituted silently for the original label credit; individual players and soloists are not established.","session.date.value":"1954-10-02 to 1954-10-14","session.date.status":"inferred","session.date.sourceIds":"[\"reissue-session\",\"work-history\",\"sleeve-labels\"]","session.date.note":"CiNii’s record for Westminster MVCW-18008 explicitly gives this range; the publisher independently lists the Rodzinski/Royal Philharmonic recording as 1954. Applying those reissue data to this differently credited LP is an inference. No original session ledger or precise movement-by-movement day has been located. 1956 is the selected LP’s publication year, not an invented session date.","session.date.precision":"range","session.place.value":"Walthamstow Hall, London","session.place.status":"inferred","session.place.sourceIds":"[\"reissue-session\"]","session.place.note":"Venue transcribed exactly from the reissue catalogue record. The original LP does not supply a venue. Its linkage to the selected LP is the same qualified inference as the session-date attribution; no more specific hall name is invented.","carrier.label.value":"Westminster","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve-labels\",\"archive\"]","carrier.label.note":"Original sleeve and labels; commercially issued Vinyl LP, Made in U.S.A. Sleeve ©1956 Westminster Recording Sales Corp.","carrier.catalogue.value":"WN 18001 (disc labels); XWN 18001 (sleeve)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve-labels\",\"archive\"]","carrier.catalogue.note":"Both forms are visually present on the source object. These identify the selected 1956 issue, not an asserted first edition worldwide. The publisher lists an earlier 1955 Nixa issue of the attributed 1954 performance.","carrier.matrixTakeSides.value":"Side 1: XTV 22720; movement 2 on that side","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"sleeve-labels\",\"track-metadata\"]","carrier.matrixTakeSides.note":"Label matrix is legible in the scan. Side 1 contains Moderato/Allegretto; side 2 contains Largo/Allegro non troppo. Take numbers and faint runout/stamper suffixes are unknown and are not guessed.","transfer.credits.value":"Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The explicit ripping_operator field is credited, not the different uploader/cataloguing operator. A separately named restoration engineer and original recording engineer are unknown.","transfer.date.value":"2021-09-15","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Derived from the explicit ripping_date field 20210915005548. This is not inferred from publicdate, scandate, addeddate or a later derivative timestamp; timezone is unspecified.","transfer.processing.value":"LP transfer: Technics SL1200MK5 / Audio-Technica AT95e → Radio Design Labs EZ-PH1 → Focusrite Scarlett 2i2; ArchiveCD 2.2.57lp; source-side 24-bit FLAC and Internet Archive VBR MP3 derivatives","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"track-metadata\",\"sleeve-labels\"]","transfer.processing.note":"Hardware lineage and ripping software are explicit metadata. Original side FLAC tags say Processed by SoX; exact filtering, declicking, gain, speed calibration and derivative segmentation parameters are unknown. The sleeve’s Panorthophonic tape-recording and RIAA-mastering statements concern the original production, not a modern restoration recipe. No local speed correction, normalization, splice or replacement audio was applied.","digital.streamUrl":"https://archive.org/download/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony/disc1/01.02.%20Symphony%20No.%205%20Op.%2047%3A%20Allegretto.mp3","digital.sourceChain":"[\"sleeve-labels\",\"archive\",\"track-metadata\"]","digital.format":"Internet Archive VBR MP3 derivative of the LP side transfer; decoded duration rounded from cache/analysis/shostakovich-5-allegretto.txt","digital.durationSeconds":267.8,"rights.composition.value":"Not cleared as public domain in the EU or US; composition rights remain separate from the historic recording basis","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"bso\",\"eu-term\",\"score-catalogue\"]","rights.composition.note":"Shostakovich died in 1975. The ordinary EU life-plus-70 calculation runs through 2045; this is not a global clearance or a statement of a US expiry date. IMSLP identifies the work as non-public-domain in the EU and US. The inspected score is territorially hosted as public domain in Taiwan and is cited, not republished. No composition licence is asserted.","rights.recording.value":"Rule 3: territorial EU historic-recording basis; commercial circulation documented by December 1955, selected LP issue dated 1956","rights.recording.status":"documented","rights.recording.sourceIds":"[\"sleeve-labels\",\"archive\",\"work-history\",\"label-reissue\",\"contemporary-review\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The original Westminster sleeve/labels and album metadata establish the selected 1956 WN 18001/XWN 18001 issue. A visually inspected High Fidelity review, December 1955, p. 80, already names this London orchestra, Rodzinski, his second recording of the Fifth and Westminster catalogue 18001; the review prints SWN 18001 and erroneously calls the symphony D major, so those details are not silently normalized. The publisher also lists Nixa WLP 20004 in 1955. First lawful publication anywhere before 1963 is the rule; no EU-first-release claim is required or made. source.rights.published 1956 remains a conservative upper bound tied to the selected physical issue, not a first-release date. Even using 1956, the ordinary 50-year recording term had expired before the 2013 extension. US sound-recording status is not established. Complete item metadata, original side-transfer provenance and scans disclose no Creative Commons non-commercial condition or separate upstream digital source. This is not a worldwide public-domain or composition-rights clearance.","rights.creditLine":"Shostakovich, Symphony No. 5 in D minor, Op. 47, II. Allegretto — Philharmonic Symphony Orchestra of London, Artur Rodzinski. Westminster WN 18001/XWN 18001, issued 1956; side 1, XTV 22720. Session attributed by reissue documentation to 2–14 October 1954, Walthamstow Hall, London. Internet Archive LP transfer, 15 September 2021. Territorial EU recording basis only; US status and composition clearance not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — complete Westminster album metadata\",\"url\":\"https://archive.org/metadata/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony\",\"locator\":\"Complete metadata and files: publication date 1956; US; Westminster WN 18001/XWN 18001; Vinyl LP; explicit ripping_date, ripping_operator and hardware lineage; original side FLACs and individual VBR MP3 derivatives. No licenseurl or non-commercial condition is present.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-labels\",\"title\":\"Westminster WN 18001 / XWN 18001 — original sleeve and labels\",\"url\":\"https://archive.org/download/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony.pdf\",\"locator\":\"Four-page scan visually inspected. PDF p. 2: XWN 18001, ©1956 Westminster Recording Sales Corp., Philharmonic Symphony Orchestra of London/Artur Rodzinski, Peter Hugh Reed notes, tape recording by Panorthophonic technique and RIAA mastering. P. 3: WN 18001, side 1, XTV 22720. P. 4: WN 18001, side 2, XTV 22721; Made in U.S.A. Faint runout suffixes are not transcribed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"track-metadata\",\"title\":\"Internet Archive — disc and track metadata\",\"url\":\"https://archive.org/download/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony/disc-metadata.json\",\"locator\":\"Album dated 1956; side 1 tracks Moderato/Allegretto, side 2 tracks Largo/Allegro Non Troppo. The four selected files are tracks from this source LP, not alternative performances.\",\"accessed\":\"2026-10-17\"},{\"id\":\"reissue-session\",\"title\":\"CiNii Books — Westminster MVCW-18008, Symphony No. 5\",\"url\":\"https://ci.nii.ac.jp/ncid/BA40424469\",\"locator\":\"1997 CD catalogue record, Royal Philharmonic Orchestra/Artur Rodzinski. Note: Recorded October 2 to 14, 1954, Walthamstow Hall, London. These are reissue-session data; the link to the differently named original LP orchestra is inferential, not a session ledger reproduced on the LP.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-history\",\"title\":\"DSCH Publishers — Symphony No. 5, Op. 47: history and discography\",\"url\":\"https://shostakovich-en.ru/140en\",\"locator\":\"Composition 1937; premiere 21 November 1937, Leningrad Philharmonic Orchestra/Mravinsky; first score publication 1939; contemporary reception documents; introduction to the 1956 score. Discography lists Rodzinski/Royal Philharmonic, 1954, Nixa WLP 20004, mono, 1955. The latter is an earlier-publication lead, not needed to establish the documented 1956 upper bound for the selected LP.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-editorial\",\"title\":\"DSCH Publishers — New Collected Works, volume 5 editorial account\",\"url\":\"https://shostakovich-en.ru/272en\",\"locator\":\"Instrumentation and historical score editions (1939, 1947, 1956, 1961); manuscript not located; uncertainty about authorial sanction for some 1961 changes. Does not identify Rodzinski’s performing edition.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Symphony No. 5, Op. 47, historical full-score catalogue\",\"url\":\"https://imslp.org/wiki/Symphony_No.5%2C_Op.47_%28Shostakovich%2C_Dmitry%29\",\"locator\":\"Historical full score, item 1014274, Muzgiz plate M. 16313 Г, circa 1939, Edition Musicus reprint. PML-Asia territorial public-domain hosting; the catalogue marks the work non-public-domain in Canada, the US and the EU. No score file is republished by this package.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Symphony No. 5 — inspected historical full score\",\"url\":\"https://imslp.tw/uploads/PMLASIA01319-Shostakovich_Fifth_Symphony%2C__Op__47_-_Full_Score.pdf\",\"locator\":\"Printed pp. 52–84; PDF pp. 54–86. 170-page PDF; printed pages are PDF page minus two. Relevant pages were visually inspected for orchestration. This source is a historical score witness, not proof of the exact performing edition or a bar-aligned transcript of the cut finale.\",\"accessed\":\"2026-10-17\"},{\"id\":\"cut-review\",\"title\":\"Niek Nelissen — Artur Rodzinski, Complete Westminster Recordings\",\"url\":\"https://www.opusklassiek.nl/cd-recensies/cd-nn/nnrodzinski_westminster.htm\",\"locator\":\"OpusKlassiek, August 2026, Eloquence 484 8489 review. Early paragraph specifies a 37-bar cut in the 1942 Fifth finale; the later Westminster paragraph explicitly states that Rodzinski made the same cut. This supports a reported version difference, not the exact omitted bars or the splice time in this transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pravda-clipping\",\"title\":\"Museum collection — Pravda, “Muddle Instead of Music,” 28 January 1936\",\"url\":\"https://collectiononline.gctm.ru/entity/OBJECT/3028310\",\"locator\":\"Catalogue of the surviving printed clipping of “Сумбур вместо музыки,” Pravda, 28 January 1936, inventory КП 317996/1315. Establishes the dated public attack, not a decoded political programme for individual notes.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bso\",\"title\":\"Harlow Robinson — Boston Symphony Orchestra work note\",\"url\":\"https://www.bso.org/works/symphony-no-5-shostakovich\",\"locator\":\"Used for Shostakovich’s dates (1906–1975) and the first American performance, Rodzinski/NBC Symphony broadcast, 9 April 1938. The note’s broader interpretive narrative is not treated as proof of private intentions.\",\"accessed\":\"2026-10-17\"},{\"id\":\"testimony-discussion\",\"title\":\"Testimony — publication and authenticity controversy\",\"url\":\"https://en.wikipedia.org/wiki/Testimony_%28Volkov_book%29\",\"locator\":\"1979 publication by Solomon Volkov, and summary/bibliography of the authenticity dispute, including Laurel Fay. Used only to identify the disputed status of the memoir claim, not as authentication of a Shostakovich quotation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ross-testimony\",\"title\":\"Alex Ross — Unauthorized\",\"url\":\"https://www.newyorker.com/magazine/2004/09/06/unauthorized\",\"locator\":\"The New Yorker, 30 August 2004 / 6 September print issue. Reports Testimony’s 1979 publication, Laurel Fay’s documentary challenge and the continuing distinction between corroborated anecdotes and authenticated authorship. Used as independent evidence of the controversy, not as a settled verdict on every memoir statement or on the finale’s meaning.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Article 1(1), ordinary life-plus-70 author term; Article 3, former 50-year phonogram/performer terms; Article 8, calculation from the following January; recital 17, relevant acts count regardless of country.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-reissue\",\"title\":\"Decca Eloquence — Artur Rodzinski, Complete Westminster Recordings\",\"url\":\"https://www.eloquenceclassics.com/releases-archive/artur-rodzinski-edition/\",\"locator\":\"Label’s catalogue 4848489, CD 16: Shostakovich Symphony No. 5, Royal Philharmonic Orchestra. Quotes a High Fidelity review dated December 1955; that original review was subsequently located and visually inspected (source contemporary-review). The exact session ledger remains unavailable; inferred session fields are retained.\",\"accessed\":\"2026-10-17\"},{\"id\":\"contemporary-review\",\"title\":\"High Fidelity — Shostakovich Fifth, Westminster 18001, December 1955\",\"url\":\"https://www.worldradiohistory.com/Archive-All-Audio/Archive-High-Fidelity/50s/High-Fidelity-1955-Dec.pdf\",\"locator\":\"Printed p. 80, PDF p. 82, first column, review signed A. F.; original scan visually inspected, with December 1955 footer confirmed on printed p. 67/PDF p. 69. Names Philharmonic Symphony Orchestra of London/Artur Rodzinski and explicitly identifies his second recording. Catalogue is printed SWN 18001, price $4.98 (or $3.98); work key is misprinted D major. Evidence of circulation by December 1955, not an exact first-release day.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — sound-recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extension applies to recordings still protected on 1 November 2013. A recording lawfully published by 1956 had exhausted the ordinary 50-year term before that extension.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"1 unknown; 8 documented; 3 inferred"},{"id":"shostakovich-5-finale","composer":"Dmitri Shostakovich","title":"Symphony No. 5 in D minor, Op. 47","movement":"IV. Allegro non troppo","work.title":"Symphony No. 5 in D minor","work.catalogue":"Op. 47","work.movement":"IV. Allegro non troppo","work.version.value":"Finale with a reported 37-bar performance cut; supplied digital track presented intact","work.version.status":"documented","work.version.sourceIds":"[\"cut-review\",\"score-editorial\",\"score\"]","work.version.note":"The cut is explicitly reported for the Westminster performance by the cited discographic review. Its exact bars and position in this transfer are not established. The historical full score is uncut; no missing passage is silently supplied, no alternative performance is substituted, and no local audio edit is made. Exact performing edition remains unknown.","performers.value":"[{\"name\":\"Philharmonic Symphony Orchestra of London\",\"role\":\"orchestra\"},{\"name\":\"Artur Rodzinski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve-labels\",\"archive\",\"reissue-session\",\"label-reissue\",\"work-history\"]","performers.note":"Original sleeve and labels establish the displayed credit. Later Westminster reissue documentation and the publisher’s discography identify the orchestra as the Royal Philharmonic Orchestra. That cross-identification is not substituted silently for the original label credit; individual players and soloists are not established.","session.date.value":"1954-10-02 to 1954-10-14","session.date.status":"inferred","session.date.sourceIds":"[\"reissue-session\",\"work-history\",\"sleeve-labels\"]","session.date.note":"CiNii’s record for Westminster MVCW-18008 explicitly gives this range; the publisher independently lists the Rodzinski/Royal Philharmonic recording as 1954. Applying those reissue data to this differently credited LP is an inference. No original session ledger or precise movement-by-movement day has been located. 1956 is the selected LP’s publication year, not an invented session date.","session.date.precision":"range","session.place.value":"Walthamstow Hall, London","session.place.status":"inferred","session.place.sourceIds":"[\"reissue-session\"]","session.place.note":"Venue transcribed exactly from the reissue catalogue record. The original LP does not supply a venue. Its linkage to the selected LP is the same qualified inference as the session-date attribution; no more specific hall name is invented.","carrier.label.value":"Westminster","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve-labels\",\"archive\"]","carrier.label.note":"Original sleeve and labels; commercially issued Vinyl LP, Made in U.S.A. Sleeve ©1956 Westminster Recording Sales Corp.","carrier.catalogue.value":"WN 18001 (disc labels); XWN 18001 (sleeve)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve-labels\",\"archive\"]","carrier.catalogue.note":"Both forms are visually present on the source object. These identify the selected 1956 issue, not an asserted first edition worldwide. The publisher lists an earlier 1955 Nixa issue of the attributed 1954 performance.","carrier.matrixTakeSides.value":"Side 2: XTV 22721; movement 2 on that side","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"sleeve-labels\",\"track-metadata\"]","carrier.matrixTakeSides.note":"Label matrix is legible in the scan. Side 1 contains Moderato/Allegretto; side 2 contains Largo/Allegro non troppo. Take numbers and faint runout/stamper suffixes are unknown and are not guessed.","transfer.credits.value":"Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The explicit ripping_operator field is credited, not the different uploader/cataloguing operator. A separately named restoration engineer and original recording engineer are unknown.","transfer.date.value":"2021-09-15","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Derived from the explicit ripping_date field 20210915005548. This is not inferred from publicdate, scandate, addeddate or a later derivative timestamp; timezone is unspecified.","transfer.processing.value":"LP transfer: Technics SL1200MK5 / Audio-Technica AT95e → Radio Design Labs EZ-PH1 → Focusrite Scarlett 2i2; ArchiveCD 2.2.57lp; source-side 24-bit FLAC and Internet Archive VBR MP3 derivatives","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"track-metadata\",\"sleeve-labels\"]","transfer.processing.note":"Hardware lineage and ripping software are explicit metadata. Original side FLAC tags say Processed by SoX; exact filtering, declicking, gain, speed calibration and derivative segmentation parameters are unknown. The sleeve’s Panorthophonic tape-recording and RIAA-mastering statements concern the original production, not a modern restoration recipe. No local speed correction, normalization, splice or replacement audio was applied.","digital.streamUrl":"https://archive.org/download/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony/disc1/02.02.%20Symphony%20No.%205%20Op.%2047%3A%20Allegro%20Non%20Troppo.mp3","digital.sourceChain":"[\"sleeve-labels\",\"archive\",\"track-metadata\"]","digital.format":"Internet Archive VBR MP3 derivative of the LP side transfer; decoded duration rounded from cache/analysis/shostakovich-5-finale.txt","digital.durationSeconds":489.6,"rights.composition.value":"Not cleared as public domain in the EU or US; composition rights remain separate from the historic recording basis","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"bso\",\"eu-term\",\"score-catalogue\"]","rights.composition.note":"Shostakovich died in 1975. The ordinary EU life-plus-70 calculation runs through 2045; this is not a global clearance or a statement of a US expiry date. IMSLP identifies the work as non-public-domain in the EU and US. The inspected score is territorially hosted as public domain in Taiwan and is cited, not republished. No composition licence is asserted.","rights.recording.value":"Rule 3: territorial EU historic-recording basis; commercial circulation documented by December 1955, selected LP issue dated 1956","rights.recording.status":"documented","rights.recording.sourceIds":"[\"sleeve-labels\",\"archive\",\"work-history\",\"label-reissue\",\"contemporary-review\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The original Westminster sleeve/labels and album metadata establish the selected 1956 WN 18001/XWN 18001 issue. A visually inspected High Fidelity review, December 1955, p. 80, already names this London orchestra, Rodzinski, his second recording of the Fifth and Westminster catalogue 18001; the review prints SWN 18001 and erroneously calls the symphony D major, so those details are not silently normalized. The publisher also lists Nixa WLP 20004 in 1955. First lawful publication anywhere before 1963 is the rule; no EU-first-release claim is required or made. source.rights.published 1956 remains a conservative upper bound tied to the selected physical issue, not a first-release date. Even using 1956, the ordinary 50-year recording term had expired before the 2013 extension. US sound-recording status is not established. Complete item metadata, original side-transfer provenance and scans disclose no Creative Commons non-commercial condition or separate upstream digital source. This is not a worldwide public-domain or composition-rights clearance.","rights.creditLine":"Shostakovich, Symphony No. 5 in D minor, Op. 47, IV. Allegro non troppo — Philharmonic Symphony Orchestra of London, Artur Rodzinski. Westminster WN 18001/XWN 18001, issued 1956; side 2, XTV 22721. Session attributed by reissue documentation to 2–14 October 1954, Walthamstow Hall, London. Internet Archive LP transfer, 15 September 2021. Territorial EU recording basis only; US status and composition clearance not established. Finale includes a reported 37-bar performance cut.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — complete Westminster album metadata\",\"url\":\"https://archive.org/metadata/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony\",\"locator\":\"Complete metadata and files: publication date 1956; US; Westminster WN 18001/XWN 18001; Vinyl LP; explicit ripping_date, ripping_operator and hardware lineage; original side FLACs and individual VBR MP3 derivatives. No licenseurl or non-commercial condition is present.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-labels\",\"title\":\"Westminster WN 18001 / XWN 18001 — original sleeve and labels\",\"url\":\"https://archive.org/download/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony.pdf\",\"locator\":\"Four-page scan visually inspected. PDF p. 2: XWN 18001, ©1956 Westminster Recording Sales Corp., Philharmonic Symphony Orchestra of London/Artur Rodzinski, Peter Hugh Reed notes, tape recording by Panorthophonic technique and RIAA mastering. P. 3: WN 18001, side 1, XTV 22720. P. 4: WN 18001, side 2, XTV 22721; Made in U.S.A. Faint runout suffixes are not transcribed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"track-metadata\",\"title\":\"Internet Archive — disc and track metadata\",\"url\":\"https://archive.org/download/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony/disc-metadata.json\",\"locator\":\"Album dated 1956; side 1 tracks Moderato/Allegretto, side 2 tracks Largo/Allegro Non Troppo. The four selected files are tracks from this source LP, not alternative performances.\",\"accessed\":\"2026-10-17\"},{\"id\":\"reissue-session\",\"title\":\"CiNii Books — Westminster MVCW-18008, Symphony No. 5\",\"url\":\"https://ci.nii.ac.jp/ncid/BA40424469\",\"locator\":\"1997 CD catalogue record, Royal Philharmonic Orchestra/Artur Rodzinski. Note: Recorded October 2 to 14, 1954, Walthamstow Hall, London. These are reissue-session data; the link to the differently named original LP orchestra is inferential, not a session ledger reproduced on the LP.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-history\",\"title\":\"DSCH Publishers — Symphony No. 5, Op. 47: history and discography\",\"url\":\"https://shostakovich-en.ru/140en\",\"locator\":\"Composition 1937; premiere 21 November 1937, Leningrad Philharmonic Orchestra/Mravinsky; first score publication 1939; contemporary reception documents; introduction to the 1956 score. Discography lists Rodzinski/Royal Philharmonic, 1954, Nixa WLP 20004, mono, 1955. The latter is an earlier-publication lead, not needed to establish the documented 1956 upper bound for the selected LP.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-editorial\",\"title\":\"DSCH Publishers — New Collected Works, volume 5 editorial account\",\"url\":\"https://shostakovich-en.ru/272en\",\"locator\":\"Instrumentation and historical score editions (1939, 1947, 1956, 1961); manuscript not located; uncertainty about authorial sanction for some 1961 changes. Does not identify Rodzinski’s performing edition.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Symphony No. 5, Op. 47, historical full-score catalogue\",\"url\":\"https://imslp.org/wiki/Symphony_No.5%2C_Op.47_%28Shostakovich%2C_Dmitry%29\",\"locator\":\"Historical full score, item 1014274, Muzgiz plate M. 16313 Г, circa 1939, Edition Musicus reprint. PML-Asia territorial public-domain hosting; the catalogue marks the work non-public-domain in Canada, the US and the EU. No score file is republished by this package.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Symphony No. 5 — inspected historical full score\",\"url\":\"https://imslp.tw/uploads/PMLASIA01319-Shostakovich_Fifth_Symphony%2C__Op__47_-_Full_Score.pdf\",\"locator\":\"Printed pp. 109–165; PDF pp. 111–167. 170-page PDF; printed pages are PDF page minus two. Relevant pages were visually inspected for orchestration. This source is a historical score witness, not proof of the exact performing edition or a bar-aligned transcript of the cut finale.\",\"accessed\":\"2026-10-17\"},{\"id\":\"cut-review\",\"title\":\"Niek Nelissen — Artur Rodzinski, Complete Westminster Recordings\",\"url\":\"https://www.opusklassiek.nl/cd-recensies/cd-nn/nnrodzinski_westminster.htm\",\"locator\":\"OpusKlassiek, August 2026, Eloquence 484 8489 review. Early paragraph specifies a 37-bar cut in the 1942 Fifth finale; the later Westminster paragraph explicitly states that Rodzinski made the same cut. This supports a reported version difference, not the exact omitted bars or the splice time in this transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pravda-clipping\",\"title\":\"Museum collection — Pravda, “Muddle Instead of Music,” 28 January 1936\",\"url\":\"https://collectiononline.gctm.ru/entity/OBJECT/3028310\",\"locator\":\"Catalogue of the surviving printed clipping of “Сумбур вместо музыки,” Pravda, 28 January 1936, inventory КП 317996/1315. Establishes the dated public attack, not a decoded political programme for individual notes.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bso\",\"title\":\"Harlow Robinson — Boston Symphony Orchestra work note\",\"url\":\"https://www.bso.org/works/symphony-no-5-shostakovich\",\"locator\":\"Used for Shostakovich’s dates (1906–1975) and the first American performance, Rodzinski/NBC Symphony broadcast, 9 April 1938. The note’s broader interpretive narrative is not treated as proof of private intentions.\",\"accessed\":\"2026-10-17\"},{\"id\":\"testimony-discussion\",\"title\":\"Testimony — publication and authenticity controversy\",\"url\":\"https://en.wikipedia.org/wiki/Testimony_%28Volkov_book%29\",\"locator\":\"1979 publication by Solomon Volkov, and summary/bibliography of the authenticity dispute, including Laurel Fay. Used only to identify the disputed status of the memoir claim, not as authentication of a Shostakovich quotation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ross-testimony\",\"title\":\"Alex Ross — Unauthorized\",\"url\":\"https://www.newyorker.com/magazine/2004/09/06/unauthorized\",\"locator\":\"The New Yorker, 30 August 2004 / 6 September print issue. Reports Testimony’s 1979 publication, Laurel Fay’s documentary challenge and the continuing distinction between corroborated anecdotes and authenticated authorship. Used as independent evidence of the controversy, not as a settled verdict on every memoir statement or on the finale’s meaning.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Article 1(1), ordinary life-plus-70 author term; Article 3, former 50-year phonogram/performer terms; Article 8, calculation from the following January; recital 17, relevant acts count regardless of country.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-reissue\",\"title\":\"Decca Eloquence — Artur Rodzinski, Complete Westminster Recordings\",\"url\":\"https://www.eloquenceclassics.com/releases-archive/artur-rodzinski-edition/\",\"locator\":\"Label’s catalogue 4848489, CD 16: Shostakovich Symphony No. 5, Royal Philharmonic Orchestra. Quotes a High Fidelity review dated December 1955; that original review was subsequently located and visually inspected (source contemporary-review). The exact session ledger remains unavailable; inferred session fields are retained.\",\"accessed\":\"2026-10-17\"},{\"id\":\"contemporary-review\",\"title\":\"High Fidelity — Shostakovich Fifth, Westminster 18001, December 1955\",\"url\":\"https://www.worldradiohistory.com/Archive-All-Audio/Archive-High-Fidelity/50s/High-Fidelity-1955-Dec.pdf\",\"locator\":\"Printed p. 80, PDF p. 82, first column, review signed A. F.; original scan visually inspected, with December 1955 footer confirmed on printed p. 67/PDF p. 69. Names Philharmonic Symphony Orchestra of London/Artur Rodzinski and explicitly identifies his second recording. Catalogue is printed SWN 18001, price $4.98 (or $3.98); work key is misprinted D major. Evidence of circulation by December 1955, not an exact first-release day.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — sound-recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extension applies to recordings still protected on 1 November 2013. A recording lawfully published by 1956 had exhausted the ordinary 50-year term before that extension.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 3 inferred"},{"id":"shostakovich-5-largo","composer":"Dmitri Shostakovich","title":"Symphony No. 5 in D minor, Op. 47","movement":"III. Largo","work.title":"Symphony No. 5 in D minor","work.catalogue":"Op. 47","work.movement":"III. Largo","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"sleeve-labels\",\"score-editorial\",\"score\"]","work.version.note":"The work and movement are identified, but the exact performing edition is not. The historical score supports broad orchestration and formal observations, not a claim of bar-exact agreement with Rodzinski’s materials. The movement is the entire supplied source track; no local audio edit is made. The set’s finale has a separately disclosed reported cut.","performers.value":"[{\"name\":\"Philharmonic Symphony Orchestra of London\",\"role\":\"orchestra\"},{\"name\":\"Artur Rodzinski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve-labels\",\"archive\",\"reissue-session\",\"label-reissue\",\"work-history\"]","performers.note":"Original sleeve and labels establish the displayed credit. Later Westminster reissue documentation and the publisher’s discography identify the orchestra as the Royal Philharmonic Orchestra. That cross-identification is not substituted silently for the original label credit; individual players and soloists are not established.","session.date.value":"1954-10-02 to 1954-10-14","session.date.status":"inferred","session.date.sourceIds":"[\"reissue-session\",\"work-history\",\"sleeve-labels\"]","session.date.note":"CiNii’s record for Westminster MVCW-18008 explicitly gives this range; the publisher independently lists the Rodzinski/Royal Philharmonic recording as 1954. Applying those reissue data to this differently credited LP is an inference. No original session ledger or precise movement-by-movement day has been located. 1956 is the selected LP’s publication year, not an invented session date.","session.date.precision":"range","session.place.value":"Walthamstow Hall, London","session.place.status":"inferred","session.place.sourceIds":"[\"reissue-session\"]","session.place.note":"Venue transcribed exactly from the reissue catalogue record. The original LP does not supply a venue. Its linkage to the selected LP is the same qualified inference as the session-date attribution; no more specific hall name is invented.","carrier.label.value":"Westminster","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve-labels\",\"archive\"]","carrier.label.note":"Original sleeve and labels; commercially issued Vinyl LP, Made in U.S.A. Sleeve ©1956 Westminster Recording Sales Corp.","carrier.catalogue.value":"WN 18001 (disc labels); XWN 18001 (sleeve)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve-labels\",\"archive\"]","carrier.catalogue.note":"Both forms are visually present on the source object. These identify the selected 1956 issue, not an asserted first edition worldwide. The publisher lists an earlier 1955 Nixa issue of the attributed 1954 performance.","carrier.matrixTakeSides.value":"Side 2: XTV 22721; movement 1 on that side","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"sleeve-labels\",\"track-metadata\"]","carrier.matrixTakeSides.note":"Label matrix is legible in the scan. Side 1 contains Moderato/Allegretto; side 2 contains Largo/Allegro non troppo. Take numbers and faint runout/stamper suffixes are unknown and are not guessed.","transfer.credits.value":"Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The explicit ripping_operator field is credited, not the different uploader/cataloguing operator. A separately named restoration engineer and original recording engineer are unknown.","transfer.date.value":"2021-09-15","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Derived from the explicit ripping_date field 20210915005548. This is not inferred from publicdate, scandate, addeddate or a later derivative timestamp; timezone is unspecified.","transfer.processing.value":"LP transfer: Technics SL1200MK5 / Audio-Technica AT95e → Radio Design Labs EZ-PH1 → Focusrite Scarlett 2i2; ArchiveCD 2.2.57lp; source-side 24-bit FLAC and Internet Archive VBR MP3 derivatives","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"track-metadata\",\"sleeve-labels\"]","transfer.processing.note":"Hardware lineage and ripping software are explicit metadata. Original side FLAC tags say Processed by SoX; exact filtering, declicking, gain, speed calibration and derivative segmentation parameters are unknown. The sleeve’s Panorthophonic tape-recording and RIAA-mastering statements concern the original production, not a modern restoration recipe. No local speed correction, normalization, splice or replacement audio was applied.","digital.streamUrl":"https://archive.org/download/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony/disc1/02.01.%20Symphony%20No.%205%20Op.%2047%3A%20Largo.mp3","digital.sourceChain":"[\"sleeve-labels\",\"archive\",\"track-metadata\"]","digital.format":"Internet Archive VBR MP3 derivative of the LP side transfer; decoded duration rounded from cache/analysis/shostakovich-5-largo.txt","digital.durationSeconds":848.3,"rights.composition.value":"Not cleared as public domain in the EU or US; composition rights remain separate from the historic recording basis","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"bso\",\"eu-term\",\"score-catalogue\"]","rights.composition.note":"Shostakovich died in 1975. The ordinary EU life-plus-70 calculation runs through 2045; this is not a global clearance or a statement of a US expiry date. IMSLP identifies the work as non-public-domain in the EU and US. The inspected score is territorially hosted as public domain in Taiwan and is cited, not republished. No composition licence is asserted.","rights.recording.value":"Rule 3: territorial EU historic-recording basis; commercial circulation documented by December 1955, selected LP issue dated 1956","rights.recording.status":"documented","rights.recording.sourceIds":"[\"sleeve-labels\",\"archive\",\"work-history\",\"label-reissue\",\"contemporary-review\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The original Westminster sleeve/labels and album metadata establish the selected 1956 WN 18001/XWN 18001 issue. A visually inspected High Fidelity review, December 1955, p. 80, already names this London orchestra, Rodzinski, his second recording of the Fifth and Westminster catalogue 18001; the review prints SWN 18001 and erroneously calls the symphony D major, so those details are not silently normalized. The publisher also lists Nixa WLP 20004 in 1955. First lawful publication anywhere before 1963 is the rule; no EU-first-release claim is required or made. source.rights.published 1956 remains a conservative upper bound tied to the selected physical issue, not a first-release date. Even using 1956, the ordinary 50-year recording term had expired before the 2013 extension. US sound-recording status is not established. Complete item metadata, original side-transfer provenance and scans disclose no Creative Commons non-commercial condition or separate upstream digital source. This is not a worldwide public-domain or composition-rights clearance.","rights.creditLine":"Shostakovich, Symphony No. 5 in D minor, Op. 47, III. Largo — Philharmonic Symphony Orchestra of London, Artur Rodzinski. Westminster WN 18001/XWN 18001, issued 1956; side 2, XTV 22721. Session attributed by reissue documentation to 2–14 October 1954, Walthamstow Hall, London. Internet Archive LP transfer, 15 September 2021. Territorial EU recording basis only; US status and composition clearance not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — complete Westminster album metadata\",\"url\":\"https://archive.org/metadata/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony\",\"locator\":\"Complete metadata and files: publication date 1956; US; Westminster WN 18001/XWN 18001; Vinyl LP; explicit ripping_date, ripping_operator and hardware lineage; original side FLACs and individual VBR MP3 derivatives. No licenseurl or non-commercial condition is present.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-labels\",\"title\":\"Westminster WN 18001 / XWN 18001 — original sleeve and labels\",\"url\":\"https://archive.org/download/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony.pdf\",\"locator\":\"Four-page scan visually inspected. PDF p. 2: XWN 18001, ©1956 Westminster Recording Sales Corp., Philharmonic Symphony Orchestra of London/Artur Rodzinski, Peter Hugh Reed notes, tape recording by Panorthophonic technique and RIAA mastering. P. 3: WN 18001, side 1, XTV 22720. P. 4: WN 18001, side 2, XTV 22721; Made in U.S.A. Faint runout suffixes are not transcribed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"track-metadata\",\"title\":\"Internet Archive — disc and track metadata\",\"url\":\"https://archive.org/download/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony/disc-metadata.json\",\"locator\":\"Album dated 1956; side 1 tracks Moderato/Allegretto, side 2 tracks Largo/Allegro Non Troppo. The four selected files are tracks from this source LP, not alternative performances.\",\"accessed\":\"2026-10-17\"},{\"id\":\"reissue-session\",\"title\":\"CiNii Books — Westminster MVCW-18008, Symphony No. 5\",\"url\":\"https://ci.nii.ac.jp/ncid/BA40424469\",\"locator\":\"1997 CD catalogue record, Royal Philharmonic Orchestra/Artur Rodzinski. Note: Recorded October 2 to 14, 1954, Walthamstow Hall, London. These are reissue-session data; the link to the differently named original LP orchestra is inferential, not a session ledger reproduced on the LP.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-history\",\"title\":\"DSCH Publishers — Symphony No. 5, Op. 47: history and discography\",\"url\":\"https://shostakovich-en.ru/140en\",\"locator\":\"Composition 1937; premiere 21 November 1937, Leningrad Philharmonic Orchestra/Mravinsky; first score publication 1939; contemporary reception documents; introduction to the 1956 score. Discography lists Rodzinski/Royal Philharmonic, 1954, Nixa WLP 20004, mono, 1955. The latter is an earlier-publication lead, not needed to establish the documented 1956 upper bound for the selected LP.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-editorial\",\"title\":\"DSCH Publishers — New Collected Works, volume 5 editorial account\",\"url\":\"https://shostakovich-en.ru/272en\",\"locator\":\"Instrumentation and historical score editions (1939, 1947, 1956, 1961); manuscript not located; uncertainty about authorial sanction for some 1961 changes. Does not identify Rodzinski’s performing edition.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Symphony No. 5, Op. 47, historical full-score catalogue\",\"url\":\"https://imslp.org/wiki/Symphony_No.5%2C_Op.47_%28Shostakovich%2C_Dmitry%29\",\"locator\":\"Historical full score, item 1014274, Muzgiz plate M. 16313 Г, circa 1939, Edition Musicus reprint. PML-Asia territorial public-domain hosting; the catalogue marks the work non-public-domain in Canada, the US and the EU. No score file is republished by this package.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Symphony No. 5 — inspected historical full score\",\"url\":\"https://imslp.tw/uploads/PMLASIA01319-Shostakovich_Fifth_Symphony%2C__Op__47_-_Full_Score.pdf\",\"locator\":\"Printed pp. 85–108; PDF pp. 87–110. 170-page PDF; printed pages are PDF page minus two. Relevant pages were visually inspected for orchestration. This source is a historical score witness, not proof of the exact performing edition or a bar-aligned transcript of the cut finale.\",\"accessed\":\"2026-10-17\"},{\"id\":\"cut-review\",\"title\":\"Niek Nelissen — Artur Rodzinski, Complete Westminster Recordings\",\"url\":\"https://www.opusklassiek.nl/cd-recensies/cd-nn/nnrodzinski_westminster.htm\",\"locator\":\"OpusKlassiek, August 2026, Eloquence 484 8489 review. Early paragraph specifies a 37-bar cut in the 1942 Fifth finale; the later Westminster paragraph explicitly states that Rodzinski made the same cut. This supports a reported version difference, not the exact omitted bars or the splice time in this transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pravda-clipping\",\"title\":\"Museum collection — Pravda, “Muddle Instead of Music,” 28 January 1936\",\"url\":\"https://collectiononline.gctm.ru/entity/OBJECT/3028310\",\"locator\":\"Catalogue of the surviving printed clipping of “Сумбур вместо музыки,” Pravda, 28 January 1936, inventory КП 317996/1315. Establishes the dated public attack, not a decoded political programme for individual notes.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bso\",\"title\":\"Harlow Robinson — Boston Symphony Orchestra work note\",\"url\":\"https://www.bso.org/works/symphony-no-5-shostakovich\",\"locator\":\"Used for Shostakovich’s dates (1906–1975) and the first American performance, Rodzinski/NBC Symphony broadcast, 9 April 1938. The note’s broader interpretive narrative is not treated as proof of private intentions.\",\"accessed\":\"2026-10-17\"},{\"id\":\"testimony-discussion\",\"title\":\"Testimony — publication and authenticity controversy\",\"url\":\"https://en.wikipedia.org/wiki/Testimony_%28Volkov_book%29\",\"locator\":\"1979 publication by Solomon Volkov, and summary/bibliography of the authenticity dispute, including Laurel Fay. Used only to identify the disputed status of the memoir claim, not as authentication of a Shostakovich quotation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ross-testimony\",\"title\":\"Alex Ross — Unauthorized\",\"url\":\"https://www.newyorker.com/magazine/2004/09/06/unauthorized\",\"locator\":\"The New Yorker, 30 August 2004 / 6 September print issue. Reports Testimony’s 1979 publication, Laurel Fay’s documentary challenge and the continuing distinction between corroborated anecdotes and authenticated authorship. Used as independent evidence of the controversy, not as a settled verdict on every memoir statement or on the finale’s meaning.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Article 1(1), ordinary life-plus-70 author term; Article 3, former 50-year phonogram/performer terms; Article 8, calculation from the following January; recital 17, relevant acts count regardless of country.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-reissue\",\"title\":\"Decca Eloquence — Artur Rodzinski, Complete Westminster Recordings\",\"url\":\"https://www.eloquenceclassics.com/releases-archive/artur-rodzinski-edition/\",\"locator\":\"Label’s catalogue 4848489, CD 16: Shostakovich Symphony No. 5, Royal Philharmonic Orchestra. Quotes a High Fidelity review dated December 1955; that original review was subsequently located and visually inspected (source contemporary-review). The exact session ledger remains unavailable; inferred session fields are retained.\",\"accessed\":\"2026-10-17\"},{\"id\":\"contemporary-review\",\"title\":\"High Fidelity — Shostakovich Fifth, Westminster 18001, December 1955\",\"url\":\"https://www.worldradiohistory.com/Archive-All-Audio/Archive-High-Fidelity/50s/High-Fidelity-1955-Dec.pdf\",\"locator\":\"Printed p. 80, PDF p. 82, first column, review signed A. F.; original scan visually inspected, with December 1955 footer confirmed on printed p. 67/PDF p. 69. Names Philharmonic Symphony Orchestra of London/Artur Rodzinski and explicitly identifies his second recording. Catalogue is printed SWN 18001, price $4.98 (or $3.98); work key is misprinted D major. Evidence of circulation by December 1955, not an exact first-release day.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — sound-recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extension applies to recordings still protected on 1 November 2013. A recording lawfully published by 1956 had exhausted the ordinary 50-year term before that extension.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"1 unknown; 8 documented; 3 inferred"},{"id":"shostakovich-5-moderato","composer":"Dmitri Shostakovich","title":"Symphony No. 5 in D minor, Op. 47","movement":"I. Moderato","work.title":"Symphony No. 5 in D minor","work.catalogue":"Op. 47","work.movement":"I. Moderato","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"sleeve-labels\",\"score-editorial\",\"score\"]","work.version.note":"The work and movement are identified, but the exact performing edition is not. The historical score supports broad orchestration and formal observations, not a claim of bar-exact agreement with Rodzinski’s materials. The movement is the entire supplied source track; no local audio edit is made. The set’s finale has a separately disclosed reported cut.","performers.value":"[{\"name\":\"Philharmonic Symphony Orchestra of London\",\"role\":\"orchestra\"},{\"name\":\"Artur Rodzinski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve-labels\",\"archive\",\"reissue-session\",\"label-reissue\",\"work-history\"]","performers.note":"Original sleeve and labels establish the displayed credit. Later Westminster reissue documentation and the publisher’s discography identify the orchestra as the Royal Philharmonic Orchestra. That cross-identification is not substituted silently for the original label credit; individual players and soloists are not established.","session.date.value":"1954-10-02 to 1954-10-14","session.date.status":"inferred","session.date.sourceIds":"[\"reissue-session\",\"work-history\",\"sleeve-labels\"]","session.date.note":"CiNii’s record for Westminster MVCW-18008 explicitly gives this range; the publisher independently lists the Rodzinski/Royal Philharmonic recording as 1954. Applying those reissue data to this differently credited LP is an inference. No original session ledger or precise movement-by-movement day has been located. 1956 is the selected LP’s publication year, not an invented session date.","session.date.precision":"range","session.place.value":"Walthamstow Hall, London","session.place.status":"inferred","session.place.sourceIds":"[\"reissue-session\"]","session.place.note":"Venue transcribed exactly from the reissue catalogue record. The original LP does not supply a venue. Its linkage to the selected LP is the same qualified inference as the session-date attribution; no more specific hall name is invented.","carrier.label.value":"Westminster","carrier.label.status":"documented","carrier.label.sourceIds":"[\"sleeve-labels\",\"archive\"]","carrier.label.note":"Original sleeve and labels; commercially issued Vinyl LP, Made in U.S.A. Sleeve ©1956 Westminster Recording Sales Corp.","carrier.catalogue.value":"WN 18001 (disc labels); XWN 18001 (sleeve)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"sleeve-labels\",\"archive\"]","carrier.catalogue.note":"Both forms are visually present on the source object. These identify the selected 1956 issue, not an asserted first edition worldwide. The publisher lists an earlier 1955 Nixa issue of the attributed 1954 performance.","carrier.matrixTakeSides.value":"Side 1: XTV 22720; movement 1 on that side","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"sleeve-labels\",\"track-metadata\"]","carrier.matrixTakeSides.note":"Label matrix is legible in the scan. Side 1 contains Moderato/Allegretto; side 2 contains Largo/Allegro non troppo. Take numbers and faint runout/stamper suffixes are unknown and are not guessed.","transfer.credits.value":"Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The explicit ripping_operator field is credited, not the different uploader/cataloguing operator. A separately named restoration engineer and original recording engineer are unknown.","transfer.date.value":"2021-09-15","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Derived from the explicit ripping_date field 20210915005548. This is not inferred from publicdate, scandate, addeddate or a later derivative timestamp; timezone is unspecified.","transfer.processing.value":"LP transfer: Technics SL1200MK5 / Audio-Technica AT95e → Radio Design Labs EZ-PH1 → Focusrite Scarlett 2i2; ArchiveCD 2.2.57lp; source-side 24-bit FLAC and Internet Archive VBR MP3 derivatives","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"track-metadata\",\"sleeve-labels\"]","transfer.processing.note":"Hardware lineage and ripping software are explicit metadata. Original side FLAC tags say Processed by SoX; exact filtering, declicking, gain, speed calibration and derivative segmentation parameters are unknown. The sleeve’s Panorthophonic tape-recording and RIAA-mastering statements concern the original production, not a modern restoration recipe. No local speed correction, normalization, splice or replacement audio was applied.","digital.streamUrl":"https://archive.org/download/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony/disc1/01.01.%20Symphony%20No.%205%20Op.%2047%3A%20Moderato.mp3","digital.sourceChain":"[\"sleeve-labels\",\"archive\",\"track-metadata\"]","digital.format":"Internet Archive VBR MP3 derivative of the LP side transfer; decoded duration rounded from cache/analysis/shostakovich-5-moderato.txt","digital.durationSeconds":874.7,"rights.composition.value":"Not cleared as public domain in the EU or US; composition rights remain separate from the historic recording basis","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"bso\",\"eu-term\",\"score-catalogue\"]","rights.composition.note":"Shostakovich died in 1975. The ordinary EU life-plus-70 calculation runs through 2045; this is not a global clearance or a statement of a US expiry date. IMSLP identifies the work as non-public-domain in the EU and US. The inspected score is territorially hosted as public domain in Taiwan and is cited, not republished. No composition licence is asserted.","rights.recording.value":"Rule 3: territorial EU historic-recording basis; commercial circulation documented by December 1955, selected LP issue dated 1956","rights.recording.status":"documented","rights.recording.sourceIds":"[\"sleeve-labels\",\"archive\",\"work-history\",\"label-reissue\",\"contemporary-review\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"The original Westminster sleeve/labels and album metadata establish the selected 1956 WN 18001/XWN 18001 issue. A visually inspected High Fidelity review, December 1955, p. 80, already names this London orchestra, Rodzinski, his second recording of the Fifth and Westminster catalogue 18001; the review prints SWN 18001 and erroneously calls the symphony D major, so those details are not silently normalized. The publisher also lists Nixa WLP 20004 in 1955. First lawful publication anywhere before 1963 is the rule; no EU-first-release claim is required or made. source.rights.published 1956 remains a conservative upper bound tied to the selected physical issue, not a first-release date. Even using 1956, the ordinary 50-year recording term had expired before the 2013 extension. US sound-recording status is not established. Complete item metadata, original side-transfer provenance and scans disclose no Creative Commons non-commercial condition or separate upstream digital source. This is not a worldwide public-domain or composition-rights clearance.","rights.creditLine":"Shostakovich, Symphony No. 5 in D minor, Op. 47, I. Moderato — Philharmonic Symphony Orchestra of London, Artur Rodzinski. Westminster WN 18001/XWN 18001, issued 1956; side 1, XTV 22720. Session attributed by reissue documentation to 2–14 October 1954, Walthamstow Hall, London. Internet Archive LP transfer, 15 September 2021. Territorial EU recording basis only; US status and composition clearance not established.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — complete Westminster album metadata\",\"url\":\"https://archive.org/metadata/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony\",\"locator\":\"Complete metadata and files: publication date 1956; US; Westminster WN 18001/XWN 18001; Vinyl LP; explicit ripping_date, ripping_operator and hardware lineage; original side FLACs and individual VBR MP3 derivatives. No licenseurl or non-commercial condition is present.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-labels\",\"title\":\"Westminster WN 18001 / XWN 18001 — original sleeve and labels\",\"url\":\"https://archive.org/download/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony.pdf\",\"locator\":\"Four-page scan visually inspected. PDF p. 2: XWN 18001, ©1956 Westminster Recording Sales Corp., Philharmonic Symphony Orchestra of London/Artur Rodzinski, Peter Hugh Reed notes, tape recording by Panorthophonic technique and RIAA mastering. P. 3: WN 18001, side 1, XTV 22720. P. 4: WN 18001, side 2, XTV 22721; Made in U.S.A. Faint runout suffixes are not transcribed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"track-metadata\",\"title\":\"Internet Archive — disc and track metadata\",\"url\":\"https://archive.org/download/lp_symphony-no-5-opus-47_dmitri-shostakovich-philharmonic-symphony/disc-metadata.json\",\"locator\":\"Album dated 1956; side 1 tracks Moderato/Allegretto, side 2 tracks Largo/Allegro Non Troppo. The four selected files are tracks from this source LP, not alternative performances.\",\"accessed\":\"2026-10-17\"},{\"id\":\"reissue-session\",\"title\":\"CiNii Books — Westminster MVCW-18008, Symphony No. 5\",\"url\":\"https://ci.nii.ac.jp/ncid/BA40424469\",\"locator\":\"1997 CD catalogue record, Royal Philharmonic Orchestra/Artur Rodzinski. Note: Recorded October 2 to 14, 1954, Walthamstow Hall, London. These are reissue-session data; the link to the differently named original LP orchestra is inferential, not a session ledger reproduced on the LP.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-history\",\"title\":\"DSCH Publishers — Symphony No. 5, Op. 47: history and discography\",\"url\":\"https://shostakovich-en.ru/140en\",\"locator\":\"Composition 1937; premiere 21 November 1937, Leningrad Philharmonic Orchestra/Mravinsky; first score publication 1939; contemporary reception documents; introduction to the 1956 score. Discography lists Rodzinski/Royal Philharmonic, 1954, Nixa WLP 20004, mono, 1955. The latter is an earlier-publication lead, not needed to establish the documented 1956 upper bound for the selected LP.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-editorial\",\"title\":\"DSCH Publishers — New Collected Works, volume 5 editorial account\",\"url\":\"https://shostakovich-en.ru/272en\",\"locator\":\"Instrumentation and historical score editions (1939, 1947, 1956, 1961); manuscript not located; uncertainty about authorial sanction for some 1961 changes. Does not identify Rodzinski’s performing edition.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Symphony No. 5, Op. 47, historical full-score catalogue\",\"url\":\"https://imslp.org/wiki/Symphony_No.5%2C_Op.47_%28Shostakovich%2C_Dmitry%29\",\"locator\":\"Historical full score, item 1014274, Muzgiz plate M. 16313 Г, circa 1939, Edition Musicus reprint. PML-Asia territorial public-domain hosting; the catalogue marks the work non-public-domain in Canada, the US and the EU. No score file is republished by this package.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Symphony No. 5 — inspected historical full score\",\"url\":\"https://imslp.tw/uploads/PMLASIA01319-Shostakovich_Fifth_Symphony%2C__Op__47_-_Full_Score.pdf\",\"locator\":\"Printed pp. 3–51; PDF pp. 5–53. 170-page PDF; printed pages are PDF page minus two. Relevant pages were visually inspected for orchestration. This source is a historical score witness, not proof of the exact performing edition or a bar-aligned transcript of the cut finale.\",\"accessed\":\"2026-10-17\"},{\"id\":\"cut-review\",\"title\":\"Niek Nelissen — Artur Rodzinski, Complete Westminster Recordings\",\"url\":\"https://www.opusklassiek.nl/cd-recensies/cd-nn/nnrodzinski_westminster.htm\",\"locator\":\"OpusKlassiek, August 2026, Eloquence 484 8489 review. Early paragraph specifies a 37-bar cut in the 1942 Fifth finale; the later Westminster paragraph explicitly states that Rodzinski made the same cut. This supports a reported version difference, not the exact omitted bars or the splice time in this transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"pravda-clipping\",\"title\":\"Museum collection — Pravda, “Muddle Instead of Music,” 28 January 1936\",\"url\":\"https://collectiononline.gctm.ru/entity/OBJECT/3028310\",\"locator\":\"Catalogue of the surviving printed clipping of “Сумбур вместо музыки,” Pravda, 28 January 1936, inventory КП 317996/1315. Establishes the dated public attack, not a decoded political programme for individual notes.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bso\",\"title\":\"Harlow Robinson — Boston Symphony Orchestra work note\",\"url\":\"https://www.bso.org/works/symphony-no-5-shostakovich\",\"locator\":\"Used for Shostakovich’s dates (1906–1975) and the first American performance, Rodzinski/NBC Symphony broadcast, 9 April 1938. The note’s broader interpretive narrative is not treated as proof of private intentions.\",\"accessed\":\"2026-10-17\"},{\"id\":\"testimony-discussion\",\"title\":\"Testimony — publication and authenticity controversy\",\"url\":\"https://en.wikipedia.org/wiki/Testimony_%28Volkov_book%29\",\"locator\":\"1979 publication by Solomon Volkov, and summary/bibliography of the authenticity dispute, including Laurel Fay. Used only to identify the disputed status of the memoir claim, not as authentication of a Shostakovich quotation.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ross-testimony\",\"title\":\"Alex Ross — Unauthorized\",\"url\":\"https://www.newyorker.com/magazine/2004/09/06/unauthorized\",\"locator\":\"The New Yorker, 30 August 2004 / 6 September print issue. Reports Testimony’s 1979 publication, Laurel Fay’s documentary challenge and the continuing distinction between corroborated anecdotes and authenticated authorship. Used as independent evidence of the controversy, not as a settled verdict on every memoir statement or on the finale’s meaning.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — copyright and related-rights terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Article 1(1), ordinary life-plus-70 author term; Article 3, former 50-year phonogram/performer terms; Article 8, calculation from the following January; recital 17, relevant acts count regardless of country.\",\"accessed\":\"2026-10-17\"},{\"id\":\"label-reissue\",\"title\":\"Decca Eloquence — Artur Rodzinski, Complete Westminster Recordings\",\"url\":\"https://www.eloquenceclassics.com/releases-archive/artur-rodzinski-edition/\",\"locator\":\"Label’s catalogue 4848489, CD 16: Shostakovich Symphony No. 5, Royal Philharmonic Orchestra. Quotes a High Fidelity review dated December 1955; that original review was subsequently located and visually inspected (source contemporary-review). The exact session ledger remains unavailable; inferred session fields are retained.\",\"accessed\":\"2026-10-17\"},{\"id\":\"contemporary-review\",\"title\":\"High Fidelity — Shostakovich Fifth, Westminster 18001, December 1955\",\"url\":\"https://www.worldradiohistory.com/Archive-All-Audio/Archive-High-Fidelity/50s/High-Fidelity-1955-Dec.pdf\",\"locator\":\"Printed p. 80, PDF p. 82, first column, review signed A. F.; original scan visually inspected, with December 1955 footer confirmed on printed p. 67/PDF p. 69. Names Philharmonic Symphony Orchestra of London/Artur Rodzinski and explicitly identifies his second recording. Catalogue is printed SWN 18001, price $4.98 (or $3.98); work key is misprinted D major. Evidence of circulation by December 1955, not an exact first-release day.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — sound-recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(3), inserting Article 10(5): the extension applies to recordings still protected on 1 November 2013. A recording lawfully published by 1956 had exhausted the ordinary 50-year term before that extension.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"1 unknown; 8 documented; 3 inferred"},{"id":"sibelius-finlandia-stokowski-1921","composer":"Jean Sibelius","title":"Finlandia, Op. 26","movement":"Abridged for one 12-inch side","work.title":"Finlandia","work.catalogue":"Op. 26, No. 7","work.movement":"Abridged for one 12-inch single-faced side","work.version.value":"Abridged orchestral version; which passages are omitted is not documented","work.version.status":"inferred","work.version.sourceIds":"[\"dahr-matrix\",\"ia-item\"]","work.version.note":"The abridgement is inferred from the file’s length, 4:06, against a typical performance of 7½–9 minutes (Wikipedia), and from the disc being a single 12-inch side. DAHR and the Internet Archive do not describe the cut, and neither names an edition or cut scheme. This dossier does not locate cut bars.","performers.value":"[{\"name\":\"Philadelphia Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Leopold Stokowski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"dahr-matrix\",\"dahr-object\"]","performers.note":"DAHR gives Philadelphia Orchestra and Leopold Stokowski. The Internet Archive item credits “Philadelphia Symphony Orchestra”, a variant of the same ensemble’s name. DAHR’s instrumentation list (7 first violins, 5 second violins, 3 violas, 2 cellos, 4 basses, harp, 3 oboes, 3 clarinets, 2 bassoons, 2 trumpets, 3 trombones, 2 tubas, traps) comes from Victor ledgers for 15 March 1921 and is not confirmed for the issued take.","session.date.value":"18 April 1921 (issued take 4); earlier takes 1–2 on 15 March 1921","session.date.status":"documented","session.date.sourceIds":"[\"dahr-matrix\"]","session.date.precision":"day","session.date.note":"DAHR: takes 1 and 2 on 15 March 1921 and 3 on 18 April were destroyed; take 4 (18 April 1921) is the issued master. A bracketed [1921] is the date given for the issue on Victor 74698. Some listings give the earlier date for the first takes.","session.place.value":"Camden, New Jersey","session.place.status":"documented","session.place.sourceIds":"[\"dahr-matrix\"]","session.place.note":"DAHR gives Camden, New Jersey for every take.","carrier.label.value":"Victor (Red Seal, 12-in. single-faced)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"dahr-object\"]","carrier.label.note":"DAHR describes the object as Victor 74698, Red Seal 12-inch single-faced. Later issues on Victor 6366 and Gramophone Company DB-599 and 3-0662 are listed for the same matrix and take.","carrier.catalogue.value":"Victor 74698","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"dahr-object\",\"ia-item\"]","carrier.catalogue.note":"The Internet Archive item also shows matrix and catalogue number 74698 and publisher “Victrola”.","carrier.matrixTakeSides.value":"C-24988, take 4","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr-matrix\"]","carrier.matrixTakeSides.note":"The Internet Archive item shows 74698 as its matrix number; the Victor matrix is C-24988.","transfer.credits.value":"[{\"name\":\"George Blood, L.P.\",\"role\":\"digitisation (scanning centre), Great 78 Project\"}]","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"ia-item\"]","transfer.credits.note":"The item metadata names George Blood, L.P. as scanning centre and credits Robert Boggs with metadata and transfer entry and Kevin Coupe with cleaning (as Internet Archive user fields).","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"ia-item\"]","transfer.date.note":"The item’s public date is 19 March 2021; that is the upload date, not a transfer date.","transfer.processing.value":"Digitised at 78 rpm with four styli (3.8, 2.3, 2.8 and 3.3 mil truncated conical); the preferred version was selected by an engineer at George Blood and copied to the friendly file name","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"ia-item\"]","transfer.processing.note":"The item’s notes say the record was acoustic and that the other side was “not completed due to physical condition of disc”. The MP3 used here is the Internet Archive derivative of the 24-bit FLAC; no further processing is disclosed.","digital.streamUrl":"https://archive.org/download/78_finlandia_philadelphia-symphony-orchestra-sibelius-leopold-stokowski_gbia0298333a/Finlandia%20-%20Philadelphia%20Symphony%20Orchestra.mp3","digital.sourceChain":"[\"ia-item\"]","digital.format":"VBR MP3 derivative of a 24-bit FLAC transfer","digital.durationSeconds":245.86,"rights.composition.value":"Sibelius died in 1957; in countries with a life-plus-70 term the composition remains in copyright until the end of 2027","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"dahr-object\"]","rights.composition.note":"Computed from the composer’s life dates, given in DAHR’s MARC record as 1865–1957. The composition’s status in other territories is not assessed. The programme’s rule applies to the sound recording.","rights.recording.value":"Rule 2 — United States public domain: first published in 1921, before the 1926 cut-off.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"dahr-matrix\",\"dahr-object\",\"ia-item\"]","rights.recording.note":"DAHR records the issue on Victor 74698 as [1921]; the brackets mean the year was supplied by the cataloguer, and no month of issue is recorded. The take issued was made on 18 April 1921, so publication followed that date. The Internet Archive item date is also 1921. The item has no licence URL and no non-commercial restriction in its metadata.","rights.creditLine":"Jean Sibelius, Finlandia, Op. 26 No. 7 (abridged). Philadelphia Orchestra, Leopold Stokowski. Victor 74698 (matrix C-24988, take 4), recorded 18 April 1921 in Camden, New Jersey. Transfer by George Blood, L.P. for the Great 78 Project, Internet Archive.","rights.licenseUrl":"https://archive.org/details/78_finlandia_philadelphia-symphony-orchestra-sibelius-leopold-stokowski_gbia0298333a","sources":"[{\"id\":\"dahr-matrix\",\"title\":\"Discography of American Historical Recordings — Victor matrix C-24988, Finlandia, op. 26, no. 7\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/700010224\",\"locator\":\"Personnel; instrumentation from Victor ledgers for 3/15/1921; takes 1–2 (3/15/1921) and 3 (4/18/1921) destroyed; take 4 (4/18/1921) master; issues Victor 74698, Victor 6366, Gramophone 3-0662 and DB-599.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-object\",\"title\":\"Discography of American Historical Recordings — Victor 74698 (Red Seal 12-in. single-faced)\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/47668\",\"locator\":\"MARC record: “Victor, [1921]”, 12 in., 78 rpm; matrix C-24988 take 4, 4/18/1921.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ia-item\",\"title\":\"Internet Archive — Finlandia, Philadelphia Symphony Orchestra, Sibelius, Leopold Stokowski (Great 78 Project)\",\"url\":\"https://archive.org/details/78_finlandia_philadelphia-symphony-orchestra-sibelius-leopold-stokowski_gbia0298333a\",\"locator\":\"Metadata: date 1921; publisher Victrola; matrix and catalogue number 74698; scanning centre George Blood, L.P.; four styli; “Technical Notes: Acoustic”; file list (FLAC and VBR MP3, 245.86 s); public date 2021-03-19.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"2 inferred; 9 documented; 1 unknown"},{"id":"sibelius-symphony-2","composer":"Jean Sibelius","title":"Symphony No. 2 in D major, Op. 43","movement":"Complete: I. Allegretto · II. Tempo andante, ma rubato · III. Vivacissimo · IV. Finale: Allegro moderato","work.title":"Symphony No. 2 in D major","work.catalogue":"Op. 43","work.movement":"Complete symphony in one file: I. Allegretto; II. Tempo andante, ma rubato; III. Vivacissimo; IV. Finale: Allegro moderato","work.version.value":"The 1903 final version, as published by Fazer & Westerlund (the version in general use); the performing edition of this recording has not been checked against a score","work.version.status":"inferred","work.version.sourceIds":"[\"sibelius-society\",\"imslp\"]","work.version.note":"The Sibelius Society gives the first version (premiere 8 March 1902) and the final version of 1903. The 1958 recording would normally use the published score; the Decca booklet lists Breitkopf & Härtel as publisher of the edition. No source states which version Monteux used, and no score alignment was made.","performers.value":"[{\"name\":\"London Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Pierre Monteux\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"ia-item\",\"booklet\"]","performers.note":"Both the Internet Archive description and the Decca booklet credit the London Symphony Orchestra under Monteux. The leader and principals on this session are not documented here; the booklet’s essay says that Hugh Maguire joined as leader after the orchestra’s 1957 arrival of young players, without tying that to this date.","session.date.value":"18–20 June 1958","session.date.status":"documented","session.date.sourceIds":"[\"booklet\",\"ia-item\"]","session.date.precision":"range","session.date.note":"The Decca booklet gives Kingsway Hall, 18–20 June 1958, for the disc whose track list holds this symphony (PDF page 21, printed p. 40, beside the track list on PDF page 20, printed p. 39; the 24 and 25 June 1958 sessions marked with an asterisk are for Elgar’s Enigma Variations on the same disc). The Internet Archive description narrows the date to 20 June 1958 without a source. The identification rests on the layout of the booklet’s credits, which the author read as attaching to the disc listing Sibelius and Elgar; the measured movement lengths of this file (10:17, 14:36, 6:14 and 12:49) match the booklet’s track times (10:16, 14:36, 6:15, 12:49).","session.place.value":"Kingsway Hall, London","session.place.status":"documented","session.place.sourceIds":"[\"booklet\",\"ia-item\"]","session.place.note":"Both sources name Kingsway Hall.","carrier.label.value":"RCA (US catalogue LSC 2342; UK catalogue SB 207); Decca reissue SDD 234 (September 1970)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"booklet\"]","carrier.label.note":"The booklet’s “First released as” line names the catalogue numbers and months but not the label name for SB 207. The Internet Archive description says Decca–RCA. The author treats the first issue as RCA’s.","carrier.catalogue.value":"RCA LSC 2342 (October 1959); SB 207 (May 1960); Decca SDD 234 (September 1970)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"booklet\"]","carrier.catalogue.note":"The first issue was in October 1959 (LSC 2342) and May 1960 (SB 207); both dates are before 1963.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"booklet\"]","carrier.matrixTakeSides.note":"The booklet names no matrix, take or side numbers.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"ia-item\"]","transfer.credits.note":"The Internet Archive item was uploaded by a private account (subject tag “DWTKenInNY”); its description names no transfer engineer or source disc.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"ia-item\"]","transfer.date.note":"The item’s public date is 11 June 2023; that is an upload date, not a transfer date.","transfer.processing.value":"A single VBR MP3 of the whole symphony; the uploader’s movement times are given in the description","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"ia-item\"]","transfer.processing.note":"The Internet Archive derivative is a 78.7 MB VBR MP3 lasting 2,637 seconds. Whether it was sourced from an LP, CD or tape is not stated. No further processing is disclosed.","digital.streamUrl":"https://archive.org/download/sibelius-2-compl-monteux-lso/sibelius%202%20compl%20%28monteux-lso%29.mp3","digital.sourceChain":"[\"ia-item\"]","digital.format":"VBR MP3 as uploaded to the Internet Archive; one 44-minute file for the whole symphony","digital.durationSeconds":2637.04,"rights.composition.value":"Sibelius died in 1957, so the symphony (published 1903) is in copyright in countries with a life-plus-70 term, including the EU, until the end of 2027; IMSLP records it as public domain in the United States, Canada and life-plus-50 countries","rights.composition.status":"documented","rights.composition.sourceIds":"[\"imslp\"]","rights.composition.note":"The IMSLP work page carries a notice that the work is not in the public domain in life-plus-70 countries. The end date of 2027 is computed from Sibelius’s death in 1957, which the site’s Sibelius biography gives as 20 September 1957. This dossier does not claim the composition is out of copyright in the EU. The programme’s rule applies to the sound recording, not the composition.","rights.recording.value":"Rule 3 — EU public domain (territorial): first published before 1963 (RCA LSC 2342, October 1959; SB 207, May 1960).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"booklet\",\"ia-item\"]","rights.recording.note":"Territorial only: the recording’s first publication in 1959–60 predates 1963, so its EU 50-year term had expired before the 2013 extension. The United States status of a 1958–59 sound recording is not established here. The Internet Archive item carries no licence URL; its metadata and description contain no non-commercial restriction. The item belongs to a general “folksoundomy” collection and was uploaded by a third party, not by the rights holder.","rights.creditLine":"Jean Sibelius, Symphony No. 2 in D major, Op. 43. London Symphony Orchestra, Pierre Monteux, conductor. Recorded at Kingsway Hall, London, 18–20 June 1958; first issued as RCA LSC 2342 (1959). Single-file Internet Archive upload, item sibelius-2-compl-monteux-lso. Territorial public-domain basis (first published before 1963).","rights.licenseUrl":"https://archive.org/details/sibelius-2-compl-monteux-lso","sources":"[{\"id\":\"ia-item\",\"title\":\"Internet Archive — Sibelius: Symphony No. 2 in D, Op. 43, complete (Monteux–LSO 1958)\",\"url\":\"https://archive.org/details/sibelius-2-compl-monteux-lso\",\"locator\":\"Description: movement times at 0:01, 10:18, 24:54 and 31:08; “London Symphony Orchestra, Pierre Monteux, cond. Decca–RCA, recorded in Kingsway Hall, June 20, 1958”; files list: one VBR MP3 of 2,637 s; metadata has no licence URL; public date 2023-06-11.\",\"accessed\":\"2026-10-17\"},{\"id\":\"booklet\",\"title\":\"Decca Classics — Pierre Monteux: The Complete Decca/Philips Recordings (booklet)\",\"url\":\"https://d24ku69pnn7av2.cloudfront.net/decca-classics-booklets/2020/02894834711X_Pierre_Monteux_Booklet.pdf\",\"locator\":\"PDF page 20, printed p. 39 (track list with movement times 10.16, 14.36, 6.15, 12.49, with Elgar’s Enigma Variations marked *); PDF page 21, printed p. 40 (Kingsway Hall, London, 18–20 June 1958 and 24 & 25 June 1958*; producers John Culshaw and James Walker*; balance engineer Kenneth Wilkinson; “First released as: RCA LSC 2342 (October 1959) / SB 207 (May 1960); DECCA SDD 234 (September 1970)”); PDF page 26, printed pp. 50–51 (essay).\",\"accessed\":\"2026-10-17\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Symphony No. 2, Op. 43 (Sibelius, Jean)\",\"url\":\"https://imslp.org/wiki/Symphony_No.2,_Op.43_(Sibelius,_Jean)\",\"locator\":\"Copyright notice (public domain in Canada, the United States and life-plus-50 countries; not in life-plus-70 countries); first performance 8 March 1902; first publication Helsinki: Fazer & Westerlund, 1903.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sibelius-society\",\"title\":\"Sibelius Society of Finland — Second symphony op. 43 (1902)\",\"url\":\"https://sibelius.klubi.fi/english/musiikki/ork_sinf_02.htm\",\"locator\":\"First version 1902 and final version 1903; première 8 March 1902 (Helsinki) and 10 November 1903 (Stockholm); movement notes.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"1 inferred; 8 documented; 3 unknown"},{"id":"sibelius-valse-triste","composer":"Jean Sibelius","title":"Valse triste, Op. 44 No. 1","movement":"","work.title":"Valse triste","work.catalogue":"Op. 44 No. 1","work.movement":"","work.version.value":"Arrangement for cello with piano accompaniment; arranger unidentified.","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"upstream\",\"embedded\"]","work.version.note":"Neither the source discography nor the embedded tags name the arranger.","performers.value":"[{\"name\":\"Judith Bokor\",\"role\":\"cello\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"upstream\",\"embedded\"]","performers.note":"Piano accompaniment is documented, but the pianist is unnamed. The upstream biographical account mentions Louis Schnitzler and Theo van der Pas; it does not assign either pianist to this matrix.","session.date.value":"5 June 1925","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"structured\",\"upstream\",\"embedded\"]","session.date.note":"The date is attached to matrix FX 51 in the source discography, not inferred from the upload timestamp.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":"Columbia","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"upstream\",\"embedded\"]","carrier.label.note":"","carrier.catalogue.value":"D 12801","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"upstream\",\"embedded\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":"FX 51 — Valse triste","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"upstream\",\"embedded\"]","carrier.matrixTakeSides.note":"The same catalogue record is paired with Lalo’s Chants russes, matrix FX 56. No take suffix or side letter is supplied for FX 51.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"upstream\",\"embedded\"]","transfer.credits.note":"The Internet Archive item supplies a transfer and discographic table but does not explicitly identify its transfer or restoration engineer. Its uploader account is not treated as an engineering credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Embedded encoder: libFLAC 1.3.2 20190804. Commons master: FLAC, 16-bit, 44.1 kHz, 1 channel.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"embedded\"]","transfer.processing.note":"These are file properties, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/7e/Judith_Bokor_plays_Valse_triste_by_Sibelius.flac/Judith_Bokor_plays_Valse_triste_by_Sibelius.flac.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative; Commons master: FLAC, 16-bit, 44.1 kHz, 1 channel","digital.durationSeconds":262.1310657596372,"rights.composition.value":"Public domain in the United States; Commons’ life-plus-70 claim is not supported as of 2026.","rights.composition.status":"disputed","rights.composition.sourceIds":"[\"commons\",\"old70-tag\",\"work-source\",\"composer-authority\",\"author-term\",\"us-work-term\"]","rights.composition.note":"The 1904 publication supports US expiry. Sibelius died in 1957, so an ordinary life-plus-70 term runs through 31 December 2027. This conflicts with the file’s unqualified PD-old-70 tag. The unidentified arranger’s rights are also unestablished.","rights.composition.alternatives":"[{\"value\":\"Commons applies PD-old-70, asserting expiry in the source country and life-plus-70 jurisdictions.\",\"sourceIds\":[\"commons\",\"old70-tag\"]},{\"value\":\"The standard life-plus-70 term for Sibelius’s composition runs through 31 December 2027; US publication-based expiry is separate.\",\"sourceIds\":[\"composer-authority\",\"author-term\",\"work-source\",\"us-work-term\"]}]","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\",\"rights-audit-bokor-discography\"]","rights.recording.note":"Commons supplies only general PD-US-expired and PD-old-70 tags, not a recording-specific licence. The opened upstream discography documents Columbia D 12801, matrix FX 51, recorded 5 June 1925. The original acoustic commercial carrier supports an inference of publication before 1963, qualifying under rule 3’s territorial European expiry basis; no original issue catalogue or exact first-publication year was located. Publication by the end of 1925 is not established, so rule 2 is not claimed. The former 50-year European term is inferred to have expired before the 2013 extension. US sound-recording status is not established.","rights.creditLine":"Judith Bokor, cello; pianist unidentified. Columbia D 12801, matrix FX 51; Internet Archive transfer, via Wikimedia Commons. Commons claims public domain; composition and recording rights require territorial review.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/File:Judith_Bokor_plays_Valse_triste_by_Sibelius.flac","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Judith Bokor plays Valse triste by Sibelius.flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:Judith_Bokor_plays_Valse_triste_by_Sibelius.flac?oldid=1220972757\",\"locator\":\"File-description wikitext revision 1220972757; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M192847627\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M192847627&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 1220972757. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3AJudith+Bokor+plays+Valse+triste+by+Sibelius.flac&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"upstream\",\"title\":\"Internet Archive: Judith Bokor — Columbia, 1924–1925\",\"url\":\"https://archive.org/metadata/3-judith-bokor-col-d-17144-fx-16-17-kol-nidrei_202309\",\"locator\":\"Description discography row 6: Valse triste, matrix FX 51, 5 June 1925, Columbia D 12801. File: 6 Judith Bokor - Col D 12801 FX 51 Sibelius.flac; addeddate is 22 September 2023.\",\"accessed\":\"2026-10-16\"},{\"id\":\"work-source\",\"title\":\"Boston Symphony Orchestra: Sibelius, Valse triste\",\"url\":\"https://www.bso.org/works/sibelius-valse-triste\",\"locator\":\"Richard Dyer’s programme note: composed as incidental music in 1903; published separately in 1904.\",\"accessed\":\"2026-10-16\"},{\"id\":\"composer-authority\",\"title\":\"Boston Symphony Orchestra: Jean Sibelius\",\"url\":\"https://www.bso.org/profiles/jean-sibelius\",\"locator\":\"Composer biography gives death on 20 September 1957.\",\"accessed\":\"2026-10-16\"},{\"id\":\"old70-tag\",\"title\":\"Commons: meaning of PD-old-70\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-old-70\",\"locator\":\"Template claims expiry in the source country and life-plus-70 jurisdictions; intended for authors who died more than 70 years ago.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-work-term\",\"title\":\"Commons: US expiry for published compositions\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-US-expired\",\"locator\":\"Published works before 1931 are public domain in the United States as of 2026; the template expressly excludes sound recordings.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-recording-law\",\"title\":\"17 U.S.C. § 1401: pre-1972 sound recordings\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Section (a)(2): terms depend on first publication, with separate periods for 1923–1946, 1947–1956 and later recordings.\",\"accessed\":\"2026-10-16\"},{\"id\":\"author-term\",\"title\":\"Directive 2006/116/EC: authors’ copyright terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: life plus 70 years, calculated from 1 January after the relevant event; this citation concerns authors, not the later amended recording term.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Judith Bokor plays Valse triste by Sibelius.flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1208738189%7C1227005699%7C955665701%7C1220972757%7C911313164%7C963517023%7C1191098375%7C392869837%7C1189153589%7C1183107191&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Judith Bokor plays Valse triste by Sibelius.flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3), inserting Article 10(5): extension applies to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-audio\",\"title\":\"Wikimedia Commons — recording-specific scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation concern performers’ and producers’ rights, not merely composition copyright; territorial European expiry.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-bokor-discography\",\"title\":\"Internet Archive — Judith Bokor Columbia discography\",\"url\":\"https://archive.org/metadata/3-judith-bokor-col-d-17144-fx-16-17-kol-nidrei_202309/metadata\",\"locator\":\"Description table row 6 identifies Valse triste, matrix FX 51, recorded 5 June 1925, Columbia D 12801. No first-publication date is supplied.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"7 documented; 3 unknown; 1 disputed; 1 inferred"},{"id":"smetana-quartet-1","composer":"Bedřich Smetana","title":"String Quartet No. 1 in E minor, “From My Life”","movement":"Complete","work.title":"String Quartet No. 1 in E minor, “From My Life”","work.catalogue":"JB 1:105","work.movement":"Complete","work.version.value":"The complete quartet, four movements on seven sides","work.version.status":"inferred","work.version.sourceIds":"[\"archive\"]","work.version.note":"The item lists the movements and parts side by side; the edition used by the players is not identified.","performers.value":"[{\"name\":\"Jascha Brodsky\",\"role\":\"violin I\"},{\"name\":\"Charles Jaffe\",\"role\":\"violin II\"},{\"name\":\"Max Aronoff\",\"role\":\"viola\"},{\"name\":\"Orlando Cole\",\"role\":\"cello\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"label\"]","performers.note":"The Internet Archive description credits the Curtis String Quartet with these four players and assigns Brodsky to violin I and Jaffe to violin II. The label of side 1 (MM-405 pressing, 70344-D) names Brodsky and Jaffe as violins, Aronoff as viola and Cole as cello, without assigning the violin parts.","session.date.value":"1940-03-06","session.date.status":"documented","session.date.sourceIds":"[\"archive\"]","session.date.note":"The Internet Archive description gives 6 March 1940. No second source for the date was found.","session.date.precision":"day","session.place.value":"New York City","session.place.status":"documented","session.place.sourceIds":"[\"archive\"]","session.place.note":"The studio is not named.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"label\",\"columbia-1940\"]","carrier.label.note":"Issued as a 78-rpm album set.","carrier.catalogue.value":"M-405 (69849-D to 69852-D); automatic sequence AM-405 (69853-D to 69856-D); later reissue MM-405 (70344-D to 70347-D)","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"label\",\"columbia-1940\"]","carrier.catalogue.note":"The label scanned in the item reads MM 405-1, 70344-D, the drop-automatic reissue pressing. The item description says the set was issued in May 1940; Columbia’s October 1940 catalogue lists all three number ranges.","carrier.matrixTakeSides.value":"Sides 1–7, matrices XCO 27013 to 27019; side 8, XCO 27020, is Tchaikovsky’s scherzo and is not part of this recording","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"Side 1: first movement, part 1; side 2: first movement, part 2; side 3: second movement, part 1; side 4: second movement, part 2 and third movement, part 1; side 5: third movement, part 2; side 6: third movement, part 3 and finale, part 1; side 7: finale, part 2. Take numbers are not given.","transfer.credits.value":"Shellackophile collection, Internet Archive","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"No personal mastering credit is given.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item was added to the Internet Archive on 4 July 2022; the date of the transfer is not stated.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\",\"files\"]","transfer.processing.note":"Equipment, equalisation and restoration are not stated. The file is a single continuous MP3 of the seven sides.","digital.streamUrl":"https://archive.org/download/mm-405-smetana-sq-1/MM405%20Smetana%20SQ1.mp3","digital.sourceChain":"[\"archive\",\"files\"]","digital.format":"VBR MP3; the uploader’s continuous transfer of seven 78-rpm sides","digital.durationSeconds":1623.31,"rights.composition.value":"Smetana died on 12 May 1884; the composition is in the public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"museum\"]","rights.composition.note":"The death date is from the Bedřich Smetana Museum. This does not cover a later edition or arrangement.","rights.recording.value":"Territorial EU phonogram public-domain basis: first issued in 1940, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"columbia-1940\",\"eu-term\"]","rights.recording.note":"The project’s eu-published-before-1963 rule applies to a Columbia set issued in 1940: the former 50-year phonogram term had expired before the 2011 extension applied on 1 November 2013. The Internet Archive description gives the issue as May 1940. Columbia’s own October 1940 catalogue independently lists the set as M-405 (69849-D to 69852-D), so the first issue was no later than October 1940. This is not US or worldwide clearance and not a Creative Commons licence.","rights.creditLine":"Smetana, String Quartet No. 1 in E minor, “From My Life”; Curtis String Quartet. Columbia Masterworks M-405 (1940 issue), Internet Archive transfer. Territorial EU phonogram basis only.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive: Smetana Quartet No. 1 (Curtis String Quartet, 1940), item description\",\"url\":\"https://archive.org/metadata/mm-405-smetana-sq-1\",\"locator\":\"Description: the Curtis String Quartet (Brodsky, Jaffe, Aronoff, Cole); recorded 6 March 1940, New York City; issued May 1940 as Columbia Masterworks M-405 (69849-D to 69852-D), AM-405 and MM-405; side and matrix list XCO 27013–27020.\",\"accessed\":\"2026-10-19\"},{\"id\":\"files\",\"title\":\"Internet Archive: file inventory for the Curtis item\",\"url\":\"https://archive.org/metadata/mm-405-smetana-sq-1/files\",\"locator\":\"MM405 Smetana SQ1.mp3; VBR MP3; 1623.31 seconds; MD5 133ae6af523013a0923cefeb0c87bcc8.\",\"accessed\":\"2026-10-19\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX%3A32011L0077\",\"locator\":\"Recitals 1–3; Article 1(2) and 1(3): former 50-year term and extension for phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-19\"},{\"id\":\"museum\",\"title\":\"Bedřich Smetana Museum, National Museum: Life\",\"url\":\"https://bedrichsmetana.nm.cz/en/info/life\",\"locator\":\"Born 2 March 1824; died 1884 in Prague (12 May 1884 in the museum’s catalogue and in Wellek, Friedrich Smetana, 1895).\",\"accessed\":\"2026-10-19\"},{\"id\":\"columbia-1940\",\"title\":\"Columbia Catalog, October 1940 (Columbia Recording Corporation), Internet Archive\",\"url\":\"https://archive.org/details/columbia-catalog-october-1940\",\"locator\":\"Masterworks sets listed by composer: Smetana, Quartet No. 1 in E Minor, Curtis String Quartet (69849-D to 69852-D), AM (69853-D to 69856-D), MM (70344-D to 70347-D), 8 pts., set M-405, $4.50.\",\"accessed\":\"2026-10-19\"},{\"id\":\"label\",\"title\":\"Internet Archive: label scan of side 1, item mm-405-smetana-sq-1\",\"url\":\"https://archive.org/details/mm-405-smetana-sq-1\",\"locator\":\"File ‘MM405 label 1.JPG’: Columbia Masterworks MM 405-1, 70344-D (XCO 27013), Curtis String Quartet (Jascha Brodsky and Charles Jaffe, violins; Max Aronoff, viola; Orlando Cole, cello).\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"2 inferred; 8 documented; 2 unknown"},{"id":"smetana-vltava","composer":"Bedřich Smetana","title":"Má vlast","movement":"II. Vltava","work.title":"Má vlast","work.catalogue":"JB 1:112","work.movement":"II. Vltava","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition is not identified in the Commons documentation.","performers.value":"[{\"name\":\"Musopen Symphony Orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"Commons names the Musopen Symphony Orchestra as the artist. The embedded Ogg metadata reads “Czech National Symphony Orchestra” as author, which the Commons page does not repeat. No conductor or individual player is credited, and the orchestra’s identity is not documented further in the pages consulted.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"The Commons description gives no session date. The upload date of 22 October 2012 is not a session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is stated.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"Musopen distributes the file; no original label is identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No carrier catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer engineer is credited. The file was uploaded to Commons by the user Morn on 22 October 2012.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented; the Commons upload date is not a session or transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Equalisation, editing and restoration are not described.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/3/39/Smetana%2C_M%C3%A1_vlast_-_Vltava_-_The_Moldau.ogg/Smetana%2C_M%C3%A1_vlast_-_Vltava_-_The_Moldau.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"MP3 access derivative of the Commons Ogg Vorbis file","digital.durationSeconds":770.9,"rights.composition.value":"Smetana died on 12 May 1884; the composition is in the public domain.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"museum\"]","rights.composition.note":"The death date is from the Bedřich Smetana Museum. This does not cover a later edition or arrangement.","rights.recording.value":"CC0 public-domain dedication, as stated on the Commons file page.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The Commons page tags the file CC0 and names Musopen as the source, whose upload terms require contributors to represent that content is in the public domain. Commons notes that Musopen’s own works are copyrighted, so the CC0 tag on the file page is the only rights statement relied on.","rights.creditLine":"Smetana, Má vlast: Vltava; Musopen Symphony Orchestra. Wikimedia Commons, CC0, from Musopen.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Smetana, Má vlast - Vltava - The Moldau.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Smetana,_M%C3%A1_vlast_-_Vltava_-_The_Moldau.ogg\",\"locator\":\"Description, Artist (Musopen Symphony Orchestra), Credit (Musopen), licence CC0, duration 12:51; upload by Morn, 22 October 2012 (imageinfo API).\",\"accessed\":\"2026-10-19\"},{\"id\":\"museum\",\"title\":\"Bedřich Smetana Museum, National Museum: Life\",\"url\":\"https://bedrichsmetana.nm.cz/en/info/life\",\"locator\":\"Born 2 March 1824; died 1884 in Prague (12 May 1884 in the museum’s catalogue and in Wellek, Friedrich Smetana, 1895).\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"9 unknown; 3 documented"},{"id":"stravinsky-firebird-infernal-dance","composer":"Igor Stravinsky","title":"The Firebird","movement":"Infernal Dance of Kashchei","work.title":"The Firebird","work.catalogue":"","work.movement":"Infernal Dance of King Kashchei","work.version.value":"Concert-band transcription by Thomas Knox.","work.version.status":"documented","work.version.sourceIds":"[\"commons\"]","work.version.note":"The original orchestral suite version or score edition used for the transcription is not identified in the reviewed recording metadata.","performers.value":"[{\"name\":\"“The President’s Own” United States Marine Band\",\"role\":\"concert band\"},{\"name\":\"John R. Bourgeois\",\"role\":\"conductor — embedded credit\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"commons-data\"]","performers.note":"The embedded author field credits Colonel John R. Bourgeois. This is a metadata attribution, not a comparison against a carrier or programme.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\",\"commons-data\"]","session.date.note":"Commons supplies the composition year 1910. The embedded ‘Date and time of digitising’ tag says 1994, but the reviewed material does not establish whether that is an album year, session year or genuine digitisation date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the sources consulted.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The label or imprint of the carrier used for this digital file is not identified.","carrier.catalogue.value":"Courtly Dances; catalogue number unestablished.","carrier.catalogue.status":"inferred","carrier.catalogue.sourceIds":"[\"marine-source\"]","carrier.catalogue.note":"The upstream audio path names this collection. No physical issue has been matched to the streamed file.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side identification is supplied; this is not a claim that such identifiers cannot exist.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer or mastering engineer is identified; an uploader is not automatically a transfer engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons-data\"]","transfer.date.note":"The embedded 1994 tag is not accompanied by transfer documentation, so it is not treated as a verified digitisation date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No restoration, equalisation, noise-reduction or editing procedure is documented for the upstream audio.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/a/ab/Infernal_Dance_from_The_Firebird_by_Stravinsky.ogg/Infernal_Dance_from_The_Firebird_by_Stravinsky.ogg.mp3","digital.sourceChain":"[\"commons\",\"marine-source\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: Ogg Vorbis","digital.durationSeconds":255.84,"rights.composition.value":"Commons’ blanket expiry metadata is unreliable: it gives the wrong composer death year.","rights.composition.status":"disputed","rights.composition.sourceIds":"[\"commons\",\"composer\",\"score\",\"eu-term\"]","rights.composition.note":"Stravinsky died in 1971, not 1936. The 1910 score is described as public domain in the United States by the score catalogue, but not generally in life-plus-70 jurisdictions. The US government-work status of a band transcription or recording does not remove rights in the underlying composition.","rights.composition.alternatives":"[{\"value\":\"Commons applies PD-old-auto-expired with deathyear=1936.\",\"sourceIds\":[\"commons\"]},{\"value\":\"Stravinsky died in 1971; the 1910 score has territory-dependent copyright status, not blanket life-plus-70 expiry.\",\"sourceIds\":[\"composer\",\"score\",\"eu-term\"]}]","rights.recording.value":"Rule 1 — recording-specific public-domain release: PD-USGov-Military-Marine (US-law basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-us-government\"]","rights.recording.note":"Commons expressly applies PD-USGov-Military-Marine to the recording or official federal-government performance, not only to the composition. Under 17 U.S.C. § 105(a), official US Government works are not protected by US copyright. This is rule 1’s recording-specific public-domain release route, not rule 2’s publication-date route; it does not establish worldwide public-domain status.","rights.creditLine":"Igor Stravinsky, Infernal Dance from The Firebird; transcribed by Thomas Knox; “The President’s Own” United States Marine Band, Colonel John R. Bourgeois as credited. US Marine government-work recording, via Wikimedia Commons. Underlying composition rights are territory-dependent; Commons’ composer death year is erroneous.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marine","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Infernal Dance from The Firebird by Stravinsky.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Infernal_Dance_from_The_Firebird_by_Stravinsky.ogg?oldid=911313164\",\"locator\":\"File-description wikitext: work identification, Summary, Source and Licensing; file format, duration and Transcode status.\",\"accessed\":\"2026-10-16\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Infernal_Dance_from_The_Firebird_by_Stravinsky.ogg#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"marine-source\",\"title\":\"United States Marine Band — Courtly Dances source audio\",\"url\":\"https://www.marineband.marines.mil/Portals/175/Docs/Audio/Educational_Series/courtly_dances/infernal_dance_of_kastchei_from_the_firebird.mp3\",\"locator\":\"Original audio URL explicitly cited in Commons. The path names Courtly Dances; it does not supply a session date or a carrier catalogue number.\",\"accessed\":\"2026-10-16\"},{\"id\":\"score\",\"title\":\"IMSLP — The Firebird\",\"url\":\"https://imslp.org/wiki/The_Firebird_(Stravinsky,_Igor)\",\"locator\":\"Work information: first publication 1910, Moscow, P. Jurgenson. Copyright warning distinguishes US/Canadian public-domain status from life-plus-70 jurisdictions.\",\"accessed\":\"2026-10-16\"},{\"id\":\"composer\",\"title\":\"Igor Stravinsky — biographical dates\",\"url\":\"https://en.wikipedia.org/wiki/Igor_Stravinsky\",\"locator\":\"Lead: 17 June 1882 – 6 April 1971; this contradicts the Commons copyright template’s deathyear=1936.\",\"accessed\":\"2026-10-16\"},{\"id\":\"eu-term\",\"title\":\"EU Directive 2006/116/EC — copyright duration\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Articles 1(1) and 8: ordinary life-plus-70 term, calculated from 1 January after the relevant event.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Infernal Dance from The Firebird by Stravinsky.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1208738189%7C1227005699%7C955665701%7C1220972757%7C911313164%7C963517023%7C1191098375%7C392869837%7C1189153589%7C1183107191&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Infernal Dance from The Firebird by Stravinsky.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-us-government\",\"title\":\"17 U.S.C. § 105 — United States Government works\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/105\",\"locator\":\"Subsection (a): US copyright protection is unavailable for works of the US Government; historical notes distinguish foreign protection.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"3 documented; 7 unknown; 1 inferred; 1 disputed"},{"id":"stravinsky-petrushka-evening","composer":"Igor Stravinsky","title":"Petrushka (1911 original version)","movement":"IV. The Shrovetide Fair (evening)","work.title":"Petrushka","work.catalogue":"K012","work.movement":"IV. The Shrovetide Fair (evening)","work.version.value":"Original 1911 orchestration, complete ballet","work.version.status":"documented","work.version.sourceIds":"[\"london-carrier\",\"decca-reissue\",\"score-catalogue\"]","work.version.note":"The transferred London LP is expressly labelled Original Edition; Decca’s reissue catalogue corroborates Version 1911. The consulted full score represents that orchestration, not the 1947 revision. The exact early printing reproduced by Dover, and any session-specific corrections to players’ parts, remain unidentified.","performers.value":"[{\"name\":\"Orchestre de la Suisse Romande\",\"role\":\"orchestra\"},{\"name\":\"Ernest Ansermet\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"london-carrier\",\"archive\",\"decca-reissue\"]","performers.note":"Conductor and ensemble are printed on the sleeve and labels. No individual pianist, celesta player, harpist or other orchestral soloist is identified by the consulted carrier or reissue credits; those names remain unknown.","session.date.value":"23 October–9 November 1957","session.date.status":"documented","session.date.sourceIds":"[\"decca-discography\",\"session-reissue\"]","session.date.note":"Decca discography entry S183[d] specifies 23–25 and 28 October, and 9 November 1957; the displayed value encloses these non-contiguous sessions. The HDTT reissue independently gives the same outer range. The individual tableau’s recording day and take dates remain unknown. Release and digitisation dates are not substituted for session dates.","session.date.precision":"range","session.place.value":"Victoria Hall, Geneva, Switzerland","session.place.status":"documented","session.place.sourceIds":"[\"decca-discography\",\"session-reissue\"]","session.place.note":"Decca discography entry S183 and the reissue recording information explicitly name Victoria Hall, Geneva; the venue is not inferred from the orchestra’s home city.","carrier.label.value":"London Records; manufactured by The Decca Record Company Limited, England","carrier.label.status":"documented","carrier.label.sourceIds":"[\"london-carrier\",\"archive\"]","carrier.label.note":"The source is a stereo London LP with red labels; the sleeve is printed in the USA and Archive metadata gives country US. The cover’s ffss designation and the label’s ffrr wording are retained as physical-carrier observations.","carrier.catalogue.value":"CS 6009","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"london-carrier\",\"archive\"]","carrier.catalogue.note":"Number printed on cover, back and disc labels. The back sleeve also advertises mono CM 9229, but that is not the carrier used for these files.","carrier.matrixTakeSides.value":"Side 2: label matrix ZAL3810; tableaux III–IV","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"london-carrier\"]","carrier.matrixTakeSides.note":"Inspected side 2 label. The runout suffix is not confidently readable and is not transcribed. Individual take and edit identifiers remain unknown; the matrix alone does not identify a performance take.","transfer.credits.value":"Internet Archive LP digitisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"This account is explicitly listed in ripping_operator. The uploader/cataloguing account is not promoted to transfer engineer. A named human mastering/restoration engineer is unknown. James Walker, Roy Wallace and Gil Went belong to original-production/reissue credits, not this transfer.","transfer.date.value":"2021-06-29","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The source explicitly records ripping_date 20210629225655. The day is retained without assuming a timezone. Later MP3-derivative generation and repository upload dates are not treated as the LP-transfer date.","transfer.processing.value":"Technics SL1200MK5 turntable → Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; ArchiveCD Version 2.2.53lp; original side FLAC comments state Processed by SoX; segmented VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Equipment and software are explicitly supplied by the Archive lineage/ripping fields. The side masters are listed as 24-bit FLAC. Specific equalisation, noise reduction, de-clicking, pitch correction, tape editing and restoration settings remain unknown; Processed by SoX is not evidence of any particular restoration operation.","digital.streamUrl":"https://archive.org/download/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro/disc1/02.02.%204th%20Tableau%3A%20The%20Shrovetime%20Fair%20%28Evening%29.mp3","digital.sourceChain":"[\"london-carrier\",\"archive\"]","digital.format":"Variable-bit-rate MP3 access derivative of the Internet Archive LP digitisation; track segmentation metadata points back to the digitised side masters. The source filename is preserved verbatim.","digital.durationSeconds":803.23,"rights.composition.value":"Underlying 1911 composition and original 1912 score are public domain in the United States; the ordinary EU life-plus-70 composition term has not expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"score-catalogue\",\"work-catalogue\",\"eu-term\"]","rights.composition.note":"Stravinsky died in 1971, giving an ordinary EU term through 31 December 2041. This is a territorial term calculation, not worldwide clearance, and it does not grant rights in modern editions, stage designs or choreography. The viewable score is hosted in the US; recording-term eligibility below does not clear the underlying composition.","rights.recording.value":"Rule 3 — first lawful publication anywhere before 1963: London CS 6009, commercially published by 1958. Territorial EU sound-recording basis only; US sound-recording status is not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"decca-discography\",\"contemporary-ad\",\"archive\",\"london-carrier\",\"decca-reissue\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"A contemporary London/Pecar Electronics advertisement in the Grosse Pointe News, 6 November 1958, p. 7, pictures this Petrushka/Ansermet cover with catalogue CS 6009 under recordings NOW AVAILABLE. This directly establishes commercial availability in 1958; Archive’s 1958 carrier date and Decca’s ℗ 1958 attribution corroborate it. The rule concerns first lawful publication anywhere, not first EU publication; the US advertisement is therefore pertinent. A 1958 lawful publication exhausted the former 50-year EU performance/phonogram term by the end of 2008, before the 1 November 2013 protection threshold for the 70-year extension. The exact earliest market/day and any earlier issue are not established or required for this pre-1963 finding. No CC licence, worldwide public-domain claim, or US recording clearance is asserted.","rights.creditLine":"Igor Stravinsky, Petrushka (1911 original orchestration), IV. The Shrovetide Fair (evening); Orchestre de la Suisse Romande, Ernest Ansermet. Recorded 1957, Victoria Hall, Geneva; London CS 6009, 1958. Internet Archive LP digitisation, 29 June 2021. Territorial EU recording-term basis only; US recording status unestablished and composition rights separate.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"decca-discography\",\"title\":\"Philip Stuart — Decca discography, Switzerland, entry S183[d]\",\"url\":\"https://charm.rhul.ac.uk/pubs/DeccaS.pdf\",\"locator\":\"Printed p. 49, S183[d]: Petrushka (1911 version), Suisse Romande Orchestra / Ansermet, Victoria Hall; 23–25 and 28 October, 9 November 1957. Producer James Walker; Gil Went (mono), Roy Wallace (stereo). Stereo SXL2011 and CS6009 dated September 1958; mono LXT5425 May 1958 is not substituted for the stereo issue. PDF opened locally after direct-reader retrieval failed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"contemporary-ad\",\"title\":\"Grosse Pointe News, 6 November 1958 — London stereo advertisement\",\"url\":\"https://digitize.gp.lib.mi.us/history/newspapers/grossePointeNews/year_ranges/1950s/1958/pdf/1958-11-06.pdf\",\"locator\":\"Printed p. 7, right-hand London/Pecar Electronics advertisement, visually inspected. The heading says over 100 ffss recordings NOW AVAILABLE; the third row pictures the Petrushka/Ansermet sleeve and prints CS 6009 beneath it. Page header explicitly dates the issue Thursday, November 6, 1958.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — London CS 6009 carrier and digitisation metadata\",\"url\":\"https://archive.org/metadata/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro\",\"locator\":\"metadata.title, creator, date (1958), publisher, publisher-catalog-number, country; lineage, ripping_operator, ripping_date, ripping_software_version; file list, durations, MP3 derivation and original side FLAC comments. Upload/cataloguing account is not used as a transfer credit.\",\"accessed\":\"2026-10-17\"},{\"id\":\"london-carrier\",\"title\":\"London CS 6009 — inspected cover, back sleeve and two disc labels\",\"url\":\"https://archive.org/download/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro_jp2.zip\",\"locator\":\"JP2 members ending _0000 (cover), _0001 (back), _0002 (side 1), _0003 (side 2), inspected visually. Cover says Complete Ballet “Original Edition”, Ansermet and L’Orchestre de la Suisse Romande. Labels give CS 6009, ZAL3809 / ZAL3810, stereo and Decca manufacture. Side 1 runout ZAL-3809-5G is legible; side 2 suffix is not confidently readable.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-notes\",\"title\":\"London CS 6009 — back-sleeve notes signed Ernest Ansermet\",\"url\":\"https://archive.org/download/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro_djvu.txt\",\"locator\":\"OCR consulted alongside the visual back-sleeve scan. The sleeve does not identify an individual pianist, recording session dates, or this digital transfer’s engineer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"session-reissue\",\"title\":\"High Definition Tape Transfers — Ansermet / OSR Petrushka, original edition\",\"url\":\"https://www.highdeftapetransfers.ca/products/stravinsky-petrushka-ernest-ansermet-lorchestre-de-la-suisse-romande\",\"locator\":\"Recording information: 23 October–9 November 1957, Victoria Hall, Geneva; James Walker producer, Roy Wallace engineer. Used for the original session attribution only. Its later commercial transfer is not the audio used here.\",\"accessed\":\"2026-10-17\"},{\"id\":\"decca-reissue\",\"title\":\"Decca, Stravinsky: Ballets · Stage Works · Orchestral Works — label-supplied Qobuz credits\",\"url\":\"https://www.qobuz.com/us-en/album/stravinsky-ballets-stage-works-orchestral-works-ernest-ansermet-orchestre-de-la-suisse-romande/0002894678182\",\"locator\":\"Disc 2 tracks 1–4 explicitly identify Version 1911, Ansermet and Orchestre de la Suisse Romande, with ℗ 1958 Decca Music Group Limited. Track credits name James Walker, Roy Wallace and Gil Went. These are original-production/reissue credits, not credits for the Archive LP digitisation; Qobuz audio is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Petrushka — full score of the 1911 orchestration, Édition Russe plate R.M.V. 127, Dover reprint\",\"url\":\"https://vmirror.imslp.org/files/imglnks/usimg/1/18/IMSLP472771-PMLP179431-PMLUS00370-Stravinsky_-_Petrushka_OrchScore.pdf\",\"locator\":\"Inspected full score: tableaux I pp. 7–62 (rehearsals 1–47), II pp. 63–77 (48–61), III pp. 78–95 (62–81), IV pp. 96–156 (82–132). Alternative concert ending p. 150a is separate. Underlying printing behind the reprint is not uniquely established.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Petrushka, K012, original-version score entry\",\"url\":\"https://imslp.org/wiki/Petrushka,_K012_(Stravinsky,_Igor)\",\"locator\":\"1911 version, complete score #472771: Édition Russe, plate R.M.V. 127, Dover 1988 reprint; entry notes uncertainty between early printings. Public domain in the US and Canada, not the EU.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"Helmut Kirchmeyer — K012, Petrushka\",\"url\":\"https://www.kcatalog.org/index.php/browse-chapters/kcatalog/179-k012-petrushka\",\"locator\":\"Original-version instrumentation and rehearsal-by-rehearsal structure; Summary; history, premiere, first publication and comparison with the 1947 revision. Source for the staged action, not for this recording’s bar timings.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ircam\",\"title\":\"IRCAM — Petrouchka, work record and documentary extracts\",\"url\":\"https://resources.ircam.fr/en/work/petrouchka\",\"locator\":\"Composition August 1910–26 May 1911; premiere 13 June 1911, Théâtre du Châtelet, Paris, Monteux; Fokine, Benois, Nijinsky and Karsavina. Stravinsky’s retrospective account of the concert-piece origin and Debussy’s letter dated 13 April 1912.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Gerald Larner — Stravinsky, Petrushka (1911), programme note\",\"url\":\"https://geraldlarner.com/work/stravinsky-petrushka-1911\",\"locator\":\"Instrumental characterisation, the two Lanner waltzes, conflicting duple/triple patterns, Down the Petersky, and original/revised orchestration. Paraphrased, not reproduced.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP — Igor Stravinsky, lifespan and territorial copyright notice\",\"url\":\"https://imslp.org/wiki/Category:Stravinsky,_Igor\",\"locator\":\"17 June 1882–6 April 1971; warning that works remain protected in life-plus-70 territories including the EU, with US pre-1931-publication qualification.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — term of copyright and related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Article 1 (author’s life plus 70); original Article 3(1)–(2) (50-year performance/phonogram terms); Article 8 (calendar-year calculation); recital 17 (publication or communication to the public need not occur in the Community).\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — extension of performance and phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2) amends Article 3; Article 1(3) inserts Article 10(5), limiting the extended terms to fixations and phonograms still protected on 1 November 2013 or made thereafter.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"11 documented; 1 inferred"},{"id":"stravinsky-petrushka-fair","composer":"Igor Stravinsky","title":"Petrushka (1911 original version)","movement":"I. The Shrovetide Fair","work.title":"Petrushka","work.catalogue":"K012","work.movement":"I. The Shrovetide Fair","work.version.value":"Original 1911 orchestration, complete ballet","work.version.status":"documented","work.version.sourceIds":"[\"london-carrier\",\"decca-reissue\",\"score-catalogue\"]","work.version.note":"The transferred London LP is expressly labelled Original Edition; Decca’s reissue catalogue corroborates Version 1911. The consulted full score represents that orchestration, not the 1947 revision. The exact early printing reproduced by Dover, and any session-specific corrections to players’ parts, remain unidentified.","performers.value":"[{\"name\":\"Orchestre de la Suisse Romande\",\"role\":\"orchestra\"},{\"name\":\"Ernest Ansermet\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"london-carrier\",\"archive\",\"decca-reissue\"]","performers.note":"Conductor and ensemble are printed on the sleeve and labels. No individual pianist, celesta player, harpist or other orchestral soloist is identified by the consulted carrier or reissue credits; those names remain unknown.","session.date.value":"23 October–9 November 1957","session.date.status":"documented","session.date.sourceIds":"[\"decca-discography\",\"session-reissue\"]","session.date.note":"Decca discography entry S183[d] specifies 23–25 and 28 October, and 9 November 1957; the displayed value encloses these non-contiguous sessions. The HDTT reissue independently gives the same outer range. The individual tableau’s recording day and take dates remain unknown. Release and digitisation dates are not substituted for session dates.","session.date.precision":"range","session.place.value":"Victoria Hall, Geneva, Switzerland","session.place.status":"documented","session.place.sourceIds":"[\"decca-discography\",\"session-reissue\"]","session.place.note":"Decca discography entry S183 and the reissue recording information explicitly name Victoria Hall, Geneva; the venue is not inferred from the orchestra’s home city.","carrier.label.value":"London Records; manufactured by The Decca Record Company Limited, England","carrier.label.status":"documented","carrier.label.sourceIds":"[\"london-carrier\",\"archive\"]","carrier.label.note":"The source is a stereo London LP with red labels; the sleeve is printed in the USA and Archive metadata gives country US. The cover’s ffss designation and the label’s ffrr wording are retained as physical-carrier observations.","carrier.catalogue.value":"CS 6009","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"london-carrier\",\"archive\"]","carrier.catalogue.note":"Number printed on cover, back and disc labels. The back sleeve also advertises mono CM 9229, but that is not the carrier used for these files.","carrier.matrixTakeSides.value":"Side 1: label matrix ZAL3809; visible runout ZAL-3809-5G; tableaux I–II","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"london-carrier\"]","carrier.matrixTakeSides.note":"Inspected label and runout photograph. The matrix is a carrier/side identifier, not an established performance take number. Individual take and edit identifiers remain unknown.","transfer.credits.value":"Internet Archive LP digitisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"This account is explicitly listed in ripping_operator. The uploader/cataloguing account is not promoted to transfer engineer. A named human mastering/restoration engineer is unknown. James Walker, Roy Wallace and Gil Went belong to original-production/reissue credits, not this transfer.","transfer.date.value":"2021-06-29","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The source explicitly records ripping_date 20210629225655. The day is retained without assuming a timezone. Later MP3-derivative generation and repository upload dates are not treated as the LP-transfer date.","transfer.processing.value":"Technics SL1200MK5 turntable → Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; ArchiveCD Version 2.2.53lp; original side FLAC comments state Processed by SoX; segmented VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Equipment and software are explicitly supplied by the Archive lineage/ripping fields. The side masters are listed as 24-bit FLAC. Specific equalisation, noise reduction, de-clicking, pitch correction, tape editing and restoration settings remain unknown; Processed by SoX is not evidence of any particular restoration operation.","digital.streamUrl":"https://archive.org/download/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro/disc1/01.01.%201st%20Tableau%3A%20The%20Shrovetide%20Fair.mp3","digital.sourceChain":"[\"london-carrier\",\"archive\"]","digital.format":"Variable-bit-rate MP3 access derivative of the Internet Archive LP digitisation; track segmentation metadata points back to the digitised side masters. The source filename is preserved verbatim.","digital.durationSeconds":591.34,"rights.composition.value":"Underlying 1911 composition and original 1912 score are public domain in the United States; the ordinary EU life-plus-70 composition term has not expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"score-catalogue\",\"work-catalogue\",\"eu-term\"]","rights.composition.note":"Stravinsky died in 1971, giving an ordinary EU term through 31 December 2041. This is a territorial term calculation, not worldwide clearance, and it does not grant rights in modern editions, stage designs or choreography. The viewable score is hosted in the US; recording-term eligibility below does not clear the underlying composition.","rights.recording.value":"Rule 3 — first lawful publication anywhere before 1963: London CS 6009, commercially published by 1958. Territorial EU sound-recording basis only; US sound-recording status is not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"decca-discography\",\"contemporary-ad\",\"archive\",\"london-carrier\",\"decca-reissue\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"A contemporary London/Pecar Electronics advertisement in the Grosse Pointe News, 6 November 1958, p. 7, pictures this Petrushka/Ansermet cover with catalogue CS 6009 under recordings NOW AVAILABLE. This directly establishes commercial availability in 1958; Archive’s 1958 carrier date and Decca’s ℗ 1958 attribution corroborate it. The rule concerns first lawful publication anywhere, not first EU publication; the US advertisement is therefore pertinent. A 1958 lawful publication exhausted the former 50-year EU performance/phonogram term by the end of 2008, before the 1 November 2013 protection threshold for the 70-year extension. The exact earliest market/day and any earlier issue are not established or required for this pre-1963 finding. No CC licence, worldwide public-domain claim, or US recording clearance is asserted.","rights.creditLine":"Igor Stravinsky, Petrushka (1911 original orchestration), I. The Shrovetide Fair; Orchestre de la Suisse Romande, Ernest Ansermet. Recorded 1957, Victoria Hall, Geneva; London CS 6009, 1958. Internet Archive LP digitisation, 29 June 2021. Territorial EU recording-term basis only; US recording status unestablished and composition rights separate.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"decca-discography\",\"title\":\"Philip Stuart — Decca discography, Switzerland, entry S183[d]\",\"url\":\"https://charm.rhul.ac.uk/pubs/DeccaS.pdf\",\"locator\":\"Printed p. 49, S183[d]: Petrushka (1911 version), Suisse Romande Orchestra / Ansermet, Victoria Hall; 23–25 and 28 October, 9 November 1957. Producer James Walker; Gil Went (mono), Roy Wallace (stereo). Stereo SXL2011 and CS6009 dated September 1958; mono LXT5425 May 1958 is not substituted for the stereo issue. PDF opened locally after direct-reader retrieval failed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"contemporary-ad\",\"title\":\"Grosse Pointe News, 6 November 1958 — London stereo advertisement\",\"url\":\"https://digitize.gp.lib.mi.us/history/newspapers/grossePointeNews/year_ranges/1950s/1958/pdf/1958-11-06.pdf\",\"locator\":\"Printed p. 7, right-hand London/Pecar Electronics advertisement, visually inspected. The heading says over 100 ffss recordings NOW AVAILABLE; the third row pictures the Petrushka/Ansermet sleeve and prints CS 6009 beneath it. Page header explicitly dates the issue Thursday, November 6, 1958.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — London CS 6009 carrier and digitisation metadata\",\"url\":\"https://archive.org/metadata/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro\",\"locator\":\"metadata.title, creator, date (1958), publisher, publisher-catalog-number, country; lineage, ripping_operator, ripping_date, ripping_software_version; file list, durations, MP3 derivation and original side FLAC comments. Upload/cataloguing account is not used as a transfer credit.\",\"accessed\":\"2026-10-17\"},{\"id\":\"london-carrier\",\"title\":\"London CS 6009 — inspected cover, back sleeve and two disc labels\",\"url\":\"https://archive.org/download/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro_jp2.zip\",\"locator\":\"JP2 members ending _0000 (cover), _0001 (back), _0002 (side 1), _0003 (side 2), inspected visually. Cover says Complete Ballet “Original Edition”, Ansermet and L’Orchestre de la Suisse Romande. Labels give CS 6009, ZAL3809 / ZAL3810, stereo and Decca manufacture. Side 1 runout ZAL-3809-5G is legible; side 2 suffix is not confidently readable.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-notes\",\"title\":\"London CS 6009 — back-sleeve notes signed Ernest Ansermet\",\"url\":\"https://archive.org/download/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro_djvu.txt\",\"locator\":\"OCR consulted alongside the visual back-sleeve scan. The sleeve does not identify an individual pianist, recording session dates, or this digital transfer’s engineer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"session-reissue\",\"title\":\"High Definition Tape Transfers — Ansermet / OSR Petrushka, original edition\",\"url\":\"https://www.highdeftapetransfers.ca/products/stravinsky-petrushka-ernest-ansermet-lorchestre-de-la-suisse-romande\",\"locator\":\"Recording information: 23 October–9 November 1957, Victoria Hall, Geneva; James Walker producer, Roy Wallace engineer. Used for the original session attribution only. Its later commercial transfer is not the audio used here.\",\"accessed\":\"2026-10-17\"},{\"id\":\"decca-reissue\",\"title\":\"Decca, Stravinsky: Ballets · Stage Works · Orchestral Works — label-supplied Qobuz credits\",\"url\":\"https://www.qobuz.com/us-en/album/stravinsky-ballets-stage-works-orchestral-works-ernest-ansermet-orchestre-de-la-suisse-romande/0002894678182\",\"locator\":\"Disc 2 tracks 1–4 explicitly identify Version 1911, Ansermet and Orchestre de la Suisse Romande, with ℗ 1958 Decca Music Group Limited. Track credits name James Walker, Roy Wallace and Gil Went. These are original-production/reissue credits, not credits for the Archive LP digitisation; Qobuz audio is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Petrushka — full score of the 1911 orchestration, Édition Russe plate R.M.V. 127, Dover reprint\",\"url\":\"https://vmirror.imslp.org/files/imglnks/usimg/1/18/IMSLP472771-PMLP179431-PMLUS00370-Stravinsky_-_Petrushka_OrchScore.pdf\",\"locator\":\"Inspected full score: tableaux I pp. 7–62 (rehearsals 1–47), II pp. 63–77 (48–61), III pp. 78–95 (62–81), IV pp. 96–156 (82–132). Alternative concert ending p. 150a is separate. Underlying printing behind the reprint is not uniquely established.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Petrushka, K012, original-version score entry\",\"url\":\"https://imslp.org/wiki/Petrushka,_K012_(Stravinsky,_Igor)\",\"locator\":\"1911 version, complete score #472771: Édition Russe, plate R.M.V. 127, Dover 1988 reprint; entry notes uncertainty between early printings. Public domain in the US and Canada, not the EU.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"Helmut Kirchmeyer — K012, Petrushka\",\"url\":\"https://www.kcatalog.org/index.php/browse-chapters/kcatalog/179-k012-petrushka\",\"locator\":\"Original-version instrumentation and rehearsal-by-rehearsal structure; Summary; history, premiere, first publication and comparison with the 1947 revision. Source for the staged action, not for this recording’s bar timings.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ircam\",\"title\":\"IRCAM — Petrouchka, work record and documentary extracts\",\"url\":\"https://resources.ircam.fr/en/work/petrouchka\",\"locator\":\"Composition August 1910–26 May 1911; premiere 13 June 1911, Théâtre du Châtelet, Paris, Monteux; Fokine, Benois, Nijinsky and Karsavina. Stravinsky’s retrospective account of the concert-piece origin and Debussy’s letter dated 13 April 1912.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Gerald Larner — Stravinsky, Petrushka (1911), programme note\",\"url\":\"https://geraldlarner.com/work/stravinsky-petrushka-1911\",\"locator\":\"Instrumental characterisation, the two Lanner waltzes, conflicting duple/triple patterns, Down the Petersky, and original/revised orchestration. Paraphrased, not reproduced.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP — Igor Stravinsky, lifespan and territorial copyright notice\",\"url\":\"https://imslp.org/wiki/Category:Stravinsky,_Igor\",\"locator\":\"17 June 1882–6 April 1971; warning that works remain protected in life-plus-70 territories including the EU, with US pre-1931-publication qualification.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — term of copyright and related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Article 1 (author’s life plus 70); original Article 3(1)–(2) (50-year performance/phonogram terms); Article 8 (calendar-year calculation); recital 17 (publication or communication to the public need not occur in the Community).\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — extension of performance and phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2) amends Article 3; Article 1(3) inserts Article 10(5), limiting the extended terms to fixations and phonograms still protected on 1 November 2013 or made thereafter.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"11 documented; 1 inferred"},{"id":"stravinsky-petrushka-moor","composer":"Igor Stravinsky","title":"Petrushka (1911 original version)","movement":"III. The Moor’s room","work.title":"Petrushka","work.catalogue":"K012","work.movement":"III. The Moor’s room","work.version.value":"Original 1911 orchestration, complete ballet","work.version.status":"documented","work.version.sourceIds":"[\"london-carrier\",\"decca-reissue\",\"score-catalogue\"]","work.version.note":"The transferred London LP is expressly labelled Original Edition; Decca’s reissue catalogue corroborates Version 1911. The consulted full score represents that orchestration, not the 1947 revision. The exact early printing reproduced by Dover, and any session-specific corrections to players’ parts, remain unidentified.","performers.value":"[{\"name\":\"Orchestre de la Suisse Romande\",\"role\":\"orchestra\"},{\"name\":\"Ernest Ansermet\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"london-carrier\",\"archive\",\"decca-reissue\"]","performers.note":"Conductor and ensemble are printed on the sleeve and labels. No individual pianist, celesta player, harpist or other orchestral soloist is identified by the consulted carrier or reissue credits; those names remain unknown.","session.date.value":"23 October–9 November 1957","session.date.status":"documented","session.date.sourceIds":"[\"decca-discography\",\"session-reissue\"]","session.date.note":"Decca discography entry S183[d] specifies 23–25 and 28 October, and 9 November 1957; the displayed value encloses these non-contiguous sessions. The HDTT reissue independently gives the same outer range. The individual tableau’s recording day and take dates remain unknown. Release and digitisation dates are not substituted for session dates.","session.date.precision":"range","session.place.value":"Victoria Hall, Geneva, Switzerland","session.place.status":"documented","session.place.sourceIds":"[\"decca-discography\",\"session-reissue\"]","session.place.note":"Decca discography entry S183 and the reissue recording information explicitly name Victoria Hall, Geneva; the venue is not inferred from the orchestra’s home city.","carrier.label.value":"London Records; manufactured by The Decca Record Company Limited, England","carrier.label.status":"documented","carrier.label.sourceIds":"[\"london-carrier\",\"archive\"]","carrier.label.note":"The source is a stereo London LP with red labels; the sleeve is printed in the USA and Archive metadata gives country US. The cover’s ffss designation and the label’s ffrr wording are retained as physical-carrier observations.","carrier.catalogue.value":"CS 6009","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"london-carrier\",\"archive\"]","carrier.catalogue.note":"Number printed on cover, back and disc labels. The back sleeve also advertises mono CM 9229, but that is not the carrier used for these files.","carrier.matrixTakeSides.value":"Side 2: label matrix ZAL3810; tableaux III–IV","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"london-carrier\"]","carrier.matrixTakeSides.note":"Inspected side 2 label. The runout suffix is not confidently readable and is not transcribed. Individual take and edit identifiers remain unknown; the matrix alone does not identify a performance take.","transfer.credits.value":"Internet Archive LP digitisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"This account is explicitly listed in ripping_operator. The uploader/cataloguing account is not promoted to transfer engineer. A named human mastering/restoration engineer is unknown. James Walker, Roy Wallace and Gil Went belong to original-production/reissue credits, not this transfer.","transfer.date.value":"2021-06-29","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The source explicitly records ripping_date 20210629225655. The day is retained without assuming a timezone. Later MP3-derivative generation and repository upload dates are not treated as the LP-transfer date.","transfer.processing.value":"Technics SL1200MK5 turntable → Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; ArchiveCD Version 2.2.53lp; original side FLAC comments state Processed by SoX; segmented VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Equipment and software are explicitly supplied by the Archive lineage/ripping fields. The side masters are listed as 24-bit FLAC. Specific equalisation, noise reduction, de-clicking, pitch correction, tape editing and restoration settings remain unknown; Processed by SoX is not evidence of any particular restoration operation.","digital.streamUrl":"https://archive.org/download/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro/disc1/02.01.%203rd%20Tableau%3A%20In%20The%20Moor%27s%20Room.mp3","digital.sourceChain":"[\"london-carrier\",\"archive\"]","digital.format":"Variable-bit-rate MP3 access derivative of the Internet Archive LP digitisation; track segmentation metadata points back to the digitised side masters. The source filename is preserved verbatim.","digital.durationSeconds":443.64,"rights.composition.value":"Underlying 1911 composition and original 1912 score are public domain in the United States; the ordinary EU life-plus-70 composition term has not expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"score-catalogue\",\"work-catalogue\",\"eu-term\"]","rights.composition.note":"Stravinsky died in 1971, giving an ordinary EU term through 31 December 2041. This is a territorial term calculation, not worldwide clearance, and it does not grant rights in modern editions, stage designs or choreography. The viewable score is hosted in the US; recording-term eligibility below does not clear the underlying composition.","rights.recording.value":"Rule 3 — first lawful publication anywhere before 1963: London CS 6009, commercially published by 1958. Territorial EU sound-recording basis only; US sound-recording status is not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"decca-discography\",\"contemporary-ad\",\"archive\",\"london-carrier\",\"decca-reissue\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"A contemporary London/Pecar Electronics advertisement in the Grosse Pointe News, 6 November 1958, p. 7, pictures this Petrushka/Ansermet cover with catalogue CS 6009 under recordings NOW AVAILABLE. This directly establishes commercial availability in 1958; Archive’s 1958 carrier date and Decca’s ℗ 1958 attribution corroborate it. The rule concerns first lawful publication anywhere, not first EU publication; the US advertisement is therefore pertinent. A 1958 lawful publication exhausted the former 50-year EU performance/phonogram term by the end of 2008, before the 1 November 2013 protection threshold for the 70-year extension. The exact earliest market/day and any earlier issue are not established or required for this pre-1963 finding. No CC licence, worldwide public-domain claim, or US recording clearance is asserted.","rights.creditLine":"Igor Stravinsky, Petrushka (1911 original orchestration), III. The Moor’s room; Orchestre de la Suisse Romande, Ernest Ansermet. Recorded 1957, Victoria Hall, Geneva; London CS 6009, 1958. Internet Archive LP digitisation, 29 June 2021. Territorial EU recording-term basis only; US recording status unestablished and composition rights separate.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"decca-discography\",\"title\":\"Philip Stuart — Decca discography, Switzerland, entry S183[d]\",\"url\":\"https://charm.rhul.ac.uk/pubs/DeccaS.pdf\",\"locator\":\"Printed p. 49, S183[d]: Petrushka (1911 version), Suisse Romande Orchestra / Ansermet, Victoria Hall; 23–25 and 28 October, 9 November 1957. Producer James Walker; Gil Went (mono), Roy Wallace (stereo). Stereo SXL2011 and CS6009 dated September 1958; mono LXT5425 May 1958 is not substituted for the stereo issue. PDF opened locally after direct-reader retrieval failed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"contemporary-ad\",\"title\":\"Grosse Pointe News, 6 November 1958 — London stereo advertisement\",\"url\":\"https://digitize.gp.lib.mi.us/history/newspapers/grossePointeNews/year_ranges/1950s/1958/pdf/1958-11-06.pdf\",\"locator\":\"Printed p. 7, right-hand London/Pecar Electronics advertisement, visually inspected. The heading says over 100 ffss recordings NOW AVAILABLE; the third row pictures the Petrushka/Ansermet sleeve and prints CS 6009 beneath it. Page header explicitly dates the issue Thursday, November 6, 1958.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — London CS 6009 carrier and digitisation metadata\",\"url\":\"https://archive.org/metadata/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro\",\"locator\":\"metadata.title, creator, date (1958), publisher, publisher-catalog-number, country; lineage, ripping_operator, ripping_date, ripping_software_version; file list, durations, MP3 derivation and original side FLAC comments. Upload/cataloguing account is not used as a transfer credit.\",\"accessed\":\"2026-10-17\"},{\"id\":\"london-carrier\",\"title\":\"London CS 6009 — inspected cover, back sleeve and two disc labels\",\"url\":\"https://archive.org/download/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro_jp2.zip\",\"locator\":\"JP2 members ending _0000 (cover), _0001 (back), _0002 (side 1), _0003 (side 2), inspected visually. Cover says Complete Ballet “Original Edition”, Ansermet and L’Orchestre de la Suisse Romande. Labels give CS 6009, ZAL3809 / ZAL3810, stereo and Decca manufacture. Side 1 runout ZAL-3809-5G is legible; side 2 suffix is not confidently readable.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-notes\",\"title\":\"London CS 6009 — back-sleeve notes signed Ernest Ansermet\",\"url\":\"https://archive.org/download/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro_djvu.txt\",\"locator\":\"OCR consulted alongside the visual back-sleeve scan. The sleeve does not identify an individual pianist, recording session dates, or this digital transfer’s engineer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"session-reissue\",\"title\":\"High Definition Tape Transfers — Ansermet / OSR Petrushka, original edition\",\"url\":\"https://www.highdeftapetransfers.ca/products/stravinsky-petrushka-ernest-ansermet-lorchestre-de-la-suisse-romande\",\"locator\":\"Recording information: 23 October–9 November 1957, Victoria Hall, Geneva; James Walker producer, Roy Wallace engineer. Used for the original session attribution only. Its later commercial transfer is not the audio used here.\",\"accessed\":\"2026-10-17\"},{\"id\":\"decca-reissue\",\"title\":\"Decca, Stravinsky: Ballets · Stage Works · Orchestral Works — label-supplied Qobuz credits\",\"url\":\"https://www.qobuz.com/us-en/album/stravinsky-ballets-stage-works-orchestral-works-ernest-ansermet-orchestre-de-la-suisse-romande/0002894678182\",\"locator\":\"Disc 2 tracks 1–4 explicitly identify Version 1911, Ansermet and Orchestre de la Suisse Romande, with ℗ 1958 Decca Music Group Limited. Track credits name James Walker, Roy Wallace and Gil Went. These are original-production/reissue credits, not credits for the Archive LP digitisation; Qobuz audio is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Petrushka — full score of the 1911 orchestration, Édition Russe plate R.M.V. 127, Dover reprint\",\"url\":\"https://vmirror.imslp.org/files/imglnks/usimg/1/18/IMSLP472771-PMLP179431-PMLUS00370-Stravinsky_-_Petrushka_OrchScore.pdf\",\"locator\":\"Inspected full score: tableaux I pp. 7–62 (rehearsals 1–47), II pp. 63–77 (48–61), III pp. 78–95 (62–81), IV pp. 96–156 (82–132). Alternative concert ending p. 150a is separate. Underlying printing behind the reprint is not uniquely established.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Petrushka, K012, original-version score entry\",\"url\":\"https://imslp.org/wiki/Petrushka,_K012_(Stravinsky,_Igor)\",\"locator\":\"1911 version, complete score #472771: Édition Russe, plate R.M.V. 127, Dover 1988 reprint; entry notes uncertainty between early printings. Public domain in the US and Canada, not the EU.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"Helmut Kirchmeyer — K012, Petrushka\",\"url\":\"https://www.kcatalog.org/index.php/browse-chapters/kcatalog/179-k012-petrushka\",\"locator\":\"Original-version instrumentation and rehearsal-by-rehearsal structure; Summary; history, premiere, first publication and comparison with the 1947 revision. Source for the staged action, not for this recording’s bar timings.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ircam\",\"title\":\"IRCAM — Petrouchka, work record and documentary extracts\",\"url\":\"https://resources.ircam.fr/en/work/petrouchka\",\"locator\":\"Composition August 1910–26 May 1911; premiere 13 June 1911, Théâtre du Châtelet, Paris, Monteux; Fokine, Benois, Nijinsky and Karsavina. Stravinsky’s retrospective account of the concert-piece origin and Debussy’s letter dated 13 April 1912.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Gerald Larner — Stravinsky, Petrushka (1911), programme note\",\"url\":\"https://geraldlarner.com/work/stravinsky-petrushka-1911\",\"locator\":\"Instrumental characterisation, the two Lanner waltzes, conflicting duple/triple patterns, Down the Petersky, and original/revised orchestration. Paraphrased, not reproduced.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP — Igor Stravinsky, lifespan and territorial copyright notice\",\"url\":\"https://imslp.org/wiki/Category:Stravinsky,_Igor\",\"locator\":\"17 June 1882–6 April 1971; warning that works remain protected in life-plus-70 territories including the EU, with US pre-1931-publication qualification.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — term of copyright and related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Article 1 (author’s life plus 70); original Article 3(1)–(2) (50-year performance/phonogram terms); Article 8 (calendar-year calculation); recital 17 (publication or communication to the public need not occur in the Community).\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — extension of performance and phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2) amends Article 3; Article 1(3) inserts Article 10(5), limiting the extended terms to fixations and phonograms still protected on 1 November 2013 or made thereafter.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"11 documented; 1 inferred"},{"id":"stravinsky-petrushka-room","composer":"Igor Stravinsky","title":"Petrushka (1911 original version)","movement":"II. Petrushka’s room","work.title":"Petrushka","work.catalogue":"K012","work.movement":"II. Petrushka’s room","work.version.value":"Original 1911 orchestration, complete ballet","work.version.status":"documented","work.version.sourceIds":"[\"london-carrier\",\"decca-reissue\",\"score-catalogue\"]","work.version.note":"The transferred London LP is expressly labelled Original Edition; Decca’s reissue catalogue corroborates Version 1911. The consulted full score represents that orchestration, not the 1947 revision. The exact early printing reproduced by Dover, and any session-specific corrections to players’ parts, remain unidentified.","performers.value":"[{\"name\":\"Orchestre de la Suisse Romande\",\"role\":\"orchestra\"},{\"name\":\"Ernest Ansermet\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"london-carrier\",\"archive\",\"decca-reissue\"]","performers.note":"Conductor and ensemble are printed on the sleeve and labels. No individual pianist, celesta player, harpist or other orchestral soloist is identified by the consulted carrier or reissue credits; those names remain unknown.","session.date.value":"23 October–9 November 1957","session.date.status":"documented","session.date.sourceIds":"[\"decca-discography\",\"session-reissue\"]","session.date.note":"Decca discography entry S183[d] specifies 23–25 and 28 October, and 9 November 1957; the displayed value encloses these non-contiguous sessions. The HDTT reissue independently gives the same outer range. The individual tableau’s recording day and take dates remain unknown. Release and digitisation dates are not substituted for session dates.","session.date.precision":"range","session.place.value":"Victoria Hall, Geneva, Switzerland","session.place.status":"documented","session.place.sourceIds":"[\"decca-discography\",\"session-reissue\"]","session.place.note":"Decca discography entry S183 and the reissue recording information explicitly name Victoria Hall, Geneva; the venue is not inferred from the orchestra’s home city.","carrier.label.value":"London Records; manufactured by The Decca Record Company Limited, England","carrier.label.status":"documented","carrier.label.sourceIds":"[\"london-carrier\",\"archive\"]","carrier.label.note":"The source is a stereo London LP with red labels; the sleeve is printed in the USA and Archive metadata gives country US. The cover’s ffss designation and the label’s ffrr wording are retained as physical-carrier observations.","carrier.catalogue.value":"CS 6009","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"london-carrier\",\"archive\"]","carrier.catalogue.note":"Number printed on cover, back and disc labels. The back sleeve also advertises mono CM 9229, but that is not the carrier used for these files.","carrier.matrixTakeSides.value":"Side 1: label matrix ZAL3809; visible runout ZAL-3809-5G; tableaux I–II","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"london-carrier\"]","carrier.matrixTakeSides.note":"Inspected label and runout photograph. The matrix is a carrier/side identifier, not an established performance take number. Individual take and edit identifiers remain unknown.","transfer.credits.value":"Internet Archive LP digitisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"This account is explicitly listed in ripping_operator. The uploader/cataloguing account is not promoted to transfer engineer. A named human mastering/restoration engineer is unknown. James Walker, Roy Wallace and Gil Went belong to original-production/reissue credits, not this transfer.","transfer.date.value":"2021-06-29","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The source explicitly records ripping_date 20210629225655. The day is retained without assuming a timezone. Later MP3-derivative generation and repository upload dates are not treated as the LP-transfer date.","transfer.processing.value":"Technics SL1200MK5 turntable → Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; ArchiveCD Version 2.2.53lp; original side FLAC comments state Processed by SoX; segmented VBR MP3 access derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Equipment and software are explicitly supplied by the Archive lineage/ripping fields. The side masters are listed as 24-bit FLAC. Specific equalisation, noise reduction, de-clicking, pitch correction, tape editing and restoration settings remain unknown; Processed by SoX is not evidence of any particular restoration operation.","digital.streamUrl":"https://archive.org/download/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro/disc1/01.02.%202nd%20Tableau%3A%20In%20Petrushko%27s%20Room.mp3","digital.sourceChain":"[\"london-carrier\",\"archive\"]","digital.format":"Variable-bit-rate MP3 access derivative of the Internet Archive LP digitisation; track segmentation metadata points back to the digitised side masters. The source filename is preserved verbatim.","digital.durationSeconds":266.83,"rights.composition.value":"Underlying 1911 composition and original 1912 score are public domain in the United States; the ordinary EU life-plus-70 composition term has not expired.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"composer\",\"score-catalogue\",\"work-catalogue\",\"eu-term\"]","rights.composition.note":"Stravinsky died in 1971, giving an ordinary EU term through 31 December 2041. This is a territorial term calculation, not worldwide clearance, and it does not grant rights in modern editions, stage designs or choreography. The viewable score is hosted in the US; recording-term eligibility below does not clear the underlying composition.","rights.recording.value":"Rule 3 — first lawful publication anywhere before 1963: London CS 6009, commercially published by 1958. Territorial EU sound-recording basis only; US sound-recording status is not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"decca-discography\",\"contemporary-ad\",\"archive\",\"london-carrier\",\"decca-reissue\",\"eu-term\",\"eu-extension\"]","rights.recording.note":"A contemporary London/Pecar Electronics advertisement in the Grosse Pointe News, 6 November 1958, p. 7, pictures this Petrushka/Ansermet cover with catalogue CS 6009 under recordings NOW AVAILABLE. This directly establishes commercial availability in 1958; Archive’s 1958 carrier date and Decca’s ℗ 1958 attribution corroborate it. The rule concerns first lawful publication anywhere, not first EU publication; the US advertisement is therefore pertinent. A 1958 lawful publication exhausted the former 50-year EU performance/phonogram term by the end of 2008, before the 1 November 2013 protection threshold for the 70-year extension. The exact earliest market/day and any earlier issue are not established or required for this pre-1963 finding. No CC licence, worldwide public-domain claim, or US recording clearance is asserted.","rights.creditLine":"Igor Stravinsky, Petrushka (1911 original orchestration), II. Petrushka’s room; Orchestre de la Suisse Romande, Ernest Ansermet. Recorded 1957, Victoria Hall, Geneva; London CS 6009, 1958. Internet Archive LP digitisation, 29 June 2021. Territorial EU recording-term basis only; US recording status unestablished and composition rights separate.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"decca-discography\",\"title\":\"Philip Stuart — Decca discography, Switzerland, entry S183[d]\",\"url\":\"https://charm.rhul.ac.uk/pubs/DeccaS.pdf\",\"locator\":\"Printed p. 49, S183[d]: Petrushka (1911 version), Suisse Romande Orchestra / Ansermet, Victoria Hall; 23–25 and 28 October, 9 November 1957. Producer James Walker; Gil Went (mono), Roy Wallace (stereo). Stereo SXL2011 and CS6009 dated September 1958; mono LXT5425 May 1958 is not substituted for the stereo issue. PDF opened locally after direct-reader retrieval failed.\",\"accessed\":\"2026-10-17\"},{\"id\":\"contemporary-ad\",\"title\":\"Grosse Pointe News, 6 November 1958 — London stereo advertisement\",\"url\":\"https://digitize.gp.lib.mi.us/history/newspapers/grossePointeNews/year_ranges/1950s/1958/pdf/1958-11-06.pdf\",\"locator\":\"Printed p. 7, right-hand London/Pecar Electronics advertisement, visually inspected. The heading says over 100 ffss recordings NOW AVAILABLE; the third row pictures the Petrushka/Ansermet sleeve and prints CS 6009 beneath it. Page header explicitly dates the issue Thursday, November 6, 1958.\",\"accessed\":\"2026-10-17\"},{\"id\":\"archive\",\"title\":\"Internet Archive — London CS 6009 carrier and digitisation metadata\",\"url\":\"https://archive.org/metadata/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro\",\"locator\":\"metadata.title, creator, date (1958), publisher, publisher-catalog-number, country; lineage, ripping_operator, ripping_date, ripping_software_version; file list, durations, MP3 derivation and original side FLAC comments. Upload/cataloguing account is not used as a transfer credit.\",\"accessed\":\"2026-10-17\"},{\"id\":\"london-carrier\",\"title\":\"London CS 6009 — inspected cover, back sleeve and two disc labels\",\"url\":\"https://archive.org/download/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro_jp2.zip\",\"locator\":\"JP2 members ending _0000 (cover), _0001 (back), _0002 (side 1), _0003 (side 2), inspected visually. Cover says Complete Ballet “Original Edition”, Ansermet and L’Orchestre de la Suisse Romande. Labels give CS 6009, ZAL3809 / ZAL3810, stereo and Decca manufacture. Side 1 runout ZAL-3809-5G is legible; side 2 suffix is not confidently readable.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve-notes\",\"title\":\"London CS 6009 — back-sleeve notes signed Ernest Ansermet\",\"url\":\"https://archive.org/download/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro/lp_petrushka-complete-ballet-original-editio_igor-stravinsky-lorchestre-de-la-suisse-ro_djvu.txt\",\"locator\":\"OCR consulted alongside the visual back-sleeve scan. The sleeve does not identify an individual pianist, recording session dates, or this digital transfer’s engineer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"session-reissue\",\"title\":\"High Definition Tape Transfers — Ansermet / OSR Petrushka, original edition\",\"url\":\"https://www.highdeftapetransfers.ca/products/stravinsky-petrushka-ernest-ansermet-lorchestre-de-la-suisse-romande\",\"locator\":\"Recording information: 23 October–9 November 1957, Victoria Hall, Geneva; James Walker producer, Roy Wallace engineer. Used for the original session attribution only. Its later commercial transfer is not the audio used here.\",\"accessed\":\"2026-10-17\"},{\"id\":\"decca-reissue\",\"title\":\"Decca, Stravinsky: Ballets · Stage Works · Orchestral Works — label-supplied Qobuz credits\",\"url\":\"https://www.qobuz.com/us-en/album/stravinsky-ballets-stage-works-orchestral-works-ernest-ansermet-orchestre-de-la-suisse-romande/0002894678182\",\"locator\":\"Disc 2 tracks 1–4 explicitly identify Version 1911, Ansermet and Orchestre de la Suisse Romande, with ℗ 1958 Decca Music Group Limited. Track credits name James Walker, Roy Wallace and Gil Went. These are original-production/reissue credits, not credits for the Archive LP digitisation; Qobuz audio is not used.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Petrushka — full score of the 1911 orchestration, Édition Russe plate R.M.V. 127, Dover reprint\",\"url\":\"https://vmirror.imslp.org/files/imglnks/usimg/1/18/IMSLP472771-PMLP179431-PMLUS00370-Stravinsky_-_Petrushka_OrchScore.pdf\",\"locator\":\"Inspected full score: tableaux I pp. 7–62 (rehearsals 1–47), II pp. 63–77 (48–61), III pp. 78–95 (62–81), IV pp. 96–156 (82–132). Alternative concert ending p. 150a is separate. Underlying printing behind the reprint is not uniquely established.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score-catalogue\",\"title\":\"IMSLP — Petrushka, K012, original-version score entry\",\"url\":\"https://imslp.org/wiki/Petrushka,_K012_(Stravinsky,_Igor)\",\"locator\":\"1911 version, complete score #472771: Édition Russe, plate R.M.V. 127, Dover 1988 reprint; entry notes uncertainty between early printings. Public domain in the US and Canada, not the EU.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work-catalogue\",\"title\":\"Helmut Kirchmeyer — K012, Petrushka\",\"url\":\"https://www.kcatalog.org/index.php/browse-chapters/kcatalog/179-k012-petrushka\",\"locator\":\"Original-version instrumentation and rehearsal-by-rehearsal structure; Summary; history, premiere, first publication and comparison with the 1947 revision. Source for the staged action, not for this recording’s bar timings.\",\"accessed\":\"2026-10-17\"},{\"id\":\"ircam\",\"title\":\"IRCAM — Petrouchka, work record and documentary extracts\",\"url\":\"https://resources.ircam.fr/en/work/petrouchka\",\"locator\":\"Composition August 1910–26 May 1911; premiere 13 June 1911, Théâtre du Châtelet, Paris, Monteux; Fokine, Benois, Nijinsky and Karsavina. Stravinsky’s retrospective account of the concert-piece origin and Debussy’s letter dated 13 April 1912.\",\"accessed\":\"2026-10-17\"},{\"id\":\"programme\",\"title\":\"Gerald Larner — Stravinsky, Petrushka (1911), programme note\",\"url\":\"https://geraldlarner.com/work/stravinsky-petrushka-1911\",\"locator\":\"Instrumental characterisation, the two Lanner waltzes, conflicting duple/triple patterns, Down the Petersky, and original/revised orchestration. Paraphrased, not reproduced.\",\"accessed\":\"2026-10-17\"},{\"id\":\"composer\",\"title\":\"IMSLP — Igor Stravinsky, lifespan and territorial copyright notice\",\"url\":\"https://imslp.org/wiki/Category:Stravinsky,_Igor\",\"locator\":\"17 June 1882–6 April 1971; warning that works remain protected in life-plus-70 territories including the EU, with US pre-1931-publication qualification.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2006/116/EC — term of copyright and related rights\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32006L0116\",\"locator\":\"Article 1 (author’s life plus 70); original Article 3(1)–(2) (50-year performance/phonogram terms); Article 8 (calendar-year calculation); recital 17 (publication or communication to the public need not occur in the Community).\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-extension\",\"title\":\"Directive 2011/77/EU — extension of performance and phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Article 1(2) amends Article 3; Article 1(3) inserts Article 10(5), limiting the extended terms to fixations and phonograms still protected on 1 November 2013 or made thereafter.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"11 documented; 1 inferred"},{"id":"stravinsky-rite-adoration","composer":"Igor Stravinsky","title":"The Rite of Spring","movement":"Part I. Adoration of the Earth","work.title":"The Rite of Spring","work.catalogue":"K015","work.movement":"Part I. Adoration of the Earth","work.version.value":"Orchestral ballet; this 1960 performance uses the separately published 1943 revision of the final Sacrificial Dance.","work.version.status":"documented","work.version.sourceIds":"[\"catalogue\",\"sleeve\",\"study\"]","work.version.note":"Not a literal restoration of the 1913 performance. Part I stage notes use shared scoring features of the later corrected Boosey/Dover score; a detailed Part II stage map is withheld because the matching 1943 finale score was not inspected.","performers.value":"[{\"name\":\"Igor Stravinsky\",\"role\":\"conductor\"},{\"name\":\"Columbia Symphony Orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"sleeve\",\"label\"]","performers.note":"","session.date.value":"5–6 January 1960","session.date.status":"documented","session.date.sourceIds":"[\"label\",\"catalogue\"]","session.date.note":"Recording dates, not the 1961 issue date or the 2021 digitisation date.","session.date.precision":"range","session.place.value":"Ballroom, St George Hotel, Brooklyn, New York","session.place.status":"documented","session.place.sourceIds":"[\"label\"]","session.place.note":"","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"label\"]","carrier.label.note":"","carrier.catalogue.value":"D3S 614 (stereo set), first issued 1961","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"label\"]","carrier.catalogue.note":"The label reissue discography independently establishes the 1961 first publication required for this territorial rule-3 selection.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"sleeve\"]","carrier.matrixTakeSides.note":"This file is record one, side 1. Session matrix and take numbers were not established; the Archive filename is not a matrix number.","transfer.credits.value":"Internet Archive; ripping operator associate-mann-borden","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The Archive metadata names the operator. Harold Tichenor and Gene Gaudette are credited on a different, later Parnassus reissue, not on this transfer.","transfer.date.value":"1 February 2021","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"ripping_date 20210201031833; distinguish sleeve scanning and later MP3 derivative creation.","transfer.processing.value":"Technics SL-1200MK5 with Audio-Technica AT95e cartridge → RDL EZ-PH1 preamplifier → Focusrite Scarlett 2i2; ArchiveCD 2.2.53lp; Archive MP3 derivative of the LP transfer.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Original FLAC comments name SoX processing; no detailed restoration, equalisation or noise-reduction settings were established.","digital.streamUrl":"https://archive.org/download/lp_stravinsky-conducts-le-sacre-du-printemps_igor-stravinsky-columbia-symphony-orchestr_0/disc1/01.01.%20Le%20Sacre%20Du%20Printemps%20(%22The%20Rite%20Of%20Spring%22)%3A%20(Part%20I).mp3","digital.sourceChain":"[\"archive\",\"sleeve\",\"label\"]","digital.format":"MP3 (Internet Archive VBR derivative of vinyl LP transfer)","digital.durationSeconds":892.04,"rights.composition.value":"The composition is not established public domain in the EU. Early published score material has different territorial status; the 1943 finale requires its own assessment.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score-rights\",\"catalogue\"]","rights.composition.note":"The sound-recording selection rule is not a blanket clearance of every edition or underlying composition right.","rights.recording.value":"EU territorial phonogram-term basis: first lawful publication in 1961, before 1963. US recording status not established.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"label\",\"term\"]","rights.recording.note":"Programme rule 3. The first publication may be a US issue; the EU term is not restarted by a later EU reissue. No Creative Commons licence is claimed for this transfer.","rights.creditLine":"Igor Stravinsky conducting the Columbia Symphony Orchestra; recorded 5–6 January 1960. Columbia Masterworks D3S 614 (1961); LP transfer supplied by Internet Archive. 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It does not give this performance’s session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue is identified in the consulted source.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"archive\"]","carrier.label.note":"Musopen is the releasing project and rights source; the original commercial label, if any, is not identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or disc-side identifiers are supplied; the digital file format does not establish the original carrier.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The Archive item names its uploader but does not identify a transfer or mastering engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. 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Musopen is the source repository, not an inferred performer.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"No session date is established; composition, release and upload dates are not recording dates.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No session venue is documented.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"No original record label is identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original carrier catalogue number is identified.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side allocation is documented; an Ogg or FLAC file does not establish the original carrier.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The uploader is not assumed to be a transfer or mastering engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is documented. Upload and transcode dates are not transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Encoding format alone does not establish equalisation, noise reduction, speed correction or other processing.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/0/01/Tchaikovsky%2C_Concerto_No.1_in_B-flat_minor_Op.23%2C_III._Allegro.ogg/Tchaikovsky%2C_Concerto_No.1_in_B-flat_minor_Op.23%2C_III._Allegro.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia Commons MP3 access derivative; source Ogg Vorbis","digital.durationSeconds":369.9867573696145,"rights.composition.value":"Public-domain original composition in life-plus-70 jurisdictions","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The composer died in 1893. This assessment does not cover a later edition or arrangement.","rights.recording.value":"Rule 1 — CC0 1.0 Universal Public Domain Dedication stated for this recording file","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"Commons explicitly supplies CC0 for this sound file from Musopen. The underlying performers and session remain unidentified; the licence is not inferred from the composer’s death.","rights.creditLine":"Performers uncredited. Musopen via Wikimedia Commons. Piano Concerto No. 1 in B♭ minor, Op. 23, III. Allegro con fuoco. Commons CC0 dedication.","rights.licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Tchaikovsky, Concerto No.1 in B-flat minor Op.23, III. 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Measured file duration is not the date or identity of the performance.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 unknown; 1 inferred; 1 documented"},{"id":"tchaikovsky-waltz-flowers-robinson-side1","composer":"Pyotr Ilyich Tchaikovsky","title":"Nutcracker Suite — Waltz of the Flowers","movement":"Opening disc side only","work.title":"Nutcracker Suite — Waltz of the Flowers","work.catalogue":"","work.movement":"Opening disc side only","work.version.value":"Orchestral Waltz of the Flowers; first record side","work.version.status":"documented","work.version.sourceIds":"[\"source\"]","work.version.note":"Commons gives catalogue K 1144, order AR 9079 and matrix/stamper AR 9079-2; the subsequent side is not concatenated.","performers.value":"[{\"name\":\"National Symphony Orchestra of London\",\"role\":\"orchestra\"},{\"name\":\"Stanford Robinson\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Performer spelling normalised; no uncredited accompanist or soloist added.","session.date.value":"January 1945; sources give 18 or 26 January","session.date.status":"disputed","session.date.sourceIds":"[\"source\",\"damian78s\"]","session.date.note":"Commons gives 18 January 1945 for this side. Damian’s 78s lists matrices AR 9079-2 and 9080-2 among tracks recorded on 26 January 1945, with tracks 1–5 on 18 January. Both place the session at Kingsway Hall and the release in September 1945.","session.date.alternatives":"[{\"value\":\"18 January 1945\",\"sourceIds\":[\"source\"]},{\"value\":\"26 January 1945\",\"sourceIds\":[\"damian78s\"]}]","session.date.precision":"month","session.place.value":"Kingsway Hall, London","session.place.status":"documented","session.place.sourceIds":"[\"source\"]","session.place.note":"","carrier.label.value":"Decca","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\"]","carrier.label.note":"","carrier.catalogue.value":"K 1144","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\"]","carrier.catalogue.note":"Source catalogue identification; no independent label inspection is claimed.","carrier.matrixTakeSides.value":"AR 9079-2","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\"]","carrier.matrixTakeSides.note":"","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"The source supplier/uploader is identified below, but an individual transfer engineer is not established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Upload dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"No restoration, equalisation or speed correction is established from the source. Playback uses the supplied MP3 access file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/c6/PDP-CH_-_National_Symphony_Orchestra_of_London_-_Stanford_Robinson%2C_conductor_-_The_Nutcracker_Suite%2C_Op._71_-_Waltz_of_the_Flowers_-_Tchaikovsky_-_Decca-k1144-ar9079.flac/PDP-CH_-_National_Symphony_Orchestra_of_London_-_Stanford_Robinson%2C_conductor_-_The_Nutcracker_Suite%2C_Op._71_-_Waltz_of_the_Flowers_-_Tchaikovsky_-_Decca-k1144-ar9079.flac.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access file; no concatenation or playback pitch alteration","digital.durationSeconds":196.52208854166668,"rights.composition.value":"Public-domain underlying composition as identified by the source.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This field concerns the underlying composition, separately from the sound-recording permission. No claim is made about an unidentified modern edition.","rights.recording.value":"Territorial — EU public-domain sound recording, first published 1945","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"eu-term\"]","rights.recording.note":"Accepted under programme rule 3: first publication before 1963, so the EU 50-year recording term expired before the 2013 extension. US status is not established. The Commons composition-only PD-old-70 tag is not used as a sound-recording licence.","rights.creditLine":"Nutcracker Suite — Waltz of the Flowers; National Symphony Orchestra of London, Stanford Robinson. First disc side only. Territorial — EU public-domain sound recording, first published 1945. Source: Wikimedia Commons.","rights.licenseUrl":"https://eur-lex.europa.eu/eli/dir/2011/77/oj","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — PDP-CH - National Symphony Orchestra of London - Stanford Robinson, conductor - The Nutcracker Suite, Op. 71 - Waltz of the Flowers - Tchaikovsky - Decca-k1144-ar9079.flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:PDP-CH_-_National_Symphony_Orchestra_of_London_-_Stanford_Robinson,_conductor_-_The_Nutcracker_Suite,_Op._71_-_Waltz_of_the_Flowers_-_Tchaikovsky_-_Decca-k1144-ar9079.flac\",\"locator\":\"Recording description, source attribution, licence and file metadata; inspected independently of the comparison plan.\",\"accessed\":\"2026-10-17\"},{\"id\":\"damian78s\",\"title\":\"Damian’s 78s — Stanford Robinson’s Nutcracker and Bransby Williams’s Scrooge\",\"url\":\"https://music.damians78s.co.uk/2014/12/24/stanford-robinsons-nutcracker-and-bransby-williamss-scrooge/\",\"locator\":\"Recording details below track 8: Decca AK 1142-4, matrices, session dates and release month.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — extension and transitional rule\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj\",\"locator\":\"Article 1, amending Directive 2006/116/EC; Article 10(5), protection still in force on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"8 documented; 1 disputed; 3 unknown"},{"id":"tchaikovsky-waltz-flowers-stokowski-side1","composer":"Pyotr Ilyich Tchaikovsky","title":"Nutcracker Suite — Waltz of the Flowers","movement":"Opening disc side only","work.title":"Nutcracker Suite — Waltz of the Flowers","work.catalogue":"","work.movement":"Opening disc side only","work.version.value":"Orchestral suite; Waltz of the Flowers, part 1","work.version.status":"documented","work.version.sourceIds":"[\"source\"]","work.version.note":"The source explicitly identifies part 1. This is the first record side only, not a complete waltz.","performers.value":"[{\"name\":\"Philadelphia Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Leopold Stokowski\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"source\"]","performers.note":"Performer spelling normalised; no uncredited accompanist or soloist added.","session.date.value":"1934","session.date.status":"documented","session.date.sourceIds":"[\"source\"]","session.date.note":"The recording year is stated in the cited source.","session.date.precision":"year","session.place.value":"Camden Church Studio No. 2 (Trinity Church Studio), Camden, New Jersey","session.place.status":"documented","session.place.sourceIds":"[\"source\"]","session.place.note":"","carrier.label.value":"HMV","carrier.label.status":"documented","carrier.label.sourceIds":"[\"source\"]","carrier.label.note":"","carrier.catalogue.value":"DB 2542","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"source\"]","carrier.catalogue.note":"Source catalogue identification; no independent label inspection is claimed.","carrier.matrixTakeSides.value":"First side; source identifier 2a87004","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"source\"]","carrier.matrixTakeSides.note":"The identifier is transcribed from the source filename. A matrix inscription and take number have not been independently verified.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"source\"]","transfer.credits.note":"The source supplier/uploader is identified below, but an individual transfer engineer is not established.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"source\"]","transfer.date.note":"Upload dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"source\"]","transfer.processing.note":"No restoration, equalisation or speed correction is established from the source. Playback uses the supplied MP3 access file.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/9/9a/PDP-CH_-_Philadelphia_Orchestra_-_Leopold_Stokowski_-_Nutcracker_Suite%2C_Opus_71A_-_Tchaikovsky_-_Waltz_of_the_Flowers%2C_Part_1_-_Hmv-db2542-2a87004.flac/PDP-CH_-_Philadelphia_Orchestra_-_Leopold_Stokowski_-_Nutcracker_Suite%2C_Opus_71A_-_Tchaikovsky_-_Waltz_of_the_Flowers%2C_Part_1_-_Hmv-db2542-2a87004.flac.mp3","digital.sourceChain":"[\"source\"]","digital.format":"MP3 access file; no concatenation or playback pitch alteration","digital.durationSeconds":208.58485416666667,"rights.composition.value":"Public-domain underlying composition as identified by the source.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"source\"]","rights.composition.note":"This field concerns the underlying composition, separately from the sound-recording permission. No claim is made about an unidentified modern edition.","rights.recording.value":"Territorial — EU public-domain sound recording, first published 1934","rights.recording.status":"documented","rights.recording.sourceIds":"[\"source\",\"eu-term\"]","rights.recording.note":"Accepted under programme rule 3: first publication before 1963, so the EU 50-year recording term expired before the 2013 extension. US status is not established. The Commons composition-only PD-old-70 tag is not used as a sound-recording licence.","rights.creditLine":"Nutcracker Suite — Waltz of the Flowers; Philadelphia Orchestra, Leopold Stokowski. First disc side only. Territorial — EU public-domain sound recording, first published 1934. Source: Wikimedia Commons.","rights.licenseUrl":"https://eur-lex.europa.eu/eli/dir/2011/77/oj","sources":"[{\"id\":\"source\",\"title\":\"Wikimedia Commons — PDP-CH - Philadelphia Orchestra - Leopold Stokowski - Nutcracker Suite, Opus 71A - Tchaikovsky - Waltz of the Flowers, Part 1 - Hmv-db2542-2a87004.flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:PDP-CH_-_Philadelphia_Orchestra_-_Leopold_Stokowski_-_Nutcracker_Suite,_Opus_71A_-_Tchaikovsky_-_Waltz_of_the_Flowers,_Part_1_-_Hmv-db2542-2a87004.flac\",\"locator\":\"Recording description, source attribution, licence and file metadata; inspected independently of the comparison plan.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — extension and transitional rule\",\"url\":\"https://eur-lex.europa.eu/eli/dir/2011/77/oj\",\"locator\":\"Article 1, amending Directive 2006/116/EC; Article 10(5), protection still in force on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 3 unknown"},{"id":"tchaikovsky-waltz-flowers","composer":"Pyotr Ilyich Tchaikovsky","title":"The Nutcracker, Op. 71","movement":"Act II, No. 13 · Waltz of the Flowers","work.title":"The Nutcracker Suite","work.catalogue":"Op. 71a","work.movement":"VIII. 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No recording-session date is separately documented.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":"United States Air Force","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"Credited as recording producer; the physical carrier and original label imprint have not been independently inspected.","carrier.catalogue.value":"Christmas on Stage and Screen (1996), track 6","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"Album and track identifier only; no carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"embedded\"]","transfer.credits.note":"No transfer or restoration engineer is credited in the consulted sources.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Commons master: MP3, 44.1 kHz, 2 channels.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"embedded\"]","transfer.processing.note":"These are file properties, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/b/b5/Waltz_of_the_Flowers_-_Concert_Band_-_United_States_Air_Force_Band.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3, 44.1 kHz, 2 channels","digital.durationSeconds":450.2258,"rights.composition.value":"Public-domain original composition, as asserted by Commons.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The musical-composition tag is PD-old-auto-expired, deathyear=1893. The separate Lawrence Odom arrangement is tagged as a U.S. Air Force federal-government work; no worldwide claim is made for that arrangement.","rights.recording.value":"Rule 1 — recording-specific public-domain release: PD-USGov-Military-Air Force (US-law basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-us-government\"]","rights.recording.note":"Commons expressly applies PD-USGov-Military-Air Force to the recording or official federal-government performance, not only to the composition. Under 17 U.S.C. § 105(a), official US Government works are not protected by US copyright. This is rule 1’s recording-specific public-domain release route, not rule 2’s publication-date route; it does not establish worldwide public-domain status.","rights.creditLine":"United States Air Force Band, Concert Band; Lawrence Odom, arranger. Christmas on Stage and Screen (1996), track 6, via Wikimedia Commons. Arrangement and recording: U.S. federal-government work, public domain in the United States.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Air_Force","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Waltz of the Flowers - Concert Band - United States Air Force Band.mp3\",\"url\":\"https://commons.wikimedia.org/wiki/File:Waltz_of_the_Flowers_-_Concert_Band_-_United_States_Air_Force_Band.mp3?oldid=1191098375\",\"locator\":\"File-description wikitext revision 1191098375; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M107018409\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M107018409&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 1191098375. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3AWaltz+of+the+Flowers+-+Concert+Band+-+United+States+Air+Force+Band.mp3&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"upstream\",\"title\":\"United States Air Force: public-domain music collection\",\"url\":\"https://www.music.af.mil/Multimedia/Music/Public-Domain-Music/\",\"locator\":\"The source cited by Commons; retrieval returned HTTP 403. The Commons description transcribes the Air Force’s file metadata and explicitly warns that it has not necessarily been independently verified.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Waltz of the Flowers - Concert Band - United States Air Force Band.mp3\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1208738189%7C1227005699%7C955665701%7C1220972757%7C911313164%7C963517023%7C1191098375%7C392869837%7C1189153589%7C1183107191&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Waltz of the Flowers - Concert Band - United States Air Force Band.mp3; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-us-government\",\"title\":\"17 U.S.C. § 105 — United States Government works\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/105\",\"locator\":\"Subsection (a): US copyright protection is unavailable for works of the US Government; historical notes distinguish foreign protection.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"7 documented; 5 unknown"},{"id":"vaughan-williams-english-folk-song-suite","composer":"Ralph Vaughan Williams","title":"English Folk Song Suite","movement":"","work.title":"English Folk Song Suite","work.catalogue":"","work.movement":"","work.version.value":"Orchestral arrangement by Gordon Jacob of the military-band Folk Song Suite of 1923","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"discogs\",\"bhso\"]","work.version.note":"The Archive description says this appears to be the only 78-rpm recording of the Jacob orchestration; the Discogs label credit names Jacob as arranger. The Burgess Hill programme note says Jacob made the transcription in 1924 but that it was not published until 1942, so how Barlow’s 1939 orchestra obtained the score is not established here.","performers.value":"[{\"name\":\"Columbia Broadcasting Symphony\",\"role\":\"orchestra\"},{\"name\":\"Howard Barlow\",\"role\":\"conductor\"},{\"name\":\"Mitch Miller\",\"role\":\"oboe solo in the Intermezzo\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"discogs\"]","performers.note":"The orchestra and conductor are credited by both sources. The oboe soloist is named only in the Archive item’s side list.","session.date.value":"1939-12-19","session.date.status":"documented","session.date.sourceIds":"[\"archive\"]","session.date.note":"Given in the Archive description as December 19, 1939.","session.date.precision":"day","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"discogs\"]","session.place.note":"Neither source names the studio or city.","carrier.label.value":"Columbia Masterworks (United States); English Columbia (United Kingdom)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"discogs\"]","carrier.label.note":"Two ten-inch 78-rpm records in each issue.","carrier.catalogue.value":"Set X-159 (17188-D, 17189-D), March 1940; later MX-159 (17234-D, 17235-D), 1941; English Columbia DB 1930–1931, September 1940","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"discogs\"]","carrier.catalogue.note":"The Archive description gives the American numbers and issue dates; Discogs catalogues the English pair DB 1930/1931 as 1940.","carrier.matrixTakeSides.value":"Side 1 CO 25602-2 (first movement); side 2 CO 25603-1 and side 3 CO 25604-1 (Intermezzo, parts 1 and 2); side 4 CO 25605-1 (third movement)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"Stated in the Archive item’s description; the labels and stampers were not examined for this dossier.","transfer.credits.value":"Internet Archive “Shellackophile” recordings collection","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item is filed in that collection; no transfer engineer is named in the description.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The Archive upload date (22 March 2022) is not a transfer date.","transfer.processing.value":"FLAC original with a variable-bitrate MP3 derivative, joined from four 78-rpm sides into one file.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"files\"]","transfer.processing.note":"Equalisation, speed correction and noise reduction are not documented.","digital.streamUrl":"https://archive.org/download/x-159-rvw-english-folksong-suite/X-159%20RVW%20English%20Folksong%20Suite.mp3","digital.sourceChain":"[\"discogs\",\"archive\",\"files\"]","digital.format":"VBR MP3 derivative of a 78-rpm transfer","digital.durationSeconds":700.71,"rights.composition.value":"Vaughan Williams’s copyright in the music runs to the end of 2028 in the UK and EU; Jacob’s arrangement has its own term.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"vwf\",\"imslp\"]","rights.composition.note":"The Vaughan Williams Foundation gives 2028 as the year copyright in his music expires. IMSLP marks the suite as not in the public domain in the EU. Composition and arrangement rights are separate from the recording.","rights.recording.value":"Territorial EU phonogram public-domain basis: commercial issue in 1940, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"discogs\",\"eu-term\"]","rights.recording.note":"The project’s eu-published-before-1963 rule applies to the English Columbia issue of 1940 and the American set of March 1940: the former 50-year phonogram term had expired before the 2013 extension. This is not United States or worldwide clearance and not a Creative Commons licence.","rights.creditLine":"Ralph Vaughan Williams, English Folk Song Suite (arranged by Gordon Jacob); Columbia Broadcasting Symphony, Howard Barlow. Columbia Masterworks X-159 (1940) and English Columbia DB 1930–1931 (1940), Internet Archive transfer. Territorial EU phonogram basis only; the composition and arrangement remain in copyright.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Vaughan Williams: English Folksong Suite (Howard Barlow, 1939)\",\"url\":\"https://archive.org/metadata/x-159-rvw-english-folksong-suite\",\"locator\":\"Description: recording date, Columbia Masterworks set X-159, MX-159, English Columbia DB 1930–1931, side and matrix list, oboe solo by Mitch Miller; collection shellackophile-recordings; added 2022-03-22.\",\"accessed\":\"2026-10-18\"},{\"id\":\"files\",\"title\":\"Internet Archive — file inventory for the English Folk Song Suite item\",\"url\":\"https://archive.org/metadata/x-159-rvw-english-folksong-suite/files\",\"locator\":\"X-159 RVW English Folksong Suite.mp3, VBR MP3, length 700.71 seconds; FLAC original.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discogs\",\"title\":\"Discogs — Columbia Broadcasting Symphony Orchestra, Howard Barlow, English Folk Songs Suite (Columbia DB 1930, DB 1931)\",\"url\":\"https://www.discogs.com/release/13526665-Columbia-Broadcasting-Symphony-Orchestra-Howard-Barlow-English-Folk-Songs-Suite\",\"locator\":\"UK, two shellac 10-inch 78s, 1940; credits: Vaughan Williams composer, Jacob arranger, Barlow conductor; four parts.\",\"accessed\":\"2026-10-18\"},{\"id\":\"bhso\",\"title\":\"Burgess Hill Symphony Orchestra — Vaughan Williams: English Folk Song Suite (programme note by Barry Fogden)\",\"url\":\"https://www.bhso.org.uk/work/vaughan-williams-english-folk-song-suite-4/\",\"locator\":\"Written for Kneller Hall in 1923; transcription by Gordon Jacob the following year, not published until 1942; the three movements and their tunes.\",\"accessed\":\"2026-10-18\"},{\"id\":\"imslp\",\"title\":\"IMSLP — English Folk Song Suite (Vaughan Williams)\",\"url\":\"https://imslp.org/wiki/English_Folk_Song_Suite_(Vaughan_Williams,_Ralph)\",\"locator\":\"Copyright tags (public domain in Canada and the United States, not in the EU); Boosey & Co. first edition of 1924; scores of the military-band version.\",\"accessed\":\"2026-10-18\"},{\"id\":\"vwf\",\"title\":\"Vaughan Williams Foundation — History\",\"url\":\"https://vaughanwilliamsfoundation.org/the-foundation/history/\",\"locator\":\"Copyright in Vaughan Williams’s music expires in 2028; the Foundation holds a copyright share with the original publishers.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX%3A32011L0077\",\"locator\":\"Recitals 1–3 (50-year term) and Article 1(3), new Article 10(5): the 70-year term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"vaughan-williams-lark-ascending","composer":"Ralph Vaughan Williams","title":"The Lark Ascending","movement":"","work.title":"The Lark Ascending","work.catalogue":"","work.movement":"","work.version.value":"Romance for violin and orchestra; the orchestral version made in 1920, first played in June 1921.","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"hyperion\",\"guardian\"]","work.version.note":"The Internet Archive description and the Discogs label credit call it a Romance for violin and orchestra. The performing edition is not identified, and nothing in the item points to cuts across its four sides.","performers.value":"[{\"name\":\"David Wise\",\"role\":\"violin\"},{\"name\":\"Liverpool Philharmonic Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Malcolm Sargent\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"discogs\"]","performers.note":"Both sources name the three. The Archive description adds a presumption that Wise was the orchestra’s leader; that is not independently established here.","session.date.value":"1947-04-18","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"discogs\"]","session.date.note":"Both sources give 18 April 1947.","session.date.precision":"day","session.place.value":"Philharmonic Hall, Liverpool","session.place.status":"documented","session.place.sourceIds":"[\"archive\",\"discogs\"]","session.place.note":"Both sources name the hall.","carrier.label.value":"English Columbia (Columbia Graphophone Co., Ltd.)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"discogs\"]","carrier.label.note":"Two 12-inch 78-rpm records.","carrier.catalogue.value":"DX 1386–1387","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"discogs\"]","carrier.catalogue.note":"The Archive item gives September 1947 as the issue month. Discogs dates the UK set to 1947 and notes the “ST” tax code (April 1946 – November 1947).","carrier.matrixTakeSides.value":"Matrices CAX 9863 to 9866, all first takes (four sides)","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"Stated in the Archive item’s description. The labels and stampers were not examined for this dossier.","transfer.credits.value":"Internet Archive “Shellackophile” recordings collection","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item is filed in that collection; no transfer engineer is named in the description.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The Archive upload date (2 April 2022) is not a transfer date.","transfer.processing.value":"FLAC original with a variable-bitrate MP3 derivative, joined from four 78-rpm sides into one file.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"files\"]","transfer.processing.note":"Equalisation, speed correction and noise reduction are not documented.","digital.streamUrl":"https://archive.org/download/dx-1386-7-vw-lark-ascending/DX1386-7%20VW%20Lark%20Ascending.mp3","digital.sourceChain":"[\"discogs\",\"archive\",\"files\"]","digital.format":"VBR MP3 derivative of a 78-rpm transfer","digital.durationSeconds":844.75,"rights.composition.value":"Vaughan Williams’s copyright in the music runs to the end of 2028 in the UK and EU.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"vwf\"]","rights.composition.note":"The Vaughan Williams Foundation gives 2028 as the year copyright in his music expires. Composition rights are separate from the recording.","rights.recording.value":"Territorial EU phonogram public-domain basis: commercial issue in 1947, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"discogs\",\"eu-term\"]","rights.recording.note":"The project’s eu-published-before-1963 rule applies to this 1947 Columbia set: its former 50-year phonogram term had expired before the 2013 extension. This is not United States or worldwide clearance and not a Creative Commons licence.","rights.creditLine":"Ralph Vaughan Williams, The Lark Ascending; David Wise, Liverpool Philharmonic Orchestra, Malcolm Sargent. English Columbia DX 1386–1387 (1947), Internet Archive transfer. Territorial EU phonogram basis only; Vaughan Williams’s copyright subsists in the UK and EU until the end of 2028.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Vaughan Williams Lark Ascending (David Wise, 1947)\",\"url\":\"https://archive.org/metadata/dx-1386-7-vw-lark-ascending\",\"locator\":\"Description: recording date and hall, issue as Columbia DX 1386–1387 in September 1947, matrices CAX 9863–9866; collection shellackophile-recordings; added 2022-04-02.\",\"accessed\":\"2026-10-18\"},{\"id\":\"files\",\"title\":\"Internet Archive — file inventory for the Lark Ascending item\",\"url\":\"https://archive.org/metadata/dx-1386-7-vw-lark-ascending/files\",\"locator\":\"DX1386-7 VW Lark Ascending.mp3, VBR MP3, length 844.75 seconds; FLAC original.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discogs\",\"title\":\"Discogs — Vaughan Williams, David Wise, Liverpool Philharmonic Orchestra, Sir Malcolm Sargent, The Lark Ascending (Columbia D.X. 1386, D.X. 1387)\",\"url\":\"https://www.discogs.com/release/27176142\",\"locator\":\"UK, two shellac 12-inch 78s, 1947; credits; “ST” tax code note; recorded 18 April 1947 at Liverpool Philharmonic Hall. Master release: https://www.discogs.com/master/3108264\",\"accessed\":\"2026-10-18\"},{\"id\":\"hyperion\",\"title\":\"Hyperion Records — The lark ascending, note by Philip Borg-Wheeler\",\"url\":\"https://www.hyperion-records.co.uk/dw.asp?dc=W16127_GBLLH1748604\",\"locator\":\"Composition and première history; description of the sections; epigraph from Meredith; dedication to Marie Hall.\",\"accessed\":\"2026-10-18\"},{\"id\":\"guardian\",\"title\":\"The Guardian — A wing and a prayer: the enduring beauty of The Lark Ascending (Stephen Moss, 8 December 2020)\",\"url\":\"https://www.theguardian.com/music/2020/dec/08/the-lark-ascending-ralph-vaughan-williams-classical-chart-topper-jennifer-pike\",\"locator\":\"Shirehampton première of 15 December 1920 with piano; orchestral version at Queen’s Hall the following June.\",\"accessed\":\"2026-10-18\"},{\"id\":\"vwf\",\"title\":\"Vaughan Williams Foundation — History\",\"url\":\"https://vaughanwilliamsfoundation.org/the-foundation/history/\",\"locator\":\"Copyright in Vaughan Williams’s music expires in 2028; the Foundation holds a copyright share with the original publishers.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX%3A32011L0077\",\"locator\":\"Recitals 1–3 (50-year term) and Article 1(3), new Article 10(5): the 70-year term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"vaughan-williams-symphony-4-first","composer":"Ralph Vaughan Williams","title":"Symphony No. 4","movement":"I. Allegro","work.title":"Symphony No. 4 in F minor","work.catalogue":"","work.movement":"I. Allegro","work.version.value":"Complete first movement of the orchestral symphony","work.version.status":"inferred","work.version.sourceIds":"[\"archive\",\"hyperion\"]","work.version.note":"The Archive item lists the four movements and splits the set into three files without saying which file holds which movement. The first file runs 8 min 2 s and ends in a quiet close that matches Hyperion’s description of the first movement’s pianissimo coda.","performers.value":"[{\"name\":\"BBC Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Ralph Vaughan Williams\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"discogs\"]","performers.note":"Both the Archive item and the EMI reissue notes credit the composer as conductor. Individual players are not identified.","session.date.value":"1937-10-11","session.date.status":"documented","session.date.sourceIds":"[\"archive\",\"discogs\"]","session.date.note":"The Archive item writes the date as 11-10-1937; the EMI reissue notes give 11th October 1937.","session.date.precision":"day","session.place.value":"No. 1 Studio, Abbey Road, London","session.place.status":"documented","session.place.sourceIds":"[\"discogs\",\"classical\"]","session.place.note":"The EMI reissue notes name No. 1 Studio, Abbey Road; BBC Music Magazine places the session in Abbey Road Studio 1.","carrier.label.value":"HMV (The Gramophone Company)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"discogs\"]","carrier.label.note":"Twelve-inch 78-rpm records.","carrier.catalogue.value":"HMV DB 8406–9 or DB 3367–3370","carrier.catalogue.status":"disputed","carrier.catalogue.sourceIds":"[\"archive\",\"discogs\"]","carrier.catalogue.note":"The Archive item catalogues the set as DB 8406–9 (automatic coupling); the EMI reissue notes give DB 3367–3370 as the original 78s. They probably label the same performances in two side sequences, but that is not established here.","carrier.catalogue.alternatives":"[{\"value\":\"DB 8406–9 (automatic coupling)\",\"sourceIds\":[\"archive\"]},{\"value\":\"DB 3367–3370\",\"sourceIds\":[\"discogs\"]}]","carrier.matrixTakeSides.value":"Matrices 2EA 5400 (take 2), 5801 (2), 5802 (1A), 5803 (2A), 5804 (1), 5805 (2A), 5806 (1A), 5807 (1A): eight sides","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"discogs\"]","carrier.matrixTakeSides.note":"The Archive description lists the takes; the EMI notes list the same matrix numbers. Which sides make up the first file is not stated.","transfer.credits.value":"Internet Archive “Satyr 78rpm” collection","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item is filed in that collection; no transfer engineer is named in the description.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The Archive upload date (13 May 2018) is not a transfer date.","transfer.processing.value":"FLAC, Ogg Vorbis and variable-bitrate MP3 derivatives, in three segments (a first file, a second, and a third joining the remaining two discs).","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"files\"]","transfer.processing.note":"Equalisation, speed correction and noise reduction are not documented.","digital.streamUrl":"https://archive.org/download/VaughanWilliamsSymfFHMVDB840692/Vaughan%20Williams%20Symf%204%20HMV%20DB8406-9%201.mp3","digital.sourceChain":"[\"discogs\",\"archive\",\"files\"]","digital.format":"VBR MP3 derivative of a 78-rpm transfer","digital.durationSeconds":481.8,"rights.composition.value":"Vaughan Williams’s copyright in the music runs to the end of 2028 in the UK and EU.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"vwf\"]","rights.composition.note":"The Vaughan Williams Foundation gives 2028 as the year copyright in his music expires. Composition rights are separate from the recording.","rights.recording.value":"Territorial EU phonogram public-domain basis: commercial issue in 1938, before 1963","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"archive\",\"discogs\",\"eu-term\"]","rights.recording.note":"The EMI reissue notes date the original HMV 78s “℗ 1938”. The project’s eu-published-before-1963 rule then applies: the former 50-year phonogram term had expired before the 2013 extension. This is not United States or worldwide clearance and not a Creative Commons licence.","rights.creditLine":"Ralph Vaughan Williams, Symphony No. 4, I. Allegro; BBC Symphony Orchestra, Ralph Vaughan Williams. HMV DB 8406–9 (first issued 1938), Internet Archive transfer. Territorial EU phonogram basis only; Vaughan Williams’s copyright subsists in the UK and EU until the end of 2028.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Vaughan Williams, Symphony no. 4 (HMV DB 8406-9) 1937\",\"url\":\"https://archive.org/metadata/VaughanWilliamsSymfFHMVDB840692\",\"locator\":\"Description: work and movements, HMV DB 8406-9 (automatic coupling), matrices 2EA 5400–5807, recorded 11-10-1937; collection satyr78rpm; added 2018-05-13.\",\"accessed\":\"2026-10-18\"},{\"id\":\"files\",\"title\":\"Internet Archive — file inventory for the Symphony No. 4 item\",\"url\":\"https://archive.org/metadata/VaughanWilliamsSymfFHMVDB840692/files\",\"locator\":\"Vaughan Williams Symf 4 HMV DB8406-9 1.mp3 (first file, 8 min 2 s), with FLAC and Ogg Vorbis derivatives; files 2 and 3-4 follow.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discogs\",\"title\":\"Discogs — Symphony No. 4 / Symphony No. 5 (The Première Recordings Of 1937 And 1944), His Master’s Voice EH 7 69168 1\",\"url\":\"https://www.discogs.com/release/6684057\",\"locator\":\"Notes: Symphony No. 4 recorded in No. 1 Studio, Abbey Road, 11th October 1937; original 78s matrix nos. 2EA 5400, 5801–5807; original 78s catalogue nos. HMV DB 3367–3370; ℗ 1938. Liner notes by Michael Kennedy.\",\"accessed\":\"2026-10-18\"},{\"id\":\"hyperion\",\"title\":\"Hyperion Records — Vaughan Williams: Symphonies Nos 3 & 4, booklet note by Robert Matthew-Walker (CDA68280)\",\"url\":\"https://www.hyperion-records.co.uk/notes/68280-B.pdf\",\"locator\":\"Description of the Fourth Symphony’s opening, four-note figure, contrapuntal treatment, first-movement coda, première of 10 April 1935 and dedication to Bax.\",\"accessed\":\"2026-10-18\"},{\"id\":\"classical\",\"title\":\"BBC Music Magazine (classical-music.com) — The best recordings of Vaughan Williams Symphony No. 4\",\"url\":\"https://www.classical-music.com/features/recordings/best-recordings-vaughan-williams-symphony-no-4\",\"locator\":\"Entry for the 1937 BBC Symphony Orchestra recording under the composer: Abbey Road Studio 1, October 1937; Naxos Historical 8.111048.\",\"accessed\":\"2026-10-18\"},{\"id\":\"vwf\",\"title\":\"Vaughan Williams Foundation — History\",\"url\":\"https://vaughanwilliamsfoundation.org/the-foundation/history/\",\"locator\":\"Copyright in Vaughan Williams’s music expires in 2028; the Foundation holds a copyright share with the original publishers.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX%3A32011L0077\",\"locator\":\"Recitals 1–3 (50-year term) and Article 1(3), new Article 10(5): the 70-year term applies to phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"2 inferred; 8 documented; 1 disputed; 1 unknown"},{"id":"vaughan-williams-tallis-fantasia","composer":"Ralph Vaughan Williams","title":"Fantasia on a Theme by Thomas Tallis","movement":"","work.title":"Fantasia on a Theme by Thomas Tallis","work.catalogue":"","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\",\"armyband\"]","work.version.note":"The Commons description says only “Fantasia su un tema di Thomas Tallis”. Which of the 1910, 1913 and 1919 versions is played, the performing edition and the number of players in each group are not stated.","performers.value":"[{\"name\":\"The U.S. Army Strings\",\"role\":\"string orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"armyband\"]","performers.note":"Commons credits the artist as “Orchestra d’archi dell’esercito degli Stati Uniti”; the archived Army Band download page is headed The U.S. Army Band “Pershing’s Own” – Army Strings Audio Downloads. Neither names a conductor or soloist. IMSLP lists a 14:53 recording from the U.S. Army Band (uploaded 2010) with the U.S. Army Strings under Lt. Col. John Clanton; the Commons page does not confirm that it is the same file.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"Commons gives “circa 2010” for the file. That is the uploader’s date for the recording, not a documented session date.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\",\"armyband\"]","session.place.note":"The ensemble’s home base does not establish the recording venue.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\",\"armyband\"]","carrier.label.note":"The file came from the U.S. Army Band’s own download page, not from a commercial label.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\",\"armyband\"]","carrier.catalogue.note":"No catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or original carrier is identified; the digital file alone does not settle whether such identifiers exist.","transfer.credits.value":"Imported to Wikimedia Commons from Italian Wikipedia (FileImporter); original source: the U.S. Army Band download page.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\",\"armyband\"]","transfer.credits.note":"The Commons import comment and the Credit field give this chain. No personal mastering credit is stated.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The Commons file timestamp (4 October 2012) is an import date, not a transfer or session date.","transfer.processing.value":"Ogg Vorbis file with an MP3 access derivative supplied by Wikimedia Commons.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"Earlier processing by the Army Band (its page offered MP3 files compressed in zip format) is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/a/a1/Banda_dell%27esercito_degli_Stati_uniti%2C_Ralph_Vaughan_Williams%2C_Fantasia_on_a_Theme_by_Thomas_Tallis.ogg/Banda_dell%27esercito_degli_Stati_uniti%2C_Ralph_Vaughan_Williams%2C_Fantasia_on_a_Theme_by_Thomas_Tallis.ogg.mp3","digital.sourceChain":"[\"armyband\",\"commons\"]","digital.format":"MP3 access derivative; uploaded source Ogg Vorbis","digital.durationSeconds":893.7,"rights.composition.value":"Vaughan Williams’s copyright in the music runs to the end of 2028 in the UK and EU; the Fantasia (first published 1921) is in the public domain in the United States and Canada.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"vwf\",\"imslp\"]","rights.composition.note":"The Vaughan Williams Foundation gives 2028 as the year copyright in his music expires; IMSLP records the work as public domain in Canada and the United States and not in countries with life plus 70 years. Any modern edition has its own rights.","rights.recording.value":"Public domain, as declared on the Wikimedia Commons file page.","rights.recording.status":"inferred","rights.recording.sourceIds":"[\"commons\",\"armyband\"]","rights.recording.note":"The licence status is declared on the file page, but the template used there ({{PD-Old}}) concerns the age of the composition, which cannot apply to Vaughan Williams’s music in the UK or EU, and says nothing about the recording. The likely basis is that a U.S. Army Band recording is a work of the U.S. government; neither the file page nor the archived Army Band page says so. IMSLP lists the 14:53 Army Strings recording under Creative Commons Attribution 3.0.","rights.creditLine":"Ralph Vaughan Williams, Fantasia on a Theme by Thomas Tallis; The U.S. Army Strings, U.S. Army Band “Pershing’s Own”. Public domain as declared on Wikimedia Commons; original source the Army Band’s download page. Vaughan Williams’s copyright subsists in the UK and EU until the end of 2028.","rights.licenseUrl":"","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — File:Banda dell'esercito degli Stati uniti, Ralph Vaughan Williams, Fantasia on a Theme by Thomas Tallis.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Banda_dell%27esercito_degli_Stati_uniti,_Ralph_Vaughan_Williams,_Fantasia_on_a_Theme_by_Thomas_Tallis.ogg\",\"locator\":\"Description, Source, Date (circa 2010), Author, licence (public domain); import comment; duration 14 min 54 s.\",\"accessed\":\"2026-10-18\"},{\"id\":\"armyband\",\"title\":\"The U.S. Army Band “Pershing’s Own” — Army Strings Audio Downloads (archived page)\",\"url\":\"http://web.archive.org/web/20161016172826/http://www.usarmyband.com:80/Audio/army_strings_audio_downloads.html\",\"locator\":\"Page heading and introduction: The U.S. Army Strings audio downloads; MP3 files. Archived 16 October 2016; the live page now returns an error.\",\"accessed\":\"2026-10-18\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Fantasia on a Theme by Thomas Tallis (Vaughan Williams)\",\"url\":\"https://imslp.org/wiki/Fantasia_on_a_Theme_by_Thomas_Tallis_(Vaughan_Williams,_Ralph)\",\"locator\":\"Copyright status banner; first performance 1910-09-06; first publication 1921, London: Goodwin & Tabb; recording listing: US Army Band, US Army Strings, Lt. Col. John Clanton (conductor), 14:53, Creative Commons Attribution 3.0.\",\"accessed\":\"2026-10-18\"},{\"id\":\"vwf\",\"title\":\"Vaughan Williams Foundation — History\",\"url\":\"https://vaughanwilliamsfoundation.org/the-foundation/history/\",\"locator\":\"Statement that the Foundation’s work will continue beyond the expiration of copyright in Vaughan Williams’s music in 2028.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"7 unknown; 4 documented; 1 inferred"},{"id":"verdi-nabucco-va-pensiero","composer":"Giuseppe Verdi","title":"Nabucco","movement":"Act III: Va, pensiero, sull’ali dorate","work.title":"Nabucco","work.catalogue":"","work.movement":"Act III: Va, pensiero, sull’ali dorate","work.version.value":"Italian-language chorus with orchestra, presented as a separate LP selection","work.version.status":"documented","work.version.sourceIds":"[\"booklet\",\"archive-files\",\"score\",\"scala\"]","work.version.note":"The selection includes the chorus’s orchestral introduction and closing cadence. Zaccaria’s ensuing prophecy, joined to the chorus in the opera’s dramatic design, is outside this selection. The performing edition and any small editorial alterations are unidentified. Section joins are broad score-proportional estimates informed by the required audio analysis; they have no bar-level alignment or aural review.","performers.value":"[{\"name\":\"Chorus of La Scala\",\"role\":\"chorus\"},{\"name\":\"Orchestra of La Scala\",\"role\":\"orchestra\"},{\"name\":\"Tullio Serafin\",\"role\":\"conductor\"},{\"name\":\"Norberto Mola\",\"role\":\"chorus master\"}]","performers.status":"documented","performers.sourceIds":"[\"booklet\",\"archive\"]","performers.note":"The original cover and booklet credit the Chorus and Orchestra of La Scala, Tullio Serafin and chorus master Norberto Mola. Internet Archive uses the equivalent Italian ensemble names Coro Del Teatro Alla Scala and Orchestra Del Teatro Alla Scala. No individual choristers or orchestral players are identified.","session.date.value":"1955-06","session.date.status":"documented","session.date.sourceIds":"[\"booklet\",\"discography\"]","session.date.note":"The original booklet states ‘Recorded June 1955 at La Scala with full orchestra and chorus.’ Youngrok Lee’s discography gives 6–7 June for these choruses, but the primary source supports month precision; a particular day and take for this track remain unidentified. The 2021 digitisation is separate.","session.date.precision":"month","session.place.value":"Teatro alla Scala, Milan, Italy","session.place.status":"documented","session.place.sourceIds":"[\"booklet\",\"discography\"]","session.place.note":"The booklet explicitly names La Scala as the recording venue. A particular room, stage configuration or microphone layout is not established.","carrier.label.value":"Angel Records","carrier.label.status":"documented","carrier.label.sourceIds":"[\"booklet\",\"archive\"]","carrier.label.note":"The source is an Angel mono vinyl LP, La Scala Presents Verdi Operas: The Great Choruses.","carrier.catalogue.value":"35265; ANG. 35265","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"booklet\",\"archive\",\"retail-catalogue\"]","carrier.catalogue.note":"Internet Archive dates the US issue 1955; Recordsale dates Angel 35265 to 1956. The original booklet’s ©1955 notice concerns its publication material and is kept distinct from proof of an exact release date. The later catalogue year, 1956, supplies the conservative publication year for the recording-rights assessment.","carrier.matrixTakeSides.value":"Side 1, band 1","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"booklet\",\"archive-files\"]","carrier.matrixTakeSides.note":"The booklet places Nabucco first on side one, matching the selected 01.01 MP3 derivative. Pressing matrix, stamper, original tape identifier and session take are unknown.","transfer.credits.value":"Internet Archive LP transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item credits Internet Archive and identifies its LP digitisation workflow. Operator account identifiers are not expanded into unverified personal mastering credits.","transfer.date.value":"2021-06-17","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The ripping_date field is 20210617045418. The item’s 31 May 2021 scan/publication date and the derivative’s 2023 processing timestamp are separate events, not recording-session dates.","transfer.processing.value":"Technics SL1200MK5 turntable with Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 phono preamp → Focusrite Scarlett 2i2; segmented VBR MP3 access derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The playback and digitisation chain is transcribed from the item’s lineage field. Equalisation settings, pitch correction, noise reduction and other restoration decisions are unknown.","digital.streamUrl":"https://archive.org/download/lp_la-scala-presents-verdi-operas-the-great-c_coro-del-teatro-alla-scala-orchestra-del-t/disc1/01.01.%20Nabucco%3A%20Chorus%20Of%20Jews%3A%20Va%2C%20Pensiero%2C%20Sull%27%20Ali%20Dorate%20%28Act%203%29.mp3","digital.sourceChain":"[\"booklet\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a mono vinyl LP transfer","digital.durationSeconds":280.44,"rights.composition.value":"Verdi’s composition and Solera’s Italian text are in the public domain under ordinary life-plus-70 terms.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"work-catalogue\",\"scala\",\"eu-term\"]","rights.composition.note":"The opera was composed in 1841 and first published in 1842. Solera died in 1878 and Verdi in 1901. This assessment concerns their original music and text; unidentified modern editions and translations have separate rights.","rights.recording.value":"Territorial EU public-domain basis: commercial publication in 1955–56, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"booklet\",\"retail-catalogue\",\"eu-term\"]","rights.recording.note":"The transferred commercial Angel 35265 issue is dated 1955 by Internet Archive and 1956 by Recordsale. Both dates precede 1963; source.rights uses 1956 conservatively. Under the project’s EU rule the former 50-year phonogram term expired before the extension applicable to recordings still protected on 1 November 2013. The booklet identifies the performers and June 1955 session independently of the release dating. Internet Archive supplies no Creative Commons licence. US recording status and worldwide clearance are not established.","rights.creditLine":"Giuseppe Verdi, Nabucco: Va, pensiero, sull’ali dorate; words by Temistocle Solera. Chorus and Orchestra of La Scala; Tullio Serafin, conductor; Norberto Mola, chorus master. Recorded June 1955, La Scala, Milan; Angel 35265, issued 1955–56. Internet Archive LP transfer. Territorial EU public-domain basis; US recording status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Angel 35265 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_la-scala-presents-verdi-operas-the-great-c_coro-del-teatro-alla-scala-orchestra-del-t/metadata\",\"locator\":\"Creator credits; publisher Angel Records; catalogue 35265 / ANG. 35265; issue date 1955; US; vinyl source; lineage; ripping_date 20210617045418. No licence URL is supplied.\",\"accessed\":\"2026-10-18\"},{\"id\":\"booklet\",\"title\":\"Angel 35265 — original cover, labels and William Weaver booklet\",\"url\":\"https://archive.org/download/lp_la-scala-presents-verdi-operas-the-great-c_coro-del-teatro-alla-scala-orchestra-del-t/lp_la-scala-presents-verdi-operas-the-great-c_coro-del-teatro-alla-scala-orchestra-del-t_djvu.txt\",\"locator\":\"Original cover and booklet p. 2 name the ensembles, Serafin and Norberto Mola and state ‘Recorded June 1955 at La Scala with full orchestra and chorus’; ©1955 Electric and Musical Industries (U.S.) Ltd. Texts identify Nabucco as the first selection on side one. Weaver’s Nabucco note names Strepponi at the première and as Verdi’s later wife.\",\"accessed\":\"2026-10-18\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — selected Nabucco derivative\",\"url\":\"https://archive.org/metadata/lp_la-scala-presents-verdi-operas-the-great-c_coro-del-teatro-alla-scala-orchestra-del-t/files\",\"locator\":\"disc1/01.01. Nabucco: Chorus Of Jews: Va, Pensiero, Sull' Ali Dorate (Act 3).mp3; VBR MP3, 280.44 seconds, derived from the segmented LP transfer.\",\"accessed\":\"2026-10-18\"},{\"id\":\"retail-catalogue\",\"title\":\"Recordsale — Angel 35265 issue identification\",\"url\":\"https://recordsale.de/en/artists/giuseppe-verdi/albums/la-scala-presents-verdi-operas-the-great-choruses\",\"locator\":\"Identifies Angel 35265, US, 1956, mono LP with booklet; corroborates ensemble and Norberto Mola credits. The later of the two consulted catalogue years is used for the rights cutoff.\",\"accessed\":\"2026-10-18\"},{\"id\":\"discography\",\"title\":\"Youngrok Lee — Tullio Serafin discography\",\"url\":\"https://lee.classite.com/music/Serafin/discography-serafin.htm#Choruses\",\"locator\":\"Opera Choruses entry: 6–7 June 1955, Teatro alla Scala, Milan, monaural; Columbia 33CX 1376 and Angel 35265. The dossier retains the original booklet’s month precision.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Verdi — Va, pensiero, El Atril / Free-scores vocal score\",\"url\":\"https://upload.wikimedia.org/wikipedia/commons/3/3f/Va_pensiero%2C_from_Nabucco%2C_by_Verdi.pdf\",\"locator\":\"PDF pp. 1–11: six-sharp signature; Largo introduction, bars 1–11; shared choral melody from bar 12; harmonic expansion at Arpa d’or, bars 28–29; final stanza from bar 36; repeated closing text and decrescendo from bar 41 to the end. Pages 1, 2, 6, 8, 10 and 11 inspected visually. The re-engraving’s editor and date are unidentified.\",\"accessed\":\"2026-10-18\"},{\"id\":\"text\",\"title\":\"The Cleveland Orchestra — Va, pensiero from Nabucco\",\"url\":\"https://www.clevelandorchestra.com/works/verdi-va-pensiero-from-nabucco\",\"locator\":\"Composition year 1841; Temistocle Solera attribution; complete Italian chorus text and English translation, including the Jordan, Zion, the golden harp and final prayer for strength in suffering.\",\"accessed\":\"2026-10-18\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Nabucco work catalogue\",\"url\":\"https://imslp.org/wiki/Nabucco_(Verdi,_Giuseppe)\",\"locator\":\"Composition 1841; first performance 9 March 1842 at Teatro alla Scala, Milan; first publication 1842; Solera’s dates 1815–1878; Act III chorus listed separately as No. 12.\",\"accessed\":\"2026-10-18\"},{\"id\":\"scala\",\"title\":\"Teatro alla Scala — Nabucodonosor study guide, 2025–26 season\",\"url\":\"https://www.teatroallascala.org/static/upload/dis/dispensa-nabuccol.pdf\",\"locator\":\"Emilio Sala’s synopsis, PDF p. 12, places the captive Hebrews on the Euphrates; pp. 8–9 explain the chorus and Zaccaria’s subsequent prophecy. Raffaele Mellace’s chronology, PDF pp. 20–22, gives the 9 March 1842 première under the original title and Verdi’s death in January 1901.\",\"accessed\":\"2026-10-18\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — composition and sound-recording terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(2)–(3): former 50-year phonogram term and the extension’s 1 November 2013 transition. Article 1(1): musical compositions with words, 70 years from the death of the last surviving lyricist or composer.\",\"accessed\":\"2026-10-18\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"11 documented; 1 inferred"},{"id":"verdi-requiem-dies-irae","composer":"Giuseppe Verdi","title":"Messa da Requiem","movement":"Dies irae — opening number of the sequence","work.title":"Messa da Requiem","work.catalogue":"","work.movement":"Dies irae — opening number of the sequence","work.version.value":"Opening Dies irae number only; not the whole sequence or Requiem","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"score\"]","work.version.note":"The source identifies this as part 03. Exact performing edition is not established.","performers.value":"Orchestra and Choir of Teatro Reale dell’Opera di Roma; conductor unidentified","performers.status":"disputed","performers.sourceIds":"[\"commons\"]","performers.note":"The current description names Rome, but the original upload-history description named the Teatro La Scala Orchestra and Choir. No conductor is identified. Neither attribution is silently resolved.","performers.alternatives":"[{\"value\":\"Orchestra and Choir of Teatro Reale dell’Opera di Roma\",\"sourceIds\":[\"commons\"]},{\"value\":\"Teatro La Scala Orchestra and Choir\",\"sourceIds\":[\"commons\"]}]","session.date.value":"1900–1950","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"Only this broad performance-date range is supplied. It is not narrowed from sound quality or from a plausible commercial discography.","session.date.precision":"range","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"An orchestra’s name does not establish where this performance was recorded.","carrier.label.value":"La voce del padrone","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The source description explicitly says “Recorded by La voce del padrone”.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"IT-DDS0000041655000000 is an institutional record identifier, not an established commercial catalogue number.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No readable label or matrix/take/side evidence is supplied for this track.","transfer.credits.value":"Istituto centrale per i beni sonori ed audiovisivi (ICBSA), source institution","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"Institution credited for the supplied digitisation; individual transfer engineer unknown. Sannita (ICCU) is the uploader, not an established performer or engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"10 November 2016 is the upload date, not a demonstrated transfer date.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The Ogg software tag does not establish the original transfer equipment, noise reduction or pitch treatment.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/b6/ICBSA_Verdi_-_Messa_da_requiem_parte_03%2C_Dies_irae.ogg/ICBSA_Verdi_-_Messa_da_requiem_parte_03%2C_Dies_irae.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia Commons MP3 derivative of the uploaded Ogg Vorbis file","digital.durationSeconds":122.092,"rights.composition.value":"Public-domain composition","rights.composition.status":"documented","rights.composition.sourceIds":"[\"score\",\"commons\"]","rights.composition.note":"Verdi died in 1901; the nineteenth-century composition is distinct from this digitised recording.","rights.recording.value":"Creative Commons Attribution-ShareAlike 4.0 International","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The Commons audio-file licensing section licenses the supplied recording under CC BY-SA 4.0.","rights.creditLine":"Giuseppe Verdi, Messa da Requiem, opening Dies irae. Audio supplied by ICBSA via Wikimedia Commons, uploaded by Sannita (ICCU), CC BY-SA 4.0. Current ensemble attribution: Orchestra and Choir of Teatro Reale dell’Opera di Roma; original upload description instead named La Scala. Conductor unknown.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — ICBSA Verdi, Messa da requiem parte 03, Dies irae\",\"url\":\"https://commons.wikimedia.org/wiki/File:ICBSA_Verdi_-_Messa_da_requiem_parte_03,_Dies_irae.ogg\",\"locator\":\"Summary, broad performance-date field, record ID, file-history attribution conflict and CC BY-SA 4.0 licence\",\"accessed\":\"2026-10-16\"},{\"id\":\"score\",\"title\":\"Verdi, Requiem — Eulenburg full score, plate E.E.4864\",\"url\":\"https://ks15.imslp.org/files/imglnks/usimg/7/71/IMSLP407348-PMLP01812-Verdi_Requiem_whole.pdf\",\"locator\":\"PDF pages21–42: opening Dies irae number; page43 begins Tuba mirum\",\"accessed\":\"2026-10-16\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"6 documented; 1 disputed; 5 unknown"},{"id":"verdi-traviata-prelude","composer":"Giuseppe Verdi","title":"La traviata","movement":"Act I · Prelude","work.title":"La traviata","work.catalogue":"","work.movement":"Prelude to Act I","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"The performing edition and any editorial alterations are not identified in the recording sources.","performers.value":"[{\"name\":\"New York Philharmonic Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Arturo Toscanini\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"pdp\",\"dahr\"]","performers.note":"","session.date.value":null,"session.date.status":"disputed","session.date.sourceIds":"[\"commons\",\"pdp\",\"dahr\"]","session.date.note":"The Public Domain Project date is repeated by Commons, while DAHR gives a different month for the same matrix. Neither date has been silently selected; no recording ledger or labelled source disc was inspected to settle the discrepancy.","session.date.alternatives":"[{\"value\":\"18 October 1929 — Public Domain Project and Commons.\",\"sourceIds\":[\"pdp\",\"commons\"]},{\"value\":\"18 March 1929 — DAHR matrix CVE-48936.\",\"sourceIds\":[\"dahr\"]}]","session.date.precision":"day","session.place.value":"Carnegie Hall, New York City, United States","session.place.status":"documented","session.place.sourceIds":"[\"pdp\",\"dahr\"]","session.place.note":"","carrier.label.value":"Electrola","carrier.label.status":"documented","carrier.label.sourceIds":"[\"pdp\"]","carrier.label.note":"","carrier.catalogue.value":"EJ 423; face/order number 6-0755","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"pdp\"]","carrier.catalogue.note":"The source catalogue marks first release ‘1930?’; that tentative issue date is not used as a session date.","carrier.matrixTakeSides.value":"CVE-48936; take 3 is the issued master listed by DAHR; face 6-0755.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"pdp\",\"dahr\"]","carrier.matrixTakeSides.note":"DAHR identifies take 3 as master and lists the matching Gramophone face. The transferred disc’s run-out has not been inspected, and the source catalogue does not itself specify a take.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"pdp\"]","transfer.credits.note":"The Public Domain Project is the transfer source; its catalogue associates the item with the Martin Osterwalder collection. This is not an explicit transfer-engineer or restoration credit.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No transfer date is identified. Upload and release dates are not treated as transfer dates.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No restoration, equalisation, noise-reduction or editing procedure is documented for the upstream audio.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/bc/PDP-CH_-_New_York_Philharmonic_-_Arturo_Toscanini_-_La_traviata_-_Prelude_-_Act_1_-_Electrola-ej423-6-0755.flac/PDP-CH_-_New_York_Philharmonic_-_Arturo_Toscanini_-_La_traviata_-_Prelude_-_Act_1_-_Electrola-ej423-6-0755.flac.mp3","digital.sourceChain":"[\"commons\",\"pdp\"]","digital.format":"MP3 access derivative supplied by Wikimedia Commons; uploaded source: FLAC","digital.durationSeconds":224.04433333333333,"rights.composition.value":"Commons applies PD-old-100 to Verdi’s composition.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\",\"pdp\"]","rights.composition.note":"The source catalogue gives Verdi’s death year as 1901. This does not determine rights in the 1929 recording.","rights.recording.value":"Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-eu-term\",\"rights-audit-eu-audio\",\"rights-audit-electrola-release\"]","rights.recording.note":"Commons describes first release in 1930; the Public Domain Project identifies Electrola EJ 423, order 6-0755, matrix CVE-48936, and tentatively dates first release to 1930. The 1929 session-day disagreement does not affect the pre-1963 release bound. The source’s worldwide expiry claim and its website’s CC BY-SA notice are not used as a sound-recording licence. Usable under the programme’s pre-1963 European sound-recording rule; the former 50-year term had expired before the 2013 extension. This is territorial, not a worldwide licence; US sound-recording status is not established. A recording date alone is not represented as an independently verified first-publication date.","rights.recording.alternatives":"[{\"value\":\"Public-domain recording worldwide — claim made by the Public Domain Project and reproduced by Commons.\",\"sourceIds\":[\"pdp\",\"commons\"]},{\"value\":\"US pre-1972 sound-recording law provides a continuing term for a 1929/1930 first publication; no separate US permission is established.\",\"sourceIds\":[\"us-recordings\",\"pdp\"]}]","rights.creditLine":"Giuseppe Verdi, Prelude to Act I of La traviata; New York Philharmonic Orchestra, Arturo Toscanini. Electrola EJ 423, face 6-0755, matrix CVE-48936; Public Domain Project → Wikimedia Commons. Session month disputed; the source’s worldwide public-domain claim is not adopted as US clearance.","rights.licenseUrl":"http://pool.publicdomainproject.org/index.php?title=Electrola-ej423-6-0755#Licensing","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — PDP-CH - New York Philharmonic - Arturo Toscanini - La traviata - Prelude - Act 1 - Electrola-ej423-6-0755.flac\",\"url\":\"https://commons.wikimedia.org/wiki/File:PDP-CH_-_New_York_Philharmonic_-_Arturo_Toscanini_-_La_traviata_-_Prelude_-_Act_1_-_Electrola-ej423-6-0755.flac?oldid=392869837\",\"locator\":\"File-description wikitext: work identification, Summary, Source and Licensing; file format, duration and Transcode status.\",\"accessed\":\"2026-10-16\"},{\"id\":\"commons-data\",\"title\":\"Wikimedia Commons — structured and embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:PDP-CH_-_New_York_Philharmonic_-_Arturo_Toscanini_-_La_traviata_-_Prelude_-_Act_1_-_Electrola-ej423-6-0755.flac#structureddata\",\"locator\":\"Structured data and embedded Metadata, inspected separately from the file-description wikitext; claims are not independent corroboration.\",\"accessed\":\"2026-10-16\"},{\"id\":\"pdp\",\"title\":\"Public Domain Project — Electrola EJ 423 / 6-0755\",\"url\":\"http://pool.publicdomainproject.org/index.php?title=Electrola-ej423-6-0755\",\"locator\":\"Recording catalogue: Verdi, Act I Prelude; Toscanini / New York Philharmonic; Carnegie Hall; 18 October 1929; Electrola EJ 423, face 6-0755, matrix CVE-48936. First release is marked ‘1930?’. Licensing asserts worldwide public-domain status.\",\"accessed\":\"2026-10-16\"},{\"id\":\"dahr\",\"title\":\"DAHR — Victor matrix CVE-48936\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/detail/800022722\",\"locator\":\"La traviata: Prelude to Act 1; Toscanini / New York Philharmonic; Carnegie Hall, 18 March 1929; take 3 master. Gramophone face 6-0755 and Victor 6994 appear in the issue list.\",\"accessed\":\"2026-10-16\"},{\"id\":\"us-recordings\",\"title\":\"United States Code — 17 USC § 1401\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/1401\",\"locator\":\"Section (a)(2): protection periods for pre-1972 sound recordings; recordings first published in 1923–1946 generally have a 100-year period. This postdates the source catalogue’s broad US-expiry assertion.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:PDP-CH - New York Philharmonic - Arturo Toscanini - La traviata - Prelude - Act 1 - Electrola-ej423-6-0755.flac\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1208738189%7C1227005699%7C955665701%7C1220972757%7C911313164%7C963517023%7C1191098375%7C392869837%7C1189153589%7C1183107191&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:PDP-CH - New York Philharmonic - Arturo Toscanini - La traviata - Prelude - Act 1 - Electrola-ej423-6-0755.flac; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-term\",\"title\":\"Directive 2011/77/EU — non-revival of expired phonogram terms\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3; Article 1(3), inserting Article 10(5): extension applies to performances and phonograms still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-eu-audio\",\"title\":\"Wikimedia Commons — recording-specific scope of PD-EU-audio\",\"url\":\"https://commons.wikimedia.org/wiki/Template:PD-EU-audio\",\"locator\":\"Template and documentation concern performers’ and producers’ rights, not merely composition copyright; territorial European expiry.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-electrola-release\",\"title\":\"Public Domain Project — Electrola EJ 423 / 6-0755\",\"url\":\"https://pool.publicdomainproject.org/index.php?title=Electrola-ej423-6-0755\",\"locator\":\"Original carrier and matrix CVE-48936; first release 1930?; source worldwide/US expiry claims are not relied upon.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"4 unknown; 7 documented; 1 disputed"},{"id":"villa-lobos-bachianas-5-aria","composer":"Heitor Villa-Lobos","title":"Bachianas Brasileiras No. 5","movement":"I. Ária (Cantilena)","work.title":"Bachianas Brasileiras No. 5","work.catalogue":"W389 (Appleby)","work.movement":"I. Ária (Cantilena)","work.version.value":"First movement only, for soprano and an orchestra of cellos, in the form of 1938; sung in Portuguese.","work.version.status":"documented","work.version.sourceIds":"[\"labels\",\"imslp\"]","work.version.note":"The Columbia labels give the movement as “Aria – Cantilena”, in two parts marked “Beginning” and “Conclusion”, and read “Sung in Portuguese”. The Dansa (Martelo) was added in 1945 and is not on this disc.","performers.value":"[{\"name\":\"Bidú Sayão\",\"role\":\"soprano\"},{\"name\":\"Leonard Rose\",\"role\":\"solo cello\"},{\"name\":\"Eight cellos and double bass (players not named)\",\"role\":\"ensemble\"},{\"name\":\"Heitor Villa-Lobos\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"labels\",\"archive\"]","performers.note":"Both label scans read “BIDÚ SAYÃO (Soprano) with Eight ’Celli and Bass conducted by Heitor Villa-Lobos; Solo ’Cello: Leonard Rose”. The Internet Archive description gives the same names.","session.date.value":"1945 (year only)","session.date.status":"inferred","session.date.sourceIds":"[\"archive\",\"catalogue\",\"newyorker\"]","session.date.note":"The Internet Archive item dates the recording 1945. The record appears in the Columbia catalogue of 1946, and a New Yorker profile places Villa-Lobos in New York in February 1945. No session date is stated in the sources consulted.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[]","session.place.note":"No recording location is stated on the labels or in the Internet Archive description.","carrier.label.value":"Columbia Masterworks (United States)","carrier.label.status":"documented","carrier.label.sourceIds":"[\"labels\"]","carrier.label.note":"The labels read “Columbia Masterworks … Made in U.S.A.”.","carrier.catalogue.value":"71670-D, 12-inch 78 rpm; listed in the Columbia catalogues of 1946 and 1947","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"labels\",\"catalogue\"]","carrier.catalogue.note":"The 1946 catalogue lists “Bachiana Brasileira No. 5 (Villa-Lobos)” with Bidú Sayão and an orchestra conducted by Villa-Lobos at 71670-D; the 1947 catalogue lists it at the same number with a price of 1.00.","carrier.matrixTakeSides.value":"Side one, “(Beginning)”: XCO 34194; side two, “(Conclusion)”: XCO 34195. Take numbers are not shown.","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"labels\"]","carrier.matrixTakeSides.note":"Read from the two label scans in the Internet Archive item.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item was uploaded by a private account in the Internet Archive’s hifidelity collection. No transfer engineer is named, and the account name is not reproduced here.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The item’s public date, 10 March 2025, is the date of upload, not of the transfer.","transfer.processing.value":"Per the uploader: equalisation with a 300 Hz bass turnover and a treble roll-off, and de-clicking with iZotope RX10; the original file is a WAV and the site’s stream is the Internet Archive MP3 derivative.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The two disc sides are run together in one file. The source disc copy and the playback equipment are not described.","digital.streamUrl":"https://archive.org/download/bachianas-brasileiras-no.-5/Bachianas%20Brasileiras%20No.%205.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive derivative VBR MP3 from an uploaded WAV; one file for both disc sides","digital.durationSeconds":417.96,"rights.composition.value":"Villa-Lobos died in 1959, so the work is in copyright in the EU, under the life-plus-70 term, until the end of 2029. IMSLP records it as public domain in Canada and in life-plus-50 countries and as probably still protected in the United States; its first publication was in 1947 (Associated Music Publishers).","rights.composition.status":"documented","rights.composition.sourceIds":"[\"imslp\"]","rights.composition.note":"Rights in the composition are stated separately from rights in the recording. This dossier does not assert that the composition is free of copyright.","rights.recording.value":"Rule 3 — territorial EU public domain: first published before 1963 (Columbia 71670-D, listed in the 1946 catalogue).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"catalogue\",\"labels\"]","rights.recording.note":"The 1946 catalogue is a dated witness that the disc was on sale by then; the exact release date is not established. The Internet Archive item carries a CC BY-NC-ND 4.0 label chosen by the uploader, which is not relied on here. The United States status of a recording first published in 1945 or 1946 is not established.","rights.creditLine":"Heitor Villa-Lobos, Bachianas Brasileiras No. 5, I. Ária (Cantilena). Bidú Sayão, soprano; Leonard Rose, solo cello; eight cellos and double bass; Heitor Villa-Lobos, conductor. Columbia Masterworks 71670-D (matrices XCO 34194–34195), recorded 1945, issued by 1946. Internet Archive item bachianas-brasileiras-no.-5 (uploader’s transfer). Territorial EU basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/bachianas-brasileiras-no.-5","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Bachianas Brasileiras No. 5 (Bidú Sayão; Heitor Villa-Lobos): metadata and file inventory\",\"url\":\"https://archive.org/metadata/bachianas-brasileiras-no.-5\",\"locator\":\"metadata.description (performers, Columbia Masterworks 71670-D, equalisation and de-click notes), date 1945, licenseurl, publicdate; files Bachianas Brasileiras No. 5.mp3 (417.96 s), label1.jpg, label2.jpg\",\"accessed\":\"2026-10-19\"},{\"id\":\"labels\",\"title\":\"Label scans of Columbia Masterworks 71670-D, in the same Internet Archive item\",\"url\":\"https://archive.org/download/bachianas-brasileiras-no.-5/label1.jpg\",\"locator\":\"label1.jpg: “Aria – Cantilena (Beginning)”, “Sung In Portuguese”, XCO 34194; label2.jpg: “(Conclusion)”, XCO 34195; both: Bidú Sayão with Eight ’Celli and Bass conducted by Heitor Villa-Lobos, Solo ’Cello: Leonard Rose\",\"accessed\":\"2026-10-19\"},{\"id\":\"catalogue\",\"title\":\"Columbia Record Catalog (1946), Columbia Recording Corporation (Media History Digital Library scan)\",\"url\":\"https://archive.org/details/columbiarecordca00colu_2\",\"locator\":\"Index entries under “Bachiana Brasileira No. 5” and “Latin American Music”: Bidú Sayão, orchestra conducted by Heitor Villa-Lobos, 71670-D. The 1947 edition (columbiarecordca00colu_1) lists the same number at 1.00.\",\"accessed\":\"2026-10-19\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Bachianas brasileiras No.5, W389-391 (Villa-Lobos, Heitor)\",\"url\":\"https://imslp.org/wiki/Bachianas_brasileiras_No.5,_W389-391_(Villa-Lobos,_Heitor)\",\"locator\":\"General Information: movements, key (A minor for the Ária), first performance 1939-03-25, first publication 1947, dedication, copyright notice for life-plus-70 countries and the United States\",\"accessed\":\"2026-10-19\"},{\"id\":\"newyorker\",\"title\":\"John McCarten — Villa-Lobos, The New Yorker, 10 February 1945\",\"url\":\"https://www.newyorker.com/magazine/1945/02/10/villa-lobos\",\"locator\":\"Talk of the Town: Villa-Lobos at the Waldorf, conducting the Philharmonic that week\",\"accessed\":\"2026-10-19\"},{\"id\":\"museu\",\"title\":\"Museu Villa-Lobos — Bachianas Brasileiras n° 5, autograph full score 1994.21.0002\",\"url\":\"https://museuvillalobos.acervos.museus.gov.br/partituras/bachianas-brasileiras-n-5-2\",\"locator\":\"Execuções: first performance 25 March 1939 in Rio with Ruth Valadares Correa; 4 May 1939 at the World’s Fair Hall, New York, with Bidu Sayão and Walter Burle-Marx, the first performance in the United States\",\"accessed\":\"2026-10-19\"},{\"id\":\"wright\",\"title\":\"Simon Wright — note to Hyperion CDA66257 (Villa-Lobos: Bachianas brasileiras Nos 1 & 5), 1987\",\"url\":\"https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA66257\",\"locator\":\"Paragraphs on the replaced text of the first movement, the second movement added in 1945, the ternary design and the doubling of the soprano by the leading cellist\",\"accessed\":\"2026-10-19\"},{\"id\":\"cueto\",\"title\":\"Amancio Cueto Jr. — Villa-Lobos: Bachianas Brasileiras nº5, Euterpe – Blog de Música Clássica\",\"url\":\"https://euterpe.blog.br/villa-lobos-bachianas-brasileiras-5\",\"locator\":\"Section 1, Aria (Cantilena): the melody on “Ah” repeated by the first cello, pizzicato accompaniment, recitative-like middle part with Ruth Valadares Corrêa’s poem, return of the melody sung bocca chiusa\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"8 documented; 1 inferred; 3 unknown"},{"id":"villa-lobos-choros-7","composer":"Heitor Villa-Lobos","title":"Chôros No. 7 (Septeto)","movement":"","work.title":"Chôros No. 7 (Septeto)","work.catalogue":"W199 (Appleby)","work.movement":"","work.version.value":"Original septet version for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello, with a tam-tam off stage.","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"imslp\"]","work.version.note":"The Internet Archive description and the IMSLP list of works give the same scoring. Which edition of the score the performers used is not stated.","performers.value":"[{\"name\":\"Victor Brazilian Orchestra (Orquestra Victor Brasileira)\",\"role\":\"ensemble; personnel unidentified, possibly assembled for the session\"},{\"name\":\"Heitor Villa-Lobos\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"american\"]","performers.note":"The item description says the ensemble is billed on the disc labels as “Victor Brazilian Orchestra”, a mistranslation of “Orchestra Victor Brasileira”, and that the players are unidentified. The 1936 notice calls the group the Brazilian Symphony Orchestra under the composer.","session.date.value":"8 January 1932","session.date.status":"documented","session.date.sourceIds":"[\"archive\"]","session.date.note":"Stated in the description written by the transferring discographer and repeated in the FLAC comment field; no ledger was seen. Wikipedia gives only “193-?” for the recording. The matrix numbers are CAVE 65356-1 and CAVE 65357.","session.date.precision":"day","session.place.value":"Rio de Janeiro, Brazil","session.place.status":"inferred","session.place.sourceIds":"[\"archive\"]","session.place.note":"The item description says Rio de Janeiro; the comment field of the FLAC file reads “Rio de Janeiro(?)”. The venue is not stated.","carrier.label.value":"Victor, as an export issue for South America, with a United States issue in January 1937","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"The description reads “Issued (export): 1932 or later / (USA): January 1937”, and says the first export issue date is unknown. The label scans show a Red Seal label printed “RCA Manufacturing Co., Inc., Camden, N.J., U.S.A.”, so the pressing transferred is probably the United States issue.","carrier.catalogue.value":"Victor 11214, 12-inch 78 rpm, electrical recording","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\"]","carrier.catalogue.note":"The February 1936 notice names the companion discs as Victor 11212–11213, the Carioca String Quartet’s recording of Villa-Lobos’s Quartet No. 5.","carrier.matrixTakeSides.value":"CAVE 65356-1 and CAVE 65357-?; the take of the second side is not known","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"As given in the item description and in the comment field of the FLAC file. The label scans read “CHOROS–No. 7–Part 1” (11214-A) and “Part 2” (11214-B), “Victor Brazilian Orchestra under the direction of H. Villa Lobos”; no matrix number is printed on the label faces.","transfer.credits.value":"Transfer, restoration and editing by Andrew Hallifax for DogintheManger","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Named in the item description; photographs of the labels are credited to DogintheManger.","transfer.date.value":"September to December 2023","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"From the comment field of the FLAC file (“Sep>Dec-23”). The item’s public date, 4 January 2024, is the upload date.","transfer.processing.value":"One track of 8 min 36 s that appears to carry both disc sides; the description states “restoration and editing” but not the methods.","transfer.processing.status":"inferred","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"The two matrices and the single track imply that the sides are run together. Equalisation, noise reduction and any speed correction are not described.","digital.streamUrl":"https://archive.org/download/victor-11214-villa-lobos-choros-no7-victor-brazil-orchestra-villa-lobos/Victor%2011214%20Villa-Lobos%20Ch%C3%B4ros%20No7%20%28Septet%29%20Victor%20Brazil%20Orch%2C%20Villa-Lobos.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive derivative VBR MP3 from an uploaded FLAC","digital.durationSeconds":516.21,"rights.composition.value":"Villa-Lobos died in 1959, so the work is in copyright in the EU, under the life-plus-70 term, until the end of 2029. The IMSLP list of works gives Eschig editions of 1928 and 1955.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"imslp\",\"imslpwork\"]","rights.composition.note":"Rights in the composition are stated separately from rights in the recording. The IMSLP work page places the work in its category for works not in the public domain in the EU and gives no United States status.","rights.recording.value":"Rule 3 — territorial EU public domain: first published before 1963; on sale as an import in the United States by February 1936.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"american\",\"archive\"]","rights.recording.note":"The February 1936 notice announces the importation of the record, so the disc had been published by then. The item description dates the export issue “1932 or later” and the United States issue January 1937, citing a 1937 review that was not consulted. The United States status of a recording made in Brazil in 1932 is not established.","rights.creditLine":"Heitor Villa-Lobos, Chôros No. 7 (Septeto). Victor Brazilian Orchestra, Heitor Villa-Lobos, conductor. Recorded 8 January 1932; issued as Victor 11214 and on sale as an import in the United States by February 1936. Transfer, restoration and editing by Andrew Hallifax for DogintheManger, 2023; Internet Archive item victor-11214-villa-lobos-choros-no7-victor-brazil-orchestra-villa-lobos. Territorial EU basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/victor-11214-villa-lobos-choros-no7-victor-brazil-orchestra-villa-lobos","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Victor 11214 Villa-Lobos Chôros No.7 (Septet), Victor Brazil Orchestra, Villa-Lobos: metadata and file inventory\",\"url\":\"https://archive.org/metadata/victor-11214-villa-lobos-choros-no7-victor-brazil-orchestra-villa-lobos\",\"locator\":\"metadata.description (ensemble, recording date, matrices, issue dates, catalogue number, transfer credit, contemporary sources); FLAC comment field; files 11214-A and 11214-B label images; MP3 derivative 08:36\",\"accessed\":\"2026-10-19\"},{\"id\":\"american\",\"title\":\"The American Music Lover (later The American Record Guide), vol. 1 no. 10, February 1936 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_american-record-guide_1936-02_1_10\",\"locator\":\"“A Recording from Brazil”: importation of Chôros No. 7 as a companion to Victor 11212–11213; and the review of the Carioca String Quartet’s recording of the Quartet No. 5\",\"accessed\":\"2026-10-19\"},{\"id\":\"imslp\",\"title\":\"IMSLP — List of works by Heitor Villa-Lobos\",\"url\":\"https://imslp.org/wiki/List_of_works_by_Heitor_Villa-Lobos\",\"locator\":\"W199: scoring including off-stage tam-tam, dedication to Arnaldo Guinle, premiere in Rio, Eschig 1928 and 1955; W207: Chôros No. 5 dedicated to Arnaldo Guinle\",\"accessed\":\"2026-10-19\"},{\"id\":\"imslpwork\",\"title\":\"IMSLP — Chôros No.7, W199 (Villa-Lobos, Heitor)\",\"url\":\"https://imslp.org/wiki/Ch%C3%B4ros_No.7,_W199_(Villa-Lobos,_Heitor)\",\"locator\":\"General Information: scoring with tam-tam ad lib. (offstage), dedication, first performance 1925-09-17, first publication 1928; category WorkNonPD-EU\",\"accessed\":\"2026-10-19\"},{\"id\":\"museu\",\"title\":\"Museu Villa-Lobos — Choros n° 7, manuscript 1993.21.0036\",\"url\":\"https://museuvillalobos.acervos.museus.gov.br/partituras/choros-n-7/\",\"locator\":\"Execuções: first performance 17 September 1925, Rio de Janeiro, Escola Nacional de Música, with Ary Ferreira (flute) and Newton Pádua (cello); duration 8’39”\",\"accessed\":\"2026-10-19\"},{\"id\":\"wright\",\"title\":\"Simon Wright — note to Hyperion CDA66257 (Villa-Lobos: Bachianas brasileiras Nos 1 & 5), 1987\",\"url\":\"https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA66257\",\"locator\":\"Paragraph on the offer from the administration of the Federal District in February 1932\",\"accessed\":\"2026-10-19\"},{\"id\":\"guinle\",\"title\":\"Clóvis Bulcão — Os Guinle: a história de uma dinastia (Intrínseca), first chapter excerpt\",\"url\":\"https://www.intrinseca.com.br/upload/livros/1%C2%BACAP_OsGuinle_ISSUU.pdf\",\"locator\":\"Timeline entry for 1923: Villa-Lobos settles in Paris, financed by Arnaldo Guinle\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"10 documented; 2 inferred"},{"id":"vivaldi-spring-allegro-modena","composer":"Antonio Vivaldi","title":"The Four Seasons · Spring, RV 269","movement":"I. Allegro","work.title":"The Four Seasons · Spring","work.catalogue":"Op. 8 No. 1, RV 269","work.movement":"I. Allegro","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"commons\"]","work.version.note":"Commons identifies the complete first movement but no performing edition. No cut or omission is asserted from the duration alone; the automatic full-movement correspondence has median cosine confidence 0.950.","performers.value":"[{\"name\":\"The Modena Chamber Orchestra\",\"role\":\"ensemble, as credited in the source summary\"}]","performers.status":"disputed","performers.sourceIds":"[\"commons\"]","performers.note":"The Commons title, summary and source link credit the Modena Chamber Orchestra; its embedded Author metadata instead says Orpheus Chamber Orchestra. No soloist or conductor is established, and the conflicting tag is not treated as proof of Orpheus’s participation.","performers.alternatives":"[{\"value\":\"The Modena Chamber Orchestra (Commons title and summary attribution)\",\"sourceIds\":[\"commons\"]},{\"value\":\"Orpheus Chamber Orchestra (embedded Author tag only)\",\"sourceIds\":[\"commons\"]}]","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"commons\"]","session.date.note":"The summary’s ≤ 2020-05-16 is an availability bound, not an identified session. Embedded digitizing metadata says 15 May 2020 and upload occurred on 26 December 2022; neither establishes when the musicians recorded.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or city is identified. The ensemble’s name is not venue evidence.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"Musopen is the digital source; no original carrier label is identified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No release catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No original matrix, take or side identification is established.","transfer.credits.value":"Toast for Teddy uploaded the Musopen-derived file to Wikimedia Commons","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"The uploader is documented; original recording and mastering engineers are not.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"No verified mastering or transfer date. The embedded digitizing timestamp and Commons upload date are retained in the session note, not promoted to session evidence.","transfer.processing.value":"Pitch adjusted 20 cents down from the original recording","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The Commons description states this processing explicitly. The algorithm, original pitch standard and whether duration changed are unspecified. Commons supplies an MP3 derivative of the Ogg Vorbis file; Contrapunctus adds no pitch or speed processing to playback.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/1/18/The_Modena_Chamber_Orchestra_-_Vivaldi%27s_Spring%2C_RV_269_-_I._Allegro.ogg/The_Modena_Chamber_Orchestra_-_Vivaldi%27s_Spring%2C_RV_269_-_I._Allegro.ogg.mp3","digital.sourceChain":"[\"commons\",\"musopen\"]","digital.format":"Commons MP3 derivative of the pitch-adjusted Ogg Vorbis file","digital.durationSeconds":214.03,"rights.composition.value":"Vivaldi’s underlying composition is public domain","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\",\"score-commentary\"]","rights.composition.note":"The eighteenth-century composition is distinct from this modern sound recording and from any unidentified performing edition.","rights.recording.value":"Commons PDMark-owner declaration for the Musopen-sourced sound recording","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"Accepted under the explicit recording-release rule: Commons says the copyright holder made the file available under Public Domain Mark 1.0. 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Recording © John Harrison, CC BY-SA 4.0; supplied through Wikimedia Commons.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons recording description, licence and file history\",\"url\":\"https://commons.wikimedia.org/wiki/File:12_-_Vivaldi_Winter_mvt_3_Allegro_-_John_Harrison_violin.ogg\",\"locator\":\"Description; permission and licensing; dated file history.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Mutopia 351 — Winter, after Performers’ Facsimiles\",\"url\":\"https://www.mutopiaproject.org/cgibin/piece-info.cgi?id=351\",\"locator\":\"Movement score and LilyPond source. Typesetting CC BY-SA 3.0; composition public domain.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bio\",\"title\":\"Church of the Pietà — biography of Antonio Vivaldi\",\"url\":\"https://www.vivaldichurchvenice.com/en/biography-of-antonio-vivaldi\",\"locator\":\"1725 Amsterdam publication and death in Vienna on 28 July 1741.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 documented; 5 unknown"},{"id":"vivaldi-winter-largo","composer":"Antonio Vivaldi","title":"The Four Seasons · Winter, RV 297","movement":"II. Largo","work.title":"The Four Seasons · Winter, RV 297","work.catalogue":"Op. 8 No. 4 / RV 297","work.movement":"II. Largo","work.version.value":"Violin concerto movement in its original string scoring","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"score\"]","work.version.note":"The recording page identifies the concerto and movement. The edition used by the performers is not identified; the cited Mutopia score is an editorial reference, not a claimed session score.","performers.value":"[{\"name\":\"John Harrison\",\"role\":\"violin\"},{\"name\":\"Wichita State University Chamber Players\",\"role\":\"ensemble\"},{\"name\":\"Robert Turizziani\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"","session.date.value":"2000-02-06","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The file description explicitly identifies the live performance date; the 2005 upload is not the session.","session.date.precision":"day","session.place.value":"Wiedemann Recital Hall, Wichita State University, Wichita, Kansas, United States","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[]","carrier.label.note":"No original commercial label is identified on the recording page.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[]","carrier.catalogue.note":"No original catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[]","carrier.matrixTakeSides.note":"No physical original carrier, matrix, take or side information is supplied. A file format alone does not establish the original capture medium.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[]","transfer.credits.note":"The initial recording and transfer engineer are not identified. Later Commons file-history contributors are not credited as session engineers.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[]","transfer.date.note":"The original digital-transfer date is not established. Upload and later file-history dates are not transfer dates.","transfer.processing.value":"ReplayGain tags added losslessly by Gmaxwell on 26 February 2007.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"The file page calls the live recording unedited. No original editing or mastering chain is supplied; the later tag operation is the documented processing.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/b/b1/11_-_Vivaldi_Winter_mvt_2_Largo_-_John_Harrison_violin.ogg/11_-_Vivaldi_Winter_mvt_2_Largo_-_John_Harrison_violin.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia MP3 transcode of the Commons Ogg audio file","digital.durationSeconds":132.3,"rights.composition.value":"Public domain","rights.composition.status":"documented","rights.composition.sourceIds":"[\"bio\",\"score\"]","rights.composition.note":"Vivaldi died in 1741 and the concertos were published in 1725. Modern editions and recordings have separate rights.","rights.recording.value":"Creative Commons Attribution-ShareAlike 4.0","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\"]","rights.recording.note":"The holder John Harrison permits CC BY-SA versions 1.0–4.0 and later. Version 4.0 is selected here. Commons records permission ticket 2007022510020031; its private correspondence was not consulted.","rights.creditLine":"Antonio Vivaldi; John Harrison, violin; Wichita State University Chamber Players; Robert Turizziani, conductor. Recording © John Harrison, CC BY-SA 4.0; supplied through Wikimedia Commons.","rights.licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons recording description, licence and file history\",\"url\":\"https://commons.wikimedia.org/wiki/File:11_-_Vivaldi_Winter_mvt_2_Largo_-_John_Harrison_violin.ogg\",\"locator\":\"Description; permission and licensing; dated file history.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Mutopia 351 — Winter, after Performers’ Facsimiles\",\"url\":\"https://www.mutopiaproject.org/cgibin/piece-info.cgi?id=351\",\"locator\":\"Movement score and LilyPond source. Typesetting CC BY-SA 3.0; composition public domain.\",\"accessed\":\"2026-10-17\"},{\"id\":\"bio\",\"title\":\"Church of the Pietà — biography of Antonio Vivaldi\",\"url\":\"https://www.vivaldichurchvenice.com/en/biography-of-antonio-vivaldi\",\"locator\":\"1725 Amsterdam publication and death in Vienna on 28 July 1741.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"7 documented; 5 unknown"},{"id":"volga-boatmen-chaliapin-1922","composer":"guest-volga-boatmen-chaliapin-1922","title":"Song of the Volga Boatmen","movement":"Arrangement by Chaliapin and Keneman","work.title":"Song of the Volga Boatmen","work.catalogue":"","work.movement":"Arrangement by Chaliapin and Keneman","work.version.value":"Russian folk song arranged by Fyodor Chaliapin and Fyodor Keneman; bass and orchestra","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"dahr-session\"]","work.version.note":"The label spells the second arranger Koenemann. The arrangement, not an anonymous unarranged folk performance, is heard.","performers.value":"[{\"name\":\"Fyodor Chaliapin\",\"role\":\"bass\"},{\"name\":\"George W. Byng\",\"role\":\"conductor\"},{\"name\":\"Orchestra not named\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"dahr-session\"]","performers.note":"DAHR supplies the conductor; no ensemble identity is inferred.","session.date.value":"1922-10-09","session.date.status":"documented","session.date.sourceIds":"[\"dahr-session\"]","session.date.note":"","session.date.precision":"day","session.place.value":"Hayes, Middlesex, England, Room 1","session.place.status":"documented","session.place.sourceIds":"[\"dahr-session\"]","session.place.note":"","carrier.label.value":"Victrola / Victor","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"dahr-issue\"]","carrier.label.note":"","carrier.catalogue.value":"88663","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"dahr-issue\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":"Cc1891, take 4","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"dahr-session\"]","carrier.matrixTakeSides.note":"The inspected Victrola label reads 88663 and credits both arrangers. IA repeats 88663 in its matrix field; DAHR identifies the actual matrix as Cc1891, take 4. DAHR’s [1922] publication year is explicitly bracketed.","transfer.credits.value":"Robert Boggs; George Blood, L.P.","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The archive names the transfer operator and scanning centre, not the original recording engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Upload dates are not treated as transfer dates.","transfer.processing.value":"Transferred at 78 rpm using four truncated-conical styli: 3.8, 2.3, 2.8 and 3.3 mil. The named MP3 derives from the archive’s preferred FLAC.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Surface noise and transfer equalisation prevent absolute sound-quality or loudness comparisons.","digital.streamUrl":"https://archive.org/download/78_song-of-the-volga-boatmen_feodor-chaliapin-chaliapin-and-koenemeann_gbia0309170a/Song%20of%20the%20Volga%20Boatmen%20-%20Feodor%20Chaliapin.mp3","digital.sourceChain":"[\"archive\",\"dahr-session\",\"dahr-issue\"]","digital.format":"MP3 access derivative; one source file, no concatenation or audio edits by Contrapunctus","digital.durationSeconds":201.94,"rights.composition.value":"Traditional melody; Chaliapin–Keneman arrangement is public domain under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"archive\",\"dahr-issue\"]","rights.composition.note":"DAHR identifies the arrangers as Chaliapin (1873–1938) and Keneman (1873–1937). No claim of worldwide clearance is made.","rights.recording.value":"US public domain: sound recording published before the 1925 cutoff","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"dahr-session\",\"dahr-issue\",\"us-term\"]","rights.recording.note":"The inspected Victrola label reads 88663 and credits both arrangers. IA repeats 88663 in its matrix field; DAHR identifies the actual matrix as Cc1891, take 4. DAHR’s [1922] publication year is explicitly bracketed. No non-commercial licence is present in the inspected archive metadata.","rights.creditLine":"Song of the Volga Boatmen; Fyodor Chaliapin, bass; orchestra conducted by George W. Byng. 1922-10-09; Cc1891, take 4; Victrola 88663. Transfer: Robert Boggs; George Blood, L.P.; Internet Archive Great 78 Project. Recording: US public domain.","rights.licenseUrl":"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Song of the Volga Boatmen\",\"url\":\"https://archive.org/metadata/78_song-of-the-volga-boatmen_feodor-chaliapin-chaliapin-and-koenemeann_gbia0309170a\",\"locator\":\"metadata, preferred FLAC/MP3 file records, transfer credits, technical notes and issue number.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-session\",\"title\":\"DAHR — Cc1891, take 4\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/2000007686\",\"locator\":\"Date, place, issued take, personnel and issue links.\",\"accessed\":\"2026-10-17\"},{\"id\":\"dahr-issue\",\"title\":\"DAHR — Victor 88663\",\"url\":\"https://adp.library.ucsb.edu/index.php/objects/refer/162251\",\"locator\":\"Matrix coupling and MARC 264 publication statement [1922].\",\"accessed\":\"2026-10-17\"},{\"id\":\"label\",\"title\":\"Victrola 88663 — digitised label\",\"url\":\"https://archive.org/download/78_song-of-the-volga-boatmen_feodor-chaliapin-chaliapin-and-koenemeann_gbia0309170a/78_song-of-the-volga-boatmen_feodor-chaliapin-chaliapin-and-koenemeann_gbia0309170a_itemimage.jpg\",\"locator\":\"Label: Song of the Volga Boatmen; Russian folk song; arranged by Chaliapin and Koenemann; bass with orchestra.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"US Copyright Office — pre-1972 sound-recording terms\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Term section: recordings first published before 1923; 1923–1946 recordings receive 95 years plus five years.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"volga-boatmen-chaliapin-1927","composer":"guest-volga-boatmen-chaliapin-1927","title":"Song of the Volga Boatmen","movement":"Arrangement by Chaliapin and Keneman","work.title":"Song of the Volga Boatmen","work.catalogue":"","work.movement":"Arrangement by Chaliapin and Keneman","work.version.value":"Russian folk song arranged by Fyodor Chaliapin and Fyodor Keneman; bass and orchestra","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"upstream\"]","work.version.note":"","performers.value":"[{\"name\":\"Fyodor Chaliapin\",\"role\":\"bass\"},{\"name\":\"Albert Coates\",\"role\":\"conductor\"},{\"name\":\"Orchestra not named\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"upstream\"]","performers.note":"The source does not identify an orchestra by name.","session.date.value":"1927-10-20","session.date.status":"documented","session.date.sourceIds":"[\"commons\",\"upstream\",\"discography\"]","session.date.note":"1928 is the release year, not the performance date.","session.date.precision":"day","session.place.value":"London, United Kingdom","session.place.status":"documented","session.place.sourceIds":"[\"commons\",\"upstream\"]","session.place.note":"No particular studio is established.","carrier.label.value":"Disque “Gramophone”","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\",\"upstream\"]","carrier.label.note":"","carrier.catalogue.value":"DB 1103","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"upstream\"]","carrier.catalogue.note":"","carrier.matrixTakeSides.value":"Cc11709, take 1; order number 2-022051","carrier.matrixTakeSides.status":"disputed","carrier.matrixTakeSides.sourceIds":"[\"commons\",\"upstream\",\"discography\"]","carrier.matrixTakeSides.note":"Commons and the discography identify take 1. The upstream table says “CC-11709-2” but also gives “CC 11709I”; its own cited reference says take 1. The discography lists take 2 as unpublished.","carrier.matrixTakeSides.alternatives":"[{\"value\":\"Cc11709, take 1 (Commons and discography; preferred identification)\",\"sourceIds\":[\"commons\",\"discography\"]},{\"value\":\"Cc11709, take 2 (upstream table; internally inconsistent)\",\"sourceIds\":[\"upstream\"]}]","transfer.credits.value":"Swiss Foundation Public Domain; Martin Osterwalder collection","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"commons\",\"upstream\"]","transfer.credits.note":"Collection and institutional transfer provenance are documented; no individual engineer is named.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"upstream\"]","transfer.date.note":"The 21 April 2016 Commons upload is not a transfer date.","transfer.processing.value":"Record cleaning machine and ELP laser turntable","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"upstream\"]","transfer.processing.note":"The source categories identify Keith Monks Archivist Duo Omni, RCM Mk. IX, and ELP LT-2XA. Detailed restoration, pitch adjustment and equalisation are not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/c/c5/PDP-CH_-_Feodor_Chaliapin_-_The_Song_of_the_Volga_Boatmen_-_Russian_folk_song_-_Fyodor_Keneman_-_Gramophone-db1103-2-022051.flac/PDP-CH_-_Feodor_Chaliapin_-_The_Song_of_the_Volga_Boatmen_-_Russian_folk_song_-_Fyodor_Keneman_-_Gramophone-db1103-2-022051.flac.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative; one source file, no concatenation or audio edits by Contrapunctus","digital.durationSeconds":203.78,"rights.composition.value":"Traditional melody; Chaliapin–Keneman arrangement is public domain under ordinary life-plus-70 terms","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\",\"upstream\"]","rights.composition.note":"The source gives the arrangers’ deaths as 1938 and 1937. No claim of worldwide clearance is made.","rights.recording.value":"territorial — European public domain; first published 1928","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"upstream\",\"eu-term\"]","rights.recording.note":"Allowed on documented publication before 1963: the former 50-year recording term expired before the 2013 extension. US recording status is not established. Commons’ PD-old-70 composition tag is not treated as a recording licence; the upstream item contains no non-commercial restriction. Upstream worldwide/US expiry assertions are not adopted.","rights.creditLine":"Song of the Volga Boatmen; Fyodor Chaliapin, bass; orchestra conducted by Albert Coates. London, 20 October 1927; Disque “Gramophone” DB 1103, released 1928. Swiss Foundation Public Domain / Martin Osterwalder collection, via Wikimedia Commons. Recording rights: territorial European public domain; US status unestablished.","rights.licenseUrl":"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons — Song of the Volga Boatmen, DB 1103\",\"url\":\"https://commons.wikimedia.org/wiki/File:PDP-CH_-_Feodor_Chaliapin_-_The_Song_of_the_Volga_Boatmen_-_Russian_folk_song_-_Fyodor_Keneman_-_Gramophone-db1103-2-022051.flac\",\"locator\":\"Summary: date, matrix, conductor, first release 1928; source and transcode status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"upstream\",\"title\":\"Swiss Foundation Public Domain — original collection entry\",\"url\":\"https://pool.publicdomainproject.org/index.php?title=Gramophone-db1103-2-022051\",\"locator\":\"Carrier, first recording and release dates, source references, equipment categories and rights statement.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"Feodor Chaliapin — complete discography\",\"url\":\"https://artmusiclounge.files.wordpress.com/2016/03/chaliapin-discography.pdf\",\"locator\":\"Page 5: 20 October 1927; Cc10957-2 and Cc11709-1. Page 6 lists Cc11709-2 as unpublished.\",\"accessed\":\"2026-10-17\"},{\"id\":\"work\",\"title\":\"DAHR — earlier recording of the Chaliapin–Keneman arrangement\",\"url\":\"https://adp.library.ucsb.edu/index.php/matrix/refer/2000007686\",\"locator\":\"Arrangement attribution and forces, not evidence for the 1927 session.\",\"accessed\":\"2026-10-17\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — recording term extension\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32011L0077\",\"locator\":\"Recital 1 and Article 1(3): extension applies to recordings still protected on 1 November 2013.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-17","evidence":"9 documented; 1 disputed; 1 unknown; 1 inferred"},{"id":"wagner-siegfried-idyll","composer":"Richard Wagner","title":"Siegfried Idyll, WWV 103","movement":"","work.title":"Siegfried Idyll, WWV 103","work.catalogue":"WWV 103","work.movement":"","work.version.value":null,"work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"score\"]","work.version.note":"The item identifies the whole Idyll but not a performing edition. The listening-stage diagram describes broad regions of the published score; exact acoustic session staffing or substitutions are not established.","performers.value":"[{\"name\":\"Modern Chamber Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Stanley Chapple\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\"]","performers.note":"The item title names the orchestra and embedded MP3 creator names Chapple.","session.date.value":"1925","session.date.status":"inferred","session.date.sourceIds":"[\"archive\",\"discography\"]","session.date.note":"The item describes a 1925 acoustic pressing; the independent collector discography dates the matching issue circa 1925. The item’s machine date 1925-03-03 is not independently established as a session day.","session.date.precision":"approximate","session.place.value":"London","session.place.status":"inferred","session.place.sourceIds":"[\"archive\",\"discography\"]","session.place.note":"The independent collector discography locates the matching Chapple/Modern Chamber Orchestra issue in London. The selected transfer’s own metadata supplies no venue, and no particular studio is established.","carrier.label.value":"Vocalion","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\"]","carrier.label.note":"Historical acoustic issue identified by the item description and filename.","carrier.catalogue.value":"K5157–K5158 in title/description; K0557–K0558 in embedded tags","carrier.catalogue.status":"disputed","carrier.catalogue.sourceIds":"[\"archive\",\"discography\"]","carrier.catalogue.note":"The digit strings disagree within the selected item. The independent collector lists K-05157 and K-05158, supporting the title/description rather than the shorter embedded-tag numbers; the internal discrepancy remains visible.","carrier.catalogue.alternatives":"[{\"value\":\"K5157–K5158\",\"sourceIds\":[\"archive\"]},{\"value\":\"K0557–K0558\",\"sourceIds\":[\"archive\"]}]","carrier.matrixTakeSides.value":"Four sides; matching-issue discography lists 03836XX, 03837XX, 03838, 03839","carrier.matrixTakeSides.status":"inferred","carrier.matrixTakeSides.sourceIds":"[\"archive\",\"discography\"]","carrier.matrixTakeSides.note":"The selected item documents four sides. The matrix series is corroboration for the matching issue, not a transcription of inspected labels from the selected copy; take suffixes and precise digital side joins remain unestablished.","transfer.credits.value":"Animating Apothecary Archives","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"Embedded comment explicitly credits the transfer, rather than merely identifying the uploader.","transfer.date.value":"2021","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"Embedded comment says “2021 transfer from Animating Apothecary Archives”.","transfer.processing.value":null,"transfer.processing.status":"unknown","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"No restoration or editing history is established.","digital.streamUrl":"https://archive.org/download/1925-siegfried-idyll-wagner-modern-chamber-orch-voc-k-5157-58/1925%20Siegfried%20Idyll%20-%20Wagner%20-%20Modern%20Chamber%20Orch%20-%20VOC%20K5157-58.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive MP3 transfer of a four-side acoustic Vocalion issue","digital.durationSeconds":932.45,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"archive\"]","rights.composition.note":"Wagner died in 1883. This is a term calculation, not worldwide clearance of every edition.","rights.recording.value":"US public domain under the project’s pre-1926 publication rule; source identifies a 1925 pressing.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"us-term\"]","rights.recording.note":"The Internet Archive item supplies the historical publication evidence, not an explicit free-licence URL. Its 1925 dating is preserved as the source claim; catalogue-number disagreement is disclosed. The US term ends 31 December 2025; no worldwide clearance is implied.","rights.creditLine":"Wagner: Siegfried Idyll; Modern Chamber Orchestra, Stanley Chapple; Vocalion acoustic issue dated 1925 by the source. Transfer 2021, Animating Apothecary Archives, via Internet Archive. US public domain from 1 January 2026.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Siegfried Idyll — 1925 Vocalion transfer\",\"url\":\"https://archive.org/metadata/1925-siegfried-idyll-wagner-modern-chamber-orch-voc-k-5157-58\",\"locator\":\"Item title and description identify 1925 acoustic Vocalion pressing K5157–58; MP3 creator and album tags give Chapple, K0557–0558, four sides; comment credits a 2021 Animating Apothecary transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Siegfried-Idyll — Schott score, 1878\",\"url\":\"https://hdl.handle.net/1802/20380\",\"locator\":\"Sibley Music Library public-domain full score, plate 22430; published orchestration, not documentary evidence of 1925 session staffing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"discography\",\"title\":\"Damian’s 78s — Stanley Chapple’s acoustic Siegfried Idyll\",\"url\":\"https://music.damians78s.co.uk/2013/07/07/adrian-boult-and-stanley-chapple-conduct-wagner-on-vocalion/\",\"locator\":\"Siegfried Idyll entry: Modern Chamber Orchestra, Stanley Chapple; Vocalion K-05157/K-05158, matrices 03836XX, 03837XX, 03838, 03839; recorded circa 1925, London. This page supplies corroboration, not the selected audio transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"US Copyright Office — pre-1972 sound recordings\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"For 1923–1946 publication, 95 years plus 5 years; 1925 publications enter US public domain 1 January 2026.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"2 unknown; 5 documented; 4 inferred; 1 disputed"},{"id":"wagner-tannhauser-overture","composer":"Richard Wagner","title":"Tannhäuser, WWV 70","movement":"Overture — concert-band arrangement","work.title":"Tannhäuser","work.catalogue":"WWV 70","work.movement":"Overture","work.version.value":"Concert-band performance by the United States Marine Band.","work.version.status":"documented","work.version.sourceIds":"[\"commons\"]","work.version.note":"The arranger and score edition are not identified in the retrieved file description.","performers.value":"[{\"name\":\"United States Marine Band\",\"role\":\"concert band\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\",\"structured\",\"embedded\"]","performers.note":"The retrieved source does not name a conductor; no conductor is assigned from general band leadership dates.","session.date.value":"22–25 May 1995","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The source explicitly labels this range “Performance”; the particular day or days used for the overture are not given.","session.date.precision":"range","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"No recording venue or location is established.","carrier.label.value":"United States Marine Band","carrier.label.status":"documented","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"Institutional album source; the original physical label imprint is not established.","carrier.catalogue.value":"Director’s Choice, track 2","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"commons\",\"embedded\"]","carrier.catalogue.note":"Album title and embedded track identifier; no original carrier catalogue number is supplied.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix, take or side information is established. A digital file alone does not establish that no earlier physical carrier existed.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\",\"embedded\"]","transfer.credits.note":"No transfer or restoration engineer is credited in the consulted sources.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\",\"embedded\"]","transfer.date.note":"No transfer date is documented; upload and encoding-software dates are not session or transfer dates.","transfer.processing.value":"Embedded encoder: Xiph.Org libVorbis I 20070622. Commons master: Ogg Vorbis, 44.1 kHz, 2 channels.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"embedded\"]","transfer.processing.note":"These are file properties, not evidence of noise reduction, equalisation, pitch correction or other restoration. Earlier processing is not documented.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/d/d5/Overture_to_Tannhauser_-_U.S._Marine_Band.ogg/Overture_to_Tannhauser_-_U.S._Marine_Band.ogg.mp3","digital.sourceChain":"[\"commons\",\"upstream\"]","digital.format":"MP3 access derivative; Commons master: Ogg Vorbis, 44.1 kHz, 2 channels","digital.durationSeconds":867.4220408163266,"rights.composition.value":"Public-domain original composition, as asserted by Commons.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"The musical-composition tag is PD-old-100. The arranger is unidentified; no separate arrangement-rights grant was recovered.","rights.recording.value":"Rule 1 — recording-specific public-domain release: PD-USGov-Military-Marines (US-law basis).","rights.recording.status":"documented","rights.recording.sourceIds":"[\"rights-audit-commons\",\"rights-audit-us-government\"]","rights.recording.note":"Commons expressly applies PD-USGov-Military-Marines to the recording or official federal-government performance, not only to the composition. Under 17 U.S.C. § 105(a), official US Government works are not protected by US copyright. This is rule 1’s recording-specific public-domain release route, not rule 2’s publication-date route; it does not establish worldwide public-domain status.","rights.creditLine":"United States Marine Band. Director’s Choice, track 2, via Wikimedia Commons. Recording: U.S. federal-government work, public domain in the United States; arranger unidentified.","rights.licenseUrl":"https://commons.wikimedia.org/wiki/Template:PD-USGov-Military-Marines","sources":"[{\"id\":\"commons\",\"title\":\"Wikimedia Commons: File:Overture to Tannhauser - U.S. Marine Band.ogg\",\"url\":\"https://commons.wikimedia.org/wiki/File:Overture_to_Tannhauser_-_U.S._Marine_Band.ogg?oldid=1183107191\",\"locator\":\"File-description wikitext revision 1183107191; Description, Date, Source, Author and licensing templates. Queried through the revisions API.\",\"accessed\":\"2026-10-16\"},{\"id\":\"structured\",\"title\":\"Wikimedia Commons structured data: M16188352\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=wbgetentities&ids=M16188352&props=claims%7Cinfo&format=json\",\"locator\":\"MediaInfo statements; revision 1183107191. P571 is inception, not an independently verified session date.\",\"accessed\":\"2026-10-16\"},{\"id\":\"embedded\",\"title\":\"Wikimedia Commons audio metadata and stream\",\"url\":\"https://commons.wikimedia.org/w/api.php?format=json&formatversion=2&action=query&titles=File%3AOverture+to+Tannhauser+-+U.S.+Marine+Band.ogg&prop=videoinfo&viprop=url%7Csize%7Cmime%7Cmetadata%7Cderivatives\",\"locator\":\"videoinfo duration, MIME type, MP3 derivative and embedded stream or FLAC comments; encoding software dates are not transfer dates.\",\"accessed\":\"2026-10-16\"},{\"id\":\"upstream\",\"title\":\"U.S. Marine Band: Director’s Choice, original album page\",\"url\":\"http://marineband.usmc.mil/audio_resources/discography/directors_choice.htm\",\"locator\":\"Original source linked by Commons. The host no longer resolved during retrieval; no booklet, conductor, arranger or session venue was recovered from it.\",\"accessed\":\"2026-10-16\"},{\"id\":\"official-catalogue\",\"title\":\"U.S. Marine Band: New audio downloads for May\",\"url\":\"https://www.marineband.marines.mil/News/Article/587559/new-audio-downloads-for-may/\",\"locator\":\"Located as an official album-related source, but direct retrieval returned HTTP 403. No additional field was promoted to documented from this inaccessible page.\",\"accessed\":\"2026-10-16\"},{\"id\":\"rights-audit-commons\",\"title\":\"Wikimedia Commons — sound-recording licence audit: File:Overture to Tannhauser - U.S. Marine Band.ogg\",\"url\":\"https://commons.wikimedia.org/w/api.php?action=query&revids=1208738189%7C1227005699%7C955665701%7C1220972757%7C911313164%7C963517023%7C1191098375%7C392869837%7C1189153589%7C1183107191&prop=revisions&rvprop=content%7Cids&rvslots=main&format=json&formatversion=2\",\"locator\":\"Opened file-description wikitext for File:Overture to Tannhauser - U.S. Marine Band.ogg; Summary/Description, Date, Source, Permission and Licensing templates, inspected separately from generic structured copyright status.\",\"accessed\":\"2026-10-17\"},{\"id\":\"rights-audit-us-government\",\"title\":\"17 U.S.C. § 105 — United States Government works\",\"url\":\"https://www.law.cornell.edu/uscode/text/17/105\",\"locator\":\"Subsection (a): US copyright protection is unavailable for works of the US Government; historical notes distinguish foreign protection.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-16","evidence":"8 documented; 4 unknown"},{"id":"wagner-tristan-liebestod","composer":"Richard Wagner","title":"Tristan und Isolde, WWV 90","movement":"Liebestod — “Mild und leise”","work.title":"Tristan und Isolde, WWV 90","work.catalogue":"WWV 90","work.movement":"Liebestod — “Mild und leise”","work.version.value":"Act III closing scene with soprano, “Mild und leise”","work.version.status":"documented","work.version.sourceIds":"[\"archive\",\"sleeve\"]","work.version.note":"Not the orchestra-only concert arrangement. The exact performing edition and any retouching are not identified.","performers.value":"[{\"name\":\"Nanny Larsen-Todsen\",\"role\":\"soprano — Isolde\"},{\"name\":\"Bayreuth Festival Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Karl Elmendorff\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"sleeve\"]","performers.note":"The sleeve explicitly assigns these ensemble/conductor credits to the Liebestod, unlike conductors listed for other album tracks.","session.date.value":"1928-08","session.date.status":"inferred","session.date.sourceIds":"[\"sleeve\",\"naxos\"]","session.date.note":"The sleeve documents 1928. The matching Elmendorff/Bayreuth matrix series is dated August 1928 by the Naxos inlay; no exact day is supplied.","session.date.precision":"month","session.place.value":"Wagner Theater, Bayreuth","session.place.status":"inferred","session.place.sourceIds":"[\"sleeve\",\"naxos\"]","session.place.note":"Linked through the matching 1928 Columbia matrix series; the Preiser sleeve itself identifies the orchestra but not the room.","carrier.label.value":"Columbia; transferred reissue: Preiser Lebendige Vergangenheit","carrier.label.status":"documented","carrier.label.sourceIds":"[\"archive\",\"sleeve\"]","carrier.label.note":"The uploaded track is presented as a transfer of Preiser LP LV 174, side A, track 3, not a direct fresh transfer of the original Columbia discs.","carrier.catalogue.value":"Original Columbia L 2206; reissue Preiser LV 174","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"archive\",\"sleeve\"]","carrier.catalogue.note":"Original and reissue numbers describe different carriers.","carrier.matrixTakeSides.value":"AX 3986/87 (Preiser sleeve); WAX 3986/87 (Naxos original matrix list)","carrier.matrixTakeSides.status":"disputed","carrier.matrixTakeSides.sourceIds":"[\"sleeve\",\"naxos\"]","carrier.matrixTakeSides.note":"The source sleeve omits the initial W used in the fuller discographic matrix list. Two sides are identified by the consecutive matrix numbers; take suffixes are not established.","carrier.matrixTakeSides.alternatives":"[{\"value\":\"AX 3986/87\",\"sourceIds\":[\"sleeve\"]},{\"value\":\"WAX 3986/87\",\"sourceIds\":[\"naxos\"]}]","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"No transfer engineer is identified; an uploader is not automatically the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The upload date is not treated as a transfer date.","transfer.processing.value":"Archive supplies a 160 kbps MP3 derivative of the uploaded WAV.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"No restoration engineer or editing process is credited for this transfer. Ward Marston’s credit on the separate Naxos release is not imported.","digital.streamUrl":"https://archive.org/download/nanny-larsen-todsen-preiser-lv-174-side-a/03%20-%20Nanny%20LARSEN-TODSEN%20Preiser%20LV%20174%20Side%20A%20-%20Tristan%20und%20Isolde%20-%20Liebestod%20%28Columbia%20L%202206%2C%201928%29.mp3","digital.sourceChain":"[\"archive\",\"sleeve\"]","digital.format":"Internet Archive 160 kbps MP3 derivative of the uploaded WAV transfer of a Preiser LP track","digital.durationSeconds":447.61,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"archive\"]","rights.composition.note":"Wagner died in 1883. This is a term calculation, not worldwide clearance of every edition.","rights.recording.value":"Archive marks this recording Public Domain; the historical 1928 Columbia issue also falls within the project’s pre-1963 EU recording rule.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"archive\",\"sleeve\"]","rights.recording.note":"Territorial: EU status is relied on, not worldwide public-domain status. US status is not established; the 1928 recording does not meet the US pre-1926 cutoff. The PDM URL describes a status claim, not a newly granted copyright licence.","rights.creditLine":"Wagner: Liebestod; Nanny Larsen-Todsen, Bayreuth Festival Orchestra, Karl Elmendorff, 1928. Columbia L 2206, via Preiser LV 174 and Internet Archive. Archive Public Domain Mark; EU territorial basis; US status not established.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"archive\",\"title\":\"Larsen-Todsen — Preiser LV 174 side A\",\"url\":\"https://archive.org/metadata/nanny-larsen-todsen-preiser-lv-174-side-a\",\"locator\":\"Description track 3, original Columbia L 2206 (1928); files list MP3 derivative and PDM rights URL.\",\"accessed\":\"2026-10-17\"},{\"id\":\"sleeve\",\"title\":\"Preiser LV 174 back sleeve\",\"url\":\"https://archive.org/download/nanny-larsen-todsen-preiser-lv-174-side-a/Larsen-Todsen%20Preiser%20%282%29.JPG\",\"locator\":\"“Mild und leise” entry: 1928, Columbia L 2206, matrix AX 3986/87, Bayreuth orchestra and Karl Elmendorff; Anton Odelga biography.\",\"accessed\":\"2026-10-17\"},{\"id\":\"naxos\",\"title\":\"1928 Tristan — Naxos Historical rear inlay\",\"url\":\"https://cdn.naxos.com/SharedFiles/pdf/rear/8.110200-02r.pdf\",\"locator\":\"Karl Elmendorff, Bayreuth Festival Orchestra, August 1928 at Wagner Theater; matrix series includes WAX 3986/87. This is a different transfer.\",\"accessed\":\"2026-10-17\"},{\"id\":\"score\",\"title\":\"Vocal and orchestral Liebestod — Sibley score\",\"url\":\"https://hdl.handle.net/1802/13070\",\"locator\":\"Breitkopf excerpt score pp. 14–30, with Isolde’s vocal part.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"6 documented; 3 inferred; 1 disputed; 2 unknown"},{"id":"wagner-tristan-prelude","composer":"Richard Wagner","title":"Tristan und Isolde, WWV 90","movement":"Prelude to Act I — concert version","work.title":"Tristan und Isolde, WWV 90","work.catalogue":"WWV 90","work.movement":"Prelude to Act I — concert version","work.version.value":"Prelude to Act I, concert version","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"score\"]","work.version.note":"The embedded title explicitly says Konzertfassung. The concert-ending edition is not named; the linked score runs into the Liebestod and does not establish the separate ending played here.","performers.value":"[{\"name\":\"Fulda Symphonic Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Simon Schindler\",\"role\":\"conductor\"},{\"name\":\"Bruce Edwards\",\"role\":\"clarinet\"}]","performers.status":"documented","performers.sourceIds":"[\"commons\"]","performers.note":"The embedded credits name these performers. The named clarinettist is not asserted to be the only clarinettist.","session.date.value":"2004-03-09","session.date.status":"documented","session.date.sourceIds":"[\"commons\"]","session.date.note":"The embedded date is explicitly marked “(recorded)”, rather than merely an upload date.","session.date.precision":"day","session.place.value":"Grosser Saal der Orangerie Fulda","session.place.status":"documented","session.place.sourceIds":"[\"commons\"]","session.place.note":"Recorded location is explicitly stated in the embedded metadata.","carrier.label.value":null,"carrier.label.status":"unknown","carrier.label.sourceIds":"[\"commons\"]","carrier.label.note":"The original carrier label is unidentified.","carrier.catalogue.value":null,"carrier.catalogue.status":"unknown","carrier.catalogue.sourceIds":"[\"commons\"]","carrier.catalogue.note":"No original catalogue number is established.","carrier.matrixTakeSides.value":null,"carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"commons\"]","carrier.matrixTakeSides.note":"No matrix or take identification is established.","transfer.credits.value":null,"transfer.credits.status":"unknown","transfer.credits.sourceIds":"[\"commons\"]","transfer.credits.note":"No transfer engineer is identified; an uploader is not automatically the engineer.","transfer.date.value":null,"transfer.date.status":"unknown","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"The upload date is not treated as a transfer date.","transfer.processing.value":"Uploaded Ogg Vorbis; embedded encoder Xiph.Org libVorbis I 20020717.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"No additional restoration or source-medium history is established.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/7/73/Richard_Wagner_-_Tristan_und_Isolde_-_Vorspiel.ogg/Richard_Wagner_-_Tristan_und_Isolde_-_Vorspiel.ogg.mp3","digital.sourceChain":"[\"commons\"]","digital.format":"Wikimedia MP3 access derivative of the uploaded Ogg Vorbis recording","digital.durationSeconds":669.293,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Wagner died in 1883. This is a term calculation, not worldwide clearance of every edition.","rights.recording.value":"Recording released under EFF Open Audio License version 1.0.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"commons\",\"oal\"]","rights.recording.note":"This is an explicit sound-recording licence, not a composition-only public-domain template. The free-use grant and attribution conditions govern this copy.","rights.creditLine":"Richard Wagner: Tristan und Isolde, Prelude; Fulda Symphonic Orchestra, Simon Schindler; Bruce Edwards, clarinet. Recording 9 March 2004. EFF Open Audio License 1.0, via Wikimedia Commons.","rights.licenseUrl":"https://web.archive.org/web/20070208085151/http://www.eff.org/IP/Open_licenses/20010421_eff_oal_1.0.html","sources":"[{\"id\":\"commons\",\"title\":\"Tristan Prelude — Commons file and embedded metadata\",\"url\":\"https://commons.wikimedia.org/wiki/File:Richard_Wagner_-_Tristan_und_Isolde_-_Vorspiel.ogg\",\"locator\":\"Summary, EFF Open Audio License template, embedded recorded date and location, concert-version title; current source file history.\",\"accessed\":\"2026-10-17\"},{\"id\":\"oal\",\"title\":\"EFF Open Audio License 1.0\",\"url\":\"https://web.archive.org/web/20070208085151/http://www.eff.org/IP/Open_licenses/20010421_eff_oal_1.0.html\",\"locator\":\"Grant to copy, distribute, perform and modify the recording; attribution conditions.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Vorspiel und Isoldens Liebestod — Sibley score\",\"url\":\"https://hdl.handle.net/1802/13070\",\"locator\":\"Breitkopf orchestral excerpt score pp. 3–13; not proof of the Fulda concert-ending edition.\",\"accessed\":\"2026-10-17\"},{\"id\":\"analysis\",\"title\":\"Tristan Prelude — University of Texas analysis\",\"url\":\"https://www.laits.utexas.edu/tristan/prelude.php\",\"locator\":\"First seventeen bars, desire motif and chromatic continuation.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"6 documented; 5 unknown; 1 inferred"},{"id":"wagner-walkure-ride-valkyries","composer":"Richard Wagner","title":"Die Walküre, WWV 86B","movement":"Ride of the Valkyries — orchestral excerpt","work.title":"Die Walküre, WWV 86B","work.catalogue":"WWV 86B","work.movement":"Ride of the Valkyries — orchestral excerpt","work.version.value":"Orchestral concert excerpt from the opening of Act III","work.version.status":"documented","work.version.sourceIds":"[\"commons\",\"nps\"]","work.version.note":"No singers are credited. The acoustic-recording arrangement, exact cuts and instrumental substitutions are not documented; a full-opera orchestration timeline is therefore withheld.","performers.value":"[{\"name\":\"American Symphony Orchestra\",\"role\":\"orchestra\"}]","performers.status":"documented","performers.sourceIds":"[\"nps\",\"commons\"]","performers.note":"Conductor unknown. This historical recording ensemble is not identified with Leopold Stokowski’s orchestra founded in 1962.","session.date.value":"1921","session.date.status":"documented","session.date.sourceIds":"[\"nps\"]","session.date.note":"December 1921 is the release date, not a verified session month.","session.date.precision":"year","session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"commons\"]","session.place.note":"The source does not establish the session venue.","carrier.label.value":"Edison Diamond Disc","carrier.label.status":"documented","carrier.label.sourceIds":"[\"nps\"]","carrier.label.note":"Original Edison disc identified by the institutional catalogue.","carrier.catalogue.value":"80638-R","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"nps\"]","carrier.catalogue.note":"NPS object EDIS 41877; release December 1921.","carrier.matrixTakeSides.value":"7846-B-1-6; catalogue side 80638-R","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"nps\"]","carrier.matrixTakeSides.note":"The institution’s complete matrix string is preserved without attempting to decode its suffixes.","transfer.credits.value":"National Park Service digitisation; Adam Cuerden, Commons noise reduction and equalisation","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"nps\",\"commons\"]","transfer.credits.note":"NPS is the institutional source, not a named engineer. The current Commons version restores Adam Cuerden’s processing after a later alternative edit.","transfer.date.value":"2009-10-10 (Commons processed version)","transfer.date.status":"documented","transfer.date.sourceIds":"[\"commons\"]","transfer.date.note":"This is the upload date of the documented processed version, not the date of the original NPS digitisation; the current-file revision is dated 29 May 2010.","transfer.processing.value":"Hiss reduced by noise removal/equalisation; a beat removed near the start.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"commons\"]","transfer.processing.note":"These are the upload description’s claims. No unrecorded pitch correction, original horn substitutions or side cuts are inferred.","digital.streamUrl":"https://upload.wikimedia.org/wikipedia/commons/transcoded/2/29/Richard_Wagner_-_Ride_of_the_Valkyries.ogg/Richard_Wagner_-_Ride_of_the_Valkyries.ogg.mp3","digital.sourceChain":"[\"nps\",\"commons\"]","digital.format":"Wikimedia MP3 access derivative of the processed Ogg Vorbis file, derived from the NPS digitisation","digital.durationSeconds":257.675,"rights.composition.value":"Underlying composition is out of copyright where the ordinary life-plus-70 term applies.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"commons\"]","rights.composition.note":"Wagner died in 1883. This is a term calculation, not worldwide clearance of every edition.","rights.recording.value":"US public domain: the record was published in December 1921.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"nps\",\"us-term\"]","rights.recording.note":"The established publication date independently supplies the US basis. This does not rely on the Commons Edison-donation template as a blanket worldwide licence.","rights.creditLine":"Wagner: Ride of the Valkyries; American Symphony Orchestra, Edison Diamond Disc 80638-R, 1921. National Park Service / Thomas Edison National Historical Park; processed Commons file by Adam Cuerden. US public domain.","rights.licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","sources":"[{\"id\":\"commons\",\"title\":\"Ride of the Valkyries — Commons file\",\"url\":\"https://commons.wikimedia.org/wiki/File:Richard_Wagner_-_Ride_of_the_Valkyries.ogg\",\"locator\":\"Recording description, Edison template, current file history and Adam Cuerden noise-removal/equalisation processing.\",\"accessed\":\"2026-10-17\"},{\"id\":\"nps\",\"title\":\"Thomas Edison National Historical Park — classical instrumental records\",\"url\":\"https://www.nps.gov/edis/learn/photosmultimedia/classical-instrumental.htm\",\"locator\":\"The Valkyrie—Ride of the Valkyries: American Symphony Orchestra; Edison 80638-R, matrix 7846-B-1-6; recorded 1921, released December 1921; EDIS 41877.\",\"accessed\":\"2026-10-17\"},{\"id\":\"us-term\",\"title\":\"US Copyright Office — pre-1972 sound recordings\",\"url\":\"https://www.copyright.gov/music-modernization/pre1972-soundrecordings/\",\"locator\":\"Recordings first published before 1923 ended federal protection on 31 December 2021.\",\"accessed\":\"2026-10-17\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"10 documented; 1 unknown; 1 inferred"},{"id":"webern-six-pieces-fourth","composer":"Anton Webern","title":"Six Pieces for Orchestra, Op. 6","movement":"IV. Langsam (Marcia funebre)","work.title":"Six Pieces for Orchestra","work.catalogue":"Op. 6","work.movement":"IV. Langsam (Marcia funebre)","work.version.value":"Original 1909 orchestral version","work.version.status":"documented","work.version.sourceIds":"[\"version-review\",\"score\",\"work-catalogue\"]","work.version.note":"High Fidelity, September 1979, p. 129 explicitly identifies Craft’s Columbia MS 6216 as the first version, distinguishing it from the 1928 revision in his separate complete-Webern set. The original score heads movement IV Langsam, marcia funebre; its central solo begins on alto flute, not the revision’s clarinet. Section landmarks are broad score-proportion timings, without aural review.","performers.value":"[{\"name\":\"Columbia Symphony Orchestra\",\"role\":\"orchestra\"},{\"name\":\"Robert Craft\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"label-scan\",\"audio-review\"]","performers.note":"The original labels and contemporary review name the orchestra and conductor. The fourth piece uses wind instruments and percussion; individual players are not identified.","session.date.value":null,"session.date.status":"unknown","session.date.sourceIds":"[\"archive\",\"label-scan\"]","session.date.note":"The sources establish the commercial issue but do not state this track’s recording-session date. It is not assigned a date from Craft’s separate 1950s complete-Webern project.","session.date.precision":null,"session.place.value":null,"session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"label-scan\"]","session.place.note":"No recording venue is stated in the transfer metadata or original labels.","carrier.label.value":"Columbia Masterworks","carrier.label.status":"documented","carrier.label.sourceIds":"[\"label-scan\"]","carrier.label.note":"Original stereo LP imprint.","carrier.catalogue.value":"MS 6216","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"label-scan\",\"archive\",\"audio-review\"]","carrier.catalogue.note":"Internet Archive dates this US stereo LP to 1960. Audio magazine reviewed MS 6216 in August 1961 and separately identified mono ML 5616. The rights assessment uses the conservative publication bound of 1961.","carrier.matrixTakeSides.value":"Side 2, band 5; label matrix XSM 51683","carrier.matrixTakeSides.status":"documented","carrier.matrixTakeSides.sourceIds":"[\"label-scan\",\"archive-files\"]","carrier.matrixTakeSides.note":"The label lists Schoenberg as band 1 and Webern’s six pieces as bands 2–7; No. 4 is therefore band 5. The matrix is printed on the label. No session take or stamper suffix is asserted.","transfer.credits.value":"Internet Archive LP transfer","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The transfer institution is identified; no personal mastering credit is inferred from an operator account.","transfer.date.value":"2021-07-30","transfer.date.status":"documented","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The ripping_date field is 20210730073437. The separate scan date is 9 July 2021.","transfer.processing.value":"Technics SL1200MK5 with Audio-Technica AT95e cartridge → Radio Design Labs EZ-PH1 → Focusrite Scarlett 2i2; segmented VBR MP3 derivative","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\",\"archive-files\"]","transfer.processing.note":"The item documents the playback chain and derives tracks from a 24-bit FLAC side transfer. Equalisation settings, noise reduction and pitch correction are not established.","digital.streamUrl":"https://archive.org/download/lp_three-pieces-for-orchestra-op6-begleitung_robert-craft-columbia-symphony-orchestra-a/disc1/02.05.%20Six%20Pieces%20For%20Orchestra%2C%20Op.%206%3A%20No.%204.mp3","digital.sourceChain":"[\"label-scan\",\"archive\",\"archive-files\"]","digital.format":"VBR MP3 derivative of a stereo vinyl LP transfer","digital.durationSeconds":207.74,"rights.composition.value":"Underlying Webern composition is out of copyright under ordinary life-plus-70 terms.","rights.composition.status":"inferred","rights.composition.sourceIds":"[\"programme-note\",\"work-catalogue\",\"score\"]","rights.composition.note":"Webern died in 1945. The original version was first published in 1913. This assessment concerns the composition in life-plus-70 territories, not every edition or jurisdiction; copyright in the cited 1961 score edition is separate and no worldwide clearance is asserted for that printed score.","rights.recording.value":"Territorial EU public-domain basis: commercial publication no later than 1961, before 1963.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"audio-review\",\"archive\",\"label-scan\",\"eu-term\"]","rights.recording.note":"Audio’s August 1961 review establishes commercial availability of the exact LP. The Archive’s 1960 date may identify an earlier issue; the conservative 1961 bound is sufficient for the project’s former 50-year phonogram-term rule. This is not a Creative Commons licence; US recording status is not established.","rights.creditLine":"Anton Webern, Six Pieces for Orchestra, Op. 6: IV. Langsam (Marcia funebre), original 1909 version; Columbia Symphony Orchestra, Robert Craft. Columbia Masterworks MS 6216, commercially available by 1961; Internet Archive LP transfer. Territorial EU public-domain phonogram basis; US recording status not established.","rights.licenseUrl":"","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Columbia MS 6216 transfer metadata\",\"url\":\"https://archive.org/metadata/lp_three-pieces-for-orchestra-op6-begleitung_robert-craft-columbia-symphony-orchestra-a/metadata\",\"locator\":\"Date 1960; publisher Columbia Masterworks; catalogue MS 6216; United States; artists; equipment lineage; ripping_date 20210730073437.\",\"accessed\":\"2026-10-19\"},{\"id\":\"archive-files\",\"title\":\"Internet Archive — Webern's fourth piece access derivative\",\"url\":\"https://archive.org/metadata/lp_three-pieces-for-orchestra-op6-begleitung_robert-craft-columbia-symphony-orchestra-a/files\",\"locator\":\"disc1/02.05. Six Pieces For Orchestra, Op. 6: No. 4.mp3, 207.74 seconds; VBR MP3; 24-bit FLAC side transfer also listed.\",\"accessed\":\"2026-10-19\"},{\"id\":\"label-scan\",\"title\":\"Columbia Masterworks MS 6216 — original stereo labels\",\"url\":\"https://archive.org/download/lp_three-pieces-for-orchestra-op6-begleitung_robert-craft-columbia-symphony-orchestra-a/lp_three-pieces-for-orchestra-op6-begleitung_robert-craft-columbia-symphony-orchestra-a.pdf\",\"locator\":\"PDF pp. 2 and 4, side 2: Robert Craft conducting the Columbia Symphony Orchestra; Webern No. 4 is band 5; MS 6216 and label matrix XSM 51683. Labels inspected visually.\",\"accessed\":\"2026-10-19\"},{\"id\":\"audio-review\",\"title\":\"Audio, August 1961 — review of Columbia MS 6216\",\"url\":\"https://www.worldradiohistory.com/Archive-All-Audio/Archive-Audio/60s/Audio-1961-Aug.pdf\",\"locator\":\"PDF p. 71: Berg Three Pieces, Schoenberg Begleitungsmusik and Webern Six Pieces; Columbia Symphony, Robert Craft; MS 6216 stereo, ML 5616 mono. Establishes publication by August 1961.\",\"accessed\":\"2026-10-19\"},{\"id\":\"version-review\",\"title\":\"High Fidelity, September 1979 — Webern recording comparison\",\"url\":\"https://www.worldradiohistory.com/Archive-All-Audio/Archive-High-Fidelity/70s/High-Fidelity-1979-09.pdf\",\"locator\":\"Printed and PDF p. 129, left column: explicitly states that Craft recorded the first version of Op. 6 on Columbia MS 6216, whereas his complete-Webern set uses the later 1928 version. Inspected visually.\",\"accessed\":\"2026-10-18\"},{\"id\":\"score\",\"title\":\"Webern — Six Pieces for Orchestra, original 1909 version\",\"url\":\"https://imslp.eu/files/imglnks/euimg/2/2d/IMSLP424298-PMLP02079-Op._6_6_Pieces_Original_copy.pdf\",\"locator\":\"Universal Edition, plate UE 6646, 1961 corrected edition of the original version; movement IV, printed pp. 16–22, bars 1–40, inspected visually: percussion opening with distant low bells, alto flute at bar 19 followed by horn and muted trumpet, separate bass-drum strokes, brass climax, ritardando and percussion-only ending.\",\"accessed\":\"2026-10-18\"},{\"id\":\"work-catalogue\",\"title\":\"IMSLP — Six Pieces for Large Orchestra, Op. 6\",\"url\":\"https://imslp.org/wiki/6_Pieces_for_Large_Orchestra%2C_Op.6_%28Webern%2C_Anton%29\",\"locator\":\"1909 composition and 1928 revision; original Langsam, Marcia funebre heading, 1913 first publication and 1961 corrected engraving of the original version.\",\"accessed\":\"2026-10-18\"},{\"id\":\"programme-note\",\"title\":\"Robert Markow — Tokyo Metropolitan Symphony note on Webern's Six Pieces\",\"url\":\"https://www.tmso.or.jp/e/concert/detail/detail.php?id=3582\",\"locator\":\"Programme for 13 December 2022 supplies Webern's life dates. Its movement commentary concerns the 1928 revision, not Craft's MS 6216 recording; the original score and version-review source establish this entry's musical details.\",\"accessed\":\"2026-10-19\"},{\"id\":\"eu-term\",\"title\":\"Directive 2011/77/EU — phonogram term and transition\",\"url\":\"https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32011L0077\",\"locator\":\"Recitals 1–3 and Article 1(2)–(3): former 50-year phonogram term and extension for recordings still protected on 1 November 2013.\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-18","evidence":"9 documented; 2 unknown; 1 inferred"},{"id":"webern-symphony-second","composer":"Anton Webern","title":"Symphony, Op. 21","movement":"II. Variationen","work.title":"Symphony","work.catalogue":"Op. 21","work.movement":"II. Variationen","work.version.value":"Webern’s Symphony, Op. 21, for clarinet, bass clarinet, two horns, harp and strings; the edition and the size of the string section are not stated.","work.version.status":"unknown","work.version.sourceIds":"[\"archive\",\"argjune\"]","work.version.note":"The 1950 review describes the ensemble as members of the Orchestre National playing as the Paris Chamber Orchestra, but does not say how many string players took part.","performers.value":"[{\"name\":\"Paris Chamber Orchestra\",\"role\":\"orchestra\"},{\"name\":\"René Leibowitz\",\"role\":\"conductor\"}]","performers.status":"documented","performers.sourceIds":"[\"archive\",\"argjune\"]","performers.note":"The item lists the Pro Arte Quartet as well; the review shows that the quartet plays Webern’s Op. 5 and Op. 9 on the same LP, not the Symphony. The review describes the orchestra as members of the Orchestre National.","session.date.value":"Not stated","session.date.status":"unknown","session.date.sourceIds":"[\"archive\",\"argjune\"]","session.date.note":"The item date, 1950, is the year of the LP release. The review of June 1950 shows only that the LP had appeared by then.","session.place.value":"Not stated","session.place.status":"unknown","session.place.sourceIds":"[\"archive\",\"argjune\"]","session.place.note":"The ensemble’s name points to Paris; neither source states where the recording was made.","carrier.label.value":"Dial Records (United States), long-playing record","carrier.label.status":"documented","carrier.label.sourceIds":"[\"argjune\"]","carrier.label.note":"The review gives “Dial 7, $5.95” for the LP containing the Symphony, the Five Movements, Op. 5, and the Six Bagatelles, Op. 9.","carrier.catalogue.value":"Dial 7","carrier.catalogue.status":"documented","carrier.catalogue.sourceIds":"[\"argjune\",\"argfeb\"]","carrier.catalogue.note":"The February 1951 issue lists the Symphony as “Dial LP” and refers back to the June 1950 review.","carrier.matrixTakeSides.value":"Not stated; the Symphony is on side 1","carrier.matrixTakeSides.status":"unknown","carrier.matrixTakeSides.sourceIds":"[\"archive\"]","carrier.matrixTakeSides.note":"The Internet Archive item places the two movements of the Symphony among the tracks of disc 1, side 1; no matrix or take numbers are given.","transfer.credits.value":"Internet Archive LP digitisation project; the item lists the collections vinyl_bostonpubliclibrary and vinyl_estate-of-sam-randlett_records","transfer.credits.status":"documented","transfer.credits.sourceIds":"[\"archive\"]","transfer.credits.note":"The item metadata names the collections and a scanning-station identifier but no individual transfer engineer.","transfer.date.value":"Not stated; the item was made public on 14 July 2021","transfer.date.status":"unknown","transfer.date.sourceIds":"[\"archive\"]","transfer.date.note":"The public date of the item is an upload date, not the date of the transfer.","transfer.processing.value":"Digital rip of the LP, with the tracks divided by the digitiser; the ripping note for side 1 reads “scratchy disc”.","transfer.processing.status":"documented","transfer.processing.sourceIds":"[\"archive\"]","transfer.processing.note":"Movement I, on the same side, was not published because a spectrogram of the file shows that its first minutes are dominated by surface noise. Movement II is the cleaner transfer.","digital.streamUrl":"https://archive.org/download/lp_symphony-opus-21_anton-webern-ren-leibowitz-pro-arte-quarte/disc1/01.02.%20Symphony%20Opus%2021%20II.mp3","digital.sourceChain":"[\"archive\"]","digital.format":"Internet Archive derivative VBR MP3","digital.durationSeconds":166.44,"rights.composition.value":"Webern died in 1945, so the work has been in the public domain in the EU and other life-plus-70 countries since 2016. IMSLP lists scans of the 1929 Universal Edition score; its United States status is not established here.","rights.composition.status":"documented","rights.composition.sourceIds":"[\"imslp\"]","rights.composition.note":"Rights in the composition are stated separately from rights in the recording.","rights.recording.value":"Rule 3 — territorial EU public domain: first published before 1963; the LP was reviewed in June 1950.","rights.recording.status":"documented","rights.recording.sourceIds":"[\"argjune\",\"argfeb\"]","rights.recording.note":"The United States status of a 1950 recording is not established. The Internet Archive item carries no licence label and belongs to the Archive’s “Unlocked Recordings” collection, whose description says works there may already be in the public domain; its metadata has no restriction flag and the MP3 downloads without a login.","rights.creditLine":"Anton Webern, Symphony, Op. 21, II. Variationen. Paris Chamber Orchestra, René Leibowitz, conductor. Dial 7, reviewed in June 1950. Internet Archive LP digitisation project; item lp_symphony-opus-21_anton-webern-ren-leibowitz-pro-arte-quarte. Territorial EU basis (first published before 1963); US status not established.","rights.licenseUrl":"https://archive.org/details/lp_symphony-opus-21_anton-webern-ren-leibowitz-pro-arte-quarte","sources":"[{\"id\":\"archive\",\"title\":\"Internet Archive — Symphony Opus 21 (Webern; René Leibowitz, Pro Arte Quartet, Paris Chamber Orchestra): metadata and file inventory\",\"url\":\"https://archive.org/metadata/lp_symphony-opus-21_anton-webern-ren-leibowitz-pro-arte-quarte\",\"locator\":\"metadata.title, creator, date 1950, collections, notes (“scratchy disc”), tracklist; file disc1/01.02. Symphony Opus 21 II.mp3 (2:46)\",\"accessed\":\"2026-10-19\"},{\"id\":\"argjune\",\"title\":\"The American Record Guide, vol. 16 no. 10, June 1950 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_american-record-guide_1950-06_16_10\",\"locator\":\"Record review by C. J. Luten, p. 343: “WEBERN: Symphony, Op. 21; Paris Chamber Orchestra conducted by René Leibowitz … Pro Arte Quartet. Dial 7, $5.95”\",\"accessed\":\"2026-10-19\"},{\"id\":\"argfeb\",\"title\":\"The American Record Guide, vol. 17 no. 6, February 1951 (Internet Archive scan)\",\"url\":\"https://archive.org/details/sim_american-record-guide_1951-02_17_6\",\"locator\":\"List of recommended records: “WEBERN: Symphony, Op. 21. Leibowitz and Paris Cham. Orch. Dial LP … (Review June, p. 343)”\",\"accessed\":\"2026-10-19\"},{\"id\":\"imslp\",\"title\":\"IMSLP — Symphony, Op.21 (Webern, Anton)\",\"url\":\"https://imslp.org/wiki/Symphony,_Op.21_(Webern,_Anton)\",\"locator\":\"Score listings: Universal Edition, 1929 (U.E. 9752 and U.E. 12198); Muzgiz reprint\",\"accessed\":\"2026-10-19\"},{\"id\":\"omt\",\"title\":\"Mark Gotham — Analysis Examples: Webern Op. 21 and 24, Open Music Theory\",\"url\":\"https://viva.pressbooks.pub/openmusictheory/chapter/twelve-tone-analysis-examples-webern-op-21-and-24/\",\"locator\":\"Movement 2: theme, seven variations and coda, with measure ranges and midpoints\",\"accessed\":\"2026-10-19\"}]","editorial.editor":"Contrapunctus research desk","editorial.revised":"2026-10-19","evidence":"5 unknown; 7 documented"}]