Contrapunctus
Connections

The Web of Influence

Teachers and pupils, quotations, borrowings and meetings between composers, painters and poets, each with its sources.

343 sourced connections
80 composers · 130 other figures

Composers and other figures, in order of birth.
Bach’s connections, the most in the web.

The BaroqueClassicalRomanticismFin de siècleThe French LineModernismAfter 19451100150016501700175018001850190019502000Gregorian chant, Gregorian chant, Medieval tradition, 10 sourced connectionsChant intonation in Bach’s B minor Mass CredoThe Thousand and One Nights, The Thousand and One Nights, Medieval tradition, 1 sourced connectionRimsky-⁠Korsakov’s Scheherazade after the Thousand and One Nights1140Jaufré Rudel, Jaufré Rudel, 12th century, 1 sourced connectionSaariaho’s L’Amour de loin and Jaufré Rudel1450Heinrich Isaac, Heinrich Isaac, c. 1450–⁠1517, 1 sourced connectionWebern’s edition of Isaac’s Choralis Constantinus1483Martin Luther, Martin Luther, 1483–⁠1546, 1 sourced connectionBach’s cantata BWV 80 on Luther’s hymnBalinese gamelan, Balinese gamelan, Living tradition, 2 sourced connectionsColin McPhee’s Balinese transcriptions and BrittenJavanese gamelan, Javanese gamelan, Living tradition, 1 sourced connectionDebussy and the Javanese gamelan, Paris, 18891525Giovanni Pierluigi da Palestrina, Giovanni Pierluigi da Palestrina, c. 1525–⁠1594, 1 sourced connectionPalestrina in Fux’s Gradus ad Parnassum1564William Shakespeare, William Shakespeare, 1564–⁠1616, 6 sourced connectionsMendelssohn’s Midsummer Night’s Dream Overture after Shakespeare1567Claudio Monteverdi, Claudio Monteverdi, 1567–⁠1643, 2 sourced connectionsMonteverdi’s Lamento della ninfa1583Girolamo Frescobaldi, Girolamo Frescobaldi, 1583–⁠1643, 1 sourced connectionBach’s copy of Frescobaldi’s Fiori musicali1583Giulio Strozzi, Giulio Strozzi, 1583–⁠1652, 1 sourced connectionGiulio Strozzi’s texts for Barbara Strozzi’s Opus 1Birdsong, Birdsong, Nature, 2 sourced connectionsBeach’s hermit thrush transcriptions, MacDowell Colony, 1921La Folia tradition, La Folia tradition, Iberian dance tradition, 5 sourced connectionsCorelli’s Folia, Op. 5 No. 12Polish folk music, Polish folk music, Traditional, 1 sourced connectionChopin and village music, Szafarnia, 1824–⁠25The descending lament bass, The descending lament bass, Baroque ground-bass convention, 6 sourced connectionsMonteverdi’s Lamento della ninfa1602Francesco Cavalli, Francesco Cavalli, 1602–⁠1676, 1 sourced connectionCavalli’s teaching of Barbara Strozzi1608John Milton, John Milton, 1608–⁠1674, 1 sourced connectionHandel’s setting of Milton’s L’Allegro and Il Penseroso1619Strozzi, Barbara Strozzi, 1619–⁠1677, 4 sourced connectionsGiulio Strozzi’s texts for Barbara Strozzi’s Opus 11631John Dryden, John Dryden, 1631–⁠1700, 1 sourced connectionHandel’s setting of Dryden’s Alexander’s Feast1632Jean-⁠Baptiste Lully, Jean-⁠Baptiste Lully, 1632–⁠1687, 2 sourced connectionsCéphale et Procris and Lully’s tragédies en musique1637Dieterich Buxtehude, Dieterich Buxtehude, c. 1637–⁠1707, 1 sourced connectionBach’s visit to Buxtehude, Lübeck, 1705–⁠061643Johann Adam Reincken, Johann Adam Reincken, 1643–⁠1722, 1 sourced connectionBach’s Sonata BWV 965 after Reincken1644Heinrich Ignaz Franz Biber, Heinrich Ignaz Franz Biber, 1644–⁠1704, 1 sourced connectionBiber’s Passacaglia for solo violin1653Arcangelo Corelli, Arcangelo Corelli, 1653–⁠1713, 5 sourced connectionsCorelli’s Folia, Op. 5 No. 121656Marin Marais, Marin Marais, 1656–⁠1728, 1 sourced connectionMarais’s Couplets de folies1659Henry Purcell, Henry Purcell, 1659–⁠1695, 3 sourced connectionsPurcell’s Lament from Dido and Aeneas1660Johann Joseph Fux, Johann Joseph Fux, 1660–⁠1741, 3 sourced connectionsPalestrina in Fux’s Gradus ad Parnassum1663Friedrich Wilhelm Zachow, Friedrich Wilhelm Zachow, 1663–⁠1712, 1 sourced connectionHandel’s studies with Zachow, Halle1665Jacquet de La Guerre, Élisabeth Jacquet de La Guerre, 1665–⁠1729, 4 sourced connectionsCéphale et Procris and Lully’s tragédies en musique1668Couperin, François Couperin, 1668–⁠1733, 5 sourced connectionsCouperin’s Apothéose de Corelli1672Antoine Houdar de La Motte, Antoine Houdar de La Motte, 1672–⁠1731, 1 sourced connectionCantatas on La Motte’s scriptural poems1672Nicolas de Grigny, Nicolas de Grigny, 1672–⁠1703, 1 sourced connectionBach’s copy of Grigny’s Livre d’orgue1673Alessandro Marcello, Alessandro Marcello, 1673–⁠1747, 1 sourced connectionBach’s Concerto BWV 974 after Marcello1677Évrard Titon du Tillet, Évrard Titon du Tillet, 1677–⁠1762, 1 sourced connectionTiton du Tillet’s Parnasse françois entry, 17321678Vivaldi, Antonio Vivaldi, 1678–⁠1741, 3 sourced connectionsVivaldi’s Folia sonata, RV 631683Rameau, Jean-⁠Philippe Rameau, 1683–⁠1764, 1 sourced connectionVoltaire’s text for Rameau’s Princesse de Navarre1685Scarlatti, Domenico Scarlatti, 1685–⁠1757, 3 sourced connectionsHandel and Scarlatti’s reported contest, Rome, 17081685Handel, George Frideric Handel, 1685–⁠1759, 9 sourced connectionsHandel’s studies with Zachow, Halle1685J. S. Bach, Johann Sebastian Bach, 1685–⁠1750, 34 sourced connectionsBach’s visit to Buxtehude, Lübeck, 1705–⁠061686Nicola Antonio Porpora, Nicola Antonio Porpora, 1686–⁠1768, 1 sourced connectionHaydn’s studies with Porpora, early 1750s1687Francesco Geminiani, Francesco Geminiani, 1687–⁠1762, 1 sourced connectionGeminiani’s concerto grosso after Corelli’s Folia1694Voltaire, Voltaire, 1694–⁠1778, 1 sourced connectionVoltaire’s text for Rameau’s Princesse de NavarreEwe drumming of Ghana, Ewe drumming of Ghana, Oral tradition, 1 sourced connectionReich’s study of Ewe drumming, Ghana, 1970Spanish guitar and dance traditions, Spanish guitar and dance traditions, Early modern traditions, 1 sourced connectionSpanish guitar strumming in Scarlatti’s Sonata K. 1751710Giovanni Battista Pergolesi, Giovanni Battista Pergolesi, 1710–⁠1736, 2 sourced connectionsBach’s BWV 1083 after Pergolesi’s Stabat mater1714C. P. E. Bach, Carl Philipp Emanuel Bach, 1714–⁠1788, 5 sourced connectionsEmanuel Bach’s studies with his father1724Friedrich Gottlieb Klopstock, Friedrich Gottlieb Klopstock, 1724–⁠1803, 1 sourced connectionMahler’s setting of Klopstock’s Resurrection hymn1732Haydn, Joseph Haydn, 1732–⁠1809, 8 sourced connectionsHaydn’s study of Emanuel Bach’s sonatas1733Gottfried van Swieten, Gottfried van Swieten, 1733–⁠1803, 1 sourced connectionMozart at van Swieten’s Sunday gatherings, 17821735Johann Christian Bach, Johann Christian Bach, 1735–⁠1782, 1 sourced connectionMozart’s concertos K. 107 after J. C. Bach1736Johann Georg Albrechtsberger, Johann Georg Albrechtsberger, 1736–⁠1809, 1 sourced connectionBeethoven’s studies with Albrechtsberger, 17941749Johann Wolfgang von Goethe, Johann Wolfgang von Goethe, 1749–⁠1832, 5 sourced connectionsBeethoven’s music for Goethe’s Egmont1750Antonio Salieri, Antonio Salieri, 1750–⁠1825, 2 sourced connectionsBeethoven’s studies with Salieri, c. 1800–⁠02The B–A–C–H signature, The B–A–C–H signature, Four-note musical cryptogram, 1 sourced connectionB–A–C–H in Bach’s Art of Fugue1756Mozart, Wolfgang Amadeus Mozart, 1756–⁠1791, 12 sourced connectionsMozart’s Concerto K. 40 finale after Emanuel Bach1758Carl Friedrich Zelter, Carl Friedrich Zelter, 1758–⁠1832, 1 sourced connectionFanny Mendelssohn’s studies with Zelter, 18191759Friedrich Schiller, Friedrich Schiller, 1759–⁠1805, 3 sourced connectionsBeethoven’s setting of Schiller’s An die Freude1760Katsushika Hokusai, Katsushika Hokusai, 1760–⁠1849, 1 sourced connectionHokusai’s Great Wave on La Mer’s cover1763Jean Paul, Jean Paul, 1763–⁠1825, 2 sourced connectionsSchumann’s Papillons and Jean Paul’s Flegeljahre1770Beethoven, Ludwig van Beethoven, 1770–⁠1827, 24 sourced connectionsBeethoven’s early study of the Well-⁠Tempered Clavier1776E. T. A. Hoffmann, E. T. A. Hoffmann, 1776–⁠1822, 2 sourced connectionsHoffmann’s Kreisler and Schumann’s Kreisleriana1782Niccolò Paganini, Niccolò Paganini, 1782–⁠1840, 3 sourced connectionsLiszt at Paganini’s Opéra concert, 18321788Arthur Schopenhauer, Arthur Schopenhauer, 1788–⁠1860, 1 sourced connectionWagner’s letter to Liszt on Schopenhauer, 18541788Friedrich Rückert, Friedrich Rückert, 1788–⁠1866, 1 sourced connectionMahler’s settings of Rückert’s Kindertotenlieder1788Lord Byron, Lord Byron, 1788–⁠1824, 1 sourced connectionBerlioz’s Harold en Italie after Byron1792Rossini, Gioachino Rossini, 1792–⁠1868, 6 sourced connectionsRossini’s reported visit to Beethoven, Vienna, 18221794Wilhelm Hensel, Wilhelm Hensel, 1794–⁠1861, 1 sourced connectionWilhelm Hensel’s drawings for Fanny’s Das Jahr1797Schubert, Franz Schubert, 1797–⁠1828, 6 sourced connectionsSchubert’s studies with Salieri, c. 18121798Adam Mickiewicz, Adam Mickiewicz, 1798–⁠1855, 1 sourced connectionMickiewicz’s poems and Chopin’s Ballades1799Alexander Pushkin, Alexander Pushkin, 1799–⁠1837, 3 sourced connectionsMussorgsky’s Boris Godunov after Pushkin1799Fromental Halévy, Fromental Halévy, 1799–⁠1862, 1 sourced connectionBizet’s studies with Halévy, 1853Chinese folk melody (Mòlìhuā), Chinese folk melody (Mòlìhuā), Oral tradition, 1 sourced connectionChinese music-box melodies in Puccini’s TurandotHungarian peasant song, Hungarian peasant song, Oral tradition, 1 sourced connectionBartók’s phonograph recordings of peasant songs, 1906–⁠08Lithuanian folk song, Lithuanian folk song, Oral tradition, 1 sourced connectionLithuanian folk song in The Rite of Spring1801John Henry Newman, John Henry Newman, 1801–⁠1890, 1 sourced connectionElgar’s setting of Newman’s Dream of Gerontius1801Vincenzo Bellini, Vincenzo Bellini, 1801–⁠1835, 1 sourced connectionBellini’s bel canto and Chopin’s Hexaméron variation1803Berlioz, Hector Berlioz, 1803–⁠1869, 12 sourced connectionsBerlioz at Hamlet, Odéon, 1827Des Knaben Wunderhorn, Des Knaben Wunderhorn, Published 1805–⁠1808, 3 sourced connectionsMahler’s setting of the Fischpredigt1805Hensel, Fanny Hensel, 1805–⁠1847, 2 sourced connectionsFanny Mendelssohn’s studies with Zelter, 18191807Aloysius Bertrand, Aloysius Bertrand, 1807–⁠1841, 1 sourced connectionBertrand’s poems in Ravel’s Gaspard de la nuit1807Henry Wadsworth Longfellow, Henry Wadsworth Longfellow, 1807–⁠1882, 1 sourced connectionLongfellow’s Hiawatha in Dvořák’s New World Symphony1809Edgar Allan Poe, Edgar Allan Poe, 1809–⁠1849, 2 sourced connectionsRachmaninoff’s The Bells after Poe and Balmont1809Mendelssohn, Felix Mendelssohn, 1809–⁠1847, 5 sourced connectionsMendelssohn’s Midsummer Night’s Dream Overture after Shakespeare1810Chopin, Frédéric Chopin, 1810–⁠1849, 9 sourced connectionsChopin and village music, Szafarnia, 1824–⁠251810R. Schumann, Robert Schumann, 1810–⁠1856, 9 sourced connectionsSchumann’s Papillons and Jean Paul’s Flegeljahre1811Liszt, Franz Liszt, 1811–⁠1886, 18 sourced connectionsLiszt at Paganini’s Opéra concert, 18321813Alexander Dargomyzhsky, Alexander Dargomyzhsky, 1813–⁠1869, 1 sourced connectionDargomyzhsky’s Stone Guest and Mussorgsky’s Marriage1813Georg Büchner, Georg Büchner, 1813–⁠1837, 1 sourced connectionBerg’s Wozzeck after Büchner’s Woyzeck1813Verdi, Giuseppe Verdi, 1813–⁠1901, 5 sourced connectionsVerdi’s Macbeth after Shakespeare1813Wagner, Richard Wagner, 1813–⁠1883, 18 sourced connectionsWagner at Roméo et Juliette, Paris, 18391818Charles Gounod, Charles Gounod, 1818–⁠1893, 1 sourced connectionBizet’s Symphony in C after Gounod’s First1819C. Schumann, Clara Schumann, 1819–⁠1896, 4 sourced connectionsMendelssohn conducting Clara Wieck’s Concerto, 18351821Fyodor Dostoevsky, Fyodor Dostoevsky, 1821–⁠1881, 2 sourced connectionsDostoevsky’s Brothers Karamazov and Mahler’s symphonies1821Mary Baker Eddy, Mary Baker Eddy, 1821–⁠1910, 1 sourced connectionProkofiev’s reading of Mary Baker Eddy1824Alexandre Dumas fils, Alexandre Dumas fils, 1824–⁠1895, 1 sourced connectionVerdi’s La traviata after Dumas’s Dame aux camélias1824Bruckner, Anton Bruckner, 1824–⁠1896, 2 sourced connectionsBruckner’s Third Symphony, dedicated to Wagner1824Smetana, Bedřich Smetana, 1824–⁠1884, 4 sourced connectionsSmetana at Wagner performances, Munich, 1868–⁠721825Eduard Hanslick, Eduard Hanslick, 1825–⁠1904, 1 sourced connectionHanslick and Wagner’s Beckmesser, 18621827Arnold Böcklin, Arnold Böcklin, 1827–⁠1901, 1 sourced connectionRachmaninoff’s Isle of the Dead after Böcklin1828Leo Tolstoy, Leo Tolstoy, 1828–⁠1910, 2 sourced connectionsJanáček’s Kreutzer Sonata Quartet after Tolstoy1832Nikolai Zverev, Nikolai Zverev, 1832–⁠1893, 1 sourced connectionRachmaninoff’s studies with Zverev, Moscow, 18851833Borodin, Alexander Borodin, 1833–⁠1887, 4 sourced connectionsBalakirev’s teaching of Borodin, 18621833Brahms, Johannes Brahms, 1833–⁠1897, 10 sourced connectionsReményi’s account of Brahms at Weimar, 18531833Larin Paraske, Larin Paraske, 1833–⁠1904, 1 sourced connectionSibelius and Larin Paraske, Porvoo, 18911834Viktor Hartmann, Viktor Hartmann, 1834–⁠1873, 1 sourced connectionMussorgsky and Hartmann’s memorial exhibition, 18741835Saint-⁠Saëns, Camille Saint-⁠Saëns, 1835–⁠1921, 6 sourced connectionsFauré’s theme in Saint-⁠Saëns’s Piano Concerto No. 21837Mily Balakirev, Mily Balakirev, 1837–⁠1910, 4 sourced connectionsBalakirev’s teaching of Borodin, 18621838Bizet, Georges Bizet, 1838–⁠1875, 6 sourced connectionsBizet’s studies with Halévy, 18531839Mussorgsky, Modest Mussorgsky, 1839–⁠1881, 5 sourced connectionsDargomyzhsky’s Stone Guest and Mussorgsky’s Marriage1840Tchaikovsky, Pyotr Ilyich Tchaikovsky, 1840–⁠1893, 9 sourced connectionsTchaikovsky at Wagner’s concerts, St Petersburg, 18631841Dvořák, Antonín Dvořák, 1841–⁠1904, 6 sourced connectionsDvořák as violist in Smetana’s premieres1841Emmanuel Chabrier, Emmanuel Chabrier, 1841–⁠1894, 1 sourced connectionRavel’s Sérénade grotesque after Chabrier1842Stéphane Mallarmé, Stéphane Mallarmé, 1842–⁠1898, 2 sourced connectionsDebussy’s Prélude à l’après-midi d’un faune after Mallarmé1843Grieg, Edvard Grieg, 1843–⁠1907, 5 sourced connectionsGrieg’s Piano Concerto after Schumann’s1844Friedrich Nietzsche, Friedrich Nietzsche, 1844–⁠1900, 3 sourced connectionsNietzsche on Carmen, Genoa, 18811844Rimsky-⁠Korsakov, Nikolai Rimsky-⁠Korsakov, 1844–⁠1908, 9 sourced connectionsRimsky-⁠Korsakov and Berlioz’s orchestration treatise1845Fauré, Gabriel Fauré, 1845–⁠1924, 5 sourced connectionsFauré’s studies with Saint-⁠Saëns, Paris, 1861American hymn tunes and town bands, American hymn tunes and town bands, 19th-century tradition, 1 sourced connectionHymn tunes and town bands in Ives’s music1854George Whitefield Chadwick, George Whitefield Chadwick, 1854–⁠1931, 1 sourced connectionPrice’s studies with Chadwick, Boston, 1903–⁠061854Janáček, Leoš Janáček, 1854–⁠1928, 1 sourced connectionJanáček’s Kreutzer Sonata Quartet after Tolstoy1855Anatoly Lyadov, Anatoly Lyadov, 1855–⁠1914, 1 sourced connectionProkofiev’s studies with Lyadov, 19061856André Gédalge, André Gédalge, 1856–⁠1926, 1 sourced connectionRavel’s studies with Gédalge, 18971856Sergei Taneyev, Sergei Taneyev, 1856–⁠1915, 1 sourced connectionRachmaninoff’s studies with Taneyev, 18881857Elgar, Edward Elgar, 1857–⁠1934, 2 sourced connectionsBeethoven’s Pathétique and Elgar’s Nimrod1858Puccini, Giacomo Puccini, 1858–⁠1924, 2 sourced connectionsPuccini at Aida, Pisa, 18761858Hans Rott, Hans Rott, 1858–⁠1884, 1 sourced connectionHans Rott’s scherzo and Mahler’s First and Fifth1858Joséphin Péladan, Joséphin Péladan, 1858–⁠1918, 1 sourced connectionSatie’s Sonneries de la Rose+Croix for PéladanBohemian military-band tradition, Bohemian military-band tradition, Mahler’s childhood, 1860s–1870s, 1 sourced connectionMilitary bands in Mahler’s Iglau childhood1860Mahler, Gustav Mahler, 1860–⁠1911, 23 sourced connectionsMilitary bands in Mahler’s Iglau childhood1861Anton Arensky, Anton Arensky, 1861–⁠1906, 1 sourced connectionRachmaninoff’s studies with Arensky, 18881862Debussy, Claude Debussy, 1862–⁠1918, 9 sourced connectionsDebussy and the Javanese gamelan, Paris, 18891863Alexander Siloti, Alexander Siloti, 1863–⁠1945, 1 sourced connectionRachmaninoff’s studies with Siloti, 18881864Strauss, Richard Strauss, 1864–⁠1949, 2 sourced connectionsStrauss’s Also sprach Zarathustra after Nietzsche1865Nielsen, Carl Nielsen, 1865–⁠1931, 4 sourced connectionsNielsen at the Ring, Dresden, 18901865Sibelius, Jean Sibelius, 1865–⁠1957, 2 sourced connectionsSibelius and Larin Paraske, Porvoo, 18911866Anacleto de Medeiros, Anacleto de Medeiros, 1866–⁠1907, 1 sourced connectionMedeiros’s Yará in Villa-⁠Lobos’s Chôros No. 101866Satie, Erik Satie, 1866–⁠1925, 5 sourced connectionsSatie’s Sonneries de la Rose+Croix for Péladan1866Harry T. Burleigh, Harry T. Burleigh, 1866–⁠1949, 1 sourced connectionBurleigh’s spirituals and Dvořák’s New World Symphony1866Wassily Kandinsky, Wassily Kandinsky, 1866–⁠1944, 2 sourced connectionsKandinsky’s Impression III after Schoenberg’s concert1867Beach, Amy Beach, 1867–⁠1944, 4 sourced connectionsBeach’s setting of Schiller’s Eilende Wolken1868Francis Jammes, Francis Jammes, 1868–⁠1938, 1 sourced connectionLili Boulanger’s settings of Francis Jammes1868Stefan George, Stefan George, 1868–⁠1933, 1 sourced connectionSchoenberg’s setting of George in the Second Quartet1872Scriabin, Alexander Scriabin, 1872–⁠1915, 1 sourced connectionScriabin’s Preludes, Op. 11, and Chopin’s Op. 281872Vaughan Williams, Ralph Vaughan Williams, 1872–⁠1958, 5 sourced connectionsVaughan Williams’s edition of Purcell’s Royal Welcome Songs1872Sergei Diaghilev, Sergei Diaghilev, 1872–⁠1929, 1 sourced connectionDiaghilev’s commissions of Ala et Lolly and Chout1873Max Reger, Max Reger, 1873–⁠1916, 1 sourced connectionReger’s Fantasy and Fugue on B–A–C–H, Op. 461873Nikolai Tcherepnin, Nikolai Tcherepnin, 1873–⁠1945, 1 sourced connectionProkofiev’s studies with Tcherepnin, 19091873Rachmaninoff, Sergei Rachmaninoff, 1873–⁠1943, 19 sourced connectionsRachmaninoff’s studies with Zverev, Moscow, 18851874Schoenberg, Arnold Schoenberg, 1874–⁠1951, 8 sourced connectionsSchoenberg’s setting of George in the Second Quartet1874Ives, Charles Ives, 1874–⁠1954, 3 sourced connectionsHymn tunes and town bands in Ives’s music1875Ravel, Maurice Ravel, 1875–⁠1937, 18 sourced connectionsRavel and Russian music, Paris Exposition, 18891875Reinhold Glière, Reinhold Glière, 1875–⁠1956, 1 sourced connectionProkofiev’s studies with Glière, Sontsovka, 1902–⁠031875William Hamilton Stepp, William Hamilton Stepp, 1875–⁠1957, 1 sourced connectionStepp’s Bonaparte’s Retreat in Copland’s Hoe-⁠Down1876Hans Bethge, Hans Bethge, 1876–⁠1946, 1 sourced connectionMahler’s setting of Bethge’s Die chinesische Flöte1876Falla, Manuel de Falla, 1876–⁠1946, 4 sourced connectionsFalla’s article on Stravinsky, La Tribuna, 19161878Charles Hambitzer, Charles Hambitzer, c. 1878–⁠1918, 1 sourced connectionGershwin’s studies with Hambitzer, 1913–⁠181879Wanda Landowska, Wanda Landowska, 1879–⁠1959, 1 sourced connectionPoulenc’s Concert champêtre for Landowska1881Bartók, Béla Bartók, 1881–⁠1945, 2 sourced connectionsBartók’s phonograph recordings of peasant songs, 1906–⁠081882Stravinsky, Igor Stravinsky, 1882–⁠1971, 6 sourced connectionsStravinsky’s studies with Rimsky-⁠Korsakov, to 19081883Webern, Anton Webern, 1883–⁠1945, 3 sourced connectionsWebern’s edition of Isaac’s Choralis Constantinus1883Franz Kafka, Franz Kafka, 1883–⁠1924, 1 sourced connectionKurtág’s Kafka-⁠Fragmente, Op. 241885Berg, Alban Berg, 1885–⁠1935, 5 sourced connectionsBerg’s studies with Schoenberg, 1904–⁠111885DuBose Heyward, DuBose Heyward, 1885–⁠1940, 1 sourced connectionGershwin’s Porgy and Bess after Heyward’s Porgy1887Arthur Rubinstein, Arthur Rubinstein, 1887–⁠1982, 1 sourced connectionRubinstein and Villa-⁠Lobos’s first Paris stay, 19231887Price, Florence Price, 1887–⁠1953, 5 sourced connectionsPrice’s studies with Chadwick, Boston, 1903–⁠061887Villa-⁠Lobos, Heitor Villa-⁠Lobos, 1887–⁠1959, 4 sourced connectionsRubinstein and Villa-⁠Lobos’s first Paris stay, 19231887Nadia Boulanger, Nadia Boulanger, 1887–⁠1979, 2 sourced connectionsCopland’s studies with Nadia Boulanger, 1921–⁠24Frère Jacques / Bruder Martin, Frère Jacques / Bruder Martin, Traditional round, quoted by Mahler in 1888, 2 sourced connectionsBruder Martin in Mahler’s First Symphony1891Prokofiev, Sergei Prokofiev, 1891–⁠1953, 13 sourced connectionsProkofiev’s studies with Glière, Sontsovka, 1902–⁠031893Andrés Segovia, Andrés Segovia, 1893–⁠1987, 1 sourced connectionVilla-⁠Lobos’s twelve études for Segovia1893Boulanger, Lili Boulanger, 1893–⁠1918, 1 sourced connectionLili Boulanger’s settings of Francis Jammes1897Marian Anderson, Marian Anderson, 1897–⁠1993, 1 sourced connectionAnderson singing Price, Lincoln Memorial, 19391898Gershwin, George Gershwin, 1898–⁠1937, 3 sourced connectionsGershwin’s studies with Hambitzer, 1913–⁠181898Sergei Eisenstein, Sergei Eisenstein, 1898–⁠1948, 1 sourced connectionEisenstein and Prokofiev’s Alexander Nevsky1899Carlos Chávez, Carlos Chávez, 1899–⁠1978, 1 sourced connectionChávez and Copland in Mexico, 19321899Poulenc, Francis Poulenc, 1899–⁠1963, 2 sourced connectionsPoulenc’s Concert champêtre for Landowska1900Copland, Aaron Copland, 1900–⁠1990, 5 sourced connectionsCopland’s studies with Nadia Boulanger, 1921–⁠241903Mark Rothko, Mark Rothko, 1903–⁠1970, 1 sourced connectionFeldman’s Rothko Chapel and Rothko’s paintings1904Luigi Dallapiccola, Luigi Dallapiccola, 1904–⁠1975, 1 sourced connectionDallapiccola’s orchestration of Amor dormiglione, 19401906Shostakovich, Dmitri Shostakovich, 1906–⁠1975, 4 sourced connectionsSollertinsky, Shostakovich and Mahler1907W. H. Auden, W. H. Auden, 1907–⁠1973, 2 sourced connectionsAuden’s libretto for Britten’s Paul Bunyan1908Messiaen, Olivier Messiaen, 1908–⁠1992, 4 sourced connectionsMessiaen and Debussy’s Pelléas et MélisandeSpanish song tradition, Spanish song tradition, Traditional songs; Ravel’s Rapsodie espagnole, 1908, 1 sourced connectionSpanish songs sung by Ravel’s mother1912Conlon Nancarrow, Conlon Nancarrow, 1912–⁠1997, 1 sourced connectionLigeti and Nancarrow’s Player Piano Studies, 19801912Cage, John Cage, 1912–⁠1992, 5 sourced connectionsCage’s studies with Schoenberg, Los Angeles, 19351913Britten, Benjamin Britten, 1913–⁠1976, 6 sourced connectionsBritten at Mahler’s Fourth, London Prom, 19301913Margaret Bonds, Margaret Bonds, 1913–⁠1972, 1 sourced connectionFlorence Price and Margaret Bonds in ChicagoBasque dance tradition, Basque dance tradition, Traditional dance; Ravel’s Piano Trio, 1914, 1 sourced connectionBasque dance rhythm in Ravel’s Piano TrioZnamenny chant, Znamenny chant, Orthodox chant; Rachmaninoff’s Vigil, 1915, 2 sourced connectionsZnamenny chant in Rachmaninoff’s All-⁠Night Vigil1918Bernstein, Leonard Bernstein, 1918–⁠1990, 6 sourced connectionsCopland’s mentoring of Bernstein, 19371920Ravi Shankar, Ravi Shankar, 1920–⁠2012, 1 sourced connectionGlass’s work with Ravi Shankar, 19651922Xenakis, Iannis Xenakis, 1922–⁠2001, 4 sourced connectionsXenakis’s first hearing of Debussy, Athens1923Ligeti, György Ligeti, 1923–⁠2006, 1 sourced connectionLigeti and Nancarrow’s Player Piano Studies, 19801925Boulez, Pierre Boulez, 1925–⁠2016, 5 sourced connectionsBoulez’s studies with Messiaen, 1944–⁠451926Kurtág, György Kurtág, 1926–, 1 sourced connectionKurtág’s Kafka-⁠Fragmente, Op. 241926Feldman, Morton Feldman, 1926–⁠1987, 2 sourced connectionsFeldman and Cage after Webern’s Symphony, 1950Jazz and blues, Jazz and blues, Ravel’s Violin Sonata, Blues, 1927, 1 sourced connectionJazz and blues in Ravel’s Violin SonataAfrican American spirituals, African American spirituals, Oral tradition; Price’s Fantasie nègre, 1929, 1 sourced connectionSpiritual theme in Price’s Fantasie nègre1929George Crumb, George Crumb, 1929–⁠2022, 1 sourced connectionDies irae in Crumb’s Black Angels1931Gubaidulina, Sofia Gubaidulina, 1931–⁠2025, 2 sourced connectionsShostakovich and Gubaidulina’s Conservatoire examination, 19591935Pärt, Arvo Pärt, 1935–, 3 sourced connectionsPärt’s Collage über B-A-C-H1936Reich, Steve Reich, 1936–, 2 sourced connectionsReich’s study of Ewe drumming, Ghana, 19701937Glass, Philip Glass, 1937–, 4 sourced connectionsGlass’s studies with Boulanger, Paris, 1964–⁠661947David Bowie, David Bowie, 1947–⁠2016, 1 sourced connectionGlass’s Low Symphony after Bowie and Eno1947Adams, John Adams, 1947–, 2 sourced connectionsCage’s Silence and Adams’s modernist training1952Saariaho, Kaija Saariaho, 1952–⁠2023, 1 sourced connectionSaariaho’s L’Amour de loin and Jaufré Rudel1960The Beatles, The Beatles, 1960–⁠1970, 1 sourced connectionFrère Jacques in Paperback Writer1971Adès, Thomas Adès, 1971–, 1 sourced connectionAdès’s Three Studies from CouperinThe European anthem, The European anthem, Adopted 1972; European Community adoption 1985, 1 sourced connectionOde to Joy as the European anthem

Select a portrait to show its connections. Drag to move · scroll to zoom

Key

Portraits mark people; lines join their encounters, borrowings and collaborations. Birth years run from left to right, with early centuries compressed and crowded generations spread out. Each line opens the connection’s date, account and sources.

  • Quotation & parody
  • Teaching, copying & models
  • Music heard
  • Reactions against
  • Painting & poetry

Further reading

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