For researchers
Sources & method
Recording provenance, the evidence behind a claim, and the difference between a written bar and a measured time.
How claims are labelled
Evidence status, field by field
- Documented
- Stated in a cited source. This identifies the source’s claim; it does not guarantee that the source is right.
- Inferred
- Estimated from the evidence, not explicitly documented. The note gives the reasoning.
- Disputed
- Sources disagree. The dossier retains the alternatives and their sources.
- Unknown
- Not established from the sources consulted. An upload date is not a session date; an uploader is not necessarily a performer or transfer engineer.
- Not applicable
- The field does not apply. This is not a substitute for ‘unknown’.
What a cue time means
- score-aligned
- A written bar is matched to its performed occurrence in this recording. Repeats are counted separately.
- score-proportion
- Placement estimated from the score’s proportions. Tempo changes and pauses can move the event away from the estimated time.
- audio-feature
- A measured feature of this recording, such as a silence or a level change, locates the event. It does not by itself identify a chord or instrument.
- documented
- A fact from a cited source; it need not identify an audible event at that second.
- general
- A description of the surrounding stretch, not a claim about one instant.
Provisional alignment
A machine has matched score events to the recording; a named listener has not yet checked the published alignment against the score. A provisional bar time is an estimate, not an exact onset. ‘Reviewed’ records a listening check, with its scope and reviewer in the score data. Cue precision distinguishes a moment (about ±2 seconds) from a passage; neither label removes uncertainty in the underlying alignment.
Rights statements report the sources and their qualifications, not worldwide legal clearance. The composition, edition, performance, recording and digital transfer can have different rights.
The recording register
449 recordings. Select a column heading to sort; select a work to open its dossier. Evidence counts describe individual fields, not a single confidence score for the recording.
| Johann Sebastian Bach · Brandenburg Concerto No. 5, BWV 1050II. Affettuoso | Advent Chamber Orchestra (ensemble); Roxana Pavel Goldstein (violin); Constance Schoepflin (flute); Matthew Ganong (harpsichord)documented | February 2008documented | UnknownunknownUnknownunknown | Rule 1 — sound-recording licence: Creative Commons Attribution-ShareAlike 2.0 Generic.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Johann Sebastian Bach · Brandenburg Concerto No. 5, BWV 1050I. Allegro | Advent Chamber Orchestra (orchestra); Roxana Pavel Goldstein (solo violin); Constance Schoepflin (flute); Matthew Ganong (harpsichord)documented | February 2008documented | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: CC BY-SA 2.0 (EFF Open Audio License).documented | 6 unknown; 5 documented; 1 inferred Dossier |
| Johann Sebastian Bach · Brandenburg Concerto No. 5, BWV 1050III. Allegro | Advent Chamber Orchestra (ensemble); Roxana Pavel Goldstein (violin); Constance Schoepflin (flute); Matthew Ganong (harpsichord)documented | February 2008documented | UnknownunknownUnknownunknown | Rule 1 — sound-recording licence: Creative Commons Attribution-ShareAlike 2.0 Generic.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Johann Sebastian Bach · Toccata and Fugue in D minor, BWV 565 | Norbert Schenk (organ)documented | 2017documented | UnknownunknownUnknownunknown | CC BY 4.0documented | 6 documented; 6 unknown Dossier |
| Johann Sebastian Bach · Toccata and Fugue in D minor, BWV 565Opening disc side only | Philadelphia Orchestra (orchestra); Leopold Stokowski (conductor)documented | 1927-04-06documented | HMVdocumentedFirst side; source identifier 5-0761documented | Territorial — EU public-domain sound recording, first published 1927documented | 9 documented; 3 unknown Dossier |
| Johann Sebastian Bach · Cello Suite No. 1, BWV 1007I. Prélude | John Michel (cello)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — sound-recording licence: Creative Commons Attribution-ShareAlike 3.0 Unported.documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Johann Sebastian Bach · Goldberg Variations, BWV 988Aria | Shelley Katz (piano)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — explicit public-domain recording release by Musopen (Commons PD-author).documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Johann Sebastian Bach · Partita No. 2, BWV 1004V. Ciaccona | Jascha Heifetz (violin)documented | 1952, as dated by the sourcedocumented | RCA Red SealdocumentedTwo record sides joined for the digital track; matrix and take numbers unknown.documented | Rule 1 — Commons PD-EU-audio recording tag; territorial European public-domain basis.documented | 4 unknown; 7 documented; 1 inferred Dossier |
| Johann Sebastian Bach · St Matthew Passion, BWV 244No. 47. Erbarme dich, mein Gott | Hertha Töpper (alto); Otto Büchner (solo violin); Münchener Bach-Orchester (orchestra); Karl Richter (conductor)documented | 23 June – 21 August 1958 (sessions 23 June–6 July, 11–12 August and 21 August)documented | Archiv Produktion (Deutsche Grammophon Gesellschaft, History of Music Division)documentedFirst stereo edition: fifth programme side of the set (Discogs side E), track E6 (7:44 on the LP); matrix and take numbers not readdocumented | territorial — European recording-rights expiry; first publication documented before 1963 (Archiv Produktion stereo LP edition, 1958 or 1959).documented | 3 unknown; 8 documented; 1 inferred Dossier |
| Johann Sebastian Bach · St Matthew Passion, BWV 244No. 1. Kommt, ihr Töchter, helft mir klagen | Münchener Bach-Chor (chorus (Chorus I and II)); Münchener Chorknaben (boys’ choir, ripieno soprano (chorale ‘O Lamm Gottes, unschuldig’)); Münchener Bach-Orchester (orchestra); Karl Richter (conductor)documented | 23 June – 21 August 1958 (sessions 23 June–6 July, 11–12 August and 21 August)documented | Archiv Produktion (Deutsche Grammophon Gesellschaft, History of Music Division)documentedFirst stereo edition: first programme side of the set (Discogs side A), first track (9:50 on the LP); matrix and take numbers not readdocumented | territorial — European recording-rights expiry; first publication documented before 1963 (Archiv Produktion stereo LP edition, 1958 or 1959).documented | 3 unknown; 8 documented; 1 inferred Dossier |
| Johann Sebastian Bach · The Well-Tempered Clavier, Book I · BWV 869Fugue in B minor | Kimiko Ishizaka (piano)documented | 4–9 July 2014documented | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: CC0 1.0 Universal.documented | 7 documented; 4 unknown; 1 inferred Dossier |
| Béla Bartók · Concerto for Orchestra, Sz. 116II. Giuoco delle coppie — Allegretto scherzando | Pittsburgh Symphony Orchestra (orchestra); Fritz Reiner (conductor)documented | 4–5 February 1946documented | Columbia Masterworks (original issue)documentedComplete set: XCO 35800–35811, take 1; LP matrices xLP 539 (I–II), xLP 540 (III–V)documented | Rule 3 — territorial EU public domain: first lawful publication in 1948, before 1963.documented | 9 documented; 3 unknown Dossier |
| Béla Bartók · Concerto for Orchestra, Sz. 116III. Elegia — Andante non troppo | Pittsburgh Symphony Orchestra (orchestra); Fritz Reiner (conductor)documented | 4–5 February 1946documented | Columbia Masterworks (original issue)documentedComplete set: XCO 35800–35811, take 1; LP matrices xLP 539 (I–II), xLP 540 (III–V)documented | Rule 3 — territorial EU public domain: first lawful publication in 1948, before 1963.documented | 9 documented; 3 unknown Dossier |
| Béla Bartók · Concerto for Orchestra, Sz. 116V. Finale — Pesante; Presto | Pittsburgh Symphony Orchestra (orchestra); Fritz Reiner (conductor)documented | 4–5 February 1946documented | Columbia Masterworks (original issue)documentedComplete set: XCO 35800–35811, take 1; LP matrices xLP 539 (I–II), xLP 540 (III–V)documented | Rule 3 — territorial EU public domain: first lawful publication in 1948, before 1963.documented | 9 documented; 3 unknown Dossier |
| Béla Bartók · Concerto for Orchestra, Sz. 116IV. Intermezzo interrotto — Allegretto | Pittsburgh Symphony Orchestra (orchestra); Fritz Reiner (conductor)documented | 4–5 February 1946documented | Columbia Masterworks (original issue)documentedComplete set: XCO 35800–35811, take 1; LP matrices xLP 539 (I–II), xLP 540 (III–V)documented | Rule 3 — territorial EU public domain: first lawful publication in 1948, before 1963.documented | 9 documented; 3 unknown Dossier |
| Béla Bartók · Concerto for Orchestra, Sz. 116I. Introduzione — Andante non troppo; Allegro vivace | Pittsburgh Symphony Orchestra (orchestra); Fritz Reiner (conductor)documented | 4–5 February 1946documented | Columbia Masterworks (original issue)documentedComplete set: XCO 35800–35811, take 1; LP matrices xLP 539 (I–II), xLP 540 (III–V)documented | Rule 3 — territorial EU public domain: first lawful publication in 1948, before 1963.documented | 9 documented; 3 unknown Dossier |
| Béla Bartók · String Quartet No. 2, Op. 17II. Allegro molto capriccioso | Carmel Quartet (string quartet)documented | 2007documented | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: CC BY 3.0 Unported.documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Amy Beach · The Year’s at the Spring | Emma Eames (soprano)documented | 1905-03-16documented | Victor Talking Machine Company, Red Seal (12-inch single-faced)documentedC-2314, take 2documented | US public domain: first published by May 1908 as Victor 88008 (recorded 16 March 1905, issued as Victor 85057). The Archive item carries the Public Domain Mark.documented | 2 inferred; 9 documented; 1 unknown Dossier |
| Amy Beach · The Year’s at the Spring | Emma Eames (soprano)documented | 1908-05-18documented | Victor Talking Machine Company, Red Seal (12-inch single-faced)documentedC-6203, take 1documented | US public domain: first published by July 1909 on Victor 88008 (recorded 18 May 1908). The Archive item carries the Public Domain Mark.documented | 2 inferred; 9 documented; 1 unknown Dossier |
| Amy Beach · The Year’s at the Spring | Johanna Gadski (soprano); Frank La Forge (piano)documented | 1908-01-14documented | Victor Talking Machine Company, Red SealdocumentedB-5018, take 2documented | US public domain: first published 1908 or 1909 on Victor 87026; the mirror carries the Public Domain Mark.documented | 9 documented; 2 unknown; 1 inferred Dossier |
| Ludwig van Beethoven · Piano Sonata No. 30, Op. 109II. Prestissimo | Artur Schnabel (piano)documented | 22 March 1932documented | His Master’s Voice (HMV)documentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 4 unknown; 7 documented; 1 inferred Dossier |
| Ludwig van Beethoven · Piano Sonata No. 30, Op. 109III. Gesangvoll, mit innigster Empfindung | Artur Schnabel (piano)documented | 22 March 1932; conflicting Commons structured datedisputed | His Master’s Voice (HMV)documentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 4 unknown; 6 documented; 1 disputed; 1 inferred Dossier |
| Ludwig van Beethoven · Piano Sonata No. 30, Op. 109I. Vivace, ma non troppo — Adagio espressivo | Artur Schnabel (piano)documented | 22 March 1932documented | His Master’s Voice (HMV)documentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 4 unknown; 7 documented; 1 inferred Dossier |
| Ludwig van Beethoven · String Quartet No. 14 in C♯ minor, Op. 131I–VII. Complete quartet — seven linked movements | Léner String Quartet (string quartet); Jenö Léner (first violin); Joszef Smilovits (second violin); Sándor Roth (viola); Imre Hartman (cello)documented | 11, 21 and 22 February; 25 August 1924documented | Columbia Graphophone Co., Ltd. (British issue)documentedSide 1: AX300-1 — I, first part — 11 February 1924; Side 2: AX301-1 — I, second part — 11 February 1924; Side 3: AX302-4 — II and III — 25 August 1924; Side 4: AX323-3 — IV, first part — 21 February 1924; Side 5: AX324-2 — IV, second part — 21 February 1924; Side 6: AX325-2 — IV, third part — 21 February 1924; Side 7: AX326-1 — IV, fourth part; V, first part — 21 February 1924; Side 8: AX327-2 — V, second part — 21 February 1924; Side 9: AX328-2 — VI; VII, first part — 21 February 1924; Final side: AX332-2 — VII, second part — 22 February 1924documented | United States public-domain basis: first published in 1924, before the project’s 1926 cutoff.documented | 10 documented; 2 unknown Dossier |
| Ludwig van Beethoven · String Quartet No. 15 in A minor, Op. 132III. Molto adagio — Heiliger Dankgesang | The Griller String Quartet (string quartet); Sidney Griller (violin); Jack O’Brien (violin); Philip Burton (viola); Colin Hampton (cello)documented | Unknownunknown | London Records, ffrr long-playing microgroove issuedocumentedSide 1, label No.1: ABL.597 — movements I and II, not selected; Side 2, label No.2: ABL.598 — movements III, IV and V; the selected digital track is labelled III–IV, but its combined-movement identity is disputeddocumented | Territorial EU public-domain basis only: the recording was published before 1963; US status is not established.documented | 1 disputed; 9 documented; 2 unknown Dossier |
| Ludwig van Beethoven · Symphony No. 5, Op. 67II. Andante con moto | Skidmore College orchestra (orchestra)documented | Unknownunknown | UnknownunknownUnknownunknown | Commons records a public-domain dedication by Skidmore College orchestra, with unrestricted fallback permission.documented | 8 unknown; 4 documented Dossier |
| Ludwig van Beethoven · Symphony No. 5, Op. 67IV. Allegro — Presto | Skidmore College orchestra (orchestra)documented | Unknownunknown | UnknownunknownUnknownunknown | Commons records a public-domain dedication by Skidmore College orchestra, with unrestricted fallback permission.documented | 8 unknown; 4 documented Dossier |
| Ludwig van Beethoven · Symphony No. 5 in C minor, Op. 67I. Allegro con brio — side 1 of 2 | Concertgebouw Orchestra (orchestra); Willem Mengelberg (conductor)documented | 1939–1940documented | TelefunkendocumentedFirst movement, side 1 of 2; matrix and take not establisheddocumented | Territorial: EU public domain under the pre-1963 publication rule; first release 1941.documented | 7 documented; 4 unknown; 1 inferred Dossier |
| Ludwig van Beethoven · Symphony No. 5 in C minor, Op. 67I. Allegro con brio | Berlin Philharmonic Orchestra (orchestra); Arthur Nikisch (conductor)documented | 10 November 1913documented | Deutsche Grammophon / His Master’s VoicedocumentedUnknownunknown | US public domain: Deutsche Grammophon issued the recording in February 1914.documented | 5 unknown; 6 documented; 1 inferred Dossier |
| Ludwig van Beethoven · Symphony No. 5 in C minor, Op. 67I. Allegro con brio | Odeon Grand Orchestra (orchestra)disputed | 1910–11disputed | OdeondocumentedUnknownunknown | US public domain: the commercial Odeon recording was published by 1911, before the 1925 cutoff. The disputed conductor/date does not cross that cutoff.documented | 6 unknown; 2 disputed; 3 documented; 1 inferred Dossier |
| Ludwig van Beethoven · Symphony No. 5, Op. 67I. Allegro con brio | Skidmore College orchestra (orchestra)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: PD-author by Skidmore College orchestra; attribution retained.documented | 8 unknown; 4 documented Dossier |
| Ludwig van Beethoven · Symphony No. 5, Op. 67III. Allegro | Skidmore College orchestra (orchestra)documented | Unknownunknown | UnknownunknownUnknownunknown | Commons records a public-domain dedication by Skidmore College orchestra, with unrestricted fallback permission.documented | 8 unknown; 4 documented Dossier |
| Ludwig van Beethoven · Piano Sonata No. 23, Op. 57 “Appassionata”II. Andante con moto | Artur Schnabel (piano)documented | 1933-04-11documented | UnknownunknownUnknownunknown | Rule 3 — territorial EU public domain: original sound recording first published in 1934.documented | 6 unknown; 5 documented; 1 inferred Dossier |
| Ludwig van Beethoven · Piano Sonata No. 23, Op. 57 “Appassionata”III. Allegro ma non troppo — Presto | Artur Schnabel (piano)documented | 1933-04-11documented | UnknownunknownUnknownunknown | Rule 3 — territorial EU public domain: original sound recording first published in 1934.documented | 6 unknown; 5 documented; 1 inferred Dossier |
| Ludwig van Beethoven · Piano Sonata No. 23, Op. 57 “Appassionata”I. Allegro assai | Artur Schnabel (piano)documented | 1933-04-11documented | UnknownunknownUnknownunknown | Rule 3 — territorial EU public domain: original sound recording first published in 1934.documented | 6 unknown; 5 documented; 1 inferred Dossier |
| Alban Berg · Lyric SuiteIII. Allegro misterioso — Trio estatico | Felix Galimir (violin I); Adrienne Galimir (spelled “Adrielle” in the item description) (violin II); Renée Galimir (viola); Marguerite Galimir (cello)documented | c. 1935–36documented | Polydor (France); Decca (Great Britain); Brunswick-Polydor (United States)documentedBrunswick-Polydor 95007, “In 8 Parts”, Part III, with the third movement named on the label; matrix and take numbers are not givendocumented | Rule 3 — territorial EU public domain: first published before 1963; the American issue was advertised by March 1937.documented | 10 documented; 2 unknown Dossier |
| Alban Berg · Three Pieces for Orchestra, Op. 6I. Präludium | Columbia Symphony Orchestra (orchestra); Robert Craft (conductor)documented | Unknownunknown | Columbia MasterworksdocumentedSide 1, band 1; label matrix XSM 51682documented | Territorial EU public-domain basis: commercial publication no later than 1961, before 1963.documented | 2 inferred; 8 documented; 2 unknown Dossier |
| Alban Berg · Violin ConcertoI. Andante — Allegretto | Louis Krasner (violin); The Cleveland Orchestra (orchestra); Artur Rodzinski (conductor)documented | 15 December 1940documented | Columbia Masterworks, set M-465 (written MM 465 in the Internet Archive description)documentedXCO 29764 to XCO 29769 (six sides); the take numbers are not givendocumented | Rule 3 — territorial EU public domain: first published before 1963; reviewed in September 1941 and listed in Columbia’s catalogue of 1942.documented | 2 unknown; 10 documented Dossier |
| Alban Berg · Violin ConcertoII. Allegro — Adagio — Coda | Louis Krasner (violin); The Cleveland Orchestra (orchestra); Artur Rodzinski (conductor)documented | 15 December 1940documented | Columbia Masterworks, set M-465 (written MM 465 in the Internet Archive description)documentedXCO 29764 to XCO 29769 (six sides); the take numbers are not givendocumented | Rule 3 — territorial EU public domain: first published before 1963; reviewed in September 1941 and listed in Columbia’s catalogue of 1942.documented | 2 unknown; 10 documented Dossier |
| Hector Berlioz · Symphonie fantastique, Op. 14IV. Marche au supplice — Allegretto non troppo | Igor Markevitch (conductor); Orchestre Lamoureux (orchestra)documented | 11–17 January 1961documented | Deutsche GrammophondocumentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 5 unknown; 6 documented; 1 inferred Dossier |
| Hector Berlioz · Symphonie fantastique, Op. 14I. Rêveries — Passions | Igor Markevitch; Orchestre des Concerts Lamoureuxdocumented | 11–17 January 1961documented | Deutsche GrammophondocumentedUnknownunknown | Public domain under the Commons PD-EU-audio assessmentdocumented | 5 unknown; 7 documented Dossier |
| Hector Berlioz · Symphonie fantastique, Op. 14V. Songe d’une nuit du Sabbat | Igor Markevitch; Orchestre des Concerts Lamoureuxdocumented | 11–17 January 1961documented | Deutsche GrammophondocumentedUnknownunknown | Public domain under the Commons PD-EU-audio assessmentdocumented | 5 unknown; 7 documented Dossier |
| Hector Berlioz · Symphonie fantastique, Op. 14III. Scène aux champs — Adagio | Igor Markevitch; Orchestre des Concerts Lamoureuxdocumented | 11–17 January 1961documented | Deutsche GrammophondocumentedUnknownunknown | Public domain under the Commons PD-EU-audio assessmentdocumented | 5 unknown; 7 documented Dossier |
| Hector Berlioz · Symphonie fantastique, Op. 14II. Un bal — Valse. Allegro non troppo | Igor Markevitch; Orchestre des Concerts Lamoureuxdocumented | 11–17 January 1961documented | Deutsche GrammophondocumentedUnknownunknown | Public domain under the Commons PD-EU-audio assessmentdocumented | 5 unknown; 7 documented Dossier |
| Leonard Bernstein · Symphony No. 2, The Age of AnxietyPart I: Prologue; The Seven Ages; The Seven Stages | Lukas Foss (piano); Philharmonic-Symphony Orchestra of New York (orchestra); Leonard Bernstein (conductor)documented | 1950-02-27documented | Columbia MasterworksdocumentedLP side A (Part I). The 78-rpm issue carried this music on sides 1 to 4, matrices XCO 42387 to 42390documented | Territorial EU phonogram public-domain basis: commercial publication before 1963; the LP ML 4325 was reviewed in The American Record Guide of January 1951documented | 11 documented; 1 unknown Dossier |
| Leonard Bernstein · Symphony No. 2, The Age of AnxietyPart II: The Dirge; The Masque; The Epilogue | Lukas Foss (piano); Philharmonic-Symphony Orchestra of New York (orchestra); Leonard Bernstein (conductor)documented | 1950-02-27documented | Columbia MasterworksdocumentedLP side B (Part II). The 78-rpm issue carried this music on sides 5 to 8, matrices XCO 42391 to 42394documented | Territorial EU phonogram public-domain basis: commercial publication before 1963; the LP ML 4325 was reviewed in The American Record Guide of January 1951documented | 11 documented; 1 unknown Dossier |
| Leonard Bernstein · Serenade (after Plato’s Symposium)I. Phaedrus; Pausanias — Lento; Allegro marcato | Isaac Stern (violin); Symphony of the Air (orchestra); Leonard Bernstein (conductor)disputed | 1956-04-19documented | Columbia MasterworksdocumentedSide 1, first bandinferred | Territorial EU phonogram public-domain basis: commercial publication in 1956, before 1963; Columbia advertised ML 5144 as newly issued in The American Record Guide of November 1956documented | 10 documented; 1 disputed; 1 inferred Dossier |
| Georges Bizet · CarmenAct I · Habanera — L’amour est un oiseau rebelle | Geraldine Farrar (Carmen, soprano); Walter B. Rogers (conductor); Orchestra, players not individually identified (orchestral accompaniment)documented | 1914-12-09documented | Victor / VictroladocumentedB-15474, take 2; single sidedocumented | Public domain in the United States: commercially published in 1915, before the 1923 statutory boundarydocumented | 11 documented; 1 unknown Dossier |
| Georges Bizet · CarmenAct II · Toreador Song — sung in Italian | Pasquale Amato (Escamillo, baritone); Victor orchestra (orchestral accompaniment); Francis J. Lapitino (harp); Walter B. Rogers (conductor)documented | 1911disputed | VictordocumentedC-11213, take 1; one sidedocumented | Public domain in the United States; Commons marks the commercial acoustic recording as an expired pre-cutoff sound recordingdocumented | 10 documented; 1 disputed; 1 unknown Dossier |
| Alexander Borodin · String Quartet No. 2 in D majorIII. Notturno — Andante | Musopen String Quartet (as credited on Commons) (string quartet)documented | 2012inferred | Musopen (Kickstarter-funded recording project)documentedNot applicablenot applicable | Public domain by Musopen’s release (Creative Commons Public Domain Mark); Commons tags the recording {{PD-author}} for Musopendocumented | 3 inferred; 6 documented; 2 unknown; 1 not applicable Dossier |
| Alexander Borodin · In the Steppes of Central Asia | Musopen Symphony (as credited on Commons) (orchestra)documented | 2012documented | Musopen (Kickstarter-funded recording project)documentedNot applicablenot applicable | Public domain by Musopen’s release (Creative Commons Public Domain Mark); Commons tags the recording {{PD-author}} for Musopendocumented | 2 inferred; 7 documented; 2 unknown; 1 not applicable Dossier |
| Pierre Boulez · Le Marteau sans maîtreI–V. First half, to “Bel édifice et les pressentiments”, first version | Marie-Thérèse Cahn (voice (alto)); J. Tiberge (flute); Collot (viola); A. Stingl (guitar); J. Delecluse (vibraphone); P. Naudin (xylorimba); A. Cavaille (percussion); Pierre Boulez (conductor)documented | 1956, season of the Domaine musical (fourth concert)documented | Vega, 25 cm 33⅓ rpm LP, series “Présence de la musique contemporaine”documentedSide 1 (file f1): movements I–V; side 2 (file f2, labelled “fin”): movements VI–IXinferred | Territorial EU public-domain basis: first published in 1956 (before 1963); US status not established.documented | 2 inferred; 6 documented; 4 unknown Dossier |
| Pierre Boulez · Le Marteau sans maîtreVI–IX. Second half, from “Bourreaux de solitude” to “Bel édifice et les pressentiments”, second version | Marie-Thérèse Cahn (voice (alto)); J. Tiberge (flute); Collot (viola); A. Stingl (guitar); J. Delecluse (vibraphone); P. Naudin (xylorimba); A. Cavaille (percussion); Pierre Boulez (conductor)documented | 1956, season of the Domaine musical (fourth concert)documented | Vega, 25 cm 33⅓ rpm LP, series “Présence de la musique contemporaine”documentedSide 2 (file f2, labelled “fin”): movements VI–IX; side 1 (file f1): movements I–Vinferred | Territorial EU public-domain basis: first published in 1956 (before 1963); US status not established.documented | 2 inferred; 6 documented; 4 unknown Dossier |
| Johannes Brahms · Symphony No. 3 in F major, Op. 90III. Poco allegretto | Musopen Symphony (orchestra, as named on the Commons description)disputed | Unknownunknown | Musopen — digital Kickstarter projectdocumentedUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen.documented | 7 unknown; 2 disputed; 3 documented Dossier |
| Johannes Brahms · Symphony No. 4 in E minor, Op. 98IV. Allegro energico e passionato | Musopen Symphony (orchestra — Commons page credit); Czech National Symphony Orchestra (orchestra — embedded FLAC credit)disputed | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen.documented | 8 unknown; 2 disputed; 2 documented Dossier |
| Johannes Brahms · Symphony No. 1 in C minor, Op. 68III. Un poco allegretto e grazioso | Czech National Symphony Orchestra (orchestra)documented | Unknownunknown | Musopen — Musopen Kickstarter ProjectdocumentedUnknownunknown | Commons explicitly states that Musopen released this sound recording into the public domain worldwide, with an unrestricted-use fallback where dedication is not legally possible.documented | 7 unknown; 5 documented Dossier |
| Johannes Brahms · Symphony No. 1 in C minor, Op. 68I. Un poco sostenuto — Allegro — Meno allegro | Czech National Symphony Orchestra (orchestra)documented | Unknownunknown | Musopen — Musopen Kickstarter ProjectdocumentedUnknownunknown | Commons explicitly states that Musopen released this sound recording into the public domain worldwide, with an unrestricted-use fallback where dedication is not legally possible.documented | 7 unknown; 5 documented Dossier |
| Johannes Brahms · Symphony No. 1 in C minor, Op. 68II. Andante sostenuto | Czech National Symphony Orchestra (orchestra)documented | Unknownunknown | Musopen — Musopen Kickstarter ProjectdocumentedUnknownunknown | Commons explicitly states that Musopen released this sound recording into the public domain worldwide, with an unrestricted-use fallback where dedication is not legally possible.documented | 7 unknown; 5 documented Dossier |
| Johannes Brahms · Symphony No. 1 in C minor, Op. 68IV. Adagio — Più andante — Allegro non troppo, ma con brio — Più allegro | Czech National Symphony Orchestra (orchestra)documented | Unknownunknown | Musopen — Musopen Kickstarter ProjectdocumentedUnknownunknown | Commons explicitly states that Musopen released this sound recording into the public domain worldwide, with an unrestricted-use fallback where dedication is not legally possible.documented | 7 unknown; 5 documented Dossier |
| Benjamin Britten · Serenade for Tenor, Horn and StringsV. Dirge | Peter Pears (tenor); Dennis Brain (horn); Boyd Neel String Orchestra (string orchestra); Benjamin Britten (conductor)documented | 1944-10-08inferred | Decca (UK), 78 rpmdocumentedAR 8464, take 4 (side 4 of 6); AR 8463 take 2, the Elegy, is on the other side of the same discdocumented | Territorial EU and UK public domain: first published before 1963 (Decca AK 1151–53, November 1945). United States status not established.documented | 4 inferred; 5 documented; 3 unknown Dossier |
| Benjamin Britten · Serenade for Tenor, Horn and StringsIV. Elegy | Peter Pears (tenor); Dennis Brain (horn); Boyd Neel String Orchestra (string orchestra); Benjamin Britten (conductor)documented | 1944-05-25inferred | Decca (UK), 78 rpmdocumentedAR 8463, take 2 (side 3 of 6); AR 8464 take 4, the Dirge, is on the other side of the same discdocumented | Territorial EU and UK public domain: first published before 1963 (Decca AK 1151–53, November 1945). United States status not established.documented | 4 inferred; 5 documented; 3 unknown Dossier |
| Anton Bruckner · Symphony No. 7 in E major, WAB 107II. Adagio — Sehr feierlich und sehr langsam | Hochschulsymphonieorchester (Munich) (orchestra); Marcus Bosch (conductor)documented | 2020 (credits) or 8 November 2021 (inferred from file names and a programme listing)disputed | University of Music and Theatre Munich (IMSLP publisher information); no commercial labeldocumentedNot applicablenot applicable | Creative Commons Attribution-ShareAlike 4.0 International. Rights rule 1: the licence covers the sound recording.documented | 3 unknown; 7 documented; 1 disputed; 1 not applicable Dossier |
| Anton Bruckner · Symphony No. 7 in E major, WAB 107I. Allegro moderato | Hochschulsymphonieorchester (Munich) (orchestra); Marcus Bosch (conductor)documented | 2020 (credits) or 8 November 2021 (inferred from file names and a programme listing)disputed | University of Music and Theatre Munich (IMSLP publisher information); no commercial labeldocumentedNot applicablenot applicable | Creative Commons Attribution-ShareAlike 4.0 International. Rights rule 1: the licence covers the sound recording.documented | 3 unknown; 7 documented; 1 disputed; 1 not applicable Dossier |
| Anton Bruckner · Symphony No. 7 in E major, WAB 107IV. Finale — Bewegt, doch nicht schnell | Hochschulsymphonieorchester (Munich) (orchestra); Marcus Bosch (conductor)documented | 2020 (credits) or 8 November 2021 (inferred from file names and a programme listing)disputed | University of Music and Theatre Munich (IMSLP publisher information); no commercial labeldocumentedNot applicablenot applicable | Creative Commons Attribution-ShareAlike 4.0 International. Rights rule 1: the licence covers the sound recording.documented | 3 unknown; 7 documented; 1 disputed; 1 not applicable Dossier |
| Anton Bruckner · Symphony No. 7 in E major, WAB 107III. Scherzo — Sehr schnell; Trio — Etwas langsamer | Hochschulsymphonieorchester (Munich) (orchestra); Marcus Bosch (conductor)documented | 2020 (credits) or 8 November 2021 (inferred from file names and a programme listing)disputed | University of Music and Theatre Munich (IMSLP publisher information); no commercial labeldocumentedNot applicablenot applicable | Creative Commons Attribution-ShareAlike 4.0 International. Rights rule 1: the licence covers the sound recording.documented | 3 unknown; 7 documented; 1 disputed; 1 not applicable Dossier |
| Frédéric Chopin · Ballade No. 1, Op. 23Largo — Moderato | Frank Lévy (piano)documented | Unknowndisputed | MusopendocumentedUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen.documented | 6 unknown; 5 documented; 1 disputed Dossier |
| Frédéric Chopin · Ballade No. 2 in F major, Op. 38Andantino — Presto con fuoco | Frank Lévy (piano)documented | circa 2014inferred | UnknownunknownNot applicablenot applicable | Public-domain release by Musopendocumented | 6 unknown; 4 documented; 1 inferred; 1 not applicable Dossier |
| Frédéric Chopin · Ballade No. 3 in A♭ major, Op. 47Allegretto | Martha Goldstein (piano)documented | Unknownunknown | UnknownunknownUnknownunknown | Creative Commons Attribution–ShareAlike 2.0documented | 8 unknown; 4 documented Dossier |
| Frédéric Chopin · Ballade No. 4 in F minor, Op. 52Andante con moto | Frank Lévy (piano)documented | circa 2014inferred | UnknownunknownNot applicablenot applicable | Public-domain release by Musopendocumented | 6 unknown; 4 documented; 1 inferred; 1 not applicable Dossier |
| Frédéric Chopin · Étude in G♭ major, Op. 10 No. 5; Étude in G♭ major, Op. 25 No. 9Black Keys, followed by Butterfly — complete disc side | Alfred Cortot (piano)documented | 1920-04-22documented | Victor / VictroladocumentedB-23953, take 2; both études on one sidedocumented | Public domain in the United States: published in 1920documented | 11 documented; 1 unknown Dossier |
| Frédéric Chopin · Étude in G♭ major, Op. 10 No. 5Vivace — Black Keys | Edward Neeman (piano)documented | circa 2014inferred | UnknownunknownNot applicablenot applicable | Public-domain release by Musopendocumented | 6 unknown; 4 documented; 1 inferred; 1 not applicable Dossier |
| Frédéric Chopin · Étude in E minor, Op. 25 No. 5Vivace | Martha Goldstein (piano)documented | Unknownunknown | Pandora RecordsdocumentedUnknownunknown | CC BY-SA 2.0 / EFF Open Audio Licensedocumented | 6 documented; 6 unknown Dossier |
| Frédéric Chopin · Étude in E minor, Op. 25 No. 5Vivace | Edward Neeman (piano)documented | circa 2014inferred | UnknownunknownNot applicablenot applicable | Public-domain release by Musopendocumented | 6 unknown; 4 documented; 1 inferred; 1 not applicable Dossier |
| Frédéric Chopin · Étude in G♯ minor, Op. 25 No. 6 (“Thirds”) | Edward Neeman (piano)documented | c. 2014documented | UnknownunknownUnknownunknown | Public-domain recording dedication by Musopendocumented | 5 documented; 7 unknown Dossier |
| Frédéric Chopin · Étude in G♯ minor, Op. 25 No. 6 (“Thirds”) | Ignacy Jan Paderewski (piano)documented | 1923-05-04documented | Victor / VictroladocumentedB-27918, take 1inferred | US public-domain sound recording — published in or before 1925documented | 10 documented; 1 inferred; 1 unknown Dossier |
| Frédéric Chopin · Étude in G♭ major, Op. 25 No. 9 (“Butterfly”) | Eugen d’Albert (piano)documented | 1912–1913documented | Odeon; later transfer on Symposium CD 1146documentedxxB 5731documented | Territorial: EU public domain under the pre-1963 publication rule, on the documented original commercial Odeon 76563 carrier chronology (1912–13). US publication status is not established.documented | 5 unknown; 6 documented; 1 inferred Dossier |
| Frédéric Chopin · Étude in G♭ major, Op. 25 No. 9 (“Butterfly”) | Edward Neeman (piano)documented | c. 2014documented | Musopen — Set Chopin FreedocumentedUnknownunknown | Recording explicitly dedicated to the public domain by Musopen (PD-author).documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2Larghetto | Eugen d’Albert (piano)documented | 1916documented | Gramophone; reissued by Symposiumdocumented1120m; take not establisheddocumented | Rule 3 — territorial: EU public domain on the pre-1963 original commercial acoustic Gramophone issue; US publication status is not established.documented | 4 unknown; 7 documented; 1 disputed Dossier |
| Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2 | Ignacy Jan Paderewski (piano)documented | 30 January 1937documented | His Master’s Voicedocumented2EA 4573 (take not established)documented | Territorial: EU public domain under the pre-1963 publication rule; first release 1938.documented | 4 unknown; 7 documented; 1 inferred Dossier |
| Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2Larghetto | Ignacy Jan Paderewski (piano)documented | 1917-05-14documented | His Master’s Voice / Gramophone; original Victor masterdocumentedC-19781, take 1; stamper/issue markings 05616 and A 19781documented | Public domain in the United States: first published 1917documented | 3 unknown; 9 documented Dossier |
| Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2 | Patrizia Prati (piano)documented | 24 November 2015documented | UnknownunknownUnknownunknown | CC BY-SA 4.0, explicitly released by the copyright holder with Wikimedia permission ticket 2015120610013684.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2Larghetto | Luke Faulkner (piano)documented | circa 2014inferred | UnknownunknownUnknownunknown | Public-domain release by Musopendocumented | 7 unknown; 4 documented; 1 inferred Dossier |
| Frédéric Chopin · Nocturne in D♭ major, Op. 27 No. 2 | Vladimir de Pachmann (piano)documented | 26 June 1925documented | His Master’s VoicedocumentedCc 6253-1; 05859documented | US public domain: HMV DB 860 was already reviewed and priced in The Gramophone in December 1925.documented | 3 unknown; 8 documented; 1 inferred Dossier |
| Frédéric Chopin · Nocturne in D♭ major, Op. 27 No. 2Lento sostenuto | Frank Lévy (piano)documented | c. 2014inferred | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen.documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Frédéric Chopin · Nocturne in E♭ major, Op. 9 No. 2 | Frank Lévy (piano)documented | Circa 2014documented | UnknownunknownUnknownunknown | Public-domain dedication of the recording by Musopendocumented | 5 documented; 7 unknown Dossier |
| Frédéric Chopin · Nocturne in E♭ major, Op. 9 No. 2 | Patrizia Prati (piano)documented | 24 November 2015documented | UnknownunknownUnknownunknown | CC BY-SA 4.0 — recording supplied by Patrizia Pratidocumented | 6 documented; 6 unknown Dossier |
| Frédéric Chopin · Prelude in D♭ major, Op. 28 No. 15Sostenuto — Raindrop | Ivan Ilić (piano)documented | 2005-10documented | UnknownunknownUnknownunknown | Creative Commons Attribution 3.0documented | 6 unknown; 6 documented Dossier |
| Frédéric Chopin · Prelude in E minor, Op. 28 No. 4Largo | Dorian Pâquet (piano)documented | 2019-10-21documented | UnknownunknownUnknownunknown | Creative Commons Attribution–ShareAlike 4.0documented | 7 unknown; 5 documented Dossier |
| Frédéric Chopin · Prelude in E minor, Op. 28 No. 4Largo | Ivan Ilić (piano)documented | 2005-10documented | UnknownunknownUnknownunknown | Creative Commons Attribution 3.0documented | 6 unknown; 6 documented Dossier |
| Frédéric Chopin · Waltz in D♭ major, Op. 64 No. 1 (“Minute”) | Olga Gurevich (piano)documented | c. 2014documented | UnknownunknownUnknownunknown | Public-domain recording dedication by Musopendocumented | 5 documented; 7 unknown Dossier |
| Frédéric Chopin · Waltz in D♭ major, Op. 64 No. 1 (“Minute”) | Muriel Nguyen Xuan (piano)documented | 2007documented | UnknownunknownUnknownunknown | CC BY-SA 4.0documented | 6 documented; 6 unknown Dossier |
| Frédéric Chopin · Waltz in D♭ major, Op. 64 No. 1 (“Minute”) | Sergei Rachmaninoff (piano)documented | 1923-04-05documented | VictordocumentedB-24192, take 5inferred | US public-domain sound recording — published in or before 1925documented | 8 documented; 1 inferred; 3 unknown Dossier |
| Frédéric Chopin · Waltz in C♯ minor, Op. 64 No. 2 | Olga Gurevich (piano)documented | c. 2014documented | Musopen — Set Chopin FreedocumentedUnknownunknown | Recording explicitly dedicated to the public domain by Musopen (PD-author).documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Frédéric Chopin · Étude in F major, Op. 25 No. 3; Waltz in C♯ minor, Op. 64 No. 2HMV DB 860, side 2 | Vladimir de Pachmann (piano)documented | 26 June 1925documented | His Master’s VoicedocumentedCc 6260-1; 05860documented | US public domain: HMV DB 860 was listed and reviewed in The Gramophone, December 1925.documented | 9 documented; 2 unknown; 1 inferred Dossier |
| Frédéric Chopin · Waltz in C♯ minor, Op. 64 No. 2 | Ignacy Jan Paderewski (piano)documented | 23 May 1917inferred | Victor; transferred via Pearl CDdocumentedC 19923-2 (historic issue identification)inferred | US public domain: Commons records US publication before 1921 for this 1917 performance.documented | 4 unknown; 3 documented; 5 inferred Dossier |
| Frédéric Chopin · Waltz in C♯ minor, Op. 64 No. 2 | Walter Morse Rummel (piano)documented | 18 January 1943documented | Gramophonedocumented2218ge9 (take not established)documented | Territorial: EU public domain under the pre-1963 publication rule; first release 1943.documented | 5 unknown; 6 documented; 1 inferred Dossier |
| Clara Schumann · Piano Trio in G minor, Op. 17I. Allegro moderato | Leopold Mannes (piano); Bronislav Gimpel (violin); Luigi Silva (cello)documented | 1951documented | Decca Gold Label SeriesdocumentedSide 1, band 1; printed label matrix MG 2301documented | Territorial EU public-domain basis: commercial publication on Decca DL 9555 documented by September 1952, before 1963.documented | 10 documented; 1 unknown; 1 inferred Dossier |
| Clara Schumann · Piano Trio in G minor, Op. 17III. Andante | Leopold Mannes (piano); Bronislav Gimpel (violin); Luigi Silva (cello)documented | 1951documented | Decca Gold Label SeriesdocumentedSide 1, band 3; printed label matrix MG 2301documented | Territorial EU public-domain basis: commercial publication on Decca DL 9555 documented by September 1952, before 1963.documented | 10 documented; 1 unknown; 1 inferred Dossier |
| Aaron Copland · Fanfare for the Common Man | Hartford Symphony Orchestra (brass and percussion); Fritz Mahler (conductor)documented | Unknownunknown | Vanguard StereolabdocumentedSide 2, band 1documented | Territorial EU phonogram public-domain basis: commercial publication in 1961, before 1963inferred | 9 documented; 2 unknown; 1 inferred Dossier |
| Aaron Copland · Lincoln Portrait | Carl Sandburg (narrator); New York Philharmonic (orchestra); André Kostelanetz (conductor)documented | Unknownunknown | Columbia MasterworksdocumentedSide 1, band 1documented | Territorial EU phonogram public-domain basis: commercial publication in 1959, before 1963inferred | 9 documented; 2 unknown; 1 inferred Dossier |
| Aaron Copland · Orchestral Variations | Hartford Symphony Orchestra (orchestra); Fritz Mahler (conductor)documented | Unknownunknown | Vanguard StereolabdocumentedSide 2, band 2documented | Territorial EU phonogram public-domain basis: commercial publication in 1961, before 1963inferred | 9 documented; 2 unknown; 1 inferred Dossier |
| François Couperin · Les Barricades mystérieuses | Marcelle Meyer (piano)documented | Late 1953 or January 1954documented | Les Discophiles FrançaisdocumentedUnknownunknown | Territorial — Commons PD-EU-audio sound-recording statusdocumented | 8 documented; 4 unknown Dossier |
| François Couperin · Les NationsLa Piémontaise · Sonade | New Comma Baroque (ensemble); Matthew C. Cataldi (Baroque violin); Leighann Daihl (Baroque flute); Phillip W. Serna (viola da gamba); Emily J. Morlan (historical keyboards)documented | 2012-09-10documented | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: CC BY-SA 3.0 Unported.documented | 2 inferred; 4 documented; 6 unknown Dossier |
| François Couperin · Le Tic-Toc-Choc, ou Les Maillotins | Marcelle Meyer (piano)documented | Late 1953 or January 1954documented | Les Discophiles FrançaisdocumentedUnknownunknown | Public domain in the European Union under Commons’ PD-EU-audio designationdocumented | 10 documented; 2 unknown Dossier |
| Carl Philipp Emanuel Bach · Fantasia in F♯ minor, Wq 67 | Joan Benson (clavichord)documented | Unknownunknown | BridgedocumentedUnknownunknown | Rule 1 — recording licence/release: CC BY-SA 2.0 (EFF Open Audio License).documented | 7 documented; 4 unknown; 1 inferred Dossier |
| Carl Philipp Emanuel Bach · Flute Concerto in G major, Wq 169 / H 445III. Presto | Constance Schoepflin (flute); Advent Chamber Orchestra (orchestra)documented | February 2008; programme dated 10 and 17 Februarydocumented | UnknownunknownUnknownunknown | Creative Commons Attribution-ShareAlike 2.0 Generic (CC BY-SA 2.0)documented | 5 documented; 6 unknown; 1 inferred Dossier |
| Carl Philipp Emanuel Bach · Symphony in B minor, Wq 182/5Allegretto — Larghetto — Presto | Mainzer Kammerorchester (orchestra); Günter Kehr (conductor)documented | Unknownunknown | VoxdocumentedSide 2, band 1; printed side identifiers DL 463-1 B and M-1118-Bdocumented | Territorial EU public-domain basis: lawful commercial publication no later than January 1961, before 1963.documented | 10 documented; 1 unknown; 1 inferred Dossier |
| Claude Debussy · Préludes, Book IX. La cathédrale engloutie | Ivan Ilić (piano)documented | April 2006documented | UnknownunknownUnknownunknown | CC BY 3.0 — recording released by Ivan Ilićdocumented | 6 documented; 6 unknown Dossier |
| Claude Debussy · Préludes, Book IX. La cathédrale engloutie | Marcelle Meyer (piano)documented | 15 February 1956documented | Les Discophiles FrançaisdocumentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 5 unknown; 7 documented Dossier |
| Claude Debussy · Children’s CornerVI. Golliwogg’s Cake-Walk | Robert Casadesus (piano)documented | 1950-04-11documented | Columbia MasterworksdocumentedXLP 2933; disc 1, side 2, band 6 of 6documented | Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.documented | 1 unknown; 10 documented; 1 inferred Dossier |
| Claude Debussy · Children’s CornerI. Doctor Gradus ad Parnassum | Robert Casadesus (piano)documented | 1950-04-11documented | Columbia MasterworksdocumentedXLP 2933; disc 1, side 2, band 1 of 6documented | Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.documented | 1 unknown; 10 documented; 1 inferred Dossier |
| Claude Debussy · Children’s CornerII. Jimbo’s Lullaby | Robert Casadesus (piano)documented | 1950-04-11documented | Columbia MasterworksdocumentedXLP 2933; disc 1, side 2, band 2 of 6documented | Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.documented | 1 unknown; 10 documented; 1 inferred Dossier |
| Claude Debussy · Children’s CornerV. The Little Shepherd | Robert Casadesus (piano)documented | 1950-04-11documented | Columbia MasterworksdocumentedXLP 2933; disc 1, side 2, band 5 of 6documented | Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.documented | 1 unknown; 10 documented; 1 inferred Dossier |
| Claude Debussy · Children’s CornerIII. Serenade for the Doll | Robert Casadesus (piano)documented | 1950-04-11documented | Columbia MasterworksdocumentedXLP 2933; disc 1, side 2, band 3 of 6documented | Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.documented | 1 unknown; 10 documented; 1 inferred Dossier |
| Claude Debussy · Children’s CornerIV. The Snow Is Dancing | Robert Casadesus (piano)documented | 1950-04-11documented | Columbia MasterworksdocumentedXLP 2933; disc 1, side 2, band 4 of 6documented | Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.documented | 1 unknown; 10 documented; 1 inferred Dossier |
| Claude Debussy · Suite bergamasqueIII. Clair de lune | Benno Moiseiwitsch (piano)documented | 1946-02-28documented | His Master’s Voicedocumented2EA10890-1; label matrix 2EA.10890; Clair de lune side of HMV C.3485documented | Rule 3 — EU public-domain term basis for a phonogram published before 1963; territorial, not worldwide.documented | 2 unknown; 9 documented; 1 inferred Dossier |
| Claude Debussy · Prélude à l’après-midi d’un faune | Detroit Symphony Orchestra (orchestra); Paul Paray (conductor)documented | 1955-12-03/1955-12-04inferred | Mercury Living PresencedocumentedSide 1, band 4documented | Rule 3 — territorial EU public domain: lawful commercial publication in 1956, before 1963.documented | 10 documented; 2 inferred Dossier |
| Claude Debussy · Ariettes oubliéesII. Il pleure dans mon cœur | Mary Garden (soprano); Claude Debussy (piano)documented | 1904documented | Gramophone & Typewriter (G&T)documentedUnknowndisputed | Rule 2 — US public domain: original G&T commercial issue dated 1904, before the 1925 cutoff.documented | 8 documented; 1 disputed; 2 unknown; 1 inferred Dossier |
| Claude Debussy · Pelléas et MélisandeAct III, scene 1 · Mes longs cheveux descendent | Mary Garden (soprano); Claude Debussy (piano)documented | 1904documented | Gramophone & Typewriter (G&T)documented3078F (discography); Internet Archive gives 3078Flldocumented | Rule 2 — US public domain: original G&T commercial issue dated 1904, before the 1925 cutoff.documented | 9 documented; 2 unknown; 1 inferred Dossier |
| Claude Debussy · La MerI. De l’aube à midi sur la mer | United States Air Force Band, Concert Band (concert band)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording-specific public-domain release: PD-USGov-Military-Air Force (US-law basis).documented | 4 documented; 8 unknown Dossier |
| Claude Debussy · La MerI. De l’aube à midi sur la mer | Detroit Symphony Orchestra (orchestra); Paul Paray (conductor)documented | 1955-12-03/1955-12-04documented | Mercury Living PresencedocumentedSide 2, band 1documented | Rule 3 — territorial EU public domain: lawful commercial publication in 1956, before 1963.documented | 11 documented; 1 inferred Dossier |
| Claude Debussy · La MerIII. Dialogue du vent et de la mer | Detroit Symphony Orchestra (orchestra); Paul Paray (conductor)documented | 1955-12-03/1955-12-04documented | Mercury Living PresencedocumentedSide 2, band 3documented | Rule 3 — territorial EU public domain: lawful commercial publication in 1956, before 1963.documented | 11 documented; 1 inferred Dossier |
| Claude Debussy · La MerII. Jeux de vagues | Detroit Symphony Orchestra (orchestra); Paul Paray (conductor)documented | 1955-12-03/1955-12-04documented | Mercury Living PresencedocumentedSide 2, band 2documented | Rule 3 — territorial EU public domain: lawful commercial publication in 1956, before 1963.documented | 11 documented; 1 inferred Dossier |
| Claude Debussy · NocturnesII. Fêtes — Animé et très rythmé | Orchestre de la Suisse Romande (orchestra); Ernest Ansermet (conductor)documented | October 1951documented | DeccadocumentedSide A; suite master series SAR587–SAR592documented | Rule 3 territorial basis: EU sound recording first published before 1963; US public-domain status not establisheddocumented | 4 unknown; 7 documented; 1 inferred Dossier |
| Claude Debussy · NocturnesI. Nuages — Modéré | Orchestre de la Suisse Romande (orchestra); Ernest Ansermet (conductor)documented | October 1951documented | DeccadocumentedSide A; suite master series SAR587–SAR592documented | Rule 3 territorial basis: EU sound recording first published before 1963; US public-domain status not establisheddocumented | 4 unknown; 7 documented; 1 inferred Dossier |
| Antonín Dvořák · Symphony No. 9 in E minor “From the New World”, Op. 95I. Adagio — Allegro molto | Unknownunknown | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — explicit Musopen public-domain release of the sound recordingdocumented | 10 unknown; 1 inferred; 1 documented Dossier |
| Antonín Dvořák · Symphony No. 9 in E minor “From the New World”, Op. 95IV. Allegro con fuoco | Unknownunknown | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — explicit Musopen public-domain release of the sound recordingdocumented | 10 unknown; 1 inferred; 1 documented Dossier |
| Antonín Dvořák · Symphony No. 9 in E minor “From the New World”, Op. 95II. Largo | Unknownunknown | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen.documented | 9 unknown; 3 documented Dossier |
| Antonín Dvořák · Symphony No. 9 in E minor “From the New World”, Op. 95III. Scherzo — Molto vivace | Unknownunknown | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — explicit Musopen public-domain release of the sound recordingdocumented | 10 unknown; 1 inferred; 1 documented Dossier |
| Edward Elgar · Cello Concerto in E minor, Op. 85IV. Allegro — Moderato — Allegro ma non troppo | Skidmore College Orchestra (orchestra)documented | Unknownunknown | UnknownunknownUnknownunknown | Musopen public-domain recording release, documented by the file-specific PD-author notice and permission statement.documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Edward Elgar · Cello Concerto in E minor, Op. 85Abridged complete concerto · four acoustic sides | Beatrice Harrison (cello); Symphony Orchestra (orchestra, as on the labels); Edward Elgar (conductor)documented | 22 December 1919; 16 November 1920documented | His Master’s Voice / The Gramophone CompanydocumentedI: HO 4197-AF / 2-07853; II: HO 4194-AF / 2-07854; III: HO 4607-AF / 2-07855; IV: HO 4198-AF / 2-07856documented | United States public domain: recording first issued in 1921, before the 1926 cutoff.documented | 9 documented; 2 unknown; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36XII. “B.G.N.” (Andante) | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36X. “Dorabella” (Intermezzo: Allegretto) | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36XIV. “E.D.U.” (Finale: Allegro) | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36XI. “G.R.S.” (Allegro di molto) | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36II. “H.D.S.-P.” (Allegro) | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36IX. Nimrod — Adagio | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36III. “R.B.T.” (Allegretto) | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36XIII. “***” (Romanza: Moderato) | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36V. “R.P.A.” (Moderato) | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36Theme and I. “C.A.E.” — Andante; L’istesso tempo | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36VII. “Troyte” (Presto) | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36IV. “W.M.B.” (Allegro di molto) | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36VIII. “W.N.” (Allegretto) | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36VI. “Ysobel” (Andantino) | Hallé Orchestra (orchestra); John Barbirolli (conductor)documented | 1947documented | UnknownunknownUnknownunknown | Territorial sound-recording public-domain claim: PD-EU-audio; eligible under the programme’s European historical-recording rule.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Edward Elgar · Pomp and Circumstance, Op. 39March No. 1 in D | Royal Albert Hall Orchestra (orchestra); Edward Elgar (conductor)documented | 27 April 1926documented | Victrola (Victor Talking Machine Company)documentedCR 336; Victor side 9016-Adocumented | Territorial EU public-domain basis: Victor 9016 announced for publication on 28 January 1927documented | 10 documented; 1 unknown; 1 inferred Dossier |
| Edward Elgar · Pomp and Circumstance, Op. 39March No. 1 in D | Chicago Symphony Orchestra (orchestra); Frederick Stock (conductor); Walter P. Zimmerman (organ)documented | 22 December 1926documented | Victrola (Victor Talking Machine Company)documentedCVE-37282, take 3; Victor 6648-Bdocumented | Territorial EU public-domain basis: Victor 6648 announced for publication on 1 July 1927documented | 10 documented; 1 unknown; 1 inferred Dossier |
| Edward Elgar · Pomp and Circumstance, Op. 39March No. 1 in D — concert-band arrangement | United States Marine Band (concert band)documented | Unknownunknown | UnknownunknownUnknownunknown | US-government sound recording: Commons explicitly applies PD-USGov-Military-Marines to the performance/recordingdocumented | 4 documented; 7 unknown; 1 inferred Dossier |
| Manuel de Falla · El amor brujoComplete, Nos. 1–13 | Carol Brice (contralto); Pittsburgh Symphony Orchestra (orchestra); Fritz Reiner (conductor)documented | 1946-02-05documented | Columbia MasterworksdocumentedSix sides, matrices XCO 35816 (Nos. 1–3), 35817 (Nos. 4–6), 35818 (Nos. 7–8), 35819 (Nos. 9–10), 35820 (No. 11), 35821 (Nos. 12–13); take 1documented | Territorial EU phonogram public-domain basis: commercial publication in 1947, before 1963inferred | 2 inferred; 8 documented; 2 unknown Dossier |
| Manuel de Falla · Noches en los jardines de EspañaComplete: I. En el Generalife; II. Danza lejana; III. En los jardines de la Sierra de Córdoba | Clifford Curzon (piano); National Symphony Orchestra (orchestra); Enrique Jordá (conductor)documented | 1945-09-26documented | DeccadocumentedSix sides, matrices AR 9689-2, 9690-2, 9691-1, 9692-1, 9693-2, 9694-2; the Spanish catalogue divides the work as Generalife parts 1 and 2, Generalife conclusion, Danza lejana part 1, Danza lejana conclusion with Sierra de Córdoba part 1, and Sierra de Córdoba finaldocumented | Territorial EU phonogram public-domain basis: published no later than 1954, before 1963inferred | 9 documented; 2 unknown; 1 inferred Dossier |
| Manuel de Falla · Siete canciones populares españolasNo. 4, Jota | María Barrientos (soprano); Manuel de Falla (piano)documented | 1928-03-31documented | Columbia (France/Belgium)documentedMatrix WLX310, take 1 (master)documented | Territorial EU phonogram public-domain basis: issued on Columbia PFX-1 in or after mid-1930, a 78-rpm disc, before 1963inferred | 10 documented; 1 unknown; 1 inferred Dossier |
| Manuel de Falla · El sombrero de tres picosSuite No. 2: Danza del molinero (Farruca) | Orquesta Sinfónica de Madrid (orchestra); Enrique Fernández Arbós (conductor)documented | 1928-04-18documented | ColumbiadocumentedFour sides, matrices WKX 79-2, 80-1, 77-2, 78-1; this dance fills one sidedocumented | Territorial EU phonogram public-domain basis: published no later than 1954, before 1963inferred | 2 inferred; 8 documented; 2 unknown Dossier |
| Fanny Hensel · Warum sind denn die Rosen so blassNo. 3 of Sechs Lieder, Op. 1 — Andante | Adèle Bérard (soprano); Laura Lazayre (piano)documented | 22 January 2026documented | Not applicablenot applicableNot applicablenot applicable | CC BY-SA 4.0 (Wikimedia Commons file licence). The audio-only MP3 derived by Contrapunctus is distributed under the same licence.documented | 2 inferred; 7 documented; 3 not applicable Dossier |
| Gabriel Fauré · Requiem, Op. 48V. Agnus Dei | Chorale Philippe Caillard (chorus); Orchestre national de l’Opéra de Monte-Carlo (orchestra); Louis Frémaux (conductor)documented | Unknownunknown | Erato RecordsdocumentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Gabriel Fauré · Requiem, Op. 48VII. In paradisum | Chorale Philippe Caillard (chorus); Orchestre national de l’Opéra de Monte-Carlo (orchestra); Louis Frémaux (conductor); Henri Carol (organ)documented | 1962-08-11disputed | EratodocumentedUnknownunknown | Territorial: sound recording in the public domain in the European Union (Commons PD-EU-audio; first published before 1963).documented | 2 inferred; 4 documented; 2 disputed; 4 unknown Dossier |
| Gabriel Fauré · Requiem, Op. 48I. Introït et Kyrie | Chorale Philippe Caillard (chorus); Orchestre national de l’Opéra de Monte-Carlo (orchestra); Louis Frémaux (conductor); Henri Carol (organ)documented | 1962-08-11disputed | EratodocumentedUnknownunknown | Territorial: sound recording in the public domain in the European Union (Commons PD-EU-audio; first published before 1963).documented | 2 inferred; 4 documented; 2 disputed; 4 unknown Dossier |
| Gabriel Fauré · Requiem, Op. 48VI. Libera me | Bernard Kruysen (baritone); Chorale Philippe Caillard (chorus); Orchestre national de l’Opéra de Monte-Carlo (orchestra); Louis Frémaux (conductor); Henri Carol (organ)documented | 1962-08-11disputed | EratodocumentedUnknownunknown | Territorial: sound recording in the public domain in the European Union (Commons PD-EU-audio; first published before 1963).documented | 2 inferred; 4 documented; 2 disputed; 4 unknown Dossier |
| Gabriel Fauré · Requiem, Op. 48II. Offertoire | Bernard Kruysen (baritone); Chorale Philippe Caillard (chorus); Orchestre national de l’Opéra de Monte-Carlo (orchestra); Louis Frémaux (conductor); Henri Carol (organ)documented | 1962-08-11disputed | EratodocumentedUnknownunknown | Territorial: sound recording in the public domain in the European Union (Commons PD-EU-audio; first published before 1963).documented | 2 inferred; 4 documented; 2 disputed; 4 unknown Dossier |
| Gabriel Fauré · Requiem, Op. 48IV. Pie Jesu | Denis Thilliez (boy soprano); Orchestre national de l’Opéra de Monte-Carlo (orchestra); Louis Frémaux (conductor); Henri Carol (organ)documented | 1962-08-11disputed | EratodocumentedUnknownunknown | Territorial: sound recording in the public domain in the European Union (Commons PD-EU-audio; first published before 1963).documented | 2 inferred; 4 documented; 2 disputed; 4 unknown Dossier |
| Gabriel Fauré · Requiem, Op. 48III. Sanctus | Chorale Philippe Caillard (chorus); Orchestre national de l’Opéra de Monte-Carlo (orchestra); Louis Frémaux (conductor); Henri Carol (organ)documented | 1962-08-11disputed | EratodocumentedUnknownunknown | Territorial: sound recording in the public domain in the European Union (Commons PD-EU-audio; first published before 1963).documented | 2 inferred; 4 documented; 2 disputed; 4 unknown Dossier |
| George Gershwin · Rhapsody in Blue1924 abridged recording — both original sides | George Gershwin (piano); Paul Whiteman Concert Orchestra (jazz band); Paul Whiteman (conductor)documented | 1924-06-10documented | Victor, blue labeldocumentedPart 1: C-30174, take 1; Part 2: C-30173, take 2disputed | Territorial United States public domain from 1 January 2025, on the documented published-1924 basisinferred | 7 documented; 1 disputed; 3 unknown; 1 inferred Dossier |
| George Gershwin · Rhapsody in Blue1924 jazz-band orchestration | Bramwell Tovey (piano); United States Marine Band (ensemble)documented | 2018-07-10documented | United States Marine Band — online concert publicationdocumentedNot applicablenot applicable | Public domain in the United States under the host’s PD-USGov-Military-Marine Corps designationdocumented | 9 documented; 2 not applicable; 1 unknown Dossier |
| Edvard Grieg · From Holberg’s Time, Op. 40IV. Air — Andante religioso | Marine Chamber Orchestra, United States Marine Band (orchestra); Maj. Jason K. Fettig (conductor)documented | 2013-08-17documented | United States Marine Band (web-exclusive audio download)documentedNot applicablenot applicable | Public domain as a work of the United States federal government (U.S. Marine Band)documented | 9 documented; 1 unknown; 1 not applicable; 1 inferred Dossier |
| Edvard Grieg · Peer Gynt Suite No. 1, Op. 46IV. In the Hall of the Mountain King | Czech National Symphony Orchestra (as the Musopen Symphony Orchestra) (orchestra)documented | 2012documented | Musopen (Kickstarter-funded recording project)documentedNot applicablenot applicable | Public domain by Musopen’s release (Creative Commons Public Domain Mark); Commons tags the file {{PD-author}} for Musopendocumented | 2 inferred; 7 documented; 2 unknown; 1 not applicable Dossier |
| Edvard Grieg · Piano Concerto in A minor, Op. 16I. Allegro molto moderato | Neal O’Doan (piano); University of Washington Symphony Orchestra (orchestra); Peter Erős (conductor)documented | Unknownunknown | Pandora Music repository, ibiblio (Al Goldstein collection)documentedUnknownunknown | Creative Commons Attribution-ShareAlike 2.0 (the repository’s Open Audio License wording)documented | 2 inferred; 4 documented; 6 unknown Dossier |
| Edvard Grieg · Wedding Day at Troldhaugen, Op. 65 No. 6Composer’s abridged acoustic recording | Edvard Grieg (piano)documented | 1903-05-02documented | Gramophone & Typewriter Companydocumented2149Fdocumented | US public domain: sound recording first published in 1903documented | 8 documented; 3 unknown; 1 inferred Dossier |
| Edvard Grieg · Wedding Day at Troldhaugen, Op. 65 No. 6 | Harald Vetter (piano)documented | 2006-10-04documented | Harald Vetter (self-published recording)documentedUnknownunknown | Creative Commons Attribution 4.0 International (CC BY 4.0)documented | 6 documented; 5 unknown; 1 inferred Dossier |
| George Frideric Handel · Messiah, HWV 56Hallelujah | Oratorio Chorus (chorus)documented | 1916documented | Edison Diamond Discdocumented4433-A-1-1 (6-1), side Rdocumented | United States public domain: Edison 80292-R was first released in May 1916.documented | 3 unknown; 8 documented; 1 inferred Dossier |
| George Frideric Handel · Messiah, HWV 56Hallelujah | Royal Choral Society (chorus); Royal Albert Hall Orchestra (orchestra); Malcolm Sargent (conductor)documented | 2 April 1926documented | ElectroladocumentedE-CR.237-1A; EJ 39 side 2 of 2documented | territorial — European recording-rights expiry; first publication documented before 1963.documented | 2 unknown; 9 documented; 1 inferred Dossier |
| George Frideric Handel · Messiah, HWV 56Hallelujah | London Symphony Orchestra (orchestra); London Philharmonic Choir (choir); Hermann Scherchen (conductor); Frederick Jackson (chorus master); Thomas Matthews (orchestral leader); George Eskdale (trumpet)documented | 1953documented | Westminster; a Nixa recordingdocumentedHallelujah is side E, track 5 on Westminster XWN 3306.documented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 9 documented; 2 unknown; 1 inferred Dossier |
| George Frideric Handel · Water Music, Suite No. 2 in D, HWV 349I. Allegro | Marine Chamber Orchestra, United States Marine Band (orchestra); Major Michelle A. Rakers (conductor)documented | 2017-01-29documented | UnknownunknownNot applicablenot applicable | Commons tags the performance and recording PD-USGov-Military-Marines: a work of a United States Marine or employee made as part of official duties, public domain as a work of the U.S. federal government.documented | 2 inferred; 5 documented; 3 unknown; 2 not applicable Dossier |
| George Frideric Handel · Water Music, Suite No. 2 in D, HWV 349IV. Bourrée | Marine Chamber Orchestra, United States Marine Band (orchestra); Major Michelle A. Rakers (conductor)documented | 2017-01-29documented | UnknownunknownNot applicablenot applicable | Commons tags the performance and recording PD-USGov-Military-Marines: a work of a United States Marine or employee made as part of official duties, public domain as a work of the U.S. federal government.documented | 2 inferred; 5 documented; 3 unknown; 2 not applicable Dossier |
| George Frideric Handel · Water Music, Suite No. 2 in D, HWV 349II. Alla hornpipe | Marine Chamber Orchestra, United States Marine Band (orchestra); Major Michelle A. Rakers (conductor)documented | 2017-01-29documented | UnknownunknownNot applicablenot applicable | Commons tags the performance and recording PD-USGov-Military-Marines: a work of a United States Marine or employee made as part of official duties, public domain as a work of the U.S. federal government.documented | 2 inferred; 5 documented; 3 unknown; 2 not applicable Dossier |
| George Frideric Handel · Water Music, Suite No. 2 in D, HWV 349III. Lentement | Marine Chamber Orchestra, United States Marine Band (orchestra); Major Michelle A. Rakers (conductor)documented | 2017-01-29documented | UnknownunknownNot applicablenot applicable | Commons tags the performance and recording PD-USGov-Military-Marines: a work of a United States Marine or employee made as part of official duties, public domain as a work of the U.S. federal government.documented | 2 inferred; 5 documented; 3 unknown; 2 not applicable Dossier |
| George Frideric Handel · Water Music, Suite No. 2 in D, HWV 349V. Minuet | Marine Chamber Orchestra, United States Marine Band (orchestra); Major Michelle A. Rakers (conductor)documented | 2017-01-29documented | UnknownunknownNot applicablenot applicable | Commons tags the performance and recording PD-USGov-Military-Marines: a work of a United States Marine or employee made as part of official duties, public domain as a work of the U.S. federal government.documented | 2 inferred; 5 documented; 3 unknown; 2 not applicable Dossier |
| Joseph Haydn · String Quartet in C major, Op. 54 No. 2, Hob. III:57II. Adagio | The Danish String Quartet (string quartet)documented | May 2015documented | Not applicablenot applicableNot applicablenot applicable | Creative Commons Attribution 3.0 (the Commons {{YouTube CC-BY}} template): an explicit release of the recording for any use with attribution.documented | 3 unknown; 5 documented; 3 not applicable; 1 inferred Dossier |
| Joseph Haydn · String Quartet in C major, Op. 54 No. 2, Hob. III:57IV. Finale: Adagio — Presto — Adagio | The Danish String Quartet (string quartet)documented | May 2015documented | Not applicablenot applicableNot applicablenot applicable | Creative Commons Attribution 3.0 (the Commons {{YouTube CC-BY}} template): an explicit release of the recording for any use with attribution.documented | 3 unknown; 5 documented; 3 not applicable; 1 inferred Dossier |
| Joseph Haydn · String Quartet in C major, Op. 54 No. 2, Hob. III:57III. Menuetto: Allegretto — Trio | The Danish String Quartet (string quartet)documented | May 2015documented | Not applicablenot applicableNot applicablenot applicable | Creative Commons Attribution 3.0 (the Commons {{YouTube CC-BY}} template): an explicit release of the recording for any use with attribution.documented | 3 unknown; 5 documented; 3 not applicable; 1 inferred Dossier |
| Joseph Haydn · String Quartet in C major, Op. 54 No. 2, Hob. III:57I. Vivace | The Danish String Quartet (string quartet)documented | May 2015documented | Not applicablenot applicableNot applicablenot applicable | Creative Commons Attribution 3.0 (the Commons {{YouTube CC-BY}} template): an explicit release of the recording for any use with attribution.documented | 3 unknown; 5 documented; 3 not applicable; 1 inferred Dossier |
| Joseph Haydn · Symphony No. 94 “Surprise”I. Adagio cantabile — Vivace assai | Boston Symphony Orchestra (orchestra); Serge Koussevitzky (conductor)documented | 22 and 24 April 1929: the first side on 22 April, the second side on 24 Aprildocumented | VictordocumentedSide 1: CVE-48983, take 2 (22 April 1929); side 2: CVE-48986, take 2 (24 April 1929)documented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 2 unknown; 9 documented; 1 inferred Dossier |
| Joseph Haydn · Symphony No. 94 “Surprise”II. Andante | Boston Symphony Orchestra (orchestra); Serge Koussevitzky (conductor)documented | 22 April 1929documented | VictordocumentedCVE-48984, take 1: Andante, part 3; CVE-48985, take 3: Andante concluded, part 4.documented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 2 unknown; 9 documented; 1 inferred Dossier |
| Joseph Haydn · Symphony No. 94 “Surprise”IV. Finale: Allegro molto | Boston Symphony Orchestra (orchestra); Serge Koussevitzky (conductor)documented | 24 April 1929documented | VictordocumentedCVE-48988, take 2 or take 3: the finale; the take on this transfer is not identifieddocumented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 2 unknown; 9 documented; 1 inferred Dossier |
| Joseph Haydn · Symphony No. 94 “Surprise”III. Menuetto: Allegro molto | Boston Symphony Orchestra (orchestra); Serge Koussevitzky (conductor)documented | 24 April 1929documented | VictordocumentedCVE-48987, take 1: Menuettodocumented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 2 unknown; 9 documented; 1 inferred Dossier |
| Charles Ives · Piano Sonata No. 2 “Concord, Mass., 1840–60”III. The Alcotts | Eric Xi Xin Liang (piano)documented | 2024documented | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: CC BY 4.0 International.documented | 7 unknown; 5 documented Dossier |
| Charles Ives · Piano Sonata No. 2, ‘Concord, Mass., 1840–60’I. Emerson | Eric Xi Xin Liang (piano)documented | 2024documented | UnknownunknownUnknownunknown | Rule 1 — explicit sound-recording licence: Creative Commons Attribution 4.0 Internationaldocumented | 7 unknown; 5 documented Dossier |
| Charles Ives · Piano Sonata No. 2, ‘Concord, Mass., 1840–60’II. Hawthorne | Eric Xi Xin Liang (piano)documented | 2024documented | UnknownunknownUnknownunknown | Rule 1 — explicit sound-recording licence: Creative Commons Attribution 4.0 Internationaldocumented | 7 unknown; 5 documented Dossier |
| Charles Ives · Piano Sonata No. 2, ‘Concord, Mass., 1840–60’IV. Thoreau | Eric Xi Xin Liang (piano)documented | 2024documented | UnknownunknownUnknownunknown | Rule 1 — explicit sound-recording licence: Creative Commons Attribution 4.0 Internationaldocumented | 7 unknown; 5 documented Dossier |
| Élisabeth Jacquet de La Guerre · Pièces de clavecin qui peuvent se joüer sur le viollonSuite in G major · Allemande | Isabelle Nef (harpsichord)documented | Unknownunknown | Éditions de l’Oiseau-LyredocumentedPART 1295 (Allemande); the reverse side, the Gigue, is PART 1296documented | Territorial EU public-domain basis for a disc dated 1942 by the Bibliothèque nationale de France (release in 1938 or 1939 according to an Oiseau-Lyre discography), under the programme’s pre-1963 recording rule.documented | 2 inferred; 7 documented; 3 unknown Dossier |
| Élisabeth Jacquet de La Guerre · Pièces de clavecin qui peuvent se joüer sur le viollonSuite in D minor · 2e Gigue | Isabelle Nef (harpsichord)documented | Unknownunknown | Éditions de l’Oiseau-LyredocumentedPART 1296 (Gigue); the reverse side, the Allemande, is PART 1295documented | Territorial EU public-domain basis for a disc dated 1942 by the Bibliothèque nationale de France (release in 1938 or 1939 according to an Oiseau-Lyre discography), under the programme’s pre-1963 recording rule.documented | 2 inferred; 7 documented; 3 unknown Dossier |
| Leoš Janáček · Piano Sonata 1. X. 1905II. Smrt (Death) — Adagio | Eric Xi Xin Liang (piano)documented | 2023documented | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: CC BY 4.0 International.documented | 7 unknown; 5 documented Dossier |
| Leoš Janáček · Taras BulbaIII. The Prophecy and Death of Taras Bulba | Royal Philharmonic Orchestra (orchestra); Rafael Kubelík (conductor)documented | 1958documented | His Master’s Voice / E.M.I. Records LimiteddocumentedSide 1, band 3documented | Territorial EU public-domain basis: lawful commercial publication in 1959, before 1963.documented | 10 documented; 1 unknown; 1 inferred Dossier |
| · PagliacciVesti la giubba — piano-accompanied side | Enrico Caruso (tenor); Salvatore Cottone (piano)documented | 30 November 1902documented | His Master’s Voice / Gramophone Archive Seriesdocumented2875b, take [1]documented | US public domain: recording first published before 1 January 1926documented | 11 documented; 1 unknown Dossier |
| · PagliacciRecitar!… Vesti la giubba | Enrico Caruso (tenor)documented | 17 March 1907inferred | VictroladocumentedVictor C-4317, take 1inferred | US public domain: source identifies recording first published before 1 January 1926documented | 8 documented; 3 inferred; 1 unknown Dossier |
| Lili Boulanger · Pie Jesu | Alain Fauqueur (boy soprano; Petits Chanteurs de Vincennes); J. J. Grunenwald (organ); Orchestre des Concerts Lamoureux (instrumental players for the chamber scoring); Igor Markevitch (conductor)documented | Unknownunknown | EverestdocumentedSide B4; Discogs reports the corresponding side runout LPBR-6059-2-T1.documented | Rule 3 — territorial EU sound-recording public domain: lawful publication documented by 1960, before 1963.documented | 10 documented; 1 unknown; 1 inferred Dossier |
| Lili Boulanger · Psalm 129 — Ils m’ont assez opprimé dès ma jeunesse | Pierre Mollet (baritone); Chorale Élisabeth Brasseur (women’s voices); Orchestre des Concerts Lamoureux (orchestra); Igor Markevitch (conductor)documented | Unknownunknown | EverestdocumentedSide B2; Discogs reports the corresponding side runout LPBR-6059-2-T1.documented | Rule 3 — territorial EU sound-recording public domain: lawful publication documented by 1960, before 1963.documented | 10 documented; 1 unknown; 1 inferred Dossier |
| Lili Boulanger · Psalm 130 — Du fond de l’abîme | Oralia Domínguez (contralto); Raymond Amade (tenor); J. J. Grunenwald (organ); Chorale Élisabeth Brasseur (mixed chorus); Orchestre des Concerts Lamoureux (orchestra); Igor Markevitch (conductor)documented | Unknownunknown | EverestdocumentedSide A; Discogs reports the corresponding side runout LPBR-6059-1-T1.documented | Rule 3 — territorial EU sound-recording public domain: lawful publication documented by 1960, before 1963.documented | 10 documented; 1 unknown; 1 inferred Dossier |
| Lili Boulanger · Psalm 24 — La terre appartient à l’Éternel | Michel Sénéchal (tenor); J. J. Grunenwald (organ); Chorale Élisabeth Brasseur (mixed chorus); Orchestre des Concerts Lamoureux (brass, harp and timpani players); Igor Markevitch (conductor)documented | Unknownunknown | EverestdocumentedSide B1; Discogs reports the corresponding side runout LPBR-6059-2-T1.documented | Rule 3 — territorial EU sound-recording public domain: lawful publication documented by 1960, before 1963.documented | 10 documented; 1 unknown; 1 inferred Dossier |
| Lili Boulanger · Vieille prière bouddhique | Michel Sénéchal (tenor); Chorale Élisabeth Brasseur (mixed chorus); Orchestre des Concerts Lamoureux (orchestra); Igor Markevitch (conductor)documented | Unknownunknown | EverestdocumentedSide B3; Discogs reports the corresponding side runout LPBR-6059-2-T1.documented | Rule 3 — territorial EU sound-recording public domain: lawful publication documented by 1960, before 1963.documented | 10 documented; 2 unknown Dossier |
| Franz Liszt · Années de pèlerinage I: Suisse, S. 1604. Au bord d’une source | Eugen d’Albert (piano)documented | 1912–1913documented | Odeon; reissue Symposium RecordsdocumentedxxB 5732documented | Territorial EU public-domain basis for the historical commercial Odeon 76565 issue under the programme’s pre-1963 recording rule.documented | 4 unknown; 7 documented; 1 inferred Dossier |
| Franz Liszt · Hungarian Rhapsody No. 2, S. 244/2 | Martha Goldstein (piano)documented | Unknownunknown | UnknownunknownUnknownunknown | Sound recording licensed CC BY-SA 2.0.documented | 4 documented; 7 unknown; 1 inferred Dossier |
| Franz Liszt · Hungarian Rhapsody No. 6, S. 244/6 | Martha Argerich (piano)documented | 1962 on Commons; July 1960 in the DG recital discography.disputed | Deutsche GrammophondocumentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 5 unknown; 3 documented; 1 disputed; 3 inferred Dossier |
| Franz Liszt · Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2Opening disc side only | National Symphony Orchestra of London (orchestra); Walter Goehr (conductor)documented | 1945documented | DeccadocumentedFirst side; source identifier ar9230documented | Territorial — EU public-domain sound recording, first published 1945documented | 9 documented; 3 unknown Dossier |
| Franz Liszt · Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2Opening disc side only | Sergei Rachmaninoff (piano)documented | 1919documented | EdisondocumentedPart I; matrix and take not establisheddocumented | US public-domain sound recording — published in or before 1925documented | 8 documented; 4 unknown Dossier |
| Franz Liszt · Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2Opening disc side only | Philadelphia Orchestra (orchestra); Leopold Stokowski (conductor)documented | 1936documented | HMVdocumentedFirst side; source identifier 2a03100documented | Territorial — EU public-domain sound recording, first published 1937documented | 8 documented; 4 unknown Dossier |
| Franz Liszt · Piano Sonata in B minor, S. 178 | Jorge Bolet (piano)documented | 1960documented | UnknownunknownUnknownunknown | Commons applies PD-EU-audio to the sound recording.documented | 5 documented; 6 unknown; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 2 “Resurrection”I. Allegro maestoso | Barbara Schubert (conductor); DuPage Symphony Orchestra (orchestra)documented | 2004-05-22documented | Eric Pancer, publisher of the Internet Archive itemdocumentedNot applicablenot applicable | Commons applies CC0 1.0 Universal to this recording.documented | 3 unknown; 7 documented; 1 not applicable; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 2 “Resurrection”II. Andante moderato | Barbara Schubert (conductor); DuPage Symphony Orchestra (orchestra)documented | 2004-05-22documented | Eric Pancer, publisher of the Internet Archive itemdocumentedNot applicablenot applicable | Commons applies CC0 1.0 Universal to this recording.documented | 3 unknown; 7 documented; 1 not applicable; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 2 “Resurrection”V. Im Tempo des Scherzos — Wild herausfahrend | Barbara Schubert (conductor); DuPage Symphony Orchestra (orchestra)documented | 2004-05-22documented | Eric Pancer, publisher of the Internet Archive itemdocumentedNot applicablenot applicable | Commons applies CC0 1.0 Universal to this recording.documented | 3 unknown; 7 documented; 1 not applicable; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 2 “Resurrection”III. In ruhig fließender Bewegung | Barbara Schubert (conductor); DuPage Symphony Orchestra (orchestra)documented | 2004-05-22documented | Eric Pancer, publisher of the Internet Archive itemdocumentedNot applicablenot applicable | Commons applies CC0 1.0 Universal to this recording.documented | 3 unknown; 7 documented; 1 not applicable; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 2 “Resurrection”IV. Urlicht — Sehr feierlich, aber schlicht | Barbara Schubert (conductor); DuPage Symphony Orchestra (orchestra)documented | 2004-05-22documented | UnknownunknownNot applicablenot applicable | Rule 1 — recording licence/release: CC0 1.0 Universal; upstream public-domain recording release.documented | 6 documented; 4 unknown; 1 not applicable; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 4I. Bedächtig. Nicht eilen | Unknownunknown | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen.documented | 8 unknown; 4 documented Dossier |
| Gustav Mahler · Symphony No. 4IV. Sehr behaglich — Das himmlische Leben | Unknownunknown | Unknownunknown | UnknownunknownUnknownunknown | Public-domain release attributed to Musopen, under a separate “Recording” licence line.documented | 8 unknown; 4 documented Dossier |
| Gustav Mahler · Symphony No. 4III. Ruhevoll (Poco adagio) | Unknownunknown | Unknownunknown | UnknownunknownUnknownunknown | Public-domain release attributed to Musopen, under a separate “Recording” licence line.documented | 8 unknown; 4 documented Dossier |
| Gustav Mahler · Symphony No. 4II. In gemächlicher Bewegung. Ohne Hast | Unknownunknown | Unknownunknown | UnknownunknownUnknownunknown | Public-domain release attributed to Musopen, under a separate “Recording” licence line.documented | 8 unknown; 4 documented Dossier |
| Gustav Mahler · Symphony No. 5IV. Adagietto — Sehr langsam | Concertgebouw Orchestra (orchestra); Willem Mengelberg (conductor)documented | May 1926documented | Columbiadocumented(W)AX 1548 / (W)AX 1549; Adagietto parts 1 and 2documented | Territorial EU public-domain basis: Columbia L 1798 was published no later than 3 March 1928documented | 9 documented; 2 unknown; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 5IV. Adagietto — Sehr langsam | Peabody Symphony Orchestra (orchestra)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: CC0 1.0 Universal; upstream public-domain recording release.documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 5V. Rondo-Finale — Allegro | Peabody Symphony Orchestra (orchestra)documented | Unknownunknown | UnknownunknownUnknownunknown | Commons applies CC0 1.0 Universal to this recording.documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 5III. Scherzo — Kräftig, nicht zu schnell | Peabody Symphony Orchestra (orchestra)documented | Unknownunknown | UnknownunknownUnknownunknown | Commons applies CC0 1.0 Universal to this recording.documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 5II. Stürmisch bewegt, mit größter Vehemenz | Peabody Symphony Orchestra (orchestra)documented | Unknownunknown | UnknownunknownUnknownunknown | Commons applies CC0 1.0 Universal to this recording.documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 5I. Trauermarsch — In gemessenem Schritt. Streng. Wie ein Kondukt | Peabody Symphony Orchestra (orchestra)documented | Unknownunknown | UnknownunknownUnknownunknown | Commons applies CC0 1.0 Universal to this recording.documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 9IV. Adagio — Sehr langsam und noch zurückhaltend | Vienna Philharmonic (orchestra); Bruno Walter (conductor)documented | 1938-01-16documented | UnknownunknownUnknownunknown | Territorial: Commons applies PD-EU-audio to the sound recording.documented | 6 unknown; 5 documented; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 9I. Andante comodo | Vienna Philharmonic (orchestra); Bruno Walter (conductor)documented | 1938-01-16documented | UnknownunknownUnknownunknown | Territorial: Commons applies PD-EU-audio to the sound recording.documented | 6 unknown; 5 documented; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 9II. Im Tempo eines gemächlichen Ländlers | Vienna Philharmonic (orchestra); Bruno Walter (conductor)documented | 1938-01-16documented | UnknownunknownUnknownunknown | Territorial: Commons applies PD-EU-audio to the sound recording.documented | 6 unknown; 5 documented; 1 inferred Dossier |
| Gustav Mahler · Symphony No. 9III. Rondo-Burleske — Allegro assai. Sehr trotzig | Vienna Philharmonic (orchestra); Bruno Walter (conductor)documented | 1938-01-16documented | UnknownunknownUnknownunknown | Territorial: Commons applies PD-EU-audio to the sound recording.documented | 6 unknown; 5 documented; 1 inferred Dossier |
| Gustav Mahler · Das Lied von der ErdeVI. Der Abschied — Schwer | Kerstin Thorborg (contralto); Concertgebouw Orchestra, Amsterdam (orchestra); Carl Schuricht (conductor)documented | 1939-10-05documented | UnknownunknownUnknownunknown | Treated as public domain in the European Union (territorial): a live broadcast of 5 October 1939 whose related rights, on the sources consulted, had expired before the extended terms applied on 1 November 2013. United States status is not established.inferred | 6 unknown; 4 documented; 2 inferred Dossier |
| Gustav Mahler · Das Lied von der ErdeII. Der Einsame im Herbst — Etwas schleichend. Ermüdet | Kerstin Thorborg (contralto); Concertgebouw Orchestra, Amsterdam (orchestra); Carl Schuricht (conductor)documented | 1939-10-05documented | UnknownunknownUnknownunknown | Treated as public domain in the European Union (territorial): a live broadcast of 5 October 1939 whose related rights, on the sources consulted, had expired before the extended terms applied on 1 November 2013. United States status is not established.inferred | 6 unknown; 4 documented; 2 inferred Dossier |
| Gustav Mahler · Das Lied von der ErdeIII. Von der Jugend — Behaglich heiter | Carl Martin Öhmann (tenor); Concertgebouw Orchestra, Amsterdam (orchestra); Carl Schuricht (conductor)documented | 1939-10-05documented | UnknownunknownUnknownunknown | Treated as public domain in the European Union (territorial): a live broadcast of 5 October 1939 whose related rights, on the sources consulted, had expired before the extended terms applied on 1 November 2013. United States status is not established.inferred | 6 unknown; 4 documented; 2 inferred Dossier |
| Gustav Mahler · Das Lied von der ErdeIV. Von der Schönheit — Comodo. Dolcissimo | Kerstin Thorborg (contralto); Concertgebouw Orchestra, Amsterdam (orchestra); Carl Schuricht (conductor)documented | 1939-10-05documented | UnknownunknownUnknownunknown | Treated as public domain in the European Union (territorial): a live broadcast of 5 October 1939 whose related rights, on the sources consulted, had expired before the extended terms applied on 1 November 2013. United States status is not established.inferred | 6 unknown; 4 documented; 2 inferred Dossier |
| Gustav Mahler · Das Lied von der ErdeI. Das Trinklied vom Jammer der Erde — Allegro pesante | Carl Martin Öhmann (tenor); Concertgebouw Orchestra, Amsterdam (orchestra); Carl Schuricht (conductor)documented | 1939-10-05documented | UnknownunknownUnknownunknown | Treated as public domain in the European Union (territorial): a live broadcast of 5 October 1939 whose related rights, on the sources consulted, had expired before the extended terms applied on 1 November 2013. United States status is not established.inferred | 6 unknown; 4 documented; 2 inferred Dossier |
| Gustav Mahler · Das Lied von der ErdeV. Der Trunkene im Frühling — Allegro. Keck, aber nicht zu schnell | Carl Martin Öhmann (tenor); Concertgebouw Orchestra, Amsterdam (orchestra); Carl Schuricht (conductor)documented | 1939-10-05documented | UnknownunknownUnknownunknown | Treated as public domain in the European Union (territorial): a live broadcast of 5 October 1939 whose related rights, on the sources consulted, had expired before the extended terms applied on 1 November 2013. United States status is not established.inferred | 6 unknown; 4 documented; 2 inferred Dossier |
| Gustav Mahler · KindertotenliederV. In diesem Wetter, in diesem Braus | Marian Anderson (contralto); San Francisco Symphony Orchestra (orchestra); Pierre Monteux (conductor)documented | 1950documented | RCAdocumentedUnknownunknown | Territorial — Commons applies PD-EU-audio to the sound recording.documented | 6 unknown; 6 documented Dossier |
| Gustav Mahler · KindertotenliederV. In diesem Wetter, in diesem Braus | Dietrich Fischer-Dieskau (baritone); Berlin Philharmonic (orchestra); Rudolf Kempe (conductor)documented | 20–21 June 1955documented | EMIdocumentedUnknownunknown | Territorial — Commons applies PD-EU-audio to the sound recording.documented | 5 unknown; 7 documented Dossier |
| Gustav Mahler · KindertotenliederII. Nun seh’ ich wohl, warum so dunkle Flammen | Marian Anderson (contralto); San Francisco Symphony Orchestra (orchestra); Pierre Monteux (conductor)documented | 1950documented | RCAdocumentedUnknownunknown | Territorial — Commons applies PD-EU-audio to the sound recording.documented | 6 unknown; 6 documented Dossier |
| Gustav Mahler · KindertotenliederII. Nun seh’ ich wohl, warum so dunkle Flammen | Dietrich Fischer-Dieskau (baritone); Berlin Philharmonic (orchestra); Rudolf Kempe (conductor)documented | 20–21 June 1955documented | EMIdocumentedUnknownunknown | Territorial — Commons applies PD-EU-audio to the sound recording.documented | 5 unknown; 7 documented Dossier |
| Gustav Mahler · KindertotenliederI. Nun will die Sonn’ so hell aufgeh’n | Marian Anderson (contralto); San Francisco Symphony Orchestra (orchestra); Pierre Monteux (conductor)documented | 1950documented | RCAdocumentedUnknownunknown | Territorial — Commons applies PD-EU-audio to the sound recording.documented | 6 unknown; 6 documented Dossier |
| Gustav Mahler · KindertotenliederI. Nun will die Sonn’ so hell aufgeh’n | Dietrich Fischer-Dieskau (baritone); Berlin Philharmonic (orchestra); Rudolf Kempe (conductor)documented | 20–21 June 1955documented | EMIdocumentedUnknownunknown | Territorial — Commons applies PD-EU-audio to the sound recording.documented | 5 unknown; 7 documented Dossier |
| Gustav Mahler · KindertotenliederIV. Oft denk’ ich, sie sind nur ausgegangen | Marian Anderson (contralto); San Francisco Symphony Orchestra (orchestra); Pierre Monteux (conductor)documented | 1950documented | RCAdocumentedUnknownunknown | Territorial — Commons applies PD-EU-audio to the sound recording.documented | 6 unknown; 6 documented Dossier |
| Gustav Mahler · KindertotenliederIV. Oft denk’ ich, sie sind nur ausgegangen | Dietrich Fischer-Dieskau (baritone); Berlin Philharmonic (orchestra); Rudolf Kempe (conductor)documented | 20–21 June 1955documented | EMIdocumentedUnknownunknown | Territorial — Commons applies PD-EU-audio to the sound recording.documented | 5 unknown; 7 documented Dossier |
| Gustav Mahler · KindertotenliederIII. Wenn dein Mütterlein | Marian Anderson (contralto); San Francisco Symphony Orchestra (orchestra); Pierre Monteux (conductor)documented | 1950documented | RCAdocumentedUnknownunknown | Territorial — Commons applies PD-EU-audio to the sound recording.documented | 6 unknown; 6 documented Dossier |
| Gustav Mahler · KindertotenliederIII. Wenn dein Mütterlein | Dietrich Fischer-Dieskau (baritone); Berlin Philharmonic (orchestra); Rudolf Kempe (conductor)documented | 20–21 June 1955documented | EMIdocumentedUnknownunknown | Territorial — Commons applies PD-EU-audio to the sound recording.documented | 5 unknown; 7 documented Dossier |
| Gustav Mahler · Rückert-LiederIch bin der Welt abhanden gekommen — concert-band arrangement | Susan Kavinski (soprano (Chief Musician)); Richard Reed (English horn (Chief Musician)); United States Navy Concert Band (ensemble)documented | c. December 2020documented | Not applicablenot applicableNot applicablenot applicable | Public domain in the United States as a work of a U.S. Navy sailor or employee made as part of official duties (Commons template PD-USGov-Navy); the file also carries the Public Domain Mark.documented | 1 inferred; 6 documented; 2 unknown; 3 not applicable Dossier |
| Felix Mendelssohn · The Hebrides, Op. 26Allegro moderato | Musopen Symphony (orchestra attribution)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen.documented | 8 unknown; 4 documented Dossier |
| Felix Mendelssohn · Violin Concerto in E minor, Op. 64I. Allegro molto appassionato | Soojin Han (violin (soloist)); Seokwon Hong (conductor); Hankyung Arte Philharmonic (orchestra)documented | 23 September 2022documented | YouTube video on the channel “한수진 Soojin Han”; no commercial labeldocumentedNot applicablenot applicable | Creative Commons Attribution 3.0 (CC BY 3.0), through the “YouTube CC-BY” licence template on Commons. Rights rule 1: the licence covers the sound recording.documented | 3 unknown; 6 documented; 1 not applicable; 2 inferred Dossier |
| Felix Mendelssohn · Violin Concerto in E minor, Op. 64II. Andante | Soojin Han (violin (soloist)); Seokwon Hong (conductor); Hankyung Arte Philharmonic (orchestra)documented | 23 September 2022documented | YouTube video on the channel “한수진 Soojin Han”; no commercial labeldocumentedNot applicablenot applicable | Creative Commons Attribution 3.0 (CC BY 3.0), through the “YouTube CC-BY” licence template on Commons. Rights rule 1: the licence covers the sound recording.documented | 3 unknown; 6 documented; 1 not applicable; 2 inferred Dossier |
| Felix Mendelssohn · Violin Concerto in E minor, Op. 64III. Allegretto non troppo — Allegro molto vivace | Soojin Han (violin (soloist)); Seokwon Hong (conductor); Hankyung Arte Philharmonic (orchestra)documented | 23 September 2022documented | YouTube video on the channel “한수진 Soojin Han”; no commercial labeldocumentedNot applicablenot applicable | Creative Commons Attribution 3.0 (CC BY 3.0), through the “YouTube CC-BY” licence template on Commons. Rights rule 1: the licence covers the sound recording.documented | 3 unknown; 6 documented; 1 not applicable; 2 inferred Dossier |
| Olivier Messiaen · La Nativité du SeigneurIX. Dieu parmi nous | Ernest White (organ)documented | August 1949documented | Mercury Classics, 12-inch long-playing recorddocumentedSide 2, track 5 of the Internet Archive segmentation (“God Among Us”); matrix and take numbers not readdocumented | Territorial EU public-domain basis: first published by autumn 1952 (before 1963); US status not established.documented | 12 documented Dossier |
| Olivier Messiaen · Turangalîla-SymphonieVI. Jardin du sommeil d’amour | Yvonne Loriod (piano); Jeanne Loriod (ondes Martenot); Orchestre National de la R.T.F. (orchestra); Maurice Le Roux (conductor)documented | Unknownunknown | Vega (France), two 30 cm 33⅓ rpm LPs in the series “Présence de la musique contemporaine”, (P) 1962documented28.002 face 3: N° 6 Jardin du sommeil d’amour 10′05″ and N° 7 Turangalîla II 4′00″; matrix and take numbers not readdocumented | Territorial EU public-domain basis: first published in 1962 (before 1963); US status not established.documented | 1 inferred; 9 documented; 2 unknown Dossier |
| Wolfgang Amadeus Mozart · Symphony No. 40 in G minor, K. 550II. Andante | Musopen Symphony (orchestra, as named on Commons)disputed | Unknownunknown | Musopen — digital Kickstarter projectdocumentedUnknownunknown | Rule 1 — explicit PD-author public-domain dedication of the recording by Musopendocumented | 8 unknown; 1 disputed; 3 documented Dossier |
| Wolfgang Amadeus Mozart · Symphony No. 40 in G minor, K. 550IV. Finale: Allegro assai | Musopen Symphony (orchestra, as named on Commons)disputed | Unknownunknown | Musopen — digital Kickstarter projectdocumentedUnknownunknown | Rule 1 — explicit PD-author public-domain dedication of the recording by Musopendocumented | 8 unknown; 1 disputed; 3 documented Dossier |
| Wolfgang Amadeus Mozart · Symphony No. 40 in G minor, K. 550III. Menuetto: Allegretto | Musopen Symphony (orchestra, as named on Commons)disputed | Unknownunknown | Musopen — digital Kickstarter projectdocumentedUnknownunknown | Rule 1 — explicit PD-author public-domain dedication of the recording by Musopendocumented | 8 unknown; 1 disputed; 3 documented Dossier |
| Wolfgang Amadeus Mozart · Symphony No. 40, K. 550I. Molto allegro | Musopen Symphony (orchestra, as named on the Commons description)disputed | Unknownunknown | Musopen — digital Kickstarter projectdocumentedUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen.documented | 7 unknown; 2 disputed; 3 documented Dossier |
| Wolfgang Amadeus Mozart · Symphony No. 41 in C major, K. 551 “Jupiter”IV. Finale: Molto allegro | Columbia Symphony Orchestra (orchestra); Bruno Walter (conductor)documented | Unknownunknown | Columbia MasterworksdocumentedUnknownunknown | Rule 3 — EU territorial route for a recording published before 1963inferred | 4 unknown; 6 documented; 2 inferred Dossier |
| Wolfgang Amadeus Mozart · Piano Concerto No. 21 in C major, K. 467I. Allegro maestoso | Artur Schnabel (piano); London Symphony Orchestra (orchestra); Malcolm Sargent (conductor)documented | 1937-01-12documented | Angel Records — Great Recordings of the CenturydocumentedProbable original-side lineage: 2EA 4604-1, 2EA 4605-1, 2EA 4606-1 and 2EA 4607-2A; first movement parts 1–4 on HMV DB3099–3100.inferred | territorial — EU public-domain basis: first published in November 1937 on HMV DB3099–3102.documented | 3 unknown; 7 documented; 2 inferred Dossier |
| Wolfgang Amadeus Mozart · Piano Concerto No. 21 in C major, K. 467II. Andante | Artur Schnabel (piano); London Symphony Orchestra (orchestra); Malcolm Sargent (conductor)documented | 1937-01-12documented | Angel Records — Great Recordings of the CenturydocumentedProbable original-side lineage: 2EA 4608-1 and 2EA 4609-2A; Andante parts 1–2 on HMV DB3101, concerto sides 5–6.inferred | territorial — EU public-domain basis: first published in November 1937 on HMV DB3099–3102.documented | 3 unknown; 7 documented; 2 inferred Dossier |
| Wolfgang Amadeus Mozart · Piano Concerto No. 21 in C major, K. 467III. Allegro vivace assai | Artur Schnabel (piano); London Symphony Orchestra (orchestra); Malcolm Sargent (conductor)documented | 1937-01-12documented | Angel Records — Great Recordings of the CenturydocumentedProbable original-side lineage: 2EA 4610-2A and 2EA 4611-2A; finale parts 1–2 on HMV DB3102, concerto sides 7–8.inferred | territorial — EU public-domain basis: first published in November 1937 on HMV DB3099–3102.documented | 3 unknown; 7 documented; 2 inferred Dossier |
| Wolfgang Amadeus Mozart · Clarinet Concerto in A major, K. 622II. Adagio | William McColl (basset clarinet); University of Washington Symphony Orchestra (orchestra); Abraham Kaplan (conductor)documented | December 1987documented | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: CC BY-SA 2.0 (EFF Open Audio License).documented | 6 documented; 5 unknown; 1 inferred Dossier |
| Wolfgang Amadeus Mozart · Clarinet Concerto in A major, K. 622I. Allegro | William McColl (basset clarinet); University of Washington Symphony Orchestra (orchestra); Abraham Kaplan (conductor)documented | December 1987documented | UnknownunknownUnknownunknown | Rule 1 — CC BY-SA 2.0, through the documented EFF Open Audio License releasedocumented | 6 documented; 5 unknown; 1 inferred Dossier |
| Wolfgang Amadeus Mozart · Clarinet Concerto in A major, K. 622III. Rondo: Allegro | William McColl (basset clarinet); University of Washington Symphony Orchestra (orchestra); Abraham Kaplan (conductor)documented | December 1987documented | UnknownunknownUnknownunknown | Rule 1 — CC BY-SA 2.0, through the documented EFF Open Audio License releasedocumented | 6 documented; 5 unknown; 1 inferred Dossier |
| Wolfgang Amadeus Mozart · Don Giovanni, K. 527No. 7 Là ci darem la mano (Don Giovanni, Zerlina) | Mabel Garrison (soprano, Zerlina); Reinald Werrenrath (baritone, Don Giovanni); Josef Pasternack (conductor); Unidentified orchestra (orchestral accompaniment)documented | 18 February 1920documented | VictordocumentedB-23741, take 2; single-faced Victor 87569documented | Rule 2 — United States recording published in 1920, before the programme cutoffinferred | 3 unknown; 7 documented; 2 inferred Dossier |
| Wolfgang Amadeus Mozart · Requiem in D minor, K. 626XIV. Communio: Lux aeterna | Lisa della Casa (soprano); Wiener Staatsopernchor (chorus); Wiener Philharmoniker (orchestra); Franz Sauer (organ); Bruno Walter (conductor)documented | 1956-07-26documented | UnknownunknownUnknownunknown | Rule 1 — territorial recording claim: Commons applies PD-EU-audio; upstream Internet Archive applies Public Domain Mark 1.0.documented | 2 inferred; 5 documented; 5 unknown Dossier |
| Wolfgang Amadeus Mozart · Requiem in D minor, K. 626III. Dies irae — Allegro assai | Wiener Staatsopernchor (chorus); Wiener Philharmoniker (orchestra); Franz Sauer (organ); Bruno Walter (conductor)documented | 1956-07-26documented | UnknownunknownUnknownunknown | Rule 1 — territorial recording claim: Commons applies PD-EU-audio; upstream Internet Archive applies Public Domain Mark 1.0.documented | 2 inferred; 5 documented; 5 unknown Dossier |
| Wolfgang Amadeus Mozart · Requiem in D minor, K. 626I. Introitus: Requiem aeternam — Adagio | Lisa della Casa (soprano); Wiener Staatsopernchor (chorus); Wiener Philharmoniker (orchestra); Franz Sauer (organ); Bruno Walter (conductor)documented | 1956-07-26documented | UnknownunknownUnknownunknown | Rule 1 — territorial recording claim: Commons applies PD-EU-audio; upstream Internet Archive applies Public Domain Mark 1.0.documented | 2 inferred; 5 documented; 5 unknown Dossier |
| Wolfgang Amadeus Mozart · Requiem in D minor, K. 626VIII. Lacrimosa | Wiener Staatsopernchor (chorus); Wiener Philharmoniker (orchestra); Franz Sauer (organ); Bruno Walter (conductor)documented | 1956-07-26documented | UnknownunknownUnknownunknown | Rule 1 — territorial recording claim: Commons applies PD-EU-audio; upstream Internet Archive applies Public Domain Mark 1.0.documented | 2 inferred; 5 documented; 5 unknown Dossier |
| Modest Mussorgsky · Night on Bald MountainRimsky-Korsakov’s concert version | Unknownunknown | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen.documented | 1 inferred; 9 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionIX. La cabane sur des pattes de poule (Baba-Yaga) — Allegro con brio, feroce — Andante mosso — Allegro molto | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive and the Internet Archive)disputed | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 1 inferred; 1 disputed; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionV. Ballet des poussins dans leurs coques — Scherzino, vivo leggiero | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionIV. Bydło — Sempre moderato, pesante | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionVIII. Catacombae (Sepulcrum romanum) — Largo | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionCum mortuis in lingua mortua — Andante non troppo, con lamento | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionI. Gnomus — Vivo | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionVI. “Samuel” Goldenberg und “Schmuÿle” — Andante | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionX. La grande porte de Kiev — Allegro alla breve. Maestoso. Con grandezza | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionVII. Limoges. Le marché (La grande nouvelle) — Allegretto vivo, sempre scherzando | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionPromenade — Allegro giusto, nel modo russico | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive and the Internet Archive)disputed | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 1 inferred; 1 disputed; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionPromenade — Moderato comodo e con delicatezza | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionPromenade — Moderato non tanto, pesante | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionPromenade — Tranquillo | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionIII. Tuileries (Dispute d’enfants après jeux) — Allegretto non troppo, capriccioso | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Modest Mussorgsky · Pictures at an ExhibitionII. Il vecchio castello — Andante | Skidmore College Orchestra (orchestra, as stated by the Free Music Archive; conductor unknown)inferred | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen, with Wikimedia VRTS permission ticket 2008012110017088.documented | 2 inferred; 8 unknown; 2 documented Dossier |
| Carl Nielsen · Wind Quintet, Op. 43II. Menuet | Det Kgl. Kapels Blæserkvintet (Wind Quintet of the Royal Orchestra, Copenhagen) (ensemble); Holger Gilbert-Jespersen (flute); Svend Christian Felumb (oboe); Aage Oxenvad (clarinet); Hans Sørensen (horn); Knud Lassen (bassoon)documented | 5 May 1936documented | His Master’s Voice (The Gramophone Company, Ltd.), 12-inch records in the Scandinavian red-label D.B. series, pressed in Englanddocumented2CS 295-4 (D.B. 5201 A)documented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 3 inferred; 8 documented; 1 unknown Dossier |
| Carl Nielsen · Wind Quintet, Op. 43III. Præludium — Tema med variationer | Det Kgl. Kapels Blæserkvintet (Wind Quintet of the Royal Orchestra, Copenhagen) (ensemble); Holger Gilbert-Jespersen (flute); Svend Christian Felumb (oboe and cor anglais); Aage Oxenvad (clarinet); Hans Sørensen (horn); Knud Lassen (bassoon)documented | 24 January 1936documented | His Master’s Voice (The Gramophone Company, Ltd.), 12-inch records in the Scandinavian red-label D.B. series, pressed in Englanddocumented2CS 294-2 (D.B. 5201 B), 2CS 291-1 (D.B. 5202 A), 2CS 292-2 (D.B. 5202 B), 2CS 293-2 (D.B. 5203 A)documented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 2 inferred; 9 documented; 1 unknown Dossier |
| · Praeludium in C major, BuxWV 137Prelude, Fugue and Chaconne | Fabian Wöhrle (organ)documented | Unknownunknown | UnknownunknownUnknownunknown | Creative Commons Attribution-ShareAlike 4.0documented | 5 documented; 7 unknown Dossier |
| · Concerto grosso in D major, Op. 6 No. 4I. Adagio — Allegro | Advent Chamber Orchestra (ensemble); Roxanna Pavel Goldstein (musical director)documented | 2005–2006 seasondocumented | UnknownunknownUnknownunknown | Creative Commons Attribution-ShareAlike 2.0documented | 6 documented; 6 unknown Dossier |
| · O frondens virgaAntiphon for the Virgin | Makemi (solo voice)documented | 2006documented | UnknownunknownUnknownunknown | Rule 1 — CC BY-SA 3.0 Unported, performer’s releasedocumented | 7 documented; 5 unknown Dossier |
| · Mille regretzFour-voice chanson · attributed to Josquin des Prez | Collegium Vocale Bydgoszcz (vocal ensemble)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — CC BY 3.0 Unported as explicitly declared for the recording on Commonsdocumented | 5 documented; 6 unknown; 1 inferred Dossier |
| · Douce dame jolie / L’espoir que j’aiMachaut and Janequin · Weckerlin arrangements · complete Victor side | Lambert Murphy (tenor); Stefano Di Stefano (harp); William Carlino (lute)documented | 1915-03-17documented | Victor Talking Machine Company; blue labeldocumentedB-15595, take 4; side 45083-Bdocumented | Rule 2 — United States public domain: published May 1916documented | 10 documented; 1 unknown; 1 inferred Dossier |
| · Quel augellin che cantaMadrigals, Book IV · No. 13, SV 87 | The Tudor Consort (vocal ensemble); Alastair Carey (director)documented | 2005-11-02documented | UnknownunknownUnknownunknown | Rule 1 — CC BY 3.0 Unporteddocumented | 8 documented; 4 unknown Dossier |
| · Sicut lilium inter spinasMotet | The Tudor Consort (vocal ensemble); Michael Stewart (director)documented | 2007-07-29inferred | UnknownunknownNot applicablenot applicable | Rule 1 — CC BY 3.0 Unporteddocumented | 5 documented; 3 inferred; 3 unknown; 1 not applicable Dossier |
| · Pange lingua gloriosi corporis mysteriumTraditional plainchant hymn | Gareth Hughes (voice)documented | 2005-03-14documented | UnknownunknownUnknownunknown | Rule 1 — CC BY-SA 3.0 Unporteddocumented | 5 documented; 6 unknown; 1 inferred Dossier |
| · The Fairy Queen, Z. 629Act V. Chaconne | Orquestra de música antiga de l’Esmuc (early-music orchestra); Alba Roca (concertmaster and director)documented | 2018-04-07documented | UnknownunknownUnknownunknown | Creative Commons Attribution-ShareAlike 4.0documented | 1 inferred; 7 documented; 4 unknown Dossier |
| Francis Poulenc · Le Bestiaire ou Cortège d’Orphée, FP 15 | Pierre Bernac (baritone); Francis Poulenc (piano)documented | Not statedunknown | His Master’s Voice (HMV), 12-inch 78 rpmdocumented2EA 10804-1 (Le Bestiaire); Montparnasse on the other side, 2EA 10807-1documented | Rule 3 — territorial EU public domain: first published before 1963; on sale as an import by April 1947 and reviewed in The Gramophone in 1947.documented | 9 documented; 3 unknown Dossier |
| Francis Poulenc · Concerto for Two Pianos in D minor, FP 61II. Larghetto | Arthur Whittemore (piano); Jack Lowe (piano); RCA Victor Symphony Orchestra (orchestra); Dimitri Mitropoulos (conductor)documented | 1947documented | RCA Victor Red SealdocumentedSides 3–4: 12-0368-A and 12-0368-B; matrices D7-RC-8226 and D7-RC-8227documented | Territorial EU public-domain basis: commercial publication in 1948, before 1963.documented | 11 documented; 1 unknown Dossier |
| Francis Poulenc · Tel jour telle nuit, FP 86VII–IX: Je n’ai envie que de t’aimer; Figure de force brûlante et farouche; Nous avons fait la nuit | Pierre Bernac (baritone); Francis Poulenc (piano)documented | Not statedunknown | His Master’s Voice (HMV), 12-inch 78 rpmdocumented2EA 11110-1 (this side); the reverse, Dans le jardin d’Anna, is 2EA 11131documented | Rule 3 — territorial EU public domain: first published before 1963; listed as an import by March 1948.documented | 9 documented; 3 unknown Dossier |
| Florence Price · My Soul’s Been Anchored in de Lord | Marian Anderson (contralto); Kosti Vehanen (piano)documented | 1936-02-04documented | Victor (Camden, N.J.), 10-inch double-faced Red Seal; the same take was issued as Gramophone DA-1560documentedBS-99538, take 2documented | Territorial EU public domain: first published before 1963 (Victor 1799, released February 1937). United States status not established: a recording first published in 1937 is still within the term of federal protection for pre-1972 recordings, and the Internet Archive item sits in the collection that was the subject of UMG Recordings, Inc. v. Internet Archive.documented | 2 inferred; 9 documented; 1 unknown Dossier |
| Sergei Prokofiev · Symphony No. 1 in D major, Op. 25, “Classical”Complete · Allegro — Larghetto — Gavotte — Molto vivace | Philharmonia Orchestra (orchestra); Nicolai Malko (conductor)documented | Unknownunknown | RCA Victor Red Sealdocumentedside: 2; band: 2; matrix: ; take: documented | EU public domain on the pre-1963 lawful-publication basis: RCA Victor LM-2092 was published in 1957.inferred | 9 documented; 1 unknown; 2 inferred Dossier |
| Sergei Prokofiev · Piano Sonata No. 2, Op. 14Complete · Allegro ma non troppo — Scherzo — Andante — Vivace | E. M. Zinger (piano)documented | 8 October 1962documented | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: CC BY-SA 4.0 International.documented | 6 unknown; 5 documented; 1 inferred Dossier |
| Sergei Prokofiev · Toccata in D minor, Op. 11 | Martha Argerich (piano)documented | 1962 on Commons; July 1960 in the DG recital discography.disputed | Deutsche GrammophondocumentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 5 unknown; 3 documented; 1 disputed; 3 inferred Dossier |
| Giacomo Puccini · ToscaAct III · E lucevan le stelle — piano-accompanied recording | Enrico Caruso (tenor); Salvatore Cottone (piano)documented | 1902-04-11documented | Gramophone & Typewriter / Gramophone Concert Recordinferred1790 — historical matrix associated with Caruso’s April 1902 recording; take and source-pressing markings unestablishedinferred | Rule 2 — United States public domain: the original 1902 Caruso sound recording was commercially pressed before 1923.documented | 7 documented; 3 inferred; 2 unknown Dossier |
| Giacomo Puccini · La bohèmeAct I · Sì, mi chiamano Mimì | Claudia Muzio (soprano)documented | 1911documented | UnknownunknownUnknownunknown | Rule 2 — sound recording public domain in the United States (first published by 1925).documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Giacomo Puccini · La bohèmeAct IV · O Mimì, tu più non torni | Enrico Caruso (tenor); Antonio Scotti (baritone)documented | 1907-03-17documented | VictordocumentedC-4315, take 1; 12-inch masterdocumented | Rule 2 — United States public domain: original sound recording issued as Victor 89006 in 1907, before 1923.documented | 2 unknown; 9 documented; 1 inferred Dossier |
| Giacomo Puccini · La bohèmeAct I · O soave fanciulla | Nellie Melba (soprano); Enrico Caruso (tenor)documented | 1907-03-24documented | VictordocumentedC-4326, take 1; 12-inch masterdocumented | Rules 1 and 2 — attribution-only release of Adam Cuerden’s restoration; underlying sound recording commercially issued in 1907 and public domain in the United States.documented | 2 unknown; 10 documented Dossier |
| Giacomo Puccini · ToscaAct I · Recondita armonia | Enrico Caruso (tenor); Victor Orchestra (orchestra)documented | 1909-11-06documented | VictordocumentedB-8347, take 1; 10-inch masterdocumented | Rule 2 — United States public domain: original sound recording commercially issued in 1909, before 1923.documented | 2 unknown; 10 documented Dossier |
| Giacomo Puccini · ToscaAct II · Vissi d’arte | Emmy Destinn (soprano)documented | 1914-04-23documented | VictordocumentedC-14508, take 4documented | Rule 2 — United States public domain: Victor 88487 was commercially issued in the 1914–1917 release group, before 1923.documented | 3 unknown; 9 documented Dossier |
| Sergei Rachmaninoff · Barcarolle, Op. 10 No. 3Moderato | Sergei Rachmaninoff (piano)documented | 1919-04disputed | Edison Diamond Disc; RCA/BMG reissuedocumentedEdison matrix 6743, take C (side L)inferred | US public domain: the issued sound recording was published by 1925 (Edison Diamond Disc 82202, released February 1921).documented | 8 documented; 1 disputed; 2 inferred; 1 unknown Dossier |
| Sergei Rachmaninoff · Piano Concerto No. 2, Op. 18II. Adagio sostenuto — opening 78-rpm side only | Sergei Rachmaninoff (piano); Philadelphia Orchestra (orchestra); Leopold Stokowski (conductor)documented | 10 April 1929documented | His Master’s Voice / The Gramophone Co. Ltd.documentedVictor CVE-48966, take 1; Gramophone face number 2-05744; concerto part 4documented | Territorial EU public-domain basis: sound recording published before 1963.documented | 2 unknown; 9 documented; 1 inferred Dossier |
| Sergei Rachmaninoff · Piano Concerto No. 2, Op. 18II. Adagio sostenuto | Sviatoslav Richter (piano); Warsaw National Philharmonic Orchestra (orchestra); Stanisław Wisłocki (conductor)documented | 1959documented | Deutsche GrammophondocumentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 4 unknown; 7 documented; 1 inferred Dossier |
| Sergei Rachmaninoff · Piano Concerto No. 2, Op. 18III. Allegro scherzando | Sviatoslav Richter (piano); Warsaw National Philharmonic Orchestra (orchestra); Stanisław Wisłocki (conductor)documented | 1959documented | Deutsche GrammophondocumentedUnknownunknown | Territorial public domain: Commons applies PD-EU-audio to this 1959 recording.documented | 4 unknown; 5 documented; 3 inferred Dossier |
| Sergei Rachmaninoff · Piano Concerto No. 2, Op. 18I. Moderato — opening 78-rpm side only | Sergei Rachmaninoff (piano); Philadelphia Orchestra (orchestra); Leopold Stokowski (conductor)documented | 10 April 1929documented | His Master’s Voice / The Gramophone Co. Ltd.documentedVictor CVE-48963, take 3; Gramophone face number 42-600; concerto part 1documented | Territorial EU public-domain basis: sound recording published before 1963.documented | 2 unknown; 9 documented; 1 inferred Dossier |
| Sergei Rachmaninoff · Piano Concerto No. 2, Op. 18I. Moderato | Sviatoslav Richter (piano); Warsaw National Philharmonic Orchestra (orchestra); Stanisław Wisłocki (conductor)documented | 26–28 April 1959documented | Deutsche GrammophondocumentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Sergei Rachmaninoff · Étude-tableau in E♭ minor, Op. 39 No. 5Appassionato | Karine Gilanyan (piano)documented | 2005–2007documented | Musopen (digital distributor)documentedUnknownunknown | Commons records a public-domain release by Karine Gilanyan, represented by Musopen, together with an attribution-only notice.documented | 6 unknown; 5 documented; 1 inferred Dossier |
| Sergei Rachmaninoff · Lilacs, Op. 21 No. 5 (composer’s piano transcription) | Sergei Rachmaninoff (piano)documented | 1923-12-27documented | Victor (Red Seal); RCA/BMG reissuedocumentedB-24123, take 9inferred | US public domain: the issued sound recording was published by 1925 (Victor 1051, recorded 1923).documented | 9 documented; 2 inferred; 1 unknown Dossier |
| Sergei Rachmaninoff · Polichinelle, Op. 3 No. 4Allegro vivace | Sergei Rachmaninoff (piano)documented | 1923-03-06documented | Victor (Red Seal); RCA/BMG reissuedocumentedC-24643, take 2inferred | US public domain: the issued sound recording was published by 1925 (Victor 6452, recorded 1923).documented | 9 documented; 2 inferred; 1 unknown Dossier |
| Sergei Rachmaninoff · Polka de V.R. (Polka de W. R.)Allegretto | Sergei Rachmaninoff (piano)documented | 1919-04disputed | Edison Diamond Disc; RCA/BMG reissuedocumentedEdison matrix 6744, take B (side L)inferred | US public domain: the issued sound recording was published by 1925 (Edison Diamond Disc 82187, released December 1920).documented | 8 documented; 1 disputed; 2 inferred; 1 unknown Dossier |
| Sergei Rachmaninoff · Prelude in C♯ minor, Op. 3 No. 2 | Sergei Rachmaninoff (piano)documented | 1921documented | Victor (Victrola pressing)documentedB-25650; take 3 or 13 not established for this transferdocumented | US public domain: the original Victor 66016 issue was publicly advertised for sale by 16 June 1922, before the 1925 cutoff.documented | 3 unknown; 8 documented; 1 inferred Dossier |
| Sergei Rachmaninoff · Prelude in C♯ minor, Op. 3 No. 2 | Sergei Rachmaninoff (piano)documented | 4 April 1928documented | VictordocumentedBVE-25650, take 23documented | Territorial: EU public domain under the pre-1963 publication rule; Victor 1326 and Gramophone DA-996 are dated 1928.documented | 3 unknown; 8 documented; 1 inferred Dossier |
| Sergei Rachmaninoff · Prelude in C♯ minor, Op. 3 No. 2 | Martin Wörner (piano)documented | May 2005documented | UnknownunknownUnknownunknown | CC BY-SA 4.0, applied to the recording with Wikimedia permission ticket 2016021310010529.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Sergei Rachmaninoff · Prelude in C♯ minor, Op. 3 No. 2 | Sergei Rachmaninoff (piano)documented | 1919-04-24documented | Edison Records — Diamond DiscdocumentedMatrix 6742-C-2-3 [2-1]; side R of Edison Diamond Disc 82187documented | Rule 2 — sound recording public domain in the United States (first published by 1925).documented | 11 documented; 1 unknown Dossier |
| Sergei Rachmaninoff · Prelude in G minor, Op. 23 No. 5Alla marcia | Sergei Rachmaninoff (piano)documented | 1920-05-17documented | Victor; RCA/BMG reissuedocumentedC-23984-4; one issued sideinferred | US public domain: the issued sound recording was commercially available by 1925; Internet Archive also applies Public Domain Mark 1.0 to the access file.documented | 2 unknown; 8 documented; 2 inferred Dossier |
| Sergei Rachmaninoff · Prelude in B minor, Op. 32 No. 10Lento | La Pianista (piano)documented | 2010-05-12documented | UnknownunknownUnknownunknown | Creative Commons Attribution 3.0 Unported, applied explicitly to the recording by La Pianista.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Sergei Rachmaninoff · Prelude in G♯ minor, Op. 32 No. 12Allegro | Sergei Rachmaninoff (piano)documented | 1921-01-21documented | Victor; RCA/BMG reissuedocumentedB-24642-5; one issued sideinferred | US public domain: the issued sound recording was commercially available by 1925; Internet Archive also applies Public Domain Mark 1.0 to the access file.documented | 2 unknown; 8 documented; 2 inferred Dossier |
| Sergei Rachmaninoff · Prelude in G major, Op. 32 No. 5Moderato | Sergei Rachmaninoff (piano)documented | 1920-05-03documented | Victor; RCA/BMG reissuedocumentedC-23985-1; one issued sideinferred | US public domain: the issued sound recording was commercially available by 1925; Internet Archive also applies Public Domain Mark 1.0 to the access file.documented | 2 unknown; 8 documented; 2 inferred Dossier |
| Sergei Rachmaninoff · Sérénade, Op. 3 No. 5Sostenuto — Tempo di Valse | Sergei Rachmaninoff (piano)documented | 1922-11-04documented | Victor (Red Seal); RCA/BMG reissuedocumentedB-27110, take 5inferred | US public domain: the issued sound recording was published by 1925 (Victor 66129 and 816, recorded 1922).documented | 3 inferred; 8 documented; 1 unknown Dossier |
| Jean-Philippe Rameau · Nouvelles Suites de pièces de clavecin · Suite in A minorGavotte et six doubles | Marcelle Meyer (piano)documented | 29–30 October 1953documented | Les Discophiles FrançaisdocumentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 3 unknown; 9 documented Dossier |
| Jean-Philippe Rameau · La Poule | Marcelle Meyer (piano)documented | 29–30 October 1953documented | Les Discophiles FrançaisdocumentedUnknownunknown | Territorial — Commons PD-EU-audio sound-recording statusdocumented | 8 documented; 4 unknown Dossier |
| Jean-Philippe Rameau · Les Niais de SologneWith the first and second doubles | Marcelle Meyer (piano)documented | 1953-10-29/1953-10-30documented | Les Discophiles FrançaisdocumentedUnknownunknown | Public domain in the European Union under Commons’ PD-EU-audio designationdocumented | 10 documented; 2 unknown Dossier |
| Maurice Ravel · Boléro | Orchestre des Concerts Lamoureux (orchestra); Maurice Ravel (conductor)documented | 1930documented | Polydor (historic issue; transferred pressing unidentified)documented1812 BMP, 1813 BMP, 1814 BMP, 1815 BMPdocumented | Territorial: EU public domain; this Ravel/Lamoureux recording was published no later than 1935.documented | 5 unknown; 6 documented; 1 inferred Dossier |
| Maurice Ravel · Boléro | Ferenc Fricsay (conductor); Berlin Symphonic Orchestra (orchestra, as credited)documented | Unknowndisputed | UnknownunknownUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 5 unknown; 6 documented; 1 disputed Dossier |
| Maurice Ravel · Gaspard de la nuitII. Le Gibet — Très lent | OE1FEU (piano)documented | 2020-04-03documented | UnknownunknownUnknownunknown | Commons licenses the recording under CC BY-SA 4.0.documented | 6 documented; 5 unknown; 1 inferred Dossier |
| Maurice Ravel · Gaspard de la nuitI. Ondine — Lent | Andriy Makarevych (piano)documented | 2014-04-01documented | UnknownunknownUnknownunknown | Commons licenses the recording under CC BY-SA 3.0.documented | 5 documented; 6 unknown; 1 inferred Dossier |
| Maurice Ravel · Gaspard de la nuitIII. Scarbo — Modéré | Andriy Makarevych (piano)documented | 2014-04-01documented | UnknownunknownUnknownunknown | Commons licenses the recording under CC BY-SA 3.0.documented | 5 documented; 6 unknown; 1 inferred Dossier |
| Maurice Ravel · Introduction and Allegro | Karen Grimsey (harp); Kara Santos (flute); Parker Gaims (clarinet); Sara Matayoshi (violin); Foster Wang (violin); Tam Tran (viola); Clayton Vaughn (cello)documented | 2022-03-27documented | UnknownunknownUnknownunknown | Commons identifies the performance as a U.S. Marine Corps government work, public domain in the United States.documented | 6 documented; 5 unknown; 1 inferred Dossier |
| Maurice Ravel · La valseTwo-piano version | Nancy O’Doan (piano); Neal O’Doan (piano)documented | Unknownunknown | UnknownunknownUnknownunknown | Commons licenses the recording under CC BY-SA 2.0.documented | 4 documented; 7 unknown; 1 inferred Dossier |
| Maurice Ravel · Ma mère l’OyeI. Pavane de la Belle au bois dormant | Guy Campion (piano four hands); Mario Vachon (piano four hands)documented | 1992documented | UnknownunknownUnknownunknown | Commons licenses this recording under CC BY-SA 3.0.documented | 6 documented; 6 unknown Dossier |
| Maurice Ravel · MiroirsIV. Alborada del gracioso — Assez vif | Olena Havyuk-Sheremet (piano)documented | 2014-04-01documented | UnknownunknownUnknownunknown | CC BY-SA 3.0, applied to this recording by Wikimedia Commons; permission recorded in Wikimedia VRT ticket 2014040310015687.documented | 6 documented; 2 inferred; 4 unknown Dossier |
| Maurice Ravel · MiroirsI. Noctuelles — Très léger | Olena Havyuk-Sheremet (piano)documented | 2014-04-01documented | UnknownunknownUnknownunknown | CC BY-SA 3.0, applied to this recording by Wikimedia Commons; permission recorded in Wikimedia VRT ticket 2014040310015687.documented | 6 documented; 2 inferred; 4 unknown Dossier |
| Maurice Ravel · MiroirsII. Oiseaux tristes — Très lent | Olena Havyuk-Sheremet (piano)documented | 2014-04-01documented | UnknownunknownUnknownunknown | CC BY-SA 3.0, applied to this recording by Wikimedia Commons; permission recorded in Wikimedia VRT ticket 2014040310015687.documented | 6 documented; 2 inferred; 4 unknown Dossier |
| Maurice Ravel · MiroirsIII. Une barque sur l’océan — D’un rythme souple | Olena Havyuk-Sheremet (piano)documented | 2014-04-01documented | UnknownunknownUnknownunknown | CC BY-SA 3.0, applied to this recording by Wikimedia Commons; permission recorded in Wikimedia VRT ticket 2014040310015687.documented | 6 documented; 2 inferred; 4 unknown Dossier |
| Maurice Ravel · MiroirsV. La vallée des cloches — Très lent | Olena Havyuk-Sheremet (piano)documented | 2014-04-01documented | UnknownunknownUnknownunknown | CC BY-SA 3.0, applied to this recording by Wikimedia Commons; permission recorded in Wikimedia VRT ticket 2014040310015687.documented | 6 documented; 2 inferred; 4 unknown Dossier |
| Maurice Ravel · Pavane pour une infante défunte | Thérèse Dussaut (piano)documented | 1976inferred | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: CC BY-SA 2.0 (EFF Open Audio License).documented | 5 documented; 2 inferred; 5 unknown Dossier |
| Maurice Ravel · String Quartet in F majorII. Assez vif — Très rythmé | String players of the United States Army Band (string quartet)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording-specific public-domain release: PD-USGov-Military-Army (US-law basis).documented | 5 documented; 7 unknown Dossier |
| Maurice Ravel · Le Tombeau de CouperinIII. Forlane | azuma (piano)documented | 2007-01documented | UnknownunknownUnknownunknown | Commons licenses this recording under CC BY 3.0.documented | 6 documented; 6 unknown Dossier |
| Maurice Ravel · Le Tombeau de CouperinII. Fugue | Alan Chan (piano)documented | Unknownunknown | UnknownunknownUnknownunknown | Commons licenses this recording under CC BY 3.0.documented | 5 documented; 7 unknown Dossier |
| Maurice Ravel · Le Tombeau de CouperinV. Menuet | azuma (piano)documented | 2007-01documented | UnknownunknownUnknownunknown | Commons licenses this recording under CC BY 3.0.documented | 6 documented; 6 unknown Dossier |
| Maurice Ravel · Le Tombeau de CouperinI. Prélude | Isaac David (piano)documented | 2017documented | UnknownunknownUnknownunknown | Commons licenses this recording under CC BY-SA 4.0.documented | 6 documented; 6 unknown Dossier |
| Maurice Ravel · Le Tombeau de CouperinVI. Toccata | Marcelle Meyer (piano)documented | 1954-03-05–1954-03-08documented | Les Discophiles FrançaisdocumentedUnknownunknown | Commons marks this recording PD-EU-audio.documented | 9 documented; 3 unknown Dossier |
| Richard Strauss · Don Juan, Op. 20Acoustic recording · four disc sides | Symphony Orchestra (Gramophone Company) (orchestra); Albert Coates (conductor)documented | 28 April and 5 May 1922documented | Victor, American blue-label issue; corresponding HMV issues D670–D671documentedPart 1: Cc1260-3 (55176; D670; 3-0749). Part 2: Cc1261-3 (55176; D670; 3-0750). Part 3: Cc1262-3 (55177; D671; 3-0751). Part 4: Cc1293-2 (55177; D671; 3-0752).documented | Rule 2: American first publication in November 1922, within the programme’s 1925 cutoff.documented | 9 documented; 2 unknown; 1 inferred Dossier |
| Richard Strauss · Four Last SongsIV. Im Abendrot — Andante | Elisabeth Schwarzkopf (soprano); Philharmonia Orchestra (orchestra); Otto Ackermann (conductor)documented | 1953-09documented | Angel RecordsdocumentedSide 1, band 4; printed side matrix XAX-380; label number 1-35084documented | Territorial EU public domain under the pre-1963 commercial-publication rule: Angel 35084 was published in 1954.inferred | 10 documented; 2 inferred Dossier |
| Richard Strauss · Till Eulenspiegels lustige Streiche, Op. 28 | United States Navy Band (concert band)documented | Unknownunknown | United States NavydocumentedUnknownunknown | Rule 1 — recording-specific public-domain release: PD-USGov-Military-Navy (US-law basis).documented | 6 documented; 6 unknown Dossier |
| Nikolai Rimsky-Korsakov · The Prophet, Op. 49 No. 2 | Fyodor Chaliapin (bass); Percy Pitt (conductor); Orchestra not named (orchestra)documented | 1921-10-10documented | Victrola / VictordocumentedCc550, take 1documented | US public domain: sound recording published before the 1925 cutoffdocumented | 10 documented; 1 unknown; 1 inferred Dossier |
| Nikolai Rimsky-Korsakov · The Prophet, Op. 49 No. 2 | Fyodor Chaliapin (bass); Albert Coates (conductor); Orchestra not named (orchestra)documented | 1927-10-20documented | Disque “Gramophone”documentedCc10957, take 2; order number 2-022043documented | territorial — European public domain; first published 1928documented | 10 documented; 1 unknown; 1 inferred Dossier |
| Nikolai Rimsky-Korsakov · Scheherazade, Op. 35IV. Festival at Baghdad — The Sea — The Ship Breaks against the Cliff | San Francisco Symphony Orchestra (orchestra); Pierre Monteux (conductor); Naoum Blinder (solo violin)documented | 3–4 March 1942documented | VictordocumentedUnknownunknown | Rule 1 — CC0 1.0 Universal Public Domain Dedication stated for this recording filedocumented | 3 unknown; 8 documented; 1 inferred Dossier |
| Nikolai Rimsky-Korsakov · Scheherazade, Op. 35II. The Story of the Kalender Prince | San Francisco Symphony Orchestra (orchestra); Pierre Monteux (conductor); Naoum Blinder (solo violin)documented | 3–4 March 1942documented | VictordocumentedUnknownunknown | Rule 1 — CC0 1.0 Universal Public Domain Dedication stated for this recording filedocumented | 3 unknown; 8 documented; 1 inferred Dossier |
| Nikolai Rimsky-Korsakov · Scheherazade, Op. 35III. The Young Prince and the Young Princess | San Francisco Symphony Orchestra (orchestra); Pierre Monteux (conductor); Naoum Blinder (solo violin)documented | 3–4 March 1942documented | Victor Red Seal RecordsdocumentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 3 unknown; 8 documented; 1 inferred Dossier |
| Nikolai Rimsky-Korsakov · Scheherazade, Op. 35I. The Sea and Sinbad’s Ship | San Francisco Symphony Orchestra (orchestra); Pierre Monteux (conductor); Naoum Blinder (solo violin)documented | 3–4 March 1942documented | VictordocumentedUnknownunknown | Rule 1 — CC0 1.0 Universal Public Domain Dedication stated for this recording filedocumented | 3 unknown; 8 documented; 1 inferred Dossier |
| Nikolai Rimsky-Korsakov · Scheherazade, Op. 35 — III. The Young Prince and the Young PrincessOpening disc side only | Philadelphia Orchestra (orchestra); Leopold Stokowski (conductor)documented | 1934-11-12documented | HMVdocumentedFirst side; source identifier 2a84519documented | Territorial — EU public-domain sound recording, first published 1935documented | 8 documented; 4 unknown Dossier |
| Gioachino Rossini · Il barbiere di SivigliaOverture | Chicago Symphony Orchestra (orchestra); Fritz Reiner (conductor)documented | 1958-11-22documented | RCA Victor Red SealdocumentedSide 2, band 1documented | Territorial EU public-domain basis: documented commercial publication in 1959, before 1963.documented | 11 documented; 1 inferred Dossier |
| Gioachino Rossini · Il barbiere di SivigliaAct I · Largo al factotum | Titta Ruffo (baritone — Figaro); Josef Pasternack (conductor); Unidentified orchestra (orchestral accompaniment)documented | 1920-04-19documented | Victor Talking Machine Company — VictroladocumentedC-23945, take 2; side A of Victor 6263documented | US public domain: first published no later than 1924, on double-faced Victor 6263; the mirror carries the Public Domain Mark.documented | 10 documented; 1 unknown; 1 inferred Dossier |
| Gioachino Rossini · Guillaume TellOverture · wind-ensemble transcription attributed to Wenzel Sedlak | United States Marine Band (wind ensemble with contrabassoon and double bass); Timothy Foley (conductor)documented | 2000-06-05/2000-06-09documented | United States Marine BanddocumentedUnknownunknown | US public domain — official United States Marine Band recording, tagged PD-USGov-Military-Marines by Wikimedia Commons.documented | 10 documented; 2 unknown Dossier |
| Camille Saint-Saëns · Le Carnaval des animauxXIII. Le Cygne — cello and piano | Judith Bokor (cello)documented | Circa 1925; exact day unresolveddisputed | ColumbiadocumentedF 87; take unknowndocumented | territorialdocumented | 6 documented; 2 disputed; 4 unknown Dossier |
| Camille Saint-Saëns · Le Carnaval des animauxXIII. Le Cygne — cello and marimba | Alisa Weilerstein (cello); Jason Yoder (marimba)documented | 4 November 2009documented | UnknownunknownUnknownunknown | CC BY 3.0 performance; US-government recordingdocumented | 8 documented; 4 unknown Dossier |
| Camille Saint-Saëns · Danse macabre, Op. 40 | Philadelphia Orchestra (orchestra); Leopold Stokowski (conductor); Thaddeus Rich (solo violin)documented | 1925-04-29documented | VictordocumentedCVE-27929 (Part 1) and CVE-27930 (Part 2), take 2 of eachdocumented | Public domain in the United States: first published in 1925 on Victor 6505; this transfer carries a CC BY 3.0 licence from its makerdocumented | 10 documented; 2 unknown Dossier |
| Camille Saint-Saëns · Symphony No. 3 in C minor, Op. 78 “Organ”Part I — Adagio · Allegro moderato · Poco adagio | Philharmonic-Symphony Orchestra of New York (orchestra); Charles Munch (conductor); Édouard Nies-Berger (organ); Walter Hendl (piano, four hands (listed in James North’s discography; uncredited on the labels))documented | 1947-11-10documented | Columbia Masterworksdocumented1–4; matrices XCO 39319 to XCO 39326documented | Territorial EU phonogram public-domain basis: commercial publication in 1948, before 1963inferred | 8 documented; 3 unknown; 1 inferred Dossier |
| Camille Saint-Saëns · Symphony No. 3 in C minor, Op. 78 “Organ”Part II — Scherzo · Presto · Maestoso · Allegro | Philharmonic-Symphony Orchestra of New York (orchestra); Charles Munch (conductor); Édouard Nies-Berger (organ); Walter Hendl (piano, four hands (listed in James North’s discography; uncredited on the labels))documented | 1947-11-10documented | Columbia Masterworksdocumented5–8; matrices XCO 39319 to XCO 39326documented | Territorial EU phonogram public-domain basis: commercial publication in 1948, before 1963inferred | 8 documented; 3 unknown; 1 inferred Dossier |
| Camille Saint-Saëns · Piano Concerto No. 5 in F major, Op. 103 “Egyptian”II. Andante | Magda Tagliaferro (piano); Orchestre des Concerts Lamoureux (orchestra); Jean Fournet (conductor)documented | 1954documented | PhilipsinferredUnknownunknown | Territorial — Commons tag PD-EU-audio for a 1954 recordinginferred | 6 documented; 3 inferred; 3 unknown Dossier |
| Erik Satie · Trois GymnopédiesI. Lent et douloureux — guitar arrangement | Michael Laucke (guitar; arranger)documented | Unknownunknown | UnknownunknownUnknownunknown | CC BY-SA 4.0 Internationaldocumented | 6 documented; 6 unknown Dossier |
| Erik Satie · Trois GymnopédiesI. Lent et douloureux | Robin Alciatore (piano)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: PD-author by Robin Alciatore; Musopen recording release.documented | 8 unknown; 3 documented; 1 inferred Dossier |
| Erik Satie · Trois morceaux en forme de poireComplete · seven pieces for piano four hands | Francis Poulenc (piano four hands); Jacques Février (piano four hands)documented | 1959-01-14documented | Musidisc, Collection Richesse ClassiquedocumentedsideA: band II: Manière de commencement through Piece II; sideB: band I: Piece III, En plus, Redite; matrix: ; take: documented | EU public domain on the pre-1963 lawful-publication basis: the Poulenc–Février performance was issued on Club français du disque 272 by 1962.inferred | 7 documented; 3 unknown; 2 inferred Dossier |
| Domenico Scarlatti · Sonata in D major, K. 119Allegro | Marcelle Meyer (piano)documented | November 1954documented | Les Discophiles FrançaisdocumentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 8 documented; 4 unknown Dossier |
| Domenico Scarlatti · Sonata in E major, K. 380Andante commodo | Marcelle Meyer (piano)documented | November 1954documented | Les Discophiles FrançaisdocumentedUnknownunknown | Territorial — Commons PD-EU-audio sound-recording statusdocumented | 8 documented; 4 unknown Dossier |
| Domenico Scarlatti · Sonata in C major, K. 513, “Pastorale”Moderato – Molto allegro; Presto | Eliza Hansen (harpsichord)documented | 1953-10-22/1953-10-23documented | ArchivdocumentedUnknownunknown | Public domain in the European Union under Commons’ PD-EU-audio designationdocumented | 10 documented; 2 unknown Dossier |
| Arnold Schoenberg · String Quartet No. 2, Op. 10IV. Entrückung — Sehr langsam | Carmel String Quartet (string quartet); Rona Israel-Kolatt (soprano)documented | 2007documented | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: CC BY 3.0 Unported recording permission.documented | 5 documented; 7 unknown Dossier |
| Arnold Schoenberg · Verklärte Nacht, Op. 4LP side 1 (bars 1–228) | Felix Slatkin (first violin; Hollywood String Quartet); Paul Shure (second violin; Hollywood String Quartet); Paul Robyn (viola; Hollywood String Quartet); Eleanor Aller (cello; Hollywood String Quartet); Alvin Dinkin (second viola); Kurt Reher (second cello)documented | 21–22 August 1950documented | Capitol Records — Capitol ClassicsdocumentedSide 1; printed label suffix (L-8118) Ydocumented | EU territorial phonogram-term basis: first lawful publication in 1950, before 1963. US recording status not established.documented | 11 documented; 1 inferred Dossier |
| Arnold Schoenberg · Verklärte Nacht, Op. 4LP side 2 (bars 229–418) | Felix Slatkin (first violin; Hollywood String Quartet); Paul Shure (second violin; Hollywood String Quartet); Paul Robyn (viola; Hollywood String Quartet); Eleanor Aller (cello; Hollywood String Quartet); Alvin Dinkin (second viola); Kurt Reher (second cello)documented | 21–22 August 1950documented | Capitol Records — Capitol ClassicsdocumentedSide 2; printed label suffix (L-8118) Zdocumented | EU territorial phonogram-term basis: first lawful publication in 1950, before 1963. US recording status not established.documented | 11 documented; 1 inferred Dossier |
| Franz Schubert · Symphony No. 8 in B minor “Unfinished”, D. 759I. Allegro moderato | Philadelphia Orchestra (orchestra); Leopold Stokowski (conductor)documented | 28 April 1927documented | VictordocumentedParts 1–3: CVE-29052, take 6; CVE-29053, take 6; CVE-29054, take 6documented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 3 unknown; 8 documented; 1 inferred Dossier |
| Franz Schubert · Symphony No. 8 in B minor “Unfinished”, D. 759II. Andante con moto | Philadelphia Orchestra (orchestra); Leopold Stokowski (conductor)documented | 28 and 30 April 1927: part 1 on 28 April, parts 2 and 3 on 30 Aprildocumented | VictordocumentedParts 1–3: CVE-29055, take 7 (Bolig) or take 6 (Pristine); CVE-29056, take 7; CVE-29057, take 7disputed | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 3 unknown; 7 documented; 1 disputed; 1 inferred Dossier |
| Franz Schubert · Impromptu in G♭ major, D. 899 No. 3Andante | Chiara Bertoglio (piano)documented | Unknownunknown | Chiara Bertoglio — digital publisherdocumentedUnknownunknown | Rule 1 — recording licence/release: CC BY 3.0 Unported.documented | 7 unknown; 4 documented; 1 inferred Dossier |
| Franz Schubert · String Quintet in C major, D. 956II. Adagio | Isaac Stern (violin); Alexander Schneider (violin); Milton Katims (viola); Pablo Casals (cello); Paul Tortelier (cello)documented | 1952 (the Casals Festival at Prades); one secondary source says Julydocumented | Columbia MasterworksdocumentedSide 1, second track of the LP (file 01.02 on the Internet Archive); matrix and take numbers are not establishedunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 2 unknown; 9 documented; 1 inferred Dossier |
| Franz Schubert · Winterreise, D. 91111. Frühlingstraum | Hans Duhan (baritone); Ferdinand Foll (piano)documented | 2 May 1928documented | Gramola Record (The Gramophone Company (Czechoslovakia) Limited), as printed on the scanned copydocumentedCK 2956, take 1 (run-out “Ck 2956” with I); side No. 11 (label number 0942032); reverse side: Einsamkeit (matrix BK 2957-2). Disc 6 of 12 of the set; 30 cm.documented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 5 unknown; 6 documented; 1 inferred Dossier |
| Franz Schubert · Winterreise, D. 9111. Gute Nacht | Hans Duhan (baritone); Ferdinand Foll (piano)documented | 27 April 1928documented | His Master’s Voice, as printed on the scanned copy (manufactured by The Gramophone Company (Czechoslovakia) Limited, Ústí nad Labem)documentedCK 2946, take 2 (run-out “Ck 2946” with II); side No. 1 (label number 0942026); reverse side: Die Wetterfahne (matrix CK 2947-2). Disc 1 of 12 of the set; 30 cm.documented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 7 documented; 4 unknown; 1 inferred Dossier |
| Franz Schubert · Winterreise, D. 91124. Der Leiermann | Hans Duhan (baritone); Ferdinand Foll (piano)documented | 4 May 1928documented | Gramola Record (The Gramophone Company (Czechoslovakia) Limited), as printed on the scanned copydocumentedBK 2969, take 1 (run-out “Bk 2969” with I); side No. 24 (label number 942922); reverse side: Die Nebensonnen (matrix CL 4401-1; pianist Lene Orthmann, 11 July 1928). Disc 12 of 12 of the set; 25 cm.documented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 5 unknown; 6 documented; 1 inferred Dossier |
| Franz Schubert · Winterreise, D. 9115. Der Lindenbaum | Hans Duhan (baritone); Ferdinand Foll (piano)documented | 2 May 1928documented | Gramola Record (The Gramophone Company (Czechoslovakia) Limited), as printed on the scanned copydocumentedCK 2950, take 2 (run-out “Ck 2950” with II); side No. 5 (label number 0942028); reverse side: Wasserflut (matrix CK 2951-2). Disc 3 of 12 of the set; 30 cm.documented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 5 unknown; 6 documented; 1 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 10 · Fast zu ernst — Almost Too Serious | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 8 · Am Kamin — At the Fireside | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 3 · Hasche-Mann — Blind Man’s Buff | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 12 · Kind im Einschlummern — Child Falling Asleep | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 2 · Kuriose Geschichte — A Curious Story | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 1 · Von fremden Ländern und Menschen — Of Foreign Lands and Peoples | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 11 · Fürchtenmachen — Frightening | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 5 · Glückes genug — Happy Enough | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 6 · Wichtige Begebenheit — An Important Event | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 9 · Ritter vom Steckenpferd — Knight of the Hobbyhorse | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 4 · Bittendes Kind — Pleading Child | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 13 · Der Dichter spricht — The Poet Speaks | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Kinderszenen, Op. 15No. 7 · Träumerei — Dreaming | Donald Betts (piano)documented | 2005-05inferred | UnknownunknownUnknownunknown | Public domain: the Commons page releases the recording under PD-author, attributed to Musopen, with a Wikimedia volunteer-response permission ticket (2008012110017088).documented | 5 unknown; 5 documented; 2 inferred Dossier |
| Robert Schumann · Piano Concerto in A minor, Op. 54I. Allegro affettuoso | Sviatoslav Richter (piano); Warsaw National Philharmonic Orchestra (orchestra); Witold Rowicki (conductor)documented | 1959 on Commons; 11–12 October 1958 in the Richter discography.disputed | Deutsche GrammophondocumentedUnknownunknown | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 6 unknown; 3 documented; 1 disputed; 2 inferred Dossier |
| Alexander Scriabin · Étude in D♯ minor, Op. 8 No. 12Patetico | Awadagin Pratt (piano)documented | 2009-11-04documented | UnknownunknownNot applicablenot applicable | Rule 1 — recording-specific public-domain release: PD-USGov (US-law basis).documented | 5 unknown; 6 documented; 1 not applicable Dossier |
| Alexander Scriabin · Piano Sonata No. 5, Op. 53Complete · Allegro impetuoso con stravaganza | Victor Merzhanov (piano)documented | Unknownunknown | Monitor Recordsdocumentedside: 2; band: 1; matrix: ; take: documented | EU public domain on the pre-1963 lawful-publication basis: Monitor MC 2013 was published in 1958.inferred | 8 documented; 2 unknown; 2 inferred Dossier |
| Dmitri Shostakovich · Symphony No. 5 in D minor, Op. 47II. Allegretto | Philharmonic Symphony Orchestra of London (orchestra); Artur Rodzinski (conductor)documented | 1954-10-02 to 1954-10-14inferred | WestminsterdocumentedSide 1: XTV 22720; movement 2 on that sidedocumented | Rule 3: territorial EU historic-recording basis; commercial circulation documented by December 1955, selected LP issue dated 1956documented | 1 unknown; 8 documented; 3 inferred Dossier |
| Dmitri Shostakovich · Symphony No. 5 in D minor, Op. 47IV. Allegro non troppo | Philharmonic Symphony Orchestra of London (orchestra); Artur Rodzinski (conductor)documented | 1954-10-02 to 1954-10-14inferred | WestminsterdocumentedSide 2: XTV 22721; movement 2 on that sidedocumented | Rule 3: territorial EU historic-recording basis; commercial circulation documented by December 1955, selected LP issue dated 1956documented | 9 documented; 3 inferred Dossier |
| Dmitri Shostakovich · Symphony No. 5 in D minor, Op. 47III. Largo | Philharmonic Symphony Orchestra of London (orchestra); Artur Rodzinski (conductor)documented | 1954-10-02 to 1954-10-14inferred | WestminsterdocumentedSide 2: XTV 22721; movement 1 on that sidedocumented | Rule 3: territorial EU historic-recording basis; commercial circulation documented by December 1955, selected LP issue dated 1956documented | 1 unknown; 8 documented; 3 inferred Dossier |
| Dmitri Shostakovich · Symphony No. 5 in D minor, Op. 47I. Moderato | Philharmonic Symphony Orchestra of London (orchestra); Artur Rodzinski (conductor)documented | 1954-10-02 to 1954-10-14inferred | WestminsterdocumentedSide 1: XTV 22720; movement 1 on that sidedocumented | Rule 3: territorial EU historic-recording basis; commercial circulation documented by December 1955, selected LP issue dated 1956documented | 1 unknown; 8 documented; 3 inferred Dossier |
| Jean Sibelius · Finlandia, Op. 26Abridged for one 12-inch side | Philadelphia Orchestra (orchestra); Leopold Stokowski (conductor)documented | 18 April 1921 (issued take 4); earlier takes 1–2 on 15 March 1921documented | Victor (Red Seal, 12-in. single-faced)documentedC-24988, take 4documented | Rule 2 — United States public domain: first published in 1921, before the 1926 cut-off.documented | 2 inferred; 9 documented; 1 unknown Dossier |
| Jean Sibelius · Symphony No. 2 in D major, Op. 43Complete: I. Allegretto · II. Tempo andante, ma rubato · III. Vivacissimo · IV. Finale: Allegro moderato | London Symphony Orchestra (orchestra); Pierre Monteux (conductor)documented | 18–20 June 1958documented | RCA (US catalogue LSC 2342; UK catalogue SB 207); Decca reissue SDD 234 (September 1970)documentedUnknownunknown | Rule 3 — EU public domain (territorial): first published before 1963 (RCA LSC 2342, October 1959; SB 207, May 1960).documented | 1 inferred; 8 documented; 3 unknown Dossier |
| Jean Sibelius · Valse triste, Op. 44 No. 1 | Judith Bokor (cello)documented | 5 June 1925documented | ColumbiadocumentedFX 51 — Valse tristedocumented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).inferred | 7 documented; 3 unknown; 1 disputed; 1 inferred Dossier |
| Bedřich Smetana · String Quartet No. 1 in E minor, “From My Life”Complete | Jascha Brodsky (violin I); Charles Jaffe (violin II); Max Aronoff (viola); Orlando Cole (cello)documented | 1940-03-06documented | Columbia MasterworksdocumentedSides 1–7, matrices XCO 27013 to 27019; side 8, XCO 27020, is Tchaikovsky’s scherzo and is not part of this recordingdocumented | Territorial EU phonogram public-domain basis: first issued in 1940, before 1963inferred | 2 inferred; 8 documented; 2 unknown Dossier |
| Bedřich Smetana · Má vlastII. Vltava | Musopen Symphony Orchestra (orchestra)documented | Unknownunknown | UnknownunknownUnknownunknown | CC0 public-domain dedication, as stated on the Commons file page.documented | 9 unknown; 3 documented Dossier |
| Igor Stravinsky · The FirebirdInfernal Dance of Kashchei | “The President’s Own” United States Marine Band (concert band); John R. Bourgeois (conductor — embedded credit)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording-specific public-domain release: PD-USGov-Military-Marine (US-law basis).documented | 3 documented; 7 unknown; 1 inferred; 1 disputed Dossier |
| Igor Stravinsky · Petrushka (1911 original version)IV. The Shrovetide Fair (evening) | Orchestre de la Suisse Romande (orchestra); Ernest Ansermet (conductor)documented | 23 October–9 November 1957documented | London Records; manufactured by The Decca Record Company Limited, EnglanddocumentedSide 2: label matrix ZAL3810; tableaux III–IVdocumented | Rule 3 — first lawful publication anywhere before 1963: London CS 6009, commercially published by 1958. Territorial EU sound-recording basis only; US sound-recording status is not established.documented | 11 documented; 1 inferred Dossier |
| Igor Stravinsky · Petrushka (1911 original version)I. The Shrovetide Fair | Orchestre de la Suisse Romande (orchestra); Ernest Ansermet (conductor)documented | 23 October–9 November 1957documented | London Records; manufactured by The Decca Record Company Limited, EnglanddocumentedSide 1: label matrix ZAL3809; visible runout ZAL-3809-5G; tableaux I–IIdocumented | Rule 3 — first lawful publication anywhere before 1963: London CS 6009, commercially published by 1958. Territorial EU sound-recording basis only; US sound-recording status is not established.documented | 11 documented; 1 inferred Dossier |
| Igor Stravinsky · Petrushka (1911 original version)III. The Moor’s room | Orchestre de la Suisse Romande (orchestra); Ernest Ansermet (conductor)documented | 23 October–9 November 1957documented | London Records; manufactured by The Decca Record Company Limited, EnglanddocumentedSide 2: label matrix ZAL3810; tableaux III–IVdocumented | Rule 3 — first lawful publication anywhere before 1963: London CS 6009, commercially published by 1958. Territorial EU sound-recording basis only; US sound-recording status is not established.documented | 11 documented; 1 inferred Dossier |
| Igor Stravinsky · Petrushka (1911 original version)II. Petrushka’s room | Orchestre de la Suisse Romande (orchestra); Ernest Ansermet (conductor)documented | 23 October–9 November 1957documented | London Records; manufactured by The Decca Record Company Limited, EnglanddocumentedSide 1: label matrix ZAL3809; visible runout ZAL-3809-5G; tableaux I–IIdocumented | Rule 3 — first lawful publication anywhere before 1963: London CS 6009, commercially published by 1958. Territorial EU sound-recording basis only; US sound-recording status is not established.documented | 11 documented; 1 inferred Dossier |
| Igor Stravinsky · The Rite of SpringPart I. Adoration of the Earth | Igor Stravinsky (conductor); Columbia Symphony Orchestra (orchestra)documented | 5–6 January 1960documented | Columbia MasterworksdocumentedUnknownunknown | EU territorial phonogram-term basis: first lawful publication in 1961, before 1963. US recording status not established.documented | 11 documented; 1 unknown Dossier |
| Igor Stravinsky · The Rite of SpringPart II. The Sacrifice | Igor Stravinsky (conductor); Columbia Symphony Orchestra (orchestra)documented | 5–6 January 1960documented | Columbia MasterworksdocumentedUnknownunknown | EU territorial phonogram-term basis: first lawful publication in 1961, before 1963. US recording status not established.documented | 11 documented; 1 unknown Dossier |
| Pyotr Ilyich Tchaikovsky · Symphony No. 6 in B minor, Op. 74 “Pathétique”I. Adagio — Allegro non troppo | Musopen Symphony (orchestra attribution)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — explicit Musopen public-domain release of the sound recordingdocumented | 9 unknown; 2 documented; 1 inferred Dossier |
| Pyotr Ilyich Tchaikovsky · Symphony No. 6 in B minor, Op. 74 “Pathétique”II. Allegro con grazia | Musopen Symphony (orchestra attribution)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — explicit Musopen public-domain release of the sound recordingdocumented | 9 unknown; 2 documented; 1 inferred Dossier |
| Pyotr Ilyich Tchaikovsky · Symphony No. 6 in B minor, Op. 74 “Pathétique”III. Allegro molto vivace | Musopen Symphony (orchestra attribution)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — explicit Musopen public-domain release of the sound recordingdocumented | 9 unknown; 2 documented; 1 inferred Dossier |
| Pyotr Ilyich Tchaikovsky · Symphony No. 6 in B minor “Pathétique”, Op. 74IV. Finale — Adagio lamentoso | Berlin Philharmonic Orchestra (orchestra); Wilhelm Furtwängler (conductor)documented | October–November 1938documented | Victordocumented032549–032560 (whole-album range)documented | territorial — Commons explicitly applies PD-EU-audio to the sound recording.documented | 3 unknown; 9 documented Dossier |
| Pyotr Ilyich Tchaikovsky · Symphony No. 6 in B minor “Pathétique”, Op. 74IV. Finale — Adagio lamentoso | Musopen Symphony (orchestra attribution)documented | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — recording release: PD-author public-domain dedication by Musopen.documented | 8 unknown; 4 documented Dossier |
| Pyotr Ilyich Tchaikovsky · Piano Concerto No. 1 in B♭ minor, Op. 23I. Allegro non troppo e molto maestoso — Allegro con spirito | Unknownunknown | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — CC0 1.0 Universal Public Domain Dedication stated for this recording filedocumented | 10 unknown; 1 inferred; 1 documented Dossier |
| Pyotr Ilyich Tchaikovsky · Piano Concerto No. 1 in B♭ minor, Op. 23II. Andantino semplice — Prestissimo | Unknownunknown | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — CC0 1.0 Universal Public Domain Dedication stated for this recording filedocumented | 10 unknown; 1 inferred; 1 documented Dossier |
| Pyotr Ilyich Tchaikovsky · Piano Concerto No. 1 in B♭ minor, Op. 23III. Allegro con fuoco | Unknownunknown | Unknownunknown | UnknownunknownUnknownunknown | Rule 1 — CC0 1.0 Universal Public Domain Dedication stated for this recording filedocumented | 10 unknown; 1 inferred; 1 documented Dossier |
| Pyotr Ilyich Tchaikovsky · Nutcracker Suite — Waltz of the FlowersOpening disc side only | National Symphony Orchestra of London (orchestra); Stanford Robinson (conductor)documented | January 1945; sources give 18 or 26 Januarydisputed | DeccadocumentedAR 9079-2documented | Territorial — EU public-domain sound recording, first published 1945documented | 8 documented; 1 disputed; 3 unknown Dossier |
| Pyotr Ilyich Tchaikovsky · Nutcracker Suite — Waltz of the FlowersOpening disc side only | Philadelphia Orchestra (orchestra); Leopold Stokowski (conductor)documented | 1934documented | HMVdocumentedFirst side; source identifier 2a87004documented | Territorial — EU public-domain sound recording, first published 1934documented | 9 documented; 3 unknown Dossier |
| Pyotr Ilyich Tchaikovsky · The Nutcracker, Op. 71Act II, No. 13 · Waltz of the Flowers | United States Air Force Band, Concert Band (concert band)documented | Unknownunknown | United States Air ForcedocumentedUnknownunknown | Rule 1 — recording-specific public-domain release: PD-USGov-Military-Air Force (US-law basis).documented | 7 documented; 5 unknown Dossier |
| Ralph Vaughan Williams · English Folk Song Suite | Columbia Broadcasting Symphony (orchestra); Howard Barlow (conductor); Mitch Miller (oboe solo in the Intermezzo)documented | 1939-12-19documented | Columbia Masterworks (United States); English Columbia (United Kingdom)documentedSide 1 CO 25602-2 (first movement); side 2 CO 25603-1 and side 3 CO 25604-1 (Intermezzo, parts 1 and 2); side 4 CO 25605-1 (third movement)documented | Territorial EU phonogram public-domain basis: commercial issue in 1940, before 1963inferred | 9 documented; 2 unknown; 1 inferred Dossier |
| Ralph Vaughan Williams · The Lark Ascending | David Wise (violin); Liverpool Philharmonic Orchestra (orchestra); Malcolm Sargent (conductor)documented | 1947-04-18documented | English Columbia (Columbia Graphophone Co., Ltd.)documentedMatrices CAX 9863 to 9866, all first takes (four sides)documented | Territorial EU phonogram public-domain basis: commercial issue in 1947, before 1963inferred | 10 documented; 1 unknown; 1 inferred Dossier |
| Ralph Vaughan Williams · Symphony No. 4I. Allegro | BBC Symphony Orchestra (orchestra); Ralph Vaughan Williams (conductor)documented | 1937-10-11documented | HMV (The Gramophone Company)documentedMatrices 2EA 5400 (take 2), 5801 (2), 5802 (1A), 5803 (2A), 5804 (1), 5805 (2A), 5806 (1A), 5807 (1A): eight sidesdocumented | Territorial EU phonogram public-domain basis: commercial issue in 1938, before 1963inferred | 2 inferred; 8 documented; 1 disputed; 1 unknown Dossier |
| Ralph Vaughan Williams · Fantasia on a Theme by Thomas Tallis | The U.S. Army Strings (string orchestra)documented | Unknownunknown | UnknownunknownUnknownunknown | Public domain, as declared on the Wikimedia Commons file page.inferred | 7 unknown; 4 documented; 1 inferred Dossier |
| Giuseppe Verdi · NabuccoAct III: Va, pensiero, sull’ali dorate | Chorus of La Scala (chorus); Orchestra of La Scala (orchestra); Tullio Serafin (conductor); Norberto Mola (chorus master)documented | 1955-06documented | Angel RecordsdocumentedSide 1, band 1documented | Territorial EU public-domain basis: commercial publication in 1955–56, before 1963.documented | 11 documented; 1 inferred Dossier |
| Giuseppe Verdi · Messa da RequiemDies irae — opening number of the sequence | Orchestra and Choir of Teatro Reale dell’Opera di Roma; conductor unidentifieddisputed | 1900–1950documented | La voce del padronedocumentedUnknownunknown | Creative Commons Attribution-ShareAlike 4.0 Internationaldocumented | 6 documented; 1 disputed; 5 unknown Dossier |
| Giuseppe Verdi · La traviataAct I · Prelude | New York Philharmonic Orchestra (orchestra); Arturo Toscanini (conductor)documented | Unknowndisputed | ElectroladocumentedCVE-48936; take 3 is the issued master listed by DAHR; face 6-0755.documented | Rule 3 — territorial: sound recording public domain in the European Union (pre-1963 publication basis).documented | 4 unknown; 7 documented; 1 disputed Dossier |
| Heitor Villa-Lobos · Bachianas Brasileiras No. 5I. Ária (Cantilena) | Bidú Sayão (soprano); Leonard Rose (solo cello); Eight cellos and double bass (players not named) (ensemble); Heitor Villa-Lobos (conductor)documented | 1945 (year only)inferred | Columbia Masterworks (United States)documentedSide one, “(Beginning)”: XCO 34194; side two, “(Conclusion)”: XCO 34195. Take numbers are not shown.documented | Rule 3 — territorial EU public domain: first published before 1963 (Columbia 71670-D, listed in the 1946 catalogue).documented | 8 documented; 1 inferred; 3 unknown Dossier |
| Heitor Villa-Lobos · Chôros No. 7 (Septeto) | Victor Brazilian Orchestra (Orquestra Victor Brasileira) (ensemble; personnel unidentified, possibly assembled for the session); Heitor Villa-Lobos (conductor)documented | 8 January 1932documented | Victor, as an export issue for South America, with a United States issue in January 1937documentedCAVE 65356-1 and CAVE 65357-?; the take of the second side is not knowndocumented | Rule 3 — territorial EU public domain: first published before 1963; on sale as an import in the United States by February 1936.documented | 10 documented; 2 inferred Dossier |
| Antonio Vivaldi · The Four Seasons · Spring, RV 269I. Allegro | The Modena Chamber Orchestra (ensemble, as credited in the source summary)disputed | Unknownunknown | UnknownunknownUnknownunknown | Commons PDMark-owner declaration for the Musopen-sourced sound recordingdocumented | 7 unknown; 1 disputed; 3 documented; 1 inferred Dossier |
| Antonio Vivaldi · The Four Seasons · Spring, RV 269I. Allegro | John Harrison (solo violin); Wichita State University Chamber Players (ensemble); Robert Turizziani (conductor)documented | 2000-02-06documented | UnknownunknownUnknownunknown | Rule 1 — recording licence/release: CC BY-SA 4.0 International, selected from the 1.0-or-later grant.documented | 5 unknown; 6 documented; 1 inferred Dossier |
| Antonio Vivaldi · The Four Seasons · Spring, RV 269III. Allegro — Danza pastorale | John Harrison (violin); Wichita State University Chamber Players (ensemble); Robert Turizziani (conductor)documented | 2000-02-06documented | UnknownunknownUnknownunknown | Creative Commons Attribution-ShareAlike 4.0documented | 7 documented; 5 unknown Dossier |
| Antonio Vivaldi · The Four Seasons · Spring, RV 269II. Largo | John Harrison (violin); Wichita State University Chamber Players (ensemble); Robert Turizziani (conductor)documented | 2000-02-06documented | UnknownunknownUnknownunknown | Creative Commons Attribution-ShareAlike 4.0documented | 7 documented; 5 unknown Dossier |
| Antonio Vivaldi · The Four Seasons · Winter, RV 297I. Allegro non molto | John Harrison (violin); Wichita State University Chamber Players (ensemble); Robert Turizziani (conductor)documented | 2000-02-06documented | UnknownunknownUnknownunknown | Creative Commons Attribution-ShareAlike 4.0documented | 7 documented; 5 unknown Dossier |
| Antonio Vivaldi · The Four Seasons · Winter, RV 297III. Allegro | John Harrison (violin); Wichita State University Chamber Players (ensemble); Robert Turizziani (conductor)documented | 2000-02-06documented | UnknownunknownUnknownunknown | Creative Commons Attribution-ShareAlike 4.0documented | 7 documented; 5 unknown Dossier |
| Antonio Vivaldi · The Four Seasons · Winter, RV 297II. Largo | John Harrison (violin); Wichita State University Chamber Players (ensemble); Robert Turizziani (conductor)documented | 2000-02-06documented | UnknownunknownUnknownunknown | Creative Commons Attribution-ShareAlike 4.0documented | 7 documented; 5 unknown Dossier |
| · Song of the Volga BoatmenArrangement by Chaliapin and Keneman | Fyodor Chaliapin (bass); George W. Byng (conductor); Orchestra not named (orchestra)documented | 1922-10-09documented | Victrola / VictordocumentedCc1891, take 4documented | US public domain: sound recording published before the 1925 cutoffdocumented | 10 documented; 1 unknown; 1 inferred Dossier |
| · Song of the Volga BoatmenArrangement by Chaliapin and Keneman | Fyodor Chaliapin (bass); Albert Coates (conductor); Orchestra not named (orchestra)documented | 1927-10-20documented | Disque “Gramophone”documentedCc11709, take 1; order number 2-022051disputed | territorial — European public domain; first published 1928documented | 9 documented; 1 disputed; 1 unknown; 1 inferred Dossier |
| Richard Wagner · Siegfried Idyll, WWV 103 | Modern Chamber Orchestra (orchestra); Stanley Chapple (conductor)documented | 1925inferred | VocaliondocumentedFour sides; matching-issue discography lists 03836XX, 03837XX, 03838, 03839inferred | US public domain under the project’s pre-1926 publication rule; source identifies a 1925 pressing.documented | 2 unknown; 5 documented; 4 inferred; 1 disputed Dossier |
| Richard Wagner · Tannhäuser, WWV 70Overture — concert-band arrangement | United States Marine Band (concert band)documented | 22–25 May 1995documented | United States Marine BanddocumentedUnknownunknown | Rule 1 — recording-specific public-domain release: PD-USGov-Military-Marines (US-law basis).documented | 8 documented; 4 unknown Dossier |
| Richard Wagner · Tristan und Isolde, WWV 90Liebestod — “Mild und leise” | Nanny Larsen-Todsen (soprano — Isolde); Bayreuth Festival Orchestra (orchestra); Karl Elmendorff (conductor)documented | 1928-08inferred | Columbia; transferred reissue: Preiser Lebendige VergangenheitdocumentedAX 3986/87 (Preiser sleeve); WAX 3986/87 (Naxos original matrix list)disputed | Archive marks this recording Public Domain; the historical 1928 Columbia issue also falls within the project’s pre-1963 EU recording rule.documented | 6 documented; 3 inferred; 1 disputed; 2 unknown Dossier |
| Richard Wagner · Tristan und Isolde, WWV 90Prelude to Act I — concert version | Fulda Symphonic Orchestra (orchestra); Simon Schindler (conductor); Bruce Edwards (clarinet)documented | 2004-03-09documented | UnknownunknownUnknownunknown | Recording released under EFF Open Audio License version 1.0.documented | 6 documented; 5 unknown; 1 inferred Dossier |
| Richard Wagner · Die Walküre, WWV 86BRide of the Valkyries — orchestral excerpt | American Symphony Orchestra (orchestra)documented | 1921documented | Edison Diamond Discdocumented7846-B-1-6; catalogue side 80638-Rdocumented | US public domain: the record was published in December 1921.documented | 10 documented; 1 unknown; 1 inferred Dossier |
| Anton Webern · Six Pieces for Orchestra, Op. 6IV. Langsam (Marcia funebre) | Columbia Symphony Orchestra (orchestra); Robert Craft (conductor)documented | Unknownunknown | Columbia MasterworksdocumentedSide 2, band 5; label matrix XSM 51683documented | Territorial EU public-domain basis: commercial publication no later than 1961, before 1963.documented | 9 documented; 2 unknown; 1 inferred Dossier |
| Anton Webern · Symphony, Op. 21II. Variationen | Paris Chamber Orchestra (orchestra); René Leibowitz (conductor)documented | Not statedunknown | Dial Records (United States), long-playing recorddocumentedNot stated; the Symphony is on side 1unknown | Rule 3 — territorial EU public domain: first published before 1963; the LP was reviewed in June 1950.documented | 5 unknown; 7 documented Dossier |
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Recording dossiers
Johann Sebastian Bach · Brandenburg Concerto No. 5, BWV 1050 · II. AffettuosoRoxana Pavel Goldstein, violin, 2008
Johann Sebastian Bach · Brandenburg Concerto No. 5, BWV 1050 · I. AllegroAdvent Chamber Orchestra, 2008
Johann Sebastian Bach · Brandenburg Concerto No. 5, BWV 1050 · III. AllegroAdvent Chamber Orchestra, 2008
Johann Sebastian Bach · Toccata and Fugue in D minor, BWV 565Norbert Schenk, organ (Evangelische Kirche Solms-Albshausen), 2017
Johann Sebastian Bach · Toccata and Fugue in D minor, BWV 565 · Opening disc side onlyPhiladelphia Orchestra, Leopold Stokowski (Stokowski’s own orchestration), 1927
Johann Sebastian Bach · Cello Suite No. 1, BWV 1007 · I. PréludeJohn Michel, cello
Johann Sebastian Bach · Goldberg Variations, BWV 988 · AriaShelley Katz, piano
Johann Sebastian Bach · Partita No. 2, BWV 1004 · V. CiacconaJascha Heifetz, violin, 1952
Johann Sebastian Bach · St Matthew Passion, BWV 244 · No. 47. Erbarme dich, mein GottHertha Töpper, alto, 1958
Johann Sebastian Bach · St Matthew Passion, BWV 244 · No. 1. Kommt, ihr Töchter, helft mir klagenMünchener Bach-Chor and Münchener Chorknaben, 1958
Johann Sebastian Bach · The Well-Tempered Clavier, Book I · BWV 869 · Fugue in B minorKimiko Ishizaka, piano
Béla Bartók · Concerto for Orchestra, Sz. 116 · II. Giuoco delle coppie — Allegretto scherzandoPittsburgh Symphony Orchestra, 1946
Béla Bartók · Concerto for Orchestra, Sz. 116 · III. Elegia — Andante non troppoPittsburgh Symphony Orchestra, 1946
Béla Bartók · Concerto for Orchestra, Sz. 116 · V. Finale — Pesante; PrestoPittsburgh Symphony Orchestra, 1946
Béla Bartók · Concerto for Orchestra, Sz. 116 · IV. Intermezzo interrotto — AllegrettoPittsburgh Symphony Orchestra, 1946
Béla Bartók · Concerto for Orchestra, Sz. 116 · I. Introduzione — Andante non troppo; Allegro vivacePittsburgh Symphony Orchestra, 1946
Béla Bartók · String Quartet No. 2, Op. 17 · II. Allegro molto capricciosoCarmel Quartet, 2007
Amy Beach · The Year’s at the SpringEmma Eames, soprano, with piano, 1905
Amy Beach · The Year’s at the SpringEmma Eames, soprano, with piano, 1908
Amy Beach · The Year’s at the SpringJohanna Gadski, soprano, 1908
Ludwig van Beethoven · Piano Sonata No. 30, Op. 109 · II. PrestissimoArtur Schnabel, 1932
Ludwig van Beethoven · Piano Sonata No. 30, Op. 109 · III. Gesangvoll, mit innigster EmpfindungArtur Schnabel, 1932
Ludwig van Beethoven · Piano Sonata No. 30, Op. 109 · I. Vivace, ma non troppo — Adagio espressivoArtur Schnabel, 1932
Ludwig van Beethoven · String Quartet No. 14 in C♯ minor, Op. 131 · I–VII. Complete quartet — seven linked movementsLéner String Quartet: Jenö Léner and Joszef Smilovits, violins, 1924
Ludwig van Beethoven · String Quartet No. 15 in A minor, Op. 132 · III. Molto adagio — Heiliger DankgesangThe Griller String Quartet: Sidney Griller and Jack O’Brien, violins
Ludwig van Beethoven · Symphony No. 5, Op. 67 · II. Andante con motoSkidmore College orchestra
Ludwig van Beethoven · Symphony No. 5, Op. 67 · IV. Allegro — PrestoSkidmore College orchestra
Ludwig van Beethoven · Symphony No. 5 in C minor, Op. 67 · I. Allegro con brio — side 1 of 2Koninklijk Concertgebouworkest, Willem Mengelberg, 1939
Ludwig van Beethoven · Symphony No. 5 in C minor, Op. 67 · I. Allegro con brioBerlin Philharmonic Orchestra, Arthur Nikisch, 1913
Ludwig van Beethoven · Symphony No. 5 in C minor, Op. 67 · I. Allegro con brioOdeon Grand Orchestra, 1910
Ludwig van Beethoven · Symphony No. 5, Op. 67 · I. Allegro con brioSkidmore College orchestra
Ludwig van Beethoven · Symphony No. 5, Op. 67 · III. AllegroSkidmore College orchestra
Ludwig van Beethoven · Piano Sonata No. 23, Op. 57 “Appassionata” · II. Andante con motoArtur Schnabel, piano, 1933
Ludwig van Beethoven · Piano Sonata No. 23, Op. 57 “Appassionata” · III. Allegro ma non troppo — PrestoArtur Schnabel, piano, 1933
Ludwig van Beethoven · Piano Sonata No. 23, Op. 57 “Appassionata” · I. Allegro assaiArtur Schnabel, piano, 1933
Alban Berg · Lyric Suite · III. Allegro misterioso — Trio estaticoGalimir String Quartet of Vienna, 1935
Alban Berg · Three Pieces for Orchestra, Op. 6 · I. PräludiumColumbia Symphony Orchestra
Alban Berg · Violin Concerto · I. Andante — AllegrettoLouis Krasner, violin, 1940
Alban Berg · Violin Concerto · II. Allegro — Adagio — CodaLouis Krasner, violin, 1940
Hector Berlioz · Symphonie fantastique, Op. 14 · IV. Marche au supplice — Allegretto non troppoIgor Markevitch, Orchestre Lamoureux, 1961
Hector Berlioz · Symphonie fantastique, Op. 14 · I. Rêveries — PassionsIgor Markevitch, Orchestre Lamoureux, 1961
Hector Berlioz · Symphonie fantastique, Op. 14 · V. Songe d’une nuit du SabbatIgor Markevitch, Orchestre Lamoureux, 1961
Hector Berlioz · Symphonie fantastique, Op. 14 · III. Scène aux champs — AdagioIgor Markevitch, Orchestre Lamoureux, 1961
Hector Berlioz · Symphonie fantastique, Op. 14 · II. Un bal — Valse. Allegro non troppoIgor Markevitch, Orchestre Lamoureux, 1961
Leonard Bernstein · Symphony No. 2, The Age of Anxiety · Part I: Prologue; The Seven Ages; The Seven StagesLukas Foss, piano, 1950
Leonard Bernstein · Symphony No. 2, The Age of Anxiety · Part II: The Dirge; The Masque; The EpilogueLukas Foss, piano, 1950
Leonard Bernstein · Serenade (after Plato’s Symposium) · I. Phaedrus; Pausanias — Lento; Allegro marcatoIsaac Stern, violin, 1956
Georges Bizet · Carmen · Act I · Habanera — L’amour est un oiseau rebelleGeraldine Farrar, soprano, 1914
Georges Bizet · Carmen · Act II · Toreador Song — sung in ItalianPasquale Amato, baritone, 1911
Alexander Borodin · String Quartet No. 2 in D major · III. Notturno — AndanteMusopen String Quartet, as credited on Wikimedia Commons
Alexander Borodin · In the Steppes of Central AsiaMusopen Symphony, as credited on Wikimedia Commons
Pierre Boulez · Le Marteau sans maître · I–V. First half, to “Bel édifice et les pressentiments”, first versionMarie-Thérèse Cahn, voice, 1956
Pierre Boulez · Le Marteau sans maître · VI–IX. Second half, from “Bourreaux de solitude” to “Bel édifice et les pressentiments”, second versionMarie-Thérèse Cahn, voice, 1956
Johannes Brahms · Symphony No. 3 in F major, Op. 90 · III. Poco allegrettoMusopen Symphony (Commons credit
Johannes Brahms · Symphony No. 4 in E minor, Op. 98 · IV. Allegro energico e passionatoMusopen Symphony, 2012
Johannes Brahms · Symphony No. 1 in C minor, Op. 68 · III. Un poco allegretto e graziosoCzech National Symphony Orchestra
Johannes Brahms · Symphony No. 1 in C minor, Op. 68 · I. Un poco sostenuto — Allegro — Meno allegroCzech National Symphony Orchestra
Johannes Brahms · Symphony No. 1 in C minor, Op. 68 · II. Andante sostenutoCzech National Symphony Orchestra
Johannes Brahms · Symphony No. 1 in C minor, Op. 68 · IV. Adagio — Più andante — Allegro non troppo, ma con brio — Più allegroCzech National Symphony Orchestra
Benjamin Britten · Serenade for Tenor, Horn and Strings · V. DirgePeter Pears, tenor, 1944
Benjamin Britten · Serenade for Tenor, Horn and Strings · IV. ElegyPeter Pears, tenor, 1944
Anton Bruckner · Symphony No. 7 in E major, WAB 107 · II. Adagio — Sehr feierlich und sehr langsamHochschulsymphonieorchester, University of Music and Theatre Munich, 2020
Anton Bruckner · Symphony No. 7 in E major, WAB 107 · I. Allegro moderatoHochschulsymphonieorchester, University of Music and Theatre Munich, 2020
Anton Bruckner · Symphony No. 7 in E major, WAB 107 · IV. Finale — Bewegt, doch nicht schnellHochschulsymphonieorchester, University of Music and Theatre Munich, 2020
Anton Bruckner · Symphony No. 7 in E major, WAB 107 · III. Scherzo — Sehr schnell; Trio — Etwas langsamerHochschulsymphonieorchester, University of Music and Theatre Munich, 2020
Frédéric Chopin · Ballade No. 1, Op. 23 · Largo — ModeratoFrank Lévy
Frédéric Chopin · Ballade No. 2 in F major, Op. 38 · Andantino — Presto con fuocoFrank Lévy
Frédéric Chopin · Ballade No. 3 in A♭ major, Op. 47 · AllegrettoMartha Goldstein
Frédéric Chopin · Ballade No. 4 in F minor, Op. 52 · Andante con motoFrank Lévy
Frédéric Chopin · Étude in G♭ major, Op. 10 No. 5; Étude in G♭ major, Op. 25 No. 9 · Black Keys, followed by Butterfly — complete disc sideAlfred Cortot, 1920
Frédéric Chopin · Étude in G♭ major, Op. 10 No. 5 · Vivace — Black KeysEdward Neeman
Frédéric Chopin · Étude in E minor, Op. 25 No. 5 · VivaceMartha Goldstein, piano
Frédéric Chopin · Étude in E minor, Op. 25 No. 5 · VivaceEdward Neeman
Frédéric Chopin · Étude in G♯ minor, Op. 25 No. 6 (“Thirds”)Edward Neeman, piano, 2014
Frédéric Chopin · Étude in G♯ minor, Op. 25 No. 6 (“Thirds”)Ignacy Jan Paderewski, piano, 1923
Frédéric Chopin · Étude in G♭ major, Op. 25 No. 9 (“Butterfly”)Eugen d’Albert, piano, 1912
Frédéric Chopin · Étude in G♭ major, Op. 25 No. 9 (“Butterfly”)Edward Neeman, piano, 2014
Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2 · LarghettoEugen d’Albert, 1916
Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2Ignacy Jan Paderewski, piano, 1937
Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2 · LarghettoIgnacy Jan Paderewski, 1917
Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2Patrizia Prati, piano, 2015
Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2 · LarghettoLuke Faulkner
Frédéric Chopin · Nocturne in D♭ major, Op. 27 No. 2Vladimir de Pachmann, piano (his own Baldwin), 1925
Frédéric Chopin · Nocturne in D♭ major, Op. 27 No. 2 · Lento sostenutoFrank Lévy, 2014
Frédéric Chopin · Nocturne in E♭ major, Op. 9 No. 2Frank Lévy, piano, 2014
Frédéric Chopin · Nocturne in E♭ major, Op. 9 No. 2Patrizia Prati, piano, 2015
Frédéric Chopin · Prelude in D♭ major, Op. 28 No. 15 · Sostenuto — RaindropIvan Ilić, 2005
Frédéric Chopin · Prelude in E minor, Op. 28 No. 4 · LargoDorian Pâquet, 2019
Frédéric Chopin · Prelude in E minor, Op. 28 No. 4 · LargoIvan Ilić, 2005
Frédéric Chopin · Waltz in D♭ major, Op. 64 No. 1 (“Minute”)Olga Gurevich, piano, 2014
Frédéric Chopin · Waltz in D♭ major, Op. 64 No. 1 (“Minute”)Muriel Nguyen Xuan, piano, 2007
Frédéric Chopin · Waltz in D♭ major, Op. 64 No. 1 (“Minute”)Sergei Rachmaninoff, piano (Steinway), 1923
Frédéric Chopin · Waltz in C♯ minor, Op. 64 No. 2Olga Gurevich, piano, 2014
Frédéric Chopin · Étude in F major, Op. 25 No. 3; Waltz in C♯ minor, Op. 64 No. 2 · HMV DB 860, side 2Vladimir de Pachmann, piano, 1925
Frédéric Chopin · Waltz in C♯ minor, Op. 64 No. 2Ignacy Jan Paderewski, piano (Steinway), 1917
Frédéric Chopin · Waltz in C♯ minor, Op. 64 No. 2Walter Morse Rummel, piano, 1943
Clara Schumann · Piano Trio in G minor, Op. 17 · I. Allegro moderatoThe Mannes-Gimpel-Silva Trio: Leopold Mannes, piano, 1951
Clara Schumann · Piano Trio in G minor, Op. 17 · III. AndanteThe Mannes-Gimpel-Silva Trio: Leopold Mannes, piano, 1951
Aaron Copland · Fanfare for the Common ManHartford Symphony Orchestra
Aaron Copland · Lincoln PortraitCarl Sandburg, narrator
Aaron Copland · Orchestral VariationsHartford Symphony Orchestra
François Couperin · Les Barricades mystérieusesMarcelle Meyer, piano, 1953
François Couperin · Les Nations · La Piémontaise · SonadeNew Comma Baroque: Matthew C. Cataldi, Baroque violin, 2012
François Couperin · Le Tic-Toc-Choc, ou Les MaillotinsMarcelle Meyer, piano, 1953
Carl Philipp Emanuel Bach · Fantasia in F♯ minor, Wq 67Joan Benson
Carl Philipp Emanuel Bach · Flute Concerto in G major, Wq 169 / H 445 · III. PrestoConstance Schoepflin, flute, 2008
Carl Philipp Emanuel Bach · Symphony in B minor, Wq 182/5 · Allegretto — Larghetto — PrestoMainzer Kammerorchester
Claude Debussy · Préludes, Book I · X. La cathédrale engloutieIvan Ilić, piano, 2006
Claude Debussy · Préludes, Book I · X. La cathédrale engloutieMarcelle Meyer, 1956
Claude Debussy · Children’s Corner · VI. Golliwogg’s Cake-WalkRobert Casadesus, piano, 1950
Claude Debussy · Children’s Corner · I. Doctor Gradus ad ParnassumRobert Casadesus, piano, 1950
Claude Debussy · Children’s Corner · II. Jimbo’s LullabyRobert Casadesus, piano, 1950
Claude Debussy · Children’s Corner · V. The Little ShepherdRobert Casadesus, piano, 1950
Claude Debussy · Children’s Corner · III. Serenade for the DollRobert Casadesus, piano, 1950
Claude Debussy · Children’s Corner · IV. The Snow Is DancingRobert Casadesus, piano, 1950
Claude Debussy · Suite bergamasque · III. Clair de luneBenno Moiseiwitsch, piano, 1946
Claude Debussy · Prélude à l’après-midi d’un fauneDetroit Symphony Orchestra, 1955
Claude Debussy · Ariettes oubliées · II. Il pleure dans mon cœurMary Garden, soprano, 1904
Claude Debussy · Pelléas et Mélisande · Act III, scene 1 · Mes longs cheveux descendentMary Garden, soprano, 1904
Claude Debussy · La Mer · I. De l’aube à midi sur la merUnited States Air Force Band, Concert Band
Claude Debussy · La Mer · I. De l’aube à midi sur la merDetroit Symphony Orchestra, 1955
Claude Debussy · La Mer · III. Dialogue du vent et de la merDetroit Symphony Orchestra, 1955
Claude Debussy · La Mer · II. Jeux de vaguesDetroit Symphony Orchestra, 1955
Claude Debussy · Nocturnes · II. Fêtes — Animé et très rythméOrchestre de la Suisse Romande, 1951
Claude Debussy · Nocturnes · I. Nuages — ModéréOrchestre de la Suisse Romande, 1951
Antonín Dvořák · Symphony No. 9 in E minor “From the New World”, Op. 95 · I. Adagio — Allegro moltoMusopen recording
Antonín Dvořák · Symphony No. 9 in E minor “From the New World”, Op. 95 · IV. Allegro con fuocoMusopen recording
Antonín Dvořák · Symphony No. 9 in E minor “From the New World”, Op. 95 · II. LargoMusopen recording
Antonín Dvořák · Symphony No. 9 in E minor “From the New World”, Op. 95 · III. Scherzo — Molto vivaceMusopen recording
Edward Elgar · Cello Concerto in E minor, Op. 85 · IV. Allegro — Moderato — Allegro ma non troppoSkidmore College Orchestra
Edward Elgar · Cello Concerto in E minor, Op. 85 · Abridged complete concerto · four acoustic sidesBeatrice Harrison, cello, 1919
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · XII. “B.G.N.” (Andante)Hallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · X. “Dorabella” (Intermezzo: Allegretto)Hallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · XIV. “E.D.U.” (Finale: Allegro)Hallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · XI. “G.R.S.” (Allegro di molto)Hallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · II. “H.D.S.-P.” (Allegro)Hallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · IX. Nimrod — AdagioHallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · III. “R.B.T.” (Allegretto)Hallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · XIII. “***” (Romanza: Moderato)Hallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · V. “R.P.A.” (Moderato)Hallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · Theme and I. “C.A.E.” — Andante; L’istesso tempoHallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · VII. “Troyte” (Presto)Hallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · IV. “W.M.B.” (Allegro di molto)Hallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · VIII. “W.N.” (Allegretto)Hallé Orchestra, John Barbirolli, 1947
Edward Elgar · Variations on an Original Theme “Enigma”, Op. 36 · VI. “Ysobel” (Andantino)Hallé Orchestra, John Barbirolli, 1947
Edward Elgar · Pomp and Circumstance, Op. 39 · March No. 1 in DRoyal Albert Hall Orchestra, Edward Elgar, 1926
Edward Elgar · Pomp and Circumstance, Op. 39 · March No. 1 in DChicago Symphony Orchestra, Frederick Stock, 1926
Edward Elgar · Pomp and Circumstance, Op. 39 · March No. 1 in D — concert-band arrangementUnited States Marine Band
Manuel de Falla · El amor brujo · Complete, Nos. 1–13Carol Brice, contralto, 1946
Manuel de Falla · Noches en los jardines de España · Complete: I. En el Generalife; II. Danza lejana; III. En los jardines de la Sierra de CórdobaClifford Curzon, piano, 1945
Manuel de Falla · Siete canciones populares españolas · No. 4, JotaMaría Barrientos, soprano, 1928
Manuel de Falla · El sombrero de tres picos · Suite No. 2: Danza del molinero (Farruca)Orquesta Sinfónica de Madrid, 1928
Fanny Hensel · Warum sind denn die Rosen so blass · No. 3 of Sechs Lieder, Op. 1 — AndanteAdèle Bérard, soprano, 2026
Gabriel Fauré · Requiem, Op. 48 · V. Agnus DeiChorale Philippe Caillard, 1962
Gabriel Fauré · Requiem, Op. 48 · VII. In paradisumChorale Philippe Caillard, 1962
Gabriel Fauré · Requiem, Op. 48 · I. Introït et KyrieChorale Philippe Caillard, 1962
Gabriel Fauré · Requiem, Op. 48 · VI. Libera meBernard Kruysen, baritone, 1962
Gabriel Fauré · Requiem, Op. 48 · II. OffertoireBernard Kruysen, baritone, 1962
Gabriel Fauré · Requiem, Op. 48 · IV. Pie JesuDenis Thilliez, boy soprano, 1962
Gabriel Fauré · Requiem, Op. 48 · III. SanctusChorale Philippe Caillard, 1962
George Gershwin · Rhapsody in Blue · 1924 abridged recording — both original sidesGeorge Gershwin, piano, 1924
George Gershwin · Rhapsody in Blue · 1924 jazz-band orchestrationBramwell Tovey, piano, 2018
Edvard Grieg · From Holberg’s Time, Op. 40 · IV. Air — Andante religiosoMarine Chamber Orchestra of the United States Marine Band, 2013
Edvard Grieg · Peer Gynt Suite No. 1, Op. 46 · IV. In the Hall of the Mountain KingCzech National Symphony Orchestra, as the Musopen Symphony Orchestra, 2012
Edvard Grieg · Piano Concerto in A minor, Op. 16 · I. Allegro molto moderatoNeal O’Doan, piano
Edvard Grieg · Wedding Day at Troldhaugen, Op. 65 No. 6 · Composer’s abridged acoustic recordingEdvard Grieg, piano, 1903
Edvard Grieg · Wedding Day at Troldhaugen, Op. 65 No. 6Harald Vetter, piano, 2006
George Frideric Handel · Messiah, HWV 56 · HallelujahOratorio Chorus, 1916
George Frideric Handel · Messiah, HWV 56 · HallelujahRoyal Choral Society, 1926
George Frideric Handel · Messiah, HWV 56 · HallelujahLondon Symphony Orchestra, 1953
George Frideric Handel · Water Music, Suite No. 2 in D, HWV 349 · I. AllegroMarine Chamber Orchestra of the United States Marine Band, 2017
George Frideric Handel · Water Music, Suite No. 2 in D, HWV 349 · IV. BourréeMarine Chamber Orchestra of the United States Marine Band, 2017
George Frideric Handel · Water Music, Suite No. 2 in D, HWV 349 · II. Alla hornpipeMarine Chamber Orchestra of the United States Marine Band, 2017
George Frideric Handel · Water Music, Suite No. 2 in D, HWV 349 · III. LentementMarine Chamber Orchestra of the United States Marine Band, 2017
George Frideric Handel · Water Music, Suite No. 2 in D, HWV 349 · V. MinuetMarine Chamber Orchestra of the United States Marine Band, 2017
Joseph Haydn · String Quartet in C major, Op. 54 No. 2, Hob. III:57 · II. AdagioThe Danish String Quartet, 2015
Joseph Haydn · String Quartet in C major, Op. 54 No. 2, Hob. III:57 · IV. Finale: Adagio — Presto — AdagioThe Danish String Quartet, 2015
Joseph Haydn · String Quartet in C major, Op. 54 No. 2, Hob. III:57 · I. VivaceThe Danish String Quartet, 2015
Joseph Haydn · Symphony No. 94 “Surprise” · I. Adagio cantabile — Vivace assaiBoston Symphony Orchestra, Serge Koussevitzky, 1929
Joseph Haydn · Symphony No. 94 “Surprise” · II. AndanteBoston Symphony Orchestra, Serge Koussevitzky, 1929
Joseph Haydn · Symphony No. 94 “Surprise” · IV. Finale: Allegro moltoBoston Symphony Orchestra, Serge Koussevitzky, 1929
Charles Ives · Piano Sonata No. 2 “Concord, Mass., 1840–60” · III. The AlcottsEric Xi Xin Liang, 2024
Charles Ives · Piano Sonata No. 2, ‘Concord, Mass., 1840–60’ · I. EmersonEric Xi Xin Liang, piano, 2024
Charles Ives · Piano Sonata No. 2, ‘Concord, Mass., 1840–60’ · II. HawthorneEric Xi Xin Liang, piano, 2024
Charles Ives · Piano Sonata No. 2, ‘Concord, Mass., 1840–60’ · IV. ThoreauEric Xi Xin Liang, piano, 2024
Élisabeth Jacquet de La Guerre · Pièces de clavecin qui peuvent se joüer sur le viollon · Suite in G major · AllemandeIsabelle Nef, harpsichord
Élisabeth Jacquet de La Guerre · Pièces de clavecin qui peuvent se joüer sur le viollon · Suite in D minor · 2e GigueIsabelle Nef, harpsichord
Leoš Janáček · Piano Sonata 1. X. 1905 · II. Smrt (Death) — AdagioEric Xi Xin Liang, 2023
Leoš Janáček · Taras Bulba · III. The Prophecy and Death of Taras BulbaRoyal Philharmonic Orchestra, 1958
· Pagliacci · Vesti la giubba — piano-accompanied sideEnrico Caruso, tenor, 1902
· Pagliacci · Recitar!… Vesti la giubbaEnrico Caruso, tenor, 1907
Lili Boulanger · Pie JesuAlain Fauqueur, boy soprano
Lili Boulanger · Psalm 129 — Ils m’ont assez opprimé dès ma jeunessePierre Mollet, baritone
Lili Boulanger · Psalm 130 — Du fond de l’abîmeOralia Domínguez, contralto
Lili Boulanger · Psalm 24 — La terre appartient à l’ÉternelMichel Sénéchal, tenor
Lili Boulanger · Vieille prière bouddhiqueMichel Sénéchal, tenor
Franz Liszt · Années de pèlerinage I: Suisse, S. 160 · 4. Au bord d’une sourceEugen d’Albert, piano, 1912
Franz Liszt · Hungarian Rhapsody No. 2, S. 244/2Martha Goldstein
Franz Liszt · Hungarian Rhapsody No. 6, S. 244/6Martha Argerich
Franz Liszt · Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2 · Opening disc side onlyNational Symphony Orchestra of London, Walter Goehr, 1945
Franz Liszt · Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2 · Opening disc side onlySergei Rachmaninoff, piano, 1919
Franz Liszt · Hungarian Rhapsody No. 2 in C♯ minor, S. 244/2 · Opening disc side onlyPhiladelphia Orchestra, Leopold Stokowski (arr. Müller-Berghaus), 1936
Franz Liszt · Piano Sonata in B minor, S. 178Jorge Bolet, 1960
Gustav Mahler · Symphony No. 2 “Resurrection” · I. Allegro maestosoBarbara Schubert, 2004
Gustav Mahler · Symphony No. 2 “Resurrection” · II. Andante moderatoBarbara Schubert, 2004
Gustav Mahler · Symphony No. 2 “Resurrection” · V. Im Tempo des Scherzos — Wild herausfahrendBarbara Schubert, 2004
Gustav Mahler · Symphony No. 2 “Resurrection” · III. In ruhig fließender BewegungBarbara Schubert, 2004
Gustav Mahler · Symphony No. 2 “Resurrection” · IV. Urlicht — Sehr feierlich, aber schlichtBarbara Schubert, the DuPage Symphony Orchestra, 2004
Gustav Mahler · Symphony No. 4 · I. Bedächtig. Nicht eilen
Gustav Mahler · Symphony No. 4 · IV. Sehr behaglich — Das himmlische Leben
Gustav Mahler · Symphony No. 4 · III. Ruhevoll (Poco adagio)
Gustav Mahler · Symphony No. 4 · II. In gemächlicher Bewegung. Ohne Hast
Gustav Mahler · Symphony No. 5 · IV. Adagietto — Sehr langsamConcertgebouw Orchestra, Willem Mengelberg, 1926
Gustav Mahler · Symphony No. 5 · IV. Adagietto — Sehr langsamPeabody Symphony Orchestra, Baltimore
Gustav Mahler · Symphony No. 5 · V. Rondo-Finale — AllegroPeabody Symphony Orchestra
Gustav Mahler · Symphony No. 5 · III. Scherzo — Kräftig, nicht zu schnellPeabody Symphony Orchestra
Gustav Mahler · Symphony No. 5 · II. Stürmisch bewegt, mit größter VehemenzPeabody Symphony Orchestra
Gustav Mahler · Symphony No. 5 · I. Trauermarsch — In gemessenem Schritt. Streng. Wie ein KonduktPeabody Symphony Orchestra
Gustav Mahler · Symphony No. 9 · IV. Adagio — Sehr langsam und noch zurückhaltendVienna Philharmonic, 1938
Gustav Mahler · Symphony No. 9 · I. Andante comodoVienna Philharmonic, 1938
Gustav Mahler · Symphony No. 9 · II. Im Tempo eines gemächlichen LändlersVienna Philharmonic, 1938
Gustav Mahler · Symphony No. 9 · III. Rondo-Burleske — Allegro assai. Sehr trotzigVienna Philharmonic, 1938
Gustav Mahler · Das Lied von der Erde · VI. Der Abschied — SchwerKerstin Thorborg, contralto, 1939
Gustav Mahler · Das Lied von der Erde · II. Der Einsame im Herbst — Etwas schleichend. ErmüdetKerstin Thorborg, contralto, 1939
Gustav Mahler · Das Lied von der Erde · III. Von der Jugend — Behaglich heiterCarl Martin Öhmann, tenor, 1939
Gustav Mahler · Das Lied von der Erde · IV. Von der Schönheit — Comodo. DolcissimoKerstin Thorborg, contralto, 1939
Gustav Mahler · Das Lied von der Erde · I. Das Trinklied vom Jammer der Erde — Allegro pesanteCarl Martin Öhmann, tenor, 1939
Gustav Mahler · Das Lied von der Erde · V. Der Trunkene im Frühling — Allegro. Keck, aber nicht zu schnellCarl Martin Öhmann, tenor, 1939
Gustav Mahler · Kindertotenlieder · V. In diesem Wetter, in diesem BrausMarian Anderson, contralto, 1950
Gustav Mahler · Kindertotenlieder · V. In diesem Wetter, in diesem BrausDietrich Fischer-Dieskau, baritone, 1955
Gustav Mahler · Kindertotenlieder · II. Nun seh’ ich wohl, warum so dunkle FlammenMarian Anderson, contralto, 1950
Gustav Mahler · Kindertotenlieder · II. Nun seh’ ich wohl, warum so dunkle FlammenDietrich Fischer-Dieskau, baritone, 1955
Gustav Mahler · Kindertotenlieder · I. Nun will die Sonn’ so hell aufgeh’nMarian Anderson, contralto, 1950
Gustav Mahler · Kindertotenlieder · I. Nun will die Sonn’ so hell aufgeh’nDietrich Fischer-Dieskau, baritone, 1955
Gustav Mahler · Kindertotenlieder · IV. Oft denk’ ich, sie sind nur ausgegangenMarian Anderson, contralto, 1950
Gustav Mahler · Kindertotenlieder · IV. Oft denk’ ich, sie sind nur ausgegangenDietrich Fischer-Dieskau, baritone, 1955
Gustav Mahler · Kindertotenlieder · III. Wenn dein MütterleinMarian Anderson, contralto, 1950
Gustav Mahler · Kindertotenlieder · III. Wenn dein MütterleinDietrich Fischer-Dieskau, baritone, 1955
Gustav Mahler · Rückert-Lieder · Ich bin der Welt abhanden gekommen — concert-band arrangementSusan Kavinski, soprano, 2020
Felix Mendelssohn · The Hebrides, Op. 26 · Allegro moderatoMusopen Symphony
Felix Mendelssohn · Violin Concerto in E minor, Op. 64 · I. Allegro molto appassionatoSoojin Han, violin, 2022
Felix Mendelssohn · Violin Concerto in E minor, Op. 64 · II. AndanteSoojin Han, violin, 2022
Felix Mendelssohn · Violin Concerto in E minor, Op. 64 · III. Allegretto non troppo — Allegro molto vivaceSoojin Han, violin, 2022
Olivier Messiaen · La Nativité du Seigneur · IX. Dieu parmi nousErnest White, organ, 1949
Olivier Messiaen · Turangalîla-Symphonie · VI. Jardin du sommeil d’amourYvonne Loriod, piano
Wolfgang Amadeus Mozart · Symphony No. 40 in G minor, K. 550 · II. AndanteMusopen Symphony (Commons credit
Wolfgang Amadeus Mozart · Symphony No. 40 in G minor, K. 550 · IV. Finale: Allegro assaiMusopen Symphony (Commons credit
Wolfgang Amadeus Mozart · Symphony No. 40, K. 550 · I. Molto allegroMusopen Symphony (Commons credit
Wolfgang Amadeus Mozart · Symphony No. 41 in C major, K. 551 “Jupiter” · IV. Finale: Molto allegroBruno Walter, Columbia Symphony Orchestra
Wolfgang Amadeus Mozart · Piano Concerto No. 21 in C major, K. 467 · I. Allegro maestosoArtur Schnabel, piano, 1937
Wolfgang Amadeus Mozart · Piano Concerto No. 21 in C major, K. 467 · II. AndanteArtur Schnabel, piano, 1937
Wolfgang Amadeus Mozart · Piano Concerto No. 21 in C major, K. 467 · III. Allegro vivace assaiArtur Schnabel, piano, 1937
Wolfgang Amadeus Mozart · Clarinet Concerto in A major, K. 622 · II. AdagioWilliam McColl, basset clarinet, 1987
Wolfgang Amadeus Mozart · Clarinet Concerto in A major, K. 622 · I. AllegroWilliam McColl, basset clarinet, 1987
Wolfgang Amadeus Mozart · Clarinet Concerto in A major, K. 622 · III. Rondo: AllegroWilliam McColl, basset clarinet, 1987
Wolfgang Amadeus Mozart · Don Giovanni, K. 527 · No. 7 Là ci darem la mano (Don Giovanni, Zerlina)Reinald Werrenrath, baritone, 1920
Wolfgang Amadeus Mozart · Requiem in D minor, K. 626 · XIV. Communio: Lux aeternaLisa della Casa, soprano, 1956
Wolfgang Amadeus Mozart · Requiem in D minor, K. 626 · III. Dies irae — Allegro assaiWiener Staatsopernchor, 1956
Wolfgang Amadeus Mozart · Requiem in D minor, K. 626 · I. Introitus: Requiem aeternam — AdagioLisa della Casa, soprano, 1956
Wolfgang Amadeus Mozart · Requiem in D minor, K. 626 · VIII. LacrimosaWiener Staatsopernchor, 1956
Modest Mussorgsky · Night on Bald Mountain · Rimsky-Korsakov’s concert versionMusopen recording
Modest Mussorgsky · Pictures at an Exhibition · IX. La cabane sur des pattes de poule (Baba-Yaga) — Allegro con brio, feroce — Andante mosso — Allegro moltoSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · V. Ballet des poussins dans leurs coques — Scherzino, vivo leggieroSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · IV. Bydło — Sempre moderato, pesanteSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · VIII. Catacombae (Sepulcrum romanum) — LargoSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · Cum mortuis in lingua mortua — Andante non troppo, con lamentoSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · I. Gnomus — VivoSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · VI. “Samuel” Goldenberg und “Schmuÿle” — AndanteSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · X. La grande porte de Kiev — Allegro alla breve. Maestoso. Con grandezzaSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · VII. Limoges. Le marché (La grande nouvelle) — Allegretto vivo, sempre scherzandoSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · Promenade — Allegro giusto, nel modo russicoSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · Promenade — Moderato comodo e con delicatezzaSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · Promenade — Moderato non tanto, pesanteSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · Promenade — TranquilloSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · III. Tuileries (Dispute d’enfants après jeux) — Allegretto non troppo, capricciosoSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Modest Mussorgsky · Pictures at an Exhibition · II. Il vecchio castello — AndanteSkidmore College Orchestra, per the Free Music Archive and Internet Archive
Carl Nielsen · Wind Quintet, Op. 43 · III. Præludium — Tema med variationerWind Quintet of the Royal Orchestra, Copenhagen (Det Kgl. Kapels Blæserkvintet): Holger Gilbert-Jespersen, flute, 1936
· Praeludium in C major, BuxWV 137 · Prelude, Fugue and ChaconneFabian Wöhrle, organ
· Concerto grosso in D major, Op. 6 No. 4 · I. Adagio — AllegroAdvent Chamber Orchestra, 2005
· O frondens virga · Antiphon for the VirginMakemi, voice, 2006
· Mille regretz · Four-voice chanson · attributed to Josquin des PrezCollegium Vocale Bydgoszcz
· Douce dame jolie / L’espoir que j’ai · Machaut and Janequin · Weckerlin arrangements · complete Victor sideLambert Murphy, tenor, 1915
· Quel augellin che canta · Madrigals, Book IV · No. 13, SV 87The Tudor Consort, 2005
· Sicut lilium inter spinas · MotetThe Tudor Consort
· Pange lingua gloriosi corporis mysterium · Traditional plainchant hymnGareth Hughes, voice, 2005
· The Fairy Queen, Z. 629 · Act V. ChaconneOrquestra de música antiga de l’Esmuc, 2018
Francis Poulenc · Le Bestiaire ou Cortège d’Orphée, FP 15Pierre Bernac, baritone
Francis Poulenc · Concerto for Two Pianos in D minor, FP 61 · II. LarghettoArthur Whittemore and Jack Lowe, 1947
Francis Poulenc · Tel jour telle nuit, FP 86 · VII–IX: Je n’ai envie que de t’aimer; Figure de force brûlante et farouche; Nous avons fait la nuitPierre Bernac, baritone
Florence Price · My Soul’s Been Anchored in de LordMarian Anderson, contralto, 1936
Sergei Prokofiev · Symphony No. 1 in D major, Op. 25, “Classical” · Complete · Allegro — Larghetto — Gavotte — Molto vivacePhilharmonia Orchestra
Sergei Prokofiev · Piano Sonata No. 2, Op. 14 · Complete · Allegro ma non troppo — Scherzo — Andante — VivaceE.M. Zinger, 1962
Sergei Prokofiev · Toccata in D minor, Op. 11Martha Argerich
Giacomo Puccini · Tosca · Act III · E lucevan le stelle — piano-accompanied recordingEnrico Caruso, tenor, 1902
Giacomo Puccini · La bohème · Act I · Sì, mi chiamano MimìClaudia Muzio, 1911
Giacomo Puccini · La bohème · Act IV · O Mimì, tu più non torniEnrico Caruso, tenor, 1907
Giacomo Puccini · La bohème · Act I · O soave fanciullaNellie Melba, soprano, 1907
Giacomo Puccini · Tosca · Act I · Recondita armoniaEnrico Caruso, tenor, 1909
Giacomo Puccini · Tosca · Act II · Vissi d’arteEmmy Destinn, soprano, 1914
Sergei Rachmaninoff · Barcarolle, Op. 10 No. 3 · ModeratoSergei Rachmaninoff, piano, 1919
Sergei Rachmaninoff · Piano Concerto No. 2, Op. 18 · II. Adagio sostenuto — opening 78-rpm side onlySergei Rachmaninoff, piano, 1929
Sergei Rachmaninoff · Piano Concerto No. 2, Op. 18 · II. Adagio sostenutoSviatoslav Richter, Warsaw National Philharmonic Orchestra, Stanisław Wisłocki, 1959
Sergei Rachmaninoff · Piano Concerto No. 2, Op. 18 · III. Allegro scherzandoSviatoslav Richter, 1959
Sergei Rachmaninoff · Piano Concerto No. 2, Op. 18 · I. Moderato — opening 78-rpm side onlySergei Rachmaninoff, piano, 1929
Sergei Rachmaninoff · Piano Concerto No. 2, Op. 18 · I. ModeratoSviatoslav Richter, Warsaw National Philharmonic Orchestra, Stanisław Wisłocki, 1959
Sergei Rachmaninoff · Étude-tableau in E♭ minor, Op. 39 No. 5 · AppassionatoKarine Gilanyan, 2005
Sergei Rachmaninoff · Lilacs, Op. 21 No. 5 (composer’s piano transcription)Sergei Rachmaninoff, piano, 1923
Sergei Rachmaninoff · Polichinelle, Op. 3 No. 4 · Allegro vivaceSergei Rachmaninoff, piano, 1923
Sergei Rachmaninoff · Polka de V.R. (Polka de W. R.) · AllegrettoSergei Rachmaninoff, piano, 1919
Sergei Rachmaninoff · Prelude in C♯ minor, Op. 3 No. 2Sergei Rachmaninoff, piano, 1921
Sergei Rachmaninoff · Prelude in C♯ minor, Op. 3 No. 2Sergei Rachmaninoff, piano, 1928
Sergei Rachmaninoff · Prelude in C♯ minor, Op. 3 No. 2Martin Wörner, piano (recording: Tobias Lohner), 2005
Sergei Rachmaninoff · Prelude in C♯ minor, Op. 3 No. 2Sergei Rachmaninoff, 1919
Sergei Rachmaninoff · Prelude in G minor, Op. 23 No. 5 · Alla marciaSergei Rachmaninoff, 1920
Sergei Rachmaninoff · Prelude in B minor, Op. 32 No. 10 · LentoLa Pianista, 2010
Sergei Rachmaninoff · Prelude in G♯ minor, Op. 32 No. 12 · AllegroSergei Rachmaninoff, 1921
Sergei Rachmaninoff · Prelude in G major, Op. 32 No. 5 · ModeratoSergei Rachmaninoff, 1920
Sergei Rachmaninoff · Sérénade, Op. 3 No. 5 · Sostenuto — Tempo di ValseSergei Rachmaninoff, piano, 1922
Jean-Philippe Rameau · Nouvelles Suites de pièces de clavecin · Suite in A minor · Gavotte et six doublesMarcelle Meyer, piano, 1953
Jean-Philippe Rameau · La PouleMarcelle Meyer, piano, 1953
Jean-Philippe Rameau · Les Niais de Sologne · With the first and second doublesMarcelle Meyer, piano, 1953
Maurice Ravel · BoléroOrchestre des Concerts Lamoureux, Maurice Ravel, 1930
Maurice Ravel · BoléroBerlin Symphonic Orchestra, Ferenc Fricsay
Maurice Ravel · Gaspard de la nuit · II. Le Gibet — Très lentOE1FEU, piano, 2020
Maurice Ravel · Gaspard de la nuit · I. Ondine — LentAndriy Makarevych, piano, 2014
Maurice Ravel · Gaspard de la nuit · III. Scarbo — ModéréAndriy Makarevych, piano, 2014
Maurice Ravel · Introduction and AllegroKaren Grimsey, harp, 2022
Maurice Ravel · La valse · Two-piano versionNancy O’Doan and Neal O’Doan, pianos
Maurice Ravel · Ma mère l’Oye · I. Pavane de la Belle au bois dormantDuo Campion/Vachon, 1992
Maurice Ravel · Miroirs · IV. Alborada del gracioso — Assez vifOlena Havyuk-Sheremet, piano, 2014
Maurice Ravel · Miroirs · I. Noctuelles — Très légerOlena Havyuk-Sheremet, piano, 2014
Maurice Ravel · Miroirs · II. Oiseaux tristes — Très lentOlena Havyuk-Sheremet, piano, 2014
Maurice Ravel · Miroirs · III. Une barque sur l’océan — D’un rythme soupleOlena Havyuk-Sheremet, piano, 2014
Maurice Ravel · Miroirs · V. La vallée des cloches — Très lentOlena Havyuk-Sheremet, piano, 2014
Maurice Ravel · Pavane pour une infante défunteThérèse Dussaut, piano, 1976
Maurice Ravel · String Quartet in F major · II. Assez vif — Très rythméString players of the United States Army Band
Maurice Ravel · Le Tombeau de Couperin · III. Forlaneazuma, piano, 2007
Maurice Ravel · Le Tombeau de Couperin · II. FugueAlan Chan, piano
Maurice Ravel · Le Tombeau de Couperin · I. PréludeIsaac David, piano, 2017
Maurice Ravel · Le Tombeau de Couperin · VI. ToccataMarcelle Meyer, piano, 1954
Richard Strauss · Don Juan, Op. 20 · Acoustic recording · four disc sidesSymphony Orchestra (Gramophone Company), Albert Coates, 1922
Richard Strauss · Four Last Songs · IV. Im Abendrot — AndanteElisabeth Schwarzkopf, soprano, 1953
Richard Strauss · Till Eulenspiegels lustige Streiche, Op. 28United States Navy Band, 2001
Nikolai Rimsky-Korsakov · The Prophet, Op. 49 No. 2Fyodor Chaliapin, bass, 1921
Nikolai Rimsky-Korsakov · The Prophet, Op. 49 No. 2Fyodor Chaliapin, bass, 1927
Nikolai Rimsky-Korsakov · Scheherazade, Op. 35 · IV. Festival at Baghdad — The Sea — The Ship Breaks against the CliffSan Francisco Symphony Orchestra, Pierre Monteux, 1942
Nikolai Rimsky-Korsakov · Scheherazade, Op. 35 · II. The Story of the Kalender PrinceSan Francisco Symphony Orchestra, Pierre Monteux, 1942
Nikolai Rimsky-Korsakov · Scheherazade, Op. 35 · III. The Young Prince and the Young PrincessSan Francisco Symphony Orchestra, Pierre Monteux, 1942
Nikolai Rimsky-Korsakov · Scheherazade, Op. 35 · I. The Sea and Sinbad’s ShipSan Francisco Symphony Orchestra, Pierre Monteux, 1942
Nikolai Rimsky-Korsakov · Scheherazade, Op. 35 — III. The Young Prince and the Young Princess · Opening disc side onlyPhiladelphia Orchestra, Leopold Stokowski, 1934
Gioachino Rossini · Il barbiere di Siviglia · OvertureChicago Symphony Orchestra, 1958
Gioachino Rossini · Il barbiere di Siviglia · Act I · Largo al factotumTitta Ruffo, baritone, 1920
Gioachino Rossini · Guillaume Tell · Overture · wind-ensemble transcription attributed to Wenzel SedlakUnited States Marine Band, 2000
Camille Saint-Saëns · Le Carnaval des animaux · XIII. Le Cygne — cello and pianoJudith Bokor, cello, 1925
Camille Saint-Saëns · Le Carnaval des animaux · XIII. Le Cygne — cello and marimbaAlisa Weilerstein, cello, 2009
Camille Saint-Saëns · Danse macabre, Op. 40Philadelphia Orchestra, 1925
Camille Saint-Saëns · Symphony No. 3 in C minor, Op. 78 “Organ” · Part I — Adagio · Allegro moderato · Poco adagioPhilharmonic-Symphony Orchestra of New York, 1947
Camille Saint-Saëns · Symphony No. 3 in C minor, Op. 78 “Organ” · Part II — Scherzo · Presto · Maestoso · AllegroPhilharmonic-Symphony Orchestra of New York, 1947
Camille Saint-Saëns · Piano Concerto No. 5 in F major, Op. 103 “Egyptian” · II. AndanteMagda Tagliaferro, piano, 1954
Erik Satie · Trois Gymnopédies · I. Lent et douloureux — guitar arrangementMichael Laucke, guitar and arrangement, 2001
Erik Satie · Trois Gymnopédies · I. Lent et douloureuxRobin Alciatore, 2008
Erik Satie · Trois morceaux en forme de poire · Complete · seven pieces for piano four handsFrancis Poulenc and Jacques Février, piano four hands, 1959
Domenico Scarlatti · Sonata in D major, K. 119 · AllegroMarcelle Meyer, piano, 1954
Domenico Scarlatti · Sonata in E major, K. 380 · Andante commodoMarcelle Meyer, piano, 1954
Domenico Scarlatti · Sonata in C major, K. 513, “Pastorale” · Moderato – Molto allegro; PrestoEliza Hansen, harpsichord, 1953
Arnold Schoenberg · String Quartet No. 2, Op. 10 · IV. Entrückung — Sehr langsamCarmel String Quartet, 2007
Arnold Schoenberg · Verklärte Nacht, Op. 4 · LP side 1 (bars 1–228)Hollywood String Quartet (Felix Slatkin and Paul Shure, violins, 1950
Arnold Schoenberg · Verklärte Nacht, Op. 4 · LP side 2 (bars 229–418)Hollywood String Quartet (Felix Slatkin and Paul Shure, violins, 1950
Franz Schubert · Symphony No. 8 in B minor “Unfinished”, D. 759 · I. Allegro moderatoPhiladelphia Orchestra, Leopold Stokowski, 1927
Franz Schubert · Symphony No. 8 in B minor “Unfinished”, D. 759 · II. Andante con motoPhiladelphia Orchestra, Leopold Stokowski, 1927
Franz Schubert · Impromptu in G♭ major, D. 899 No. 3 · AndanteChiara Bertoglio
Franz Schubert · String Quintet in C major, D. 956 · II. AdagioIsaac Stern, Alexander Schneider, violins, 1952
Franz Schubert · Winterreise, D. 911 · 11. FrühlingstraumHans Duhan, baritone, 1928
Franz Schubert · Winterreise, D. 911 · 1. Gute NachtHans Duhan, baritone, 1928
Franz Schubert · Winterreise, D. 911 · 24. Der LeiermannHans Duhan, baritone, 1928
Franz Schubert · Winterreise, D. 911 · 5. Der LindenbaumHans Duhan, baritone, 1928
Robert Schumann · Kinderszenen, Op. 15 · No. 10 · Fast zu ernst — Almost Too SeriousDonald Betts, 2005
Robert Schumann · Kinderszenen, Op. 15 · No. 8 · Am Kamin — At the FiresideDonald Betts, 2005
Robert Schumann · Kinderszenen, Op. 15 · No. 3 · Hasche-Mann — Blind Man’s BuffDonald Betts, 2005
Robert Schumann · Kinderszenen, Op. 15 · No. 12 · Kind im Einschlummern — Child Falling AsleepDonald Betts, 2005
Robert Schumann · Kinderszenen, Op. 15 · No. 2 · Kuriose Geschichte — A Curious StoryDonald Betts, 2005
Robert Schumann · Kinderszenen, Op. 15 · No. 1 · Von fremden Ländern und Menschen — Of Foreign Lands and PeoplesDonald Betts, 2005
Robert Schumann · Kinderszenen, Op. 15 · No. 11 · Fürchtenmachen — FrighteningDonald Betts, 2005
Robert Schumann · Kinderszenen, Op. 15 · No. 5 · Glückes genug — Happy EnoughDonald Betts, 2005
Robert Schumann · Kinderszenen, Op. 15 · No. 6 · Wichtige Begebenheit — An Important EventDonald Betts, 2005
Robert Schumann · Kinderszenen, Op. 15 · No. 9 · Ritter vom Steckenpferd — Knight of the HobbyhorseDonald Betts, 2005
Robert Schumann · Kinderszenen, Op. 15 · No. 4 · Bittendes Kind — Pleading ChildDonald Betts, 2005
Robert Schumann · Kinderszenen, Op. 15 · No. 13 · Der Dichter spricht — The Poet SpeaksDonald Betts, 2005
Robert Schumann · Kinderszenen, Op. 15 · No. 7 · Träumerei — DreamingDonald Betts, 2005
Robert Schumann · Piano Concerto in A minor, Op. 54 · I. Allegro affettuosoSviatoslav Richter, Witold Rowicki, Warsaw National Philharmonic Orchestra
Alexander Scriabin · Étude in D♯ minor, Op. 8 No. 12 · PateticoAwadagin Pratt, piano, 2009
Alexander Scriabin · Piano Sonata No. 5, Op. 53 · Complete · Allegro impetuoso con stravaganzaVictor Merzhanov, piano
Dmitri Shostakovich · Symphony No. 5 in D minor, Op. 47 · II. AllegrettoPhilharmonic Symphony Orchestra of London, 1954
Dmitri Shostakovich · Symphony No. 5 in D minor, Op. 47 · IV. Allegro non troppoPhilharmonic Symphony Orchestra of London, 1954
Dmitri Shostakovich · Symphony No. 5 in D minor, Op. 47 · III. LargoPhilharmonic Symphony Orchestra of London, 1954
Dmitri Shostakovich · Symphony No. 5 in D minor, Op. 47 · I. ModeratoPhilharmonic Symphony Orchestra of London, 1954
Jean Sibelius · Finlandia, Op. 26 · Abridged for one 12-inch sidePhiladelphia Orchestra, 1921
Jean Sibelius · Symphony No. 2 in D major, Op. 43 · Complete: I. Allegretto · II. Tempo andante, ma rubato · III. Vivacissimo · IV. Finale: Allegro moderatoLondon Symphony Orchestra, 1958
Jean Sibelius · Valse triste, Op. 44 No. 1Judith Bokor, 1925
Bedřich Smetana · String Quartet No. 1 in E minor, “From My Life” · CompleteCurtis String Quartet: Jascha Brodsky, violin I, 1940
Bedřich Smetana · Má vlast · II. VltavaMusopen Symphony Orchestra
Igor Stravinsky · The Firebird · Infernal Dance of KashcheiUnited States Marine Band
Igor Stravinsky · Petrushka (1911 original version) · IV. The Shrovetide Fair (evening)Orchestre de la Suisse Romande, 1957
Igor Stravinsky · Petrushka (1911 original version) · I. The Shrovetide FairOrchestre de la Suisse Romande, 1957
Igor Stravinsky · Petrushka (1911 original version) · III. The Moor’s roomOrchestre de la Suisse Romande, 1957
Igor Stravinsky · Petrushka (1911 original version) · II. Petrushka’s roomOrchestre de la Suisse Romande, 1957
Igor Stravinsky · The Rite of Spring · Part I. Adoration of the EarthColumbia Symphony Orchestra, 1960
Igor Stravinsky · The Rite of Spring · Part II. The SacrificeColumbia Symphony Orchestra, 1960
Pyotr Ilyich Tchaikovsky · Symphony No. 6 in B minor, Op. 74 “Pathétique” · I. Adagio — Allegro non troppoMusopen Symphony
Pyotr Ilyich Tchaikovsky · Symphony No. 6 in B minor, Op. 74 “Pathétique” · II. Allegro con graziaMusopen Symphony
Pyotr Ilyich Tchaikovsky · Symphony No. 6 in B minor, Op. 74 “Pathétique” · III. Allegro molto vivaceMusopen Symphony
Pyotr Ilyich Tchaikovsky · Symphony No. 6 in B minor “Pathétique”, Op. 74 · IV. Finale — Adagio lamentosoBerlin Philharmonic Orchestra, 1938
Pyotr Ilyich Tchaikovsky · Symphony No. 6 in B minor “Pathétique”, Op. 74 · IV. Finale — Adagio lamentosoMusopen Symphony
Pyotr Ilyich Tchaikovsky · Piano Concerto No. 1 in B♭ minor, Op. 23 · I. Allegro non troppo e molto maestoso — Allegro con spiritoMusopen recording
Pyotr Ilyich Tchaikovsky · Piano Concerto No. 1 in B♭ minor, Op. 23 · II. Andantino semplice — PrestissimoMusopen recording
Pyotr Ilyich Tchaikovsky · Piano Concerto No. 1 in B♭ minor, Op. 23 · III. Allegro con fuocoMusopen recording
Pyotr Ilyich Tchaikovsky · Nutcracker Suite — Waltz of the Flowers · Opening disc side onlyNational Symphony Orchestra of London, Stanford Robinson, 1945
Pyotr Ilyich Tchaikovsky · Nutcracker Suite — Waltz of the Flowers · Opening disc side onlyPhiladelphia Orchestra, Leopold Stokowski, 1934
Pyotr Ilyich Tchaikovsky · The Nutcracker, Op. 71 · Act II, No. 13 · Waltz of the FlowersUnited States Air Force Band, Concert Band, 1996
Ralph Vaughan Williams · English Folk Song SuiteColumbia Broadcasting Symphony, 1939
Ralph Vaughan Williams · The Lark AscendingDavid Wise, violin, 1947
Ralph Vaughan Williams · Symphony No. 4 · I. AllegroBBC Symphony Orchestra, 1937
Ralph Vaughan Williams · Fantasia on a Theme by Thomas TallisThe U.S. Army Strings, U.S. Army Band “Pershing’s Own”
Giuseppe Verdi · Nabucco · Act III: Va, pensiero, sull’ali dorateChorus and Orchestra of La Scala, 1955
Giuseppe Verdi · Messa da Requiem · Dies irae — opening number of the sequenceOrchestra and Choir of Teatro Reale dell’Opera di Roma (current Commons attribution, 1900
Giuseppe Verdi · La traviata · Act I · PreludeNew York Philharmonic, Arturo Toscanini, 1929
Heitor Villa-Lobos · Bachianas Brasileiras No. 5 · I. Ária (Cantilena)Bidú Sayão, soprano, 1945
Heitor Villa-Lobos · Chôros No. 7 (Septeto)Victor Brazilian Orchestra (Orquestra Victor Brasileira), 1932
Antonio Vivaldi · The Four Seasons · Spring, RV 269 · I. AllegroThe Modena Chamber Orchestra (source attribution
Antonio Vivaldi · The Four Seasons · Spring, RV 269 · I. AllegroJohn Harrison, violin, 2000
Antonio Vivaldi · The Four Seasons · Spring, RV 269 · III. Allegro — Danza pastoraleJohn Harrison, violin, 2000
Antonio Vivaldi · The Four Seasons · Spring, RV 269 · II. LargoJohn Harrison, violin, 2000
Antonio Vivaldi · The Four Seasons · Winter, RV 297 · I. Allegro non moltoJohn Harrison, violin, 2000
Antonio Vivaldi · The Four Seasons · Winter, RV 297 · III. AllegroJohn Harrison, violin, 2000
Antonio Vivaldi · The Four Seasons · Winter, RV 297 · II. LargoJohn Harrison, violin, 2000
· Song of the Volga Boatmen · Arrangement by Chaliapin and KenemanFyodor Chaliapin, bass, 1922
· Song of the Volga Boatmen · Arrangement by Chaliapin and KenemanFyodor Chaliapin, bass, 1927
Richard Wagner · Siegfried Idyll, WWV 103Modern Chamber Orchestra, 1925
Richard Wagner · Tannhäuser, WWV 70 · Overture — concert-band arrangementUnited States Marine Band, 1995
Richard Wagner · Tristan und Isolde, WWV 90 · Liebestod — “Mild und leise”Nanny Larsen-Todsen, soprano, 1928
Richard Wagner · Tristan und Isolde, WWV 90 · Prelude to Act I — concert versionFulda Symphonic Orchestra, 2004
Richard Wagner · Die Walküre, WWV 86B · Ride of the Valkyries — orchestral excerptAmerican Symphony Orchestra, 1921
Anton Webern · Six Pieces for Orchestra, Op. 6 · IV. Langsam (Marcia funebre)Columbia Symphony Orchestra
Anton Webern · Symphony, Op. 21 · II. VariationenParis Chamber Orchestra
Scores and alignments
The alignment files identify the score source, edition, method and review status. The Hall displays the available score views beside the recording.
- Johann Sebastian Bach · Brandenburg Concerto No. 5, BWV 1050 — alignment data provisional · score source · Public Domain
- Johann Sebastian Bach · Cello Suite No. 1, BWV 1007 — alignment data provisional · score source · Public Domain
- Johann Sebastian Bach · Goldberg Variations, BWV 988 — alignment data provisional · score source · CC BY-SA 3.0
- Johann Sebastian Bach · Partita No. 2, BWV 1004 — alignment data provisional · score source · CC BY-SA 3.0
- Johann Sebastian Bach · The Well-Tempered Clavier, Book I · BWV 869 — alignment data provisional · score source · Public Domain
- Amy Beach · The Year’s at the Spring — alignment data provisional · score source · CC0 1.0
- Amy Beach · The Year’s at the Spring — alignment data provisional · score source · CC0 1.0
- Amy Beach · The Year’s at the Spring — alignment data provisional · score source · CC0 1.0
- Ludwig van Beethoven · Symphony No. 5 in C minor, Op. 67 — alignment data provisional · score source · Public Domain
- Ludwig van Beethoven · Symphony No. 5 in C minor, Op. 67 — alignment data provisional · score source · Public Domain
- Ludwig van Beethoven · Symphony No. 5 in C minor, Op. 67 — alignment data provisional · score source · Public Domain
- Ludwig van Beethoven · Symphony No. 5, Op. 67 — alignment data provisional · score source · Public Domain
- Ludwig van Beethoven · Piano Sonata No. 23, Op. 57 “Appassionata” — alignment data provisional · score source · Public Domain
- Ludwig van Beethoven · Piano Sonata No. 23, Op. 57 “Appassionata” — alignment data provisional · score source · Public Domain
- Johannes Brahms · Symphony No. 3 in F major, Op. 90 — alignment data provisional · score source · CC0 1.0 Universal
- Johannes Brahms · Symphony No. 1 in C minor, Op. 68 — alignment data provisional · score source · CC0 1.0 Universal
- Frédéric Chopin · Ballade No. 1, Op. 23 — alignment data provisional · score source · CC BY-SA 4.0
- Frédéric Chopin · Ballade No. 4 in F minor, Op. 52 — alignment data provisional · score source · Public Domain
- Frédéric Chopin · Étude in G♭ major, Op. 10 No. 5; Étude in G♭ major, Op. 25 No. 9 — alignment data provisional · score source · CC BY 4.01
- Frédéric Chopin · Étude in G♯ minor, Op. 25 No. 6 (“Thirds”) — alignment data provisional · score source · CC BY 4.01
- Frédéric Chopin · Étude in G♯ minor, Op. 25 No. 6 (“Thirds”) — alignment data provisional · score source · CC BY 4.01
- Frédéric Chopin · Étude in G♭ major, Op. 25 No. 9 (“Butterfly”) — alignment data provisional · score source · CC BY 4.01
- Frédéric Chopin · Étude in G♭ major, Op. 25 No. 9 (“Butterfly”) — alignment data provisional · score source · CC BY 4.01
- Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2 — alignment data provisional · score source · CC BY 4.01
- Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2 — alignment data provisional · score source · CC BY 4.01
- Frédéric Chopin · Nocturne in F♯ major, Op. 15 No. 2 — alignment data provisional · score source · CC BY 4.01
- Frédéric Chopin · Nocturne in D♭ major, Op. 27 No. 2 — alignment data provisional · score source · CC BY-SA 3.0
- Frédéric Chopin · Nocturne in D♭ major, Op. 27 No. 2 — alignment data provisional · score source · CC BY-SA 3.0
- Frédéric Chopin · Nocturne in E♭ major, Op. 9 No. 2 — alignment data provisional · score source · CC BY-SA 3.0
- Frédéric Chopin · Nocturne in E♭ major, Op. 9 No. 2 — alignment data provisional · score source · CC BY-SA 3.0
- Frédéric Chopin · Prelude in E minor, Op. 28 No. 4 — alignment data provisional · score source · Public Domain
- Frédéric Chopin · Prelude in E minor, Op. 28 No. 4 — alignment data provisional · score source · Public Domain
- Frédéric Chopin · Waltz in D♭ major, Op. 64 No. 1 (“Minute”) — alignment data provisional · score source · Public Domain
- Frédéric Chopin · Waltz in D♭ major, Op. 64 No. 1 (“Minute”) — alignment data provisional · score source · Public Domain
- Frédéric Chopin · Waltz in D♭ major, Op. 64 No. 1 (“Minute”) — alignment data provisional · score source · Public Domain
- Claude Debussy · Suite bergamasque — alignment data provisional · score source · Public Domain
- Fanny Hensel · Warum sind denn die Rosen so blass — alignment data provisional · score source · CC0 1.0
- Edvard Grieg · Wedding Day at Troldhaugen, Op. 65 No. 6 — alignment data provisional · score source · Public Domain
- George Frideric Handel · Messiah, HWV 56 — alignment data provisional · score source · Public Domain
- George Frideric Handel · Messiah, HWV 56 — alignment data provisional · score source · Public Domain
- Wolfgang Amadeus Mozart · Requiem in D minor, K. 626 — alignment data provisional · score source · Public Domain
- Sergei Rachmaninoff · Prelude in C♯ minor, Op. 3 No. 2 — alignment data provisional · score source · CC BY-SA 4.0
- Sergei Rachmaninoff · Prelude in C♯ minor, Op. 3 No. 2 — alignment data provisional · score source · CC BY-SA 4.0
- Sergei Rachmaninoff · Prelude in C♯ minor, Op. 3 No. 2 — alignment data provisional · score source · CC BY-SA 4.0
- Sergei Rachmaninoff · Prelude in G minor, Op. 23 No. 5 — alignment data provisional · score source · CC BY-SA 4.0
- Maurice Ravel · String Quartet in F major — alignment data provisional · score source · CC0 1.0
- Erik Satie · Trois Gymnopédies — alignment data provisional · score source · Public Domain
- Franz Schubert · Impromptu in G♭ major, D. 899 No. 3 — alignment data provisional · score source · Public Domain
- Franz Schubert · Winterreise, D. 911 — alignment data provisional · score source · CC0 1.0
- Robert Schumann · Kinderszenen, Op. 15 — alignment data provisional · score source · CC BY 3.0
- Robert Schumann · Kinderszenen, Op. 15 — alignment data provisional · score source · CC BY 3.0
- Robert Schumann · Kinderszenen, Op. 15 — alignment data provisional · score source · Public Domain
- Robert Schumann · Kinderszenen, Op. 15 — alignment data provisional · score source · Public Domain
- Robert Schumann · Kinderszenen, Op. 15 — alignment data provisional · score source · CC BY 3.0
- Robert Schumann · Kinderszenen, Op. 15 — alignment data provisional · score source · CC BY 3.0
- Robert Schumann · Kinderszenen, Op. 15 — alignment data provisional · score source · Public Domain
- Antonio Vivaldi · The Four Seasons · Spring, RV 269 — alignment data provisional · score source · CC BY-SA 3.0
- Antonio Vivaldi · The Four Seasons · Spring, RV 269 — alignment data provisional · score source · CC BY-SA 3.0
- Antonio Vivaldi · The Four Seasons · Winter, RV 297 — alignment data provisional · score source · CC BY-SA 3.0
- Antonio Vivaldi · The Four Seasons · Winter, RV 297 — alignment data provisional · score source · CC BY-SA 3.0
- Antonio Vivaldi · The Four Seasons · Winter, RV 297 — alignment data provisional · score source · CC BY-SA 3.0
- First Editions of Fryderyk Chopin's Music. Copyright 2017-2021 The Fryderyk Chopin Institute. Website · Digital scores · License.
Further reading: the history of recording
- Timothy Day, A Century of Recorded Music: Listening to Musical History (Yale University Press, 2002 paperback). recording history
Examines how recording changed listening and musical performance.
- Mark Katz, Capturing Sound (University of California Press, 2010 edition). recording history
Studies the effects of recording technology on music-making and listening.
- Robert Philip, Performing Music in the Age of Recording (Yale University Press, 2004). recording history
Studies recorded performance as evidence of changing musical practice.
Further reading: performance practice
- Clive Brown, Classical and Romantic Performing Practice, second edition (Oxford University Press, 2025). study
Historical performing conventions in Classical and Romantic repertory.
- John Butt, Playing with History: The Historical Approach to Musical Performance (Cambridge University Press, 2002). study
Examines the intellectual claims of historically informed performance, including authenticity, intention, modernism and postmodernism.
- Robert Philip, Performing Music in the Age of Recording (Yale University Press, 2004). recording history
Studies recorded performance as evidence of changing musical practice.
Cite this page
Contrapunctus. “Sources & method.” Accessed 20 October 2026. https://mottopanikeiku.github.io/contrapunctus/sources.html.
@misc{contrapunctus-sources,
author = {{Contrapunctus}},
title = {Sources \& method},
howpublished = {\url{https://mottopanikeiku.github.io/contrapunctus/sources.html}},
note = {Accessed 2026-10-20}
}