Contrapunctus

Alexander Borodin / III. Romanticism

String Quartet No. 2

1881 · Two violins, viola and cello

Dedicated to his wife. The Notturno and the second theme of the Scherzo were adapted for Kismet (1953).

9 min

Recording

  1. III. Notturno — AndanteMusopen String Quartet, as credited on Wikimedia Commons; players not named
    9:07

    The Notturno, marked Andante, is the slow third movement of Borodin’s String Quartet No. 2 in D major. It is in A major, and the cello plays the main theme over a syncopated accompaniment. Wright and Forrest adapted that theme in 1953 for the musical Kismet.

    Listening notes
    1. Opening cello theme

      The cello plays the theme, marked solo and cantab. ed espressivo, in A major and 3/4, over a rocking syncopated accompaniment in the second violin and viola. The first violin rests. The cello part lies high, on ledger lines above the bass staff.

    2. First violin at letter A

      At letter A the first violin enters high in its range, marked p cant. e espress., while the cello holds dotted minims marked p, one to a bar.

    3. Dedication to Ekaterina, 1881

      Borodin wrote the quartet in the summer of 1881 and dedicated it to his wife, Ekaterina. He had just returned from a German tour that included Heidelberg, where they had met in 1861.

    4. Faster central section

      At letter B the tempo changes to a tempo più mosso, with accents in the cello part. David Fanning’s note says the faster central section lets the second violin join in a dialogue on rising scales.

    5. Use in Kismet, 1953

      In 1953 Robert Wright and George Forrest used this movement’s main theme for the song “And This Is My Beloved” in Kismet. The second theme of the Scherzo became “Baubles, Bangles and Beads”.

    6. Letter C, cello cantabile

      At letter C the cello plays a cantabile line marked p. A crescendo follows, marked sempre cresc., through f risoluto to ff with trills.

    7. Return of the theme, cello

      At letter D the opening tempo returns and the cello plays the theme again, fp, marked cant. espressivo.

    8. Cello pizzicato, letter E

      At letter E the cello plays pizzicato, marked mf, in repeated three-note figures that run for some twenty bars.

    9. Cello arco at letter F

      At letter F the cello returns to the bow with held notes marked p, and the pizzicato figures stop.

    10. Final cello statement, letter G

      At letter G the cello rises in a last statement marked fp espress. e cantab.

    11. Final bars

      The last phrase is marked dim. perdendosi, and the movement ends on a held note under a pause.

    Open in the Concert Hall

More by Borodin