Contrapunctus

Edvard Grieg / III. Romanticism

From Holberg’s Time (Holberg Suite)

1884–⁠85 · Op. 40 · String orchestra; also piano

A suite in the old style for the bicentenary of Ludvig Holberg, born in Bergen in 1684: Praeludium, Sarabande, Gavotte, Air, Rigaudon.

5 min

Recording

  1. IV. Air — Andante religiosoMarine Chamber Orchestra of the United States Marine Band; Maj. Jason K. Fettig, conductor · 17 August 2013, Alexandria, Virginia
    5:17

    The Air, marked Andante religioso, is the slow G minor fourth movement of Grieg’s From Holberg’s Time, Op. 40, for strings, written in honour of a playwright born in Bergen in 1684. The Marine Chamber Orchestra plays it under Jason K. Fettig.

    Listening notes
    1. Air, G minor

      Andante religioso, G minor, in 3/4, marked cantabile. The upper and lower strings share the melody. Suspensions run through the harmony, with notes held against the chord and then resolved.

    2. Repeat of the opening strain

      The opening strain is played a second time, as its repeat sign directs, with its crescendo and diminuendo.

    3. Middle section in B♭ major

      The middle section moves to B♭ major, the relative major. Here Grieg uses the full sonority of the Romantic string orchestra, and the music builds steadily.

    4. Holberg bicentenary, 1884

      Grieg called From Holberg’s Time “a good exercise for concealing one’s own personality”. He wrote it for the 200th anniversary of Ludvig Holberg’s birth, on 3 December 1884, first as a piano suite and then, in 1885, for strings.

    5. Return of the opening melody

      The opening melody returns in G minor, shared between the upper and lower strings. The music builds to a climax near the end; in Grieg’s piano version the melody returns in the left hand at bar 107 and builds to ffz at bar 121.

    6. Closing bars

      After the last climax the tempo slows and the texture thins, with dim. and ritardando leading down to pp. The final chord is held under a pause.

    Open in the Concert Hall

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