
Má vlast (My Country)
13 min
Recording
- II. VltavaMusopen Symphony Orchestra12:51
Vltava, the second part of Má vlast, follows the river from two spring streams through Bohemia to Prague, according to the programme that Smetana approved. He finished it on 8 December 1874, seven weeks after he lost his hearing.
Listening notes
- Opening: the two springs
The programme begins with two spring streams, one warm and lively, the other cool and sluggish, that join to form the river. The score opens with two flutes marked solo over pizzicato strings. The clarinets join them in the running figures that follow.
- Main theme in E minor
At bar 40 the first violins, with the oboes, play the main theme in 6/8. It begins with an upbeat B, then E–F♯–G–A and a repeated B. The second violins, violas and cellos run in semiquavers marked sempre ondeggiante.
- Composition after deafness, 1874
Smetana’s right ear had already failed when he lost the hearing in his left on the morning of 20 October 1874. He began Vltava on 20 November and finished it on 8 December.
- Forest hunt
In the programme Smetana approved, the river flows through dark forest, where the horns sound a hunt.
- Peasant wedding
The programme next passes meadows where country people hold a wedding feast, with cheerful tunes and a round dance.
- First performance, Prague, 1875
Vltava was first played on 4 April 1875 at the Žofín hall in Prague under Adolf Čech. The concert was Smetana’s own, given to pay for consultations with specialists about his hearing.
- Moonlight episode, the nymphs
In the programme, nymphs dance in a ring at night over the silver surface of the river, and old castles look down in silence.
- St John’s Rapids
In the programme, the river is hemmed in by rocks and hills and foams through a narrow valley, forming rapids and dangerous whirlpools.
- After the rapids
After the rapids, the programme has the river flow in majestic breadth towards Prague.
- Letter to Adolf Čech, 1882
After the first complete performance of Má vlast on 5 November 1882, Smetana wrote to the conductor Adolf Čech: “It was as if I had heard one piece after another, in spirit but almost in reality.”
- Vyšehrad and the river’s end
In the programme the river flows towards Prague, where the famous old Vyšehrad greets it from its rock, and then loses itself in the far distance.