Contrapunctus

Aaron Copland / VI. Modernism

Fanfare for the Common Man

1942 · Brass, timpani, bass drum and tam-tam

Written for Eugene Goossens’s wartime fanfare project. The percussion plays first, and the brass answers. Première: Cincinnati, 12 March 1943.

3 min

Recording

  1. Fanfare for the Common ManHartford Symphony Orchestra; Fritz Mahler
    2:47

    Fritz Mahler and the Hartford Symphony Orchestra play Copland’s wartime Fanfare for the Common Man. Timpani, bass drum and tam-tam open it before the trumpets enter, and the rising trumpet calls end on an unexpected D major chord.

    Listening notes
    1. Percussion opening and trumpet entry

      Timpani, bass drum and tam-tam open the piece with strokes separated by silence. The trumpets then enter with a figure that rises in two short notes and a long one. Copland uses both the percussion strokes and the rising trumpet figure throughout the piece.

    2. Rising and descending figures

      The rising calls alternate with evenly paced notes moving downwards. The descending phrases grow longer as more of the brass joins, with extended passages in bars 26–⁠34 and 36–⁠40. The short rising flourish recurs between the heavier descending passages.

    3. Final chord in D major

      At the end the rising call slows into three weighty notes. The music has centred on B♭ for most of its length. The final chord is D major.

    Open in the Concert Hall

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