Contrapunctus

Manuel de Falla / V. The French Line

El sombrero de tres picos

1919 · Ballet; orchestra

Massine’s ballet for the Ballets Russes, with Picasso’s curtain, sets and costumes, first danced at the Alhambra Theatre, London, on 22 July 1919. Falla drew two suites from it in 1921.

3 min

Recording

  1. Suite No. 2: Danza del molinero (Farruca)Orquesta Sinfónica de Madrid; Enrique Fernández Arbós · 1928
    2:39

    In this Farruca from Falla’s ballet El sombrero de tres picos, the miller dances alone on St John’s Night. Enrique Fernández Arbós, who conducted the first performance of Falla’s Nights in 1916, conducted his Madrid orchestra in this Columbia recording of 1928.

    Listening notes
    1. The Miller’s dance, St John’s Night

      On St John’s Night the neighbours gather at the mill, and the Miller’s Wife asks her husband to dance for them. He dances a farruca, which John Henken called “dark and fiery” and “the earthiest dance in the ballet”.

    2. Danse du Meunier, piano score

      The piano score marks the dance Moderato assai, “molto ritmico e pesante”. Heavy chords drop to a sudden pianissimo (“pp subito”) and grow louder again through a long “cresc. molto”, with a tune marked “il canto” above them.

    3. London première cast, 1919

      At the London première on 22 July 1919 Léonide Massine, who also choreographed the ballet, danced the Miller, and Tamara Karsavina was the Miller’s Wife. Picasso designed the curtain, scenery and costumes.

    4. Final page, increasing tempo

      The last page of the piano score is marked “pochissimo più mosso, ma ritmico”, then “più animato” and “animando ancora sino il fine”. The tempo increases up to the final chords, which are marked fff. In the ballet a knock at the door follows, and the Law arrives with a warrant for the miller.

    Open in the Concert Hall

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