Contrapunctus

Manuel de Falla / V. The French Line

Siete canciones populares españolas

1914 · Voice and piano

Seven traditional songs with piano parts by Falla: El paño moruno, Seguidilla murciana, Asturiana, Jota, Nana, Canción and Polo. Luisa Vela and Falla gave the first performance at the Ateneo de Madrid on 15 January 1915.

3 min

Recording

  1. No. 4, JotaMaría Barrientos, soprano; Manuel de Falla, piano · 1928
    3:05

    María Barrientos sings Jota, the fourth of the Seven Popular Spanish Songs, with the composer at the piano, in a recording made for Columbia in Paris in 1928. A long piano introduction in 3/8 precedes the voice, which sings a lover’s farewell to his girl until tomorrow.

    Listening notes
    1. Piano introduction in 3/8

      The piano begins alone, pianissimo, in 3/8 at Allegro vivo. Quick turning figures sit above repeated chords marked staccato sempre. The voice is silent through a long introduction and enters at the change to 3/4.

    2. Entry of the soprano

      The metre changes to 3/4, Poco meno vivo. The soprano enters with the first couplet, “Dicen que no nos queremos / porque no nos ven hablar; a tu corazón y al mío / se lo pueden preguntar”.

    3. Recording with Falla, Paris, 1928

      The pianist is the composer. Columbia recorded María Barrientos with Falla in Paris on 31 March 1928, and the Jota was issued on a French Columbia disc.

    4. Second couplet, “Ya me despido de ti”

      After the piano returns to the opening tempo, the second couplet begins: “Ya me despido de ti”. The singer takes leave of the girl, her house and her window, and even if her mother objects, says goodbye until tomorrow.

    5. Final page, Tranquillo

      The last page slows to Tranquillo (crotchet = 76). The soprano, marked “lontano”, sings “even if your mother does not wish it”, and the piano makes a rit. molto and drops to triple piano.

    Open in the Concert Hall

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